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Peaky Blinders： The Immortal Man Movie part 1 [Full Movie] [Trending]Full EP - Full
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Short filmTranscript
00:00:23You'll ask for a meeting out in the open.
00:00:26Fresh air and the fine aroma of shit.
00:00:31Neutral ground, you see?
00:00:33This is hardly neutral on the ground.
00:00:36Well, it's what you've got.
00:00:39So, off of a boat.
00:00:43You see that?
00:00:44Where is Thomas? He got called away.
00:00:46He said he'd be here. Yeah, he's busy.
00:00:49I just told you he got called away. What do you want?
00:00:57There has been a peace between the Peaky Blinders and the Changrae
00:01:03family for two years now.
00:01:05Do you want some tea or not?
00:01:07If you can pour the Italians some English tea, go on.
00:01:11You don't want fucking tea!
00:01:18We want an explanation.
00:01:20Well, I'll have fucking tea.
00:01:22Explanation for what?
00:01:24The Little Venice restaurant in 4th Street was burnt down.
00:01:29Nah, nah.
00:01:29Couldn't have been us.
00:01:30Well, he was at a wedding.
00:01:31You burnt it down.
00:01:33To stop my son being at that same wedding.
00:01:36Er, it wasn't missed.
00:01:42You are such big boys now.
00:01:45But once you borrowed clothes from us to look like men.
00:01:49How's the tea off, is it?
00:01:53It's cold.
00:01:57Please tell Tommy that we pay him whatever he asks us to pay.
00:02:03We stay out of the city and off the tracks.
00:02:06But you tell him from me that my son will walk with any woman in this city.
00:02:15Any woman he chooses.
00:02:17Even if that woman works for the Emperor, Thomas Shelby.
00:02:21My son is in love.
00:02:25Sorry.
00:02:27Do excuse me.
00:02:29Carry on.
00:02:34And if he wishes, he will walk with the woman he loves.
00:02:39Okay.
00:02:42You know, it'd be hard for your son to walk anywhere with a bullet in each knee, wouldn't it?
00:02:57Too much.
00:03:00You said too much, my friend.
00:03:04Sabine says suck and swallow, but no.
00:03:08Too much.
00:03:10I spit.
00:03:18Oh, fuck you.
00:03:20It's strong.
00:03:27Oh, fuck you.
00:03:28Here you now.
00:03:28Isaiah, put two extra men on our pubs in Nichols.
00:03:33What are you talking about, Arthur?
00:03:35You're not scared of fucking eye ties anymore.
00:03:37Don't tell Tommy about the chair and clean this fucking shit up.
00:03:42You're not scared of fucking wops.
00:03:44All right, John.
00:03:47Arthur!
00:04:00This way, Mr. John Greta.
00:04:02Go, go, go, go.
00:04:04The stairs are...
00:04:06There.
00:04:09Go, go, go, go, go.
00:04:10Go, go, go.
00:04:17Go, go, go, go.
00:04:22Go, go, go, go, go, go.
00:04:43I don't want to kill me.
00:04:44You fucking...
00:04:46Stay away from Lizzie!
00:04:59By order of the P.K. fucking blinders!
00:05:11By force!
00:05:20Prenderà il treno da Napoli a Parigi
00:05:21e poi il tirghetto a Londra.
00:05:29E potrà essere qui domenica,
00:05:32così.
00:05:55Police!
00:05:57Police!
00:06:01Officer, there are some men, they mean as hard.
00:06:04We are in danger here.
00:06:06Can you escort us to the dock?
00:06:10Please, come with me.
00:06:13Excuse me, brother. Have you got a light?
00:06:51Let's go.
00:07:05Thank you, officer.
00:07:06Lisa, how'd I be all?
00:07:08John Shelby, is that the lad I used to teach?
00:07:13John Shelby, I smacked your arse.
00:07:16Let him go.
00:07:18Please, please let her go.
00:07:20Arthur, how many times I looked the other way
00:07:24because of your sweet smile?
00:07:26I said, let him go, he's coming with us.
00:07:30Not until I know my wife is safe.
00:07:33Is he safe?
00:07:35He's not gonna harm her.
00:07:37Let's just get a move on.
00:07:39Look, we're disbanded from his orders just by talking to you.
00:07:43Don't push it, please.
00:07:47Come with us, let him go.
00:07:48Let him go too.
00:07:50Say it's Tom.
00:07:52Say he's in the harbor.
00:07:53He can do you no harm from New York.
00:07:55I can't do that, Miss Jenkins.
00:07:58I can't do that, sorry.
00:07:59OK, OK, OK, listen.
00:08:01No.
00:08:02Listen to me.
00:08:03Go to the cafe in Mott Street.
00:08:06Bonito will take care of you.
00:08:08Let him go too.
00:08:10He's an old man.
00:08:11I gave you sweets and cakes.
00:08:14You can't get it, there are rules.
00:08:16Your husband knows the rules.
00:08:19Come on, old man.
00:08:20No.
00:08:22Sorry.
00:08:25We're disbanded orders here.
00:08:28Let him fucking go.
00:08:32You have ten seconds or Tommy's order, stand.
00:08:36I stand.
00:08:38One.
00:08:39Two.
00:08:40Please.
00:08:43Three.
00:08:49I love you forever.
00:08:50War.
00:09:02No!
00:09:03No!
00:09:03No!
00:09:04No!
00:09:04No!
00:09:04No!
00:09:05No!
00:09:06No!
00:09:06No!
00:09:07No!
00:09:07No!
00:09:08No!
00:09:08No!
00:09:09No!
00:09:09No!
00:09:10No!
00:09:10No!
00:09:11No!
00:09:11No!
00:09:12No!
00:09:13No!
00:09:15No!
00:09:15No!
00:09:16No!
00:09:18No!
00:09:19No!
00:09:19No!
00:09:20No!
00:09:21No!
00:09:24No!
00:09:25Big black cloud come
00:09:28Yeah, come to Trupal-O
00:09:30Come to Trupal-O
00:09:34Yonder, under horizon
00:09:36Yonder, under horizon
00:09:38Stop the mighty river
00:09:40And set the dancing dry
00:09:43Distant thunder rumble
00:09:45Distant thunder rumble
00:09:47Rumble hungry like the beast
00:09:50The beast it cometh, cometh down
00:09:52The beast it cometh, cometh down
00:09:54The beast it cometh, cometh down
00:09:55The beast it cometh, cometh down
00:09:56Trupal-O bow
00:10:02The green come down
00:10:05The black green come down
00:10:06Water, water everywhere
00:10:09But no bird can't fly
00:10:10No fish can't swim
00:10:13Until the king is born
00:10:15Until the girl is born
00:10:45Do you know what time it is?
00:10:48Home man
00:10:51I'll tell you
00:10:54I'll tell you
00:10:57It's after seven in the evening
00:11:02And I'm gonna keep you alive
00:11:04And I'm gonna keep you alive
00:11:06Until it gets light
00:11:12I'll not deliver the final cuts
00:11:16Until we can both hear the black birds singing outside
00:11:25It's a beautiful sound
00:11:30It's a beautiful sound
00:11:30Which my wife will never hear again
00:11:47Well, of course
00:11:48I'm gonna have to choose carefully
00:11:51Which part of you
00:11:54I'll cut away first
00:11:59Open your eyes
00:12:01Open your eyes
00:12:04Or I will cut away your fucking eyelids
00:12:11Now look at me
00:12:14Look at me
00:12:15Look at me
00:12:18This is the end
00:12:21This is the end
00:12:30It was your tongue that gave the order
00:12:35I'll take your tongue first
00:12:40I'll take your tongue first
00:12:41Then I'll take your ears
00:12:45And I'll take your fingers
00:12:48And your fucking toes
00:12:52You see, I'll take your balls first
00:12:53You drain too fast like you fuckers do
00:12:59I'll take your mind
00:13:14I'll take your tongue
00:13:16I'll take my tongue
00:13:17You won't be able to explain
00:13:19I don't want you to explain
00:13:22I want you to explain
00:13:23I want you to fucking explain
00:13:24I want you to fucking explain
00:13:31Let's go.
00:13:56Come on, tell me.
00:14:00I forget who I am.
00:14:03I forget who I am.
00:14:06I'm a blinder and I'll take your fucking eyes first!
00:14:15I heard the blackbird sing.
00:14:31And we let his wife board the immigrant ship to New York.
00:14:35We didn't kill Mrs. Cangretta.
00:14:39That's all right.
00:14:44We're not those kind of men.
00:14:57Oh, and this one is for bravery.
00:15:04When this one is for me.
00:15:10And everything's a dollar in this box.
00:15:17You get rid of the body, John.
00:15:20And get rid of the house.
00:15:23For good.
00:15:24Cufflinks and hubcaps.
00:15:29And trophies and paperbacks.
00:15:43Come.
00:15:52I'm really sorry to bother you again, sir.
00:15:54But Chef insists on knowing what time the guests will arrive.
00:15:59Frances, for the last time.
00:16:02It's Johnny Dogs.
00:16:04They're gypsies.
00:16:05They camp down by the river.
00:16:06When they're ready, they'll walk up.
00:16:08All right?
00:16:10He says it's about preparation, sir.
00:16:12What is?
00:16:13He's asked specifically.
00:16:15Will they arrive before the King's speech or after?
00:16:22October.
00:16:23He said he was new there, chef.
00:16:26When did he join us?
00:16:28October.
00:16:33October.
00:16:36And he's fallen?
00:16:38He's Italian, sir.
00:16:40Oh.
00:16:42He's the best chef we've ever had in the house.
00:16:45No shouting or swearing or blaspheming.
00:16:48Do we owe his references?
00:16:50Yes.
00:16:53The only problem has been his assistant.
00:16:56What assistant?
00:16:57He brought an assistant with him.
00:16:59He calls him his sous chef.
00:17:05Are they still working, Frances?
00:17:08They'll be there till midnight, sir.
00:17:14All right, thank you.
00:17:16Good night. You can go to bed.
00:17:18Merry Christmas, sir.
00:17:22And I thought about your offer.
00:17:26I'd be happy to sit at your table.
00:17:29All right, thank you.
00:18:00Mr. Shelburne.
00:18:10What's your name?
00:18:11Max, Mr. Shelburne.
00:18:12Max.
00:18:16It's all right. I don't get up.
00:18:18Oh.
00:18:20Sorry, sorry, sorry.
00:18:25You're new on Mr. Shelby.
00:18:27Hello, sir.
00:18:29I haven't taken time to introduce myself.
00:18:33Antonio.
00:18:38What have you done that's so wrong, eh?
00:18:41Excuse me?
00:18:43See you, chef.
00:18:45Pilling potatoes.
00:18:47It's an emergency.
00:18:49Late notice.
00:18:51Oh.
00:18:53Late notice.
00:18:54Right.
00:18:56Right, carry on.
00:19:06Antonio.
00:19:09Yeah, ten pound.
00:19:12With a line notice.
00:19:14Please.
00:19:24Oh.
00:19:29Oh!
00:19:34Oh, my God.
00:19:53You wanted to know if my guests would arrive
00:19:55before or after the King's speech?
00:20:00Eh?
00:20:01Yeah.
00:20:04It'll be after.
00:20:15How are you?
00:20:19Worried about tomorrow.
00:20:22Yeah, I'm worried about Antonio.
00:20:29You've been here two months, and we've not met before.
00:20:32It's my fault.
00:20:34I've been busy.
00:20:36Tell me, shall we?
00:20:41My hand has blood.
00:20:42Oh, mine too.
00:20:47Hey.
00:20:49How much do you pay, Antonio?
00:20:53I forget.
00:20:55Must be a lot.
00:20:57I was just getting 10 pounds.
00:21:00Didn't mean a fucking thing to him.
00:21:06Maybe it isn't you that pays him.
00:21:20I've been reading up on you, Berzarelli, Claridge's.
00:21:25You used to work in a place called San Marco's.
00:21:31On, uh...
00:21:32On Fleet Street.
00:21:36I used to know the man that owned San Marco's.
00:21:40A man called Darby Sabini.
00:21:43I've never met him.
00:21:45No.
00:21:47Maybe your, um, assistant, Antonio, maybe he's met him.
00:21:54Here's how it is.
00:21:56Antonio was sent from New York.
00:21:57I don't know.
00:21:59Please.
00:21:59Darby Sabini facilitated.
00:22:01He passed him on to you.
00:22:02He told you to bring him into my house.
00:22:04Threatened to kill you if he didn't do it.
00:22:07You want me to dress you like a dress that fucking stag, please?
00:22:12Don't...
00:22:14You know about me.
00:22:16Right?
00:22:17You know what I do?
00:22:21You wanted to know when my guests would arrive,
00:22:23because Antonio needed me alone.
00:22:25He's an assassin.
00:22:27Clar needs to kill me tomorrow.
00:22:29Huh?
00:22:31I don't know.
00:22:33They just said, bring him here, Sean.
00:22:40I'll bring him here.
00:22:47Antonio!
00:22:50Vico!
00:22:51You have his own, you.
00:23:22Oh.
00:23:24What's going on?
00:23:26What's going on?
00:23:27Huh?
00:23:27Ah!
00:23:32Ah!
00:23:34Ah!
00:23:38Ah!
00:23:40Ah!
00:23:41Ah!
00:23:44Ah!
00:23:44You are a blackhand!
00:23:46You are a blackhand!
00:23:48Ah!
00:23:48How many came from New York?
00:23:50Hey!
00:23:50How many fucking came from New York?
00:23:52Oh, thank God.
00:23:55For your sake!
00:23:56Is that a curse or a number?
00:23:58What did he fucking say?
00:23:59What did he fucking say?
00:24:01He said fuck you!
00:24:02Yeah!
00:24:03Ah!
00:24:15Blackhand means kill or be killed.
00:24:19He got back to London.
00:24:21You tell Derby to be unique.
00:24:23He picked the wrong side in this war.
00:24:26Once we dealt with the Americans,
00:24:28let's go for him.
00:24:29Come on.
00:24:31Come on.
00:24:32Come on.
00:24:33Hey!
00:24:34You tell anyone else,
00:24:36I'll come and find you.
00:24:37Hey-
00:24:48Hey!
00:25:04Move!
00:25:27Oh, fuck a show.
00:25:29I've got nothing better to do on Christmas morning.
00:25:32Don't be wants everybody at Charlie's yard now.
00:25:34Come on.
00:25:35Get in.
00:25:36Get in.
00:25:36What's going to happen, mate?
00:25:38It's fucking Christmas.
00:25:39Look, John, we don't have time for this.
00:25:41All right?
00:25:42Just come to the meeting.
00:25:43Have some food.
00:25:46Hey.
00:25:46Tell Tommy Shelby we can look after ourselves.
00:25:48Tommy says that they could come for us today, has he?
00:25:50Tommy says.
00:25:50Tommy says.
00:25:51Are you his fucking parrot?
00:25:52Look, it's the Mafia, all right?
00:25:54This is the New York Mafia we're talking about.
00:25:56And we're the Peaky fucking Blinders.
00:25:58No, we're not, John.
00:26:00We're not the Peaky fucking Blinders unless we're together.
00:26:03We were together in the gallows.
00:26:04with one man missing.
00:26:07John.
00:26:09John, come to the meeting.
00:26:10All right?
00:26:11Think about the kids.
00:26:12Come to the meeting, and if you want to leave, then fine.
00:26:15No.
00:26:16It's Christmas Day.
00:26:18We're the family now.
00:26:19We're staying at home.
00:26:23In the fucking house!
00:26:24It's me.
00:26:27It's me.
00:26:51What's going to be?
00:26:53THE PANICS
00:26:53Will be the animus.
00:26:53I'm holding it.
00:26:53It's me.
00:26:57I'm trick.
00:26:57It's me.
00:26:58It's me.
00:26:58We'll like to sit in ducks here if the wop's come.
00:27:00Yeah, well, Tommy said we should do it in the open.
00:27:19This is how John wanted to go.
00:27:22On the smoke.
00:27:24The truth is,
00:27:26we died together.
00:27:28Once before,
00:27:31Arthur,
00:27:33me,
00:27:35Danny Whizbang,
00:27:38Freddie Thorne,
00:27:40Jeremiah,
00:27:42and John.
00:27:45We were cut off from the retreat.
00:27:48No bullets left,
00:27:50waiting for the Prussian cavalry to come and to finish us off.
00:27:56And while we waited,
00:27:59Jeremiah said we should sing in the bleak midwinter.
00:28:06But we were spared.
00:28:09The enemy never came.
00:28:11And we all agreed
00:28:15that everything after that was extra.
00:28:20And when our time came,
00:28:23we'd all remember.
00:28:24You remember that God spared you?
00:28:27Well, what did you do with that extra time that he gave you, eh, Thomas?
00:28:42Come here.
00:28:43Come here.
00:28:44This is the place.
00:28:45Don't do it.
00:28:46Let the smoke go out.
00:28:47Let the smoke go out.
00:28:47Let's go.
00:29:17Let's go.
00:29:58Let's go.
00:30:02Do not return fire.
00:30:04I repeat, do not return fire.
00:30:08Stand down.
00:30:09The men doing the firing are on our side.
00:30:33I took the trouble of getting an invitation to Aberamma Gold.
00:30:40Oh, fuck.
00:30:42Now it's begun.
00:30:48Put it out in the open on purpose.
00:30:52You used John's funeral fire as a fucking beacon.
00:30:56We were never in any danger, Polly.
00:30:58You set a trap!
00:30:59Finn!
00:31:00Finn!
00:31:01Go to the yard and light the fires.
00:31:03You set a trap with us as fucking bait!
00:31:08Who's dead?
00:31:10Our enemies.
00:31:16Who's dead?
00:31:17You wanna know, Paul?
00:31:20Two fucking local Italians heard about the vendetta.
00:31:22Tried to make a fucking name for themselves, that's who.
00:31:25We got word to them about the funeral.
00:31:28The way, the when.
00:31:30Tell them where to stand for the best shot.
00:31:33And Aberamma Gold will do the rest.
00:31:36That's the language of vendetta.
00:31:38They take one of ours.
00:31:40We take two of theirs.
00:31:42You used your own brother's funeral.
00:31:50When did we vote on this, Tommy?
00:31:55Curly?
00:31:57Get a boat ready to take the bodies to the city.
00:32:00And another boat.
00:32:01For anyone.
00:32:02Anyone who wants no more part of this.
00:32:05Because this is how it's gonna be!
00:32:08Polly!
00:32:11I'm not staying for this, Arthur.
00:32:13I'm going home.
00:32:15Oh, yeah?
00:32:17Home's 57 Watery Lane.
00:32:19You go there.
00:32:21Lock the doors.
00:32:23You wait for me.
00:32:36Key to number 57.
00:32:38I'm going home to the country.
00:32:39You will stay here until it's over.
00:32:41Take the fucking key, Linda.
00:32:43Look, away from here you are a weakness to all of us.
00:32:45They will take you hostage.
00:32:47And the baby.
00:32:48They will use the baby.
00:32:51Take it.
00:32:52Put the kettle on.
00:32:54Wait for your husband.
00:33:02The only way any of you Shelby's will leave this place is on a cloud of smoke like John.
00:33:07Well, you're a Shelby now too, Linda.
00:33:14500 each.
00:33:15A thousand for the brace.
00:33:16Where do you want them?
00:33:18Charlie.
00:33:19Take them to the yard.
00:33:50He's going to try to take you off from here.
00:33:51Come and take them with me.
00:33:53I'm going to see you.
00:34:00There you go.
00:34:06He's going to the ground.
00:34:08The doors are in place.
00:34:18Champagne, please.
00:34:19Of course.
00:34:22Madam,
00:34:24women alone
00:34:26are not allowed at the bar.
00:34:27Will someone be joining you?
00:34:30What do you think?
00:35:00What do you think?
00:35:17This is public enough, no?
00:35:20Yes.
00:35:25So?
00:35:27The boy in the hospital's out of bounds.
00:35:30And I'll ask you to spare Finn and Arthur.
00:35:35In return for what?
00:35:42Tommy Shelby.
00:35:50And why should I trust you?
00:35:55Because you know our history.
00:35:59You know what happened between us.
00:36:03You are an unlikely Cassius.
00:36:13Yeah.
00:36:14You know, my mother, my mother knew your mother.
00:36:22She thought how to read.
00:36:26Did she tell you that John and Arthur spared her life when Tommy wanted her dead?
00:36:31Yeah.
00:36:33Yeah.
00:36:34And now she's given me the information about you people.
00:36:39So Tommy Shelby was right.
00:36:44His, uh, ruthlessness...
00:36:48...was justified.
00:36:51You should've killed her when you had the chance.
00:36:57John was a good boy.
00:37:02Arthur tries.
00:37:06Tommy's different.
00:37:17You know, my mother used to say this about you.
00:37:24She said that Polly Gray...
00:37:28...that child would never let go of the grievance.
00:37:35...and she loves to dance.
00:37:42What do you say, hmm?
00:37:45Want to dance?
00:37:52I don't dance any more.
00:37:56Yeah.
00:37:57That's a shame.
00:38:06Because you're dancing with me.
00:38:22What are you doing?
00:38:25What are you doing?
00:38:27Oh, shit.
00:38:53Where I'm from, the Hat on the Benz, the Lucky, my family, who say it brings doubt.
00:39:11Maybe, maybe that's what happened.
00:39:15Last time my man was sent to you, you got lucky.
00:39:30Now, your luck's run out.
00:39:37It's all right.
00:39:38It's all right.
00:39:41It's all right.
00:40:06And tell your mother, we have a deal.
00:40:20Let's go.
00:40:25Let's go.
00:40:27Let's go.
00:40:28Let's go.
00:40:39Let's go.
00:40:46Let's go.
00:41:14Let's go.
00:41:15Let's go.
00:41:16Let's go.
00:41:16Let's go.
00:41:17Let's go.
00:41:19Let's go.
00:41:20Let's go.
00:41:21Let's go.
00:41:22Let's go.
00:41:22Let's go.
00:41:25Fuck your fucking revolution.
00:41:26Let's go.
00:41:31Let's go.
00:41:52Let's go.
00:42:12I don't know.
00:42:46Oh
00:43:05What are you guys?
00:43:07Come here.
00:43:09Fucking hit, man, are you?
00:43:11You know what you are?
00:43:14Off me, Shelby.
00:43:16That's who you wanted.
00:43:19What about?
00:43:20What about fucking John Shelby?
00:43:24What?
00:43:37John.
00:43:54Oh, oh, oh, oh, oh, oh, oh, oh.
00:44:39Ma che cosa?
00:44:41Sembra che ci sia un ostacolo, signor Giancretta.
00:44:57There's been an accident.
00:45:01Why don't you move it out of the way?
00:45:03What?
00:45:06I said, why don't you clear it so that we can get past?
00:45:10What's that accent?
00:45:12We're Americans.
00:45:14We're all on business, so...
00:45:16Well, you're going to have to wait.
00:45:19Jesus Christ.
00:45:20We waited for you fucking yanks until 1918.
00:45:25It'll be clear in 20 minutes, all right?
00:45:27Yeah, all right.
00:45:28Thank you, officer.
00:45:30Big fucking hell.
00:45:38Talk about the war.
00:45:57Come on, let's go move it ourselves, you fucking idiots.
00:46:11What's this?
00:46:12Which wagon is that?
00:46:14They're gypsies.
00:46:16Tribe of fucking gypsies.
00:46:19Oh, we can move it, all right?
00:46:22I said it'd be clear in 20 minutes.
00:46:26Let's go.
00:46:29Hold on, another way out of here.
00:46:37Go.
00:46:39Get us the fuck out of here.
00:46:42Come on, fucking move.
00:46:46Frankie, fucking move.
00:47:13Put the guns down!
00:47:15Put the guns down!
00:47:27Come on, come on, come on, come on, come on!
00:47:50Save time.
00:48:20Come on!
00:48:34Go, go, go!
00:48:39I'm going to go!
00:48:41What do you do, Cadbury?
00:48:50Come on.
00:48:52Come on.
00:49:05It's all right. It's all right. Come inside.
00:49:08Come inside. Come inside.
00:49:09Stay inside.
00:49:10Come inside.
00:49:10Let's knock him out.
00:49:42That's what I need.
00:49:47Come inside.
00:49:49Come inside.
00:49:56Look at you.
00:50:20Get away from the window.
00:50:23Right, stay inside, stay down.
00:50:36Everyone stay indoors, stay down.
00:50:40Buy all of the Peaky Blinders.
00:50:58Meow.
00:51:11Meow.
00:51:35Come here.
00:51:45Which way?
00:51:46Which way did he go?
00:51:51You sure?
00:51:52Well, you know.
00:52:11You're not going to be able to do that.
00:52:13I'm going to be able to do that.
00:52:14You're not going to be able to do that.
00:52:17You're not going to be able to do that.
00:52:22You're not going to be able to do that.
00:52:23I'm going to be able to do that.
00:52:24Do I have a question?
00:52:26Any other questions?
00:52:28You're just listening to the bottom of the map.
00:52:28You're not going to be able to do that.
00:52:32I don't know what that means.
00:52:40You're not going to be able to do that!
00:52:48I won't be able to do that.
00:52:48All right, I'm here!
00:52:48Leo!
00:53:31Luca, amunin.
00:53:33No.
00:53:34Che doveva nuoccia strana?
00:53:37Nuo' a genu.
00:53:38C'era un buonio.
00:53:40Apeghiamo!
00:53:53C'era un male.
00:53:55Sparavamo frutto.
00:53:57Amo a ridicare!
00:54:13Ma che è?
00:54:14Ti vuoi far ammazzare?
00:54:15È il marito!
00:54:16Bene!
00:54:19Ehi!
00:54:21I know you own the cops in this dirty fucking town,
00:54:25but you're gonna be dead before they get here.
00:54:29Come on, me and you, Tommy.
00:54:33Come on.
00:54:44Yeah.
00:54:49Signorizzo, la manetta è tu.
00:54:55Padre mio, par de me.
00:55:01Esta manetta prepara patio.
00:55:15Stop!
00:55:15Stop what you're doing!
00:55:17Come on!
00:55:32Get in!
00:55:33Get off me now!
00:55:35Get off me now!
00:55:37Get off me now!
00:55:39Get off me now!
00:55:42Get off me now!
00:55:43Get away!
00:55:45Enough.
00:55:46Fuck you, don't you?
00:55:48Saving your life.
00:55:51I'm a police officer, Tommy.
00:55:53I'm a fucking police officer, right?
00:55:56Doing my duty.
00:55:57Stopping all this!
00:56:03Three bodies. We're cleaning up.
00:56:05Now, enough.
00:56:07Tell the people
00:56:09who live in these houses
00:56:10that they are afraid to go about
00:56:13their lawful business.
00:56:15Tell them that the rule of law
00:56:17has been restored.
00:56:20Haven't you heard, Tommy?
00:56:22Eh?
00:56:23Soldiers are coming!
00:56:34I can't believe it!
00:56:36I can't believe it!
00:56:37Sit down and watch the fights, eh?
00:56:38Come here!
00:56:40Let me do my fucking job!
00:56:43Let me do my fucking job!
00:56:45Let me do my fucking job!
00:56:46Let me do my fucking job!
00:56:47You got it!
00:57:01You got it!
00:57:07I can't do my job!
00:57:09I can't do that.
00:57:32Thank you really much.
00:57:43I give you two to one, now on the cut, Leo!
00:57:48Take away the camera!
00:57:49Take away the camera!
00:57:51Take away the camera!
00:57:51Take away the camera!
00:57:54Oh, it's...
00:58:13That's it! One time, one time!
00:58:23Come on, buddy boy!
00:58:25Come on, kill him!
00:58:27Come on, come on!
00:58:40Get that hand down!
00:58:43Oh, my!
00:58:48Where did Tommy and Arthur?
00:58:51Watch out!
00:58:52I don't know!
00:58:54Gigi!
00:58:55Come on, honey!
00:58:57Come on!
00:58:58Come on, honey!
00:59:01Oh, my God!
00:59:02Come on, honey!
00:59:03Come on!
00:59:04Come on, honey!
00:59:16Oh, my God!
00:59:20Oh...
00:59:24Arthur?
00:59:55Of course.
01:00:25Oh, my God.
01:02:02I declare Monaco, the New York welterweight champion, the mid-blades of the Sardis Gold.
01:02:09Yes!
01:02:11Yes!
01:02:12Moni!
01:02:13Tommy, what's happened?
01:02:16Arthur's dead.
01:02:18He's dead.
01:02:32Tommy, we have the other wap.
01:02:35Couldn't have had a warrior in his pockets.
01:02:46Go on, Finn!
01:02:49Go on, Finn!
01:02:53Take his eyes, Finn.
01:02:55Do it for Arthur.
01:02:58Take his fucking eyes!
01:03:01Yes!
01:03:05Yes!
01:03:09No!
01:03:10No!
01:03:12No!
01:03:13No!
01:03:14Oh!
01:03:14No!
01:03:15No!
01:03:16No!
01:03:26Close your doors!
01:03:29No one fucking leaves!
01:03:39My brother is dead.
01:03:44You hear me?
01:03:47My brother is dead!
01:04:05Come in.
01:04:06Come on.
01:04:06Don't go.
01:04:07Don't go.
01:04:08Don't go.
01:04:10Don't go.
01:04:14Yeah.
01:04:50Tommy!
01:04:51It's all right, let her come.
01:05:04Please, until we're finished.
01:05:25Your note talked about making terms for peace, but my son says there are no terms.
01:05:34You took my husband and my son.
01:05:38We took two of your brothers.
01:05:43The vendetta is done.
01:05:45We say the vendetta is won.
01:05:48We will take everything you have.
01:05:51All your businesses signed over to us.
01:05:56You agree to this, or my son will kill you all, one by one.
01:06:06The vendetta is won.
01:06:09That's it.
01:06:13Now I'll kill her.
01:06:16Did you think you were Mr. Shelby?
01:06:21I'm sorry.
01:06:40You're right.
01:06:41You're right.
01:06:45You're right.
01:06:48I'm sorry.
01:06:48I'm sorry.
01:07:15Alla, Alla Lea.
01:07:21Alla that's left are the peaky fucking blinders.
01:07:46Alla, Alla Lea.
01:07:46I've had my lawyer draw up these papers, cover, uh, every enterprise in your possession.
01:07:58Bars, restaurants, warehouses.
01:08:04Every fucking thing that you have taken all these years to gather together.
01:08:13You all signed them all over to my family.
01:08:22Or you're gonna die right here.
01:08:35I would've buried you all.
01:08:39But my mother, she, uh, she knows you.
01:08:43She said,
01:08:46It'll be worse for you if I let you live and take away everything that you have.
01:09:01Search him.
01:09:12Especially don't trust this bitch.
01:09:26So.
01:09:27So.
01:09:40Sign.
01:09:47Every fucking one of them.
01:09:55You can sign them on your knees.
01:09:59On the floor.
01:10:10Get on your fucking knees and sign.
01:10:18A friend of mine once said...
01:10:23Big fuck small.
01:10:26So I had to find someone bigger than you.
01:10:30You may know there are two families in Brooklyn who want to take over your monopoly on the import of
01:10:36liquor into New York.
01:10:37But if they move against you in New York, they'll start a war between the families.
01:10:44But if you were to die in a vendetta with some fucking bookmaker in Birmingham, I could take over your
01:10:53business without a war.
01:10:56We also contacted a businessman in Chicago.
01:11:03He's also interested in moving into the liquor business in New York.
01:11:08His name is Alphonse Capone.
01:11:13You've been talking to that fat fuck.
01:11:17See, all the blood relatives you brought with you from New York, they're all dead.
01:11:22Mr. Changretta.
01:11:23And these men here, they work for money for the highest bidder.
01:11:27And I have new orders.
01:11:31Is that right?
01:11:38Is that right?
01:11:41Is that right?
01:11:43Thank you, Mateo.
01:12:01Hank, Mary, you're welcome.
01:12:41Arthur's been injured, but he's all right, Paul.
01:12:46We need to make them believe that he's dead.
01:12:51To everyone but you, me, and Linda, Arthur Sharpie, is dead.
01:13:01I've got it all worked out.
01:13:03We can use his death to win this war.
01:13:18Tell your people in Chicago that Michael Gray will sign the import license to New York.
01:13:26300 barrels of English Dry Gin a month.
01:13:28Look, leave, all of you.
01:13:36Tell your boss what you saw here today.
01:13:39Tell him.
01:13:43You don't fuck with the Peaky Blinders.
01:13:46Have a great day.
01:13:54Thanks for listening.
01:13:56You
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