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  • 13 hours ago
Gone S01E04 2026 Vertical Drama
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00:05I'm going to go to Nan and Grandas just for a few nights to make sure they're okay.
00:15Yeah, that's a good idea.
00:31He knew about the affair.
00:33Makes this big song and dance about not knowing anything, but he knew about the affair.
00:37Yeah, he's gone around to do something about it.
00:39He's clearly agitating, isn't he?
00:42Don't you think?
00:46If he lied to us about the affair, what else has he lied about?
00:54There's a chance that Sarah might not have been killed until his latest the Thursday.
00:59So the rugby match didn't help him?
01:01No, which means his alibi's gone.
01:03Which means his alibi's gone.
01:04We need to bring him in and see what else he's hiding.
01:07Where's Ivan?
01:08We'll call on the CPS so we can charge Stephen Satcher.
01:10Yes, but where?
01:11Not plenty of corroboration.
01:13And the forensics will be at the cottage, first thing.
01:16I know we don't judge a bug by its cover, but...
01:19Great.
01:19Can I just call you back?
01:27I want you to know, whatever happens, this is a safe place.
01:32What do you mean?
01:34It means you can come here, shut everything away.
01:37Everyone needs a place like that, don't they?
01:39Sorry, what do you mean safe?
01:41Oh, it's just...
01:43Just what your mum used to call it.
01:46Just to call it her safe place.
01:50Right, I'm gonna leave the landing light on.
01:53Just so you don't wake up and forget where you are.
01:56Okay?
01:57Yeah.
02:52Need a job.
02:57Michael Polley, I'm arresting you on suspicion of the murder of Sarah Polley.
03:04Michael Polley has been suspended and Alana Polley is still on compassionate leave.
03:09The other update is that the police are wanting to talk to you all individually.
03:15I've said I'm sure that won't be a problem for any of us given...
03:23Well, given what's happened.
03:25The message is we are co-operating in every way possible while continuing the time thing.
03:33Can we all please, let's just, let's please try not to take this back to our respective classrooms.
03:39All right, thank you everybody.
03:44My client would like to make the following statement.
03:48While he has of course been willing and happy to answer all of your questions, Mr Polley now
03:52believes he has stated more than once that there is nothing more substantial he can add,
03:56either in helping you find the person responsible for the death of his wife,
03:59or in terms of explaining his own whereabouts and actions during that time.
04:05As such, he will not be answering any more of your questions.
04:10Is that right, Michael?
04:13Why, when we asked you if there was anything else we should know,
04:15did you fail to mention your wife's affair with Stephen Sedgwick?
04:20Or the fact that you visited his property on the night she went missing,
04:26and you chose not to tell us?
04:29Michael?
04:33Would you like me to read this statement out again?
04:35Or did you hear it the first time?
04:43He's definitely hiding something, but that is not footage of a man committing a crime.
04:48Or even at a crime scene.
04:50Or, thinking about it, even anywhere near the victim of the crime.
04:53To be honest, I'm not sure it gives us anything.
04:55And Polly knows it.
04:56It shows us he lied, it shows us he gets angry, it shows motive.
04:58No, but it's not evidence.
04:59No, but it helps, that's how it works.
05:00We get there in stages.
05:02If it were me, I'd be working that timeline.
05:05Where were Michael Polly and Stephen Sedgwick during the three-day period
05:09between the last sighting of Sarah Polly and her body being found?
05:13They are our two most credible suspects,
05:15but we can't hold either of them without more evidence.
05:19We have to release them.
05:21So, let's get surveillance on Sedgwick's house as well.
05:28Boss?
05:30Look, I don't know if you know,
05:31but I was actually the first person on this case originally.
05:34I'm just wondering if there's any way I can go back to doing a bit more of that investigative work.
05:37You're the FLO.
05:38Alongside being the FLO.
05:40Annie, that's the job you've been given.
05:41And I like it.
05:42I really...
05:42So, keep doing it, please.
05:43Let the team focus on Michael Polly and Stephen Sedgwick,
05:46and don't go over Ivan's head.
05:48I...
05:48No.
05:49That's the end of the conversation.
06:02For Ivan, he's a decent enough guy.
06:04I've worked with him.
06:05You're a threat.
06:06Oh, please.
06:07You have two good suspects, and I feel like I can't be effective.
06:11Come on.
06:13You could be the person who solves two of Bristol's highest-profile cases.
06:16I don't feel like I'm solving anything at the moment.
06:18Well, don't speak too soon.
06:21You said I'd look into the Tina files, and I did.
06:25It was a handbag found, wasn't it?
06:27Yeah.
06:27Her handbag?
06:28Not far from the club?
06:29Your silver bag?
06:30Well, I have a mate in FRC,
06:32and he has offered to do a forensic review.
06:35You would do that for me?
06:37Yeah.
06:39Bettina.
06:40And Carol.
06:41That's the mum's name, isn't it?
06:43Yeah.
06:45I mean it.
06:49Here we go.
06:51Plasta for the lady.
06:53And pizza for the tramp.
07:00I've been thinking about this situation with Michael.
07:03Yeah?
07:04Hmm.
07:05If he's not saying anything,
07:06then technically as FLO,
07:08I've got the best job there is, haven't I?
07:10I'm right in there with the suspect.
07:13I could interview him.
07:14Without him knowing?
07:15Yeah.
07:16That's what I mean, yeah.
07:17You'd be brilliant at that.
07:19But be careful.
07:20You don't know what he's capable of.
07:49You don't know what he's capable of.
08:11Alana not here?
08:13She's gone to her grandparents.
08:19They'll be wanting to look after her.
08:20No, she wants to look after them.
08:22She's lost her mother, but they've lost their daughter.
08:24So she wants to be there for them.
08:27That's the type of young woman she is.
08:33Sedgwick's neighbour has CCTV cameras on his house.
08:36That's how they knew you were there, Michael.
08:38That's why they arrested you.
08:39It's not like they had any choice.
08:41And for what it's worth...
08:42Mel?
08:43Yes, please.
08:44And for what it's worth, even though I could see how agitated you were,
08:47I thought you might have been after him, not her.
08:52I wasn't after anyone.
08:57You can't say that, Michael.
09:03No.
09:09You can say you didn't hurt Sarah, and you can refuse to answer any more questions.
09:14But you can't just shrug that off like it's normal behaviour, Michael.
09:18Well, prowling round somebody's house like that in the middle of the night.
09:20I'm sorry, no.
09:23He was having an affair with my wife, and she'd gone missing.
09:26So I thought that's where she might be.
09:28And that makes sense, but...
09:30Did you see me talk to anybody when I was there?
09:32On this CCTV, you've seen it, yeah?
09:34Yeah.
09:34So did you see me confront anyone?
09:38Or knock on the door?
09:42Well, then.
09:45Well, then.
09:48You say, well, then, like that's all there is to it.
09:51That is all there is to it.
09:52So why didn't you tell us about this affair when we first met, Michael?
09:57You know, if you can sit there and be some matter-of-fact about it...
10:02Why not be like that then?
10:04Because there's all...
10:05It obviously hurt you, Michael.
10:07I saw you crying.
10:08That was not to do with the affair.
10:13That was because she was gone.
10:16I see.
10:17That was not to do with the affair.
10:18I apologise, I'm sorry.
10:33But the question still stands, Michael.
10:35Why didn't you tell us about this affair?
10:39Because people don't expect that of people like Sarah and I.
10:43You know, um...
10:46People in our position.
10:47It's not easy for anyone, is it?
10:49That's not good enough.
10:58Because I knew and I didn't want to know.
11:03Because...
11:06It wasn't easy to talk about, that's all.
11:10And it's easier now, is it?
11:12With me?
11:13With me?
11:28Charlie X-Ray 655, suspect has returned from the office.
11:32Over.
12:01I don't have to say,
12:02I need to fry them.
12:15it's not true I want you both to hear that from me what's not true I think you
12:21both know what I'm talking about why you tell us don't talk to him like that like
12:26what it's a perfectly normal question to ask what's not true there was something between me and
12:36Sarah Polly it's all over socials that you killed her it's all your fault and it's literally all
12:47being taken out on me
13:14at the meeting
13:16we agreed I'll take a week off work
13:34whatever you might think of me or think I might have done I know what you tell me let me
13:39just say
13:39what I have to say Claire and then you can speak and I won't interrupt you okay whatever you might
13:48be
13:48thinking let's try and both remember what's the most important thing here that's the kids you see it
13:58yourself Dylan's schoolwork is suffering and Freya's tests are full on so unless we know I'm just trying to make
14:06my point
14:07here baby and then and then like I said I'll be a good listener for you
14:14so the less arguing and stress they feel
14:19the better chances they have I know we both agree on that
14:31police are going to ask you to help confirm my whereabouts around the time Sarah Polly went missing
14:44if I wasn't at work then where was I
14:47the answer is I was here in here watching TV with you whatever we were watching one of your programs
14:54that's all you have to tell them and then all this goes away
15:00for Dylan and for Freya
15:05okay
15:10before we have our proper chat I
15:13I really need to grab a shower these past few days
15:17I just want to wash them away
15:18I just want to wash them away
15:48And Dylan is a special talent when it comes to the rugby.
15:52I mean, he struggles elsewhere academically, but...
15:56He's a rare talent on the rugby field.
15:58I mean, I don't tell him that, obviously.
16:00That's how you coach players, but...
16:03It's a joy to watch.
16:10And the fact that she chose his father,
16:13or let his father choose how which other way round it was,
16:17is a betrayal of our marriage, of course,
16:19but the damage it inflicts is on so much more.
16:22It's on my family, his family, on the school, on its reputation.
16:26And this boy, who can make so much of himself playing rugby,
16:30who loves it so much, you know, he gets the worst of me
16:32because of what I know.
16:36And I should be the best coach, the best teacher he has.
16:40I end up taking it out on him because of her betrayal.
16:45You know, it's cruel. It's vindictive.
16:48And I, um...
16:50Well, I let myself down.
16:52That's all.
17:00How did you let yourself down?
17:03In the weeks leading up to her going missing, I...
17:07I was angry.
17:11And...
17:14I did things that I will never forgive myself for.
17:31Did you notice anything unusual or strange
17:34about Michael or Sarah in the run-up to her disappearance?
17:37Anything at all?
17:38I'd see her going off on walks on her own.
17:41Where she was going, I've no idea.
17:43I just want the rumours to stop.
17:45What rumours are those?
17:46That he...
17:47That he killed her.
17:48I've not heard that myself.
17:50Not only has it not sunk in,
17:52I just can't imagine a time when it will ever have sunk in.
17:54Would you be happy for us to have a look through your phone?
17:58If you wouldn't mind...
17:59Sure.
17:59Would you hand over your phone so we can take a quick look?
18:01I will need that back at some stage.
18:05What was your relationship with Sarah like?
18:08She was friendly.
18:09It got on perfectly well.
18:10She did the choir.
18:12And then there was the book club.
18:14There was no book club.
18:15I wasn't invited to that.
18:17We scrapped it because we couldn't get enough people.
18:20Not enough good people anyway.
18:22But that's fine.
18:23I think she wanted to escape.
18:25She was having an affair.
18:27I saw her by the art room.
18:29And I would see her sometimes when I saw Alana.
18:31You can feel it.
18:33It's as if they want it to be him.
18:35You can see it on some of their faces.
18:37But he called her.
18:38He...
18:38Michael.
18:39As soon as he knew she was missing, he called her.
18:41I was dropped to the front door as an eight-year-old
18:43and I've barely been away.
18:44So trust me when I tell you
18:46it's better now under his leadership than it's ever been.
18:48Well, it hasn't got the best reputation.
18:50Does that mean I always agree with him?
18:51Some teachers refuse to work here.
18:53He had his fallouts with the parents.
18:55Yes.
18:56Do I think he has it in him to kill Sarah?
18:59Michael Polley...
19:02is a wonderful man.
19:04Someone's got to have done it, haven't they?
19:05I can only go on what I know of the man.
19:07And so I'd have to say...
19:09No way.
19:09No.
19:10Even though I dislike him,
19:12I would say the same for Stephen Cedric.
19:15Thank you for that.
19:18That was not to do with the affair.
19:19I apologise, I'm sorry.
19:21I was angry.
19:23And I did things that I will never forgive myself for.
19:28That was not to do with the affair.
19:29I apologise, I'm sorry.
19:31I was angry.
19:33And I did things that I will never forgive myself for.
19:36It obviously hurt you, Michael.
19:37I saw you crying.
19:39That was not to do with the affair.
19:40But the question still stands, Michael.
19:42Why didn't you tell...
19:50I wondered if you'd call.
19:51It's for me to call you, is it?
19:54Right now it is.
19:55That's called playing hard to get.
19:57No, it's called playing hard to get back.
20:00Listen, just to tell you,
20:01the guy at the forensics lab,
20:03he's agreed to fast-track Tina's handbag.
20:05How fast is fast-track?
20:07They started looking today.
20:08They should have it in the next couple of days.
20:12So, can we have that drink tomorrow?
20:15The Italian?
20:16I can.
20:16Yeah, well, the Italian's our new thing, isn't it?
20:18In that case, I was six.
20:21Yes, six I can do.
20:23Now stop disturbing me.
20:24Some of us have got work to do.
20:26I'll see you tomorrow.
20:30That was not to do with the affair.
20:31I apologise, I'm sorry.
20:33I was angry.
20:35And I did things that I will never forgive myself for.
20:45Like I said, we will make arrests
20:47and continue to make arrests
20:49wherever we see it as helpful to the investigation.
20:51These are two such examples.
20:52Is that not just a scattergun approach?
20:55I'm not quite sure you can describe two of anything
20:57as scattergun.
20:58What they are is necessary.
20:59If they were both men in the 50s,
21:01would it be safe to say their parents at the school?
21:03I'm not going to comment on that.
21:04But we're then on to the victim.
21:05I'm not going to comment on that either.
21:07Conversations with both the men have moved the inquiry forward.
21:09How have they moved you?
21:09And both men have been released without charge.
21:12Are you looking at any other test of it?
21:13That is all.
21:21Police fending off a seemingly endless list of questions this morning.
21:26What they are is necessary.
21:28Anger are what many people deem to be
21:30a distinct lack of progress.
21:32But were they not by the victim?
21:34I'm not going to comment on that either.
21:35I don't know what's worse.
21:37Whether it was known to her or a stranger.
22:00New exercise?
22:03So?
22:04Spare me the dirty look.
22:08You're the one with the dirty look.
22:34You're the one with the dirty look.
22:36Charlie X-Ray 655.
22:37Suspect moving off.
22:38Over.
22:39The police are still watching.
22:42Case didn't know.
22:43They're not hiding the fact, didn't they?
22:46They want us to know they're interested in your dad.
22:49As if we need fucking reminding.
22:56Sorry.
23:01He wants me to go to the police and tell them the times he was here.
23:04You'd better not be helping him.
23:07I've seen him acting all nice and shit.
23:09I know what he's up to.
23:10They wouldn't have just arrested him.
23:12Not without a reason.
23:17Get yourself.
23:17I'll take you to training.
23:32I'll take you to training.
23:44Come on, Michael.
23:46Talk to me.
23:57You've arrested Stephen Sedgwick?
24:01Two men arrested?
24:02I was one of them.
24:03I presume he's the other one.
24:05I can't tell you that.
24:06A man in his fifties.
24:08You know I can't tell you that.
24:09But you've let him go?
24:12The other man who was arrested has been released without charge, yes?
24:15Is that because you don't think he was responsible?
24:17Or you do think he was responsible, but you can't prove it?
24:20And has he denied it, this other man?
24:21Denied?
24:22Strangling my wife.
24:27And did he blame me?
24:28Who told you she was strangled?
24:29I bet he did.
24:29I mean, I would have done that if I was him.
24:31Who told you she was strangled?
24:45I'm sorry.
24:54Alana hasn't gone to her grandparents to help them.
25:01She's gone to get away from me.
25:12Sarah's death is my fault.
25:20Michael, whatever it is you need to say, say it.
25:26It's just you and I, Michael.
25:28It's just between you and I.
25:34I wasn't the husband she deserved.
25:36Well, maybe at first, but it hadn't been working for a long time, so she found someone else.
25:42Someone who could give her what she needed.
25:49I'm sure she didn't think of it like that.
25:50That the affair was my fault.
25:52How is it your fault?
25:55Well, she went to him.
25:56Yeah, that's what I mean.
25:59Because I wasn't enough.
26:01It wasn't working.
26:02I wasn't what she needed.
26:03But she cheated on you.
26:05Yeah.
26:05That's her fault.
26:07Michael, you can't go blaming yourself for that.
26:09Not when someone cheats.
26:26She went looking for what she didn't have.
26:30Michael.
26:30The affair was my fault.
26:33The affair, that was just a symptom.
26:36We mustn't see it like that.
26:37Because that's what affairs always are.
26:40And I couldn't confront her about it, even though I knew.
26:46What do you mean, Michael?
26:48Because confronting sets things in motion.
26:52And you have to talk about why it happened.
26:55And that causes fights and divorce and damages reputations.
27:00And it all comes out.
27:03And I couldn't...
27:06I couldn't do that because I was ashamed.
27:09And I'll never forgive myself for that.
27:14When you look on that CCTV, do you see a man who's going to fight for his wife?
27:18Hmm?
27:19Do you see a man who wants to, but...
27:24In the end, he just walks away and gets into his car.
27:26No.
28:01The pathologist at the mortuary, when I asked about the marks on Sarah's neck, they said they thought she'd been
28:09strangled.
28:12So that's how I knew.
28:20Yeah, no problem. Follow me.
28:23Just back there for you, sir. I'll just grab you a couple of menus.
28:25That's great. Thank you.
28:26Cheers.
28:32Hey, babe. It's me. Just ringing to say I got our usual table, so hopefully I will see you shortly.
28:43There we go, sir.
28:45Did you want me to give you a few minutes, pop back, when she's arrived?
28:49I would love you to pop back in a few minutes.
28:52Okay, no problem. I'll give you a second to have a look.
29:02We are far less convinced that Sarah Polley was in Wales on the day she went missing.
29:09Stephen Sedgwick, we know, was in possession of her debit card.
29:13A CCTV on the bridge shows he drove to Wales alone. No sign of anyone else in the car, on
29:19the way there or the way back.
29:20We're checking ANPR again and more CCTV and ring doorbells to close the gaps on his timeline across those three
29:26days.
29:27So we're eliminating him?
29:28Not quite.
29:29He still needs an alibi for some of the evenings of that week.
29:31As we know, Michael Polley still has some gaps in his timeline.
29:35Annie, if you could ask him for those direct.
29:39Becky, if you could speak to Alana and get her to corroborate, please.
29:42As for the comps with other murders, I would like everyone to be familiar with the fine details so that
29:47we can cross-reference.
29:48Until both men can account for every second of those three days, we're not ruling them out.
29:52This is going to be a late one, folks. Okay? Thank you.
30:06Jesus Christ.
30:15Is this you trying to get back at me or something?
30:20Are we playing games again?
30:22Already?
30:28What are you looking at?
30:30Mind your own business.
30:50Tell him what you've just told me.
30:53It's okay. He'll just want what's right for Sarah.
30:59The police asked if there was anything else I could think of that might help, in terms of Sarah, Michael,
31:03people closer.
31:05They asked me the same thing?
31:06They asked us all.
31:08I said there was nothing.
31:11You know, that wasn't quite true.
31:14Last term, as I was coming past the pictures on Abby's side, I saw Polly behind the pavilion in a
31:18fight with one of the boys, with James Bowery.
31:21Fight as in handbags, like grabbing and shoving?
31:24It was a bit more than that.
31:26And then he saw me, and bear in mind we go a long way back, and he stopped.
31:31And then I went to see him later and explained I'd have to report it, but he did a number
31:36on me.
31:37He'd help me overcome a complaint about how I was managing my department.
31:40This was before Covid, and an email from one of the parents who thought we'd let her son down, and
31:45he...
31:45Michael said he'd refer everything upwards, hang Rory out to dry if he did anything about it.
31:50Said Barry didn't care anyway.
31:51Yeah, probably wouldn't.
31:53Not that that's the point.
31:54No, this wasn't just handbags, as you call it, it was violent abuse.
32:01He almost came for me the other day, on that rugby pitch, but I just put it down to the
32:08fact that he was grieving.
32:14So do we mention it, or do we keep this amongst us because we think that's out of character?
32:30What are you getting changed for?
32:34What?
32:34Why are you getting changed?
32:36What do you think?
32:37There's no need to do any training.
32:39Nobody wants you on the team anyway.
32:42What are you going to do?
32:43Get your dad to kill me?
32:44He'll probably get his dad to shaggy.
32:46What are you doing?
32:51What are you doing?
32:52What are you doing?
32:52What are you doing?
32:54What are you doing?
32:54What are you doing?
32:56What are you doing?
32:56What are you doing?
32:58Now, Stephen's colleagues can account for his whereabouts during the day, but we need to confirm that when he came
33:04home, he was in all night.
33:06If you need to know where people were that week, then Stephen was here.
33:11Every night after work, he came home.
33:14You haven't been pressured into saying that, have you?
33:21He's lent on you.
33:23I'm not saying it for him.
33:25I'm saying it for the kids, because it's true.
33:33Stephen's guilty of many things, but he can't have killed Sarah Polly.
33:38Why?
33:39Because he was here.
33:40With me.
34:01And I'm sorry I've left so many messages, Craig, but I was trapped in a meeting that just wouldn't end.
34:08I'm not stringing you along, okay?
34:10I'm not.
34:11I want this.
34:12If you still do.
34:14So, um, please just give me another chance.
34:18Okay.
34:18Bye-bye.
34:33They want me to go through those days with you now, Michael.
34:36Make sure that we've got everything covered.
34:38Tuesday the 24th, the day after Sarah went missing.
34:42Wednesday the 25th, Thursday the 26th, the day she was...
34:46The day her body was fire?
34:48Yes.
34:50So, yes, I know my diary, it's been the same for years.
34:54Back-to-back meetings, then lessons, and...
34:58Simone has it all on record.
34:59And the evenings?
35:01Yeah.
35:01You know, a brief evening.
35:05Alana can vouch for that.
35:07Yes, we can vouch for each other.
35:19I'm sorry.
35:20Just gonna...
35:22Hi.
35:23Yeah, I'm really, really sorry.
35:25I mean...
35:26I literally couldn't get away, so...
35:29Totally my fault.
35:30So, I should have just...
35:32Well, I can't now. I'm at work.
35:34At the school.
35:34We can do it later.
35:36Of course I want to see you.
35:37What?
35:38No.
35:40Nobody is messing anybody about.
35:42Stop that.
35:43Please.
35:43Please, don't look at that.
35:46No, don't come here. I'm working.
35:49Craig, listen to me.
35:50Do not come here. I am at work.
35:51Please.
35:53Craig?
36:03So...
36:03No.
36:08Everything alright?
36:09I mean, we can do this later.
36:11Or tomorrow.
36:12I seem to have a clear diary.
36:13No, it's okay. It's fine.
36:14You know what it's like.
36:15Just, er...
36:16Juggling work, a personal life, is very difficult.
36:20We'll never put work ahead of personal life, Annie.
36:24I know. I'm not one to talk, but...
36:27If I've learnt anything through all this, it's that.
36:37We need to know where your dad was on those evenings of the 24th, 25th and the 26th.
36:43He was at home.
36:44On all three nights?
36:45Mm-hmm.
36:46Mm-hmm.
36:48Uh...
36:48No.
36:50Some of those times you were with me.
36:53Do you remember?
36:54Was I?
36:55Yeah.
36:57Yeah.
36:57You...
36:58needed to get out of the house.
37:02You can explain Alana's whereabouts for the time she wasn't at home.
37:06Hmm.
37:08Hmm.
37:09So, for those times you were with Paul, can anyone explain where Michael was?
37:22Some of the teachers are talking...
37:24About Michael?
37:25Yeah.
37:26I know you don't want to hear it, but it's true.
37:29You know it is.
37:33Why do you think she came here?
37:35To get away from him?
37:36That's what I was thinking.
37:37That's what Sarah used to do.
37:39Alana?
37:41Alana?
37:42I don't know!
37:47I don't know.
38:07I thought we were happy.
38:10I thought we were going to have a family.
38:12I would have loved to have been a mum.
38:14But he was never ready, Craig.
38:16And you've both got to be ready, haven't you?
38:18Otherwise you shouldn't really go there.
38:20That's what I've told myself anyway.
38:22And then he met somebody else.
38:25I mean, it didn't work out, but she's...
38:29I don't want to say her name.
38:30She's too young for him.
38:32Well, she was too young or he was too old.
38:35Is there a difference?
38:36Yes, there is.
38:38He should know better.
38:42So why is it for all the shit he puts me through?
38:45I still try to make it work, even now.
38:48Maybe it's what you said yesterday.
38:49I've given it a lot of thought, what you said.
38:52The fact that they cheated on us.
38:54That's our fault too.
38:55No.
38:57Everyone's circumstances are different, Annie, so don't...
39:00Sorry.
39:01I shouldn't really be telling you this.
39:02I'm blurring the boundaries.
39:09Is that him?
39:10No, I told him not to come.
39:16I can't speak to him now.
39:17He just gets so bloody angry.
39:19Angry?
39:20No, I don't mean angry.
39:21I mean impatient.
39:22I won't be a second.
39:24I just need to try and find my phone.
39:26Do you know where my phone is?
39:27Yes, it's in your pocket recording our conversation.
39:34Um...
39:34I won't be a second.
39:42Hey!
39:42Hi!
39:48I can't be long.
39:50I'm not really meant to leave.
39:51Oh, you'll be fine.
39:52Just get in the car.
39:53That's something I need to tell you.
39:55Well, can't we talk here?
39:56Annie!
39:57We'll be ten minutes.
39:59Get in the car.
40:00Come on.
40:01Don't worry.
40:01Get in the car.
40:03Greg, I mean...
40:04You're fine.
40:05Get in the car.
40:05Everything alright?
40:16Annie?
40:17You alright?
40:18Yeah, I'm fine.
40:19You sure?
40:19Yes.
40:20See?
40:21She's fine.
40:22Now get back in the house with me, please.
40:23Thank you, mate.
40:24No, you have no authority to tell me what to do on my property.
40:27So...
40:31I'm gonna ask you one more time.
40:33Given the trouble you're already in, do yourself a favour and go back inside.
40:37Take your hands off me.
40:38Go back inside.
40:39Take your hands off me!
40:40Go back inside.
40:41I said take your hands off me!
40:45I'm arresting you for assaulting a police officer.
40:48Is that what you want?
40:49Are you trying to attack us?
40:50Greg, please stop.
40:51Is that what you want?
40:52Alright.
40:53Alright, get him off.
40:55Get him off.
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