- 1 day ago
Carnival of Souls 1962 Remastered
Category
🎥
Short filmTranscript
00:00:10Hey, Joe, drag your foot, boy. Look what we got here.
00:00:14Hey, you want to drag, huh?
00:00:16Sure.
00:00:18Come on, man. Get ready.
00:00:38I'll show them how to drive. Just watch me.
00:01:01Come on.
00:01:32Come on.
00:02:00Come on.
00:02:02Come on.
00:02:04Come on.
00:02:06Come on.
00:02:08Come on.
00:02:10Come on.
00:02:12Come on.
00:02:14Come on.
00:02:15Come on.
00:02:17Come on.
00:02:19Come on.
00:02:21Come on.
00:02:27Come on.
00:02:27Come on.
00:02:28Come on.
00:02:43Come on.
00:02:46Come on.
00:02:47Come on.
00:02:49Come on.
00:03:10Come on.
00:03:18Come on.
00:03:20Come on.
00:03:23Come on.
00:03:29Come on.
00:03:34Come on.
00:03:37Come on.
00:03:37Come on.
00:03:38Come on.
00:04:02Come on.
00:04:16Come on.
00:04:20Come on.
00:04:42Come on, let's get down there.
00:05:03Why, it's Mary Henry.
00:05:06Are you all right?
00:05:08How'd you get out?
00:05:10Here, put this on. We'd better get you back to town.
00:05:16What about the other girls?
00:05:22I don't remember.
00:05:42I don't remember.
00:05:45What's this?
00:05:47I'm a girl.
00:05:48What's this?
00:05:49You better see me.
00:05:50I'm a girl.
00:05:51I'm a girl.
00:05:54I'm a girl.
00:05:55I'm a girl.
00:05:56I'm a girl.
00:05:58I'm a girl.
00:06:00I'm a girl.
00:08:46Mary, it takes more than intellect to be a musician.
00:08:50Put your soul into it a little.
00:08:53Okay?
00:09:00Good luck, Mary.
00:09:03Stop by and see us the next time you're in.
00:09:07But I'm never coming back.
00:09:08I'll be back.
00:09:31Come on.
00:09:39Come on.
00:10:10Come on.
00:10:44Come on.
00:11:09Come on.
00:11:43Come on.
00:11:51Come on.
00:12:15Come on.
00:12:15Come on.
00:13:07Come on.
00:13:09Come on.
00:13:11Come on.
00:13:12Come on.
00:13:18Come on.
00:14:05Come on.
00:14:08I have an address here of a rooming house.
00:14:11Could you direct me?
00:14:13Oh, sure.
00:14:14Well, that's just right over here, little ways.
00:14:25I've been saving it for you since I've been saving it for you since I got your letter.
00:14:31Could have rented it for you.
00:14:33Could have rented it for you.
00:14:33Could have rented it for you.
00:14:55You can take it for you, too.
00:14:59You can take it for you.
00:15:01I'm not going to take it for you, too.
00:15:05I'm going to have a lot of people.
00:15:08I'm not going to have a lot of work.
00:15:08I'm going to have a lot of work.
00:15:10I'm going to have a lot of work.
00:15:16I'm going to have a lot of work.
00:15:17I'm going to have a lot of work.
00:15:23I'm going to have a lot of work.
00:15:52I'm going to have a lot of work.
00:16:22And this, Miss Henry, is our project.
00:16:25Pride and joy.
00:16:26You know, this was made in the same town where I've been studying.
00:16:29Of course. That's where we heard about you.
00:16:33Oh, by the way, you have found a place to stay.
00:16:35Yes, I have a room.
00:16:36Good.
00:16:37Well, we hope you're going to like it here.
00:16:40We're not the largest church in this area, of course,
00:16:43but we have a nice congregation.
00:16:47We'll have to have some sort of reception.
00:16:49They'll want to meet you.
00:16:51Couldn't we just skip that?
00:16:52Skip that?
00:16:53Well, I don't suppose it's an absolute necessity.
00:16:57I don't know what some of the ladies will say.
00:17:00If they say I'm a fine organist, that should be enough, shouldn't it?
00:17:04Well, yes, of course.
00:17:06We'll let it go at that for the time being.
00:17:09But, my dear,
00:17:12you cannot live in isolation from the human race, you know.
00:17:17Mind if I try this now?
00:17:19Well, I want you to.
00:17:43I'll be next door at the Vance, if you need me.
00:17:47I'll be next door at the Vance, if you need me.
00:18:02We have an organist capable of stirring the soul.
00:18:16We have an organist capable of stirring the soul.
00:18:21I'll be next door at the Vance, if you need me.
00:19:02What do you see?
00:19:05Oh, nothing. Nothing at all. I've practiced the whole afternoon and it's gotten me in the mood.
00:19:10You need some fresh air. I've got to make a call out past the lake. Would you like to come
00:19:16along for the ride?
00:19:17You know that old pavilion out there?
00:19:20Will we pass it?
00:19:21Go right by it. Stop and look at it if you like.
00:19:24I would, with you along.
00:19:26Good.
00:19:27Good.
00:19:41Good.
00:19:43Good.
00:20:03This was quite a place, but it's been deserted for a long time now.
00:20:08Will you take me in?
00:20:09My goodness, no.
00:20:11It isn't safe out there anymore.
00:20:13That's why they put up this barrier.
00:20:15It'd be very easy to step around it.
00:20:18What attraction could there be for you out there?
00:20:22I'm not sure.
00:20:24I'm a reasonable person.
00:20:25I don't know.
00:20:26Maybe I want to satisfy myself that the place is nothing more than it appears to be.
00:20:32Would you take me out there?
00:20:34No.
00:20:34The law has placed it off limits.
00:20:37It wouldn't be very seemly for a minister to break the law, would it?
00:20:40No.
00:20:41Well, maybe I can come back some other time.
00:20:46Shall we go along now?
00:20:48No.
00:20:48No.
00:20:48No.
00:20:48No.
00:20:48No.
00:20:48No.
00:21:15So, I thought that would be you.
00:21:16Good evening.
00:21:18That organ playing must take a long time.
00:21:21You've been gone almost the whole day.
00:21:23I went for a long drive in the country with my new boss,
00:21:27an elderly minister.
00:21:30Oh, that must have been a kick in the head.
00:21:35I learned that from the other boarder, Mr. Linden.
00:21:39Did you get your supper?
00:21:40Oh, I forgot.
00:21:43Well, there ain't no boarding house,
00:21:45but I got some coffee and the sandwich makings left.
00:21:49I could bring you some up after a while.
00:21:51Good.
00:21:52I'll be taking one of those baths you're so generous with.
00:21:55Well, take as many as you want.
00:21:57I ain't one to make a fuss about a thing like that.
00:22:23I don't know.
00:22:41I ain't one to make a fuss.
00:22:42I don't know.
00:22:42I don't know.
00:22:46Come in, Mrs. Thomas.
00:22:50Just a minute.
00:23:13I thought you were in Mrs. Thomas.
00:23:16Yeah, I wondered when you asked me in.
00:23:19I'm John Linden. I'm your neighbor right across the hall.
00:23:21Nice to meet you. Would you excuse me?
00:23:23Hey, I... I just wondered if you're not doing...
00:23:25Just a minute. Stand right there.
00:23:53I forgot to introduce myself. I'm Mary Henry.
00:23:56Yeah, I know.
00:23:58I heard you tell Mrs. Thomas you haven't eaten anything yet.
00:24:02I just thought, being able in all this...
00:24:05I haven't eaten anything either.
00:24:07I just thought we'd ask you out to dinner.
00:24:09That's very thoughtful of you, but I can't accept.
00:24:11I know, I know. We haven't met or anything yet,
00:24:14but I just thought...
00:24:14I'm sorry. Are you allowed to excuse me?
00:24:17Look, there's a really nice restaurant,
00:24:19you know, right down the street,
00:24:20and I just thought...
00:24:21I'm just kind of a guy who doesn't like to eat by himself.
00:24:24I've made arrangements to eat in my room tonight.
00:24:27Hey, if you change your mind, you just holler.
00:24:34It looks kind of lonesome in here.
00:24:37Good night, Mr. Linden.
00:25:00I'm scared of these things.
00:25:01They're all you, aren't they?
00:25:01I'm scared of them.
00:25:02I can't see my mind.
00:25:04I'm scared of these things.
00:25:07I don't want to have a problem.
00:25:07I guess it's about you.
00:25:07Look, you look at my eyes.
00:25:07You look at your eyes.
00:25:07Maybe you look at your eyes.
00:25:08You look at your eyes.
00:25:10You look at the eyes.
00:25:11Yeah, you look at your eyes.
00:25:30Oh, my God!
00:26:01Miss Henry, it's Miss Thomas.
00:26:24Who's the man in the hall?
00:26:28Oh, you must mean Mr. Linden.
00:26:34He has the room across the hall.
00:26:37No, I mean the other one.
00:26:40There is no other.
00:26:44Me and you and Mr. Linden.
00:26:47Us three is all there is in this house.
00:26:50But you must have passed him out there.
00:26:53You're needing this food.
00:26:55On the back, eating makes you jumpy sometimes.
00:27:00Maybe you heard the boards pop or something.
00:27:03These old houses creak worse than my knees.
00:27:05I didn't hear him, Mrs. Thomas.
00:27:07I saw him.
00:27:12Now, don't talk that way.
00:27:15I don't sleep so good as it is.
00:27:19It's these old houses.
00:27:21They're big enough so that you can hide a man in every corner.
00:27:28You just gotta not let your imagination run away with me.
00:27:32Are you going out there?
00:27:33Well, of course.
00:27:55They don't get lost.
00:27:57They're all being gone.
00:28:00Can't be in the house.
00:28:00You're going to get away with me.
00:28:02There's a dinner I'm not going to get over.
00:28:05Don't drink the coffee. If coffee keeps you awake, it won't.
00:28:14Coffee never keeps me awake.
00:28:49어머er stata glass intersects with packed coffee or water.
00:28:49Coffee never breaks.
00:28:50Coffee never were ready for wine.
00:28:51Coffee never let go.
00:29:03PHONE RINGS
00:29:39Well, good morning.
00:29:41I heard your alarm. I knew you'd be up.
00:29:44Guess what I got.
00:29:45I can't imagine.
00:29:46Just what it takes to start the day off right.
00:29:49I make it in my room. You know, it saves me having to go out and get dressed up.
00:29:53I guess I had to get dressed to come over here anyway.
00:29:56Oh, it looks just like what I need.
00:29:59Well, and two cups of coffee coming up.
00:30:06Hey, uh, I guess you took a wrong last night about me coming to your door and all.
00:30:12I'm not a very sociable person ordinarily.
00:30:15How can I resist an inducement like this?
00:30:17What?
00:30:19Come on, I don't know all those big words.
00:30:21I'm just an ordinary guy who works in a warehouse, that's all.
00:30:25I make pretty good money, though.
00:30:26Hey, look, I got a couple of shots left over from last night.
00:30:30Do you want a little bit in yours?
00:30:31No, thanks. It's not the recommended breakfast for a church organist.
00:30:36Oh, is that what you do?
00:30:37Hey, you mean they pay somebody to play the organ in church?
00:30:40Some churches do.
00:30:43Hey, I hope you don't mind about this. I just didn't know you're a church woman.
00:30:47To me, a church is just a place of business.
00:30:50Well, that's a funny way to look at it.
00:30:52Why?
00:30:53People seem shocked because I took a job in a church and I regard it simply as a job.
00:30:59I'm a professional organist and I play for pay, that's all.
00:31:03Thinking like that, don't that give you nightmares?
00:31:07Strange, you should say that.
00:31:10As a matter of fact, not for that reason, mind you, but I had the strangest feeling last night.
00:31:17Yeah, I had kind of a lost night myself.
00:31:21It's funny.
00:31:23The world is so different in the daylight.
00:31:27But in the dark, your fantasies get so out of hand.
00:31:32But in the daylight, everything falls back into place again.
00:31:37Let's have no more nights.
00:31:40Or let's make them more interesting.
00:31:46Say, how'd you get to be a church organist?
00:31:48I studied in college.
00:31:50I could have gone to college.
00:31:53Yeah, I used to play pretty good football, but they wanted me to take a lot of classes and things,
00:31:57you know?
00:31:57Well, they're that way.
00:31:58Well, I'm just as smart as the next guy.
00:32:02Yeah, but I just didn't dig with the old teacher in school, you know?
00:32:04And the thing I hated most was principal products.
00:32:09Principal products?
00:32:10Yeah, you know, like the principal products of Brazil.
00:32:18Coffee, beans, a snake oil, you know, like that.
00:32:21When I was at school, I couldn't care less.
00:32:24What I cared about was girls.
00:32:26Didn't they offer a course in that?
00:32:29If I would have done that, I would have graduated.
00:32:33What's the matter? Can you still taste the coffee?
00:32:36Come on, what do you think, I'm an alcoholic?
00:32:39Look, I just like to start the day off in a good mood, that's all.
00:32:42You must be hilarious by noon.
00:32:44Look, I'm just the kind of a guy employers want, you know, the happy worker.
00:32:49Come on, come on, come on.
00:32:50Did I make you all morning happier?
00:32:52This morning, you're exactly what I needed.
00:32:55You're gonna need me in the evening too, you just don't know it yet.
00:33:00I'll rinse off these cups.
00:33:02Oh, no, no, no.
00:33:03Just spoils the flavor for tomorrow.
00:33:05Well, thank you for the coffee.
00:33:07It was unsanitary, but delicious.
00:33:10Well, uh, should have put some of the germ killer inside.
00:33:15Well, I, uh, hate to leave so early.
00:33:18I think you can get through the door.
00:33:21You know, you got the wrong impression of me.
00:33:23Well, I meant because you had so many things to carry.
00:33:26Oh.
00:33:27Well, like I said, I hate to leave.
00:33:30Well, it's been a pleasure, Mr. Linden, but I'm sure you have to get to work.
00:33:34Well, don't you?
00:33:34No, I'll have the whole day free for shopping.
00:33:49Does the hem hang right in back?
00:33:51We might change the hemline a little.
00:33:54The drape is just fine.
00:33:56Otherwise, it looks very nice.
00:33:58I'm sure it isn't very chic to take the second dress, but I like it.
00:34:02We altered a little here to make it straight all the way around.
00:34:06There, do you want to go back to your dressing room?
00:34:39Cool.
00:34:46I just like it.
00:34:48I can encourage you.
00:34:49... Aha.
00:34:49All right.
00:35:01After a long night,
00:35:30Can I come in?
00:35:31I believe I'll have you deliver the dress, if you don't mind.
00:35:35I did say I'd take it.
00:35:52What's the matter with her?
00:35:58What's the matter with everyone?
00:36:03Why don't they answer me?
00:36:07What's the matter with everyone?
00:37:47What is it?
00:37:49That man.
00:37:51I didn't mean any harm.
00:37:53I just stopped to get a drink.
00:37:55No.
00:37:57No.
00:37:58It was that man.
00:38:01That man.
00:38:05There was someone else there.
00:38:07That strange man was there.
00:38:09Now look.
00:38:10Look.
00:38:10You've had a fright.
00:38:11Hysteria won't solve anything.
00:38:13Now control yourself.
00:38:15Look.
00:38:15I'm Dr. Samuels.
00:38:17My office is right across the street there.
00:38:20You've had a shock.
00:38:23If you would like my assistance, I'd be glad to offer it.
00:38:27Could I come with you now?
00:38:28Certainly.
00:38:30I'll take her over to my office.
00:38:31We'll see that she's all right.
00:38:47It was more than just not being able to hear anything or make contact with anyone.
00:38:55It was as though...
00:38:58As though for a time I didn't exist.
00:39:03As though I had no place in the world.
00:39:06No part of the life around me.
00:39:10And then you saw this...
00:39:12This man.
00:39:14Yes.
00:39:18You'll excuse my back, but I wanted to get some of that written down.
00:39:22I must have been talking for an hour.
00:39:25Anything else?
00:39:26Anything you haven't told me?
00:39:28That's all there is.
00:39:30That's the whole story.
00:39:32He's been following me.
00:39:33That's all there is to it.
00:39:34It isn't that simple, though, is it?
00:39:37What do you mean?
00:39:39He could hardly have been in the park this afternoon, or one of us men would have seen him.
00:39:43And that night in the hallway.
00:39:44You said yourself that landlady came up a minute later, and she didn't see him, did she?
00:39:49What are you driving at?
00:39:51It's been less than a week since you were in a car that crashed into the river.
00:39:55How you got out of that, no one seems to know.
00:39:57But that experience must have been a serious emotional shock.
00:40:00You think I imagined all of it, don't you?
00:40:03You think I'm insane?
00:40:04I didn't say that.
00:40:05I don't mean that.
00:40:06I'm a competent person.
00:40:08If anything, I'm a realist.
00:40:09I'm not given to imagining anything.
00:40:12Hogwash.
00:40:13All of us imagine things.
00:40:16Have you never heard two men talking behind your back and imagined they were talking about you?
00:40:21Have you never imagined you saw someone you knew and walked up to them and found they were a perfect
00:40:25stranger?
00:40:26I don't see what this has to do with it.
00:40:28The point is this.
00:40:30Our imaginations play tricks on us.
00:40:32They often misinterpret what we see and hear.
00:40:35Do you agree?
00:40:36I suppose so.
00:40:38If that can happen in ordinary times, go a step further.
00:40:42Look what can happen in a high fever or following a serious emotional shock.
00:40:46It doesn't seem possible that I could have imagined all of it.
00:40:50Does this man, this figure, resemble anyone you've ever known?
00:40:54An acquaintance or your father?
00:40:56No.
00:40:56You have a boyfriend here or back home.
00:40:58No, and I have no desire for one.
00:41:00Never?
00:41:03I'm surprised to find myself saying that.
00:41:06But it's true.
00:41:08I have no desire for the close company of other people.
00:41:12Have you always felt this way?
00:41:16I don't know.
00:41:18Don't you want to join in the things that other people do?
00:41:21Share the experiences of other people?
00:41:23I don't seem capable of being very close to people.
00:41:26I do feel that perhaps I am trying to reach out for those other things.
00:41:31Do you feel guilty wanting them?
00:41:33I don't understand you.
00:41:36I'm not a psychiatrist, and perhaps I'm being clumsy at all this.
00:41:39But I am suggesting that perhaps this figure represents a guilt feeling.
00:41:43Oh, that's ridiculous.
00:41:45Maybe.
00:41:47Frankly, I don't know.
00:41:49Well, I know one thing.
00:41:52My imagination is playing tricks on me.
00:41:55I'm going to put a stop to it.
00:41:56You're a very strong-willed person, aren't you?
00:41:59I survive, if that's what you mean.
00:42:02That old pavilion out by the lake.
00:42:05Somehow you associate it with all this, don't you?
00:42:08I could go out there.
00:42:11I could put an end to that, too.
00:42:14I could go out there.
00:42:15Now, don't be hasty.
00:42:17If it is all my imagination, I could put a stop to it.
00:42:22Maybe, but at least someone should be with you.
00:42:24Now, I can't possibly get away now.
00:42:25As you say, doctor, I'm a person of strong will.
00:42:28And the time to go out there is now.
00:42:31And if I have to, I can go alone.
00:43:01You might have to get away now.
00:43:08Let's go.
00:43:35Let's go.
00:44:04Let's go.
00:44:39Let's go.
00:45:10Let's go.
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01:00:28Let's go.
01:00:28Let's go.
01:01:02Let's go.
01:01:32Let's go.
01:01:47Let's go.
01:01:56Let's go.
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01:02:48Let's go.
01:02:51Let's go.
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01:03:23Let's go.
01:03:25Let's go.
01:03:25Let's go.
01:03:36Let's go.
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01:05:51Let's go.
01:05:54Let's go.
01:05:57Let's go.
01:05:57Let's go.
01:05:57Let's go.
01:05:57Let's go.
01:05:57Let's go.
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01:07:23Let's go.
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01:07:26Let's go.
01:07:27Let's go.
01:07:27Let's go.
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01:07:48Let's go.
01:07:50Let's go.
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01:08:13Let's go.
01:08:44Don't close.
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01:17:29Let's go.
01:17:32Let's go.
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