- hace 2 días
Reparto: José Luis Gómez, José Sacristán, Antonio Ferrandis, Charo López, Fernando Fernán Gómez, Fernando Hilbeck, Isabel Mestres, Luis Ciges, Marilina Ross, Queta Claver, Marisa Porcel, Verónica Llimera, Luis Sánchez Polack
Dirección: Gonzalo Suárez
Sinopsis: Cebrián, un trabajador de los altos hornos asturianos, está detenido en el cuartel de la Guardia Civil. Allí tiene que rendir cuentas de los destrozos que él y dos amigos han causado en un día de parranda. Lo que había empezado como una juerga más, se convirtió en un delirio de violencia y alcohol.
Dirección: Gonzalo Suárez
Sinopsis: Cebrián, un trabajador de los altos hornos asturianos, está detenido en el cuartel de la Guardia Civil. Allí tiene que rendir cuentas de los destrozos que él y dos amigos han causado en un día de parranda. Lo que había empezado como una juerga más, se convirtió en un delirio de violencia y alcohol.
Categoría
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CortometrajesTranscripción
00:00:00Morning is morning, when it's time to come,
00:00:04Oh, I'm already there!
00:00:05Bowing, you will wonder who is telling you,
00:00:11Come on, let's get rid of the potato, we'll eat the potato!
00:00:16What the gentlemen eat, fried without libones,
00:00:20Plug it in, plug it in, and I sat down!
00:00:24To the potato we'll eat, we'll eat the potato!
00:00:28"A la rope come los señores, a la frita sin libones, ¡Achufé, achufé!"
00:00:33Achufé, achufé, achufé, achufé, achufé!
00:01:09Plug in, plug in, plug in!
00:01:23Achufé, achufé, achufé, achufé, achufé, achufé!
00:01:30Name?
00:01:31Cipriano Canedo.
00:01:34But they call me Cibran.
00:01:47Age?
00:01:48Thirty-two years old.
00:01:57Married?
00:02:00No.
00:02:26Plug it in, plug it in!
00:02:37Plug it in, plug it in!
00:02:39Plug it in, plug it in!
00:02:41Plug it in, plug it in!
00:02:56Plug it in, plug it in!
00:02:58Plug it in, plug it in!
00:03:36Plug it in, plug it in!
00:03:38Plug it in, plug it in!
00:03:42Plug it in, plug it in!
00:03:46Plug it in!
00:03:48Plug it in!
00:03:50Plug it in!
00:03:50Plug it in!
00:03:51Plug it in!
00:03:51Are you going home?
00:03:52Yeah.
00:03:53I'll be leaving in a little while.
00:03:57I can't take it anymore.
00:03:59See you tomorrow.
00:04:00See you later.
00:04:10Hey!
00:04:13Hello.
00:04:20I thought I hadn't won.
00:04:23Come on, I want to talk to you.
00:04:27Try them on.
00:04:29Tomorrow I start working in the coke ovens.
00:04:32Definitely, you know?
00:04:32Help out a little, man.
00:04:34It's a permanent job.
00:04:36Do you like them?
00:04:37Yes, they're fine.
00:04:41Hey, Rajada.
00:04:45I've thought about it a lot and I think it's time we sorted things out between us.
00:04:50You'll have your wages every day, and I think we'll have enough to get by, but
00:04:57I don't want you to stay at Monfortina's house.
00:05:21Come on, talk.
00:05:23Tell us what happened.
00:05:27What happened?
00:06:02Are you happy?
00:06:03Yes sir.
00:06:04When you are here I am happy, even if you don't sleep in my bed.
00:06:07Well, go to sleep, it's still early.
00:06:09Why was he hitting his mom?
00:06:12Where did you get that from?
00:06:14I heard her say "there are many times."
00:06:17Well, that means I was dreaming.
00:06:20And now he's not leaving anymore?
00:06:22No.
00:06:24I go to work and come back.
00:06:25No.
00:06:26No.
00:06:40No.
00:06:41No.
00:07:08Subscribe to the channel!
00:07:25Subscribe to the channel!
00:07:41Come on, come here! I can't!
00:07:44Let's get to work! Let's get to work!
00:07:46Damn it, you idiot, let it go down!
00:07:49Up and down!
00:07:52Let's get to work! Let's get to work!
00:07:59Oh! Oh! Oh! Oh! Oh! Oh! Oh! Love!
00:08:23No.
00:08:24What a realization! It gives me a touch next to your hand!
00:08:27I'm going to...!
00:08:28No, throw!
00:08:30Get out of there!
00:08:31No!
00:08:31Take it away!
00:08:32Let go!
00:08:34Let go!
00:08:37You fucking bitch!
00:08:39You're going to kill yourself!
00:08:41I'm going to take away his bones!
00:08:53This is what happens when you don't know how to handle wine
00:08:55Carmen, you fucking whore
00:08:56Do what you're doing now, just leave already
00:08:58I don't know, you guys are crazy
00:08:59Hey, what are you doing?
00:09:01Hey, you, turn into a liver
00:09:04Comes back!
00:09:14People are coming!
00:09:28Can you give me a light?
00:09:50Looks like your friends are having fun, huh?
00:09:53Yes, typical Monday stuff
00:09:55things won't get out of hand.
00:09:58Well, cheers!
00:10:00I'm wondering the same
00:10:13It seems unbelievable
00:10:14And you're such best friends!
00:10:16You do your own thing, that's our business.
00:10:19Well, screw you both.
00:10:20After all, you two are a perfect match.
00:10:22I'm leaving, goodbye
00:10:28bye
00:10:29Cibran! Wait!
00:10:32Wait, man!
00:10:34Cibran!
00:10:35Where are you going in such a hurry?
00:10:39Cibran!
00:10:40Furthermore, you no longer make the list.
00:10:43Cibran!
00:10:44Don't leave me alone with this
00:10:46I swear I'll finish him off
00:10:47It's your fault
00:10:48Yes, I know.
00:10:50The thing is, it sticks to me.
00:10:51and there's no way to get rid of it
00:10:52Are you the one looking for it?
00:10:55That's the messed up part of the case.
00:10:57I don't have any fun without him, you know?
00:11:00And there always comes a time
00:11:01which one do I have to buzz about
00:11:02Whether he comes or not, I'll tell you
00:11:04I don't know what's wrong with me
00:11:05But without him I don't have fun
00:11:07Could it be that he has you under his thumb?
00:11:09because there are many ways
00:11:10to get a feel for someone
00:11:11Cibran
00:11:12Don't ever say that to me again.
00:11:13Not even as a joke, you know?
00:11:14Not even as a joke
00:11:16even though I love you well
00:11:17I won't allow it
00:11:18You already know me
00:11:19Don't come at me with that.
00:11:20You asked me
00:11:21I'll answer you
00:11:22Leave me alone
00:11:23I'm going to work.
00:11:24forgive me
00:11:27The thing is that
00:11:28You hit the nail on the head, you know?
00:11:31and the idea that that shit
00:11:32has me by the hand
00:11:32the will
00:11:33It makes my brains boil.
00:11:34But I'm asking you please
00:11:35Don't leave me alone with him
00:11:36I can't, Bocas
00:11:37I have to go to work
00:11:37I'll pay you your wages
00:11:38I have money
00:11:39No, I don't want you to give me anything.
00:11:41if I go
00:11:43go
00:11:45Look, now you take a drink
00:11:46and then do whatever you want
00:11:56have you noticed
00:11:58That faggot won't take anything away from us
00:11:59eye above
00:12:04Hey, Cibran
00:12:05Why don't you go back home?
00:12:07with these feet
00:12:07You're not fit to go to work
00:12:09and even less so
00:12:10to walk around
00:12:10and get into trouble
00:12:14uh, wait
00:12:16who?
00:12:16I?
00:12:17has put one of orujo
00:12:18against the one you're holding in your hand
00:12:20that?
00:12:22You say that the grandfather
00:12:23deaf
00:12:24He's going to win this card.
00:12:24And I say no.
00:12:31fear guards the village
00:12:35come on
00:12:36Are you betting or not?
00:12:37I'm just betting
00:12:38when I'm the one playing
00:12:41Well
00:12:41Well, play if you want.
00:12:42but not a game of chance
00:12:45but
00:12:45headfirst
00:12:47And since when have you had your head?
00:12:49Leave it, a thousand men
00:12:50I want to play with him
00:12:54What game are you talking about?
00:12:56Cups are paired with golds
00:12:57and clubs with swords
00:12:59a matter of memory
00:13:00each person draws two cards
00:13:03and whoever gets the most partners wins
00:13:05come on
00:13:06you first
00:13:08No
00:13:09you
00:13:10wine bullet
00:13:11against the pomace brandy
00:13:16the one with pomace
00:14:10Thank you!
00:14:15These guys are cheating.
00:14:36What's gotten into you? You fucking cheaters!
00:15:00Let's go! Come on!
00:15:01Let's go! Come on!
00:15:09Let's go! Come on!
00:15:14That was it.
00:15:15Everything? That was just the beginning. Keep going!
00:15:23Come on! Keep going!
00:15:32Come on!
00:15:44What have you done, little dog? Do you want me to give you a puppy?
00:15:47No, no, no. It can't be. I can't have your child because you smell bad.
00:15:53Sorry.
00:16:00You smell so good! When are you going to give me a baby?
00:16:04Tomorrow, Socorrito. Tomorrow.
00:16:06I'm having pizza today. Let's go!
00:16:28Help! Do you want me to make you a baby?
00:16:29No! You smell terrible!
00:16:31Let's talk very badly!
00:16:32And besides, I don't believe you because everyone tells me the same thing. They make them for me and then they don't bring them to me.
00:16:38So that?
00:16:38Don't leave him, he's sick. He has a fever.
00:16:41No. He just has a fever.
00:16:42That's right. Nobody brings them to me.
00:16:43He's got a fever like you.
00:16:45No one ever does. They promise me, but no one ever...
00:16:47Nobody brings them to me.
00:16:48Then.
00:16:49They say they're going to bring them to me, but they don't.
00:16:51What is the crazy woman saying? Did you hear?
00:16:53I don't believe them anymore.
00:16:54Let's go.
00:16:55So that?
00:16:55Let's go.
00:16:57Bye bye.
00:16:57Go for it, go for it. Riz ras on top.
00:17:00Why? So they don't bring them to me later?
00:17:03They're all liars.
00:17:07Well, you did it. I should have gone to work.
00:17:11And on and on with the work.
00:17:14You were born to be a slave, weren't you?
00:17:17Look at me.
00:17:19What do I owe to work?
00:17:21A twinge here.
00:17:23It doesn't let me breathe and almost blinded me.
00:17:27Do you know what they told me?
00:17:30And you're no longer useful.
00:17:32That's it.
00:17:34It's that simple.
00:17:35You're useless.
00:17:37Mouths.
00:17:37And Bocas...
00:17:39You can see it now.
00:17:40As soon as he could, he climbed out of the hole.
00:17:42And he did it in time.
00:17:44Not like his father.
00:17:45That sometimes they stuck their feet out in front of them.
00:17:47But I have a wife and a child to take care of.
00:17:49Besides, I don't like your parties, especially with a dead body involved.
00:17:52But who told you he's dead?
00:17:53The stabbing was no small matter.
00:17:55You look like an old woman.
00:17:57A woman.
00:17:58A son.
00:18:01That's what they use to make you gasp for breath.
00:18:04When you can't take it anymore, they'll put your child in your place.
00:18:08And with your wife...
00:18:11You know what they do to your wife.
00:18:14Don't make that face, Cibran.
00:18:17You'll have time to think about it another day.
00:18:20Yeah.
00:18:21In the barracks.
00:18:22Nothing like a police station.
00:18:24As long as there's a penny left, the party goes on.
00:18:28Why don't we go to the entrance palace?
00:18:32That?
00:18:33Let's see that woman he says he has locked up there.
00:18:36I don't believe it.
00:18:37They say she's beautiful as hell.
00:18:41Others say he killed her and buried her in the garden.
00:18:44Those are just stories because who has actually seen it?
00:18:49As for me...
00:18:51I'm not left wondering.
00:19:06That?
00:19:13Come on, jump.
00:19:14Yeah, yeah, yeah...
00:19:19No, no, no, no.
00:19:46No, no, no, no, no, no, no.
00:20:43No, no, no, no.
00:20:55No, no, no, no.
00:21:21No, no, no, no, no.
00:21:45No, no, no, no.
00:22:07No, no, no, no.
00:22:13No, no, no, no.
00:22:22No, no, no, no.
00:22:43Damn, that's a strange thing.
00:22:46It runs in the family.
00:22:48My sister experiences this too.
00:22:51Sometimes he loses consciousness and foams at the mouth.
00:22:55Hey, it's not crazy.
00:22:58It wouldn't surprise me.
00:22:59It wouldn't surprise me.
00:23:28It's a favor.
00:23:29It's a favor he's doing me.
00:23:32I can't be with him.
00:23:35Besides, we can't stop partying while there's still a penny left.
00:23:38It brings bad luck
00:23:40I had promised her I wouldn't go back to my old ways.
00:23:44This time she meant business
00:23:46I even asked him to leave the Monfortina's house
00:23:49You see?
00:23:51On the first try
00:23:54And that's not manly.
00:23:57Besides
00:24:00And then there's the kid
00:24:02The damn guy finds out everything.
00:24:06This morning I asked him if he was happy, and do you know what he answered?
00:24:10Well, when I was at home I was happy.
00:24:13And that he wasn't cold even though he wasn't sleeping in bed
00:24:17And I don't want the nuns to take him away and have him spend the day praying the Lord's Prayer.
00:24:20Like those who are going to deliver justice
00:24:21Hey
00:24:22Don't overthink it.
00:24:24When the party's over, you'll go back home.
00:24:26And everyone was so happy
00:24:28You'll see
00:24:29And the muleteer?
00:24:31Which muleteer?
00:24:33The one we left half-dead at the Esquilacha inn
00:24:36Ah
00:24:36It'll get good
00:24:38Besides, that's my business.
00:24:40You had no part in it.
00:24:42Everyone saw it
00:24:43They'll take me to the police station
00:24:48Hey Cibran
00:24:51If anyone's going to go through hell for this, it's me.
00:24:54And look at me
00:24:56Do you think I'm scared?
00:24:58Well no
00:25:00You won't see me cry
00:25:03And I also have a mother
00:25:05She's going half-blind
00:25:07And whom I've been saddening to death since I was born
00:25:10But I don't regret it
00:25:13And it hurts
00:25:14Don't think it doesn't hurt me
00:25:15But I don't regret it
00:25:18That's just how I am.
00:25:24The only one who has no one is this one
00:25:27It might be rubbish, as they say.
00:25:29But he has a clear conscience.
00:25:33Yeah
00:25:35Good conscience
00:25:37There it is
00:25:38Sleeping soundly
00:25:41Because he knows that any misfortune that befalls him
00:25:43It will bring people more joy than anything else
00:25:51What's happening?
00:25:52The elections
00:25:53What elections?
00:25:54A Catholic lady comes to buy your vote for a mattress.
00:25:57I'll stick with the Marquis of Almendralejo
00:25:58He distributes bread, chorizo, and oil among those who vote for the right wing.
00:26:01I read it in the Socialist.
00:26:02I mean, look at the lady and the marquis, tururú, tururú
00:26:05It's not with the music, another part
00:26:08Where are we going?
00:26:09I don't know, but let's go
00:26:11Come on
00:26:39Hey!
00:26:40Gibran!
00:26:42I'll help you
00:26:45I'll help you
00:26:47Gibran!
00:26:50Gibran!
00:26:53Gibran!
00:26:57Gibran!
00:27:01Gibran!
00:27:05Did they never make you a child?
00:27:07Well, go soon because they're running out.
00:27:13The Portuguese man did it to me first.
00:27:15In the mountains
00:27:19He told me
00:27:19But he never brought it to me.
00:27:23Garlic, garlic!
00:27:29Portuguese!
00:27:30You fucking pig!
00:27:31Ris ras above me!
00:27:32And the child never came!
00:27:39And I'm marrying the marquis
00:27:41What is it?
00:27:42What is it?
00:27:44What is it?
00:27:48The Portuguese man was ugly and smelled bad.
00:27:51In contrast, the marquis is handsome.
00:27:53Delicious and smells good
00:27:56And now twenty children
00:28:00The Marquis
00:28:01What is what?
00:28:07Let's see
00:28:09You smell so good!
00:28:11When are you going to give me a child?
00:28:13Tomorrow, help
00:28:15I don't have time
00:28:31Come on!
00:28:32Stay still!
00:28:38What's happening?
00:28:38They're not opening!
00:28:40Come on!
00:28:41Come on!
00:28:41No, no, no!
00:28:41I don't feel like doing that.
00:28:42Yes, work on it, my mother!
00:28:43Well, so
00:28:44Come on!
00:28:45Okay, that's fine.
00:28:46Come on!
00:28:47Already!
00:28:52Already!
00:29:35Cibran!
00:29:36Cibran!
00:29:37What are you doing?
00:29:37Is there wine or not?
00:29:39Cibran!
00:29:41But Cibran!
00:29:43Grab what you can and get out!
00:29:44I don't think you'll like what I've found.
00:29:46But it's a winery, isn't it?
00:29:49There are nothing but rats!
00:29:51We can only take what we're wearing here!
00:29:54Well, open the door now!
00:29:56Open up, man, open up!
00:29:57Open!
00:30:00Open!
00:30:01Open!
00:30:11Open!
00:30:15Open!
00:30:17Open!
00:30:23Open!
00:30:28Open!
00:30:41Open!
00:30:44Hey, it's already daytime.
00:30:59Eat, eat and drink whatever you want.
00:31:13Your friend sleeps like a log, huh?
00:31:15Yes, yes, he is a very deep sleeper.
00:31:18This is an excellent wine.
00:31:20I can't stand the heartburn because of my ulcer.
00:31:23But this is a green wine, natural, magnificent.
00:31:26Don't you think so?
00:31:27It's good.
00:31:27It reminds me of my uncles' wine.
00:31:29When I was a child, you...
00:31:30Ah, Fibran, you always speak in half-truths.
00:31:33Because he thinks before he speaks, he's not like you.
00:31:36Nothing else I was going to say is important.
00:31:38Don't believe it, young man, you never know.
00:31:46Well, Fibran, I am a professor of classical languages.
00:31:51I live in Lugo.
00:31:52That person you see there is not a friend of mine.
00:31:55I don't even know him.
00:31:57Damn, so what's he doing here?
00:32:01It looks like the little tail.
00:32:02I don't know, I can't tell you about it.
00:32:05I'm telling you, I don't know him.
00:32:08Whether it's the little tail or not, he looks more dead than asleep.
00:32:11He is dead.
00:32:12Indeed.
00:32:14I brought it from Lugo in a sedan that I left hidden among the trees.
00:32:18Come on, damn it.
00:32:19And he travels there with great enjoyment.
00:32:22I understand that my presence with a dead body in tow causes them strangeness,
00:32:26But since circumstances compel me to do so, I will tell you what happened.
00:32:32I trust in your discretion.
00:32:34Anyway, I have no other choice.
00:32:38You have surprised me and I owe you an explanation.
00:32:42He doesn't owe us anything.
00:32:44We are not the type to go and tell stories to the authorities.
00:32:48I know, I know.
00:32:50But, right?
00:32:52Anyway, I would like to ask for your help.
00:32:57We're not doing charity either.
00:32:59And we don't like getting into trouble.
00:33:02I ask you to listen to me first and judge afterwards.
00:33:08Speak.
00:33:11As I have told you, I am a professor of classical languages.
00:33:17Until last night, my life was completely normal.
00:33:21The clock had just struck twelve.
00:33:23And I was making stitches as usual.
00:33:27Goodness, professor.
00:33:28You knit like the ladies.
00:33:32You may consider it an effeminate custom,
00:33:35But it reassures me enormously.
00:33:37I have a very nervous temperament.
00:33:40Sometimes during private lessons,
00:33:43When the students are trustworthy, I usually knit.
00:33:47Everyone in Lugo knows this peculiarity of mine.
00:33:50Well, here they call you a sissy, but much less.
00:33:54Don't pay any attention to him, professor.
00:33:57Andesiga.
00:33:59It had just struck twelve, as I was saying,
00:34:02when they knocked on the door.
00:34:20She was a lady, whose name is irrelevant,
00:34:24where I taught Latin.
00:34:26Very beautiful, by the way.
00:34:28She was very agitated,
00:34:30and she asked me to help her.
00:34:31He told me that something terrible had happened.
00:34:37Truly terrible.
00:34:39Her lover had died in her arms.
00:34:43But that was not the cause of his despair.
00:34:46No, the tragedy lay in the fact that the corpse
00:34:51I was in the lady's room,
00:34:53And the husband would soon arrive from the casino.
00:34:56It is the god Valle Lío.
00:34:59She asked me to help her.
00:35:01I didn't know how to refuse.
00:35:03And what did he do?
00:35:03I accompanied her.
00:35:10It wasn't easy.
00:35:12The death had occurred in the midst of amorous activity,
00:35:17and the body was distorted by a sudden pain
00:35:20or an irresistible pleasure.
00:35:29Thank you!
00:35:51Thank you!
00:36:00Good death, Sandíos.
00:36:02Who will catch her?
00:36:04The husband's car was already in front of the building entrance.
00:36:07I didn't know what to do.
00:36:09At first I thought of putting the body in the closet,
00:36:12as is usually done on these occasions.
00:36:14But the lady, who knew more than I,
00:36:17He told me that it was ridiculous,
00:36:19that the closet is always the first place husbands look.
00:36:23So my student became my teacher
00:36:26And she was the one who devised the plan.
00:37:04So, are you going or not?
00:37:13And what bothers me most about the case
00:37:15It's because for the first time in my life
00:37:17I had a poker of aces in my hand.
00:37:20And I didn't cheat, I swear.
00:37:24I understand, I understand your outburst of hilarity.
00:37:27And rightly so.
00:37:28But I assure you that the matter is very serious.
00:37:31I would be?
00:37:32But I've never heard anything funnier.
00:37:33ever since they stripped my grandmother.
00:37:35When I have reached the end of the story
00:37:39They will not have the same opinion.
00:37:42Go on, professor, go on.
00:37:44I was thinking of taking him to the hospital.
00:37:47and later declare that he had lost consciousness
00:37:51while we were playing poker.
00:37:53But something incredible survives.
00:38:19Damn, do you know what it was?
00:38:22A knitting needle.
00:38:24A long, sharp knitting needle.
00:38:28My student, the honorable lady,
00:38:31the fucking whore,
00:38:33he had stabbed him between the ribs
00:38:35a knitting needle,
00:38:36piercing his heart.
00:38:39A murder?
00:38:40He had murdered him, yes.
00:38:43But who could I tell the truth to?
00:38:46They had seen me playing poker with him.
00:38:49And to top it all off, gentlemen,
00:38:51one of my recognized skills
00:38:53It's about knitting.
00:38:54You already know that.
00:38:56Who could he have convinced?
00:38:59Saint God.
00:39:00And what does he want to do now, walking around with the dead body?
00:39:04Throw it into a pool of acid
00:39:06that are next to the coconut ovens.
00:39:10Now they know the truth.
00:39:13If you help me, I will reward you.
00:39:16If they don't want to help me,
00:39:19I ask you to keep it a secret.
00:39:27We will help you.
00:39:38Where is here?
00:39:40Come on.
00:39:41Yes, very good.
00:40:05Thank you very much
00:40:07what they have done for me.
00:40:26This guy must be crazy.
00:40:27And he walks like a sissy.
00:40:29What if the story he told us
00:40:31What if it wasn't true?
00:40:35Let's go.
00:40:35Where are we going?
00:40:36I don't know, but let's go.
00:40:43There is an idea
00:40:44that I can't get out of my head.
00:40:49That woman.
00:40:52Hey, Bocas,
00:40:54This is perfect for a party and more.
00:40:57Come on, stop with the ghost stories.
00:40:58and take the money.
00:41:08There are a lot of hard ones
00:41:10for a man
00:41:11that he may have a clear conscience.
00:41:15I think the professor
00:41:18He was a faggot.
00:41:19I can't stop thinking about her
00:41:21one moment.
00:41:22I can't stop thinking about her for a moment.
00:41:23So white,
00:41:24so distinguished.
00:41:31You see, it's like he threw the money in her face.
00:41:33Ever since she had a lover.
00:41:35He treats her like a whore.
00:41:38Stop thinking about stories
00:41:40and we're going to kick this money around.
00:41:44Go on, Bocas.
00:41:54Stay still, Lion.
00:41:57Still!
00:41:59Still!
00:42:17I don't know what we came here to paint.
00:42:23Leave! There's no room!
00:42:26Open up, you little shit! I'm Bocas!
00:42:34Thomas, come home
00:42:37Thomas, come home
00:42:38Thomas, come home
00:42:45Thomas, come home
00:42:45Hello, little ass
00:42:46I came down just to give you an explanation
00:42:48We cannot open for you
00:42:49There are the Catalan travelers, and you know it.
00:42:51They have dinner and fall asleep
00:42:53But what are you doing?
00:42:53Grandfather and aunt!
00:42:55Close and get off!
00:42:55This one comes with Juanito el Bocas!
00:42:56Look at that speech!
00:42:57And this is the one with the crack.
00:42:58You are nothing but murderers!
00:43:00You left one of them half dead this morning!
00:43:02Come on, let's go!
00:43:04Come on, I blamed you! Come on!
00:43:06Leave me alone already!
00:43:07Let me!
00:43:08Let me!
00:43:09Let me!
00:43:10Leave me a fucking one!
00:43:12Let me!
00:43:13Let me!
00:43:13Leave me to your own devices!
00:43:15Come on!
00:43:16Let me!
00:43:24Let me!
00:43:28Take
00:43:28But Cibran certainly will.
00:43:30No, I don't know her.
00:43:36Well, you're the little corporal.
00:43:38And on and on about the little tail, the little tail again...
00:43:40He's put whatever you want, it's the little tail.
00:43:41Wait until he stops kissing her and we'll see his face.
00:43:44Done, a tough guy who isn't him.
00:43:47And you, Cibran, what do you say?
00:43:49I don't care.
00:43:52Under Dimo, there's no way to see him like that, of course.
00:43:55If they don't separate for a moment, it's so intense it's relentless.
00:43:58Yes, man.
00:44:00You'll see, I'll fix it soon.
00:44:02Little Cabito!
00:44:08Dale.
00:44:09Little Cabito!
00:44:10Let's see if that gets them to break free, man.
00:44:16Bastards!
00:44:17Bastards, you fucking faggots!
00:44:19Little Cabito!
00:44:21Scoundrels, shameless people!
00:44:23I'm going to kill you!
00:44:24Bastards!
00:44:26Bastard!
00:44:27Damn it, old man!
00:44:30Little Cabito!
00:44:39Good night.
00:44:48Little Cabito!
00:44:49Little Cabito!
00:44:50Take that, you bastards.
00:44:51Use one!
00:44:52그러면 ura!
00:44:53 Never!
00:44:58Little Cabito!
00:45:03Little Cabito!
00:45:50These are the ones who betrayed me, doctor.
00:46:43So where do we go now, Bocas?
00:46:46I don't know, but let's go.
00:46:48I do know, I'm going back home.
00:46:50Don't leave me alone, Cibran!
00:46:52Don't be a spoilsport!
00:46:54There's nowhere left for us to go.
00:46:56Besides, I think that muleteer was left half dead.
00:46:58No way, man, no way!
00:47:00It was just a scratch!
00:47:01He's as healthy as you and me.
00:47:29Hey, what do you think about going to Matildona's house?
00:47:32She probably hasn't even noticed, right?
00:47:35Come on!
00:47:35What are you saying, Cibran?
00:47:37A party without women isn't a party, man!
00:47:39Come on!
00:47:40Come on!
00:47:41Come on!
00:47:41Come on!
00:47:42Come on!
00:47:43Come on!
00:48:02If before drinking you want to make a wish, or find out about people who are dead
00:48:07Or far away, you only have to ask Andrea the Spider Crab.
00:48:11She will answer everything you ask.
00:48:13No.
00:48:14We don't want to know anything.
00:48:15Why don't we ask about the muleteer?
00:48:17But what muleteer or what nonsense.
00:48:19She's better off than we are at this hour.
00:48:21So drink up.
00:48:22So, no?
00:48:25Hahahahahahahahahahaha!
00:48:32I mean, hahahaha...
00:48:40Hello, Cibran.
00:48:41Hello.
00:48:48What is this?
00:48:49And don't do any more to me, hey!
00:49:05Let her be, the notary is here.
00:49:19Let her be, the notary is here.
00:49:40Oh my God!
00:49:54Oh my God!
00:49:57Come on, bring us a pot of tripe, these guys are starving.
00:50:00Do I know them?
00:50:02Hungry?
00:50:03We're starved, that's what we are.
00:50:05My stomach still makes me feel nauseous.
00:50:08Oh, a thousand men!
00:50:09What a bad nickname they gave you!
00:50:11Maricallas!
00:50:12You had to call me because of how sensitive it was.
00:50:16Come on, bring the tripe.
00:50:22Why don't you do to me what that guy did with the slit?
00:50:25Don't talk nonsense, Viesa.
00:50:28I wasn't born to be a prisoner, I'd rather be dead than married.
00:50:30Why don't you come inside with me?
00:50:32Tonight...
00:50:34He's been drinking a lot.
00:50:45Why don't you go back home?
00:50:48The crack and your son are waiting for you.
00:50:50Eat shit, you stupid old woman!
00:50:52He takes El Cito to find out what he has to do.
00:50:54And you be quiet, thousand men.
00:50:57Cibran is here because I asked him to be.
00:51:01He's doing me a favor.
00:51:07Furthermore, everyone is free.
00:51:09No, the spider crab is right.
00:51:12I was supposed to go to work this morning, but...
00:51:16Sometimes I don't know what's wrong with me.
00:51:17The thought comes to me and...
00:51:19Like everyone else, damn it.
00:51:21Like everyone else.
00:51:24The horse wasn't only created for...
00:51:26the block.
00:51:27And pull the cart, because...
00:51:30He also likes to roll in the grass.
00:51:33And running through the mountains.
00:51:35Yes, and throwing himself down reached the point where he wasn't from the farm.
00:51:39Well, let's not speak ill of the queimada anymore.
00:51:42Go on, have one too.
00:51:47I bet you haven't tried anything like this, huh?
00:51:51It's good.
00:51:52What are you saying, Cibran?
00:51:54Not too sweet, not too harsh, just right.
00:51:55I've heard all about Matilda...
00:51:57He does this very well and...
00:51:59other things.
00:52:17Horses, horses, horses.
00:52:19Neither farmyard, nor stable, nor grass, nor mountain.
00:52:25Slaughterhouse horses.
00:52:27That's what you are.
00:52:28And that's where you'll end up.
00:52:30Is.
00:52:30Clear.
00:52:33Yeah.
00:52:34Yeah.
00:52:35Yeah.
00:52:35Yeah.
00:52:37Yeah.
00:52:43Yeah.
00:52:44Yeah.
00:53:01What? Did you have a falling out with the crack?
00:53:03No, I haven't argued with her.
00:53:05Why didn't you take it out the other door, you stupid bitch?
00:53:08But what's going on?
00:53:09We screwed up.
00:53:12Did you see the way I look at these guys?
00:53:13So what if I look at us?
00:53:15We saw him too.
00:53:17And we know him.
00:53:19As well as he knows us.
00:53:22Oh, really?
00:53:23Yeah.
00:53:24Then you will know that he is a court clerk.
00:53:26And what difference does it make to us whether he's a court clerk or a parish priest?
00:53:29Nothing, nothing.
00:53:30But I've heard it said...
00:53:33Come on, you had problems.
00:53:35At the Esquilacha Inn.
00:53:37He will report you.
00:53:38No, he won't.
00:53:40For his own good.
00:53:41Come on, come with me.
00:53:43No, I'm sorry, but I don't want to go with you.
00:53:45I don't like being with a woman I've been with another man before.
00:53:48What? That one?
00:53:49I know a lot about fantasies and all that...
00:53:51Nothing, everything from here and nothing from below.
00:53:54The poor fellow doesn't know what to do to forget that his wife is cheating on him with the little guy.
00:53:58It was the little tail, I told you so.
00:54:00Go wash up.
00:54:01We all know the dirty things that guy does.
00:54:06Go away, and leave Cidrán in peace.
00:54:10Slut.
00:54:12And they say that the corporal left yesterday, leaving in writing that he was going abroad and would not return.
00:54:18If that's what they say, maybe it's true.
00:54:22Slut.
00:54:49Thank you!
00:55:22Thank you!
00:55:28Thank you!
00:55:33Not even once.
00:55:44Go away! The tripe!
00:56:11Saint God, Cibran, I cannot forget her
00:56:13I swear I'm trying, but I can't
00:56:15Oh my God, I can't!
00:56:16What's wrong with you, Bocas? What are you saying?
00:56:18What madness is this!
00:56:19What madness? No
00:56:25Fever, that's what that has
00:56:27Fever
00:56:29That's it, go away with the slit
00:56:30She's just as much of a whore as the others.
00:56:32We all know that her mother gave her to Don Juan the notary to ride.
00:56:34When I hadn't met the thirteen
00:56:36And since then the damage
00:56:38Come on, this skinny bitch!
00:56:40It gives me the creeps!
00:56:41Oh!
00:56:46Hold me back!
00:56:46Hold me back!
00:56:47Hold me back!
00:56:48Hold me back!
00:56:48Hold me back!
00:56:49Oh!
00:56:50Oh, you bastard!
00:56:51Oh, you bastard!
00:56:52Oh, you bastard!
00:56:52Hold me back!
00:56:53Oh, you bastard!
00:57:05Come on, Cibran!
00:57:07Don't leave me alone with this one, I'm going to do something crazy!
00:57:10Do you have it or not?
00:57:12Yes, I'm coming, I'm coming
00:57:15Hold me back!
00:57:24I am not telling you to come
00:57:25If you're scared, that's your problem.
00:57:29And I'm also warning you that it's better if you don't come.
00:57:34What I'm saying is that I want to be with that woman.
00:57:36Even if it means taking down half the world
00:57:38Even if it means taking down anyone who gets in my way.
00:57:40Although you already know
00:57:44He's crazy
00:57:56Go ahead, screw him
00:57:57If they shoot him, he'll go looking for trouble.
00:57:59No, you go if you want.
00:58:01I won't leave him alone
00:58:02Although what he's going to do seems absurd to me
00:58:39No, you go, screw him
00:58:51Republic like Frank Kaiser
00:58:53No, you go, screw him
00:59:22Damn, cough syrup
00:59:46Pussy
00:59:53Let's go
00:59:58Let's go
01:00:02Leaves
01:00:03Das
01:00:04—
01:00:04—
01:00:04—
01:00:25Thank you.
01:00:35Thank you.
01:01:09Thank you.
01:01:47Thank you.
01:02:05Thank you.
01:02:34Thank you.
01:03:16Thank you.
01:03:35Thank you.
01:04:09Thank you.
01:04:42Thank you.
01:05:22Thank you.
01:05:40Thank you.
01:05:47Thank you.
01:05:56Thank you.
01:06:07Thank you.
01:06:13Thank you.
01:06:14Thank you.
01:06:14Thank you.
01:06:19She moves her hips to give him pleasure, murmuring obscene words that my ears heard.
01:06:29Why don't you tell her the things you used to tell her? Don't you remember? Come on, remember, remember
01:06:38those disgusting things while you were moving, sweating under him.
01:06:50No, it wasn't like that. You were cheering like a doorbell, panting and puffing, bursting with pleasure.
01:07:03I remember it very well in all its details, as if I were seeing it now.
01:07:21Do you remember? You opened your legs, your arms, for him.
01:07:32You opened yourself up completely, you gave yourself over and over again.
01:07:41You are here, avec lui. Il te tranglait, tu ralais de voluité.
01:07:49You kill me, you terrify me, plus you enjoy my life.
01:08:04Here, for your work.
01:08:33Here, for your work.
01:09:03Thanks for watching the video.
01:09:06Thanks for watching the video.
01:09:51Thanks for watching the video.
01:10:33Thanks for watching the video.
01:10:36Thanks for watching the video.
01:11:06Thanks for watching the video.
01:11:35Thanks for watching the video.
01:12:24Stop!
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01:14:46Stop!
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01:15:43Stop!
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01:16:10Stop!
01:16:37Stop!
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01:16:44Stop!
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01:17:09Stop!
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01:18:13Stop!
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01:18:59theme!
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01:19:56Subscribe to the channel!
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01:20:58My man, come back!
01:21:00Comes back!
01:21:16Volcash!
01:21:17Volcash!
01:21:48Why did he do it?
01:21:50Don't know.
01:21:51It was as if he had womanly jealousy.
01:21:56Subscribe to the channel!
01:21:58Subscribe to the channel!
01:22:30High!
01:22:37Vileman!
01:22:38Volcash!
01:22:40Volcash!
01:22:53Volcash!
01:22:57Volcash!
01:23:10Volcash!
01:23:14Volcash!
01:23:19Volcash!
01:23:21Volcash!
01:23:27Volcash!
01:23:32Volcash!
01:23:48Volcash!
01:23:49After making his statement
01:23:59Volcash!
01:24:00Volcash!
01:24:02Volcash!
01:24:12Volcash!
01:24:14Volcash!
01:24:15And he thrust it in between her ribs without anyone being able to stop him!
01:24:30Therefore, I testify that he did not die, but from a knife wound.
01:24:45And the thing is, if things are going to be done, they should be done right.
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