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Beyond Paradise S04E02 (2026) #SERIESHUB
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00:11To be continued...
00:57To be continued...
01:05To be continued...
01:27Um...
01:27Yeah.
01:28What's your name?
01:29Adam Walsh.
01:31What were you doing in that man's shed?
01:33It came to save a mate last night, but we fell out.
01:35Just needed to get my head down, but...
01:37Then I woke up and that old crank had locked me in.
01:40Am I going to get done or what?
01:42I don't think they hand out custodial sentences for stealing biscuits.
01:48Custodial.
01:50As in custard creams.
01:51Forget it.
01:52Where do you live?
01:53Exeter.
01:54Okay, straight on the train.
01:55Go on home.
01:56Don't want to see you around here again.
01:57I just want to get home and have a shower and some food.
02:00I'm starving.
02:02Oh.
02:03Mum's cheese and homemade pickle sandwiches.
02:06Take it for the journey if you like.
02:07Oh, cheers.
02:08Okay.
02:09Go on.
02:12Oi!
02:13Is that it?
02:15You won't be having any more trouble from him, Mr. Franklin.
02:18I'll hold you personally responsible if I do.
02:21Just so you know, Mr. Franklin,
02:23Bol's imprisonment is also a criminal offence.
02:40Humphrey and I appreciate that.
02:42Thanks.
02:43Bye.
02:45That was Hannah.
02:46Checking on us after our meeting the other day.
02:50Pausing fostering still feels like the right thing to do.
02:52Yeah, it's probably for the best.
02:54Especially now we're back living with your mum.
02:56Exactly.
02:57Green or blue?
02:59What do you think?
03:00It's a bit formal for a Tuesday morning.
03:02The WI ladies are taking me out tomorrow evening.
03:05Again?
03:05Oh.
03:06Between us.
03:07They've become slightly suffocating since I've become councillor.
03:12Oh, they're both nice.
03:15The green one, then.
03:17You're just saying that to shut me up.
03:19Humphrey.
03:20Green to match your eyes.
03:21My eyes are brown.
03:24So they are.
03:27Sorry.
03:32Hello.
03:34Right.
03:35I'm away.
03:37Saved by the bell.
03:49Hiding from the paparazzi.
03:52Pardon?
03:54Well, don't get me wrong.
03:55They're very stylish.
03:56Not a criticism.
03:58Is it an image revamp?
04:01No.
04:03It's a tension headache from a crick neck and no sleep.
04:06But thanks for the compliment.
04:10Rosewood Cottage.
04:12Where are you?
04:14Are you the police?
04:17Hello?
04:20Mrs. Harris?
04:23I've been hiding in case they came back.
04:26Right.
04:30Oh, darling.
04:32I am so sorry.
04:33I was with a client.
04:34My phone was off.
04:36Clyde Harrison, June's husband.
04:38D.I.
04:38Goodman.
04:39This is D.S.
04:39Williams.
04:40I'm sorry we weren't here earlier, too.
04:42It's slightly tricky to find.
04:43We are tucked away here.
04:45It was much easier to find when the woodwork was pink, albeit slightly garish.
04:49Uh, shall we go inside, Mrs. Harris?
04:59Look at it.
05:00They've wrecked the place.
05:11Sorry, Mrs. Harris.
05:13What exactly did you notice was wrong?
05:19The whole place was upside down.
05:23They turned the drawers out.
05:25This chair was on its side.
05:27It was all a mess.
05:51How are you so good at it?
05:53At what?
05:54Adulting.
05:55I mean, you make it look so easy doing ten different things at once and you're not even stressed.
06:01I'm just good at hiding it.
06:03Besides, stress isn't always a bad thing.
06:05We wouldn't get what we wanted without it.
06:07But what if you don't know what you want?
06:09Like, I really like what I do here, but I'm just worried that it's not what I want to do
06:13long term.
06:14I should hope not.
06:15I don't want to see you go, Zoe, but you've got a whole life to live.
06:19Doing what, though?
06:21You're 18.
06:22You've got bags of time.
06:23Takes six years to train to be a vet.
06:25Do you want to be a vet?
06:25No.
06:26I'm just making a point.
06:29How did you decide?
06:30I didn't.
06:32I went travelling.
06:33Thailand, Vietnam, Malaysia and the Caribbean.
06:37That must have been incredible.
06:38It was the best thing I could have done.
06:40I went alone and it taught me more than any course ever did.
06:42Really?
06:43Weren't you frightened?
06:45Sometimes, but that's life, isn't it?
06:47My advice is to have all the experiences you can, good and bad.
06:51Take risks.
06:53Choose adventure, Zoe.
06:57Bingo!
07:02I know what I saw.
07:04You're sure there's nothing missing?
07:06I've checked.
07:08Everything appears to be where it should.
07:10Understanding attachment disorders by Dr. Clive Harris.
07:13I'm a clinical psychologist.
07:15And a published one at that.
07:18I'm sorry, what happens now?
07:21Without any evidence of a break-in, then I'm afraid there's nothing much we can do.
07:24I am not mad!
07:26No one's suggesting that, Mrs. Harris.
07:28You don't need to.
07:29Clive is diagnosing me as we speak.
07:31June, that's not true.
07:37Yeah, thank you both for your time.
07:39I'm sorry if I've wasted it.
07:41Of course not.
07:42You're very welcome.
07:43Nothing to apologise for.
07:46Have there been any causes for concern with June recently, psychologically?
07:51Nothing.
07:51I'm as perplexed as you are.
07:53Yes, well, you know where we are.
07:55Yes, Sergeant.
08:01Might be the start of something to do with our mental health?
08:05Yes.
08:06Well, there's a buck coming.
08:08I believe her.
08:11You think someone trashed the place, then immediately put everything back exactly as it was?
08:16Not exactly as it was.
08:18Dr. Harris' book was upside down.
08:20It's odd.
08:21Don't you think?
08:22And the rest of the shelves were so neat.
08:32A profile here on the eminent Dr. Clive Harris in The Times last month.
08:37I became a psychologist because I care.
08:40Oh, the burglary on Millstone Lane.
08:43I give my right arm for a burglary at the minute.
08:46Honestly, if I get one more call out about kids doing wheelies in the high street or eating people's custard
08:52creams, I'm going to scream.
08:54Well, it wasn't actually a burglary, so you didn't miss out on anything.
08:58But I took the call.
08:59Poor woman was hysterical.
09:01House was immaculate.
09:03What's going on, then?
09:04Not sure yet.
09:05She certainly seemed convincing.
09:08Maybe it's like that old film where the husband gaslights the wife into thinking she's gone doolally.
09:14Oh, what's it called now?
09:17Um, gaslight.
09:19That's the one.
09:21Oh, it says here they fostered, too.
09:25Dr. Harris's interest in attachment theory inspired him and his wife to foster children from troubled backgrounds.
09:31Doesn't sound like a manipulative gaslighter.
09:34Mum, I did an online quiz about this.
09:37Apparently, I've got an anxious attachment style.
09:42Oh, I don't buy into all that nonsense.
09:45That's because you're an avoidant.
09:48The only thing I'm avoiding is cod psychology.
09:51And this headache, if I can.
09:54See?
09:55You're masking the pain with pills when you should be pinpointing the root causes.
10:00I can pinpoint one of them right now, actually, Margot.
10:03Stress.
10:04That's what's going on here.
10:07Cortisol flooding the nervous system.
10:09I bet I know what started it and all.
10:12Or should I say, who started it?
10:15Yeah, all right, Margot.
10:16Thanks for the insight.
10:17But I slept badly, that's all.
10:18You should both try positive affirmations.
10:22Now, every morning, I look in the mirror and I say,
10:26I am enough.
10:27Out loud.
10:28Here.
10:30You try it.
10:32I am enough?
10:34No, no, no, no.
10:35It's a statement, not a question.
10:36Say it like you mean it.
10:39I'm enough.
10:41Less mumbly.
10:43Punctuate each word.
10:45I am enough.
10:48I am enough?
10:49All right.
10:50Don't blow my ears off.
10:52Now, you do that every morning and feel the difference it makes.
10:59Good.
11:06Yeah.
11:15Shipped to another police station.
11:17Hold the line for me, please, Mr. Smith.
11:21Apologies, Mr. Smith.
11:24He's just popped out.
11:26Would you care to leave him a message and I'll get him to call you back?
11:32Will do.
11:33Goodbye.
11:37Didn't have the good grace to say goodbye.
11:40Who wants you to call him back, SCP?
11:42He says he's keen to know your decision.
11:58Dr. Harris, sorry to bother you.
12:00Can I just check?
12:01Our next session is Tuesday, isn't it?
12:04Ten o'clock, yes.
12:05See you there, Amy.
12:33See you there, Amy.
12:42There's another liar before someone's tried to remove it.
12:46That tumour's right, then.
12:48It's odd, but I feel rather relieved.
12:51Have you had any run-ins with anybody recently, Dr. Harris?
12:55No.
12:56There's nobody you know who might be inclined to call you a liar?
13:00Not at all.
13:02See, I did a bit of research after I left you earlier, and I found this.
13:09A fellow psychologist, Roger Franklin, accused you of plagiarising one of his research papers last year.
13:16How he was allowed to stay in the profession all those years is beyond me.
13:22That's the paper in question.
13:25Breaking the cycle of insecure attachment.
13:28Roger's under the impression that he invented Bowlby's theory of attachment.
13:32It's ridiculous.
13:33It's jealousy.
13:34Plain and simple.
13:35Good idea to start with him, then.
13:37Maybe, but I'd be amazed if he had the gumption to pull this off.
13:42Anything else?
13:45Unusual interactions?
13:47Who was the last patient you saw?
13:48Well, I bumped into one of them just before I arrived earlier.
13:52Amy Riley.
13:53She was outside the office.
13:55I wouldn't call it unusual, though.
13:57So she didn't have an appointment?
13:58No, not today, but I have a good rapport with all of my patients, Detective.
14:04Amy has complex diagnosis, but she deals with it admirably.
14:08I've never had any cause to be concerned.
14:16Thank you, Doctor.
14:18Hi.
14:19I'm brief.
14:20Esther.
14:21Hi.
14:21Hi.
14:22Hello, Archie.
14:24You're here to see Doctor...
14:25About some wine.
14:27Dr. Harris wanted some advice.
14:30I'm so sorry to keep you.
14:32Unfortunately, I'm going to have to postpone our session.
14:43Good to see you, Archie.
14:50So, someone trashes the house, then puts everything back and cleans up after themselves.
14:55Then goes and does the same thing to Doctor Harris's office.
14:59Any thoughts?
15:00Huh?
15:01Why would somebody commit a crime, then try to undo it twice within a couple of hours?
15:13Esther?
15:16Sorry, um...
15:17What was that?
15:18Are you okay?
15:20I'm fine.
15:21Yes.
15:22It's odd.
15:23Some sort of psychological game, maybe?
15:26Well, yes, possibly.
15:27In any case, I'm pretty sure it'll happen again.
15:29So, uh...
15:30We should submit an urgent request for access to his patient files.
15:33And, uh...
15:34Let's pay a visit to Roger Franklin.
15:46Hi, Margot.
15:47Got a call from the manager at the train station.
15:50Fights broken out there on Platform 1 between a couple of, uh...
15:54Don't tell me.
15:55Kids.
15:56Now, don't scream.
15:59Remember, you are enough.
16:03I've definitely had enough.
16:05Know that much.
16:10Kids.
16:10Kids.
16:11Kids.
16:13Kids.
16:14Kids.
16:19Kids.
16:22Kids.
16:31Kids.
16:34Kids.
16:35Kids.
16:38Kids.
16:38Kids.
16:40Kids.
16:46Oh, I'm so sorry, I was miles away.
16:50In Dolphin Cove?
16:52Have you been?
16:53Oh, I wish.
16:55It just says there.
16:56Sorry, I wasn't snooping.
16:57It just caught my eye.
16:59It's like paradise.
17:00Doesn't it?
17:01You planning a holiday?
17:03Thinking about going travelling?
17:05Seeing a bit of the world?
17:06That sounds amazing.
17:08Who are you going with?
17:09Not sure yet.
17:11Probably by myself.
17:13Well, that's brave.
17:15That's what life's about, isn't it?
17:16Having those different experiences, taking those risks.
17:19Well, good for you.
17:21As long as you take care of yourself.
17:24Oh, Kelby.
17:25I haven't told my mum yet, so please don't say anything for you.
17:41Mr Franklin?
17:42Yes?
17:43I'm D.I. Goodman.
17:44This is my colleague, Detective Sergeant Williams.
17:47Well, glad to see it's been passed up the rags.
17:49Trust you'll be throwing the book at that little toe rag who's been swatting in my shed.
17:54They sent a young lad this morning, barely out of his teens by the looks of it.
17:59If you're referring to PC Hartford, then he's a highly competent police officer and a fully grown adult.
18:04Yes, we're actually here to talk to you about Dr Clive Harris, Mr Franklin.
18:09What about him? And his doctor, Franklin?
18:12Dr Franklin, my apologies.
18:14Can we have a quick chat?
18:16Now?
18:16Yes.
18:17Is there somewhere a little more, uh, private we could go?
18:22Yeah, but that is what Dr Harris said.
18:28Absolutely preposterous.
18:29But you have called Dr Harris a liar in the past.
18:31Because he is one.
18:32He stole my work and got away with it scot-free.
18:35Oh, and you wanted revenge?
18:36Don't try and trick me, Detective.
18:38For a start, I can't be in two places at one time, can I?
18:41And, if one of your own officers isn't enough of an alibi, then I don't know what is.
18:47I suppose that depends on what time you arrived at the allotment.
18:49Oh, here we go.
18:50Okay.
18:52I got here about eight o'clock, unlocked the shed, and saw some layabout sleeping on the floor.
18:58End of story.
18:59If it's Padlock from the outside, how did he get in?
19:02Well, I was here late last night, too.
19:04About 1am.
19:08I'm an insomniac late in my life.
19:10I hadn't locked up when I left earlier that day, so he must have got in then.
19:15I put the padlock on, and then came back this morning and found him.
19:21Happy?
19:22And where were you at about 10am?
19:25Well, still here.
19:26Obviously.
19:27And there'll be other people who can vouch for you?
19:29The other allotment holders?
19:31Well, they've not long arrived.
19:33I mean, I was alone for much of the time, as it happens.
19:40Right.
19:41Well, thanks very much for your time, Mr. Franklin.
19:44Beg your pardon?
19:44Doctor.
19:45Watch out, share the seats!
19:47Oh, cool.
19:47Yes, I noticed.
19:48Take a little heads up.
19:50Remind that.
19:52I just skipped that coat of varnish.
19:55So you have.
19:59Technically, Roger Franklin could have broken into the Harris's, trashed it, regretted it,
20:04tidied up, and come straight here.
20:08Technically, yes.
20:10Though, judging by the state of his shed, he doesn't strike me as being a particularly fastidious cleaner.
20:14Yeah.
20:16So, what now?
20:17Any ideas?
20:18Yep.
20:19Piece of cake.
20:20You know who did it?
20:21No idea.
20:21I mean, I want a piece of cake.
20:27This stuff is ridiculous.
20:30Two lemon drizzles, two Americanos, a large milk, and a double espresso.
20:35For Lady Gaga.
20:38Hardly surprising I'm stressed, considering the amount of stick I have to put up with.
20:43No, I can't take any more or I'll be rattling.
20:46They're useless anyway.
20:48Sounds like you need a massage.
20:49You should try this new place.
20:51Apparently, the masseuse is incredible.
20:53No thanks.
20:54Can't bear anybody touching me, let alone when it's accompanied by bare feet and pan pipes.
21:00Mum, you should take some risks.
21:02Get out of your comfort zone.
21:03Hardly class a neck massage is risk-taking.
21:06Great.
21:10Uh, what are you doing?
21:15Hi.
21:16Uh, I was wondering if you had any availability for a massage later today?
21:21Zoe?
21:21No.
21:24Are you okay?
21:25Yeah.
21:27No.
21:30Uh...
21:33Mr. Smith, from Hub.
21:35You know, he's chasing me for a decision on who I'm letting go of.
21:38There must be another way to deal with these cuts, surely.
21:42Show them how well you can operate on a strict budget.
21:46Yeah, possibly.
21:49Can I get a refund on the lemon drizzle?
21:52I'm not sure that equates to someone's yearly wage.
21:55It's a start.
21:59Oh.
22:03I knew it.
22:04The lad fighting at the train station before is the same one from the allotment this morning.
22:09Some angry old man found him kipping in his shed.
22:12Roger Franklin.
22:14How do you know that?
22:15Because we interviewed him earlier about the breaking of the Harris's.
22:18He's an odd fish, that man.
22:19I know his wife.
22:21She's a siren he's short of a picnic hamper and all, truth be told.
22:25Kicked him out a few weeks ago.
22:27Well, that explains why he spends so much time at the allotment.
22:30Apparently, they had a huge row because he got suspended from his work.
22:35What happened here then?
22:37Well, it was all over by the time I arrived, but the station manager thinks it was something to do
22:42with drugs.
22:43He heard the other lad shouting,
22:46We've got a deal.
22:47You can't pull out.
22:48Very good.
22:51So, two crimes, two attempts to undo those crimes.
22:57What would an eminent psychologist have to say about that?
23:01Oh, that reminds me.
23:03Email from Dr Harris's receptionist arrived with his patient records attached.
23:07I've just sent it to you.
23:08Excellent.
23:18I've just discovered something else very interesting.
23:21About Roger Franklin?
23:22No, Amy Riley.
23:24The patient Clive mentioned this morning.
23:26The one he saw just before he discovered his office had been broken into.
23:30He was right about her complex diagnosis.
23:36Dissociative identity disorder.
23:38Yeah, it's a psychological condition where a person switches between different identities.
23:44Each identity or altar has their own name, age and history.
23:48Well, it might explain the attempts to undo each crime.
23:52What?
23:53Because it was two different alters belonging to the same individual?
24:00Possibly.
24:03Okay.
24:04Shall we go and talk to her?
24:06No.
24:07Sorry, Sergeant.
24:08As your senior officer, I'm asking, no, ordering you, to please stand down and go and have the massage your
24:15daughter booked for you.
24:15Oh, no.
24:16Honestly.
24:17It's for purely selfish reasons, believe you me.
24:19Because I'm honestly not sure how many more of those strange noises I can listen to you make.
24:23Okay?
24:23So, please, off you go.
24:27Enjoy.
24:30Right, Kelby, you're with me.
24:48Have a lovely day.
24:50All right.
24:50Hello.
24:51Hiya, can I help you?
24:52Amy Riley.
24:54Have a quick chat, please.
24:59I was a kid when it started.
25:01Seven, maybe.
25:03Nobody took any notice, really.
25:05My parents just thought I had imaginary friends.
25:08It's not unusual when you're little, is it?
25:11But they weren't friends.
25:14They were me.
25:16Or part of me, anyway.
25:18Would you mind telling us a little bit about the other identities?
25:23The past couple of years, it's been mainly Becky.
25:25Right.
25:26Sixteen.
25:27Always acting out.
25:28Can't stand authority.
25:30Authority meaning Dr Harris?
25:33Apparently she gives them a bit of a hard time.
25:36What, apparently?
25:37I can't really tell you what my altars are like.
25:40You're best off asking other people.
25:43Dr Harris says that Becky is always taking the mick.
25:47Calls him Clive, which is embarrassing.
25:51He doesn't mind, but I do.
25:54What does Amy think about him?
25:56I think that he is a brilliant, kind man.
26:02I just can't believe I did this.
26:05Wait, so you're admitting it was you?
26:08Not me as such.
26:10It sounds like just the sort of stunt Becky had pulled.
26:13But why might Becky call Dr Harris a liar?
26:16Well, she doesn't reckon there's anything wrong with her.
26:18She tells him that he's talking rubbish.
26:20So if Becky is responsible for both break-ins,
26:23and then you, Amy, put things right,
26:27then, well, wouldn't you remember doing that?
26:31Not all the time, no.
26:33Especially if I go back to Amy in the middle of doing some silly Becky stuff.
26:38Sometimes I remember.
26:40Sometimes I don't.
26:43Can you tell us where you were between eight and nine this morning?
26:46At home.
26:47I think my memory gets a bit fuzzy.
26:52Sorry, I'm not being very clear on it.
26:54No, no, no. You've been really helpful.
26:57I mean, thank you.
27:00Dr Harris said he saw you this morning.
27:03I was on my way to work.
27:06So is it possible that you might have switched to Becky
27:12and then back to Amy just before you saw Dr Harris this morning?
27:17It could have happened.
27:20Could have easily happened.
27:24What's up?
27:25Yes.
27:27Circumstantially.
27:28She pretty much confessed, though.
27:30That's more than circumstantial.
27:31Well, a lifetime of not being in control of your own actions
27:34has to take its toll, Kelby.
27:37Now, Amy strikes me as someone ready to take the blame for anything.
27:41Unlike Roger Franklin.
27:43Yes.
27:55Have you had a hot stone massage before, Esther?
27:59I've had a brick thrown at me, if that counts.
28:02Sorry?
28:04How's it of the job?
28:06I'm a detective.
28:07A detective. Wow.
28:09No wonder you're stressed.
28:11Now, it's perfectly normal to feel a little nervous the first time.
28:15I'm not nervous.
28:16Good.
28:23Okay.
28:26How's that pressure?
28:29Uh...
28:30Fine.
28:32Thanks.
28:33Good.
28:34Oh.
28:36Oh.
28:37I don't normally enjoy this sort of thing, but...
28:42Oh.
28:42That feels amazing, actually.
28:44My boyfriend's the same.
28:46Uh-huh.
28:47It's early days, though, so perhaps I can convince him.
28:51Most people would be delighted to have free massages on tap.
28:56Not Archie Hughes, though.
28:59Ooh.
29:00You are tense, aren't you?
29:02Let's get in those shoulders.
29:08Clive!
29:09Becky.
29:10Girl on shift with Amy.
29:12Said she had a visit from the police before.
29:14Said what happened.
29:14I'm sorry, Becky, but I'm afraid...
29:17I can't have this conversation now.
29:19I'll see you at our next session.
29:23Clive!
29:23You know I never do anything like that, don't you?
29:26Clive!
29:28Clive!
29:53Clive!
29:55No shades?
29:57Can I assume that's because the massage did the trick?
30:00You can assume it's because I was so desperate to get away from Archie's new girlfriend
30:04that I left them behind.
30:07What?
30:21Clive!
30:22Clive!
30:22Clive!
30:29Clive!
30:41Oh, so...
30:42Um, background search on Franklin is pretty revealing.
30:45Apparently his behaviour towards Clive Harris was erratic, bordering on unhinged.
30:51Hundreds of abusive emails and phone calls.
30:56I mean, it's a pretty solid case for a disciplinary action.
30:59No wonder his wife gave him the elbow.
31:01Even more of a motive.
31:03He accuses Clive Harris and his whole life unravels.
31:07It makes sense.
31:08Yes, apart from the undoing.
31:11Oh, and that Mr Smith's been on again.
31:14He's like a terrier with a bone, that man. What's he after?
31:17Oh, well, I suppose he's just new to the role.
31:21He wants to make sure he's communicating regularly with everyone.
31:25Well, he's certainly doing that.
31:27I don't speak to my next of kin as much as I speak to him at the moment.
31:31And as for communicating, I can't understand half of what he's on about.
31:35I mean, what's the KPI when it's at home?
31:38Ha!
32:09Tune!
32:27I'm free.
32:29You're asleep?
32:31Yes.
32:33Are you?
32:38A few days ago, Hannah told me that Rosie had something she wanted to send us.
32:44What?
32:44Nothing's arrived.
32:47I keep rushing to the door every time the post comes.
33:02Why didn't you mention it sooner?
33:05Because you've got so much on your mind.
33:08Speaking of which, talk to me about work.
33:11I know that's why you're still awake.
33:13Oh, do I have to?
33:21Mr. Smith is still hounding me for a decision on who I'm going to let go.
33:26The guys are still oblivious, and I'm still desperately trying to think of a solution.
33:31I've thought of myriad ways to save money, and none of it comes close to a yearly salary.
33:35I can't stave him off for much longer.
33:41Oh.
33:43Oh.
33:44Oh.
33:46Oh.
33:46Oh.
33:47Oh.
33:49Oh.
33:49Oh.
33:52Hello?
34:01They were all in black.
34:04Did you hear them speak?
34:06No.
34:07I collapsed straight away.
34:10And the most thing I remember, I woke up in the ambulance.
34:15I was at my sister's.
34:17I will never forgive myself for leaving him alone in the house.
34:20Come on now, Johnny.
34:22It's okay.
34:23Okay?
34:24It's not okay, Clive.
34:26This has to be dealt with once and for all.
34:31Is there something else we should know, Dr. Harris?
34:36Clive.
34:39I bumped into Amy Riley yesterday.
34:44Or rather, her main altar, Becky.
34:48She told me you'd spoken to her.
34:52Hmm.
34:54The ambulance?
34:56Who called for it?
35:00I've no idea.
35:03No, me.
35:04The hospital phoned when he was admitted.
35:16Doesn't look like anything was damaged.
35:18Nothing obvious stolen either.
35:20Laptops out on the desk in the office.
35:24Hmm.
35:30Woven polyester mix?
35:32From cargo pants?
35:34But this is grey.
35:36Clive Harris said the intruder was all in black.
35:39Grey could be mistaken for black in the dark, though.
35:42They've caught themselves on something when they ran out.
35:45Right.
35:46So nothing damaged this time.
35:48Nothing taken.
35:52But something left behind.
35:58Amy, does the name Edith mean anything to you?
36:03Edith?
36:04Huh?
36:05You don't have an altar by that name?
36:08No, not that.
36:11Edith, no.
36:12Well, it's mainly Becky who is more than enough.
36:18Dr. Harris said he saw Becky yesterday.
36:22Do you remember that?
36:25Beg pardon.
36:26Can I have a quick word?
36:29The recording of the 999 call from last night just came through from emergency services.
36:33I knew you'd want to listen to it straight away.
36:36Right.
36:36Thanks, Marco.
36:38Hello, can you send an ambulance to the house with the pink to Rosewood Cottage on Millstone Lane?
36:44Right.
36:45So it's fair to assume it's the intruder making the call.
36:47And yet another attempt from them to reverse the damage they've done.
36:51They sound genuinely upset.
36:53And definitely male.
36:54Is Amy Riley in the clear?
36:56Mm-hmm.
36:57Plus, the caller started to refer to it as the house with the pink woodwork.
37:00Remember, Clive mentioned it used to be pink.
37:09Hello.
37:11I just popped back to pick up a few bits for Clive.
37:14The doctor's being very positive, so that's good.
37:16Good.
37:17Um, sorry, Mrs. Harris.
37:22Do you recognise this?
37:28I've never seen it before.
37:30Is this Edith on the back?
37:32Does that name mean anything to you?
37:34Nothing.
37:37And, um, sorry.
37:39What about this?
37:41Sorry.
37:46Oh, Clive, uh, mentioned that the woodwork on the house used to be pink.
37:51That's right.
37:52Well, I don't suppose you remember how many years ago it was painted white.
37:55I do, as it happens.
37:57It was ten years ago.
37:59He'd just finished painting it when he had his first heart attack.
38:03I told him not to do it, that it would be too strenuous, but he wouldn't listen.
38:06And that's when we had to give up fostering.
38:10Yes, of course you fostered.
38:13I read it.
38:15My wife and I do.
38:17Although we've had to put it on hold for the moment.
38:19It's a wonderful thing to do.
38:21But hard not to get too attached.
38:24Yes.
38:25We actually had a placement when Clive fell ill.
38:27A gorgeous boy.
38:28He'd been with us for months, we'd talked about adoption.
38:31But social services were worried about Clive's health.
38:34We just didn't know what the future held and how much care Clive would need.
38:39The last thing I wanted was for Adam to feel sidelined again.
38:43He deserves so much more.
38:46It must have been hard.
38:48It was the hardest decision we ever had to make.
38:51I can't say I don't regret it.
38:56No.
38:58Sorry.
39:00How old would Adam be now?
39:04He'd be...
39:05What?
39:07He would have just turned 18.
39:1018?
39:1118.
39:12Pink.
39:13And now they're white.
39:1418.
39:21Kelby.
39:22What was his name?
39:24Shorter?
39:25Your boy from the allotment, the one who was fighting at the station.
39:28And what was his name?
39:29Uh, Adam.
39:30Adam Walsh.
39:35Edith.
39:36It's not a person.
39:38It's a place.
39:41Specifically, a children's home.
39:48Edith House in Exeter is for young people aged 16 to 18 on the cusp of leaving care.
39:53Yep.
39:54I just spoke to the unit manager.
39:55This key ring is included in a leavers pack.
39:59She also sent me over a photograph of the most recent residence.
40:03Look.
40:05Adam.
40:06Yep.
40:06He left there a few days ago.
40:08The manager said that once they turn 18, then there's little support from social services.
40:11What's his connection to Clive and June Harris?
40:13He was their last foster placement 10 years ago.
40:16They wanted to adopt him.
40:18But Clive had his first heart attack and then the social services removed Adam because they
40:23became concerned about the house's ability to care for him long term.
40:26So he went back into the system until he left last week and came straight back to Shipton
40:31Abbott.
40:31Why target them if they were so close?
40:33For that exact reason.
40:35Imagine thinking you'd found a family at last and they'd send you away.
40:39They couldn't help that.
40:40I'm not sure a vulnerable eight-year-old would say it that way.
40:44But Adam was locked in Roger Franklin's shed when the first break-in happened.
40:48It couldn't have been him.
40:53Hold on, look.
40:55There's that lad he was fighting with at the train station.
40:58The deal.
41:00The deal!
41:02The station manager heard the other boy say, we've got a deal you can't pull out.
41:07Is that right, Kelby?
41:08Yeah.
41:09I don't think it was a drug deal.
41:10So what if the other boy targeted the Harrisers in return for Adam doing something for him?
41:16But Adam got cold feet.
41:17Exactly, and tried to reverse the damage each time.
41:21The other boy broke into the Harrisers first and trashed the living room.
41:31This is what June saw when she came back from her power walk that morning.
41:45After June left to go and get help, Adam entered the house at around 9.15.
41:52Straight from the allotment where Kelby had just seen him.
41:54Exactly.
41:55He then placed everything back as it should be.
42:00Apart from one book, which he put back on the shelf upside down.
42:09The same thing happened in Clive's office.
42:11Adam tried to put it right again.
42:13Well, before he could finish the job, he heard Clive opening the door.
42:20And escaped through the window.
42:23Adam then tried to leave Shift and Abbott, but the other boy stopped him, and a fight broke out.
42:27What are you doing?
42:29Get off me, man!
42:30We're still!
42:32You're joking!
42:33What's wrong with me?
42:34What's wrong with you?
42:35What's wrong with you?
42:36What's wrong with you?
42:38What's wrong with you?
42:38What's wrong with you?
42:39So during the last break-in, the other boy framed him.
42:42A piece of cloth torn from Adam's cargo pants during the fight was left there deliberately, along with the Kiwi.
42:49I don't think it was his intention to harm Clive.
42:53June?
42:57But the other boy certainly didn't want the risk of being accused of possible murder.
43:04Adam went back to the house to put things right again.
43:07But this time it was far worse than he could have imagined.
43:18Hello, can you send an ambulance to the house with the pink to Rosewood Cottage on Millstone Lane?
43:24When we first went to the Harris's, we were looking for Rosewood Cottage but couldn't find it.
43:28Clive said it used to be easier to find when it was painted pink.
43:31So whoever made that call must have had a history with the house.
43:37Adam, yes.
43:38I don't think I know where to find it.
43:54Adam, can you tell us who this is?
43:58Sam, we met in care and became mates.
44:01Same boat, nobody wanted us.
44:04A few days after we left Edith's house, Sam showed me this thing you found online.
44:08Clive, in a newspaper.
44:11A profile piece in the Times?
44:14Talking about how much he cared about helping people.
44:17Didn't seem like he cared much about me when I went back into care.
44:21It must have stung, reading that.
44:23I know it was stupid, but I wanted to hurt them like they hurt me.
44:28Not properly, just shake them up.
44:32So that's when you and Sam made the deal.
44:36He would go after the Harris's for you.
44:38What do you want you to do for him in exchange?
44:43Set up his mum's dealer boyfriend.
44:45Get him arrested.
44:46A revenge swap?
44:47I told Sam I changed my mind, but he wasn't having it.
44:50So you tried to stop it?
44:52Yeah, but that stupid bloke locked me in his shed and by the time I got to the house, it
44:57was too late.
44:59Then Sam started blackmailing you?
45:01If he didn't keep your side of the deal, he'd frame you?
45:05It all got so out of hand.
45:11I never meant them any harm, but nobody told me anything.
45:16One day I'm living with Clyde and June thinking I've got a family again and the next I'm back in
45:22care.
45:23You understand.
45:26No, you don't.
45:27No, you're right.
45:31I don't understand what it was like for you.
45:34But I do have experience from the other side.
45:42My wife and I fostered a little girl, Rosie, not so long ago.
45:48I thought we might have a future together as a family.
45:53But we had to say goodbye to her.
45:57It was hard.
45:59Still is.
46:04Clive and June didn't reject you, Adam.
46:07They loved you.
46:09Letting you go wasn't their choice.
46:17Adam.
46:20Can you take us to Sam?
46:23I can't.
46:25He's not a bad person.
46:26He's just been through all...
46:27This isn't about punishment, Adam.
46:29We want to help both of you, I promise.
46:32But we can't do that if we don't know where Sam is.
46:39The next train to Exeter will be from platform 1 in 12 minutes.
46:52Finally seen some sense, Sam.
46:54Took your time.
46:56I'm sorry, Sam.
47:08You're crass.
47:09No, it's okay.
47:10I never laid a finger on him, I swear.
47:12We know that.
47:13We just want to help.
47:14Yeah, whatever.
47:15Sam.
47:15It is all right.
47:27You're okay.
47:29Yeah.
48:01I don't know.
48:05The noble stars, as they first arise, the silence of the eve, the deep and full of skies, the truth
48:22and the stars.
48:24I'll get my stuff.
48:25Amy, I'm not here to arrest you, okay?
48:31I'm here to tell you that we have found who is responsible, and it's not Becky, okay?
48:36So most importantly, it's not you.
48:40Really?
48:40Yeah.
48:41Thank God.
48:49Amy, I hope this doesn't sound patronizing, but I think you're really brave.
48:56The way you handle your disorder, the way you're so honest and open.
49:02Everyone has their stuff, don't they?
49:03Yeah, true, but not everyone handles their stuff like you do.
49:12I take care of the sun.
49:19The sun's gone down like a king to rest.
49:27Brightest palace.
49:28Come on, then.
49:29Spit it out.
49:30What's on your mind?
49:31Nothing?
49:34Okay, there is something.
49:36It's exciting, though.
49:37Don't worry.
49:38I was talking to Martha.
49:39Oh, my God, Mum.
49:40There's Archie and that woman.
49:42What should we do?
49:44Hello.
49:45Esther.
49:46Zoe, hi.
49:48Sorry, this is...
49:49Amelia, I know.
49:50We met.
49:50Hi.
49:51Hi, Esther.
49:52Came in for a massage.
49:54Oh.
49:55How's the headache?
49:56Gone.
49:56I feel like a brand new woman.
49:58Oh, I'm so pleased.
49:59Well, let me know when you want to book in again.
50:00Oh, no need.
50:02I'm fixed.
50:02You're a miracle worker.
50:04Tell him that, will you?
50:05She is.
50:05It's true.
50:07See?
50:08Sort yourself out, mister.
50:09Yeah, I'm trying.
50:13Well, we'd best be going, haven't we, Zoe?
50:15Nice to see you both.
50:16Great to see you, Esther.
50:18Yeah, well, you know where I am, if you need me.
50:20I do.
50:21Cheers.
50:21Cheers.
50:22Right, um...
50:23Okay.
50:27Oh, my God, Mum.
50:29You're so amazing.
50:31Well, we're all adults.
50:33Apart from you, obviously, you'll always be my little baby girl.
50:36Go on, anyway, what was it you want to talk about?
50:40Can't think now.
50:42No, you were chatting to Martha, something exciting.
50:45Kind of forgotten already.
50:46Uh, yeah, she was just saying how much she appreciated me working at the cafe.
50:52See?
50:54None of us can do without you.
50:57I'm very proud of you.
50:59Yeah?
51:00Yeah.
51:01Thanks.
51:03Thanks, Mum.
51:11It came this morning.
51:20Aren't you going to open it?
51:21Yes.
51:22Why am I so nervous?
51:27July?
51:27Yeah.
51:31To hunt for your Martha.
51:42Do you think she knows how much we cared about her?
51:46How much we still care about her?
51:50Of course she does.
51:52She knows Humphrey.
51:55I wonder what you think about the lily bond, though.
51:58I think it was my fault.
52:01No, it wasn't.
52:03Was it?
52:08Well, we couldn't live on a boat forever.
52:11Speaking of which, I think we should put an offer in on the house.
52:13Oh, it's so much work, Martha.
52:15Not to mention money.
52:16Yeah, but we take our time.
52:19Do it bit by bit.
52:22Remember what we said.
52:24It's the two of us.
52:26And whatever else happens, it will always be the two of us.
52:30This is our adventure, Humphrey.
52:33And there's nobody else I choose to be on it with.
52:41It's the two of us.
52:41That's it.
52:42Come on, ladies, let's get inside, and I'll get this all in the drink.
52:46Come on.
52:48Could you watch this?
52:50To talk to you now.
52:51To talk to you now.
52:53To talk to you now.
52:55To talk to you now.
52:57No!
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