- 11 hours ago
Can You Feel the Beat The Lisa Lisa Story [Full Movie] [Trending Drama]Full EP - Full
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Short filmTranscript
00:00:21And you don't stop, and you don't quit.
00:00:27Now I'm a man with a plan in the b-boy stance, and all the ladies in the jam know
00:00:31who I am, but the power to make it move when I write a groove, I don't snooze, I kick
00:00:36it off nice and smooth, and when the beat goes down, feet hit the ground, the breakers start spinning all
00:00:41round and round, and if the body don't stop, cause we don't stop, we just rock, you feel it, we
00:00:46don't need those drops.
00:00:55Okay, go, go, go!
00:01:05Hey! Yes! Yes! My food!
00:01:09No, no! My food!
00:01:11Leave her alone. Sorry, I didn't leave her alone.
00:01:14Look at her!
00:01:15Oh, grab it. What?
00:01:17Stop!
00:01:18Hey!
00:01:19Don't talk, sir.
00:01:20Yeah!
00:01:20Oh grab it. Your fault.
00:01:22I'm going to kill you!
00:01:24Stop!
00:01:26Stop!
00:01:28Stop!
00:01:29He's hurting your mommy!
00:01:31No!
00:01:31Call the cops!
00:01:32No!
00:01:33I won't do that to your father!
00:01:52No!
00:01:59Man, I hate moving.
00:02:01Daddy's going to be pissed that we're gone.
00:02:02Hey, grab those boxes and put them in the living room.
00:02:04We've got to get the truck back in an hour, so hurry up.
00:02:08Take those damn headphones off.
00:02:10Didn't you learn your lesson about having those things on?
00:02:11You're not my father. You weren't even there.
00:02:13Why do you think we're moving now? And I was working.
00:02:15Yeah, you're always working, Eladio.
00:02:17Because I've got to.
00:02:18Maybe I wouldn't have to if our pops was worth a damn, huh?
00:02:21Who's going to take care of this family if not me?
00:02:23You?
00:02:25I do what I got to to help mommy.
00:02:27And the best way you can help is to stop daydreaming
00:02:30and think about how you can pitch in around here.
00:02:32I'm not going to have mommy working three jobs
00:02:33while you're in La La Land.
00:02:45we're late to check in honor,
00:02:49I suffer from his mouth,
00:02:53I'm getting emotional.
00:02:54That's a personal experience for you,
00:02:56but I don't know who you aren't.
00:02:57You should see myself there.
00:02:58You've got my mother.
00:02:59You are literally a Jewish mom.
00:03:00You're walking around here,
00:03:01You said that you could go outside?
00:03:30200
00:03:32I really mean it, I ain't playing for games.
00:03:36Ooh, Nikki don't get you.
00:03:44I got a good one.
00:03:49Sorry.
00:03:50I'm here now.
00:03:55Ay, que calor.
00:03:57They need some air conditioning back here.
00:03:59How many of these do we got to dress?
00:04:06Oh, my God, I got a good one.
00:04:07I need a favor.
00:04:09No.
00:04:10Please, Lisa.
00:04:11Mm-mm.
00:04:12Last time I got into trouble because of you.
00:04:14Please, I know a place where we can make double what we were making before.
00:04:18I need the money.
00:04:20I know you do, too.
00:04:25One hour.
00:04:27But that's it, okay?
00:04:28Okay, okay.
00:04:29I don't want to get in trouble.
00:04:32Feet on the ground, heads to the sky.
00:04:38Oh, do you want to dance with me tonight?
00:04:42Oh, DJ is playing a song.
00:04:45The mood is right.
00:04:47Oh, do you want to dance with me tonight?
00:04:51Follow me up to the floor under flashing lights.
00:04:59Thank you, thank you.
00:05:00We'll be here all night.
00:05:02I got to go.
00:05:03My brother told me to pick up stuff for dinner, and he's going to kill me.
00:05:06Okay.
00:05:07All right.
00:05:08Wait.
00:05:09Oh, my gosh.
00:05:09Oh, my gosh.
00:05:29Look, I'm going to cook the oven with a chicken with a vichuela.
00:05:32Do you think you eat it?
00:05:35Get the meat in the oven.
00:05:39And other things, like other things.
00:05:41Look, I'm eating. Let me eat.
00:05:50This is getting...
00:05:53A little coffee, Mommy.
00:05:57Thank you, Mommy.
00:05:59I want to try it.
00:06:00I want to try it.
00:06:01I want to try it.
00:06:03I want to try it.
00:06:04I want to try it.
00:06:07You don't worry about this. You hear me?
00:06:13We came here to stuff fresh.
00:06:16Okay?
00:06:20One day I'll be so rich, Mommy.
00:06:22I'm going to take care of you. I'm going to buy you a new car.
00:06:27Momita, the only thing I want you to do is to take care of yourself.
00:06:32Don't ever count on anybody taking care of you.
00:06:35Okay?
00:06:37Yeah.
00:06:39But if you just so happen to be rich...
00:06:41What?
00:06:41I want to come for her.
00:06:46I... I gotta go. You come straight home after work, okay?
00:06:50I love you, Mommy.
00:06:52I love you.
00:06:52I love me.
00:07:01I hear your boys were Jelly Bean.
00:07:03Yeah. We're going way back.
00:07:05Who is Jelly Bean?
00:07:07It's the main DJ at the Boombox basement.
00:07:09Boy, that is it. Just got Madonna.
00:07:11Oh.
00:07:12Boy, that's fine.
00:07:13Can you introduce me?
00:07:14To Jelly?
00:07:15No, Deron Reagan.
00:07:16Yeah.
00:07:17It's her thing, but you know in this city nothing's free.
00:07:20Especially when it comes to Jellybean.
00:07:22What do you want?
00:07:30Hell no.
00:07:31Jellybean's always got any funny talent.
00:07:33Besides, guy won't go home unless you come with us.
00:07:35I don't even like him like that.
00:07:36Girl, who said you're gonna be into him?
00:07:38Just pretend it's an extra long trip in the stop room.
00:07:41Is your brother even gonna let you go?
00:07:42Of course he will. Why wouldn't he?
00:07:44Girl, I run the show at home.
00:07:47Hell no.
00:07:48Why?
00:07:50Heladio, please.
00:07:51No.
00:07:52You know how many pervs and weirdos go to places like that
00:07:54to pick up on young girls?
00:07:55You're gonna be with me.
00:07:57It's a bar. You're 15.
00:07:59It's teen night. There won't be an alcohol.
00:08:01Heladio, stop and listen to me.
00:08:05I ain't gonna live and die in this neighborhood
00:08:07never be nothing.
00:08:09I wanna take care of mommy one day.
00:08:12What's that got to do with this club?
00:08:13There are gonna be people there who can help me.
00:08:16Give me a shot at singing.
00:08:17There you go. Head in the sky again.
00:08:19I'll take out the trash for a month.
00:08:25We can make it, we can make it work.
00:08:27There you go.
00:08:30There you go.
00:08:32There you go.
00:08:32There you go.
00:08:34There you go.
00:08:34We're all back.
00:08:36Coming from a far land where they never stayed.
00:08:38They don't have a contest, but they're too afraid.
00:08:40But I'm rocking the road, so we'll be blessed to my...
00:08:42While the DJs fresher like innocent fights.
00:08:44From the west, the east, the north to the south.
00:08:46When I step into the front, people stand on account.
00:08:48Just wanna have a good time.
00:08:50If we go just fine, all I need is 30 seconds, I'ma rock around.
00:08:53Get fresh to the ground.
00:08:53Say him can you introduce me? I don't know him like that
00:09:01I thought you said he wasn't home. I know who he is. He doesn't set. I'll try to get us
00:09:06into the green room.
00:09:07Figure out myself. I'm going home. I've got homework to do
00:09:19Damn, my bad
00:09:23Choice what you got
00:09:25Choice what you got
00:09:26Jelly beans
00:09:27I come first in order with a pickin' DJ replay
00:09:32We stay calm, drop beats like bars
00:09:34When you're playing my song
00:09:35Johnny my man, what's up?
00:09:37Parlay all day I went off and
00:09:39We played offense, y'all on defense
00:09:41Faults and you pretend I'm getting even
00:09:43We got rockin' beat the boys in the place
00:09:45Getting down to the week in another group's face
00:09:47We got rockin' what the time the song
00:09:49Warped in the bay banks in an urban farm
00:09:51Get rockin'
00:09:52Not the time for the chat
00:09:54From through my body down until I cross the map
00:09:55Get rockin'
00:09:57I won't see K-I-N-G
00:09:58And I said just you don't mess with me
00:10:02You're gonna sneak backstage, take the tray
00:10:04What?
00:10:05Take the tray
00:10:11Thank you
00:10:11Don't mention it
00:10:17How much?
00:10:18Duh
00:10:20Duh
00:10:20Come on
00:10:21Those are the prices
00:10:23Inflation, my man
00:10:24You got better options
00:10:25I suggest you get to it
00:10:26I got business going on here
00:10:40I hear you help singers
00:10:43Singers?
00:10:45Nah
00:10:45I help artists
00:10:48If they're worth it
00:10:50Well I'm worth it
00:10:51The best damn pipes you're here all night
00:10:55Okay shawty
00:10:59I'd say you blow
00:11:02I got sunshine light in my way
00:11:06You try to be the clown but just float away
00:11:09Don't matter about the sticks and the stones you say
00:11:13Cause your world's about to flood and you're in my way
00:11:16Cause I'm rolling
00:11:18Rolling
00:11:19Sounds good
00:11:20Try to stop us, we just keep going
00:11:23Ooh-ooh-ooh-ooh-ooh
00:11:25All right
00:11:33Fresh
00:11:33I see ya
00:11:36What's your name?
00:11:37Lisa
00:11:38Lisa Velez
00:11:39All right
00:11:40Lisa
00:11:41Lisa Velez
00:11:41How old are you?
00:11:4418.
00:11:46Who's bugging?
00:11:4915.
00:11:52Hmm.
00:11:55Alright, Lisa.
00:11:57Leave me your digits.
00:12:11Come on, man. I just need a couple of intros.
00:12:13That's all.
00:12:16I told you, Mamita.
00:12:18Ain't no one looking for a singer
00:12:20with your...
00:12:22look.
00:12:23What you mean? What's wrong with my look?
00:12:25Look, I love you the way you are.
00:12:29But these record executives,
00:12:30they start bugging about silly things
00:12:32like looks and images.
00:12:34But you know I can sing my ass off.
00:12:37I know it.
00:12:38But they don't.
00:12:40And you don't get past a record label
00:12:42without them thinking about your image.
00:12:44Or theirs.
00:12:46And besides,
00:12:48these record labels,
00:12:49they're full of whack-ass scam artists.
00:12:51Just waiting to take advantage of a young buck,
00:12:53like you.
00:12:54I ain't exactly no young buck.
00:12:57You still working with your pots?
00:12:59Sampling the product?
00:13:01It's homey.
00:13:03Dealing only leads down one path.
00:13:05So help me get another path.
00:13:14Thank goodness.
00:13:17Yo, Shorty.
00:13:19I heard you singing over there.
00:13:21It was fresh.
00:13:23You from around here?
00:13:24We're on the way.
00:13:25Hell's Kitchen.
00:13:26Word.
00:13:27Well, look.
00:13:27I got this joint that I've been working on for a minute.
00:13:30Hey!
00:13:30Don't be pushing up.
00:13:31Whoa!
00:13:32I'm trying to talk to her.
00:13:33You know what I'm saying?
00:13:34That's right.
00:13:34I ain't even trying to holler at you.
00:13:35Look, bro.
00:13:36Homie.
00:13:37I got a band.
00:13:38And we need a lead singer.
00:13:40Jelly Bean told me that you was looking.
00:13:42Got a few producers that are interested,
00:13:44you know, if you want to audition.
00:13:45My name's Mike Hughes.
00:13:47Here's my number and address to the recording studio.
00:13:50Play drums.
00:13:51Maybe we can make some music together.
00:13:54Just music, man.
00:13:55Time to go.
00:13:58You ain't going to know I listened to that guy.
00:14:00No, of course not.
00:14:02I know that.
00:14:09Robert, come over to the opportunity to tell me this is really dope.
00:14:12I got this guitarist.
00:14:13He's really amazing.
00:14:14I got this girl.
00:14:14She's walking me.
00:14:15She's going to be amazing, too.
00:14:17Hold up.
00:14:17This is her.
00:14:20Hey.
00:14:20Hey.
00:14:21There's someone I want you to meet.
00:14:22Come over here.
00:14:24This is Rocco.
00:14:25He's the manager.
00:14:26Hi.
00:14:27Rocco.
00:14:28We just need five minutes.
00:14:31You got three, Mike.
00:14:33Okay.
00:14:34Okay.
00:14:34Lisa, come on.
00:14:35Ask someone I want you to meet.
00:14:36This is Spanador.
00:14:37Nice to meet you, Spanador.
00:14:38I heard you can sing.
00:14:39I heard you can play.
00:14:40Yeah, yeah.
00:14:41Let's go.
00:14:42Did you practice a song?
00:14:43Mike wrote it.
00:14:44Yeah.
00:14:44I worked in the last night.
00:14:45Ready?
00:14:46Let's go.
00:14:48What do you think you're going to record the song?
00:14:53No booth.
00:14:54One mic.
00:14:55See what you got.
00:14:57The booth.
00:14:58Come on, man.
00:15:01Guys.
00:15:02Hey.
00:15:02Just listen to them.
00:15:04Come on.
00:15:30Thanks.
00:15:32We'll let you know.
00:15:33All right.
00:15:33Come on, man.
00:15:34Let's give him another shot.
00:15:35This is my time, right?
00:15:36We got to go.
00:15:36We got to talk to you.
00:15:39Hey.
00:15:41Why don't you play a song you know?
00:15:43Something you're comfortable with.
00:15:45Hey, guys.
00:15:46Back her up.
00:15:47Whatever she wants.
00:15:48Yeah, of course.
00:15:51So what you want to sing?
00:15:52Hey, guys.
00:15:53Let's give him another shot.
00:15:54Tell him she knows.
00:15:55Thank you tipped me.
00:16:07Thanks for having me.
00:16:08Okay.
00:16:24Bye.
00:16:24It's sure to set the mood.
00:16:31When we're alone in your mind, only a fool
00:16:36will ever try to hide.
00:16:39Let your hold a stroke again, leave me in the air
00:16:43feeling high.
00:16:48Ha, ha, ha.
00:16:50Yeah.
00:16:52What about Hell's Kitchen's trio?
00:16:54Wow.
00:16:54No, that sounds like my abuel's band or something like that.
00:16:57I didn't think you could get any worse than your last suggestion,
00:17:00but hey, what?
00:17:01It's gotta be slick.
00:17:02It's gotta be, you know, something that screams we're all about
00:17:04culture, hip-hop, and music.
00:17:07And that we can jam.
00:17:08Yeah.
00:17:11Cult jam?
00:17:12That's fly.
00:17:14Mm-hmm.
00:17:14I got it.
00:17:16Lisa and cult jam.
00:17:18Okay.
00:17:19I'm feeling it.
00:17:20All right, but it needs that extra flavor, you know?
00:17:23Because Lisa ain't your everyday girl.
00:17:26That's what I'm saying.
00:17:27Mm-hmm.
00:17:27No.
00:17:28She's not.
00:17:29Oh.
00:17:30Oh.
00:17:31No.
00:17:31Lisa.
00:17:32Ain't your everyday girl?
00:17:33She's uniquely blessed.
00:17:35How about...
00:17:37Lisa.
00:17:38Lisa.
00:17:40And cult jam.
00:17:42Yo.
00:17:43That's fresh.
00:17:44Right?
00:17:45Don't you think, Lisa?
00:17:47Yeah, that's a joint.
00:17:49I'm down.
00:17:50We got a name.
00:17:51Lisa, Lisa, and cult jam.
00:17:54Lisa, Lisa, and cult jam.
00:18:01I like the bass and that progression.
00:18:04You're welcome.
00:18:06You're welcome.
00:18:06Baby.
00:18:08Because I need you tonight.
00:18:10Oh-oh.
00:18:15Brothers are some of the best producers in town.
00:18:18This is Granberry.
00:18:18Thank you so much.
00:18:21Lisa.
00:18:23Sweetheart.
00:18:24You're incredible.
00:18:26That sound is amazing.
00:18:29The men.
00:18:30The men are going to go gaga for you.
00:18:34I told you.
00:18:35Yeah, you did.
00:18:36So what's next?
00:18:37Tour?
00:18:39Let's not get ahead of ourselves.
00:18:42Typically, we test the song.
00:18:44See how it lands in different markets
00:18:46before we actually sign an artist.
00:18:49How do you do that?
00:18:51We send the record to a few friendly DJs in the UK.
00:18:54And we'll be right back with Radio FM UK.
00:19:03The label better not have sent me rubbish like the last time.
00:19:07That was pure yank nonsense.
00:19:10I mean, if it hits, you start talking contracts.
00:19:13If not, you know the music world is littered with one hit wonders.
00:19:19It was this again, mate.
00:19:23A lot of them crash and burn.
00:19:25Don't worry.
00:19:27Rocco here is going to make sure everything runs smoothly.
00:19:30Isn't that right, Rocco?
00:19:31Yep.
00:19:32So it's my job to book your gigs, find the producers, and work on promotions.
00:19:36Hey, mommy.
00:19:38Did you find it all right?
00:19:39Yeah.
00:19:40Hello, ma'am.
00:19:44Pleasure to meet you.
00:19:46Me too.
00:19:46Barry Connor.
00:19:47I just have a few papers that need your signature.
00:19:51Let's, uh, step out for a second.
00:19:53Okay.
00:19:55I'll catch right up to you.
00:19:58Okay.
00:19:58Turn it back on, bro?
00:19:59Maybe, uh...
00:20:01You know that we can't proceed unless she signs, right?
00:20:05I mean, it's just too much risk with an underage artist, so...
00:20:09Walk her through it, okay?
00:20:11Oh, yeah.
00:20:13Do we need a lawyer or anything?
00:20:15No.
00:20:15The contracts are standard.
00:20:17New artists usually sign as is.
00:20:19Oh.
00:20:20Cool.
00:20:23Let's run this.
00:20:24Let me beat.
00:20:30Please, mommy.
00:20:33No.
00:20:34I don't know him.
00:20:35I don't know what I'm signing.
00:20:37What if something happens?
00:20:38Nothing is gonna happen.
00:20:39I do, nana.
00:20:40I see how they look at you.
00:20:43I know what these men want.
00:20:44And it's not just your voice.
00:20:46No, you don't know what they want, mommy.
00:20:47Mira!
00:20:48Lisa.
00:20:50Everything okay?
00:20:51Yeah.
00:20:52We're almost done.
00:20:55Mommy.
00:20:56I'm a singer.
00:20:57I need to be singing.
00:21:00I can move us to a better neighborhood.
00:21:03And you won't even have to work anymore.
00:21:05Lisa, that's not your job.
00:21:08You once told me.
00:21:10To never count on someone to take care of me.
00:21:13Hmm?
00:21:15You said to do it yourself.
00:21:18So this is me.
00:21:20Doing it myself.
00:21:44All right, we need to get you guys back in the studio right away.
00:21:48Contracts are signed.
00:21:51You go home, celebrate, tomorrow we get to work.
00:21:56Come on.
00:21:56Go, mom.
00:21:57I gotta save the pot.
00:21:58That's what I'm talking about.
00:22:00Come on.
00:22:01Hey, sweetheart.
00:22:02Sweetheart.
00:22:03Lisa.
00:22:03Can I talk to you a second?
00:22:05Yeah.
00:22:06There's a lot of work, time and money that goes into making you a star.
00:22:10I need to make sure I'm not wasting any of that.
00:22:13So you're not pregnant or nothing, right?
00:22:16Pregnant?
00:22:18I'm 15.
00:22:19Like I said, there's a lot that goes into young stars.
00:22:22I need to make sure I'm not wasting it.
00:22:25I don't need a pregnant teenager on the road.
00:22:27You got me?
00:22:28You don't have to worry about me, Miss Akana.
00:22:30I'm locked in.
00:22:31Good answer.
00:22:34And call me Barry.
00:22:37Yes, sir.
00:22:40Barry.
00:22:42I gotta go.
00:22:43My mom's waiting for me.
00:22:45Okay.
00:22:50Yo, Lisa, you ready?
00:22:52We gotta go.
00:22:56Yo.
00:22:57Yo, Lisa.
00:22:58We gotta go.
00:22:59Yeah, yeah.
00:22:59I'll be right there.
00:23:03Hi.
00:23:04Hurry up.
00:23:05We gotta get going.
00:23:06Let's get it now.
00:23:08I know.
00:23:13Huh?
00:23:14Oh, that's what was taking you so long, huh?
00:23:18Wow.
00:23:19Yo, Lisa.
00:23:20In a month, every girl's gonna be covering her eye, trying to look just like you.
00:23:28Baby, I know you're wondering why I won't go over to your place.
00:23:35In California, Governor Jerry Brown won the Democratic nomination on the 160th day of 1982 in case you're coming.
00:23:41It's a time that some people were reminded that actors are people.
00:23:45So what does this mean for AIDS patients in this country?
00:23:48Pittsburgh beat the New York Mets.
00:23:50Hello, Pittsburgh.
00:23:51It's 6-2.
00:23:53And the Los Angeles Lakers won their second national basketball championship.
00:23:58Three in six years.
00:23:59L.A. comes to Boston and wins the world title.
00:24:04Oops!
00:24:07Did you know about that stuff, man?
00:24:08I know!
00:24:10Now I'll be cracking up.
00:24:11Yo, ain't that the band on TV?
00:24:13And the two people?
00:24:14I was like, that's snazy.
00:24:16Oh, uh, what's up?
00:24:17Hi.
00:24:18Oh, thank you so much.
00:24:20Uh-huh.
00:24:20Yeah.
00:24:29What's up, baby?
00:24:31What's your name?
00:24:31What's up?
00:24:32You're looking mad good.
00:24:34My name's Javi.
00:24:35Take my number.
00:24:36Mm-hmm.
00:24:46Yeah?
00:24:47Yeah.
00:24:53We got a problem with it?
00:24:54What?
00:24:56Put lives wrapped around the block.
00:24:59Lisa Lisa in a cult jam, a catapult, and freestyle.
00:25:02From New York's underground clubs into mainstream fame,
00:25:05and they are about to go national, baby, on Top American Countdown,
00:25:09a show that has taken some of the hottest stars of today
00:25:12and catapulted them into the stratosphere.
00:25:14And today is Lisa Lisa's turn.
00:25:16This is That Lover.
00:25:17You already know what it is.
00:25:18Back to you.
00:25:19Come on, make some noise out there.
00:25:22Come on.
00:25:22Come on, make some noise out there, baby.
00:25:25Every home in America watches the bands on this show,
00:25:28and Chuck Ryder is a titan of the industry here.
00:25:31If you don't screw up tonight, America will love you by tomorrow.
00:25:37Come on, let's go, let's go.
00:25:38Hey, where's Crafty at?
00:25:41All right, starlings, it's showtime.
00:25:48Feels like someone died in here.
00:25:51Just nerves, that's all.
00:25:54Are you ready?
00:25:58Yeah.
00:25:58Yeah, we're ready.
00:26:00Oh, we got it.
00:26:01Yeah, come on.
00:26:02Okay, I meant just you.
00:26:05Chuck likes a little personal touch, a little pre-show interview.
00:26:09I'm sorry, fellas, but don't worry, you can watch her right here on the live feed.
00:26:14No, but we're a band.
00:26:17And you'll play as one.
00:26:18Just a quick chat before, with you.
00:26:22Let's go.
00:26:29Ladies and gentlemen, from Lisa, Lisa and Cult Jam, please welcome Lisa, Lisa.
00:26:46Welcome to the show.
00:26:48So, how are you doing today, Lisa?
00:26:50Well, I'm great.
00:26:50Very excited to be here.
00:26:51And how does it feel to be in this position?
00:26:54Well, it's a dream come true.
00:27:08Tony, I thought you weren't dealing.
00:27:10Look, I'm not, man.
00:27:11I'm networking.
00:27:12You never know where the next gig's gonna come from.
00:27:14Besides, I think this dude right here knows some record execs.
00:27:16Right.
00:27:18Heh.
00:27:18Sure.
00:27:22Got a line on a gig.
00:27:24Word.
00:27:25An audition.
00:27:26New band looking for backup singers.
00:27:29But I'm not backup?
00:27:30Tony, no.
00:27:32But look where you are.
00:27:34It's gotta be this game.
00:27:37Hey.
00:27:38You wanna spend your whole life looking over your shoulder?
00:27:40Just cause it didn't work out last time doesn't mean you quit.
00:27:44Doesn't mean you stop trusting people.
00:27:47It's show business.
00:27:49It's the music game.
00:27:50And the music game takes time.
00:27:56Think about it.
00:27:57Think about it.
00:28:00All right.
00:28:01Peace.
00:28:02Peace.
00:28:07You ain't back.
00:28:08I ain't back.
00:28:09Not for long.
00:28:13Mike, listen, I got this.
00:28:16You do it out.
00:28:17Sponidor.
00:28:17We're just gonna go with number two.
00:28:19No, number two is not gonna work, bro.
00:28:20We need another audition.
00:28:22But she looks the best.
00:28:23It doesn't matter if she looks the best, bro.
00:28:24We need another audition.
00:28:25We don't have time for another audition.
00:28:27Well, I don't know what you want me to say, but not one of them blend with our sound.
00:28:30Word.
00:28:31What do we do, Alex?
00:28:32We're going tour in a month.
00:28:33Well, we keep searching.
00:28:34We already behind on schedule.
00:28:37We either pick a team today or we push.
00:28:40The label not waiting on us.
00:28:43We got bands lined up right now that's ready to go.
00:28:46All right, Rocco.
00:28:46Just give me another hour.
00:28:47I can find some ladies.
00:28:48I'll go around to fit that Baptist.
00:28:50I'll find you a whole lot of girls who can sing best.
00:28:52Here we go again.
00:28:52Make an executive decision.
00:28:53We're going with number two.
00:28:54No, we're not going with number two.
00:28:55Are we going with number two?
00:28:56It's over.
00:28:57Are we going with two?
00:29:06I think I've seen Marley and Mark.
00:29:07Oh, I think I've seen Marley and Mark.
00:29:09I think I've seen Marley and Mark.
00:29:12Just can't believe it's done and gone.
00:29:15Yeah.
00:29:31Hey, pack your bags, folks,
00:29:33because we're going on tour.
00:29:37Cigarettes don't affect your voice?
00:29:39No.
00:29:40I mean, they actually give it a little raspy bass.
00:29:42I don't mind having it.
00:29:43Those things will kill you, you know.
00:29:44Well, whenever the government comes out with a study
00:29:46saying these are bad for you, I'll stop.
00:29:50I'm Lisa.
00:29:52Tony.
00:29:53How long have you been singing it for?
00:29:55I grew up singing on street corners.
00:29:58Yeah, me too.
00:30:00Listen, you know it's not going to be what you think it is, right?
00:30:05What's that?
00:30:06I mean, this music industry.
00:30:08You know, it's just like the streets.
00:30:10Use it or it'll use you.
00:30:12So you've got to watch yourself.
00:30:13Everybody's going to try to take a piece of you,
00:30:14and you can't let them.
00:30:16And where are you going?
00:30:18Look, I mean, most of these dudes want a backup singer.
00:30:22That's something to look at.
00:30:22And I'm not that.
00:30:25Then why'd you come?
00:30:27Because I promised a friend.
00:30:29But I know the game.
00:30:33Don't smoke these menthols on the road.
00:30:36They'll mess up with your voice.
00:30:37And I can't have that.
00:30:41Whatever.
00:30:42I was trying to quit anyway.
00:30:46Hey, go home, pack a bag, because it's going to be a ride.
00:30:57Come on, baby.
00:30:58We're done soon.
00:31:00Yeah, baby.
00:31:00A little longer, okay?
00:31:01You got to go.
00:31:03Come on.
00:31:06I mean, what's this about?
00:31:08Come on, you got...
00:31:09Baby, no, no, no.
00:31:11They're going to have to, you know, check my makeup again.
00:31:14Stop.
00:31:15I thought we had dinner plans tonight.
00:31:17Yo, this city's so crazy sometimes.
00:31:20I almost had to scrap with a bunch of teenagers.
00:31:22Excuse me.
00:31:23Okay.
00:31:24Signatures.
00:31:25Okay.
00:31:25More promotional tours means more papers to sign.
00:31:30Again?
00:31:31Hey, that's the life of a big star.
00:31:33Jesus Christ.
00:31:34Wow, a commercial?
00:31:36Yeah.
00:31:38We rearranged a few things so, you know, you could sneak it in.
00:31:43Well, I was supposed to go home after this set.
00:31:47I haven't seen my family in a year.
00:31:50This is a national commercial.
00:31:52It's a lot of money.
00:31:54I just...
00:31:55It's been concert after concert.
00:31:58You said you wanted to be a star, right?
00:32:00This is the pace you have to work at.
00:32:02So, give her creative control.
00:32:05Yeah, that's not the way we do things around here, but thanks.
00:32:08Do it anyway.
00:32:10Yeah.
00:32:11I want creative control.
00:32:13Lisa.
00:32:14I want to start putting my stamp on this.
00:32:16I want to get involved in the creative.
00:32:18I want to help with the set design and the choreography
00:32:21and to pick up the dancers, right?
00:32:24Yeah, she does it anyway.
00:32:33Of course.
00:32:34You'll be involved.
00:32:37Let's go!
00:32:38Let's get to work!
00:32:39Yo, sweetheart, are you ready or what?
00:32:40In a minute, baby.
00:32:41The weapon label needs you, all right?
00:32:43This is not the other way around.
00:32:44I want you.
00:32:45All right, perfect.
00:32:45You know what?
00:32:46I want to go.
00:32:47Hurry up!
00:32:48Hold on, man.
00:32:49Lisa, come on.
00:32:49Here's your hand right here.
00:32:51Photography, you ready?
00:32:51Come on.
00:32:52Let's go.
00:32:52Look at the camera.
00:32:53Three, two, one.
00:32:58Perfect, perfect.
00:32:59Hold on.
00:32:59Lisa, Lisa, Lisa.
00:33:00All right, hold on.
00:33:00One second.
00:33:01Can I get her idea, please?
00:33:02No.
00:33:03My idea is such a...
00:33:04Hell's Kitchen Trio, bro.
00:33:06Are you for her?
00:33:06Yo, let me...
00:33:07No.
00:33:07All right, bro.
00:33:08You know she's not part of this group, right?
00:33:10What do you mean?
00:33:11Yo, I'm right here.
00:33:12You could say it to my face.
00:33:13I'm talking to Lisa.
00:33:14What's your problem?
00:33:15The problem is we don't need any more voices
00:33:17offering their opinions on music, fashion, and photo shoots.
00:33:21Fellas, let's take a little break.
00:33:23What do you mean, break?
00:33:24Yeah, I had some flash spandex I wanted to flash, man.
00:33:27Nobody want to see you in those spandex.
00:33:30You know, we're just going to focus on a few shots of Lisa alone.
00:33:33Why don't you guys go to craft service, grab a coffee?
00:33:39Hey, yo.
00:33:40This was your band, Mike.
00:33:42You got two little girls telling you what to do.
00:33:44One is just the background, same thing.
00:33:55Come on.
00:33:55Wait a second.
00:33:56Wait a second.
00:33:57Take it.
00:33:58Take it.
00:33:58You want a good hand?
00:33:59Yeah, you're good.
00:33:59You're good?
00:34:00You're good.
00:34:03You're good.
00:34:05You're good.
00:34:08Yo, Rick.
00:34:09Let me talk to you for a second.
00:34:12Of course.
00:34:14I just want to make sure you know that we're a band.
00:34:17You know, Lisa is going to get all the attention since she's the lead singer.
00:34:21But anything that we should be doing, we should be doing together.
00:34:25Interviews.
00:34:26Photo shoots.
00:34:29Everything.
00:34:31All right.
00:34:34Is that all?
00:34:39Yeah.
00:34:41Good to hear.
00:34:43Catch up with you on tour.
00:34:45Keep up the great work, fellas.
00:34:48Fantastic shoot today.
00:34:51Fantastic!
00:34:54Hit the beat now.
00:34:57That's dope.
00:34:58Why does she have to redo it?
00:35:00Yeah, I mean, it still needs a final mix, but we're close, Tony.
00:35:02We're close.
00:35:03We got it.
00:35:04We got it.
00:35:09Sounding good.
00:35:10Sounding good.
00:35:12What's going on?
00:35:13Hey, Lisa, you're crushing that track.
00:35:17Ha ha, thank you.
00:35:18Come join us.
00:35:20Okay.
00:35:22Guys, the label's happy, so I'm happy.
00:35:27That's good.
00:35:27I know I don't have to tell you things are different now.
00:35:31We're playing in bigger venues.
00:35:33You guys are going to be on the road longer.
00:35:34That means more money.
00:35:35More money.
00:35:37Hey, so you have to stay focused.
00:35:40You're not stars yet.
00:35:42Speak for yourself.
00:35:43Ha, I'm a star.
00:35:44I don't speak a star.
00:35:46All right, guys, hey, great job today.
00:35:48Get out of here.
00:35:49See you tomorrow.
00:35:50Wait.
00:35:52Hey, I'm going to go to the camera.
00:35:53Hey, Lisa, do you have a moment?
00:35:56Yeah, sure.
00:35:58It's business.
00:36:02Baby, I'll see you in the car in a second, yeah?
00:36:06I'll get the car.
00:36:10Don't be long.
00:36:11Baby.
00:36:14So, Rocco, I think...
00:36:15So, I picked up some papers.
00:36:17I just need you to go over some of it.
00:36:20If you need help, I can go over it with you.
00:36:24Yeah, I can take a look at it later.
00:36:27I should probably get over it.
00:36:28Hey.
00:36:31I want to see what I asked you.
00:36:33Please, Rocco, stop.
00:36:35That's looking good.
00:36:36Come here.
00:36:37Hey, what the hell are you doing, Rocco?
00:36:40Stop.
00:36:40No, stop, Rocco.
00:36:42You're playing too much.
00:36:44Hey, Rocco!
00:36:45Wait, stop!
00:36:47What are you doing?
00:36:49What's that all about?
00:36:50Stop playing.
00:36:52I don't know.
00:36:52Please stop playing.
00:36:53Rocco, stop.
00:36:54I've been thinking about cheating.
00:36:56I want to see you.
00:36:56Stop!
00:36:57Rocco!
00:36:59You played too much.
00:37:02See you later.
00:37:10Thanks.
00:37:18You good?
00:37:19Yeah.
00:37:21You sure?
00:37:22I said I'm good.
00:37:23Just leave me alone, okay?
00:37:24All right.
00:37:25Whatever.
00:37:25Jeez.
00:37:35Oh, man.
00:37:41You ready to go spend some money?
00:37:42Hell yeah!
00:37:44Woo!
00:37:46Okay.
00:37:47Wow!
00:37:49No, this is it.
00:37:51Right?
00:37:52Oh, I love this car.
00:37:54What?
00:37:57I know.
00:37:58Do you take cash or check?
00:38:00Yeah, which one is it?
00:38:03Doesn't matter.
00:38:05I love this.
00:38:08Woo!
00:38:09Oh, yeah!
00:38:10Yeah!
00:38:11Yeah!
00:38:13Bye!
00:38:14Bye!
00:38:17Bye!
00:38:18When I look into your eyes, I can't stop the rhythm.
00:38:24Should've known it only was a daydream.
00:38:28What did I expect?
00:38:32Giving you my heart.
00:38:34You're just playing a baby side.
00:38:36Can I do it all, bro?
00:38:37Hey!
00:38:38Lisa, let's get out of here.
00:38:39Let's go.
00:38:39Come on.
00:38:40I don't got all thanks.
00:38:41Yo, this is flop.
00:38:42Right?
00:38:43What?
00:38:43Nikki, can you find me this in a medium, please?
00:38:47You look amazing.
00:38:50Oh, my God.
00:38:51Where's the guy?
00:38:52How's it going?
00:38:52Have you been?
00:38:53You gotta go.
00:38:53Oh, I'm sorry.
00:38:54I love you.
00:38:55Love you, too.
00:38:56I'm sorry.
00:38:57Hope you see everyone on my tour.
00:38:58Hey, hey, hey, get back.
00:38:59Hey, hey, get back.
00:38:59Yo, chill, chill, chill, chill.
00:39:00Watch out.
00:39:01Come on, come on, come on.
00:39:02Sorry, guys.
00:39:02So nice to meet you.
00:39:03Bye.
00:39:03Hey, get back.
00:39:04Get back.
00:39:06Oh, wow.
00:39:10Please, I know you.
00:39:11It's the first time mommy will come see me.
00:39:14No, just get on the train and come on.
00:39:19Let me hear you say it.
00:39:20Mommy.
00:39:23Mommy.
00:39:24Hi, mom.
00:39:25Oh, I'm so glad you're here.
00:39:27You're beautiful.
00:39:28Oh, my God.
00:39:29You lost weight.
00:39:30I'm going to surprise for you.
00:39:31Oh, okay.
00:39:31Yeah, I'll show you after the show.
00:39:33Come on.
00:39:39This is for you.
00:39:41What do you mean?
00:39:44It's yours.
00:39:47No, I can't believe this.
00:39:50Did you see what Lisa bought me?
00:39:52Oh, my God.
00:39:52Why did you do this?
00:39:53You know we were all saving up the bitch in and buy her a car.
00:39:55I know, I know.
00:39:56I just wanted to do this for you.
00:39:57No, no, that's not the point.
00:39:59This is the goal behind me.
00:39:59Ay, Eladio, why can't you just be proud of me?
00:40:02For once in your life, didn't you just say,
00:40:03I'm proud of you, Lisa?
00:40:05Why can't you do that?
00:40:07It kills you to think that I can leave and do something more,
00:40:09and you're just stuck here.
00:40:10You don't know what you're talking about.
00:40:12Oh, my.
00:40:15Look at her.
00:40:16Just let her have this.
00:40:20Mommy, look at this.
00:40:22The power's here.
00:40:24Oh, and check the glove company.
00:40:26Yeah.
00:40:34What is that?
00:40:35This.
00:40:37This isn't.
00:40:38What is it?
00:40:41Well, thank you, God.
00:40:43Thank you, God.
00:40:46Glory to God.
00:40:49I bought the house.
00:40:52It's yours, Mommy.
00:40:53Oh, my God.
00:40:54Forever.
00:40:56No one can take it away from you.
00:40:59You don't gotta worry about anything ever again.
00:41:03Oh, my God.
00:41:04My, Mommy.
00:41:05Well, everything's just perfect now, isn't it?
00:41:09Eladio.
00:41:14I love you, but I can't be sitting around waiting for you.
00:41:18You heard?
00:41:18Okay.
00:41:20You know how my job is.
00:41:21And I told you, you can come on the road with me.
00:41:24You know, I'm not gonna follow you around like a little pet, okay?
00:41:27I'm a man.
00:41:28I know.
00:41:28I know you are.
00:41:29And I need to work, okay?
00:41:31And I've been trying to be supportive.
00:41:34Let me tell you something.
00:41:36When you're gone, I feel like my only job is to wait on the phone.
00:41:40Mommy.
00:41:41And I mean what?
00:41:42That's the only thing I've been doing these past few months.
00:41:45I'm surprised you remember it was my damn birthday.
00:41:49Yeah.
00:41:49I told you.
00:41:51I'm working.
00:41:52I don't know how many times we have to have the same argument over and over again.
00:41:56Does working include letting a bunch of guys all up in your grill?
00:41:59What the hell are you talking about?
00:42:02Let them touch you, feel all over you.
00:42:04Hmm?
00:42:05Is that what you like?
00:42:05Okay, I don't know where this is coming from, but you bugging.
00:42:07Oh, yeah?
00:42:08I'm bugging?
00:42:11Stop.
00:42:12Javi, wait.
00:42:12Wait.
00:42:14What do you want?
00:42:15What do you want?
00:42:16What do you want from me?
00:42:17You want to be with me?
00:42:19Of course.
00:42:22Marry me.
00:42:25I love you, okay?
00:42:27I do.
00:42:29I don't want to sit here wondering if you're mine.
00:42:36Baby, I'm yours.
00:42:38Yeah.
00:42:39Then marry me.
00:42:40Marry me or I'll go home, pack my things and leave.
00:42:44Because as is, this isn't going to work.
00:42:51It's a choice.
00:42:54Okay.
00:42:58Okay.
00:43:00Really?
00:43:01Let's get married.
00:43:03It's okay.
00:43:05What?
00:43:06We're getting married.
00:43:08You out of your mind?
00:43:09What is your problem?
00:43:10Lisa, you guys are 20 years old.
00:43:13How do you, either of you know what a commitment is?
00:43:16You guys are just two kids playing house.
00:43:19Don't do this.
00:43:20Wait until you're older and out of this game.
00:43:22You don't understand, Eladio.
00:43:24All the time it's the same thing.
00:43:25No, no, no, no.
00:43:25I understand plenty.
00:43:26You trust people when you shouldn't.
00:43:28Mommy, say something, por favor.
00:43:31Mamita, please.
00:43:33Why?
00:43:34Why do you want to get married so young?
00:43:37I love him, Mommy.
00:43:39Oh, you know it's love.
00:43:42Nana, you will find someone who will love you.
00:43:48You will.
00:43:50I saw it in my dreams.
00:43:52A man who will love you, who you will have children with.
00:43:59But it's not Javi.
00:44:09A me.
00:44:17A we.
00:44:22A me.
00:44:27A we.
00:44:28A we.
00:44:28A we.
00:44:44Lisa Lisa of Lisa Lisa and the Colt Jam began simply as Lisa, a young Puerto Rican girl who
00:44:51dreamed of being a singing sensation. That dream started to come true in 1985 when a music producer
00:44:57group when looking for a female lead and stumbled across the 16-year-old singing. In that same year,
00:45:03they renamed the band Lisa Lisa and Colt Jam, producing three top-selling hits which brought
00:45:09the band to platinum status. Both Lisa and the band attribute their success to their streetwise sound.
00:45:20Lisa Lisa has been compared with other top-selling artists such as Debbie Gibson, Paula Abdul, and even
00:45:25Madonna. Their most recently released album is purposefully called Straight to the Top,
00:45:32a place where Lisa Lisa and Colt Jam hope to be for a very long time.
00:45:38Man, I'm glad I ain't got no sisters. Wake up. There they are.
00:45:52Okay, listen. Shaving is like farming. You better start with little strokes and go up each side.
00:46:00Like that. Can't believe you never did this before. Don't you have sisters?
00:46:07No.
00:46:09You got me now.
00:46:14Hello? Oh, hey, babe.
00:46:16Of course, I'm in my hotel room. Where else would I be?
00:46:21Oh.
00:46:28All right.
00:46:31I'll be home in two weeks.
00:46:35Okay.
00:46:37I love you.
00:46:47He's going out with his boys again, huh?
00:46:50Yeah.
00:46:53It's the third time this week.
00:46:55I mean, I think it's funny how he always wants to know where you're at, but you never ask him
00:46:58where he's going.
00:47:00No need. I trust him.
00:47:03Javi!
00:47:04I'm home!
00:47:16Baby!
00:47:50You know, if Barry finds out...
00:47:52I know.
00:47:55Are you sure it was positive? Like, does your mom know?
00:48:01What'd she say?
00:48:08She said not to have his child.
00:48:14She said that he reminded her of my dad, and reminded me what a mistake it was to marry him.
00:48:22I don't know.
00:48:27Maybe I loved him because I wanted a man to love me.
00:48:31But my father didn't do it.
00:48:41Why don't you ever talk about your family?
00:48:47Ain't, ain't nothing to talk about.
00:48:52What do you do when you go back home? Where do you go?
00:48:54I got places.
00:48:58Look, I mean, most kids, most kids have memories of being a kid, like happy memories of love and
00:49:07their parents and family. And I just don't got that. And I'm okay with it. That's why I enjoy moments
00:49:17like this. Making new memories.
00:49:20Time with you. One of my best friends.
00:49:26One of your best friends? I better be at the top of that very short list, Miss Toni.
00:49:32That's why I should have never said nothing.
00:49:35Aw, you call me your best friend. You're so cheesy.
00:49:38That's why I don't open up to people, okay?
00:49:42Seriously, though. What are you gonna do?
00:49:48I can't have a baby.
00:49:51They'll lose everything, Toni.
00:49:53I'm gonna help you.
00:50:04Can you just...
00:50:05Can you just leave me on a trip?
00:50:34Hey, bitch, you see Shorty over there?
00:50:36You think I'll get her a little drink?
00:50:37I mean, she look good, but I mean, it's up to you, really.
00:50:41Come on.
00:50:41Yo, what up, Toni?
00:50:42What's up?
00:50:43Damn.
00:50:44Girl, you look busted.
00:50:45Let's go get some sleep.
00:50:47Trying to, then.
00:50:49Needed a little something.
00:50:51How's Lisa?
00:50:51I know she wasn't feeling well.
00:50:53She's good.
00:50:54You sure?
00:50:55Yeah, she's tired.
00:50:56That's all.
00:50:57So I think Javi's on the outs.
00:50:58Thank God.
00:51:00Hated that dude.
00:51:01Yo, what can I get for you?
00:51:03Bartender, let me get, um, uh...
00:51:04Let me get a whiskey.
00:51:06Double.
00:51:07Oh, damn.
00:51:09You drink like a dude.
00:51:24You flirt like one, too.
00:51:28Excuse me, fellas.
00:51:30That's some business to take care of.
00:51:38Oh, no.
00:51:39Come on.
00:51:40Oh, come on.
00:51:41Damn.
00:51:43Oh, Mike.
00:51:45Mike, man.
00:51:46She's stealing your girl.
00:51:47Again.
00:51:49I gotta use a baffle.
00:51:51Mary, snap out of it.
00:51:53Why am I paying the tab on time?
00:51:56I got it, I guess.
00:52:06Under the pale moon rising
00:52:08A minute to midnight
00:52:11Yeah, we know
00:52:13Time is running out
00:52:18Never mind
00:52:19Keep on smiling
00:52:21Now, Lisa, it's important
00:52:23Now, Lisa, it's important that you
00:52:24Listen to what I have to say, okay?
00:52:26Okay.
00:52:27We just got your results back
00:52:29And, uh, it says that you have
00:52:33Ductal carcinoma breast cancer
00:52:37You'll need to start treatment right away
00:52:39Have work
00:52:42I have to travel for a few concert dates
00:52:45I'm afraid that's not possible
00:52:47If you don't treat it now
00:52:48The chances of it spreading rapidly increase
00:52:51Limiting the chances of survival
00:52:56Survival?
00:52:56Mm-hmm
00:53:01I can't stop touring
00:53:04I lose everything
00:53:06Is there someone we can call?
00:53:07No
00:53:08No one
00:53:09No, no
00:53:10I don't want anyone
00:53:11To know about this
00:53:14Doctor
00:53:14Can we prepare a
00:53:16Travel kit
00:53:18For her to do treatments?
00:53:19Yeah
00:53:21I can coordinate with the hospitals
00:53:23In the cities that she's
00:53:24Traveling to
00:53:25And we can monitor her that way
00:53:26That works
00:53:29We can start your treatment tomorrow
00:53:33A word with you, please
00:53:41That is my place
00:53:43Do you understand?
00:53:46Okay, I understand
00:53:47All right
00:53:59Hey, Mamita
00:54:02I know
00:54:04If I stop touring, it all stops
00:54:08The music, the sponsorships
00:54:13And I just paid off my mom's car
00:54:17Your house
00:54:18You know, I took advancements to
00:54:20I took advancements to make that happen
00:54:26And I can't
00:54:27I can't stop
00:54:30My mommy
00:54:31My mommy's just gonna
00:54:33She was so happy
00:54:35She was so happy
00:54:39I can't stop
00:54:40You understand?
00:54:41I can't stop
00:54:42We're gonna fix it
00:54:44We're gonna fix it
00:54:45So that you don't have to stop, okay?
00:54:48You're gonna be okay
00:54:51You're gonna be okay
00:54:53We're gonna pray for you
00:54:55Here, Mama
00:54:56Here, here, take this
00:54:57Oh, yes
00:55:03You're gonna be okay
00:55:08By the way
00:55:09My daughter
00:55:11She loves your music
00:55:15She does
00:55:17She looks up to you so much
00:55:20A lot of little Latinas look up to you
00:55:25Listen, Mama
00:55:27You got this, okay?
00:55:29You're gonna be okay
00:55:33You hear me?
00:55:55Hey, come here
00:55:57We need to have a meeting
00:55:58I've been looking over the contracts
00:56:00And something seems off
00:56:01You notice your pay?
00:56:04Uh, yeah, yeah
00:56:05It's been a little life
00:56:05I haven't thought about it
00:56:07I'm exhausting
00:56:07Can we talk about it later?
00:56:09Tony said that we should-
00:56:10Tony's not a part of this band
00:56:14We need to have a conversation between us
00:56:17And just us, Lisa
00:56:18I gotta go, Mike
00:56:19We need to do it soon
00:56:24Look, I'm sick and tired of this, Alex
00:56:26Tony
00:56:27I'm done
00:56:29What is this?
00:56:30It's your paycheck
00:56:31Thought I'd hand delivery
00:56:33Why?
00:56:34What do you want?
00:56:35You're not one to beat around the bush
00:56:37Maybe you are
00:56:39I wanted to ask about your friendship with Lisa
00:56:42What am I friendship?
00:56:43The reporter was prying the other day
00:56:46Assuming she's a lesbian
00:56:47You know, I corrected her, of course
00:56:49But having those kinds of questions
00:56:52It doesn't benefit anyone
00:56:54It doesn't
00:56:57Back off, Lisa
00:56:59You down?
00:57:02Yeah
00:57:02Yeah, I think so
00:57:04Thanks
00:57:22Hey, you got a lighter on you?
00:57:24Yeah
00:57:25Let's make time for a chat
00:57:28Over the break
00:57:29I don't want to see everything slip away over one person
00:57:33We'll have lunch
00:57:35Okay
00:57:47Here for your check
00:57:59I'm gonna need an advance on those jobs, Rob, were arranged
00:58:03Sure
00:58:03I've got a few bills that popped up
00:58:05Um
00:58:07What upcoming jobs?
00:58:09I don't see anything
00:58:10Oh, the commercial
00:58:11I signed the paperwork a while back
00:58:18Ah, here it is
00:58:22It seems like that deal fell through
00:58:23What?
00:58:25Yeah
00:58:25Did they say why?
00:58:28Client pulled out
00:58:30No
00:58:30No, that can be
00:58:32I just spoke to them
00:58:33I had a whole creative conversation about the commercial
00:58:38And what I wanted to do with it
00:58:39They were excited about us
00:58:43Look
00:58:44I heard Barry said
00:58:46He didn't agree with the creative
00:58:47And that was a deal breaker for them
00:58:49So he turned down the commercial
00:58:51Hmm
00:58:54I'm so sick of this
00:58:55I've had enough
00:58:56Whoa, whoa, whoa
00:58:56Get your hands off of me
00:58:58Mr. Barry
00:59:00How dare you
00:59:01Uh, excuse me?
00:59:04We are the band
00:59:05You don't turn down a job
00:59:08Without letting all of us decide
00:59:10Okay
00:59:12This is how the industry works
00:59:15You sign the contract
00:59:17You belong to us
00:59:19We decide what's best
00:59:22Or we find another band
00:59:24Who'll accommodate us
00:59:25As we need them to do
00:59:32Go home
00:59:34Get some rest
00:59:35You look like hell
00:59:38Yeah
00:59:39Hold on
00:59:40Lisa
00:59:43Remember
00:59:43There's plenty of girls waiting in line to take your place
00:59:50Hey
00:59:51Hey, yeah, no
00:59:52No, I just had to give someone a little attitude adjustment
00:59:55Uh-huh
00:59:57Do you have a phone I can use?
00:59:59Sure, baby
01:00:05It's room to hear
01:00:06Thank you
01:00:07Lucas
01:00:09We gotta talk
01:00:10I stopped by accounting
01:00:12And pulled up all contracts
01:00:14And?
01:00:15Barry and Rocco
01:00:16Turned down that commercial
01:00:18I mean, what the hell are we gonna do?
01:00:20I think we should bring in Toni
01:00:22She's done this before
01:00:23She's a backup singer
01:00:24Period
01:00:24Okay, do you have a problem
01:00:25Without female schooling you?
01:00:26That's your problem
01:00:27Knock it off
01:00:28Both of you
01:00:29We need to figure out
01:00:30How to get out of these contracts
01:00:31Before we tear each other apart
01:00:34They the bad guys
01:00:35Not us, man
01:00:36Yeah
01:00:37Right
01:00:38I know a guy
01:00:39Who's done this before
01:00:40I'm gonna give him a call
01:00:42Oh, so we can't call Toni
01:00:43But we can call a stranger
01:00:45We barely know
01:00:46Great
01:00:46Lisa
01:00:47Lovely
01:00:47Please
01:00:48We need to figure out
01:00:49What we're gonna do first
01:00:50Before we'll let him know
01:00:51Yeah
01:00:52What?
01:00:54There's a few execs at the label
01:00:55That are concerned with your friendship with Toni
01:00:57Who cares if I'm friends with Toni?
01:00:59You just listen to her way too much
01:01:01You don't like the fact
01:01:03That I'm close to her
01:01:04Or that she's gay
01:01:05What?
01:01:06That's ridiculous
01:01:06You know how many gay musicians are out there?
01:01:09A lot
01:01:09You have a lot on your plate
01:01:12We just don't need another voice in your head
01:01:14Giving you advice
01:01:15Yeah, come on, Lisa
01:01:18This is our band
01:01:19We started this together
01:01:20Lisa, hey
01:01:22I like Toni
01:01:23I like Toni
01:01:24Okay?
01:01:25And I don't care what she does
01:01:26For her free time, you know
01:01:27But
01:01:29This
01:01:31This could hurt us
01:01:34No, it won't
01:01:35Lisa
01:01:36She's like a sister
01:01:37She's my best friend
01:01:40Come here
01:01:40Time is money
01:01:42Somebody do it
01:01:43Do it
01:01:43He can do it
01:01:44Listen
01:01:46Stop worrying about Toni
01:01:48And start looking into the contracts
01:01:49And how we keep losing money
01:01:51Because of these guys
01:01:53I'm going to need you, all right?
01:02:01This is not the other way
01:02:02I told you
01:02:03We don't need her
01:02:03She's wet
01:02:04Don't stop at me like that
01:02:05How to get out of these contracts
01:02:06Before we tear each other apart
01:02:08We need this to our band's best
01:02:10Or
01:02:10We find another band
01:02:11Who will accommodate us
01:02:13As we need them to do
01:02:14Pet, okay?
01:02:15I'm a man
01:02:16There are plenty of girls waiting in line
01:02:17We started this together
01:02:19There's a few execs
01:02:20I can't wait for her
01:02:20I can't wait for her
01:02:21I can't wait for her
01:02:21I can't wait for her
01:02:23I can't wait for her
01:02:23I can't wait for her
01:02:23I can't wait for her
01:02:26The band's here to take it to the mall
01:02:27Lisa, come on
01:02:29Get out of me right there
01:02:31Lisa
01:02:32What are you doing?
01:02:33Rocco says the place is packed
01:02:35When you're me
01:02:36I hear nobody's me
01:02:39So you ready?
01:02:40Yeah, I said I'll be right there
01:02:42I feel so much better
01:02:50This is a great turnout
01:02:57I can't do this anymore
01:02:59What?
01:03:00I need a break
01:03:01Alright, you'll get a break soon
01:03:03I promise
01:03:03No, now!
01:03:04Girl, you better come
01:03:05Calm down
01:03:06I said you will get a break
01:03:08Alright?
01:03:09The sooner you start
01:03:10The sooner you will finish
01:03:12Get at work
01:03:18Hey, I'm sorry about that
01:03:24That should never happen
01:03:27But I'll do that
01:03:28But I'll do that
01:03:29That's right
01:03:31Hi
01:03:31Thank you so much
01:03:32Thank you
01:03:33For the patience
01:03:33Thank you
01:03:36Oh, this is such a good thing, Charlotte
01:03:38Come on, Lisa
01:03:38I've been waiting all day
01:03:39Hey, can I please get a kiss?
01:03:40I'm sorry, no, there's not a kiss
01:03:41Come on, you look okay
01:03:42Fine, come on, Lisa, please
01:03:43Sorry, just an autograph
01:03:44I said no, man
01:03:46Oh, we good?
01:03:47We good?
01:03:48Oh, sorry
01:03:48What the hell are you doing, Tony?
01:03:51What?
01:03:51You can't be like
01:03:51Why do these dudes get all grabby like that?
01:03:53These are fans
01:03:54They're the reason why we're here
01:03:55We can't be handling things like this
01:03:57What the hell is that supposed to mean?
01:03:58It means how we gotta be more thoughtful
01:04:00How you handle situations, Tony?
01:04:02Not everything is a confrontation
01:04:04What the hell is the matter with you?
01:04:06You've never had an issue before, alright?
01:04:08You look tired and I mean
01:04:09Okay, you don't want to talk
01:04:12You know what?
01:04:13I don't need this, alright?
01:04:15Because all I was doing
01:04:16Was making sure you were alright
01:04:17Like I always do
01:04:18Oh, you don't
01:04:19Don't check on me for once
01:04:21I already have a brother
01:04:23I don't need another one
01:04:24Hovering over me
01:04:47You good?
01:04:49Yeah
01:04:50I'm good
01:04:51Just tired
01:04:54I know
01:04:56What's going on?
01:05:06Oh, man
01:05:08Running style
01:05:08That's nice
01:05:09Look at this man
01:05:10That was
01:05:13What is lame-ass Tony riding with us
01:05:14To the show for?
01:05:15I don't know, man
01:05:16Ask Lisa
01:05:17I will
01:05:18What you asking me for?
01:05:20Got a mind reader?
01:05:29Why aren't you listening to Rocco?
01:05:31The label doesn't want her around
01:05:32And she's messing with our money
01:05:33I invited her, Mike
01:05:35Yeah, and that's the problem
01:05:36We keep making all these decisions
01:05:37Without consulting the group
01:05:38And we're sick and tired of it
01:05:40Right, Alex?
01:05:41Guys, listen
01:05:42Look, I'm a lover
01:05:42Not a fighter, alright?
01:05:43Can we just talk about
01:05:44It later?
01:05:45Right now, we just need to focus
01:05:46No, we can't talk about it later
01:05:48I was going to keep this
01:05:49Between just us
01:05:52But I had a lawyer look over everything
01:05:54And those contracts that we signed
01:05:56Put Rocco in charge of everything
01:05:58He screwed us
01:05:59Nah, you screwed yourself
01:06:02I already told you
01:06:03The music game
01:06:04You either hustle
01:06:05Or you get hustled
01:06:06And you got hustled
01:06:09Yeah
01:06:10Just like your daddy be hustling you, right?
01:06:12Who the hell are you talking to?
01:06:13I'm talking to you
01:06:13I'm talking to you
01:06:14I'm talking to you
01:06:15I'm talking to you
01:06:16Chill, chill, chill
01:06:17Chill, chill
01:06:17Lock your ass up
01:06:18Dude, she need to be out of here
01:06:20Now
01:06:20Chill out
01:06:21Stop, Mike, stop dissing her
01:06:25This is the biggest night of our careers
01:06:27And you guys are wild and in a damn car?
01:06:40Man, what are we going to do about these contracts?
01:06:42Nothing
01:06:42What do you mean, nothing?
01:06:43Those contracts are signed
01:06:45We signed them
01:06:48I just bought my mom a house
01:06:49My brother a car I'm paying for my sister's college
01:06:52That can all go away tomorrow like that
01:06:56Let's just ride this wave until we can renegotiate
01:06:59Because I ain't going back to folding sweaters in the stockroom
01:07:01You hear me?
01:07:33You can't fight everybody, Tony
01:07:35You're lucky Barry wasn't there
01:07:37Me?
01:07:37I don't care about Barry
01:07:39All right?
01:07:39He's the one that started
01:07:40Stop!
01:07:41Stop!
01:07:42I can't handle this!
01:07:43Handle what?
01:07:44The truth?
01:07:45I've been saying the same thing over and over and over
01:07:47Now it's happening
01:07:48Now it's a problem
01:07:49What is up with you?
01:07:51You've been acting different from once now
01:07:53You never acted like this
01:07:54I always kept it real with you
01:07:56He, in fact, has been talking to me crazy
01:07:59And I'm not going to keep around with it
01:08:00Maybe you don't know what the hell you're talking about, Tony
01:08:03Okay
01:08:03Maybe I can stick up for myself
01:08:06Do it
01:08:11The rise of hip-hop and electronic dance music
01:08:13Is forcing the freestyle genre to fade
01:08:34I'll be back in a minute to check on you
01:08:40It's Lisa, Lisa
01:08:42Hi
01:09:04She's killing it, right?
01:09:05Let me see what you got
01:09:09Yeah, that's it
01:09:11Nah, keep going
01:09:16What's up?
01:09:17I stopped by to get my chick
01:09:19I didn't know when he was rehearsing
01:09:21Who was that?
01:09:22She's cute
01:09:24Tony
01:09:27Do you have a minute?
01:09:29Come on, me in a bit
01:09:40I don't even know
01:10:26I need a job, man.
01:10:31Is that all you need?
01:10:37Hey!
01:10:39I told you.
01:10:43You'll be back.
01:10:51This love we have could be real.
01:10:54Let me show you how I feel.
01:10:59Oh, boy.
01:11:01We can make it, we can make it work.
01:11:05Hey, that was good.
01:11:06I want to do it one more time, okay?
01:11:08Hey, look who's back.
01:11:10It's so good to see you, Lisa.
01:11:14You look terrible.
01:11:16You're not pregnant, right?
01:11:17Shut up, Spanador.
01:11:19Who's that?
01:11:22That is, um...
01:11:25Spanador?
01:11:27Mike.
01:11:28Mike!
01:11:31Lisa, hear me out.
01:11:32Where's Tony?
01:11:35Where's Tony?
01:11:38Lisa!
01:11:43I told you.
01:11:48Barry!
01:11:50I'm gonna have to call you back.
01:11:52What happened to Tony?
01:11:54I was gonna explain it to you.
01:11:56Who the hell stopped to let her go?
01:11:57It was a group decision.
01:11:58I'm a part of this group.
01:12:01Tony's toxic, okay?
01:12:03She's violent.
01:12:04We do not need an individual like that on the road.
01:12:07She's a liability.
01:12:08I need her.
01:12:08I need her on the road.
01:12:10I want her back.
01:12:11No.
01:12:12What?
01:12:13It was a management decision.
01:12:15I'll just go bring her back here.
01:12:16You know, if you go after her,
01:12:18I have to believe that you are not serious about your career.
01:12:22You could lose everything you have worked for.
01:12:25And for what?
01:12:27Some lesbian?
01:12:29How dare you?
01:12:32What does it matter who she sleeps with or who she is?
01:12:38You don't like Tony because she sees through your lives.
01:12:42Mm-hmm.
01:12:44You don't like her because she teaches me about snakes like you.
01:12:49I'm not gonna go on without her.
01:12:53Period.
01:12:54Whoa, whoa, whoa, whoa.
01:12:55You're from the ghetto.
01:12:57You never graduated from high school.
01:12:59You cannot make it in this business without someone like me.
01:13:11Watch me.
01:13:25Have you seen Tony?
01:13:27Can I get a picture?
01:13:28I'm sorry, girls.
01:13:28I can't write you.
01:13:31Lisa?
01:13:32Why are you looking for Tony?
01:13:35Is she using again?
01:13:36I didn't know she used.
01:13:37You don't want to know she used.
01:13:41Maybe not.
01:13:42Her pops.
01:13:43She's using again.
01:13:44She'll be with him.
01:13:44He's a drug addict pimp.
01:13:46Living somewhere in the projects.
01:13:48If you find him, you'll find her.
01:13:51Thanks.
01:13:52Hey, Lisa.
01:13:53You gotta save her.
01:13:55If she stays in the projects, she'll end up just like her father.
01:13:59Music's all she has.
01:14:03Can we just get an autograph?
01:14:05Get out of the way.
01:14:05Hey, Lisa.
01:14:06Be careful.
01:14:08Project's no place for a girl after sunset.
01:14:12Yo.
01:14:13I don't think she's breathing.
01:14:15She'll be alright.
01:14:18I don't know, B.
01:14:19We need to do something.
01:14:21This your daughter, man.
01:14:23It's a grown ass woman.
01:14:25She ain't did nothing she ain't want to do.
01:14:27Tony!
01:14:28What the hell is that?
01:14:29Tony!
01:14:29Are you here?
01:14:31Hey, get the piece now.
01:14:32Hold me down.
01:14:34What the hell you doing here?
01:14:38You hear me talking to you?
01:14:39Tony.
01:14:40Tony.
01:14:41Tony.
01:14:41Hey!
01:14:42Tony!
01:14:43Tony!
01:14:43Tony!
01:14:44No, no.
01:14:45Get up.
01:14:46Get up.
01:14:47She's barely breathing.
01:14:49She ain't going nowhere.
01:14:54She's gonna die.
01:14:55We all gotta go sometime.
01:14:58But you?
01:14:59You ain't going nowhere, Bodequa.
01:15:09There are off-duty police officers waiting for me outside.
01:15:14If they come over here, and they spot the pile of cocaine you got there,
01:15:20they're gonna pick you up for the multiple warrants you probably have,
01:15:24and you will die in prison.
01:15:26You hear me?
01:15:35Don't get outside.
01:15:39Having babies don't make you a father.
01:15:42Caring for them does.
01:15:44You ain't no father.
01:15:48Hey, Bodequa.
01:15:50Don't ever let her come back here.
01:16:01Come here.
01:16:15What day is it?
01:16:17Tuesday.
01:16:19You've been out all night.
01:16:25Oh.
01:16:27This?
01:16:30It's the latest in accessories.
01:16:32The chemo pack.
01:16:36I've had her for a while.
01:16:40Doc told me after...
01:16:43Javi and I split up.
01:16:49But why?
01:16:50Why didn't you say anything?
01:16:53I didn't tell anyone, because I was...
01:16:58Because I was scared.
01:17:00Scared of what?
01:17:03Scared of losing everything.
01:17:07You know, when I was a kid.
01:17:09I would...
01:17:11Stand on a chair in the kitchen.
01:17:12And just dream I was on a stage, singing.
01:17:17You know, that I was...
01:17:18The one coming out of Radio City Music Hall in a limo.
01:17:24That I would take care of mommy, and that I would make...
01:17:28El Alio proud.
01:17:30They'd seen me all successful.
01:17:36For a while it felt like...
01:17:39Everything we were living...
01:17:42Was that dream.
01:17:46And the moment...
01:17:48Anyone said cancer, I would...
01:17:52I would just lose it all.
01:17:57That everything would be gone.
01:17:59You know, the tour, the bands, the money.
01:18:06You...
01:18:08I was terrified of losing you.
01:18:12And I was so angry at you.
01:18:17Why did you do that?
01:18:21At once...
01:18:24I asked the junkie...
01:18:28How did he start getting high?
01:18:31This guy was a track star.
01:18:33He...
01:18:34I don't know, he ended up...
01:18:37Strung out in the projects most nights.
01:18:40But he said when you...
01:18:42Spend your life...
01:18:45Being numb...
01:18:48Drugs help you to feel something.
01:18:51And I guess I just...
01:18:53I just wanted to feel something.
01:18:56To be selling...
01:18:56Rock for my pops, it was never about the money.
01:19:00I just wanted him to love me.
01:19:06Tony...
01:19:07I guess I just...
01:19:09I gotta accept the fact that he'll never be able to do that.
01:19:15You can't force anyone to love you the way you want.
01:19:20I know that.
01:19:23Now.
01:19:26Do you?
01:19:36You're my best friend.
01:19:39My sister, my family.
01:19:43I don't ever want to lose you.
01:19:45No.
01:19:46Do you ever lose me?
01:19:48You got that?
01:19:53Then no more secrets.
01:19:57No secrets.
01:20:00Cause sisters don't keep secrets.
01:20:04Okay?
01:20:08No more secrets.
01:20:10I think there's one more person you need to tell her.
01:20:16Lisa!
01:20:17Ay, yo mio!
01:20:23It's been so long since I've seen you, baby.
01:20:28What are you doing here?
01:20:29I'm sorry, mommy.
01:20:32I've been busy.
01:20:34I have so much to tell you.
01:20:35But what are you doing Saturday night?
01:20:39It will be the one day!
01:20:40You get back out of the place.
01:20:44It will be a while.
01:20:49It will be a while.
01:20:51It will be a while.
01:20:54I can't resist.
01:21:02Please wait世...
01:21:06Yes, we did.
01:21:33Hi, Mommy.
01:21:35I got you seats in the front row.
01:21:40We'll eat after, yeah?
01:21:41Mm-hmm.
01:21:43Yeah.
01:21:46Yeah, baby.
01:21:48So beautiful.
01:21:53Yeah?
01:21:57It's time.
01:22:02I'll see you later.
01:22:03Yeah.
01:22:06Hey, I got you something.
01:22:11What?
01:22:13I thought I lost them.
01:22:15It was in some of the boxes from when you moved.
01:22:18I figured you might need it since you never went anywhere without them.
01:22:34Lisa?
01:22:37It's not that I didn't think you could take the D train alone or pay for Mama's bills.
01:22:45Or do all of this.
01:22:49I just, I wanted to be the one to do that for you.
01:22:56So you didn't have it as tough as I did.
01:22:59I just, I wanted to be the one to take care of my little sister.
01:23:09I know.
01:23:11And if I never told you this, I've never been more proud of anyone in my entire life.
01:23:19I love you, sis.
01:23:23I love you, sis.
01:23:24Oh, yeah.
01:23:28I love you, sis.
01:23:48Oh, yeah.
01:23:48Oh, New York.
01:23:49Are you ready for that?
01:23:50Yeah.
01:23:51Can you feel the beat within my heart?
01:23:53Can you see my love shine through the dark?
01:23:59Can you feel the beat within my heart?
01:24:01Can you see my love shine through the dark?
01:24:03Can you see that you must be a part of that beat in my heart?
01:24:07Can you feel that you must be a part of that beat in my heart?
01:24:20I'm Lisa.
01:24:22Poonie.
01:24:26Let me hear you scream!
01:24:46After all that we've been through
01:24:49I can't seem to face the fact that boy I'm losing you
01:24:53Do away your tires
01:24:55We're gonna do this my way
01:24:58We're not at all
01:25:09Don't you have sisters?
01:25:11You got me now
01:25:12My heart cause double B's for you
01:25:16Now you know
01:25:18I love
01:25:20I'm broke off
01:25:22All this life
01:25:24Will turn
01:25:26To go
01:25:28If we still love
01:25:30All my life
01:25:32All my life
01:25:33Aw you're so only your best friend
01:25:35You're so cheesy
01:25:40Can you feel the beat within my heart
01:25:43Can you see my love shine through the dark
01:25:45Can you feel the beat within my heart
01:25:47Can you see my love shine through the dark
01:25:49Can you see that you must be a part
01:25:51Of that beat in my heart
01:25:52Tony, Tony, get up, get up
01:25:55That beat in my heart
01:25:59That beat
01:26:00Let's go
01:26:10You're my best friend
01:26:11I don't ever want to lose you
01:26:19You want to know about my life?
01:26:22Well
01:26:24Here you go
01:26:24This is how you'll be back
01:26:28And you'll ever get
01:26:32Oh yeah
01:26:35You'll be back
01:26:37Fly, fly away
01:26:42Oh yeah
01:26:45You'll be back
01:26:55You'll be back
01:27:29When you feel the world is taking over
01:27:33And it seems life is too much
01:27:38When it seems so hard to make tomorrow come
01:27:46You'll be back
01:27:48You'll be back
01:27:50You'll be back
01:27:50You'll be back
01:27:51You'll be back
01:27:52You'll be back
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