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  • 10 hours ago
Mumbai, Maharashtra: At lyricist Sameer Anjaan’s new music platform launch, playback singer Kunal Ganjawala shared the story behind one of his songs, which he had earlier presented to Sameer Anjaan. He also spoke about his new venture and his commitment to supporting emerging artists. After that, he expressed his views on the Women’s Reservation Bill, showing his support for the initiative. He further reflected on Sameer Anjaan’s contribution to the industry, highlighting how he identifies and nurtures talent from their raw and struggling stages.

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Fun
Transcript
00:02Today, you have heard of Samir sir's event, one of the favorite songs.
00:10Yes.
00:10How was the song conceived of this song?
00:17Yes, it is very relevant.
00:20In fact, many of my shows that I am doing, when the song was released,
00:30my concert, either Khal Dhamal, Shah Rukh Khan's song, Salim Suleiman's music,
00:36or I am doing it from this song.
00:38And the story behind it is very funny.
00:42So, when I sang the lyrics, I received the lyrics via SMS.
00:47We were in the studio.
00:49I had a phone with Imej bhai and my dad was supervising him,
00:54because he was sitting in the sitting.
00:56So, Imej bhai told me that I was listening to him.
01:01I wanted that vibe, romance, youth, because this is a song for Salim bhai.
01:07I said it was superb.
01:09And then, we recorded it by one way.
01:11After a minute, Imej bhai came to the studio.
01:16And then, he said,
01:17No, no, no, we don't have this vibe.
01:19We have to make it more youthful.
01:22Then, he told his dad,
01:23Dad, this is not what I want.
01:26Maybe you misunderstood what I was wanting.
01:28So, then, we spent all the time,
01:30and we spent all the time.
01:34And then, we completed the song with Imej bhai.
01:36Then, we completed the song with Imej bhai.
01:49And the rest is history.
01:52Samir, you have been associated with him.
01:56What do you have to say about his new venture?
02:00Fantastic.
02:03He has always been like that.
02:21He has a knack for identifying.
02:27So, I think that's a God gift for him.
02:30After having worked on so many thousands of songs.
02:35Four thousand plus songs.
02:37I've never sung so many for one writer.
02:43I've done 127 songs by him.
02:46And, in fact, even he was quite surprised.
02:48Because when we were doing the podcast,
02:51he told me, Kunal,
02:53we have done 50 songs.
02:55I have them all documented.
02:58I have a record of most of the songs.
03:02And I think the only other person I know
03:04who's got a record in the mail is Sonu.
03:08Sonu writes all his songs in books.
03:10Because we saw our seniors do that.
03:13So, I have my songs documented.
03:14So, he was so happy.
03:16And we spoke about it on the podcast.
03:18That was quite interesting.
03:20I will watch it.
03:21One question,
03:22which comes in my mind.
03:27After COVID,
03:28the concerts are really, really interesting.
03:32Yeah.
03:33They are not going to theatre as much as they are going for a concert.
03:38Correct.
03:39So, how do you see the concert culture in India in the next few years?
03:43Was the present or the present and the future of the concert?
03:46Well, concerts were always in.
03:49Even before COVID.
03:52I remember my parents and a lot of people that I know
03:56who said they went for Kishore Kumar Sahib's,
03:58Mohammed Rafi Sahib's,
03:59Hemant Kumar, Asha Ji,
04:00Latta Ji's concerts.
04:03But yes, after COVID,
04:05it's kind of got a bigger push.
04:09Because obviously people want the entertainment.
04:12They want to touch and feel the artist.
04:13They want to be there, not just watch it.
04:16So, it's a good thing because, you know,
04:18it's a win-win situation.
04:21I've seen them a lot.
04:23Last question.
04:24This is not related to music.
04:26This is related to the present society, I will say.
04:39Yes.
04:43Go ahead.
04:56There is a lot of good news.
05:01I was following it, but because you are a journalist, you are a press, you are a media,
05:09you are a lot of focus on that.
05:11There is a lot of good news.
05:12Then there will be a lot of other things.
05:15Because you know, a mother, a woman, whether she's a daughter, sister, mother, mother-in-law,
05:22they are homemakers and that's the biggest responsibility and it's a thankless job, unfortunately.
05:29But that is changing.
05:30For many generations I have seen that men, brothers, husbands, fathers, grandfathers
05:37have always given respect to their partners at every level from the time they get married.
05:45And I think that is real progress.
05:47Because if you look at Bharatvarsh in its medieval times, it's written in our scriptures as well
05:54that if you do not respect a woman, then it begins to get married.
05:59So I think, you know, we are rising towards a golden India.
06:03We are looking at 100 years now, 2047, which our Prime Minister keeps talking about.
06:08And I think from this reservation and from this start, I think we are going to see a much faster
06:15we won't have to wait till 2047.
06:18You know.
06:19You know.
06:20Very, very good.
06:21When you said about Samir Ji,
06:23the question you asked,
06:26I would like to say in one line that Samir Ji,
06:31he is a very rich man.
06:34He is very easy.
06:37If he knows that he is going to polish it in his hands,
06:41he would take it in his hands.
06:42He would take it in a raw state.
06:44This is a gift for them.
06:45You know.
06:46What was it?
06:52I was already in the Munch because they didn't have time, but in my struggling period, they were watching me
06:59in Anand Milin and Nadeem Shravan.
07:02I had access to the two studios.
07:06Purnima, the playback singer, Sushma Shresh.
07:09So through them, I had permission to come into the recording studio.
07:16In that time, I had permission to come and no one was allowed.
07:20So I got to learn a lot.
07:21I was looking at Samir Ji and Nadeem Shravan.
07:28I lived in the studio.
07:30So they were always watching me.
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