- 8 hours ago
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Short filmTranscript
00:00The great beauty of the world
00:05Do you want to say everything in the town?
00:20Hello?
00:21Hello, this is Pappan Panwalay Ji's number.
00:24Yes, I am talking about Pappan Panwalay.
00:26Yes, you are standing here standing here.
00:27Let me talk about it.
00:29One minute later.
00:30Hey, buddy.
00:31What number is this?
00:32Huh?
00:33Let's talk about it.
00:35Hello?
00:37Kishan Dholi, tell me.
00:39Look, I am talking about this video.
00:41I am the secretary of Kokudam Society.
00:42Yes.
00:43We need to save money for Navoradri.
00:46So what can we do?
00:47We will come, we will come.
00:49Where do we come?
00:50Yes, but first talk about money, Kishan.
00:52Because you don't need to pay attention.
00:53What you want to pay attention,
00:55understand and give attention.
00:55We have to pay attention.
00:58We have to pay attention.
01:00We have to pay attention.
01:01Wow, wow, wow.
01:01Kishan Dholi, what are your thoughts?
01:03If you are talking about this,
01:04you will also be happy.
01:05Haha.
01:06We will get so much of our mother's
01:07that you will remember your life.
01:09Haha.
01:09Address.
01:10Yes, one minute.
01:13One minute.
01:14One minute.
01:15Pen, pen, pen.
01:19Say it.
01:21Say it.
01:21Go Kudam Society.
01:22Yes.
01:23Powder Gali.
01:24Yes.
01:25Go Kudam Society.
01:25Go Kau East Mumbai.
01:26Yes.
01:27Now write our mobile number.
01:29Yes.
01:29One minute.
01:33Yes.
01:33Say it.
01:35Yes.
01:37Yes.
01:41Thank you very much, Kishan Dholi.
01:42So, tomorrow night,
01:43we will get to get back to you.
01:45Let's see.
01:45Yes.
01:47Yes.
01:48Yes.
01:49Yes.
01:50Yes.
01:50Yes.
01:51Yes.
01:52Yes.
01:52Yes.
01:53That's the book of Jol Yorishih.
01:54I am giving this Christmas story to Madhuy.
01:56Madhuy.
02:01Madhu.
02:06Hey, Madhu.
02:08Hey, Madhu.
02:11Hey, Madhu.
02:13What happened?
02:14Why are you standing like this?
02:18No.
02:19It's not the book that Jol Yorishih.
02:21I'm going to be booked.
02:22Oh!
02:23Is this a good thing?
02:24Thank you, thank you, thank you, thank you, thank you very much.
02:28Do you have to go to the house?
02:32Go!
02:33I'll take a break and break the house.
02:36Oh!
02:42Hey, boy!
02:46Hey, boy!
02:58Fernandavali
03:10Fernandavali
03:17I don't want to give a lot of food.
03:47I have a big village in Gokul Dam society,
03:49a small village, a small village, a small village,
03:52a small village, a small village,
03:55and a small village.
03:55I want to know that my life is happy,
03:57and I want to know what I like for Gokul Dam.
04:00I'll show you that.
04:01I have a lot of traditional village in Gokul Dam.
04:25This year, Gokul Dam society will be made with the Sanskrit and Paramparic
04:30by Dhol, Shainai, and Sanedo.
04:32All of the society will be made by Amma Maka Prasad and Ashriwaad.
04:38Wow, wow, wow, wow.
04:40What the hell?
04:41I don't know that you are making such a good drawing.
04:46What happened?
04:48I'm looking at Surajas in a world.
04:50What?
04:51You're doing my job, bro.
04:53No, no, no, no, no, no.
04:55If you have a good drawing,
04:56then you have to tell me what a good drawing is.
04:58It's just a little bit of a good drawing.
05:00It'll be soft to sleep.
05:02Fatlets.
05:03Huh? What?
05:04What? What?
05:05What?
05:05It's a fun thing to play in a Sanskrit way
05:07with a garden.
05:09Hmm, this is Daya Babi's idea, Popatnal.
05:11You said that we will play in the whole village.
05:14Daya Babi,
05:15you give any idea, you give any idea.
05:17Yes, and yes,
05:18you have to wear a traditional dress.
05:19My father,
05:21why don't I have a traditional dress?
05:23Don't do it, Popatnal.
05:24Daya Babi has also done his job.
05:26Daya Babi has told him,
05:27and he is giving him a dress for all.
05:29Okay, so Daya Babi has also fixed the dress.
05:32Yes.
05:33Wow, wow, wow, wow, wow.
05:35Just if Daya Babi is going to fix my wedding with any girl,
05:38then I will leave the house with this time.
05:40It's hard.
05:41Huh?
05:43Like Mataji's love.
05:45It's hard that I had to be able to work with.
05:51Hey, the boy is coming.
05:51It's all coming.
05:53It's all coming.
05:55You don't come.
06:02It's coming.
06:03You can easily,
06:03so it's coming.
06:05It's coming.
06:06Well, definitely.
06:10This is going to get to work.
06:12Friends,
06:13Look at what it's written on the list of those items.
06:13It's sanero, that.
06:15It's a part of sanero.
06:16That's so much fun.
06:18Sanero, sanero, sanero.
06:21Salero, Salero, Salero, Salero!
06:41Tapu sela, tapu sela, ALtso!
06:43Do you need to learn that all this!
06:46Yes, Popadha, you can learn Senedo.
06:48You can see your Senedo dance and say yes to your wedding.
06:52Yes, let's learn, let's learn.
06:54Let's learn, let's learn.
06:55Popadha uncle, you copy our script.
06:57Yes, please.
06:58Listen to me.
06:59Look, the first one is sitting down and then singing.
07:01Hey, ta-da-ta-ta-ta-ta-ta, o-a, ta-ta-ta-ta, ta-ta-ta, ta-ta-ta
07:10-ta, ta-ta-ta-ta-ta, ta-ta-ta-ta.
07:14Hey, buddy, you can finish this first and don't you do it before.
07:16What's her trying to do first?
07:18Okay, okay.
07:19Okay, okay.
07:52Okay, okay.
07:53Come on, Popat uncle.
07:54Come on, Popat uncle.
07:55Come on, Popat uncle.
07:57You don't learn this.
07:59You copy it?
07:59No, Popat uncle.
08:00The old uncle will not copy.
08:02What?
08:03He's a teacher.
08:06How can you copy it?
08:09Point, point.
08:11Hey, girl.
08:11I can do this.
08:13But I will do it with the two legs.
08:14I will do it with the two legs.
08:16Hey, boy, uncle.
08:17You have booked your two legs, right?
08:19Yes, I have booked my super phone.
08:21So, boy, let's go and book another time.
08:23Why?
08:24Because they have a lot of demand in their lives.
08:27That's why.
08:29Yes, boy, uncle.
08:30Don't worry about anything at the end of the end.
08:32So, let's go back.
08:33Yes.
08:34Boy, Tappu Senna is saying right.
08:36People give up more money,
08:38and take away from the two legs.
08:40Well, that's it.
08:42I will confirm it again.
08:44Yes.
08:46Yes.
08:46Is it Popadlal?
08:48Where are you going?
08:48Marriage Bureau?
08:50Oh, boy, boy.
08:51Besides marriage,
08:52there are many other jobs in my life.
08:54What?
08:54Ashtari?
08:55What do you say?
08:56Where are you going to go?
08:57I have an invitation for a very big film conference.
09:01I'm going to go there.
09:02You will hear such names.
09:04Boss.
09:08Boss?
09:08Akshay Kumar's film?
09:10Yes.
09:11Yes.
09:12That's the one who's related to the 16th doctor?
09:14Yes.
09:15Yes?
09:16What a solid action.
09:18Boss's picture is a solid action.
09:19Oh, my God.
09:20Oh, my God.
09:20Can we meet with Akshay Kumar?
09:22Please?
09:22Yeah, please.
09:23Oh, my God.
09:26Oh, my God.
09:27Oh, my God.
09:29Oh, my God.
09:30Oh, my God.
09:31Oh, my God.
09:31Oh, my God.
09:32Oh, my God.
09:34Oh, my God.
09:39Oh, my God.
09:40Oh, my God.
09:42Oh, my God.
09:42Yeah, of course.
09:43Oh, my God.
09:44Guys, remember.
09:44Take a photo of Akshay Kumar in mobile.
09:47You balance your mobile?
09:49Hey, boy.
09:50Ah, boy.
09:52This is a great deal.
09:53Is it not a peace for any photo?
09:54Ah, boy.
09:57I get late now.
09:59Who's to wait for you?
10:00Just leave yourself.
10:02Then tell you who's to wait for yourself.
10:03Let's go, boy.
10:04Come on, come on.
10:05Come on.
10:07That's all.
10:08Come on.
10:09Come on.
10:10Come on.
10:13Come on.
10:15Come on.
10:17Who's such a nice guy?
10:18Come on, boy.
10:24Who's it, boy?
10:26Who's that?
10:26Who's that?
10:27Somebody's a good guy?
10:27Hey, buddy.
10:30Hey!
10:32Hey, buddy.
10:33What's this?
10:36Hi, buddy.
10:38Hello, Jija.
10:39Who are you?
10:40I'm the beautiful friend Drew Mill.
10:42Who is the Mill?
10:43No, it's the Mill Mill.
10:45The beautiful girl has brought us for newfathers.
10:49What?
10:50Is there not a beautiful girl that we've sent?
10:52Let's go!
10:53How are you doing?
10:55You will have to go to China.
10:57No, no.
10:58When I came to China, I had to go to China.
11:00I thought it would have been a bit hungry,
11:02and then I couldn't stay hungry.
11:03He can see.
11:06It's also like this.
11:11Let's go.
11:11Thank you, brother.
11:14What, it's also like this?
11:16Look, Papa, look.
11:18What are you saying?
11:19I have to say that,
11:19if you're beautiful, Vira,
11:21you won't be able to sell the clothes so quickly.
11:23Look.
11:24First of all, Vira,
11:26Vira took the clothes.
11:31Oh, oh, oh, oh.
11:33Let's go.
11:42It's so nice.
11:49Oh, oh, oh, oh.
11:52Oh, wow.
11:53How beautiful.
11:56What are you doing?
11:57Sorry.
11:59Oh, wow.
11:59Oh, wow.
12:00You will have to go to China.
12:03You will have to go to China.
12:06You will have to go to China.
12:08Hello.
12:10Hello.
12:11Hello.
12:13Hello.
12:13Hello.
12:14Hello.
12:20Hello.
12:22Hello, Vira.
12:27Hi, hi.
12:32How about you?
12:35How are you feeling?
12:37My grandbabies are all good.
12:39See them.
12:39All of them are ugly.
12:41It's the best of them.
12:42It's a new baby.
12:44What's the name?
12:45How do you feel?
12:47Hey, brother, you're always great.
12:49Look at this, look at this.
12:50I'm a South Indian girl.
12:52What's up?
13:01Hey, Raeli, and Raeli.
13:09Oh
14:01Thank you so much. Thank you are a boy Jethalal. They said this was a
14:06base. Just like that.
14:07Pahnawa.
14:09Pahnawa.
14:11Pahnawa.
14:11Pahnawa.
14:12This is all because of Dayabhabi.
14:16This was a unique idea that we would make a traditional way of Navratri.
14:20Thank you Dayabhabi.
14:22Yes.
14:23Dayabhabi. Thank you. Thank you Dayabhabi.
14:25This is the idea of your new way of Navratri making.
14:29That's the truth.
14:30And Sundar bhai has also made such beautiful clothes for us.
14:36Oh, this time it will be a fun thing about Dhol and Shainai's feet.
14:43But why didn't this Dhol and Shainai come yet?
14:46Oh.
14:48Oh.
14:49Then you'll know about Dhol and Shainai's feet.
14:50Oh, Dhol.
14:51What's that?
14:56Hey, Dhol.
14:58Hey, Dhol.
14:59Where are Dhol and Shainai's feet?
15:00Hey!
15:01Hey, I'm watching their way.
15:04Hey!
15:06What?
15:06Hey, they did this booking?
15:07You did it?
15:10Of course.
15:10Hey, you're waiting.
15:11What?
15:11He was on the boat.
15:12Lets sit here.
15:25Hey, Dhol they will have to go home.
15:30Yes, I do.
15:37Hello?
15:38Is this the Kishan Dholwale's number?
15:39Yes, say it!
15:41Say it!
15:41Look, I'm talking about the Atmaranthukaram video,
15:44as a secret of the Goku and the society.
15:45Yes, say it!
15:47Come on, you guys, all of you have been sitting here,
15:49sitting here, sitting here, sitting here,
15:50sitting here, sitting here late.
15:51Main road, you're taking a ton of taxi.
15:53We're reaching to you in society in 2 minutes.
15:56Yes, come on, please.
15:59This is not the Kishan Dholwale's number.
16:07Come on, come on!
16:09Come on, come on!
16:10Come on, come on, come on!
16:18There's no attention here.
16:21Just ask me,
16:22where are you coming from?
16:23Yes, call me.
16:30Hello, where are you coming from?
16:31We're coming from society,
16:32but no one is watching.
16:33What are you talking about, Kishan Dholwale?
16:35I'm standing here.
16:36The whole society is standing here.
16:37The whole society is standing here.
16:38The mind is closed.
16:38You're not watching?
16:39Where are you?
16:40We're standing on the gate of society.
16:42Huh?
16:42But no one is watching here.
16:44Come on, I'm standing on the gate of society.
16:46Why are you not watching?
16:48Come on!
16:49We're standing on the gate of society,
16:57where are you standing in society?
16:57Your address is the same society.
17:00Gokulam Society,
17:01Pao Waligalli,
17:02Naigao.
17:03Huh?
17:04Pao Waligalli, Naigao?
17:07I was talking about Powder Gali,
17:09Goregao.
17:10Huh?
17:11Did you reach Naigao?
17:13What?
17:14How soon did you change your address?
17:15Why would you change your address?
17:16Why would you change your address?
17:17I was talking about that.
17:18Goregao, Powder Gali,
17:19Phil City.
17:20Sorry, sorry.
17:21We both reached the wrong place.
17:23Give up.
17:25But don't worry about it.
17:26We're taking a taxi in two minutes.
17:28Naigao, Goregao,
17:29there's not a lot in the village.
17:30There's a village in the village,
17:31and there's a village in the village.
17:32Why are you talking about it?
17:34No, no.
17:35You don't need a taxi car.
17:36We'll manage it.
17:40The phone is cut.
17:42It's ruined.
17:42It's ruined.
17:43It's ruined.
17:44It's ruined.
17:45It's ruined.
17:45Let's go.
17:47Come on.
17:52There's a big problem.
17:54What?
17:55What?
17:56Where did Naigao get to Naigao?
17:59Where did Naigao get to Naigao?
18:01What?
18:01What?
18:02Don't you?
18:04Naigao?
18:05Yes.
18:06They told me that we're going to take a taxi,
18:07but I told you,
18:09when will you leave and when will you?
18:11Yes.
18:12But when you told Naigao,
18:14they said Naigao,
18:15how did Naigao get to the village?
18:15Yes.
18:16Oh, my God.
18:17I gave you the address of Naigao.
18:19I've heard Naigao,
18:20so what do I do?
18:21What do I do?
18:23You must speak with the phone.
18:27Yes.
18:27Yes.
18:27Yes.
18:28I like to speak very fast.
18:30People always call me in the shop,
18:32but what do I do not understand?
18:34I don't understand.
18:35I'm fast.
18:35I'm fast.
18:35I'm fast.
18:36I'm fast.
18:36I'm fast.
18:38I'm fast.
18:39I'm fast.
18:39I'm fast.
18:40I'm fast.
18:41Yes.
18:42I'm fast.
18:44Yes.
18:44Yes, I'm fast.
18:46Yes, sir.
18:46Yes, sir.
18:48What?
18:48Say it.
18:49What do I say?
18:50No.
18:51You've already called me,
18:52Hey, Bagha.
18:54Hey, Bagha.
18:55Hey, Bagha.
18:57Bagha.
18:59Hey, Bagha.
19:00Bagha.
19:01You don't leave me,
19:01don't leave me.
19:02What do you doтАж
19:02think about the doll,
19:03and the╤Йtess,
19:04what do you do?
19:07How is it going to be?
19:11Why are you taking the tension,
19:13why are you taking the tension?
19:15Your lady's going to have here is the nden?
19:16Hey, their daddy.
19:18Yes.
19:19Yes.
19:20Yes.
19:21I'm talking about the doll.
19:23He has a doll.
19:24But who will Simon do it?
19:26You're talking about the doll.
19:27I'll play you.
19:28You can play me in a role.
19:31I'll play you.
19:32Hey, I'll play you.
19:33Hey, what do I play?
19:35Oh, I'll play you.
19:36Hey, what do I play?
19:38I'll play you.
19:39What?
19:39Hey, Roshan Kotu, sir.
19:40How do you play the bhangra?
19:43Oh, how do we play the bhangra?
19:46How do we play the bhangra?
19:49What?
19:50Yes, and Shainai is not the same.
19:52Hey, Hathi, Shainai is not the same tension.
19:55It's not the same tension.
19:56I'll play you with the same-to-same effect.
20:02I'll play you with the same-to-same effect.
20:04I'll change a question.
20:04Listen.
20:06Maybe it may be the same thing.
20:22Why?
20:29I'll do that same, or the same thing.
20:33Just to see it.
20:35Let's go!
20:36You just pay me, pay, pay!
20:38We do not pay for our house!
20:39This is what you do.
20:41What is this?
20:43Sorry, thank you.
20:45Yes, sir.
20:47No, no, no, no, no.
20:49Hey, God.
20:51What are you doing now?
20:57Please don't worry.
20:59We will do the same thing that we will do now.
21:07One minute!
21:09Today, in our Gokuldam society,
21:11the same as Daya Bhabi has thought,
21:13the same will be evil and evil.
21:16How are you?
21:17Just wait a little while.
21:19Daya Bhabi, I'm going to talk to you.
21:22Today, I'm going to take the world
21:23and take the Shainai and take the Gokuldam.
21:28Otherwise, this piece of paper
21:29will not come back in Gokuldam society.
21:34What about the game of Gokuldam?
21:39The ship!
21:39Stop!
21:40It is fine, man.
21:50Let's go!
21:50Rikshata, run quickly!
21:51Yes, sir.
21:58You're going, brother!
21:59How long will you reach?
22:00I feel like you've been waiting for a while.
22:04How did you get married?
22:06Boy, you're doing your job.
22:08You're running faster than meters.
22:10Let's go ahead and drive.
22:17Come on, come on, come on, come on.
22:22What's up, Papa?
22:23What's up?
22:25What's up?
22:28What's up?
22:28Puppet Lal is still alive.
22:31It's amazing, Puppet Lal.
22:32You've been waiting for everyone to do it.
22:37When are we waiting for Puppet Lal?
22:41The truth is, we need to start doing it.
22:46No, no, no.
22:47Puppet bhai has told us that he will bring the brothers and sisters to play.
22:52So, we have to wait for a while.
22:56Yes, Daya bhai is right.
22:58Yes, Daya bhai.
22:59Yes, Daya bhai.
23:00Puppet bhai has told us that we have to wait for a while.
23:04Actually.
23:04Actually.
23:05What actually?
23:05Where are the brothers going to play this night and the sisters will get to Puppet Lal?
23:09Who will not play for the bride's wife?
23:12Who will not play for the bride's wife?
23:15Who will play for the girls?
23:15How long will they see?
23:17They're late.
23:18Right.
23:20They'll play for the bride's wife.
23:20And they'll call the bride's wife.
23:23Yes.
23:26Yes.
23:29Yes.
23:29Yes.
23:30They will come in.
23:30Puppet Dhani.
23:32It's not even the phone.
23:34It's finished.
23:35The balance is done.
23:37But at that time,
23:38how will the bride and bride will get to the bride's wife?
23:41Well, everyone will be in Navratri, right?
23:43Hey, Babad Lal.
23:44Where are you going to go?
23:45I don't know anything.
23:50Puppet.
23:51How many of us have made the bride's wife of Navratri.
23:55We've also got clothes.
23:59How many of us are prepared.
24:02How many of us are prepared.
24:02How many of us have made the bride's wife of Navratri.
24:09Puppet.
24:11What happened since then...
24:14Yes.
24:15It's like mother's wife of Navratri.
24:18What are I saying?
24:19We start new cities.
24:25Puppet.
24:26What is the city of Navratri coming out of Navratri?
24:37There has no idea about us, Babad.
24:39Today we will not play garbage.
24:45Let's do it.
24:47Let's do it.
25:14Let's do it.
25:18Let's do it.
25:27Let's do it.
25:30Let's do it.
25:39Oh
25:51Hey, you guys are coming, but you have to get the puppet with him.
25:55He's coming with him right now.
25:56Yes.
25:57No, we have sent a boss.
25:58Boss?
26:00Boss?
26:00Boss?
26:01Who's boss?
26:02Our boss.
26:05Who's your boss?
26:07Boss.
26:09Who's your boss?
26:10Who's your boss?
26:10My brother, maybe he'll be the boss.
26:13He'll be the boss.
26:13He'll be the boss.
26:14He'll be the boss.
26:43He'll be the boss.
26:44The boss.
26:45When did you dance to the doll?
26:47Pa, what's the character of I am just talking about?
26:51What happened in my song?
26:54What's theakk?
26:56I'm not looking for the doll's song.
26:58What're you doing?
26:59Well, come back, boy.
26:59What's the damn doll?
26:59I see what you like.
27:00Oh, my God!
27:01Oh, my God!
27:02ASKED
27:02ASKED
27:03ASKED
27:04ASKED
27:09ASKED
27:32Oh my god!
27:35Oh my god!
27:36Oh my god!
27:43Oh my god, Akshay Kumar!
27:46Oh my god, Akshay Kumar!
27:46Oh my god, Akshay Kumar!
27:47Sing is king, Akshay Kumar!
27:51Akshay Kumar!
27:57Rowdy Rathal!
28:06Oh my god, Akshay Kumar!
28:09Oh my god, Akshay Kumar!
28:27Oh my god, Akshay Kumar!
28:31Oh my god, Akshay Kumar!
28:32Why are you going to right?
28:34Come here!
28:35Oh, Jethalal, you didn't hear anything.
28:38The boss is always right.
28:45Oh my god, Akshay Kumar!
28:46See, you're standing on the right.
28:48Jethalal, you know your name.
28:49What the hell?
28:50You were talking about your mouth.
28:51I was talking about that.
28:53I was talking about that.
28:53I'm talking about that.
28:58I was talking about that.
29:00I was talking about that.
29:00Ah, you ate a╧Б╬▒?
29:12Don't swim the gear servant.
29:14I was talking about that!
29:15Ah, it was a Evet.
29:16Hi!
29:17I was talking about it.
29:18Here I go!
29:19Are you going to, come here!
29:20Uh, uh, the rice?
29:24I was dropping,я┐╜ьЪФ!
29:24Yeah, I was talking about it.
29:24No harder, no harder!
29:24Look at you, all of you have to say,
29:26No, no, no, no.
29:28Akshay sir, Tappu Singh has watched all of your films.
29:31And Akshay sir, you are Raw or Rata and you are your favorite.
29:37And I believe that the past picture will also be our next favorite picture.
29:43Thank you, thank you very much.
29:45Tappu Singh, I've heard a lot about you.
29:49You must do a lot.
29:52You must do a lot.
29:54You must do a lot.
29:57You must do a lot of your head.
29:59What is that?
30:02How about that?
30:04It's so good.
30:06But yes, you must do a lot of your head.
30:08Please.
30:09Look, Tappu,
30:12never do a lot of fun.
30:12You must do a lot of fun.
30:14Don't do a lot of fun.
30:19Don't do a lot of fun.
30:20You always do a lot of fun.
30:21Because kids always do a lot of fun.
30:24You always do a lot of fun.
30:28Don't leave your head.
30:30Don't do a lot of fun.
30:31But don't do a lot of fun.
30:32You understand?
30:33Okay, okay, sir.
30:34Hey, hey, hey.
30:35How do you feel?
30:37You have to do fun, Akshay Sahib.
30:39But you still do a lot of fun.
30:43Don't do a lot of fun.
30:45Don't do a lot of fun.
30:46Don't do a lot of fun.
30:48Don't do a lot of fun.
30:49The next time,
30:49if you don't do a lot of fun,
30:50tell them to the boss.
30:52I will give them a call.
30:54Yes, boss.
30:55That's a good thing.
30:56No, sir.
30:57We do a lot of fun.
30:58Yes.
30:59Guys,
31:01you must do a lot,
31:02but you must do a lot.
31:05Please tell me about your film about boss's films.
31:10What do you want to buy my film about boss's films?
31:15Why do you want to go to the theater and look at the pictures?
31:18Why do you want to save money?
31:23What?
31:24What?
31:24What?
31:25What?
31:26What does that mean?
31:27Please please please.
31:28Please tell me.
31:30Please.
31:30I'll tell you.
31:31My story is not different from you.
31:34Here's Gokuldam society.
31:36There's a variety of boss.
31:38Here's Gujarat's fun.
31:40There's Haryana's fun.
31:43Here's society's reaction.
31:46There's a action of boss's boss.
31:50And in both stories, the most common thing is one good, Bapu.
31:54Family emotion.
31:55Oh, that's how the one's changed.
31:59What's the matter?
32:00All the important, family emotion.
32:03A little bit of a blot, a little bit of a blot.
32:06A little bit of a blot.
32:08A little bit of a blot.
32:09A little bit of a blot.
32:19A little bit of a blot.
32:21What do you want to say?
32:24What do you want to say about boss's boss?
32:25No, no, that's not.
32:27Then?
32:28I'm asking you,
32:30where are you from from our society?
32:32Yes!
32:33I'll tell you.
32:34I'll tell you all the details.
32:36I'll tell you.
32:37I'll tell you.
32:38I'll tell you.
32:39Until you make a story in your mind,
32:41I'll tell you.
32:42I'll tell you.
32:44As you want to tell,
32:45I'll tell you.
32:47No, no.
32:48Okay.
32:50This is all...
32:52...for them.
32:53...for them.
32:55They've come,
32:56...and they've told me.
32:57Look,
32:58I've come to the Gokul Dham Society.
33:00You'll have to go with me a little bit.
33:02What?
33:02It's today, right?
33:04It's because of Dol and Shainai,
33:05our society has been stopped.
33:07What do you mean?
33:07It's because of Dol and Shainai's time.
33:10They're not able to go with me a little bit.
33:11You'll have to go with me a little bit.
33:13No, no.
33:13I can't come here.
33:14I'm shooting here.
33:15The Gokul Dham Society is in the past.
33:17It's 10 minutes.
33:18I can't come here.
33:19I can't come here.
33:19I can't come here.
33:20I can't come here.
33:22I can't come here.
33:23I can't come here.
33:24Listen, brother.
33:25What do I do?
33:27Everyone is waiting for me.
33:29Mother,
33:30who will help me?
33:32Who will help me?
33:34I will help you.
33:37Come here.
33:38Come here.
33:40Come here.
33:48Come here.
33:50Come here.
33:56Come here.
33:57Come here.
33:58Come here.
33:58Come here.
33:59Come here.
33:59Come here.
34:00Come here.
34:00I met you at the press conference.
34:03You're a big press conference.
34:05We're looking for breaking news here.
34:08No, no, no.
34:09There's no breaking news here.
34:11They're looking for Dol and Shainai.
34:12What are you doing?
34:14What are you doing?
34:17I love you too.
34:20But, sir.
34:21It will happen in a few days.
34:22But, what is it?
34:23It's a new night.
34:24Today, there are people in Gokuldam Society.
34:26There are people in Gokuldam Society.
34:27There are people in Gokuldam Society.
34:28There are people in Gokuldam and Shainai.
34:30There are people in Gokuldam Society.
34:41They're talking about society every year.
34:45That's right.
34:46That's right.
34:47That's right.
34:47That's right.
34:48You all know.
34:49Hey, boss.
34:50The people in Gokuldam
34:52are taking the portable intelligence
34:52with us.
34:55Okay.
34:55Your problem is solved.
34:57Parag.
34:59Take a long car brake.
35:00Take a long car brake.
35:01Take a long car brake.
35:02Take my car too.
35:02Hurry up.
35:04Come here.
35:06Come here.
35:07Come here.
35:09Come here.
35:16Come here.
35:17Come here.
35:19It was like that.
35:22Sir, please try to understand me.
35:24Akshay Ji, please.
35:24Akshay Ji, please.
35:25Please, please.
35:26My world has changed.
35:27If you say that,
35:28you will believe.
35:29Please, please.
35:30Go with me.
35:31Leave my leg.
35:32I have to eat food.
35:33I have to break.
35:34Listen.
35:34You say that I will leave my leg.
35:36Look.
35:37Everyone is waiting.
35:38Please, go.
35:39I can't come.
35:39Listen.
35:40My world has changed.
35:41Akshay Ji, I can't come.
35:42Akshay.
35:43I have to wear your legs.
35:44I have to wear your hands.
35:45If you don't come,
35:47you will be fired.
35:48I can't come.
35:49I can't come.
35:49You have to stay at home.
35:50Mother.
35:55Who?
35:57Mother.
35:57Mother.
36:01Mother.
36:01Maybe, he got irritated toъ▒╕.
36:04As you had said it too early.
36:05Mother.
36:07Mother.
36:11Mother,
36:11feet are busy.
36:12Break till the system.
36:14Just that╨╛╤В╤Лte made me take a small little.
36:24You guys come here.
36:25Let's go.
36:27Let's go.
36:28Yes, yes, yes.
36:30It was like that.
36:31You did great job.
36:34You did great job.
36:35You kept my neck.
36:37Your heart is very big.
36:39Wow, Poppet, wow.
36:40What a debugger.
36:41Yes, you're a genius.
36:44Wow, I can also thank you.
36:48You are the best in my gokol time.
36:50Papuji, nice to meet you.
36:52And then you brought the brothers and brothers and sisters.
36:56Thank you again for that.
37:00Otherwise, our program was canceled today.
37:02You have saved me.
37:04All of them are the best.
37:05And so, I'm a very big advocate of my aunt.
37:09How can I miss her?
37:11Don't you miss her?
37:13Then start her?
37:15Come on.
37:16Come on.
37:17Come on.
37:18Come on.
37:19Come on.
37:20Come on.
37:20Come on.
37:26All of you, say to God,
37:29the land, the land,
37:31the land, the land,
37:32the land, the land,
37:35I have heard it.
37:37Say, say,
37:40the land of the land.
37:47Okay, I am very grateful to you all,
37:51that you have called me here
37:52and called my mother.
37:54It was a great honor.
37:55Thank you very much.
37:56I have to go to my shooting house.
37:59No, no, no,
38:00Mr. Kumar Ji,
38:01you have come to my mother's house
38:02and we have come to my mother's house.
38:05You can't go like that.
38:06You have to do ourself.
38:08Yes, you have to do it.
38:10Okay, okay, okay,
38:11I'm telling you.
38:13Okay, we'll go and do it, okay?
38:14Yes, yes, yes.
38:16Okay, go and do it.
38:17Let's do it.
38:18Thank you very much.
38:20Cheers.
38:29Whoo!
38:37Ha!
38:39Ha!
38:40Ha!
38:40Oh, my God.
39:37Oh, my God.
39:40Oh, my God.
40:26Oh, my God.
41:02Oh, my God.
41:13Oh, my God.
41:29Oh, my God.
41:54Oh, my God.
42:20Oh, my God.
42:25Oh, my God.
42:55Oh, my God.
43:00Oh, my God.
43:02Oh, my God.
43:04Oh, my God.
43:04Oh, my God.
43:06Oh, my God.
43:11Oh, my God.
43:21Oh, my God.
43:24Oh, my God.
43:52Oh, my God.
43:54Oh, my God.
43:55Oh, my God.
44:24Oh, my God.
44:54Oh, my God.
45:24Oh, my God.
45:54Oh, my God.
46:29Oh, my God.
47:11Oh, my God.
47:44Oh, my God.
47:48Oh, my God.
48:17Oh, my God.
48:19Oh, my God.
48:20Oh, my God.
48:21Oh, my God.
48:59Oh, my God.
49:21Oh, my God.
49:28Oh, my God.
49:58Oh, my God.
50:42Oh, my God.
51:10Oh, my God.
51:29Oh, my God.
52:03Oh, my God.
52:28Oh, my God.
53:03Oh, my God.
53:28Oh, my God.
53:29Oh, my God.
54:22Oh, my God.
54:52Oh, my God.
54:55Oh, my God.
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