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Peaky Blinders： The Immortal Man Movie part 1 [Full Movie] [Trending]Full EP - Full
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Short filmTranscript
00:00:23You'll ask for a meeting out in the open.
00:00:26Fresh air and the fine aroma of shit.
00:00:31Neutral ground, you see?
00:00:33This is hardly neutral on the ground.
00:00:36Well, it's what you've got.
00:00:39So, off of a boat.
00:00:43You see that?
00:00:44Where is Thomas? He got called away.
00:00:46He said he'd be here. Yeah, he's busy.
00:00:49I just told you he got called away. What do you want?
00:00:57There has been a peace between the Peaky Blinders and the Changrae
00:01:03family for two years now.
00:01:05Do you want some tea or not?
00:01:07If you can pour the Italians some English tea, go on.
00:01:11You don't want fucking tea!
00:01:18We want an explanation.
00:01:20Well, I'll have fucking tea.
00:01:22Explanation for what?
00:01:24The Little Venice restaurant in 4th Street was burnt down.
00:01:29Nah, nah.
00:01:29Couldn't have been us.
00:01:30Well, he was at a wedding.
00:01:31You burnt it down.
00:01:33To stop my son being at that same wedding.
00:01:36Er, it wasn't missed.
00:01:42You are such big boys now.
00:01:45But once you borrowed clothes from us to look like men.
00:01:49How's the tea off, is it?
00:01:53It's cold.
00:01:57Please tell Tommy that we pay him whatever he asks us to pay.
00:02:03We stay out of the city and off the tracks.
00:02:06But you tell him from me that my son will walk with any woman in this city.
00:02:15Any woman he chooses.
00:02:17Even if that woman works for the Emperor, Thomas Shelby.
00:02:21My son is in love.
00:02:25Sorry.
00:02:27Do excuse me.
00:02:29Carry on.
00:02:34And if he wishes, he will walk with the woman he loves.
00:02:39Okay.
00:02:42You know, it'd be hard for your son to walk anywhere with a bullet in each knee, wouldn't it?
00:02:57Too much.
00:03:00You said too much, my friend.
00:03:04Sabine says suck and swallow, but no.
00:03:08Too much.
00:03:10I spit.
00:03:18Oh, fuck you.
00:03:20It's strong.
00:03:27Oh, fuck you.
00:03:28Here you now.
00:03:28Isaiah, put two extra men on our pubs in Nichols.
00:03:33What are you talking about, Arthur?
00:03:35You're not scared of fucking eye ties anymore.
00:03:37Don't tell Tommy about the chair and clean this fucking shit up.
00:03:42You're not scared of fucking wops.
00:03:44All right, John.
00:03:47Arthur!
00:04:00This way, Mr. John Greta.
00:04:02Go, go, go, go.
00:04:04The stairs are...
00:04:06There.
00:04:09Go, go, go, go, go.
00:04:10Go, go, go.
00:04:15Go, go.
00:04:27Go, go, go, go.
00:04:43I don't want to kill me.
00:04:44Get him fucking up.
00:04:47Stay away from Lizzie.
00:04:59By order of the P.K. fucking blinders.
00:05:20Prendrà il treno da Napoli a Parigi e poi il traghetto a Londra.
00:05:30E potrà essere qui domenica, dico sì.
00:05:55Police!
00:05:57Police!
00:06:01Officer, there are some men, they mean us how we are in danger here, come and escort
00:06:06us to the dock.
00:06:10Please, come with me.
00:06:13Excuse me, brother.
00:06:15Have you got a light?
00:06:16Have you got a light?
00:06:17Have you got a light?
00:06:21Have you got light?
00:06:25Have you gotams?
00:06:36Have you got a light?
00:07:05Thank you, officer.
00:07:07That'll be all.
00:07:08John Shelby.
00:07:10Is that the lad I used to teach?
00:07:13John Shelby, I smacked your arse.
00:07:16Let him go.
00:07:18Please, please let her go.
00:07:21Arthur, how many times I looked the other way
00:07:24because of your sweet smile?
00:07:26I said, let him go.
00:07:27He's coming with us.
00:07:30Not until I know my wife is safe.
00:07:33Is he safe?
00:07:35He's not going to harm her.
00:07:37Let's just get a move on.
00:07:39Look, we're disobeying Tommy's orders just by talking to you.
00:07:43Don't push it, please.
00:07:47Come with us, let him go.
00:07:48Let him go, too.
00:07:50Say it's Tom.
00:07:52Say he's in the harbor.
00:07:53He can do you no harm from New York.
00:07:55I can't do that, Miss Jenkins.
00:07:58I can't do that, sorry.
00:07:59OK, OK, OK, listen.
00:08:01No!
00:08:02Listen to me!
00:08:04Go to the cafe in Mott Street.
00:08:06Bonito will take care of you.
00:08:08Let him go, too.
00:08:10He's an old man.
00:08:11I gave you sweets and cakes.
00:08:14Jane Greta, there are rules.
00:08:16Your husband knows the rules.
00:08:19Come on, old man.
00:08:20No!
00:08:22I'm sorry.
00:08:25We're disobeying orders here.
00:08:28Let him fucking go!
00:08:32You have ten seconds or Tommy's order, stand.
00:08:36I stand.
00:08:38One.
00:08:39Two.
00:08:40Please.
00:08:43Ray.
00:08:48I love you forever.
00:08:50War.
00:09:02No, no, no, no.
00:09:04America.
00:09:05No, no, no.
00:09:07And no life.
00:09:08No, no, no, no.
00:09:09A lucky yonder.
00:09:13A lucky yonder.
00:09:18A lucky yonder.
00:09:19A lucky yonder.
00:09:21A big black cloud come.
00:09:24A big black cloud come.
00:09:27Yeah, come to Trouble-O.
00:09:30Come to Trouble-O.
00:09:34Yonder on the horizon.
00:09:36Yonder on the horizon.
00:09:38Stop the mighty river.
00:09:41And set the dancing dry.
00:09:43Distant thunder rumble.
00:09:45Distant thunder rumble.
00:09:47Rumble hungry like the beast.
00:09:50The beast it cometh, cometh down.
00:09:52The beast it cometh, cometh down.
00:09:54The beast it cometh, cometh down.
00:09:56To blow bow.
00:09:59To blow bow.
00:10:02Yeah.
00:10:03The great rain come down.
00:10:05The bad rain come down.
00:10:07Water, water everywhere.
00:10:09But no bird can't fly.
00:10:10No fish can't swim.
00:10:11No fish can't swim.
00:10:13Until the king is born.
00:10:15Until the king is born.
00:10:17Tell us to die.
00:10:18To die.
00:10:19To die.
00:10:29To die.
00:10:31To die.
00:10:35To die.
00:10:45Do you know what time it is, old man?
00:10:51They'll tell you.
00:10:57It's after seven in the evening,
00:11:02and I'm gonna keep you alive
00:11:05until it gets light.
00:11:12I'll not deliver the final cuts
00:11:15until we can both hear the blackbirds singing outside.
00:11:25It's a beautiful sound,
00:11:30which my wife will never hear again.
00:11:47Now, of course, I'm gonna have to choose carefully.
00:11:53Which part of you I cut away first?
00:12:00Open your eyes.
00:12:03Open your eyes, or I will cut away your fucking eyelids!
00:12:11Now, look at me.
00:12:14Look at me.
00:12:18This is the end.
00:12:29It was your tongue that gave the order.
00:12:35I'll take your tongue first.
00:12:41Then I'll take your ears.
00:12:45And I'll take your fingers.
00:12:48And your fucking toes.
00:12:52See, I'll take your balls first.
00:12:54You drain too fast like you fuckers do.
00:12:59I'll take your tongue first.
00:13:06I'll take your tongue.
00:13:16You won't be able to explain.
00:13:19And I want you to explain.
00:13:22I want you to fucking explain.
00:13:42I want you to fucking explain.
00:13:57Come on, tell me.
00:14:01I'll forget who I am.
00:14:04I'll forget who I am.
00:14:06I'm a blinder.
00:14:07I'll take your fucking eyes first.
00:14:15I heard the blackbirds sing.
00:14:31And we let his wife board the immigrant ship to New York.
00:14:35We didn't kill Mrs. Cangretta.
00:14:44We're not those kind of men.
00:14:56Oh, and this one is for bravery.
00:15:04When this one is for me.
00:15:10And everything's a dollar in this box.
00:15:17You get rid of the body, John.
00:15:20And get rid of the house.
00:15:23For good.
00:15:24Cuff links and hubcaps.
00:15:29And trophies and paperbacks.
00:15:43Come.
00:15:51I'm really sorry to bother you again, sir.
00:15:54But Chef insists on knowing what time the guests will arrive.
00:15:59Francis, for the last time, it's Johnny Dogs.
00:16:04They're gypsies.
00:16:05They're camped down by the river.
00:16:06When they're ready, they'll walk up.
00:16:08All right?
00:16:10He says it's about preparation, sir.
00:16:12What is?
00:16:13He's us, specifically.
00:16:15Will they arrive before the King's speech or after?
00:16:22He said he was new there, Chef.
00:16:26When did he join us?
00:16:28October.
00:16:33October?
00:16:36And he's fallen?
00:16:38He's Italian, sir.
00:16:39Oh.
00:16:42He's the best chef we've ever had in the house.
00:16:45No shouting or swearing or blaspheming.
00:16:48Do we owe his references?
00:16:50Yes.
00:16:53The only problem has been his assistant.
00:16:56What assistant?
00:16:57He brought an assistant with him.
00:16:59He calls him his sous chef.
00:17:05Are they still working, Francis?
00:17:08They'll be there till midnight, sir.
00:17:14All right, thank you.
00:17:16Good night.
00:17:16You can go to bed.
00:17:18Merry Christmas, sir.
00:17:22And I thought about your offer.
00:17:25I'd be happy to sit at your table.
00:17:29All right, thank you.
00:17:30I'd be happy to have.
00:17:31Thank you, son.
00:17:32That was fantastic for you, sir.
00:17:45So long by someone else.
00:17:47No, not too long.
00:17:47You've done the whole house.
00:17:49You're...
00:17:49You're right.
00:17:50You're right.
00:17:51You've done nothing.
00:17:52You've done nothing.
00:17:53You've done nothing.
00:17:54You've done nothing.
00:18:10What's your name?
00:18:11Max, Mr Shelburne.
00:18:12Max.
00:18:16It's all right, I don't get up.
00:18:18Oh, sorry, sorry, sorry.
00:18:25You're new, I'm Mr Shelby.
00:18:27Hello, sir.
00:18:29I haven't taken time to introduce myself.
00:18:33Antonio.
00:18:38What have you done that's so wrong, eh?
00:18:41Excuse me?
00:18:43See you, Chef.
00:18:45Getting potatoes.
00:18:47It's an emergency.
00:18:49Late notice.
00:18:51Oh.
00:18:51Late notice.
00:18:54Right.
00:18:56Right, carry on.
00:19:06Antonio.
00:19:08You're ten pound.
00:19:12The late notice.
00:19:14You're one of the key.
00:19:14Please.
00:19:16Hold me.
00:19:27I stood up.
00:19:32To be continued.
00:19:33Oh, my God.
00:19:34Please.
00:19:34I'll give you this.
00:19:34Please.
00:19:34Oh, my God.
00:19:35I'll give you this.
00:19:41Oh, my God.
00:19:43Please.
00:19:53You wanted to know if my guests would arrive
00:19:55before or after the King's speech?
00:20:00Eh?
00:20:01Yeah.
00:20:04It'll be after.
00:20:15How are you?
00:20:17Mr. Worried about tomorrow.
00:20:22Yeah, I'm worried about Antonio.
00:20:29You've been here two months, and we've not met before.
00:20:32It's my fault.
00:20:33I've been busy.
00:20:36Tell me, Shelby.
00:20:41My hand has blood.
00:20:42Oh, mine too.
00:20:47Hey.
00:20:49How much do you pay, Antonio?
00:20:53I forget.
00:20:55Must be a lot.
00:20:57I was just getting 10 pounds.
00:21:00Didn't mean a fucking thing to him.
00:21:06Maybe it isn't you that pays him.
00:21:20I've been reading up on you, Berzarelli, Claridges.
00:21:25You used to work in a place called San Marco's.
00:21:32On, uh...
00:21:33On Fleet Street.
00:21:36I used to know the man that owned San Marco's.
00:21:40A man called Darby Sabini.
00:21:43I've never met him.
00:21:45No.
00:21:47Maybe your, um, assistant, Antonio, maybe he's met him.
00:21:54Here's how it is.
00:21:56Antonio was sent from New York.
00:21:57I don't know.
00:21:59Please.
00:21:59Darby Sabini facilitated.
00:22:01He passed him on to you.
00:22:02He told you to bring him into my house.
00:22:04Threatened to kill you if he didn't do it.
00:22:07You want me to dress you like a dress that fucking stag, please?
00:22:12Don't...
00:22:14You know about me.
00:22:16Right?
00:22:17You know what I do?
00:22:21You wanted to know when my guests would arrive,
00:22:23because Antonio needed me alone.
00:22:25He's an assassin.
00:22:27Clar needs to kill me tomorrow.
00:22:31I don't know.
00:22:33They just said,
00:22:35bring him here, Sean.
00:22:40I'll bring him here.
00:22:47Antonio!
00:22:50Vico!
00:22:51You have his own, you.
00:23:22Oh.
00:23:24You got so scared, eh?
00:23:27Huh?
00:23:44You're a black hand!
00:23:46You're a black hand!
00:23:48How many came from New York?
00:23:50Hey!
00:23:51How many fucking came from New York?
00:23:52Thank God.
00:23:53You're a black man.
00:23:54What did he...
00:23:55What did he say?
00:23:57Is that a curse or a number?
00:23:58What did he fucking say?
00:23:59What did he fucking say?
00:24:01He said fuck you!
00:24:02Yeah!
00:24:14Black hand means kill or be killed.
00:24:19He got back to London.
00:24:21He told Derby to be any...
00:24:22He picked the wrong side in this war.
00:24:26Once we dealt with the Americans,
00:24:28let's go for him.
00:24:29Come on.
00:24:30Come on.
00:24:32Come on.
00:24:33Oi!
00:24:34You tell anyone else,
00:24:36I'll come and find you.
00:24:37Yes.
00:24:38Yes.
00:24:39Yes.
00:24:39Yes.
00:24:39Yes.
00:24:39Yes.
00:24:39Yes.
00:24:39Yes.
00:24:40Yes.
00:24:41Yes.
00:24:41Yes.
00:24:42Yes.
00:24:43Yes.
00:24:43Yes.
00:24:44Yes.
00:24:45Yes.
00:24:45Yes.
00:24:48Yes.
00:24:50Yes.
00:24:52Yes.
00:24:54Yes.
00:25:03Yes.
00:25:05Yes.
00:25:05Yes.
00:25:05Yes.
00:25:05Yes.
00:25:10Yes.
00:25:27Oh, fuck a show.
00:25:29Got nothing better to do on Christmas morning.
00:25:32Dummy wants everybody at Charlie's yard now.
00:25:34Come on.
00:25:35Get him.
00:25:36Get him.
00:25:36What's going to happen, mate?
00:25:38It's fucking Christmas.
00:25:39Look, John, we don't have time for this.
00:25:41All right?
00:25:42Just come to the meeting.
00:25:43Have some food.
00:25:46Hey.
00:25:46Tell Tommy Shelby we can look after ourselves.
00:25:48Tommy says that they could come for us today, has he?
00:25:50Tommy says, Tommy says.
00:25:51Are you his fucking parrot?
00:25:52Look, it's the Mafia, all right?
00:25:54This is the New York Mafia you were talking about.
00:25:56And we're the Peaky Fucking Blinders.
00:25:58No, we're not, John.
00:25:59We're not the Peaky Fucking Blinders unless we're together.
00:26:03We were together in the gallows.
00:26:04With one man missing.
00:26:07John.
00:26:09John, come to the meeting.
00:26:10All right?
00:26:11Think about the kids.
00:26:12Come to the meeting.
00:26:13And if you want to leave, then fine.
00:26:15No.
00:26:16It's Christmas Day.
00:26:18We're the family now.
00:26:19We're staying at home.
00:26:23In the fucking house!
00:26:24It's me.
00:26:27It's me.
00:26:28No!
00:26:58We'll like sitting ducks here if the wop's come.
00:27:00Yeah, well, Tommy said we should do it in the open.
00:27:19This is how John wanted to go.
00:27:22On the smoke.
00:27:23The truth is, we died together.
00:27:28Once before.
00:27:31Arthur.
00:27:32Me.
00:27:35Danny Whizbang.
00:27:38Freddie Thorne.
00:27:40Jeremiah.
00:27:42And John.
00:27:44We were cut off from the retreat.
00:27:48No bullets left.
00:27:50Waiting for the Prussian cavalry to come and to finish us off.
00:27:56And while we waited,
00:28:00Jeremiah said we should sing in the bleak midwinter.
00:28:06But we were spared.
00:28:09The enemy never came.
00:28:11And we all agreed.
00:28:15That everything after that was extra.
00:28:20And when our time came,
00:28:22we would all remember.
00:28:24You remember that God spared you?
00:28:27Well, what did you do with that extra time
00:28:29that he gave you, eh, Thomas?
00:28:42Come here.
00:28:43This is the place.
00:28:45Take care.
00:28:46Let's go.
00:28:47Let's go.
00:28:47Let's go.
00:28:49Long and speed.
00:29:03The full boat will rings.
00:29:04On the저 he goes around the road.
00:29:07Of course, we're factions now into the stormy exactly.
00:29:14I'm working to Boys.
00:29:15Just going a bit.
00:29:16Hey, what's the-
00:30:02Do not return fire, I repeat, do not return fire.
00:30:08Stand down.
00:30:09The men doing the firing are on our side.
00:30:33I took the trouble of getting an invitation to Aberammer Gold.
00:30:40Oh fuck, now it's begun.
00:30:48Put it out in the open on purpose.
00:30:52You used John's funeral fire as a fucking beacon.
00:30:56We were never in any danger, Polly.
00:30:58You set a trap!
00:30:59Finn!
00:31:00Finn!
00:31:01Go to the yard and light the fires.
00:31:03You set a trap with us as fucking bait!
00:31:08Who's dead?
00:31:10Our enemies.
00:31:16Who's dead?
00:31:17You wanna know, Paul?
00:31:20Two fucking local Italians heard about the vendetta, tried to make a fucking name for themselves
00:31:24that too.
00:31:25We got word to them about the funeral.
00:31:28The way, the when.
00:31:30Tell them where to stand for the best shot.
00:31:33And Aberammer Gold will do the rest.
00:31:36That's the language of vendetta.
00:31:38They take one of ours.
00:31:40We take two of theirs.
00:31:42You used your own brother's funeral.
00:31:50When did we vote on this, Tommy?
00:31:55Curly?
00:31:57Get a boat ready to take the bodies to the city.
00:32:00And another boat.
00:32:01For anyone, anyone who wants no more part of this.
00:32:05Because this is how it's gonna be!
00:32:08Polly!
00:32:11I'm not staying for this, Arthur.
00:32:13I'm going home.
00:32:15Oh, yeah?
00:32:17Home's 57 Watery Lane.
00:32:19You go there, lock the doors.
00:32:23You wait for me.
00:32:36Key to number 57.
00:32:38I'm going home to the country.
00:32:39You will stay here until it's over.
00:32:41Take the fucking key, Linda.
00:32:43Look, away from here you are a weakness to all of us.
00:32:45They will take you hostage.
00:32:47And the baby.
00:32:48They will use the baby.
00:32:51Take it.
00:32:52Put the kettle on.
00:32:54Wait for your husband.
00:33:02The only way any of you Shelby's will leave this place is on a cloud of smoke like John.
00:33:07Well, you're a Shelby now too, Linda.
00:33:14500 each.
00:33:15A thousand for the brace.
00:33:16Where do you want them?
00:33:18Charlie.
00:33:19Take them to the yard.
00:33:20But we're going home.
00:33:30I'm going home.
00:33:31You're a little bit for me.
00:33:31Go.
00:33:34Go.
00:33:34Go.
00:33:35Go.
00:33:36Go.
00:33:36Go.
00:33:36Go.
00:33:46Let's go.
00:34:18Champagne, please.
00:34:19Of course.
00:34:22Madam, women alone are not allowed at the bar.
00:34:27Will someone be joining you?
00:34:30What do you think?
00:35:01What do you think?
00:35:16This is public enough, no?
00:35:20Yes.
00:35:25So?
00:35:27The boy in the hospital's out of bounds, and I'll ask you to spare Finn and Arthur.
00:35:35In the turn for what?
00:35:42Tommy Shelby.
00:35:49And why should I trust you?
00:35:54Because you know our history.
00:35:59You know what happened between us.
00:36:03You are an unlikely Cassius.
00:36:13You know, my mother.
00:36:18My mother knew your mother.
00:36:22She thought how to read.
00:36:26Did she tell you that John and Arthur spared her life when Tommy wanted her dead?
00:36:31Yeah.
00:36:34And now she's given me the information about you people.
00:36:38So Tommy Shelby was right.
00:36:44His, uh, his, uh, ruthlessness was justified.
00:36:51You should have killed her when you had the chance.
00:36:57John was a good boy.
00:37:02Arthur tries.
00:37:06Tommy's different.
00:37:09You take Tommy.
00:37:11Spare the rest.
00:37:17You know.
00:37:20My mother used to say this about you.
00:37:24She said, that Polly Gray.
00:37:28That child would never let go of the grievance.
00:37:35And she loves to dance.
00:37:41What do you say, hmm?
00:37:45Want to dance?
00:37:52I don't dance anymore.
00:37:56Yeah.
00:37:57That's a shame.
00:38:05Because you're dancing with me.
00:38:22What are you doing?
00:38:27Oh, shit.
00:38:53Well, I'm from.
00:38:55Head on the bends.
00:38:56I'm lucky.
00:38:59I'm lucky.
00:39:02My family.
00:39:05Same brings down.
00:39:10Maybe.
00:39:12Maybe that's what happened.
00:39:15Last time my man was sent to you, you got lucky.
00:39:25I don't have.
00:39:31It looks what happened.
00:39:40It looks what happened.
00:40:06I'll tell you, Mother, we have a deal.
00:40:23I'll tell you, Mother.
00:40:44I'll tell you, Mother.
00:40:50I'll tell you, Mother.
00:41:00I'll tell you, Mother.
00:41:03I'll tell you, Mother.
00:41:14I'll tell you, Mother.
00:41:20Please, please, please.
00:41:21Then get yourself out.
00:41:25Fuck your fucking revolution.
00:41:27I'll tell you, Mother.
00:41:37I'll tell you, Mother.
00:41:54I'll tell you, Mother.
00:42:12I'll tell you, Mother.
00:42:30Shit.
00:42:45I'll tell you, Mother.
00:42:47I'll tell you, Mother.
00:43:05I'll tell you, Mother.
00:43:07I'll tell you, Mother.
00:43:16I'll tell you, Mother.
00:43:17What about, what about fucking John Shelby?
00:43:50John.
00:44:24John.
00:44:39Ma che cosa?
00:44:41Sembra che ci sia un ostacolo, signor John Greta.
00:44:47...
00:44:57There's been an accident.
00:45:01Why don't you move it out of the way?
00:45:03What?
00:45:06I said why don't you clear it so that we can get past.
00:45:10What's that accent?
00:45:12We're Americans.
00:45:14We're here on business, so...
00:45:16We're gonna have to wait.
00:45:19Jesus Christ.
00:45:20We waited for you fucking yanks until 1918.
00:45:25It'll be clear in 20 minutes, all right?
00:45:27Yeah, all right.
00:45:28Thank you, officer.
00:45:30Big fucking hell.
00:45:33We're talking about the war.
00:45:42Everything is about the war.
00:45:57Come on, let's go moving ourselves, fucking idiots.
00:46:11What's this?
00:46:12Which wagon is that?
00:46:14They're gypsies.
00:46:15Tribe of fucking gypsies.
00:46:19Oh, we can move it out of the way.
00:46:23I said it'd be clear in 20 minutes.
00:46:26Let's go.
00:46:30Hold on another way out of here.
00:46:37Go.
00:46:39Get us the fuck out of here.
00:46:42Come on, fucking move.
00:46:46Break, you fucking move.
00:46:49Break, you fucking move.
00:46:52Break, you fucking move.
00:47:13Put the guns down!
00:47:15Put the guns down!
00:47:18Put the guns down!
00:47:50Save time.
00:48:20Come on!
00:48:34Come, come, come.
00:48:49Come on, come on.
00:48:53Come on.
00:48:55Come on.
00:49:06It's all right, love.
00:49:06It's all right.
00:49:07Come inside.
00:49:08Come inside.
00:49:08Come inside.
00:49:09This is me.
00:49:10Stay inside.
00:49:11Look at my eyes.
00:49:36Come inside.
00:49:42Let's go.
00:49:50Come inside.
00:49:56Let's go.
00:50:03Come inside.
00:50:21Get away from the window.
00:50:23Right, stay inside, stay down.
00:50:36Everyone stay indoors, stay down.
00:50:40Find all of the Peaky Blinders.
00:51:21Come on.
00:51:35Come here.
00:51:38Come here.
00:51:45Which way?
00:51:46Which way did he go?
00:51:51Which way?
00:51:55Which way?
00:52:22Which way?
00:52:24Which way?
00:52:25Which way?
00:52:47sono io
00:53:23Hey!
00:53:31Luka, amunin.
00:53:33No.
00:53:35Che dogannoscia strana.
00:53:37Nuagino.
00:53:38C'era un buonio.
00:53:40Avveghiamo.
00:53:54No, no, no.
00:53:55No, no.
00:54:11No, no.
00:54:13No, no!
00:54:15No!
00:54:16No!
00:54:21No!
00:54:22I know you own the cops in this dirty fucking town,
00:54:25but you're gonna be dead before they get here.
00:54:29Come on, me and you, Tommy.
00:54:33Come on.
00:54:52The planet is all, my father.
00:54:58Take care of me.
00:55:02This planet...
00:55:05...is for you.
00:55:32Come on, me and you.
00:55:35Come on, me and you!
00:55:36Come on, me and you!
00:55:36Come on!
00:55:37Come on!
00:55:37Come on!
00:55:38I said enough!
00:55:40I said enough!
00:55:41I said enough!
00:55:41Get off the hell!
00:55:42Get out of me!
00:55:43Get away!
00:55:45Enough!
00:55:46Fuck you, don't you?
00:55:48I'm saving your life.
00:55:49Four days.
00:55:51I'm a police officer, Tommy.
00:55:53I'm a fucking police officer, right?
00:55:56Doing my duty.
00:55:57Stopping all this!
00:56:02Three bodies.
00:56:04We're cleaning up.
00:56:06No.
00:56:06Enough.
00:56:07Tell the people who live in these houses
00:56:10that they are afraid to go about their lawful business.
00:56:14Tell them that the rule of law has been restored.
00:56:20Haven't you heard something?
00:56:21Eh?
00:56:23Soldiers are coming!
00:56:34I believe it!
00:56:36Please, you guys.
00:56:37Sit down and watch the fights, eh?
00:56:38What's that?
00:56:39Come here!
00:56:40Let me do my fucking job!
00:56:42Wait for this bullshit!
00:56:43Get out of here, boy!
00:56:44Go on now again!
00:56:45Go on now again!
00:56:45End up!
00:56:46Game for this bullshit!
00:56:47You got it!
00:56:53Noooo.
00:57:01Nooo.
00:57:09Oh, my God.
00:57:35Bonnie! Bonnie!
00:57:37You okay?
00:57:43I give you two to one now on the cut, Lee!
00:57:53The heights.
00:58:13That's it! One time, one time!
00:58:23Come on, buddy, boy!
00:58:25Buddy, come on, kill him!
00:58:27Come on!
00:58:41Give that hands up! Give that hands up!
00:58:43Come on, come on, come on!
00:58:47Come on!
00:58:48Where did Tommy and Arthur?
00:58:51Watch out!
00:58:51Watch out!
00:58:52I don't know!
00:58:54DJ! Go on, Bonnie!
00:58:56Come on!
00:58:58Come on, Bonnie!
00:58:59Come on, Bonnie!
00:59:02Come on, Bonnie!
00:59:24Arthur!
00:59:55You...
00:59:56Oh, God!
00:59:57Heazi, I was a both!
00:59:59Richard!
00:59:59Ah!
01:00:01Yeah!
01:00:03Oh, my God!
01:00:25Father!
01:00:29Amen.
01:02:01I declare Bonigo, the new welterweight champion, the midlands, the siren gold, home 20s.
01:02:09Yes! Yes!
01:02:12Boni!
01:02:13Tell me what's happened.
01:02:16Arthur's dead.
01:02:18He's dead.
01:02:19He's dead.
01:02:33Tommy, we have the other WAP.
01:02:35Cunt's had a water in his pockets.
01:02:46Go on, Finn!
01:02:49Go on, Finn!
01:02:53Take his eyes, Finn.
01:02:55Do it for Arthur.
01:02:59Take his fucking eyes!
01:03:03No!
01:03:06No!
01:03:09No!
01:03:12No!
01:03:14No!
01:03:39My brother is dead.
01:03:45You hear me?
01:03:46My brother is dead.
01:04:05Come in.
01:04:06Come in.
01:04:06Come in.
01:04:07Come in.
01:04:15Come in.
01:04:16Come in.
01:04:18Come in.
01:04:26Come in.
01:04:28Come in.
01:04:51It's all right, let her come.
01:05:02Please.
01:05:05Until we're finished.
01:05:25Your note talked about making terms for peace.
01:05:28But my son says there are no terms.
01:05:34You took my husband and my son.
01:05:38We took two of your brothers.
01:05:43The vendetta is done.
01:05:45We say the vendetta is won.
01:05:49We will take everything you have.
01:05:52All your businesses signed over to us.
01:05:56You agree to this or my son will kill you all.
01:06:03One by one.
01:06:06The vendetta is won.
01:06:09That's it.
01:06:13No more killing.
01:06:16Oh, did you think you were Mr. Shelby?
01:06:24OK.
01:06:35OK.
01:06:40OK.
01:06:41OK.
01:06:44OK.
01:06:48OK.
01:06:54OK.
01:06:57OK.
01:07:21All that's left are the peaky fucking blinders.
01:07:47I've had my lawyer draw up these papers.
01:07:52Cover, uh, cover, uh, every enterprise in your possession.
01:07:59Bars, bars, restaurants, warehouses, every fucking thing that you have taken all these years to gather together.
01:08:13You all signed them all over to my family.
01:08:22Oh, you're going to die.
01:08:25You're going to die.
01:08:25Right here.
01:08:35I would have buried you all.
01:08:39But my mother, she, uh, she knows you.
01:08:43She said it'll be worse for you if I let you live and take away everything that you have.
01:09:01Search them.
01:09:12Especially don't trust this bitch.
01:09:39So.
01:09:46Sign every fucking one of them.
01:09:55You can sign them on your knees.
01:09:59On the floor.
01:10:11Get on your fucking knees and sign.
01:10:19A friend of mine once said,
01:10:24Big fuck small.
01:10:26So I had to find someone bigger than you.
01:10:30You may know there are two families in Brooklyn who want to take over your monopoly on the import of
01:10:36liquor into New York.
01:10:37But if they move against you in New York,
01:10:40they'll start a war between the families.
01:10:44But if you were to die in a vendetta with some fucking bookmaker in Birmingham,
01:10:52I could take over your business without a war.
01:10:56We also contacted a businessman in Chicago.
01:11:03He's also interested in moving into the liquor business in New York.
01:11:08His name is Alphonse Capone.
01:11:13You've been talking to that fat fuck.
01:11:17See all the blood relatives you brought with you from New York.
01:11:20They're all dead.
01:11:22Mr. Cangretta.
01:11:23And these men here, they work for money for the highest bidder.
01:11:28I know of new orders.
01:11:31Is that right?
01:11:38Is that right?
01:11:43Thank you, Mateo.
01:12:01Hank.
01:12:04Mary Lucas.
01:12:07Ah!
01:12:12Ah!
01:12:14Ah!
01:12:16Ah!
01:12:18Ah!
01:12:19Ah!
01:12:20Ah!
01:12:20Ah!
01:12:21Ah!
01:12:22Ah!
01:12:24Ah!
01:12:41Arthur's been injured, but he's all right, Paul.
01:12:46We need to make them believe that he's dead.
01:12:51To everyone but you, me.
01:12:55And Linda, Arthur Sharpie, is dead.
01:13:01I've got it all worked out.
01:13:03We can use his death to win this war.
01:13:19Tell your people in Chicago that Michael Gray
01:13:23will sign the import license to New York.
01:13:26300 barrels of English dry gin a month.
01:13:30Leave.
01:13:32All of you.
01:13:36Tell your boss what you saw here today.
01:13:39Tell him.
01:13:43You don't fuck with the Peaky Blinders.
01:13:46Let's go.
01:13:47Let's go.
01:13:48Let's go.
01:13:53Let's go.
01:13:55Let's go.
01:13:55Let's go.
01:13:56Let's go.
01:13:56Let's go.
01:13:56Let's go.
01:13:57Let's go.
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