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00:01You don't have to worry about Lisbon. It'll always be there.
00:04We'll just go next year, and that's that.
00:06Plus, that lady Christina, the one who works at the travel agency,
00:09she's really very kind, and she'll understand.
00:12Because this is beyond our control.
00:14Don't talk to me about next year. I want you to go on this trip today.
00:17Not without you. I don't want to go there by myself.
00:19Would you stop already?
00:20For the last two months, you've been texting with that man.
00:23Be great.
00:24As for Elysio, how long has it been since he looked into your eyes?
00:29Huh? I mean, really looked into your eyes.
00:40Oh, my sweet Pura.
00:44There are times when your wife is the smartest person in the room.
00:49And there are times when she's clueless.
00:54Darling, they're not going to listen to us. Daniel's been gone for ten hours.
00:57Well, all kinds of things could have happened to him in the last ten hours.
00:59But he's right. It's too soon for the police to activate any kind of protocol.
01:02Renata is asking people in the neighborhood. Someone must have seen him, surely.
01:05Or maybe he's still in the hotel?
01:07She's right. Like, has anyone bothered to check the broom closets this morning?
01:14Are we ready to go?
01:16Carmela, I know you're a little overwhelmed, but he'll turn up.
01:18A little? He took a change of clothes and his toothbrush with him, Christina.
01:21Yes, but that's wonderful. Now we know he wasn't taken against his will.
01:25But we don't know. He could still be in danger, right? I mean, there's a killer running around.
01:30All of this is because of you.
01:31You think this is our fault? We weren't the ones who killed Fernando or Nicolau.
01:35And we didn't push that guy off the building.
01:37But you got him involved in this. He's just a kid.
01:39Yes, but he's smarter than all of us.
01:43My fault's exactly.
01:45Inspector, glad to see you.
01:46Inspector, we were on our way to see you. Daniel's gone.
01:48Yeah, he deactivated the location sharing, but we know he used two apps last night.
01:52Maps and city transit.
01:52He's wearing a green hoodie.
01:53Don't worry. We'll do everything to find Daniel.
01:56I told you everything. You'll be okay.
01:58And when we do, we'll charge him with the murder of Nicolau.
02:01What?
02:01Wait, what?
02:02What did he say?
02:03See, Monica? I told you so, and you encouraged him.
02:06Hey, would you leave me alone already?
02:07I just knew something about that kid wasn't normal.
02:09And you were cozying up to that weirdo this whole trip.
02:13Mama, that kid could have hurt you as well.
02:16You're joking, right?
02:17I'm afraid not.
02:19We found his fingerprints all over the murder weapon.
02:23I got you.
02:24Could someone bring me a chair, please?
02:25Help me. Help me, please.
02:27Oh, I can't believe this. What did you do?
02:29No, Alicia, he's wrong.
02:31Daniel didn't kill him.
02:32No.
02:33Although he definitely could have done it.
02:35Babio did say he left the kid alone.
02:37But Daniel's incapable of hurting a fly.
02:40However, turning off his location thing is pretty bad.
02:42He doesn't want us to find him.
02:43And there can only be one reason for that.
02:45It's because he knows very well we won't like what he's doing.
02:47So that's...
02:50Hello?
02:54Oh, yes.
02:55Hang on.
03:02The coffee was absolutely disgusting.
03:07Is Fabio available?
03:15Well, one thing's for sure.
03:17We had no idea your girlfriend was coming to visit you.
03:20She's your girlfriend, right?
03:21I have to say, that girl is gorgeous.
03:23Well done, Fabio.
03:24Right?
03:25She showed up in the middle of the night.
03:28The police kept questioning her.
03:29She was scared and didn't know what to do.
03:31Yeah, she seemed really terrified.
03:32Hmm?
03:33Hmm.
03:35I mean, you know...
03:36Well, Fabio...
03:37I'm sorry, Nick.
03:39No, Fabio.
03:40I'm used to calling you that name.
03:41It's fine.
03:41I'm not saying your problem isn't important, you know.
03:43But right now, there's something bigger we need to take care of.
03:46Daniel's disappeared.
03:47And the police say his fingerprints are on the weapon that was used to kill Nicola.
03:50That's crazy.
03:53He's not coming back.
03:55I gave him the riddle yesterday, then he disappeared in the night.
04:00What are you doing?
04:02Do you really think the kid's a killer?
04:05He's definitely the smartest of us all.
04:07And if anyone could plan something like this...
04:10He can.
04:12We have to find him before Consalo does.
04:14So he can tell us why he did it.
04:16There has to be a reason.
04:18There just has to be.
04:21We have to retrace Daniel's whereabouts.
04:23How do we do that if we don't know where he went or what time he left?
04:27He left at 11 p.m.
04:28What?
04:29He left at 11 p.m.
04:32I remember the time because I was coming back for...
04:34Oh, it doesn't matter.
04:35Sure.
04:40I'll catch up with you.
04:42I understand what you're saying, but I still suspect...
04:44Hey, David.
04:44I'm sorry. How are you feeling?
04:46Bad.
04:47Yeah.
04:49Daniel always wears his green hoodie, right?
04:52I think it was him that I saw.
04:53Yeah.
04:54But I was so lost in my own thoughts that I didn't...
04:55I get it, but did you see which way the person went?
04:59I think that way.
05:00Come on, let's go.
05:05This would have been packed with people last night.
05:07I don't think the kid would have gone this way.
05:17So now what?
05:19I don't know.
05:21We're wasting our time here, that's for sure.
05:23Plus, I don't think he would have taken the bus because of his fear of germs and all that.
05:31Well, he took this one.
05:33Why'd you say that?
05:35Where does this line go?
05:36To the School of Humanity.
05:39From Hacto.
05:41Hi, everyone.
05:43How are you?
05:44As you can see, I'm still in Lisbon.
05:47But I won't be showing you the hotel or anything touristy this time.
05:51I just want to send a message to a certain someone who I'm sure is going to be watching this
05:54post.
05:58They're saying you're responsible for everything that happened this week.
06:01And you're running away proves it.
06:04So please come back to the hotel.
06:07Tell you know who he's wrong.
06:20It's the same guard as the other...
06:22He'll recognize us.
06:26Any brilliant ideas like last time to get us in?
06:29Ideas?
06:30Yeah.
06:31But brilliant, you ask?
06:33No.
06:34No.
06:45If Daniel was here, I'm sure he'd touch something.
06:47And that something's out of place.
06:48He's so brave.
06:51This won't end well for Fabio.
06:53It won't end well for Victor.
06:58I stopped by your room last night to see if you wanted to talk.
07:03About what?
07:04About your niece.
07:07Fabio, I mean Victor.
07:09So Victor told me the rest of the story.
07:11You know, I don't really feel like talking about this right now.
07:15Sometimes it doesn't hurt to talk.
07:17Sometimes it's the only thing we can do to avoid losing our minds.
07:22You told me you didn't have kids, right?
07:25So, it's easy to imagine that your niece was your...
07:30Anna.
07:30Her name was Anna.
07:31Oh.
07:31Anna.
07:33Well, it's easy to imagine that Anna, she was more than a niece to you.
07:37It's also easy to imagine that the whole Fabio Torres thing was a great...
07:40No, the Fabio Torres thing wasn't important.
07:42What is important is finding information on the second clue.
07:45Talk to my boss, I'm sure he'll understand.
07:47Come on.
07:48It was important, Alicia.
07:49He was the only lead you had left.
07:51It's going to be a lot harder to find another lead now to keep looking for her.
07:55I'll stop looking the day I stop breathing, okay?
08:00Have you found anything, yes or no?
08:02No.
08:02Everything seems to be where it was before.
08:05The only thing is that there's more dust.
08:07It's like these people never clean anything.
08:08What about this?
08:10What did you find?
08:12What did you find?
08:30I don't want to take the wind out of your sails, but I'm not sure a book that was pulled
08:33out a little contains the answer to the next clue.
08:35And what does Vasco da Gama have to do with this?
08:37I thought you were an optimist.
08:38I am an optimist, but the kid is way ahead of us.
08:41By at least ten hours.
08:42The university only opened at eight, so he's not that far ahead.
08:45What do you mean?
08:46It's me, sir.
08:47Fabio, what happened to you?
08:49You have something on your face.
08:50Wait, let me get you cleaned up.
08:53Hang on.
08:54Stop, please.
08:55No.
08:56Please tell me you guys found something useful.
08:57Yeah, he got on the bus an hour ago.
09:00Impossible.
09:00I could believe the bus theory if maybe he'd gotten on one at dawn when it was empty,
09:04but at this time of day with all the germs and all?
09:06That's just it.
09:06If he took this one, when we know he despises buses, it was to go somewhere specific.
09:10So where does it stop?
09:11In a lot of places.
09:12I see he played a game on his cell phone.
09:14Wait, where did you get that?
09:16I took it from his dad in case we needed it.
09:21When I have to wait at the doctor's office, I get real nervous and start playing around
09:24with my phone.
09:25Yeah?
09:26The reason I'm saying this is because maybe the kid got on the bus, got nervous because
09:29of the people and the germs, you know?
09:32How long was he playing for?
09:3528 minutes.
09:39Okay, so the riddle talks about a brother, but the Marquis of Pombal didn't have a brother
09:43and Joseph the First lost his when he was just two years old.
09:47Let's not forget there's the count.
09:48Danny would always insist on including the count.
09:50He said it was super important.
09:51Yeah, but we already talked about that.
09:53There were a lot of counts in 1755.
09:55Hmm.
09:58How much time is left?
10:00One minute less than the last time you asked me.
10:04So all we have left is the Ripper Street and the church where the 1506 massacre began.
10:09Call me crazy, but maybe we should be looking in normal places like the airport or the train
10:14station and not at a bunch of famous crime scenes.
10:18Okay.
10:20Okay, Paco, let's go to Rua das Damas.
10:22I'm thinking of changing my business model because there are more crime scenes than monuments here.
10:47What about now?
10:48How much...
11:03I left her there.
11:05You left who?
11:08I left Katya.
11:10When I saw the police had arrived, uh, when I was at Fabio's,
11:14I ran off and only thought about myself.
11:18Well, she doesn't seem to hold it against you.
11:23Yeah, she's put up with a lot of things I've done to her.
11:25Too many to count.
11:28I guess she loves you.
11:29I guess she does.
11:33And you?
11:50Bathity, are you ready to go?
11:53I don't know, girl.
11:54Maybe we shouldn't go out tonight with a killer on the prowl, but that's exactly why we should.
11:59Let's go bar hopping, have a good time.
12:01And if we see the killer, we'll call the police and that's it.
12:04Girl, these shoes are killing me.
12:06I don't know why I bought them today.
12:08I'll return them tomorrow.
12:09I'll be right back.
12:10Okay.
12:10Okay.
12:11Okay.
12:19Okay.
12:55Is this where you got off?
12:58It's got to be a mistake.
12:59Well, no.
13:02We didn't account for traffic, so we could have gotten off once not before or after this one.
13:10And do you know what he did?
13:12Did he talk to someone?
13:13Maybe he visited someone?
13:15I don't know.
13:16I only saw it on the walk and it wasn't my turn.
13:18It doesn't help.
13:21And we can see a list of residents, of the parents, of the employees, of the workers, right now?
13:28I'm sorry, but I can't do that.
13:30It's very important.
13:38Hey, does this name sound familiar?
13:41Margarita Moray?
13:41Holy shit.
13:44Our name's listed differently.
13:45Holy shit, let's go.
13:47Come on, Pura.
13:48We gotta get out of here right now.
13:49No, we gotta go now.
13:50Come on, run.
13:55Excuse us.
13:56Just run.
13:57Run.
13:58I am running.
14:00I am running.
14:01I think he must have followed us from the hotel.
14:05But we're no closer to knowing anything than we were this morning.
14:08We don't know why Danny came here or who we talked to.
14:10We know nothing.
14:10First, we have to solve the riddle.
14:12Danny's looking for it, so it'll be the best way to find him, right?
14:14Let me see.
14:15Next to the well of his brother.
14:17Talk to God.
14:18Next to the well of his brother.
14:20Hey, let's get out of here.
14:20Hang on.
14:21Shh.
14:21We know the Marquis of Bumble didn't have a brother.
14:24Maybe he had a close friend.
14:25Someone he would call that?
14:27Someone he called brother?
14:28Brother?
14:29Brother?
14:29Brother?
14:35Could it be a priest?
14:37A Mason.
14:38A Mason, yes, of course.
14:40They all call each other brothers when they're together.
14:42Oh, Mason.
14:43Daniel's not in Lisbon.
14:47Oh, wow.
14:47I've got vertigo.
14:52And why would Masons want to go down there?
14:55It's so cold and damp.
14:57It's not about going down.
14:58It's about going up.
15:00It was part of a ritual.
15:02You die, you're reborn,
15:04then you ascend to the heavens.
15:09Hey, look.
15:10Isn't that Danny?
15:12Danny!
15:14Sorry.
15:15Excuse me.
15:15Excuse me.
15:16Stop!
15:17We have to block him from the outside.
15:18This way.
15:20We just want to talk to you.
15:22Hey, would you stop for a second?
15:25Daniel!
15:27I had plans to meet up with another man.
15:29Hmm?
15:29Last night.
15:30When I crossed paths with Danny in front of the hotel,
15:32that's why I was distracted.
15:34Because I was coming back from a date and I...
15:35Hey, don't feel obliged to tell me anything about...
15:37It's just...
15:51Well, anyway, yesterday was our first date, you know,
15:53and...
15:54And...
15:55He wasn't there.
15:56He was in Osho.
15:57So we've made new plans for us to meet tonight, you know?
15:59I mean, just to get to know each other.
16:01To talk.
16:02I mean, just to talk, of course, for now.
16:03At this point in the game, you know,
16:05I mean, things...
16:06Put up.
16:06Things with my husband.
16:07No, I mean, it's nothing.
16:09Put up.
16:09Listen, because sometimes you know...
16:10I don't want to know.
16:11I'll tell you the truth.
16:12Nothing.
16:12And it's hard, because I have needs, too.
16:14You get it.
16:15Um...
16:15Well, I just need somebody who can...
16:17Who can make me...
16:18Don't.
16:19Who can make me see life through a different lens,
16:21because I want to feel that every day is different,
16:23that life isn't...
16:25Okay, you're fine.
16:25Don't worry about it.
16:26Okay, I'm sorry.
16:29It should be this way.
16:38Nothing.
16:39Is that Daniel?
16:40If it was, the kid is really fast.
16:42Did he see you?
16:43He definitely heard me.
16:44And if it was him, he decided to run away.
16:48Do you think he has the next clue?
16:55Impossible.
16:57The riddle doesn't say you should talk to God from inside the well,
17:00but next to it.
17:05He's not here.
17:12He's not here.
17:14What is this?
17:15I don't know, but it looks like it's been lifted.
17:19Let me try.
17:26There was something here.
17:28It could be the next clue to find the treasure.
17:31Well, it looks like something round, like a coin or something like that.
17:34Do you think the kid took it?
17:41What should we do now?
17:42We can't do anything.
17:44Gonzalo's going to end up finding him.
17:45And honestly, things don't look good for the kid anyway.
17:48And that's it?
17:50Well, we did everything we could possibly do.
17:53I'm going upstairs.
17:54I need to figure things out.
17:57But what about the kid?
17:58We know Danny isn't a killer.
18:00Alicia, come on.
18:01We can't give up now.
18:02We're a team, remember?
18:04Yeah.
18:05We were a team for like a minute.
18:08I hope you enjoy your date.
18:10I hope you enjoy your date.
18:36So you decided to follow him to Lisbon?
18:38Yes, I did.
18:39It was a...
18:40Yes.
18:40I followed him to Lisbon and it turned out to be a dead end.
18:45Are you saying your potential witness is dead?
18:48Yes.
18:48Yes.
18:49But you know, it doesn't mean anything, really.
18:52And on top of it, we still have lots of leads we haven't had time to look into yet.
18:56In fact, I think we should review some of the statements we obtained during our interrogations.
19:01Alicia.
19:01And yeah, and maybe re-interview everyone who was at the park that day.
19:06Alicia, you've been working on this for two years now.
19:09And I've supported you the entire time.
19:10I fought with everyone to keep this case open.
19:13Yeah, I know.
19:14I know.
19:15And I appreciate it very much.
19:17You said this lead was solid.
19:19And I told you it'd be the last one.
19:22Captain, Captain, please just let me keep looking a little longer.
19:25If we were able to find a lead after two years, I'm sure we can find more.
19:28I'm sorry, Alicia.
19:30Please don't do this.
19:31This case is now closed.
19:38Unbelievable.
19:42Yeah, I wanted to talk to Inspector Gonzalo Mendes.
19:47I tried to call the phone, but it's not closed.
19:52Ah, it's just coming out.
19:54It's been a visit.
19:56A visit?
19:58Who?
19:58Who?
20:00I'm supposed to have some painting, put some decent items.
20:04I'm already winning the power of the bedroom.
20:06If I'm going to study my shape.
20:08There's also a friend of mine, who's got these changes.
20:11He's going to arrange the materials, plates, tables, walls, tables.
20:17And my wife will stay there.
20:21But we have to go to the house.
20:22That house, if not, it would give us a turn, right?
20:24You think so?
20:26Ah, it's true.
20:30And Carlotta...
20:32I'm sorry.
20:35I told her that she took this morning,
20:36but she wanted to receive it.
20:38It's beautiful, right?
20:43I'm going to go here.
20:52It's the last time.
20:54I'm going to go to a pillar and I'm going to go.
20:58She's an artist.
21:02She's going to go to the airport.
21:05I'm going to go to the airport.
21:12It's special.
21:22It's special.
21:31It's special.
21:34Senhora, do you feel me?
21:36Yes.
21:38You're a friend of Gonçalves?
21:40Yes.
21:42More or less.
21:43No.
21:46What?
21:48What happened to her a lot?
21:51Oh, she had an accident in the car for two years.
21:54Oh.
21:56It's a wrecked conductor.
22:14Alicia.
22:18You're going to look for him?
22:23You want me to go with you?
22:25I mean, I know it won't be very helpful,
22:28but, you know,
22:30sometimes it's better not to go alone.
23:04I mean, I traveled over 500 kilometers and you're gone all day.
23:07Hmm?
23:08The least you can do is tell me that you're sorry.
23:12Well, yeah, of course.
23:13I'm sorry.
23:15It's just that one of the kids ran away and we all went looking for him.
23:20You know, my week was entertaining as well.
23:22Hmm?
23:23Katya.
23:25Come here.
23:30I really am very sorry.
23:32I know this hasn't been easy for you at all.
23:35You think, Victor?
23:37The police are about to figure out everything.
23:40They're talking to all our clients and they're well aware you've been stealing for years.
23:44But it was always very small amounts and always from people who would never even notice.
23:48So is that what you're going to tell the police?
23:51What?
23:55Because I'd also like you to tell them that I had absolutely nothing to do with the stealing.
24:02Well, uh, I mean, maybe I did the stealing.
24:07But why are you talking about this now?
24:14How were those women who came here to see you this morning?
24:18Two tourists from the group.
24:20Okay.
24:30Oh, my God.
24:32I swear this is the last chance I'm going to give them before I call the police.
24:35Listen, I'm at Charro's house for dinner.
24:36So if you call and I don't answer right away, it's because I'm looking for a private place to talk,
24:41okay?
24:41Wait, you're at Charro's for dinner?
24:43But she lives on the fifth floor.
24:45I'm pretty sure her elevator's been broken for months and still is.
24:49How are you able to get...
24:52Hey, Pura?
24:54Pura?
24:55Pura, are you there?
24:57Pura!
25:14You just said that the police were about to figure everything out.
25:21But that's the last thing Fabio Torres's widow would do.
25:24She'd never warn them.
25:28Fabio Torres was going to Lisbon to buy a stolen object, so warning the police is not something she would
25:33do.
25:34Oh, holy Mary, Mother of God.
25:38What are you doing here?
25:41Hello, my sweetheart.
25:45What?
25:47What?
25:47What?
25:47What?
25:47Elisio, what are you...
25:48What are you doing in Lisbon?
25:53Who are you talking to, Conchini?
25:55Did you two set this up?
25:57Did you two...
25:59And why did...
26:01But why?
26:01I don't understand why.
26:03You do remember.
26:05We met her when the morgue brought us her husband's body.
26:10You said you had never been so afraid of anyone in your life.
26:16You also said you thought she was capable of anything to get her way.
26:21You said you thought she was capable of bribery and would even go as far as murder.
26:31Katya...
26:33The thing is...
26:37You are...
26:42You are you.
26:45And you've outgrown the farm.
26:47And our town.
26:49And the Canary Islands.
26:54And us.
27:01Tell me you didn't sell me out.
27:14I'm sorry.
27:23Hello, Fabio.
27:25Where the hell is my husband's treasure?
27:27You're so very smart.
27:31Like a lot.
27:33And I...
27:36I don't even know how to talk correctly.
27:38What are you talking about?
27:40Over the last few months, you've sent me the most beautiful texts that I've ever read.
27:46Was it Conchini?
27:48Did she write those words?
27:49No.
27:49I wrote every word.
27:51But by using another name, I was able to express myself.
27:56Hello, all three of you.
27:58Um...
27:59I don't really know how to start this message.
28:01Or even if I should be sending it.
28:05Daniel...
28:06I know you didn't kill Niccolo.
28:08I don't know you well, but I know you're not a killer.
28:11And you weren't running away.
28:13You were just asking us to try to follow you.
28:16That's why you left a trail of clues behind you.
28:18Those clues showed us where you'd been.
28:20And where you were headed.
28:24That's why I want you to find the treasure and keep it for yourself.
28:29Because you've earned it.
28:31You know, I traveled all the way here.
28:35But you were expecting someone else.
28:41Well...
28:42I definitely wasn't expecting you, Elisio.
28:46But...
28:46It wasn't to do anything wrong.
28:48Yes, maybe I wanted someone who made...
28:50Who made me feel...
28:51I don't know, Elisio.
28:54But Conchini...
28:55She's gonna get an earful.
28:57Hm?
28:59You know, it's strange.
29:01We've been in Lisbon for six days and this is the first time I'm really seeing it.
29:05I have the same view of Lisbon as the one we saw from the bridge when we first arrived.
29:10From up here it looks really different.
29:14All of us together, we've changed the city.
29:21Danny, you're really special.
29:24You all are.
29:27And by the time you listen to this message, you'll have moved on.
29:33I'll miss you all very much.
29:38I was hoping that by doing this it would teach us both a lesson.
29:42Elisio, will you excuse me for a second?
29:44I need to listen to this.
29:45It's important.
29:45I'll fill you in later.
29:50No.
29:52Oh no!
29:53What's wrong?
29:54I need to go, Elisio.
29:55I need to go!
29:55Tell me what's wrong, please.
29:56Where are you going?
29:58And by the time you listen to this message, you'll have moved on.
30:02I'll miss you all very much.
30:08Please, I'm begging you, stop hurting him.
30:10Please let him go.
30:16I'll ask you one more time.
30:18Where the hell is that treasure?
30:21I don't know what treasure.
30:23Do I look like a pirate who's hiding a treasure?
30:26Victor!
30:27Come on, just tell her where it is.
30:28I'm begging you, please.
30:30Taxi!
30:34Fabio, answer your phone, please.
30:36Come on, come on, Fabio.
30:37Have a Hennessy-
31:05Alicia is going to kill herself.
31:08The treasure.
31:11I was just about to find it when you got here.
31:15Give me some time.
31:20I'll give you 24 hours.
31:26If you decide to run away, if you double-cross me once again,
31:30or if you are late by even one minute,
31:34she'll die.
31:36Understood?
31:48Fabio, Alicia is about to do something stupid.
31:51Call me back, please.
32:01Alicia!
32:05I know you're sad because you lost your niece.
32:11Honestly, I can't imagine for one minute
32:13what that must have felt like for you.
32:17What are you doing here?
32:19Hey, wait, how did you know where I was?
32:21You said you were somewhere high up,
32:23that you could see the April 25th bridge,
32:26and then I heard the airplane, so I knew.
32:37How old was Anna?
32:40Three years old.
32:43And what happened?
32:48My sister had a work thing,
32:49so that day I was in charge of watching her.
32:53I took her to the park where she played every day.
32:57It was five seconds.
33:00I looked at my cell phone,
33:01and when I looked up, she was gone.
33:04I'm sure she was a beautiful girl.
33:07And I'm sure she loved you very much.
33:13So you know what, Alicia?
33:15Just jump.
33:16What?
33:17If you think that's what it takes to bring her back,
33:19then jump.
33:20But before you do,
33:21I want you to know something.
33:23If you do that,
33:24you'll be leaving behind you
33:24a lot of people who need you.
33:26Fernando, Nicola, Danny, Fabio,
33:30or Victor, whatever you want.
33:32And me, Alicia.
33:33I really need you very much.
33:35Pura.
33:37I mean,
33:38I do have Comchin,
33:39but you know,
33:41there are just things I can't talk to her about.
33:43And I can talk to you about
33:45absolutely everything, Alicia.
33:46Pura.
33:47I know you never answer my questions,
33:48and I know you think I'm a pain in the butt,
33:50but I know you hear what I'm saying.
33:52Pura!
33:52Whatever you do,
33:53make sure she doesn't jump!
33:55Fabio?
34:00Oh, no.
34:01What happened to you?
34:03What happened to her face?
34:04I wish they had only hurt my face.
34:08Fabio's widow
34:09wants the treasure end.
34:11She promised to kill
34:13Katia if I don't find it.
34:16Alicia.
34:18I really need you too, Alicia.
34:24not because I need your help
34:25to find the treasure.
34:34Well, yeah,
34:35I do need your help for that,
34:36but
34:38what I'm trying to say is
34:40we need to find Danny,
34:41and we have 24 hours,
34:42so either we find him
34:43or
34:44I'll have to pray for another earthquake
34:45so the hotel can crush that woman.
34:47Well, you know, Fabio,
34:48I'm not sure we can find that treasure
34:49within 24 hours.
34:50I know, Pura.
34:51That's my point.
34:52We're wasting time we don't have.
34:53Brothels.
34:54What?
34:55What?
34:56During the earthquake,
34:58all the churches in the city
34:58crumbled to the ground,
34:59but the brothels stood strong.
35:02So?
35:03So I know where the treasure is.
35:04It took you long enough.
35:07I figured that out yesterday.
35:17No, Alicia,
35:18just go to your hotel,
35:19and I'll fill you in later.
35:20Don't worry.
35:25So now that we're together again,
35:27you need to explain yourself, Daniel.
35:29Why did you leave without telling us?
35:31You were going to slow me down.
35:34I'm glad you didn't jump, by the way.
35:36I wasn't going to jump.
35:38You weren't?
35:38You weren't?
35:39No, I was walking around,
35:41and before I knew it,
35:42I ended up here at the viewpoint.
35:44But what about the message you sent us?
35:46It sounded like a goodbye
35:47you'd hear in a film.
35:48Yeah, well, it's because
35:50I was planning on leaving Lisbon tonight
35:52and wanted to avoid saying goodbye.
35:54Oh, I'm sorry.
35:56Fine.
35:59Come on!
36:01You're a man, okay?
36:03I swear, it's a man.
36:08It's my man.
36:10It's my husband.
36:11It's my husband.
36:13What's wrong?
36:14You might know where the treasure is,
36:16but I know for sure who the killer is.
36:18That is impossible.
36:20Well, he's been involved in this whole affair
36:22from the very beginning.
36:24Carolina saw a green raincoat.
36:26And remember the Alcoholics Anonymous chips
36:29at Fernando's house?
36:30And then there's Danny's fingerprints.
36:31But most importantly,
36:33there's what the homeless man said to me.
36:35A one-armed man is watching the hotel.
36:37A one-armed man?
36:39You guys know who the killer is, too, don't you?
36:53Daniel!
36:55Mama, we don't have a lot of time,
36:56so I suggest you save the scolding
36:58and expressions of love for later.
37:00Listen to me carefully.
37:01Tell me.
37:03I know who the killer is.
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