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If It's Tuesday It's Murder S01E02 (2026) #SERIESHUB
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00:02Hello, everyone. How are you?
00:03My name's Christina, and I'd like to welcome you on behalf of Prometeo Vianes.
00:07And I planned everything for this group tour down to the very last detail.
00:10Christina, this is a joke, right?
00:12Five tourists quietly duck out for their group tour and run into each other at the Museum of Crime.
00:17But why? The five of us are fans of crime stories.
00:19You must be sleepy.
00:21The tour starts in half an hour, no matter what.
00:23Middle-aged, overweight, alcoholic.
00:25It was a heart attack, right?
00:27It's obvious.
00:28All the rooms had a hairdryer in them.
00:30I sat in Fernando's room where there wasn't one.
00:33Someone threw it out the window.
00:34They threw it out to make the murder look like a natural death, and that's how they tricked the police.
00:38We have a security camera that didn't record anyone going into his room.
00:41And we have a wooden music box.
00:44There's also that one-armed man.
00:46A one-armed man is watching the hotel.
00:48If this was a murder, anyone could be the killer.
00:51It could even be one of us.
00:52The only thing we have to do is answer two questions.
00:55Who was Fernando?
00:57And why did he die?
01:17You're doing great, sweetheart.
01:19You're a big girl now.
01:24Yes, hello?
01:26What were you doing?
01:28We were supposed to watch her.
01:30She's only three years old.
01:31Esther, honey, calm down.
01:32She's right here with me.
01:36Anna?
01:38Anna?
01:41Anna, come back here!
02:00I was never here.
02:02I'll tell you later.
02:10I asked her.
02:11I ask her.
02:12I don't know.
02:17Oh, my God.
02:27I'm sorry.
02:28I'm sorry.
02:30I'm sorry.
02:31I'm sorry.
02:31I'm sorry.
02:31I'm sorry.
02:31I'm sorry.
02:33You're setting the bar really high, aren't you?
02:35I'm proud of you.
02:36The world belongs to the brave.
02:51None of this makes any sense at all.
03:00Fernando Paredes was definitely killed.
03:03The killer threw a hairdryer in the tub, then threw the proof out the window.
03:07I mean the hairdryer, not Fernando.
03:10I would understand if you preferred that I come back a little later,
03:13seeing that your wife kicked you out of the house.
03:15I'm sure you don't need me.
03:16No, my wife didn't kick me out of the house.
03:18Oh.
03:20I would have thought...
03:22since the couch is sunken in and doesn't look like when you sit on it,
03:25it looks more like you've slept here a while.
03:27And even though it's noisy outside, you have your window wide open.
03:30It feels like you wanted to air out the place a little, I'm guessing.
03:34You think my wife kicked me out?
03:35Well, yeah, because if you had left,
03:37I don't think you'd still be wearing your wedding ring.
03:44And you probably...
03:47wouldn't still have this photo here.
03:49I can tell you still love her a lot.
03:51You have a beautiful family, huh?
03:53You're good-looking, too.
03:54You have a beautiful smile.
03:55You really should smile.
03:56Oh, I'm so sorry.
03:58I really should mind my own business.
04:00I mean, I'm sure that in your profession,
04:01things can get complicated, right?
04:02Like maybe a case that goes wrong?
04:04What case?
04:05Oh, I don't know.
04:06I'm just trying to avoid an awkward silence.
04:08And because it really does look like you're living out of your office,
04:10and yesterday they had you take a case you say was a natural death.
04:13Everything seems extremely strange, that's all.
04:15Look, Consolo, may I call you Consolo?
04:16I know we barely know each other,
04:18but sometimes it's far easier to talk to someone you don't know.
04:20So if you feel you need to talk, or whatever you want, anything at all,
04:24your secret's safe with me.
04:31I think it's wonderful that you thought a police officer would listen to a housewife.
04:36A housewife who loves to pretend she's Mrs. Marple.
04:40But you told us someone electrocuted him.
04:42No.
04:43No, no, no.
04:45No.
04:45What I said was that he died from electrocution.
04:49It could have been an accident or suicide.
04:51You know, it's not the same thing.
04:53Oh, I get it.
04:54So then Fernando must have resurrected to throw the hairdryer out the window.
05:00I know you mean well, but maybe someone went in there before us and just got scared.
05:05Someone who wasn't seen on the security camera.
05:08So like a ghost.
05:20My poor husband, he doesn't know how to use the washing machine.
05:24You better drink your orange juice before you lose the vitamins.
05:27Then, let's go.
05:28But it's tomato.
05:30Where's Daniel?
05:32Have you seen him?
05:33Well, where is he?
05:34I don't know.
05:35Did you call yourself on?
05:35Five times already.
05:37No answer.
05:38You must have it on silence.
05:41Are you going to help me look or should I get you another croissant?
05:45And where have you been?
05:48Hotel Ovalade.
05:52Good morning.
05:52Welcome to Hotel Ovalade.
05:54How can I help you?
05:56I arrived two days ago with Prometheus Travels.
05:58We were supposed to stay here, but there was a last minute change.
06:01We were told you were fully booked.
06:02She told me the agency hadn't confirmed our reservation.
06:07And they didn't have any rooms because there was a conference.
06:10Are you saying that they did have rooms available?
06:13I'm saying that someone wanted us to stay in this hotel.
06:16I called him multiple times and looked everywhere.
06:18I can't find him.
06:18I have to do something now because he isn't familiar with the city, you know?
06:21What if his cell phone battery just runs out?
06:23You'll figure it out just like anyone else would?
06:24No, he's not like anyone else.
06:27Christina, we really need to call the police.
06:29What happened to Daniel?
06:30We can't wait.
06:36The adventure of the Greek interpreter.
06:38The sign of the four.
06:39The hound of the Baskervilles.
06:40The adventure of Husteria Lodge.
06:42The adventure of Carbillages.
06:43The adventure of the Terrible Treaty.
06:45The Pascal Mabally Mystery.
06:46The adventure of the cardboard box.
06:48The adventure of the engineer's thumb.
06:50The adventure of the Kirkus Man.
06:51The adventure of the Sussex Vampire.
06:53What are you doing in here?
06:53The adventure of the Bruce Pennington planes.
06:56What?
06:58Kike was going to show me a mysterious room he found.
07:02Or lock you in a closet to be funny.
07:03That's also possible.
07:05Oh, my cell phone.
07:06He asked me for my phone to light the way.
07:08If I hadn't given it, I wouldn't have spent...
07:1253 minutes here.
07:13I'm sorry, I must go.
07:15I have an emergency.
07:19We have to do something.
07:20Look, he's here.
07:21Daniel, where have you been?
07:22Tell me, are you okay here?
07:24Kike took my phone and locked me in a closet for 53 minutes just for fun.
07:27It wasn't particularly fun, but it was eye-opening.
07:29That's wrong.
07:29I have to go.
07:30I'm late.
07:30Where are you going?
07:31Fabio.
07:32Fabio.
07:32Daniel, your mother's going crazy looking for you.
07:34Where were you?
07:35Locked in a closet.
07:36Kike, just for fun.
07:37Let's go find the other guy.
07:38Wait, hang on a second.
07:38Are you hurt?
07:39Are you okay?
07:42I know how the killer snuck into the bedroom.
07:52Room's all yours, kid.
07:55You need to all stay here until I call you.
08:05It looks like it's going to ring today.
08:09Okay, this is stupid.
08:19Danny?
08:21Daniel?
08:22Wait a minute.
08:23Where did he go?
08:24I don't understand.
08:27Where is he?
08:28Unbelievable.
08:32I told you guys to wait out there.
08:34How did you do that?
08:40So, these two rooms used to be connected before, but when they did their low-budget renovations,
08:44they covered the door instead of sealing it shut.
08:48I wouldn't have thought about it if Kike hadn't locked me up.
08:51Finding myself in a tiny dark space made me think about these closets.
09:00This is Pilar's bedroom.
09:07The camera's pointing at Fernando's room.
09:09Yeah, but the door to Pilar's room is in a blind spot.
09:17How did the killer know that Pilar wouldn't wake up and see them?
09:21Because she takes sleeping pills.
09:24Okay, it was Bruno who assigned the rooms to each of us.
09:27Yes, but Christina switched us to this hotel.
09:29But I have more.
09:32I swear this kid.
09:43In the other bathrooms, the tubs and sinks are in a different spot.
09:46This is the only renovated one.
09:48But once again, they were on a budget.
09:51So instead of changing the electrical insulation, they simply covered up the old one.
10:00No need for an extension cord.
10:14No need for someone to fix their work.
10:15No need for someone to show them.
10:17No need for someone to take care of them.
10:18No need for someone to stay this place.
10:19You see?
10:20You can't say anymore that they were crazy.
10:44I guess you're right.
10:45This is a real crime.
10:51This outlet could very easily short-circuit and blow a fuse.
10:54You should have an electrician check it out.
10:55What are you saying?
10:57This is what's called a textbook murder.
10:59The victim was taking a bath, and he...
11:00The only real loss here is the time I've lost.
11:03And my time is way more valuable than yours.
11:06Have a nice day.
11:10As you can see, these avenues are wide and laid out in a grid-like pattern, right?
11:14This whole area was destroyed in the 1755 earthquake.
11:18You might also be wondering...
11:20Please, could you use the microphone?
11:21Yes, of course. Sorry.
11:22Okay. Can you hear me better now? Good.
11:24Are you wondering who built this area?
11:25The Marquis of Pumbam.
11:28And you're probably wondering, who is that?
11:29Christina, who is that guy?
11:30Well, look over there.
11:32When my kids were little and they took baths in the tub, they made a huge mess every time.
11:36Did all of you notice there wasn't a single drop of water on the floor in Fernando's bathroom?
11:40So he didn't put up a fight?
11:42Or the killer thought to bring a mob with them.
11:44Or maybe they caught him off guard?
11:47No.
11:48He was facing the door when we found him.
11:51Maybe they drugged him while he was having dinner.
11:54I mean, I still have a hard time believing he was killed, but if you want to play, let's play,
12:00right?
12:01A bit risky, in my opinion.
12:03First he's drugged, then electrocuted with a hair dryer that's thrown out the window.
12:06Well, I don't know about you, but I would have just stabbed him in his sleep and that would have
12:10been it.
12:12Look, Pura, how it's done isn't important.
12:15The real questions are why and who.
12:17The who is step one for Agatha Christie.
12:24So, Agatha, how do you get to step two?
12:27Well, if I were investigating this case, which I'm not, I'd stay close to that group over there and listen
12:34in.
12:34She's a kid!
12:5017 suspects are too many, it will be easier to find the killer if we get to know Fernando.
12:55What do we know about him?
12:57Fernando Paredes, welcome to the group
12:58We know he lived in Badajoz
13:00I heard Cristina say so
13:01We weren't going to make you drive to Madrid when we were going through Badajoz
13:03And that he shaved right before the trip
13:05At that age, you only cut yourself if you never shaved
13:07He also had a bag that was too small for a seven day trip
13:10That he liked history
13:11And that he didn't take a single photo
13:15Fernando had a beard but wanted to shave it before the trip
13:19So he didn't want to be recognized
13:21And you can only be recognized
13:24If you're somewhere you're used to going
13:26He lived in Lisbon
13:30How can we find his address?
13:34From the magazines on his nightstand
13:36He had subscribed to them so they'll have his address, right?
13:38Yeah
13:39I doubt they'll give it to us just like that
13:42Puda, you speak Portuguese
13:44Well
13:45Okay, I'm calling
13:46You're Fernando's widow
13:47Say you want to cancel his magazine subscription
13:49But you don't know if it's mailed to your home in Cascades or in Lisbon
13:52There, talk
13:52Go, go, go
13:54Hello
13:55Hello, hello
13:57I'm, uh, Sue, a viuva do Fernando
14:02Fernando Paredes
14:07He died
14:08Morreu
14:11He passed on, my dear
14:34But no one of the alwayscular
14:36In the morning, this morning
14:55I don't know.
15:09What the fuck?
15:12Thank you very much, thank you very much.
15:21Thank you very much.
15:22That's great, Buddha.
15:23I'm very sad, yes.
15:27Bye.
15:29Bye.
15:29Bye.
15:30I'm so stunned.
15:56I just heard the music box through the vent that's in the bathroom.
15:59So what?
16:00What do you mean, so what?
16:01The music box was at the museum.
16:03And the night Fernando died, Pura and I heard it coming from his room.
16:06Now he's dead and we hear it again.
16:08It could be the motive for the murder.
16:10Pura.
16:11That would explain why Fernando was at the museum.
16:14His 15 minute walk to find a restroom wasn't very convincing.
16:18Are you suggesting that Fernando went to the museum to steal the box?
16:20And then someone steals it afterwards.
16:23Hm?
16:24So if we find the music box, we'll also find the killer.
16:40We have to find a way to search all the bedrooms now.
16:44No way.
16:44No, no, no.
16:45What are we going to do?
16:45Pick the lock?
16:46That's illegal, you know.
16:49We should start doing things by the book.
16:51Let's go to Fernando's house.
16:53I'm sure we'll find something there.
16:54So what if we go ask Consalo to get a warrant, huh?
16:57Forget the police.
16:57No.
16:58We have to do this without...
16:59Letting the cat out of the bag.
17:04So no police then?
17:06Do you want to go?
17:09Me?
17:12No.
17:12No.
17:13One of us has to stay in case the music box reappears.
17:20Fine.
17:20I'll go and check it out then.
17:21I'll go with you.
17:22No.
17:22Yes, I will because this could be dangerous, huh?
17:24Yeah.
17:25I'll go get my things.
17:30I guess if this music box is valuable, you and I should create profiles to categorize
17:34each suspect in the room.
17:35based on their financial needs.
17:36That would give us a better understanding...
17:37Daniel, yes, that's brilliant.
17:38You go do that, okay?
17:44Alicia, I made you some sandwiches.
17:46I don't want anything.
17:47You'll snoop better on a full stomach.
17:51Hey, wait a minute.
17:57You're Kike, aren't you?
17:58Yeah.
17:59You like playing jokes on people.
18:01If you ever play a joke on Daniel again,
18:04I'll scare the hell out of you so bad you'll end up pissing yourself.
18:07Do you understand?
18:10Good talk.
18:11Okay, let's go.
18:22But did she hit you hard?
18:23I don't want to talk about it anymore.
18:25Yes, of course, I understand, darling.
18:27That little group is just a bunch of psychopaths.
18:29It's not just the crazy lady who threatened my son, but it's all of them.
18:31That crazy bitch just slapped me for no reason.
18:33You locked up that kid.
18:34I didn't lock him up.
18:35The weirdo did it himself.
18:36Wait a minute.
18:37That group of people.
18:38Don't.
18:38It's not worth it, really.
18:40You better watch out.
18:40He's really screwing up our trip right now.
18:42I don't want him to ruin our getaway, okay?
18:44Yeah, for sure, girl.
18:56Yes.
19:00The photos you take in a nature setting are 20% more accepted than the ones in an urban setting.
19:06Accepted, you said?
19:07Yes.
19:08Do you mean liked?
19:10You should post the photo you took of yourself in the estufa fria.
19:13You were next to the Tasmanian tree fern.
19:16The frame and focus were particularly optimal.
19:19So was your face.
19:25My face was optimal?
19:28Does that mean you think I look pretty?
19:33Nothing.
19:34I have to...
19:35I have to make some work calls.
19:37I don't want to hold up the group.
19:38Don't worry about it.
19:39This is today's itinerary.
19:40Call me when you're done and I'll tell you where we are.
19:42Thank you for this.
19:42I'll call you.
19:44Okay, my little group.
19:45We're going to see a really beautiful mural.
19:47It's not graffiti.
19:48It's a mural.
19:48Come on, let's go.
19:49We're leaving.
19:49Come on, my little group.
19:50I don't want to go.
19:52Come on.
19:52I have to leave.
20:01When we went into Fernando's room,
20:03we saw the music box in the closet.
20:06Then we went down the hall to tell everyone,
20:08and everyone was there.
20:10Everyone, except for three.
20:20Carolina?
20:25Cote?
20:29And Monica?
20:32No one touched the closet until the police arrived,
20:34so whoever stole the music box
20:36had to have done it after we found the body.
20:43If it's not in the hotel,
20:44it's because the thief has the music box on them,
20:46and there's only one reason for that.
20:49I'll give a full explanation once everyone gets to the top.
20:52The thief is planning on selling it this afternoon.
20:54Come on, everyone.
20:55Keep it moving all the way to the top, please.
20:55And here we are,
20:56on the steps leading up to this famous mural.
20:58Keep it up.
21:00What do you want to do tonight?
21:01Let's go to that bar we saw.
21:02Don't worry, Mama.
21:03We're almost there.
21:06Hurry up already.
21:08Wow, Fabio, that was quick.
21:10Well, the group needs a bomb, right?
21:11I'm sure there was another way to get there.
21:13There has to be a road or something, right?
21:15I paid like everyone else,
21:16and I want to see the same thing.
21:17It's just a wall with graffiti.
21:19Some bandles destroying public property.
21:21It's called art.
21:22And Mama loves art.
21:23Lighten up.
21:25Hey.
21:26You think you dropped your wallet?
21:28Oh, no, no.
21:31Are you trying to inherit the factory ahead of time
21:34by making my death look like an accident?
21:36You're all a bunch of idiots.
21:37Funding is important,
21:38so let me give you a hand, okay?
21:39Yes, please help.
21:40Sure.
21:41All of this trouble,
21:42because my son is an idiot.
21:46Okay, come on.
21:47You got it.
21:48Oh.
21:48You okay?
21:49Thank you, young man.
21:50You're welcome.
21:51You guys are all gonna kill-
21:52Okay, my little group?
21:54Don't look at me.
21:54I'm not of historical interest.
21:56Let me tell you about this piece of art, okay?
21:58This mural is a tribute to Fado music,
22:00which is a popular kind of Portuguese music.
22:02This represents the bohemian Fado,
22:05or vagabond Fado,
22:06which means amateurish,
22:07or alternative Fado,
22:08which is a bit more underground.
22:12You can say what you'd like,
22:14but Fernando was forgetful.
22:17Didn't you notice he forgot his room key
22:19on the table after dinner?
22:22I'm telling you,
22:24someone like him
22:25will always keep us spare somewhere.
22:26Can you move?
22:28Nothing.
22:30The best hiding place
22:33is somewhere that no one will ever touch.
22:39Not even to dust it.
22:41Let's see.
22:58Let me try this key.
23:08You go ahead.
23:16Wow, so this is the famous church.
23:18Right, this is that beautiful church
23:20you always tell us about, Grandma.
23:21Ah, it's beautiful.
23:23I would have gotten married here, too.
23:24To whom? Your ex?
23:25I'm sorry, kid.
23:26Or to someone who wasn't a total drunk.
23:28At least he wasn't the one
23:30who threw up at a shareholders meeting.
23:36Come here.
23:39Bad news is that it's completely worthless.
23:42Cote had it.
23:42Cote?
23:43So Cote did it?
23:44No, no, no, no.
23:45Cote's not the killer.
23:46He must have gone inside, saw Fernando in the tub,
23:48and for whatever reason, stole it.
23:50But he's not the killer.
23:51Do you understand?
23:52How did you find it, then?
23:54Oof.
23:54No.
23:57Don't worry.
23:58I won't explain it again.
24:02Let a can out for me, hmm?
24:07You okay?
24:15Oh, my God.
24:17Wow, this place is really fancy.
24:20Shh, don't touch.
24:24He was a history professor.
24:26If he was living here,
24:28why on earth did he sign up for a group tour?
24:32The question isn't why he came back.
24:34The question's why he left in such a rush.
24:40Ugh!
24:41Disgusting!
24:42Hey, what is it?
24:43Everything's rotten in here.
24:44Gross.
24:49Look at this.
24:51You'll go out of this.
24:54That's why he came back to Lisbon.
24:57And that's why
24:58he went directly to the museum to steal his box.
25:02Oh.
25:04Ooh!
25:05Excuse me.
25:23You scared me.
25:25Hey, ladies.
25:26You know you're missing some pretty great churches.
25:30Wow.
25:30What'd you find?
25:31Well, we found photos of the music box,
25:33but nothing that links Fernando to anyone in the group.
25:36Except that it looks as if he knew you.
25:39Who, me?
25:41Absolutely not.
25:44As for the box,
25:46Cote had it.
25:47Cote?
25:48The big guy with the mustache who's with the woman in the wheelchair.
25:52Really?
25:53Yeah, but he's not the killer.
25:54He's a thief and a small-time one.
25:56Because they won't give him more than three euros for this.
25:58And just how do you know this?
25:59I was an antique dealer in 2015.
26:01There's some nice stuff here.
26:09It smells weird.
26:11Yeah.
26:12It does smell.
26:13Let's get out of here.
26:17Who could have lit a candle?
26:18A candle?
26:21Shit.
26:31So, Alicia said something about a candle.
26:33And I said, a candle?
26:34And boom!
26:35Everything exploded.
26:36A gas heater once exploded next to me when I was at Boris Beach.
26:40I was so scared.
26:44Someone wanted to get us out of their way.
26:46I'm telling you.
26:48So it was just the two of you in there?
26:50Yes.
26:52Yes.
26:53This was attempted murder, obviously.
26:56It was just a gas leak.
26:58If someone really wanted to kill both of you, it probably would have been a bigger explosion.
27:02Right.
27:03And you don't find it a bit weird that this explosion occurred in the house of a man who died
27:06two days ago, under strange circumstances?
27:10What's also strange is that you were in his home, uninvited, which is completely illegal.
27:23Yes, sir.
27:24Yes, sir.
27:25No, no.
27:25I'm not going to jump in the car.
27:27I took it yesterday.
27:29Yes, sir.
27:33Yes, sir.
27:34Yes, sir.
27:36Yes, sir.
27:38Yes, sir.
27:40Yes, sir.
27:43Yes, sir.
27:49Yes, sir.
27:49That's what a lot of Spanish tourists normally do.
27:51Then go back to your regular lives.
27:56Yes, sir.
27:56Oh, my God.
27:57I do need to buy towels.
28:00Oh, my God, that scared me so much.
28:02I'm shaking like a leaf.
28:04I can barely breathe.
28:04I see you guys are still in one piece.
28:06Wait, where did you disappear to?
28:08You walked down with us and suddenly you weren't there.
28:10I did what you two should have done.
28:12It's a miracle you weren't arrested.
28:13Right. So then why did you go there, huh?
28:16We're a team, right?
28:17Yeah, we are.
28:20Christina.
28:46Do you understand what she's singing?
28:49No.
28:51That's the thing about this bloody music.
28:53No matter how hard you try, it always gets to you.
28:56And you? Do you understand?
29:00The song's about wounds that never heal.
29:04About holding on to your memories and learning to say goodbye.
29:11What if you don't want to say goodbye?
29:14Do you want a piece of advice from an old lady who's got one foot in the grave?
29:19You'll never get attached to anything.
29:21You're not ready to leave behind at a moment's notice.
29:24To nothing.
29:25And to no one.
29:33I love how emotionally this woman sings.
29:36I also love the same name.
29:46Hang on, hang on.
29:50Cheers.
29:51Drink.
29:52Ooh, Cynthia.
29:54You kept her a secret from us, didn't you?
29:57We all have secrets, right?
29:59Oh, no.
29:59I don't.
30:00Alex and I tell each other everything.
30:01Everyone lies.
30:02Your best friend lies.
30:03Look.
30:04And your boyfriend lies.
30:05And you lie.
30:06And it's no big deal.
30:07Me?
30:11Hello, my love.
30:13Yeah, sorry about that.
30:14I'm at a kind of boring party.
30:37You stole it in the first place.
30:38Stealing from the dead isn't stealing.
30:40Plus, that guy didn't need it anymore.
30:41The box isn't worth anything.
30:43Come on, kid.
30:43I'll buy you a couple of beers and we'll call it even.
30:47By the way, are you allowed to drink with your meds?
31:27What?
31:28Looks like you made friends with the girls, huh?
31:30To be honest, I truly hate bachelorette parties.
31:34You never said why you came to Lisbon.
31:37I've always wanted to come here.
31:40Give me an answer.
31:41I'll believe.
31:43There's a man here.
31:44I also saw him at the explosion.
31:46Hey, just forget about the explosion.
31:48I think the kid's in danger.
31:49Someone's after him.
31:51The other part is the music box.
31:51The adventure of the evil trading.
31:52The adventure of the carpool box.
31:54The adventure of the engineer's thumb.
31:55The adventure of the paracross.
31:57The adventure of the devil's foot.
31:59The adventure of the high bridge.
32:00The life war traps.
32:02The adventure of the league.
32:02The adventure of the blue carpool.
32:04Ugh!
32:11Janney!
32:12Hey!
32:13Wait!
32:13Wait, get him!
32:14There's the music box!
32:16He's getting away!
32:19But he's not one-armed.
32:35Oh well.
32:36Guess he got away.
32:41Holy cow, Alicia!
32:43You've got to be kidding me.
32:55Maybe we should take the stairs instead.
32:57Yeah.
32:57No!
33:03No!
33:05No!
33:12No!
33:17No!
33:19No!
33:47I don't understand.
33:49The homeless guy said a one-armed man.
33:52Oh, for Pete's sake.
33:54Hi, Alicia.
33:55How are you, sweetheart?
33:57What?
33:58Yeah, the thing is, we have a reservation at a restaurant,
34:01and we're running really late.
34:02I think we lost them.
34:03Huh?
34:04Oh, yes.
34:05No, no, no, wait.
34:05What?
34:06No, we lost Conchini again.
34:07You know how slow she can be sometimes.
34:09Always window shopping.
34:11Hey!
34:16Stop!
34:16Hand it over.
34:18Hey, just calm down, okay?
34:20Give us the music box.
34:22Alicia, the box is in his pocket.
34:30But I bet she'll be here any minute.
34:53You didn't run away this time.
34:55I didn't get a chance to.
34:59I wonder who that guy was.
35:02I have no idea, but he did have this in his pocket.
35:05You go out for a walk and a suicide victim lands next to you?
35:07Would you leave him alone, please?
35:09Well, supposedly, yes.
35:10At least that's the story we all agreed to.
35:12What do you mean, agreed?
35:14We were talking, and we all agreed it was a terrible accident.
35:17Another one.
35:18That's it.
35:19I can't allow this trip to turn into a killing spree any longer.
35:21You're right, Christina.
35:22In fact, I think we should do something different tomorrow
35:24to improve the morale of our group.
35:25No, we're not going to do anything tomorrow
35:27because your group's going back to Spain.
35:28Impossible.
35:29The plan was a seven-day trip.
35:30What plan, Daniel?
35:31There is no plan.
35:32Yes, there is.
35:32No, Christina, this is not bad luck.
35:34That's all.
35:34Two deaths in two days, David?
35:35That's not bad luck.
35:36That's an evil curse.
35:37And this curse will finally be over
35:39when everyone in this little group has left.
35:49Alicia.
35:52How are you doing?
35:54How do you think I'm doing?
35:58You know, every year where I live,
35:59we slaughter pigs for food, right?
36:01And everything everywhere is covered in blood.
36:04But what I saw today was terrible.
36:07It was an accident, you know.
36:09Yeah, I know.
36:09It was an accident and an explosion.
36:11Was that also an accident?
36:15Look, I think what the police officers said was right.
36:18Maybe we should all just stop playing detectives.
36:23I thought you liked solving mysteries.
36:24Yes, I do, but I like them when I'm watching TV.
36:27But in real life, it's just not as entertaining,
36:30you know, Alicia?
36:31Yeah.
36:32I saw them there.
36:33It's going to be okay.
36:38Are you planning on staying in Lisbon?
36:43I don't know yet.
36:45I don't know what I'm doing here.
36:47I don't know what to do.
36:48I really shouldn't be here.
36:50I should be at home with my kids.
36:51With all my goats.
36:53You were trying to help Fernando.
36:57I wanted to share this with you.
37:01It was in the victim's pocket.
37:11It's in the Hall of Eladay Hotel.
37:15It's in the Hall of Eladay Hotel.
37:29It's in the Hall of Eladay Hotel.
37:30It's very beautiful.
37:32Do you know what this song is?
37:34It's a very old Christmas song.
37:38It's in the Hall of Eladay Hotel.
37:41What is missing?
37:42It's in the Hall of Eladay Hotel.
37:44It's in the Hall of Eladay Hotel.
37:44Now, who makes a music box without a chorus, hmm?
37:50I saw on the Museum of Crime's website that it was donated by a woman, Margarita Moret.
37:54I searched the name online but did not find any relevant information on her.
37:58It's better this way.
37:59This was a bad idea.
38:01Can I see?
38:03Somebody's not working.
38:04Give me some light.
38:10What are you doing?
38:12I want to see what's inside.
38:23Wait.
38:24You see something?
38:24It doesn't look like anything's wrong.
38:27What are you guys doing here?
38:34Look.
38:36What's this for?
38:37Be careful.
38:38Don't touch.
38:44Aha.
38:45What's this?
38:49Oh, my God.
38:50The print's so tiny.
38:51Yeah, it's unbelievably tiny.
38:53What does it say?
38:55The count is safe.
38:56The treasure comes back to life if the king turns the cube
38:59and your hand touches the belly.
39:00Oh, my God.
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