- 2 days ago
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Short filmTranscript
00:00TARAK MEHTAKA ULTA CHASHMA
00:30BANN KAR DEETA HANG
00:31NAJKA RASTENE HAJKIA
00:37HANGATHAN KLEIN DIGAAI Diktai
00:38HAJHAние HAJKHA AJKHA
00:39AUNH KLEIN DIKHAI TAKAI
00:40NAJKHAWA NAJKHA
00:40ABŞUAKIS
00:40ABŞUAKIS
00:42HAJKHAI
00:43ABŞUAKIS
00:43CHASHMA
00:43CHASHMA
00:44ABŞUAKIS
00:44ABŞUAKIS
00:44ABŞUAKIS
00:45ABŞUAKIS
00:45ABŞUAKIS
00:45ABŞUAKIS
00:45ABŞUAKIS
00:58ABŞUAKIS
00:59Please, hold on to this holdings, please.
01:01Hey, Jethalal, you're hiding.
01:03If you're talking, I'll think about it.
01:05Huh?
01:06What are you doing? Think about it too.
01:09Yes.
01:21Sid!
01:22Tell me, what idea?
01:23No idea.
01:25Gokul Damsaab's friend.
01:43Run!
01:43I'm going home.
01:44What will you do?
01:45What will we do with it?
01:46Get out of paper now.
01:48Shit-ji.
01:50That is Tom Cruise.
01:51Mission Impossible.
01:53You're what I'm saying?
01:54What's your number.
01:55Yes.
01:56Don't talk to yourself, man.
01:59There's no place for yourself.
02:00Let's do something.
02:02What are you doing now?
02:04I'm really sorry for yesterday.
02:06I didn't know that those people
02:08sent an ad ad.
02:10It's okay, Papadalaad.
02:11No problem.
02:12How do you have to believe Babita?
02:14He's giving an ad for 5 lakhs.
02:17But he's also convinced.
02:19Papadalaad, if you give 5 lakhs or 5 crore,
02:21then Babita's convinced.
02:23Babita doesn't like this.
02:24Oh, that's why they're so angry.
02:27Class is over.
02:28Tell us something.
02:31I think that Babita will never see my mind.
02:43Shedji!
02:44Who's coming?
02:45He's coming.
02:46He's coming.
02:46He's coming.
02:47Who?
02:53Babita!
02:54Babita Ji!
02:54No, no.
02:55Babita Ji, no.
02:57It's this.
02:57It's a tree.
02:58Huh?
03:00What are we going to do, Shedji?
03:01We'll fill this color in this tree.
03:03And in the hole,
03:05we'll throw this tree in the hole.
03:06We'll throw this tree in the hole.
03:08Very good.
03:09Very big.
03:09So that Babita Ji's face will get rid of the color.
03:13Very good.
03:14Very good, my idea.
03:15Boy, you're a genius.
03:17Yes.
03:17Come on.
03:18Come on.
03:19Very good.
03:19Come on.
03:20Come on.
03:20Come on.
03:21Come on.
03:46Come on.
04:01Oh
04:05Very good bugger very good
04:17Come on, come on, come on, come on, come on, come on, come on, come on, come on, come on,
04:23come on, come on.
04:26Don't give up, don't give up, don't give up.
04:27Calm, calm.
04:29Hey!
04:31Jita, brother, Mehta, let's go.
04:34Sorry, I'm sorry, I'm sorry, I'm sorry.
04:36Hey, shorty, little boy, poppet, girl!
04:39Hey, Jada, brother!
04:40Pogi, I'll ask, sorry, sorry.
04:43Good morning, Prabhat Mandali.
04:44Good morning, how are you here?
04:47Tell me, Mataji.
04:50Hey, Manu, tell me, these people are here.
04:54What?
04:55Oh, surprise!
04:59Surprise?
05:03Surprise?
05:05Which surprise?
05:06Hey, Jada, brother, you were talking to someone in the shop.
05:10That's it, right?
05:13What?
05:13No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
05:17no, no, no, no, no.
05:19Then, then, at the morning, what are you doing, Jita, brother?
05:21Yes.
05:22He's a cold, cold, cold, cold, cold, cold, cold.
05:25He's a little bit of a jogging for a week, that's good, so he's doing a jogging.
05:28Yes, but Jadalal is going to go to the bathroom.
05:31That's it?
05:33Jadalal, you go to the bathroom.
05:36No, I was going to go to the bathroom.
05:39But Natuka and Nuttukas are the same.
05:43That's not possible.
05:46What do you need to go to the bathroom?
05:48No, he asked that.
05:51Why did he ask that? What do you ask?
05:54I'm not asking.
05:55This is a reporter's voice.
05:58No, no.
05:58The reporter's voice doesn't go to the bathroom.
06:00It's not on the bathroom.
06:02Let's go, Natuka.
06:03Let's go, Natuka.
06:04Yes, Jadalal.
06:05Come here, Natuka.
06:08Hey!
06:11Hey!
06:12What do you want to go to the bathroom?
06:15You don't want to go to the bathroom.
06:17Jadalal is the color.
06:20Let's go.
06:22What do you want to go to the bathroom?
06:24I don't want to go to the bathroom.
06:25It's the color TV for you.
06:28You don't want to go to the bathroom.
06:31Keep it.
06:32Keep it.
06:32Keep it.
06:33Keep it.
06:33Keep it.
06:36I don't want to go to the bathroom.
06:38Sorry, Sid.
06:39We are all in the bathroom.
06:41All in the reporter's office.
06:42In the press, huh?
06:44But this is how I asked you, not according to the reporter.
06:46For general knowledge.
06:47You are such a reporter who doesn't have a journal knowledge.
06:54Sidji, let's go.
06:55Who is standing? Let's go!
06:57Come here, Natukata.
07:01Now we are here.
07:02What are we doing here?
07:04We are going to go out.
07:05Yes, let's go.
07:06One minute.
07:09Look!
07:17What is this?
07:18What is this?
07:20Why does it look so much like a model in the face of the model?
07:25My lawyer's mind says that something is wrong.
07:29It's a strange thing, Sidji.
07:30It doesn't have any other colors.
07:32It's only on the face of the model.
07:34I don't know.
07:36The model won't be good.
07:37No, no.
07:39It's not like that, Sidji.
07:40What, when it's a monster here?
07:42I mean, it's not like anyone's face.
07:47It's not like Iwana's face?
07:48I mean, you mean they're going to the face of the model?
07:53Do you mean you're a face of the model?
08:00I mean?
08:03You mean they're going to the face of the model?
08:08Yeah?
08:10Huh?
08:10Ah, but why doesn't it look like a beautiful model in such a beautiful face?
08:15No, that's it.
08:18One minute, how do you know that the model's face is beautiful?
08:25It looks like a color on the face.
08:28But, general knowledge, bro.
08:31Whatever the model will be beautiful in the ad, right?
08:35Ah, great, great.
08:37If the model doesn't look like a beautiful model, we'll take a little bit of it.
08:48Here, bro.
08:50What are you watching from the other side?
08:53Let's go, bro. We're going to work on our own.
08:55What are you watching?
08:56Let's go, bro.
08:59God, do this.
09:01I don't understand Babita Ji.
09:05This model...
09:07There are no ladies.
09:10You know, they're ladies.
09:12Someone's wearing a little frog.
09:16But, I think this model looks like this.
09:22It looks like the style of her hair.
09:25It looks like it's going to go.
09:28Oh, you can see it every day.
09:30This is Babita Ji.
09:32Huh?
09:44No, no.
09:45Huh?
09:46No, no, no.
09:46Soďi, this is Babita Ji.
09:49How can it happen?
09:51Soďi, Babita Ji doing some modeling.
09:53Huh?
09:54Huh?
09:55Babita Ji doesn't happen.
09:56But Babita Ji has never done a modeling ad for 5,000,000 dollars.
10:00They gave him a $5,000,000 offer.
10:03Yes.
10:04I don't know, Babita Ji is not.
10:06I was just enjoying you here in Prague.
10:10Open.
10:14Yes, but what a coincidence.
10:16Babita also has a Sam-to-Sam clothes.
10:29What a Sam-to-Sam clothes is in the market.
10:33How many people get in the market?
10:35Yes, absolutely.
10:36Lateral.
10:38Hey, brother.
10:40This is not just one of the same clothes.
10:41Babita Ji will get away.
10:45I have a pen.
10:47The pen will get away from someone else.
10:49Why?
10:50No, no.
10:51That's correct.
10:51I have a pen.
10:53I have a pen.
10:55I have a pen.
10:56I have a pen.
10:57I have a pen.
10:58I have a pen.
10:59Some cars are in the agency.
11:00Yes.
11:01How many TV are in my own shop?
11:04How many TV are in my own shop?
11:05One, Sam.
11:06No, it's not.
11:07The world is...
11:08What are you doing?
11:09Many people have a lot of security.
11:12Hey, hey, hey.
11:14Why are you so many people understand me?
11:17I have a pen.
11:19This is what's written.
11:19That is, you also have the same to same dressing.
11:22And I have people who are fully confident,
11:25I have no betterlling building such as well.
11:31One, Pythag studying.
11:33It is also right.
11:33This is a Dh Arizonaain.
11:38The money 경er.
11:44Yes, that's correct.
11:44Papita Ji, you won't do such ad at all.
11:47In our Google Dham Society,
11:49no one will do such a wrong job.
11:51Absolutely.
11:52Yes, absolutely.
11:53And I'm saying,
11:54this is what?
11:55Every ad should be closed.
11:57This is what you need to do for yourself.
11:59Correct.
12:00That's why I'm so proud of you.
12:02That's why I'm so proud of you, right?
12:05I think you're all in the mood,
12:09but I'm going to go to the store.
12:11Let's go.
12:12Let's go.
12:14Let's go.
12:15Let's go.
12:17Where are you going? Stop, brother.
12:19Go to the office, man.
12:20First of all, the house is going to the office.
12:21I'm going to the office.
12:22You're going to the office.
12:23Now, come with me.
12:25I'm in the jogging room.
12:26Well, this is good.
12:28I'm very excited.
12:30I'm going to get out of here.
12:31But I'm going to get out of Mumbai.
12:34I'm not going to leave me in the beach.
12:37I'll call Chunky to get a phone call
12:38and I'm going to get a phone call.
12:41Okay.
12:45Hello, Chunky.
12:46What happened?
12:47What happened?
12:47What happened?
12:48I haven't talked to the company.
12:50What are you doing now?
12:51Do you understand the problem?
12:53Do you speak?
12:55I understand everything.
12:57I'm not going to get out of here.
12:58I'm not going to get out of here.
12:58But I'm not going to get out of here.
12:59So, do you speak personally?
13:02I'm going to get out of here.
13:06I'm going to get out of here.
13:06My name is Arnay.
13:07I'm going to work on my own company.
13:07I don't need to come here.
13:08I speak with you.
13:10I'm going to get out of here.
13:11I've got to talk to you.
13:13Oh, you're up.
13:15I'm going to get out of here.
13:19You're up.
13:19What's up?
13:19Mr. Sid, what do you think?
13:21You will be punished for all the people
13:22who are getting married today?
13:23We will be able to get rid of them.
13:25What do you know, Jethalal?
13:28Oh, God!
13:29Do not do anything with all the holding.
13:31Please, please, please!
13:34Jethalal,
13:35if the company believes for the holding
13:37even though there are so many of them,
13:39how much time will they go to the city?
13:41And that's why someone saw this holding
13:43and told me that
13:45that they are holding the holding.
13:47So, believe me,
13:48he has seen the holding itself.
13:49He has seen it.
13:52Oh, brother!
13:54You are my fire brigade.
13:56You are burning fire.
13:58You are burning fire.
14:00You are burning fire.
14:00Jethalal, see.
14:03Who is it? Who is it?
14:05Anjali's phone.
14:07Jethalal, Anjali has seen the holding.
14:10Oh, sir.
14:11Please, please.
14:12Please, tell me that someone doesn't tell anyone.
14:13Please, what are you doing?
14:18Hello, Anjali.
14:19Please, please, let me know.
14:21What?
14:21The one that told me
14:23that you called me, please, please, let me know.
14:25I just wanted to ask her,
14:27she said, where are you?
14:28Why aren't you coming now?
14:30Oh, no, Anjali doesn't know anything.
14:33I haven't seen the holding.
14:36Everything is fine, right?
14:37There isn't no problem, right?
14:38No, no, no, no, no.
14:39There is no problem, Anjali.
14:39There's no problem.
14:40That's why I came to Jethal's shop.
14:43Now you've reached the jogging suit to Jethal's shop?
14:45You've got to come to Jethal's shop.
14:48Look, Tara.
14:50You're not hiding anything from me, right?
14:51Me, Pete, you're not eating meat.
14:54Don't talk about meat.
14:57No, no, I'm not eating anything.
15:01I won't eat anything.
15:04Anjali, I have to keep a lot of things.
15:05Okay.
15:07It's crazy.
15:09I'm saying there's no problem.
15:11There's no tension.
15:13So why do I feel like something is wrong?
15:16Get to meet Jethal's shop at night.
15:19Get to meet Jethal's shop at night.
15:22And go to jogging clothes to Jethal's shop.
15:26That means something is wrong.
15:31I'm going to ask what the story is about.
15:34Yes, Anjali Baba.
15:35I've got to talk about Jethal's shop.
15:39Yes, I've got to talk about Jethal's shop.
15:41Yes, I've got to talk about Jethal's shop.
15:42Yes, I've got to talk about Jethal's shop.
15:42I mean, there's no problem at home.
15:45Everything is fine.
15:46No, why?
15:47What's that?
15:48No, actually Jethal's shop is that Jethal's shop is out of the morning.
15:53Yes, I'm saying Jethal's shop is out of the morning.
15:54And now I've got to talk about Jethal's shop.
15:58So I don't know why I'm feeling upset.
16:01No, no, no, no, no.
16:04I'm feeling upset.
16:23Yes, yes, that's it.
16:24Anshli Bhavi, don't tell me, there's no tension.
16:28I'll try my attention.
16:29Stop!
16:32It's a strange tension.
16:34You can't say anything,
16:36you can't say anything,
16:37and you can't do anything.
16:39Seedji,
16:40please take this.
16:40You have a warm-warm-warm tea for people.
16:43Don't drink tea, mate.
16:44Take it back.
16:45Lal, drink tea.
16:47The drink will be fresh and the tension will be reduced.
16:49My attention will be reduced,
16:51when the whole holding will be reduced.
16:56Now, as long as a day will be,
16:59people will go out of their homes.
17:02And as long as people will go out of their homes,
17:05they will go out of their homes.
17:14All the vegetables,
17:16whenever I go to the vegetables,
17:18I don't get any rickshaw.
17:26This is
17:26this seems like Bhavita Ji began.
17:29I eat it, and you eat it, and I also eat it.
17:32Bhavita Ji?
17:33Oh?
17:34There's open salt in the houses,
17:35There't we go.reneurangheук
17:38i donnister have to ask for them exactly.
17:42Siddh ji, Bauri ji ka phone hai, baat karu.
17:46Siddh ji, agar baat nahi ki, to Bauri ji dhukan mein aajayegi.
17:51Phir aapko bhi unke saath baat karni padeegi.
17:55Kar kar vay kaar ji.
17:59Boliye Bauri ji.
18:00Hello Bauri ji.
18:01Bauri ji, agar kuch urgent na ho, to dhukan badaane ke baad aapse milunga.
18:05Tab baat karay.
18:06Naini Bauri ji, baat urgent hai.
18:09Menni abhi abhi, ek paan me sali ka ad dekha.
18:11Usmane Bauri ji ki photo cha pi hai.
18:13Kya?
18:16Siddh ji, Bauri ji nne hooding dhuk liya.
18:20La, pul la, pul la.
18:21Hello.
18:22Hello?
18:24Bauri bata?
18:26Kya dekha tumne bata?
18:27Menni abhi hooding dekha, chaatka paan me sali ka.
18:30Usmane Bauri ji ki photo cha pi hai.
18:36Bata, tumne?
18:38Bauri ji ko bata ya to nahi nga?
18:41Bata na hai?
18:41Abhi bata diti ho.
18:42Uy nahi bata nahi.
18:44Uhn ko nahi bata nahi.
18:46Menni tumhaara haat chodhata houn, bata.
18:49Please unko mat bata na, please.
18:52Kyiun?
18:52Nahi bata na hai?
18:53Kyiunki...
18:55...yee kisi se...
18:56...galti se mistake ho gahi hai, bata.
19:00Galti se mistake, yaani?
19:01Koi meri jasa hai hai.
19:06Dekho bata...
19:07...agar Babita ji ko iis jai rat ke baare mein pata chala...
19:10...to unko bohut duch hooga.
19:13Kya tum chaatii ho...
19:14...ki unko bohut duch pohunche?
19:17Hai?
19:17Chaatii ho tum eisa?
19:18Nain, nain, bilkul nain.
19:20Haa!
19:20Lekin, bata no toh chahiye na.
19:22Eh, bata ya!
19:27Nain, sammaj riya bhai.
19:29Tu samjha isko.
19:30Ji.
19:31Hello, Bauri ji.
19:32Ji, Bagishot ji.
19:33Babita ji ne jatka paan masala ad me kaam kiya hai.
19:37Ye baat aapko kisi ko nahi bata ni hai.
19:39Lekan kiyo?
19:40Agar ye baat aap kisi ko nahi bataengi...
19:43...toh sede ji aapko roze dhukana ane denge.
19:47Saatch, agar aisa hai...
19:49...toh phir mei baat kisi ko nahi bataengi.
19:51Thank you, Bauri ji.
19:53Dekha, sir ji, kaisa teer mara.
19:56Bauri ji turan maan gai.
19:58Ab woh kisi ko nahi bataegi.
20:01Eh, baga.
20:02Bauri to maan gai.
20:03Hmm.
20:04Lekan, Bauri ke alaava bhi toh sakro logon ees hoڑing ko dhekha ho ga.
20:07Or, unhne koon manaya ga?
20:08Unhnei phone ker ke Babita ji ko bata diya, toh?
20:11Sir ji.
20:13Mehta sahab ki baat eeg dam sahih hai.
20:16Bauri ji toh viciari bholi hai.
20:18Turanth hamei phone ker ke bata diya.
20:21Lekan, ya dunia baut zalim hai, Seedji.
20:24Rooding dhekhte hii turanth Babita ji ko phone ker ke bata deegi.
20:28Puri dunia Babita ji ko chanthi hai.
20:31Puri dunia kai paas Babita ji ka phone number hai.
20:35Kis liya puri dunia Babita ji ko phone ker ke bataegi.
20:38Hei?
20:39Aray, sab logi milke aaj itni nakkaratma baatai kiyo kar rahe hai?
20:44Kiyo?
20:45Ja! Ja tuja!
20:46Puken meja!
20:47Kam kar!
20:48Ji, Seedji.
20:50Puri dunia batayegi, batatayegi.
20:53Kiyo batayegi?
20:54Nabi, dikhlu.
20:55Jatala?
20:55Abhi, aapko kao jana hai?
20:57Eh, gharo arpirin ghar siya office.
20:59Karah abhita ko chanthi liya nahi, aapko ghar chak office jana hai.
21:08Kya hua?
21:09Metas!
21:11Ake, kya hua?
21:14Papita ji ka phone!
21:15Papita ji ka phone!
21:17Abhi, apai kya kuroo jatayegi?
21:18Puan!
21:18Toh me bhi kya karoo?
21:19Baat karoo!
21:20Pidhalal baat karoo!
21:23Katika!
21:23Katika!
21:25Jatala ji, phoon ke unh e utha rhe?
21:28Papita ji nhe kya phone kia hooga?
21:30Paka!
21:30Ording dekh li hai.
21:31Papita ji nhe ording dekh li hai, Jatalaal.
21:36Perse phone ha!
21:37Mati, se baat karoo!
21:38Me kise baat karoo, Jatalaal?
21:39Tumhara phone hai.
21:40Tumhye phone kia hai.
21:41Me tumhara phone kaisa utha sakta ho?
21:42Aray, bai, lekin eek
21:44Douska phone, dousra douska utha sakta hai.
21:46Nain, Jatalaal.
21:47Aray, aapka koi phoon hai gha,
21:48Tumhye baat karoonga na?
21:49Aisaka ke?
21:50Mä aapko madat karoonga.
21:52Chita ji.
21:54Jatalaal, papita ji.
21:56Kati ji.
21:59Mati, sahab.
22:28Uttha, uttha, uttha.
22:32A-a-a, helo?
22:33Aray, Jita ji, kya hai ee?
22:35Babita ji.
22:36Mä aapko kapse phone kira?
22:37Foon kua hai u utha raha ho?
22:39O-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o-o.
22:43Phone mera go-down mein thha.
22:45Aar mein doukan mein tha, to-o-o-o-o-o-o-o.
22:47Kaeh ki,
22:48Mä aapko go-down mein dekha aapka misc-call tha to,
22:51Isliye.
22:52Mä aapko lagane wala tha lekin aapka aapka ee aagya samane se phone.
22:55Achha, okee.
22:57Well, I have called you for this,
22:58and I have a friend who has a friend.
23:01So, I have called you in your shop, okay?
23:03Can you see it please?
23:04Yes, I will give them all free.
23:06No, I don't have to give them free or discount.
23:10But which product is best?
23:12Just guide them, okay?
23:14Of course, of course.
23:15Don't come out from home.
23:19I mean, you're not coming with them, right?
23:21No, sorry, I won't come here.
23:23You don't need to come here.
23:26You have given me a lot.
23:27You will be working.
23:29Okay, okay. Thank you so much.
23:31No, thank you.
23:32I said, I have given you.
23:35I mean,
23:37I've never realized that
23:39I've got a mistake from somewhere.
23:42So,
23:43I'm calling you for advance.
23:47Okay.
23:48That's very sweet of you, Jita Ji.
23:51Okay?
23:52Bye.
23:52Stay care.
23:55Sweet.
23:56After seeing the holding,
24:02it's good.
24:04What happened, Jarsal?
24:05You're so good.
24:07You're so good, right?
24:08Yes.
24:08I'm fine.
24:09Why are you scared?
24:10See, there's nothing wrong.
24:11Oh, he's not using the phone.
24:14I don't need to do the phone.
24:15I'm coming.
24:16You're coming.
24:17What happened?
24:18What happened to them?
24:19Yes, Jithalal.
24:20What happened?
24:21What happened?
24:22They were holding?
24:23No, Jithalal.
24:25They took the holding.
24:27What?
24:29What?
24:31What?
24:32What?
24:33What?
24:33What can they do?
24:34They said,
24:35we are going to the police.
24:37Oh, Jithalal.
24:38We can't go to the police.
24:39We will go out.
24:41The sign of Bhavita Ji was on the agreement.
24:42You had done it.
24:44And two surprises.
24:55The sign of him.
24:56you can't go down the holding 6 days before 6 days.
24:59And if we tried to cancel an agreement,
25:02then the company will drop on the money.
25:08But this is wrong! What happened to our story?
25:12It's the same thing!
25:14It's the same thing!
25:16You didn't say it!
25:17It's the same thing!
25:19It's the same thing!
25:19It's the same thing!
25:20Look, Jethalal!
25:20In the agreement, there was the same thing!
25:22Then?
25:23I knew that the ad will be the same thing!
25:26This is cheating!
25:27The company has cheated on us!
25:30We talk about it that you can't cheat on us!
25:34We will give you a case!
25:36Jethalal, what is the advantage of the case?
25:39Do the case!
25:40The case will be done!
25:41But then, think about how many years of the case will go!
25:45Now, we will die in six days!
25:47But then, it will not be removed until the case will continue!
25:53So, what will you do, Mehta?
25:56Tell me one thing!
25:58Who did you?
26:01I'm Tarek Mehta.
26:02I'm Tarek Mehta.
26:04I'm Tarek Mehta.
26:06Yes, I'm Tarek Mehta.
26:07Chanky, tell me one thing.
26:08Chanky, tell me one thing.
26:09Babita's photos you gave me to Jethalal.
26:12Did you tell me?
26:13Who told me?
26:15No, no.
26:16I had taken a photo in the ad agency.
26:18And I didn't tell anyone that Jethalal has given me a photo.
26:21True?
26:21Yes.
26:22Very cool.
26:23This is very good.
26:25Now, do not tell anyone.
26:26Don't tell anyone.
26:27Don't tell anyone.
26:28Jethalalal has given me a photo.
26:28Okay?
26:29And some days, you don't go to the ad agency.
26:32Otherwise, the question and answer is Jethalal's name.
26:36Hey, Mehta Ji.
26:37Jethalalal is my childhood friend.
26:39I'll give him a little bit.
26:41I'll give him a little bit.
26:42Oh, he had to do someone's fault.
26:45What's wrong with him?
26:48Look, Jethalalal.
26:49You're my childhood friend.
26:50And I can do something for you.
26:51But now, brother, you're holding a trot.
26:53I can do something for him.
26:57Sorry, Jethalalal.
26:58I'm going now.
27:04I'm like Bob.
27:068 days, Jethalal.
27:09We'll be the last of 6 hours.
27:11We'll be the last of 6 days.
27:12There's a lot, bud.
27:128 days.
27:14You'll be the last of 6 days.
27:15We'll be the last of .
27:17We'll get Gan baja,
27:20you've got a chance.
27:21Where did you piss?
27:30Oh my God.
27:31Who's phone?
27:31My phone is my boss's secretary's phone.
27:34You said that my phone will come and you will take it.
27:36Let's talk.
27:37Okay, let me.
27:38No, no, no.
27:39I don't do it.
27:40No, I don't do it.
27:41What did I do?
27:41I told you.
27:42You gave it to me.
27:43No, no, brother.
27:44I'm going to find a new job.
27:46I'll do it later.
27:49Yes, Maggie, hello?
27:50What's up, Tarak?
27:51You haven't come to the office?
27:53The boss is asking you.
27:55I'm very angry.
28:00Oh, what's up?
28:02Maggie, come on.
28:04You're going to stop.
28:06Okay.
28:07That's a little...
28:09I don't know, Maggie.
28:10That's why I didn't come.
28:12Okay.
28:13The boss is also a little bit.
28:15But they have to come to the office.
28:17Yes, the boss is also a little bit.
28:20This day, right?
28:21Yes, everyone has to come.
28:22But, Maggie, I have some malaria symptoms.
28:26So, I've come to the hospital.
28:28I'm going to check and test my check-up.
28:30I'm going to test my check-up.
28:32I'm going to test my check-up.
28:34I'm going to check the report.
28:37If there's nothing in the report,
28:39then I'll go to the office tomorrow
28:40and I'll do my work tomorrow.
28:42Okay?
28:42Let's talk to the boss.
28:43Okay.
28:44That's good.
28:45Let's talk to the boss.
28:47Let's talk to the boss.
28:48Let's talk to the boss now.
28:48Hey, what?
28:51What did you do, Jay Thalal?
28:52You're crazy.
28:53You're crazy.
28:53You're crazy in my office.
28:55You're crazy.
28:56You're crazy.
28:57Sorry, Mehta.
28:58What a sorry, Jay Thalal.
28:59Today, you're going to see the fire brigade
29:01in the fire.
29:02You're going to be in my life, Mehta.
29:06If you know Babita Ji,
29:09then we won't stay in the fire.
29:13We won't stay in the fire.
29:14No!
29:26No!
29:30No!
29:30No!
29:32No!
29:34No!
29:34No!
29:34No!
29:34Exactly.
29:38As we go shopping,
29:39let's buy something or not.
29:41The fun of the window shopping,
29:43it doesn't come.
29:45Don't do it.
29:46Don't do it.
29:47Hello, beautiful ladies.
29:48Hello.
29:49Hello.
29:51Hi, Ka.
29:52Welcome.
29:54What is this?
29:55I mean,
29:56you're watching some of us.
29:57I'm watching some of you.
30:00I'm watching some of you.
30:02I'm watching some of you.
30:03Did you see a holding on your powder gun?
30:06No.
30:08No.
30:08There's a holding holding.
30:10But the model in it,
30:12there's a color on his face.
30:14No.
30:15Kukubai.
30:16Whatever.
30:17We don't have to lose our health,
30:18we don't have to do anything.
30:20We don't have to lose any publicity.
30:22All things of food,
30:23we don't have to lose our country and society.
30:25we don't have to lose our children.
30:26All things?
30:28Yes.
30:28That's what it means, Babita.
30:30We don't have to lose our children.
30:31Sorry, one second.
30:34Hi Radhika.
30:35Say, say.
30:36Yes, yes.
30:40What?
30:44Oh my God.
30:45Okay.
30:46Yes.
30:47I am watching.
30:48Thank you so much.
30:50Roshan Baba,
30:51can you please write a new channel?
30:52Yes.
30:53Just a moment.
30:53Huh?
30:54What's that, Babita Ji?
30:56I don't know, my friend told me that I have photos on my TV.
30:59Huh?
31:00Oh, your photo?
31:01Hey, Joto.
31:03Look at this.
31:03This is the ad hoarding.
31:07I was talking about this hoarding.
31:10Okay.
31:11This hoarding is put in a powder hole.
31:14This hoarding is put on a color on the model's face.
31:17That's why no one knows who this is the model.
31:20Who is this model?
31:21Come on, Darsha.
31:23Now, let's show you the second hoarding.
31:26In which the model's face is completely clear.
31:35Look at this.
31:37Wait.
31:38Wait.
31:38Wait.
31:39Wait.
31:39Wait.
31:41Wait.
31:44Wait.
31:47Wait.
31:48Wait.
31:48Wait.
31:49Wait.
31:50With that body of milk, Babita Ji, can Thier gluten agree someone.
31:53He doesn't know,
31:56but you will not know who is הזה and why this is Youtube.
32:02Either it is mushrooms with the Murray Anders,
32:04or if it is mushrooms with the model.
32:06The truth is, the truth is, we will tell you about it.
32:09Let's come.
32:10Bareudd hog!
32:11Hey, Babita Ji. What are all these things?
32:15Babita Ji, tell me.
32:18Babita Ji, tell me something.
32:19This is your photo, right?
32:22Yes, the photo is mine.
32:24But I haven't added this ad.
32:27I have all these things.
32:29So, what is this?
32:31How are your photos in this ad?
32:32I don't know.
32:35My photo is used without me, right?
32:38I won't leave it.
32:38I won't leave it.
32:39Come on, Babi.
32:40Where is this holding?
32:41Can I please show you?
32:42Yes.
32:43I tell you.
32:43It's on the table.
32:45Yes.
32:46Look at this.
32:48What?
32:49Look at how it looks.
32:51So big.
32:53I eat too.
32:55You eat too.
33:00Oh my God.
33:01I don't believe this.
33:04Babita Ji, you have a lot of shame.
33:06But I've never understood that one person.
33:10Babita, your appearance is wrong.
33:13I used to do it.
33:14The person who doesn't visit it,
33:15did you think the color was wrong?
33:18What did you look at your eyes?
33:23I mean, when the water is in the evening of Babita Ji,
33:28it won't be like Babita Ji.
33:30I'll tell you something, dear.
33:32But we won't teach this company.
33:37Babita Ji, without your permission,
33:39no one can't even catch your thoughts.
33:41No, this is just not done.
33:44This is what I did.
33:45I'll drag him to court.
33:48I'll take him to court.
33:49Good, good.
33:50I'll take him to court.
33:52I'll take him to court.
33:53Yes.
33:54How will these people do this,
33:55that we won't think about this next time?
33:57Yes.
33:59Disgusting people.
34:00I'm calling Ayyad now.
34:02Yes.
34:07Yes, Babita, tell me.
34:08Ayyad, you come to the house soon, please.
34:11What happened?
34:12What happened?
34:12Ayyad, Powder Gilly and Mumbai,
34:15the hoarding of Parmasala,
34:17I'm a model.
34:19What?
34:21Babita, what are you talking about?
34:24I was a doubt.
34:25But what happened?
34:26Ayyad, I don't understand
34:27how it happened.
34:30Please come to society, please.
34:32Yes, I'll come now.
34:34I'll come now.
34:35I'll give you a phone call.
34:37I'll also call Roshan.
34:38Babita Ji, please.
34:41Oh, I'll give you a call.
34:47Oh, I'll give you a call.
34:49What?
34:49I'll give you a call.
34:50Oh, what?
34:51How can I talk about this?
34:52I don't know you, Talal.
34:54There's no trouble.
34:55It's okay.
35:00Say it!
35:01Atyopu, Papa!
35:03Hurry up to the Sauseti.
35:04There's a lot of trouble.
35:06Why?
35:07What happened?
35:08We've seen that Babita Ji's photo
35:10in the house in the house.
35:16What?!
35:17Yes!
35:18And it's also inside Babita Ji's house.
35:25Babita Ji is in a lot of trouble.
35:29Satya nash.
35:32I'm also saying that.
35:33Satya nash.
35:35Who's got a photo of Babita Ji's photo.
35:38What are you talking about?
35:40No.
35:41Who's doing this?
35:43I'll give it to him.
35:44I'll give it to him.
35:46What are you talking about?
35:48Let's go here quickly.
35:49I'll give it to him.
35:50I'll give it to him.
35:54What's that, sir?
35:55What's that, sir?
35:55It's a mess.
35:57I'm done, sir.
35:57I'm done, sir.
36:01I'm done.
36:03I'm done.
36:13I'm done.
36:15What?
36:16What?
36:16Anjali.
36:17Hello, Tarak.
36:18Do you know how many problems have happened here?
36:21Babita Ji's photo in an ad.
36:24Yes.
36:27How do you know?
36:29What?
36:30What did you see on the TV?
36:32Yes.
36:33TV, TV.
36:34This is a work of someone's girlfriend, Anjali.
36:37Tarak, you come soon.
36:39Where are you, Filal?
36:40Office.
36:41Office?
36:42Why did you go to the office in jogging?
36:46And you said that you're with Jethabai.
36:48Yes.
36:49I mean, I'm going to go to the office.
36:50I'm going to try to come soon.
36:52Okay?
36:54Jethalal, get on the TV quickly.
36:55Your whole surprise is coming on TV.
36:58TV?
36:59Yes.
37:03Look at this.
37:04This is the ad hoarding.
37:07This hoarding is put in a powder hole.
37:09You can see that this hoarding is put on the face of the model.
37:14That's why no one knows who this model is.
37:18Come, let me show you the second hoarding,
37:23in which the model's face is clear.
37:35But I don't know who the wrong thing has done this.
37:38Why is this wrong?
37:42Either this is the wrong thing or the model.
37:46The truth is, we will tell you.
37:49Be with us.
37:51Class.
37:53Everything is done, Mita.
37:55Everything is done.
37:58Everything is done.
37:59Now Babita Ji will never see my body.
38:04Good morning, Babita Ji.
38:08Good morning, my foot.
38:18Babita Ji.
38:19Babita Ji.
38:21Babita Ji.
38:21Look, don't touch the floor.
38:23Don't touch the floor.
38:23You've got a wrong, I'm sorry.
38:26Jada Lal, you told me that you can't get the fault of your mother's fault.
38:31Then, don't do anything to talk about Babi.
38:35Otherwise, no one will be bad for me.
38:38Yes, please.
38:40I will show you in your face.
38:42It's a little off mood.
38:47What happened to me?
38:49What happened to me?
38:52I wanted to see my face on my face.
38:55They will be sad.
38:57It's over.
38:59Everything is over.
39:00Everything is over.
39:01Everything is over.
39:02Everything is over.
39:03Now, Babita Ji won't see my face.
39:06Now, they will become my family.
39:10Jada Lal, leave it all.
39:12Now, think about society and what will you answer?
39:15No!
39:16I won't go.
39:17I won't go to society.
39:18I'm sorry.
39:19We are going to run somewhere.
39:21Oh, the smugglers are going to happen.
39:23What?
39:24Underground.
39:25We are going to run somewhere.
39:26Look, Jada Lal.
39:27Anjali knows that I am here.
39:29They will ask me.
39:30So, what will I answer?
39:31No, no.
39:31Let's go to society.
39:32No, Maita Sahib.
39:33I won't go to society.
39:35I won't go to society.
39:36I won't go there.
39:36And they will know that they are all from me.
39:39So, they will fall out of me.
39:41Babu Ji, you will kill me.
39:43They will kill me from my house.
39:46No, I won't go to society.
39:48You will go to society.
39:49No, no, Jada Lal.
39:50You will die.
39:50What?
39:51How can I go to society?
39:52I will ask you.
39:53They will ask me.
39:54I will give you the answer.
39:55Don't go.
39:56Don't go.
39:57Here we go.
39:57Here we go.
39:58We will do this.
39:59We will do this.
40:00When everyone's angry will be happy,
40:01we will go to society.
40:03Okay?
40:03Oh, oh, oh.
40:05I will ask Babita Ji and Ayur Baika.
40:11I will ask you.
40:13I will ask you.
40:15I will ask you.
40:16I will ask you.
40:17I will ask you.
40:18I will ask you.
40:19I will ask you.
40:20I will ask you.
40:20Babita?
40:21Babita?
40:22How did it happen?
40:23Without permission,
40:25how can you use your photo?
40:25How can you use your photo?
40:26Oh.
40:27I don't know, Ayur.
40:29I don't know who can do this.
40:31Who can do this?
40:32Oh, you will get to do it all.
40:35What are we going to do now?
40:36We are going to go and all the hoarding is going to sell it.
40:38Roshan.
40:39Roshan.
40:39Roshan.
40:40A hoarding is going to sell it.
40:43We have to teach the company and the ad agency.
40:47That's the right thing.
40:48Yes.
40:49Let's do a job.
40:50The agency is going to sell it.
40:54Yes.
40:54Just let me go.
40:56No, the bad guys.
40:56Who's she even asked not to give up.
40:59What was your murder?
41:00Who are you?
41:00You said the data?
41:02No.
41:03Baba Ji, you stay on the train.
41:05No.
41:06I will not leave a while.
41:08I will not waste such things.
41:10I will not live for those things.
41:10I am driven to carry care of what I will do in the right way.
41:15I will kill people with help.
41:16How many times do I have to take care of it?
41:17I am.
41:18Bye-bye.
41:18I will take care of it.
41:19Good luck.
41:20Bye, peace.
41:24Dear brother, Babita Ji, what have you done?
41:29What have you done?
41:30Mr. Bob took 5,000,000,000 check, so he gave it to him.
41:33And then he gave it to him the ad.
41:37This is wrong.
41:39Popper, believe me, I haven't done this job.
41:43Babita is not able to do this.
41:46Popper, Babita is innocent.
41:49He hasn't done this ad.
41:51If Babita Ji hasn't done this ad,
41:53then how did the holding man look at him?
41:55He doesn't know, Popper.
41:58Without informing, Babita got a photo.
42:01And I'm surprised.
42:03Yes.
42:05Whoever has done this job, I won't let him.
42:08If he comes to my hands,
42:10he will send it to him in the jungle.
42:14Hi, hi.
42:16All of them are gone.
42:18Why didn't Babita and Mehta have arrived?
42:25I'm sorry.
42:26I'm sorry.
42:27I'm sorry.
42:28I'm sorry.
42:29I'm sorry.
42:29I'm sorry.
42:32I'm sorry.
42:32I'm sorry.
42:33Yes, I'm sorry.
42:34Popper, where are you from?
42:35All of them are gone.
42:37I'm sorry, Daya.
42:40I mean,
42:42I'm not leaving here today.
42:45What's happening there?
42:46What's happening here?
42:46Now, tell me.
42:48Everyone is angry here.
42:52They're talking about sending them to jail.
42:55And the other day,
42:56they're so angry,
42:58that they're going to send them to a rocket,
42:59and they're going to send them to the jungle.
43:02Hmm.
43:04And the Babuji said that
43:06I should be scared to be scared.
43:09Then, is that Babuji,
43:10you're going to be scared?
43:11Well, is that Babuji,
43:11you're going to be scared, right?
43:12No, I'm not coming.
43:13Why?
43:14Why?
43:14I'm not coming.
43:16I'm talking about the truth.
43:18Oh, Mr. Saab,
43:19I'm not going to do a section.
43:21Hey, Chetji,
43:23what are you doing?
43:25What are you doing?
43:26Sorry, Babuji.
43:27I'm a big mistake.
43:28Sorry.
43:29Chethaji,
43:31I was like my friend.
43:33And you didn't make me this.
43:35Hey, this is a joke.
43:37This is a joke.
43:38This is a joke.
43:39I don't care about society.
43:41I don't care about society.
43:42Yes.
43:44If you are sitting here,
43:45you have to watch it.
43:47We will leave society.
43:50No, no, no, no.
43:52Please, don't say that.
43:53You both stay here.
43:55If someone leaves society,
43:57he will leave.
43:58No, no, no.
43:59Where will society leave?
44:00Where will I go?
44:01Save it.
44:02Save it.
44:03Save it.
44:06Save it.
44:09Save it.
44:11Save it.
44:12Save it.
44:13Save it.
44:14Save it.
44:15Save it.
44:15Save it.
44:16Save it.
44:17Why are you away?
44:19Go to them.
44:22Away from our eyes.
44:28Save it.
44:29Save it.
44:30You have to be careful.
44:30You have to do it, J.T.H.A.L.D.
44:31Until everyone's angry is not going to happen,
44:33you can't go there.
44:35After everyone's angry is not going to happen.
44:47Good, guys.
44:49Look, you guys are good.
44:51We have to think about it first,
44:54that Babita's photo ad has reached the case.
44:56Yes.
44:58Yes.
44:58Yes.
44:58Yes.
44:59Yes.
44:59Babita,
45:01did you have given your photographs in modeling?
45:04Have you seen?
45:09No.
45:10No.
45:12You can see that you should have taken a photo in the studio
45:14and you can see someone's hand.
45:16What?
45:18Yes.
45:19Yes.
45:20Yes.
45:23Yes.
45:25Yes.
45:25Yes.
45:26Yes.
45:27That photo is J.T.H.L.A.L.D.
45:28Yes.
45:29It was my memory card.
45:30You will make that.
45:32Yes.
45:35Acareli.
45:37What's your project?
45:38What?
45:40We gave ZLL memory card.
45:43This was the photo.
45:46So?
45:47So what?
45:48What?
45:49What are you saying?
45:50Is you feeling good at ZLL?
45:54My ZLL will never do this work.
45:56Are you here?
45:57Yes, here.
45:58Is your mind-spotting?
46:00No.
46:02Nobody can do such a bad thing my name.
46:04Well, that's a fair.
46:05We are helping other people.
46:07help us. Nobody will do that with us.
46:10Yes.
46:11Now, Chetha Ji, we are well-wished.
46:15We will never do such a job.
46:18If you add a photo on the social networking site,
46:22then no one can upload it on the internet.
46:24Yes.
46:26There are also many videos on Tufan Express.
46:29What?
46:30People download the photos on the internet
46:33and then use the wrong work.
46:34Oh!
46:38Oh!
46:38Babita,
46:38did you upload your photo on the internet?
46:44Yes, I did.
46:47I think it will be leaked from the photo.
46:52But what do you think about doing it?
46:54Because Babita Ji's wordings will be in many places.
46:57I think it will be leaked from the internet.
47:00To my account, we should know that this ad has made.
47:05Yes.
47:05Yes.
47:07I think it will be leaked from the internet.
47:12Yes.
47:13I think it will be leaked from the internet.
47:13This ad has made the ad.
47:16Right, you know,
47:17Yes, they did.
47:18I will not be leaked from the ad.
47:21I would say I should take a photo on the agency's website.
47:25And then there should be lentils.
47:27What?
47:27Yes.
47:39What?
47:39Look at the house, my Dad!
47:42I'm behind the house!
47:42This house, my eyes, my dad!
47:48I'm behind the house!
47:50Oh my Dad!
47:51I'm behind the house!
47:52One second, one second!
47:53Now, what why did you go here?
47:56What?
47:57Oh, what?
47:58Not one question.
48:00Ask to this woman.
48:01You've been the female that has been allied with such a murderous thing.
48:07Oh!
48:07Hey, what?
48:10You eat food from shock.
48:12Why do you have to do pradarshans in front of the world?
48:16You don't have to pay attention to this act.
48:18Look.
48:19For money, it can be so high.
48:22Look, I've seen it.
48:25Look, don't say anything.
48:26You know?
48:27Look at your pictures, our parents, husband, children,
48:31all are saying to eat food.
48:32Look, my confidence.
48:34I haven't done this act.
48:36I haven't done this act.
48:41I haven't done this act.
48:42I haven't done this act.
48:43Then, how did you see the photo?
48:45This is Babita Ji and all of us.
48:48When are you asking for this question?
48:50What do you mean?
48:52Listen.
48:53Someone stole my wife's photo and put it in the ad.
48:57How can we do this?
48:58We are also getting to know the story.
49:01Why don't you go to the ad agency?
49:02Why don't you go to the ad agency?
49:04We are also thinking about going to the ad agency.
49:06Let's go.
49:06Let's go.
49:07Let's go with you.
49:09We are giving you.
49:11We are giving you.
49:11Yes, we are giving you.
49:14Yes, we are giving you.
49:48Let's go.
49:51Let's go.
49:52Let's go.
49:52Let's go.
49:52Let's go.
50:10Let's go.
50:18Let's go.
50:21Let's go.
50:23Let's go.
50:26Let's go.
50:29Let's go.
50:30Come on.
50:30Let's go.
50:31Let's go.
50:35Let's go, brother.
50:36Come on.
50:36Come on.
50:36Let's go.
50:37That's not a good soul.
50:38Come on.
50:39Come on.
50:40You don't have a good soul.
50:42We are giving you.
50:48If someone has put it in jail, or if someone has cut it off,
50:52or if someone has put it in the hair,
50:55then don't let me give it to my face.
50:58Come on, brother. I'll have another face.
51:00Why don't we take it off?
51:01Sayidji, this is a drink.
51:03I've ordered it and it's gone.
51:05This is a face.
51:07She's the owner of her own purpose.
51:10She's a small, small thing.
51:13She'll come when she comes.
51:16Sit down. Sit down.
51:18We don't sit down.
51:21We'll make the peace of society.
51:25We'll make a whole wedding from the farm.
51:29The farm, this farm!
51:31It's a farm!
51:33It's a farm!
51:36One minute.
51:37One minute.
51:39Chacha, that's a good one.
51:42Look, we should have to go with the murcha up first.
51:44Why?
51:49No!
51:50Now this nari shakti sailab has been stopped.
51:53This sailab will not stop.
51:55No!
51:56No!
51:57No!
51:57No!
51:57No!
51:57No!
51:59No!
52:00No!
52:01No!
52:01No!
52:03No!
52:03No!
52:05No!
52:16Chacha ji's talk right about the full proof plan.
52:19Then we can change their world.
52:21That's right.
52:21That's right.
52:23We complain about this.
52:25If the police are going to our side, they will tell us all the ad agencies.
52:29Yes.
52:30The truth is that we need to complain about the police.
52:34Yes, yes, I think it's right now.
52:39There's Basundi's problem.
52:42Here's I'm problem.
52:46Shinde.
52:47Yes, sir.
52:49There are many problems in the world.
52:51Now, like...
52:54Hello.
52:57Hello, Inspector Chalupande here.
52:59Look, I'm talking about the Gokul Dham Society.
53:03Please, please come here quickly.
53:05Come here.
53:07Sometimes, it seems like a private teacher is a private teacher.
53:11I think Gokul Dham is a private inspector.
53:15What's the problem?
53:16Inspector, my wife's photo is posted in the ad.
53:21What?
53:22Your wife is a very large part of the ad.
53:25Oh, no, no, no, no, no.
53:27Inspector, I'm not sure that Babita has all these things.
53:30But I'm not sure that she has a photo in the ad.
53:34Oh, that's a shame.
53:36Yes.
53:40Yes.
53:45Yes.
53:46Yes.
53:57Yes.
53:57You have to solve this problem.
54:00Yes.
54:01Yes, Abdul.
54:02Please, please.
54:04Then you don't have to worry.
54:06No one can't be able to hide from the inspector of Pande.
54:12What is the name of this ad agency?
54:13What is the name of this ad agency?
54:14K&K ad agency.
54:16K&K ad agency.
54:19K&K ad agency.
54:43Yes.
54:43Yes.
54:44Yes.
54:44Yes.
54:45That's all.
54:45Yes.
54:46Yes.
54:49Yes.
54:50Mr. Jajahji, we will go to the bed.
54:54Yes.
54:55Yes.
54:56Yes.
54:56You're quiet there.
54:59We're going now.
55:00But whenever you need to, you can call us.
55:04Right here.
55:08This is our card.
55:10We're going to be out of such a bad product.
55:12We're going to be out of such a bad product.
55:15We're going to be out of such a bad product.
55:17Thank you so much.
55:20I will write about this bad product
55:23and I will write such a bad product
55:25that their world will go away.
55:28We will always take the company to take care of us.
55:30Yes, very good.
55:31Guys, stand up and talk and talk about the situation.
55:33Don't do it.
55:33Go quickly, you guys.
55:34Get out of here.
55:35What are you saying?
55:37We're going to be out of here.
55:41We're going to be out of here.
55:41We're going to be out of here.
55:43We're going to be out of here.
55:44We're going to be out of here.
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