- 7 weeks ago
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00:16surprise oh what is this this is your new atelier oh it's beautiful but we can't afford it
00:26we are spending too much on attorneys already i know money's been tight so i called in a favor
00:32from an old friend this belongs to pierre cadeau and it's yours if you want it wow that's so generous
00:42i mentioned your name and he said no problem and also to send his love to zio lorenzo
00:49uncle lorenzo he worked for the company for many years he charmed the pants of everyone in the
00:55fashion industry literally oh this is scary exciting how soon can we move in how about
01:19am i doing this right i've never been a fit model before you're perfect okay
01:23pierre cadeau is ready to zoom he has news
01:25oh go go go hi sorry guy
01:33there's our fairy godfather what did you call me bonjour pierre thank you again for this gift
01:38this changed everything you said you had some news any luck on paris fashion week
01:44despise all the cloaks i wear i'm not a wizard it's impossible to get an unknown designer
01:50into paris fashion week especially when he's being sued by his own mother you said you had
01:56good news i found you a much more suitable event venice fashion week venice has a fashion week
02:04it's more for emerging designers well then that's perfect an italian newcomer making a splash in
02:10venice literally you'll sink or swim either way prepare to show in two weeks what that's not possible
02:19oh my darling boy fashion is all about making the impossible possible
02:24bonne chance mes amis
02:34cher pascal we're very excited to share our ideas with you for the launch of your absinthe
02:39le rĂŞve vert to celebrate we'll be throwing a decadent party in the style of la belle Ă©poque
02:45there'll be conca dancers as well as waiters in period costumes and no absinthe party is complete
02:52without a visit from the green fairy herself nice touch when guests arrive we greet them with a shot of
02:59le rĂŞve vert served on sugar cubes but just a splash we can't have anyone going mad that's
03:05just a myth right is it really a hallucinogen no it's real absinthe was banned for almost a century
03:12in france it was the molly of the belle Ă©poque what do you know about molly
03:19it's a strong drink but i assure you le rĂŞve vert is nothing like molly it will not make you
03:25lose
03:25your mind during the belle Ă©poque regulations weren't strict we weren't there so who can say
03:31i wish i had been there la belle Ă©poque wasn't about restriction it was about experimentation about
03:38progress in art in technology in science in everything it was the birth of cinema it was the
03:44birth of la tour eiffel and the epicenter of it all was maxim's so i'm very very glad you were
03:49able to book the venue for the event we did oh yeah we did of course
04:05luc why is pascal's party at maxime's i thought you were booking laurel's club i mean it's a perfect
04:10fit for the party and he could use the business i called to reserve the space but i was told
04:15it
04:15is unavailable we even offered to change the date but they said no should we ask again no no too
04:23late
04:23anyway amelie are you free tonight i'm feeling nostalgic and i would love to show you my belle Ă©poque
04:30paris ah that sounds lovely marcello is busy working tonight so count me in an artist working late into
04:37the night it is just like the belle Ă©poque without all the syphilis and the smells do you know about
04:44the
04:44great stink of 1880 what ew no the city was unbearable and oh yeah i can't wait to tell you
04:52all about
04:53it hello have fun yes i can have a marketing plan ready by tomorrow but if they get two weeks
05:03for the
05:03line can i please just at least get two days to prep the rollout okay thank you
05:13oh sounded intense who was that nico he's pretty freaked out can you maybe try to cut him like a
05:20little slack money's really tight right now he's worried about money really yeah oh do you not know
05:28that when he left jvma it violated his trust so he's locked out of that he cashed in some stocks
05:33that his
05:34grandfather gave him so he's basically betting his whole inheritance on marcello's business wow i had
05:40no idea it's gonna be fine he knows what he's doing but i feel like i need to start contributing
05:45more
05:46you know i mean if i nail this audition tomorrow i can cover his rent do you have an audition
05:50for what
05:52did i not tell you so these movie producers saw me at crazy horse and they want me to read
05:58for
05:58sateen in an animated moulin rouge oh my god i love that movie it would be an amazing sateen oh
06:04thanks
06:05okay how do i say break a leg in french the french version is married okay well then
06:12married i'll take it i need all the marriage i can get
06:16next time
06:32I'm very happy that you were able to get rid of it.
06:35It seems that you are very busy.
06:36Oh, I can't imagine.
06:39I'm sorry for your absence.
06:41We're reserved for weeks.
06:43But it's not good.
06:45Are you good news?
06:46Yeah.
06:52I'm missing you.
06:55You asked me, I gave you air.
06:57But I was very happy that you called me.
07:02I'm also happy.
07:04I'm happy to see you.
07:08Where were you all these times?
07:10In the south, especially.
07:13Paris works very well, but it's nothing to do with Saint Tropez.
07:16A propos Saint Tropez...
07:19I found a little thing.
07:24That's the date of the opening.
07:25You made the photo, I think?
07:27Yes.
07:28I put it, I put the timer, I made the flyer, I made it all.
07:32You were incredible.
07:35You always did it.
07:38We were in fusion at the time.
07:40We couldn't separate each other.
07:42I suppose that it was our belle Ă©poque.
07:47Who knows?
07:48Maybe the best is to come.
07:52It's just to let it go.
07:55It's just to let it go.
07:57Everybody was still playing.
07:59All right, I love you.
08:03You're welcome.
08:13All right.
08:14I wonder if you're my favorite car.
08:14I understand you.
08:14What's your favorite car?
08:15You never know.
08:15You have to pick up.
08:15You're good.
08:19You're good.
08:23You're welcome.
08:24I'm the other one.
08:24You're welcome.
08:24You're welcome.
08:24You're welcome.
08:28so this was my neighborhood when i first moved in paris i wanted to be in the world of toulouse
08:35lotrec where the artist i read about used to paint and write and drink and screw their brains out
08:40until sunrise i fancied myself quite the painter well that doesn't surprise me at all you have an
08:47artist's soul come on so this is the bateau lavoir matisse cocteau modigliani they all gathered here
08:59oh and picasso too wow i would have killed to be among them but i was more like him
09:07selling my works by day and painting new ones at night you really were an artist how romantic
09:12it was a brutal existence no money no sleep just me and my art
09:22i was never happier oh do you still have any of your paintings no i sold a few
09:31the rest i used as firewood when i realized i had no talents oh what did you used to paint
09:37oh
09:39my speciality was portraits oh cool self-portraits nude self-portraits to be precise
09:49oh i wish you could have seen them i got a striking figure in my youth oh my loss
10:00okay final absence merci merci this is my last one anymore and i'll start hallucinating
10:09are you feeling it too i am feeling a little tipsy
10:15oh and maybe i am hallucinating gabrielle gabrielle no way you have to answer
10:26hi gabrielle how are you where are you are you still on the yacht i'm actually in amsterdam the yacht
10:33is
10:33in dry dog for repair so we're moving to other tons summer home in monaco
10:38oh sounds fancy it is but i didn't call to brag um listen i i left in such a rush
10:45that i forgot some
10:46of my knives i'll be passing through paris tomorrow but i don't have much time in between
10:51trains so i was wondering if you would be willing to come to the train station and bring them to
10:57me
10:58i i know it's a big ask uh uh what time i'll be there at one o'clock for about
11:04an hour we could
11:05have a quick lunch if you'd like it would be nice to see you um yeah yeah i think i
11:11could do that
11:11oh thank you emily i honestly you're a lifesaver um listen i'll i'll shoot you a picture so you know
11:17what to look for and make sure the guardian knows to let you in okay i'll see you tomorrow at
11:22le
11:22trembleu uh... gare de lyon at one pm okay yeah um yeah i'll see you tomorrow bye
11:31just in case you were wondering you were not hallucinating that call was very real it definitely was
11:48marcello livia cosa ci fai qua quindi è vero stai lavorando all atelier di pierre cardot ciao
11:56nicola this is my sister olivia ciao olivia nice to meet you so you're the one behind this this was
12:03my
12:03decision did mama send you she doesn't know i'm here don't agree with what she's doing but but i don't
12:11know what you're doing you never design anything in your life and suddenly you're doing a whole
12:16collection if i may your brother is very talented clearly it runs in the family
12:24why don't you take a look at the line and we'd love to get an outside opinion good idea
12:29i'd love to know what you think
12:39they're beautiful really well constructed but martello why do you want to tear a familiar part
12:46of this it's not even that different from our own brand you just put a colorful horse on it
12:52you're not seeing the whole picture neither are you please stop this before it's too late
13:01excuse me
13:10oh hey you what's up emily i need you to cancel venice what what do you mean we have to
13:17shut
13:17everything down what's going on it was a huge mistake i'm not a designer of course you are
13:24just because you keep saying it doesn't mean it's true we've wasted so much money i can't show this
13:29collection i never should have listened wait what happened where is this coming from my sister came here
13:37to see the line and she said it's not good enough and she's right she's right i'm going to humiliate
13:44myself that's not true okay don't let her get into your head the line is great emily stop she's right
13:51it's boring crap no it's not maybe we can add some accessories to liven it up i said stop
13:59you always want to fix everything but there are some things you can't fix
14:07just stop please
14:12okay um let me see what i can do
14:21um
14:32emily
14:44sri lanka was so beautiful like nothing i've ever seen before but i think my favorite place was
14:49thailand the people are so friendly and the food your episode of chef's table is going to be incredible
14:58i still can't believe you just packed up and left it was a crazy thing to do but i had
15:05to do it
15:06i'd gotten everything i thought i wanted and i was miserable
15:11so i decided to do the exact opposite instead of stability and routine i i ran for the unknown
15:18he just woke me up i i don't know i i'm talking too much how have you been
15:26oh um i'm fine yeah the usual
15:32marcello and i are back together how are you guys doing we don't have to talk about it if
15:37no no no it's okay um we're we're good well he's starting a fashion company he's actually designing
15:43the line himself i didn't know he was a designer well he wasn't but then we lost the one that
15:49we had
15:49and i saw his sketches which were incredible so i insisted that he take over and we're supposed
15:56to show at fashion week but now he wants to trash the entire collection so well i missed so much
16:03it all happened so fast you know maybe a little too fast maybe i shouldn't have pushed him to do
16:09it
16:14can i ask you something of course did i push you for the michelin star
16:21the michelin star was my dream but you were miserable
16:25and you ran halfway across the world to escape from it and i don't know maybe from me
16:36emily all i can tell you is that you supported me
16:39you had faith in me probably more than i ever deserved that's a good thing i just don't think
16:46that's how marcello feels he's so upset and i feel like it's my fault
16:54although maybe that could be because of the lawsuit because on top of everything else his mom is suing
16:59him that's terrible and his business partner nico oh um mendy's boyfriend you remember him the
17:04billionaire well no not anymore it's a really long story you know what i forgot how dramatic paris can get
17:17this restaurant is so gorgeous we should have had our bella pop party here
17:22it's art nouveau right you know what i i believe it is
17:26i look at you you're such a cultured parisian now there was a time where you didn't even know
17:30which floor you were on oh god remember when that was my biggest problem oh i feel like that was
17:38my
17:38belle Ă©poque everything was so new and exciting like a fantasy now it all just feels so difficult
17:50and real we tend to romanticize the past things were pretty hard back then too
17:57you didn't know what you were doing at work you were kissing people that had girlfriends which i
18:03didn't know and they were kissing back by the way very true but not only that there were
18:10secrets and packs and fake michelin inspectors and also good memories like sex on the roof
18:17now who's romanticizing the vibe you know when i left for the yacht i thought my best days were behind
18:26me
18:29but no i'm excited for the future wherever it brings me i
18:39never knew i could feel like this like i've never seen the sky before
18:54i want to vanish inside your kiss every day i love you more and more
19:07listen to my heart can you hear it see
19:16telling me to give you everything
19:23seasons may change winter
19:29so thank you for meeting me it was good to see you
19:34give marcello some time you two are good together what makes you say that
19:42because i saw the two of you in rome when were you in rome
19:49after you decided to leave paris i had this crazy idea to follow you and
19:56i saw you with them why didn't you ever tell me because you looked happy
20:06and that's all i ever wanted for you
20:10it's all i ever wanted for you too
20:15for both of us
20:20you know they didn't start calling it like belly puck until after it had passed
20:25nobody knows if they're living their golden age maybe we're living ours now
20:34just send me a postcard okay a real one with a stamp
20:39you know
20:41and there's no mountain too high
20:45no more
20:49Sing out this song
20:52No more
20:53Bye
21:03Oh, oh my God
21:05Gabrielle, your knives
21:07Wait
21:11Gabrielle, Gabrielle
21:14Your knives
21:17Thank you
21:24You're a good friend
21:41Suddenly the world seems
21:44Such a perfect place
21:49Hey
21:51Where is everyone?
21:52I send them home
21:55Did you cancel this show in Venice?
21:58Not yet
21:59Are you sure that's what you want to do?
22:02It's what needs to be done
22:06You know, sometimes when things don't work out
22:08It helps to look at it from a different perspective
22:11Do the opposite
22:13Like if I'm thinking black, I run towards white
22:16What?
22:17Black is white, up is down
22:20Something like that
22:21Something like that, yeah
22:23All I can think of is how I'm disappointing everyone
22:27Well then think of the opposite
22:30Listen, I don't need you to be a designer
22:34Or a titan of industry
22:37Or anything other than the wonderful man that you are
22:47Whatever you decide, I'm with you
23:19The words fly in the city
23:19to connect with me too, to explain why his clientele s'en prenne to me.
23:23Excuse me?
23:24He's in charge of payment, especially.
23:27His alcohol license, his suppliers, and even his employees.
23:30But no, I don't understand, he told me that his business works super well.
23:34He told me that he had paid 2 million in the apartment.
23:38My lawyer came to take it.
23:39Are you sure of what you're saying?
23:41Of course, I'm sure.
23:43If he doesn't have money, then I'll take it.
23:47I don't have to admit to him.
23:49And you, too.
24:27Bravo, bravo.
24:29Thank you all so much.
24:31It's perfect.
24:32It's exactly how I pictured Maxime's during the Belle Époque.
24:35Merci.
24:36It's been our pleasure.
24:37Now, if you'll excuse me, I have a date with the green fairy.
24:41She's in love with me.
24:48Are we sure this doesn't make you hallucinate?
24:51Mm-hmm.
24:55Is everything okay?
24:57I thought you'd have the time of your life here.
24:59No, c'est magnifique, but being here made all this beauty.
25:04I wish I hadn't given up on my art.
25:08Luke, I think you're romanticizing the past.
25:11Do you remember how hard it was?
25:12And look at you, okay?
25:14You have a great life.
25:16You have great friends and a great job.
25:19And, well, you live on a boat.
25:24Yes, it's true.
25:26But I wasn't talented enough anyway.
25:30Just another dream that died.
25:34Luke, there is something you have to see.
25:48Oh, my God, is that...
25:51It's me.
25:53All of these years have been hanging in Maxim's.
25:56Maybe a little too well hung.
25:59Artistic license.
26:00I can't believe it.
26:02I did make it as an artist.
26:03Emily, can you take a photo of me with my masterpiece, please?
26:06Oh, of course, yeah.
26:08Okay, let's see.
26:11Uh...
26:11Oh, you know what?
26:12Here, do you want to just hold this?
26:13Okay.
26:14Um, just a little higher.
26:16Tilt it to the left.
26:17Yeah, up, up, up.
26:19Perfect.
26:24Hello.
26:25May I join you?
26:27Uh, sure.
26:28But no dancing tonight.
26:30Deal.
26:31I can't do the can-can anyway.
26:37You all right?
26:39It's so stupid.
26:41Try me.
26:43Well, I guess I have to tell somebody.
26:46I booked the role of Satine in Moulin Rouge.
26:48It's an animated movie musical.
26:51Well, congratulations.
26:52That's great.
26:53Isn't it?
26:55It is.
26:56I mean, I could use the cash, because I was really excited to tell Nico that I could cover the
27:00rent for a while.
27:01But?
27:02But they just sent me the script and some sketches, and the full title is Mulan Rat.
27:09I'm a rat.
27:10Hold on, hold on, hold on.
27:12That can't be the right translation.
27:14I mean, what's French for rat?
27:15It's fucking rat.
27:17What?
27:18I'm rat-teen.
27:20Who's rat-teen?
27:21A cartoon rat prostitute.
27:23This is why I didn't want to tell Nico.
27:25This is so humiliating.
27:27Who cares?
27:28Cash that check.
27:29That rat sex worker would.
27:30Sure.
27:32Honestly, yeah.
27:35Yeah.
27:35That's what?
27:36You're right, mate.
27:37What's so funny?
27:41I booked a job.
27:44I'm rat-teen.
27:45That's great.
27:47What?
27:48Wait.
27:48Who?
27:49A rat prostitute in a top hat.
27:50Stop.
27:52No, no, no.
27:53It's Moulin Rouge with rats.
27:56Ah.
27:57I get it.
27:59Funny.
27:59No, no, no.
28:00It's not that funny.
28:01But the salary's great, and rent is on me.
28:05That's amazing.
28:07Yeah.
28:11Mmm.
28:13I'm gonna go grab another drink.
28:15Yeah.
28:18Congrats.
28:28Emily.
28:30Did Laurent check in?
28:32I didn't see him yet, but I was only at the check-in for the first hour, so...
28:35Oh!
28:35I think he just walked in.
28:39Laurent.
28:45My chérie.
28:49You lied to me.
28:51I know about the loan.
28:53I can explain.
28:54I need to pay off some debts in Saint-Tropez.
28:56I don't care why you did it.
28:58You took advantage of my mother.
29:01Why I'm so done with you.
29:03Sylvie, please.
29:04I want a divorce.
29:06Oh!
29:07Oh!
29:08Oh!
29:17Hey, what's going on?
29:18Emily, I'm sorry about earlier.
29:21You've been so supportive during this.
29:22It's been so difficult, and...
29:24I need to tell you something.
29:27I love you.
29:28You're canceling the line...
29:29What?
29:31No, say your thing again.
29:33I love you, Emily.
29:35I love that you believe in my crazy dream even when I don't.
29:38I love that you won't let me give up.
29:41I love you, too.
29:43And like I told you before, none of this business stuff matters to me.
29:47I hope that's not true.
29:50Go.
29:55What is all of this?
29:57I took your advice about thinking differently, and I'm doing the opposite.
30:01The paleo is bright and loud. That's what the collection should be.
30:04Not a colorful pony on neutral fabrics, but a neutral pony on big, bold, colorful designs.
30:09But who were you on the phone to before? I thought you were so upset.
30:13Oh, that was my textile supplier, and I wasn't angry. I was excited.
30:20If we are going to make it to Venice, we don't have much time.
30:25We're going to Venice?
30:26No, no, no, no.
30:27No!
30:30We're going to Venice!
30:31No!
30:58We're going to Venice.
31:02The
31:06We're going to Venice.
31:12We're going to Venice.
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