- 13 hours ago
A brand-new celebrity talk show with a twist — Buzz is where real conversations happen! Join Hassan Choudary as he sits down with your favorite stars for engaging, unfiltered, and fun-filled discussions.
Host: Hassan Choudary
Guest: Hina Afridi
Watch Buzz every saturday at 10 :00 PM only on ARY Digital!
Hina Afridi from Mirza Ki Heer joins us with exclusive on-set moments and special insights.
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FunTranscript
00:09My name is Hassan Chaudhary and this is Buzz.
00:12As you can see, today we are not on our own set, we are on a drama set.
00:18And if you have seen that drama, you will know which drama is from this staircase.
00:24Of course, we are on the set of Mirza's Heer.
00:27I have seen a disclaimer in the first episode and I will give you a disclaimer.
00:32This episode of Buzz is only on the first episode.
00:36Because I felt like you should not wait to do it.
00:39And the last time we tried to go to your favorite drama sets,
00:44I felt like a little bit of a delay.
00:46So I thought that as a drama on air, we will go to that set
00:50and discuss all your favorite actors with all your favorite actors.
00:56This is just about the first episode.
00:58So in the first episode, you will have seen this series.
01:01And today, I got to know that all the cast, almost all the cast,
01:07so we will do the same with them.
01:09We will show you the same with the set behind the set.
01:11We will also show you the same with the set.
01:14I always feel very good at the set.
01:15And you also enjoy our conversations.
01:16We will enjoy our conversations.
01:17So come on, today we will give you more information about Mirza's Heer.
01:23And we will do the same with the set.
01:24Follow me.
01:25See you next time.
01:55Why do you want to become a girl to become a girl?
01:57She becomes a girl from a girl.
01:59Once again, a girl is a girl to give her a love.
02:04She's gone. She's gone. She's gone.
02:06She's gone.
02:07She's gone.
02:08But if she's gone.
02:15She's gone.
02:16The girls don't love her.
02:19My love is yours.
02:21I'm going to go to the house with my wife.
02:24I'm going to go to the house with my wife.
02:24This girl understands the most great reward for this marriage.
02:30After the marriage of the children,
02:32they're going to take their hands and take their hands.
02:40We have come to the house with the house with the house.
02:46How can you get the house with the house with the house?
02:47I've been going to the house with the house with the house.
02:48He is very beautiful.
02:51The camera looks beautiful.
02:53I can tell you.
02:53He is also beautiful.
02:57How are you?
02:58How are you?
03:00How are you?
03:02You are busy.
03:03I am busy.
03:05You are busy.
03:06You are a flight to take me.
03:09It was early morning flight.
03:11We have shot at 8am.
03:12We have shot at night.
03:15We have shot at the airport.
03:17We have shot at night.
03:19We have shot at night.
03:20At 2am, we have reached home.
03:22At 5am, we have got to go to the show.
03:25We have shot at night.
03:27People say that actors are so fun.
03:29I feel like it is difficult.
03:31Some days it is very easy.
03:33We are free for months.
03:35You know more than us.
03:37Tell me.
03:39How did you come from the car?
03:41It was a shock to the actor.
03:44I was shocked.
03:46I knew I am something.
03:48There was something in the film.
03:50It was.
03:51It was.
03:52What was the first step that you thought
03:55that I wanted to pursue acting?
03:57I started with modeling.
03:59Hussain, Rehaar, me.
04:00We were besties.
04:01I was told.
04:03They made pictures from mobile.
04:06They uploaded it, then I started with calls.
04:08Then I started with calls.
04:10Then I started with that.
04:10It started with a bit.
04:10It started with a bit.
04:11Exactly.
04:12But in acting,
04:13I mean,
04:15You are supposed to act on camera.
04:17And modeling,
04:18I'm sure they have two different ways.
04:20Yes.
04:21Did you feel more challenging when you started acting?
04:23Challenging.
04:24It was not.
04:25But it was very hectic.
04:27In the beginning, I was a fearless type. I am a baby. I am not afraid of anything.
04:36So, I don't get scared of the camera. But it's chaotic, hectic, time taking.
04:42It's a bit of a bit of a pain.
04:45But are you enjoying the process?
04:46Yeah, of course. That's why I am doing this. Obviously.
04:49Just tell me about this project. How did you have this project? What was the process?
04:55Did you decide that I had a role? What was the call? What was the journey?
05:01At the same time, my marriage was also good.
05:04Yeah, MashaAllah, you are very happy.
05:07I offered all the projects. It was a big time. It was a 8 pm slot.
05:13But you know, the script that I want to do this.
05:18So, when I got this script, Samra said,
05:21If you are a married person, you will not get off 20-25 days.
05:26I said, Samra, I do not care. I want to do this script.
05:30Just because of S.N. Talish, Abdullah Seja, you know.
05:33I Dream's. It was a big project.
05:36Besides that, the script was so intense.
05:39The love story was so intense.
05:42And this drama will also feel family oriented.
05:44I think it will also feel like you will enjoy it.
05:46We have cousins.
05:48We have cousins.
05:49We are friends.
05:52We have friends.
05:53We are just heroes and heroes.
05:55We have other tracks.
05:57So, these things have attracted me a little.
05:59When we saw the first episode,
06:02my assessment was that this drama is where the drama is going to be finished.
06:07What is this?
06:07This was also a surprise for me.
06:09Why? You didn't know it?
06:10I didn't know it.
06:12I didn't know it.
06:12I mean, the script was written in the voice notes.
06:16Okay.
06:16Because I didn't have time.
06:18You know.
06:19You married?
06:20Debit was having other projects.
06:23And fashion shoots.
06:26So, I told her,
06:27you will 8 to 9 minutes of voice notes.
06:30Ali's mother is my great friend.
06:32Okay.
06:33Good.
06:35Ali's mother is written script.
06:36I was telling my aunt,
06:38your script is written.
06:40And that's what I said,
06:42And I am writing.
06:43So, I told her that it is fine.
07:01I was shocked too, because I expected something else, I thought that the train will start.
07:13But when you have seen that scene, when you start watching the first episode and the frame is open, you
07:21are married, you are immediately hooked to it.
07:27You are like, what is happening? Our drama usually doesn't start like this. It starts on a very simple scale.
07:34What was your assessment? Is this the expectation that the audience will increase and we will get more pressure?
07:39Or do you think it's a good scene?
07:41No, the good scene is a good scene. It's a good scene.
07:46It's a good scene. They give a hit.
07:47And I feel like they are good at it. It's a good scene. It's a good scene.
07:57It's a good scene. It's a good scene. It's a good scene.
08:17It's a good scene.
08:18Okay.
08:19Where the drama started, even though you are a bride and you are full ready.
08:26But there is a lot of discussion.
08:29Like in other dramas, Hina has done a lot of makeup.
08:33It doesn't look like this.
08:34What is the reason for this? What is the difference here?
08:37I think.
08:38Like you know, you take that scene and you take the actors seriously.
08:42You are like, you know, this is serious work.
08:44Okay.
08:45First of all, the screen is different.
08:49Then we have directors, light.
08:52Light is a lot of games.
08:54You have to think that there is a flat light.
08:57That is the light that you put on the face.
09:01That is the light that you put on the face.
09:02Okay.
09:04Because for my experience, it is a new one.
09:06It is a cut light.
09:08It is a natural light.
09:09I told you, sir, my face is so low.
09:14But my face is big.
09:17I don't know why.
09:18I think it is a good one.
09:20It is not big.
09:21It is made up.
09:22I think it is a lot of makeup.
09:24I will not deny this.
09:26I mean, you are absolutely right.
09:29I think it is poly.
09:31When our channels are in drama,
09:34there are filters too.
09:35I guess you know that.
09:39So, the screen is different.
09:41The channel is different.
09:42The light is different.
09:44The director is different.
09:46And it is not chaotic.
09:48I mean, we are doing a scene from Aram.
09:51In one day, there are 3 or 4 scenes.
09:53Exaggeration.
09:54In the last drama, it would have been so much.
09:56Why?
09:57What was the eye makeup?
09:58The eye makeup was not.
09:59The eye makeup was not.
10:00It was more thin and tinted.
10:04Otherwise, I never felt the bass in my life.
10:07I was looking at it.
10:10It was looking at it.
10:12It was looking at it.
10:22It was looking at it.
10:23I swear, I don't know.
10:25I don't know.
10:26I don't know.
10:26What can you tell us about Mirza Gheer,
10:29which has no spoilers?
10:30What is the story?
10:31Obviously, we have to know that
10:33it is a good thing.
10:34It is a good thing.
10:46But here is Mirza Gheer.
10:49Yes, Mirza Gheer.
10:59It is a good thing.
11:04It is a good thing.
11:06It is a good thing.
11:12It is a good thing.
11:18Yes.
11:18It is a good thing.
11:20It is a good thing.
11:22It is the good thing.
11:24You can tell me about it.
11:26It is a good thing.
11:27I am told you.
11:29What is your experience with Ali?
11:31How is your experience with Ali?
11:34Obviously, you are both Mirza and Heer.
11:36I am told you.
11:38I have to tell you about the hero and heroine.
11:40I am told you.
11:42Ali is a good friend of me.
11:44Ali is a good friend of my family.
11:44Okay.
11:45Ali and me are very old friends.
11:48We are friends. We are friends. We are friends.
11:51How was your friends?
11:55Basically, Shoaib is my brother.
11:57Ali and Shoaib were friends.
12:00Ali came to the house.
12:03His mother also came to us.
12:04I think they have credit for you to sign this drama.
12:07They have heard the script.
12:08They have heard the script.
12:10Voice notes, video calls.
12:14Ali was also shooting in Ramzan.
12:15When I was shooting in Ramzan,
12:18they were sending me the dark nights.
12:23I said to Ali that you can read it.
12:27Ali said to me that you can read it.
12:29Ali said to me that you can read it.
12:30This is our family scene.
12:35We have to go to my house.
12:39When the script offered you,
12:41and when you realized that Ali approached it,
12:45did you and Ali have a conversation before signing the project?
12:49Ali and I have another project offered on some other channel.
12:53Ali said to me,
12:54let's see the script.
12:56Because we had a lot more.
12:57Five to six big scripts.
12:59You and Ali offered me.
13:01I had two three offers.
13:02One was with Azaan Samii Khan.
13:05It was different.
13:06It was different.
13:07But I had a lot of love with Ali.
13:11I said,
13:11Ali has a little comfort zone.
13:14I said,
13:16there will be a new pair.
13:18A fresh new pair.
13:19Ali says,
13:21But we don't have to do the script.
13:23We have to read the script.
13:25We both read the script.
13:26The other channel.
13:27Then we were not talking about it.
13:30We were discussing it.
13:31Then we had to do it.
13:33Then we had to sign it.
13:35We had to sign it.
13:35For, run.
13:36Nanoseconds.
13:37What happened?
13:38What happened before?
13:39I asked about you.
13:41The machenistic idea of input from the script.
13:46I also asked you.
13:47We did like the head of a script.
13:47Which I olipinator need.
13:49Pull that down.
13:51I really can't.
13:52I can't.
13:52She will spoil.
13:54The level of the script will be mixed.
13:59I'm sure you only saw us.
14:00Yes.
14:01A clear director did not !
14:01Yea, no.
14:02What did you point out as an actor?
14:04So aamp and beneficial power to play this character.
14:05Usually, when you have a script, or when you have time to read the script, or when you tell someone
14:10else,
14:13what are the two or three factors in the story?
14:17The actor, the production house, the director,
14:20but what do you think about these two or three things?
14:25If it is, I will do it.
14:27If it is, then I don't want to play such a character.
14:32First of all, what is the impact of this character?
14:37If there is a negative impact on the audience,
14:41or those who are following us,
14:45I don't do it again.
14:46I don't do any TV scenes.
14:49The other thing is that I don't want to be negative.
14:54I don't like a negative character.
14:56I don't want to suit me.
14:58I don't want to do it.
14:58How do you know if you did it?
15:01You know it.
15:03You know it.
15:04Maybe if you play a villain, maybe you're very good.
15:07No, I can't.
15:08It doesn't happen to me.
15:10It doesn't suit me.
15:12It doesn't suit me.
15:13It doesn't suit me.
15:14It doesn't suit me.
15:14It doesn't suit me.
15:14This is a conscious decision that you have taken.
15:17Yes.
15:17If you want to do it,
15:18I want to do it.
15:21If you can do it,
15:23I don't like to do it.
15:25But would you want to give it a shot at least?
15:28If the director is 100% guaranteed,
15:32then I will do that.
15:34It's not that I will not do it.
15:37But I feel like you don't have strength.
15:40Yes.
15:4195% of my director will give responsibility to your shoulders.
15:46This is all you have done.
15:48So that you can say something.
15:50Okay.
15:51Okay.
15:52When you pick a character,
15:55if you think that I don't want to do a negative character,
15:59then do you think that
16:02it's your personal personality?
16:06My personal personality is very calm.
16:12You know,
16:13I speak so.
16:15Low.
16:16Yeah.
16:17And the other thing,
16:18I am very introvert.
16:20I have a little social anxiety.
16:23But I select the character
16:25that I am bold.
16:29Bold in a sense.
16:30It's not a bold.
16:31It's a girl who is standing.
16:34Yes.
16:34She is standing.
16:35She has to say to her right.
16:36I don't invite her.
16:37I do not.
16:37I am sure she is standing.
16:39this is a factor within her character.
16:42So,
16:43at least one factor is that
16:44if there are children or young girls
16:46who are watching this character,
16:47they are going to draw.
16:48So,
16:49at least I am standing to the stand.
16:51That's a great thing.
16:53Because,
16:54in our drama,
16:56there are often
16:57actors who are
16:58who can see
16:59that
16:59some of them are
17:01they are
17:02Regressive characters. The girl is very
17:04Bicari.
17:05Society.
17:07Hassan, one more thing is that
17:09Scripts from all these are
17:10What do you mean?
17:13It doesn't happen that
17:15Especially when I tell you
17:17This script is written and made
17:19It doesn't happen because
17:22Scripts from all the
17:23Bicari.
17:26Bicari to be.
17:27In any moment, heroine to be
17:29Bicari.
17:31Hina is here.
17:33Hina is here.
17:33We will have a little break
17:34So, we will keep the giftuku
17:36We will keep the giftuku
17:41Welcome back.
17:41I am with a very talented
17:43Hina Afridi.
17:45Hina, you know
17:46One conversation is happening
17:50It's two aspects of it.
17:53One is that actors
17:56Good looking actors are not just
17:57In our industry but
17:59In other industries as well
18:01Their skill or talent
18:03They are not acting
18:05Because their looks and appearance
18:07They are always
18:08Spotlight
18:08Have you experienced this?
18:11You have done it.
18:15You have seen my acting
18:16You have said
18:17You have said
18:18That's it.
18:24This is
18:26This is
18:27This is
18:27You have been
18:28And by the way
18:30It's
18:31In other industries.
18:36This is
18:36There are directors, production houses, co-actors
18:40Actually, I have heard myself that she is just a pretty fit. She doesn't know how to act.
18:46You have heard this?
18:47I have heard myself. Oh my god. I have said that I give 100% of every project.
18:54I have done 4 or 5 projects. You will be the director who shoot me.
19:00I have seen all of them. Do you know all of them?
19:02Yes.
19:04I have seen all of them.
19:06I have seen all of them. I have seen all of them.
19:10I agree. I agree.
19:12But as many directors have shot me, you will ask that this girl gives me how many percent.
19:20I can guarantee you that as many people give me 200% more.
19:26I don't disagree with you.
19:28No.
19:29I am telling you that people don't see my efforts.
19:34They say that this is the cast.
19:37But it is possible that you may have lapses or weaknesses in acting.
19:43This is a basic thing.
19:47In spite of being pretty.
19:49But it is possible that in acting there is room for improvement.
19:52If it happens, it is possible that when I do something for 10 years later, it will be possible.
19:58In your capacity, there will be something to do.
20:04As long as you agree that there is room for improvement.
20:07Yes, obviously.
20:08I think that all actors in the last time, like ZQ, ma'am,
20:13have told me that when you are closed, you have to see the camera in the right eye.
20:20So, they have learned that.
20:22As long as you become an actor, you have to learn anything.
20:26There is no doubt.
20:27There is no doubt.
20:27The other aspect of it is that especially with you, there is a conversation that mashallah
20:33because you have a rising name and in the past few years, you have to offer roles and
20:41you are watching a lot of drama.
20:42So, people are doing this conversation that she is a pretty face but acting is not so strong.
20:49Do you feel this pressure or do you think that with enough body of work, like Mirza's
20:56Heer or your next project, people will be convinced that you have to feel the weight of it.
21:01No, the weight does not feel the weight.
21:03If I am working with big directors, you know, big names, if they are casting me, then there is a
21:10reason.
21:13If they are casting me, if they are casting me, they are casting me, then don't you think that
21:21something will happen.
21:23But what is your casting for directors?
21:25Yes.
21:27Because if an actor is acting, it will be more than the director of work.
21:32Yes.
21:34If directors are acting, they are casting me.
21:38It is the same thing that I am working with.
21:42When you are watching your work, I am sure you will watch your dramas.
21:46So, what is your assessment of your work?
21:49When I am watching my work, I feel very good.
21:55And I say that it was better.
21:57At that time, because we are shooting in the mood, like if it is an outdoor shoot,
22:06then we have to shoot in the panic.
22:09There are hundreds of people coming, hundreds of retakes, sometimes the camera doesn't
22:13zoom, sometimes there is blur, sometimes someone goes back, sometimes there is light
22:17going on, you know, there are so many things.
22:20And if your acting is wrong in any scene, then it will be broken.
22:27And especially outdoor scenes are very panicked.
22:31I think that is where a strong director comes in also.
22:33Yes.
22:34Yes.
22:34Yes.
22:34Yes.
22:35Yes.
22:35Yes.
22:36So, the director being the captain of the ship, look at it.
22:38I want to come back to Mirza's scene from the get-go, from the get-go, when I have
22:44seen the scene in the beginning, it was the right amount of emotion needed, I felt.
22:52So, the talent and the skill obviously is there, otherwise it won't happen.
22:57It won't happen.
22:58And also directors called, that they thought that if I was wrong, they would say again,
23:07again, again.
23:08And the other thing is that when the director doesn't understand anything, he doesn't
23:13say cut.
23:18So, as a young actor, you need to improve your work, because unfortunately, our acting
23:27school is not like that, or the actors don't get the chance to get training or acquire skills.
23:34There is a lot of chance to get the chance.
23:36How do you plan on improving your craft?
23:40I am watching a few seasons.
23:43I was watching Anne With a Need on Netflix.
23:47Have you seen it?
23:48I have not seen it.
23:51I watch Netflix for acting and other things.
23:55It's an observation.
23:56It's an observation.
23:57It's an observation.
23:57It's an observation.
23:58It's an observation.
23:59It's an observation.
23:59If someone has done it, it's an observation.
24:02What is it?
24:02What is it?
24:05I'm learning from Netflix and those things.
24:08I'm learning a lot.
24:10I'm especially my cousin, Maryam Bajri.
24:14So, they are giving me a chance to see acting-wise this season and now this season.
24:19So, I'm learning from them.
24:22I'm learning from the sets.
24:23How do you get help from directors or co-actors?
24:26I'm sure you'll get some learning from them.
24:31I'm sure you'll get some learning from them.
24:31The director and the scene.
24:33The co-actors and the co-actors are discussing in the makeup room.
24:38They are taking the mirror each one.
24:39They are Tai-giving to the scene.
24:41So, this is the situation.
24:44I am thinking about it and know what's going on.
24:47They are discussing more.
24:49What are these scenes?
24:51That's what you get help.
24:53Are you rehearsing the whole scene?
24:56The whole scene is also the proper thing.
24:59We know lines and then make expressions.
25:03Make up room here.
25:04so that we can take one take here.
25:06Now, off camera, what we were talking about,
25:10criticism is what happens.
25:11People sit on the sofa and say great things.
25:14Exactly.
25:16Sometimes they say that this is gone,
25:17the phone is gone and this is gone.
25:19Exactly.
25:21Do you feel criticism?
25:24Do you feel sad?
25:26Do you feel annoyed?
25:27No, no, no.
25:29I don't feel criticism.
25:32I don't feel bad.
25:33You don't feel it?
25:34You're the first actress of the world.
25:36No, no.
25:37Let me explain.
25:38Why don't I feel bad?
25:39Because if I don't like criticism,
25:42if I don't like people,
25:44if there is a bad review for me,
25:47that is fine.
25:48But bullying is not good.
25:55It makes me,
25:57what do I say?
25:58I feel bad.
26:00My bad mood is bad.
26:03If I don't like acting,
26:06you say you can do better.
26:09You know,
26:10I could have done better.
26:11I could have done better.
26:13I could have done better.
26:23I mean,
26:23this is literally my job
26:25and somebody is saying
26:26that I am not good at my job.
26:28So,
26:28this could be bad.
26:30No,
26:30why would I feel bad?
26:32Because,
26:33every person's view is different.
26:35It's different.
26:36It's different.
26:37It's a lot of people.
26:39Which is why you are being cast again.
26:41Yes.
26:42Many people are criticizing.
26:43Many people are criticizing.
26:46Many people are criticizing.
26:46So,
26:46it's different.
26:48Everybody has their own point of view.
26:51And,
26:51it can also be negative.
26:52It can also be positive.
26:54So,
26:54it doesn't have to be bad.
26:56It doesn't have to be bad.
26:57When we see good comments
27:00on our posts,
27:02we just see it.
27:04We ignore these sort of comments.
27:07Okay,
27:08I am good.
27:08I am good.
27:09So,
27:09when a negative comment comes,
27:11why are we stuck?
27:12Why?
27:13That is also a point of view.
27:15It's a great thing.
27:16So,
27:17the next question is,
27:18that today's other thing,
27:20especially actors in the spotlight,
27:22and all actors in the spotlight,
27:24who are the people in the spotlight,
27:25they are the social media.
27:27Social media is given access to everybody.
27:29Who knows acting,
27:31who doesn't know acting,
27:33who doesn't know acting,
27:34who doesn't know acting.
27:35or taking fashion shoots,
27:38or taking your marriage,
27:40where people have given such good things,
27:42and there are also some things.
27:45Yeah,
27:45Social media,
27:46the trolling or negative comments,
27:48do they affect them,
27:49or do they affect them?
27:50I do not have time.
27:53Time is not.
27:53Literally.
27:54We were telling you,
27:56that we didn't get time to sleep.
27:58So,
27:59when I am free,
28:01and when I am watching,
28:02I don't have any effect.
28:04Because,
28:05I am very sorted.
28:07Secure.
28:08I am very secure.
28:09I am very sorted.
28:11I am very self-aware.
28:12I know what I am doing.
28:14I do not care,
28:15what you guys are thinking about me.
28:17I do not care.
28:17You guys, why are you saying me?
28:19No, no, no.
28:20Okay,
28:21in general.
28:21In general.
28:23Do you think you are saying me?
28:24No, no, no.
28:27Not at all.
28:28Okay.
28:29Now,
28:29what does the future hold for you?
28:31Do you want to focus on TV?
28:34Do you want to focus on films?
28:36Do you think there is a film offer?
28:38There were two offers.
28:40There were two offers.
28:41But,
28:44the story was based on the story of the girl's story.
28:49It was based on the story of the girl's story.
28:51It was not so special.
28:53So,
28:53then,
28:53I said,
28:54I would like to stay here on TV.
28:58So,
28:59by the time,
28:59I will do it.
29:01And,
29:01what are the kind of dream roles that you really want to do?
29:04I am a film.
29:06I am a film.
29:07if I am a film,
29:08if I am a film,
29:09I am a film.
29:12I am a film.
29:14I am a film.
29:14I am a film.
29:14I am a film.
29:15I am a film.
29:15And,
29:15I am a film.
29:19But,
29:19it is definitely a film.
29:20Very,
29:21it is a film.
29:21If it is the director,
29:22we will show the film.
29:24I am a film.
29:27I am a film.
29:28I am a film.
29:30It is also a film.
29:32If there is a film,
29:33we will take the film we will be done.
29:36And,
29:37of course,
29:37you may have a film film.
29:39But,
29:40you may be able to see the film,
29:41you may have to see her.
29:43That is also more than others.
29:45So,
29:46that is the interest of her.
29:48It's also a story in the 1990s.
29:54It's been a long time. It's beautiful.
29:58It's beautiful. It's beautiful.
30:02It's beautiful. It's beautiful.
30:05You don't have to say anything about me.
30:06I don't have to say anything about Mirza.
30:10It hasn't happened yet.
30:12It won't.
30:12Inshallah, it won't.
30:15You are busy.
30:18But you have to take a look at your own dramas.
30:22What is your assessment of your content in Pakistan?
30:26Do you think it's a good story?
30:28It's a good story.
30:30I've seen Sirkai.
30:35I've seen this before.
30:36This Mill, this drama.
30:38It was a good story.
30:40It was a good story.
30:41It's a good drama.
30:43It's a good story.
30:44It's a good story.
30:45It's a good story.
30:46It's a good story.
30:47And we've seen the past dramas in the reals.
30:49So I'm watching it.
30:51I don't know anything.
30:52I don't know anything.
30:53And who are those actors?
30:54Male or female?
30:56Who are you who are inspired?
30:57Who are you who are looking to?
30:58Who are you who are looking to?
31:01Sabha Kamar.
31:03Sabha Kamar.
31:04Sabha Kamar.
31:04Sabha Kamar?
31:05I think that they can touch the skills.
31:10Sajjal or Sabha Kamar.
31:12Their acting skills and things.
31:14Sabha Kamar.
31:15I see.
31:17I need to learn acting.
31:20I need to learn more.
31:20Until then.
31:22And who would you like to work with male actors?
31:23Who would you like to work with male actors?
31:26That you would really want to like.
31:30One of them I would like to do with my friends.
31:32That's why I am doing it.
31:33That's why I am doing it.
31:34That's why I am doing it.
31:34In other words, tell me three names.
31:35Yes, I will tell you.
31:37In other words, tell me.
31:38In other words, tell me.
31:40He is not into acting.
31:41He is not into acting.
31:42He did it?
31:42He did it.
31:43He did it.
31:43He did it.
31:45He is not into acting.
31:46He is not into acting.
31:48Yeah.
31:49And
31:51Bilal Abbas.
31:52He is especially Fahad Mustafa.
31:55Okay.
31:55I feel like it is fun.
32:00He will be fun.
32:01He will be fun.
32:02I am doing it.
32:02He will try to work.
32:02He is the result of Bilal Abbas.
32:04He is the dancer of Muhammad Fahad Mustafa.
32:05I am new.
32:07He's been a match.
32:07Yes.
32:08You have a powerful champion.
32:11We have a triangle.
32:11We are done with it and Sow be friendly.
32:12We are will be glad to work with him.
32:14Get in a session.
32:15Because before we go,
32:15the fans and viewers,
32:18those of you,
32:19who are watching Mirza here, I would like to share a message for them.
32:24What my father taught me is that
32:28don't be afraid of anyone, do not put your faith in somebody else's hands.
32:34And this is the only reason I am not afraid of anyone.
32:37I don't give anyone's worth, except Allah.
32:41So I want to say that if anyone does any work,
32:44my family, fans, whatever they do, they don't do it.
32:49They do not do it in God's hands.
32:53In our industry, we often hear that there is a lot of cut-throat competition.
32:57There is also a lot of people who support the industry.
33:01So the experience of your industry is majorly positive or welcoming?
33:06Because you are not outside, it's not like your brother.
33:11I don't have a circle in this industry.
33:14I work from home, from home, from home, from home, from home.
33:18So you will not see me anywhere.
33:20No, I haven't seen it.
33:21You will not see me.
33:23It is very difficult to go outside,
33:26but it means that I do not see the work.
33:29I do not see what is going on.
33:31But this is also a lot of lobbying in our industry.
33:36If you are working with actors and repeat them,
33:43you have worked with all the big directors.
33:45And all the big directors.
33:47And all the big directors have worked with it.
33:49So what is this, Jadu?
33:53What is this, Jadu?
33:54I mean, I mean, again, what my father told me is,
33:59keep your needs safe, work, your own paths are safe.
34:02I swear to Allah, I have never seen who is doing what is doing,
34:06who is not doing what is doing.
34:07I am doing my own work.
34:09A project is finished.
34:11If it happens, I have not done any work for the whole year.
34:14Because I have not understood, scripts are not good,
34:17or any other projects, or any other projects.
34:21So I have waited.
34:22I do not want to run on the red race.
34:26Have you had to seek work?
34:27It is true that we went to the production house in the beginning.
34:30We went to the struggle, we waited.
34:34You should not do that too, mashallah.
34:38I trust the most of the people who have trusted me,
34:42who have given me the first 8 pm prime time,
34:44who have given me the first 8 pm.
34:45Babar Bhai, Babar Javed and Amin Iqbal.
34:48Babar Bhai has trusted me.
34:52At 8 pm, they told me,
34:55they told me,
34:56you can't do that.
34:57When they are in our industry,
35:00they told us that you could do that.
35:03Amin sir helped me.
35:06And Amin sir, Amin Iqbal has helped me.
35:07I told me everything in acting,
35:08and tell everything about this line you have to take so many eyes, so many eyes and here you have
35:14to take so many eyes
35:15so these two people are very important in my life, Babar Bhai and Ameen Iqbal
35:21and you are content so far, obviously I am sure that there is a long way to go
35:26but you think that you are on the right path?
35:28I am, I am
35:30and the other thing is that I have told you that
35:35I have made projects that come a lot but I just select them
35:40and I don't like to get into the same time, I don't like to get into the same time
35:44I had signed the first time before
35:47and then there was a little delay
35:49otherwise I have made one project
35:53I don't want to do that, it's a hectic routine
35:56but you think that you can choose to ignore it
36:01but after marriage you think that there is a dynamic difference
36:04because the life is very different
36:06so do you think that there will be an impact on your work?
36:10I think if your partner is supportive you don't need to worry
36:14and Taimur is very very supportive
36:18and his family also
36:20uncle and auntie is so supportive
36:22that I don't want to get married
36:24and DBOEV
36:25Masha Allah
36:26Alhamdulillah
36:26Masha Allah
36:27On that note Hena thank you so much
36:30Thank you, Hasan.
36:30It's a lot of fun talking with you.
36:32As long as you have done all the conversation, I really appreciate that.
36:36I think that it's an honest conversation.
36:38It always connects with people.
36:41It's a lot of fun talking with each other.
36:44I wish you all the very best.
36:45Thank you, Hasan.
36:46And not only Mirza's here, but all your projects are successful.
36:52And hopefully, we'll meet the next set in a set.
36:55And don't get tired of it.
36:57I'll be drinking coffee shop.
36:58I'll be drinking coffee shop.
37:00I'll be drinking coffee shop.
37:01I'll be drinking coffee shop.
37:03I'll be drinking coffee shop.
37:03Thank you so much, Hina.
37:04God bless you.
37:05Thank you, Hasan.
37:06Thank you, Hasan.
37:07On that note, I want to thank you.
37:10I'm very happy with Hina.
37:12I'm sure that you've enjoyed this special episode of Mirza's Heer.
37:17Next week, we'll be back with Mirza's Heer.
37:20We'll be back with the set of other actors.
37:24Today, I didn't find Mirza's missing.
37:26We'll try to find Mirza's Heer.
37:29We'll try to find Mirza's Heer in the next one.
37:31If he hasn't found Mirza's Heer in the next one,
37:32we'll try to find the set.
37:34Until then, please keep your dreams and remember.
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