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00:02I've met bad men before
00:05The man we're about to meet
00:06Is the devil
00:07My name's Mosley
00:10You've come to my attention
00:11Michael Gray
00:13You lost all your cousin's money in America
00:15Playing the fool
00:16And poor old Arthur Shelby
00:18His wife, he's been seen with another man
00:23May you peek
00:24Your blind is alright
00:28They're going to England
00:29I'm coming with you
00:30I want to meet your family
00:34Mr. Thomas
00:34He needs the purest opium
00:36That has ever arrived in Europe
00:38£250,000
00:40All we have to do
00:41Is to keep it here for a week
00:43I vote against the top
00:44Those in favour
00:46Motion carried
00:48I'm talking about an empty chair
00:50Right
00:52Larger
00:52My throne
00:53Someone wants my crown
00:55Think it might be Michael
00:56Mr. Shelby
00:57My name is Captain Swing
00:59Michael
00:59Your king
01:00Is making deals with the very man
01:03Who wants you dead
01:04I'm doing this for you, Tommy
01:07It's time
01:09And you know it
01:11Tell me, Gus
01:13Don't fuck with the Peaky Blinders
01:15There will be a war
01:16And one of you will die
01:18But which one I cannot tell
01:20I'll do what I have to do, Pop
01:22Kill
01:25I have a job for you
01:27I'm going to shoot Oswald Mosley
01:29Kill the man
01:30Kill the message
01:40I think it's about time
01:42We got off the stage, old man
01:43Oh, the Chinese
01:44The Italians
01:45Mosley
01:46Knew nothing
01:47Knew nothing
01:57Talk to me
01:59Maybe I found him
02:02Arthur, the man I can't defeat
02:08Mostly I don't know
02:09I don't fucking know
02:12Doesn't make sense
02:19Let's
02:21Let's go inside
02:24Work it out
02:26Have a drink
02:27I need to walk
02:28I need to walk
02:31I need to walk
02:40I need to walk
02:46I need to walk
02:46I need to walk
02:46I need to walk
02:46I need to walk
02:47I need to walk
02:47I need to walk
02:48I need to walk
02:49I need to walk
02:49I need to walk
02:49I need to walk
02:49I need to walk
02:50I need to walk
02:51I need to walk
02:56I need to walk
02:57I need to walk
03:12The work's all done, Tommy.
03:14It's all done.
03:16We can walk away from all of this.
03:19It's so easy.
03:21It's so soft.
03:23Such a small change.
03:55It's so easy.
04:02Arthur took the bullets out.
04:05On the way back, he said you stopped at a crossroads to throw up.
04:20You're not even a soldier anymore, Tommy.
04:24You didn't check your weapon.
04:27You're not a soldier.
04:28You're a coward.
04:30I heard you pull the trigger.
04:33Leaving your family behind without a goodbye.
04:39If you still need a way out,
04:42here are six of them.
04:47You're a coward.
04:55You're a coward.
04:56You're a coward.
04:58You're a coward.
04:58You're a coward.
04:59You're a coward.
04:59You're a coward.
04:59You're a coward.
04:59You're a coward.
04:59You're a coward.
04:59You're a coward.
04:59You're a coward.
05:00You're a coward.
05:02You're a coward.
05:04You're a coward.
05:06You're a coward.
05:08You're a coward.
05:24I don't know.
05:52Mother, they'll let you pass through.
06:00They wouldn't let me pass.
06:07As if there were to be another consequence.
06:18I don't know.
06:21Oh, my God.
07:04Hello?
07:05Mr Shelby, I imagine you're curious as to who it was prevented the assassination last night.
07:11If you look out your window, you'll see a flag of truce.
07:15It's a unit of volunteers bringing the bodies of your dead to you to send to heaven in your own
07:21way.
07:23Last night's operation was carried out by soldiers from three Dublin brigades of the Irish Republican Army.
07:34We need to keep Mr Moseley alive.
07:37That's all you need to know.
07:44Also, you should know that saving Moseley's life wasn't our only intervention last night.
07:52We've made some changes to the structure of your organization.
08:20Ever since you began to build your empire...
08:23Ever since you began to build your empire...
08:25You've had a crutch to lean on.
08:30Last night we kicked away that crutch.
08:33From now on it will be us that you lean on.
08:37Please be aware, Mr Shelby, that the deaths of your people...
08:42...are your own responsibility.
08:45Because you consistently fail to understand your own limitations.
08:50Ah.
08:53Ah.
09:04Ah.
09:05Ah.
09:08Ah.
09:09Ah.
09:25Ah.
09:33Ah.
09:50Let's go.
10:23Let's go.
10:51Let's go.
11:34Let's go.
11:42Let's go.
11:46Let's go.
11:48Take revenge on Tommy, shall we?
11:49Let's go.
11:50Let's go.
11:51Let's go.
11:52Let's go.
11:55Let's go.
11:55Let's go.
11:56Let's go.
11:57Let's go.
12:21Let's go.
12:22Let's go.
12:22Let's go.
12:23Let's go.
12:43Let's go.
12:44Let's go.
12:47Let's go.
12:47Let's go.
12:54Let's go.
13:11Let's go.
13:16Let's go.
13:25Let's go.
13:30Let's go.
13:34Let's go.
13:37Let's go.
13:46Let's go.
13:49Let's go.
13:53Let's go.
14:05Let's go.
14:08Let's go.
14:11Let's go.
14:32Let's go.
14:35Let's go.
14:45Let's go.
14:47Someone could mourn.
14:49If it's me, tell me to call my brother.
15:32I don't know.
20:56Before this goes any further,
20:57please let me explain.
20:58I will not drink your toast,
21:00because four years ago,
21:02I foresword alcohol.
21:13I've become a calm and a more peaceful person.
21:21Get in.
21:29Sometimes, in moments of personal conflict,
21:33I can resort to me always.
21:35If this were to happen now,
21:37it would indeed be a black day in Miquelon.
21:42Now, my guests will be arriving shortly.
21:44I need to prepare the room.
21:46Can you show me where?
21:59Excuse me.
22:00Where is the hotel over there?
22:06They think we're distillery men here
22:08to take our whiskey back.
22:10We're lights.
22:11These are ways early.
22:12Let's go.
22:14Please.
22:15Goodektive.
22:16I wasn't in there.
22:31But at this point...
22:40You'll be right back.
22:46I don't know.
23:12There will be a war, and one of you will die, but which one I cannot tell.
23:37Hello, Tommy.
23:40There's a man out there having his face stitched back up.
23:42Always a misunderstanding.
23:44Hello, Michael.
23:51I wasn't sure what I'd think when I saw you again, Tom.
23:53Oh, yeah?
23:55What do you think?
23:58Since my mother passed away four years ago, Tommy and I haven't even spoken.
24:03Well, we've both been very busy.
24:06You've been too busy to punish the people who killed her.
24:09You know, Michael, when you're dealing with a very powerful enemy, taking revenge sometimes requires time.
24:16You have to pick your moment.
24:20That moment will come.
24:28But now we have a business interest in common.
24:31And any bad blood will be diluted by time and a practical self-interest.
24:39Well, Tommy, we're all keen to hear what you have to say.
24:42I'm very much looking forward to working with you again, Michael.
24:44You look very well.
24:46You too.
24:48How is the family?
24:54Oh, my God.
25:03This projector is a gift from Charlie fucking Chaplin.
25:08And he sent it all the way from Hollywood.
25:09Just sit down and watch the film.
25:12Oh, God, no.
25:13Elizabeth, Elizabeth, don't do that.
25:14You're going to hurt yourself.
25:15Yes.
25:16Hi.
25:16Is that the Bell Tavern?
25:17If there's a gypsy in there called Johnny Dogs, can you tell him to come and round off his fucking
25:22kids?
25:23It's Christmas.
25:24Time for family.
25:31Mum, I was watching that.
25:35OK, everyone.
25:36OK.
25:39We're having this Christmas party early because tomorrow me and Charles and Ruby are going on a big ship to
25:47Canada.
25:47to be with their daddy.
25:49Mm-hm.
25:50But we told Father Christmas about the party.
25:53And he brought you all presents.
25:55Yes!
25:58Gracious!
25:59Lady, where the fuck is Father Christmas?
26:02I don't know.
26:03He was supposed to be here by now.
26:05Yeah.
26:05Where the fuck are you, Santa?
26:08Yeah!
26:09Yeah!
26:12Yeah!
26:13Yeah!
26:15Yeah!
26:16Yeah!
26:17Yeah!
26:17Yeah!
26:18Yeah!
26:20Yeah!
26:20You haven't got me!
26:22Well, I've got a gun.
26:24You better run!
26:26You better run!
26:29Gentlemen, today is the last day of Prohibition.
26:32But rather than see it as the end of something, I believe that for men like us it can present
26:38a new beginning, a new opportunity.
26:41An opportunity I would like to share with people I know I can trust.
26:45For the last 12 years, the men of this island have been making their living from bootlegging
26:51whisky, from navigating the waters and avoiding American border patrols.
26:56But now that whisky is about to become legal, the trade will fall back into the hands of capitalists
27:03from New York, Boston and Toronto.
27:06But, when one door closes, another one happens.
27:14We can take advantage of the systems that are in place on Meklon Island and offer selected
27:19boat crews the opportunity to carry on working.
27:21But this time, with a different cargo.
27:39You want me to pour?
27:41No.
27:49No, it's all over the fucking island.
27:51This is an island with no models and no opinions.
27:54Just a load of fucking boats with nothing to carry and nowhere to go.
27:58The reason why Meklon was used to run whisky in the first place is because it sits outside
28:02the territorial waters of both America and Canada.
28:06Technically, it's French territory.
28:09The FBI, the RCMP have no jurisdiction.
28:15Where do you get this stuff?
28:17I've established a supply chain over the last four years with associates in Belfast.
28:22We decided it was time to break into the American market.
28:26That, my friend, is the finest opium in the world.
28:31Delivered to my warehouse in Liverpool directly from Shanghai.
28:36Wiggle.
28:38When it comes to this shit, you're the expert.
28:41I trust him.
28:43What about the French police?
28:45I've been in communication with the Meklon Prefect of Gendarme.
28:48We fought in two of the same battles in France.
28:52We consider each other comrades.
28:54I have offered my comrade 12 million francs if the boats between Meklon and Boston keep running.
29:01We will have to take your proposal to Uncle Jack in Boston.
29:07Perhaps we can meet after you've spoken with Uncle Jack Markle,
29:10who I believe is your wife's uncle, Jack Nelson.
29:12Hey!
29:15The guy knows things that can get him killed.
29:18And he says them out loud.
29:21I have a high regard for Mr. Nelson.
29:24He has a history on him like me own.
29:26Jack Nelson's past is forgotten.
29:28Not forgotten.
29:30Fucking gone.
29:31No, not gone.
29:32Just he arrives from the records like me own.
29:36Give my regards, will you?
29:46You haven't touched your drink, Tom.
29:53You know, since we last met Michael...
29:58Well, I've become a better man.
30:01I now realise that whisky is just fuel for the loud engines inside your head.
30:07That's your son, Owen.
30:11What is this guy, a fucking poet?
30:14Huh?
30:14Oh, I do read poetry.
30:16But I don't get righted.
30:20They say the fog is gonna get worse.
30:23Better get off this honor before the Trumps is here.
30:25Yeah.
30:28Just understand.
30:30Uncle Jack decides everything.
30:32Okay?
30:33And I decide when the meeting is over.
30:36So sit down till I say.
30:45Okay.
30:59Muffer.
31:04Muffer.
31:05Put some fucking hair in your chest.
31:07Huh?
31:15Good boy.
31:20Now, give us all a poem before we go.
31:26Want to hear the poem?
31:30Want to hear the poem?
31:34What about you?
31:37Brain box.
31:51I was angry with my friend.
31:54I told my wrath.
31:56My wrath did end.
32:01I was angry with my foe.
32:04I told it not.
32:07My wrath did grow.
32:19And it's from the poison tree.
32:21By William Blake.
32:22You won't have heard of him.
32:26Meeting over.
32:28Oh, and by the way.
32:31My friend, the police commissioner, told me that he'd spoken to his FBI liaison officer.
32:38And he told him that there is an informant in your organization in South Boston.
32:43I'll tell you this in the spirit of corporate hygiene.
32:49Here you are, Michael.
32:55Beware the man with the bleeding heart tattoo.
32:59With my ear.
33:00Written in red.
33:05Have a good day, gentlemen.
33:10No problem.
33:11No problem.
33:31Any other things?
33:32You're not too late.
33:32No problem.
33:33You're not too late.
33:40Oh, thank God.
33:57Oh, what's that?
34:08Come on. Come on.
34:10Oh, God, if Polly was still here, she'd never have let it get this bad.
34:16Come on. Come on, Arthur.
34:19Arthur!
34:21I'm not Polly, but I am still your fucking sister.
34:24You swore to me you would stop using.
34:28It's Christmas, ain't it? Christmas, ain't it?
34:31Yes, it's Christmas. Oh, Lord.
34:33So where the fuck are the fucking presents?
34:35I just want to know about your rights in the middle of the show.
34:38Oh, yeah.
34:40Great.
34:41My brother, off his face on junk.
34:45Every day, there's a question without an answer.
34:48A leak without a bucket.
34:52Me without a clue what to do.
34:57Fuck.
35:00I'll have you later.
35:07Children!
35:08Father Christmas has been!
35:10Father Christmas!
35:17Father Christmas got stuck up the chimney again, did he?
35:20Oh, God, yes.
35:22What ship are you on tomorrow?
35:25Oh, the best.
35:26Most expensive one.
35:29Then we'll get there.
35:30And Tommy will say,
35:32hello, Lizzie.
35:33Hello, children, in that dead voice.
35:36Come on, Lizzie.
35:38He'll be on holiday.
35:40Being away might change him.
35:43Even on holiday, Ada.
35:45Even on top of a rocky mountain,
35:47he'll be the same way he's been since Polly died.
35:50No more Polly.
35:53No more whiskey.
35:54No more Tommy.
36:00No more Tommy.
36:17Passing-moi le Détective Florence de la Police Maritime de Saint-Jean.
36:24Yeah, I'm calling from Miquelon Island,
36:26from the police station.
36:28There is a boat leaving the island now,
36:30heading across the border.
36:33One of the docks at St. John's.
36:35A man named Michael Gray
36:37will board a ferry to Boston.
36:39Listen very carefully.
36:41He's wearing a dark coat,
36:43a blue suit,
36:44and carrying a black briefcase.
36:46Inside the briefcase is five pounds
36:49of pure, refined opium.
36:52A concerned citizen.
36:55Yeah, my name is Mr. Jones.
37:04Do you want a beer, camarade?
37:06Yes, I do.
37:09But I don't drink anymore.
37:11I don't drink anymore.
37:13Why?
37:21I have business.
37:24Let's get off this island.
37:29You shouldn't be in here, Carl.
37:40You shouldn't be in here, Carl.
37:50It might be important.
37:52That's why I don't want to answer it.
37:56Can I answer it?
37:58No.
37:59No.
38:07Hello?
38:09Mm-hmm.
38:12Fuck.
38:13Fuck.
38:15Fuck.
38:17Fuck.
38:18Fuck.
38:19Fuck.
38:19Fuck.
38:20Fuck.
38:20Fuck.
38:21Fuck.
38:22Fuck.
38:24Fuck.
38:24Fuck.
38:25Fuck.
38:26Fuck.
38:26Fuck.
38:27Fuck.
38:27Fuck.
38:27Fuck.
38:28Fuck.
38:28Fuck.
38:29Fuck.
38:29Fuck.
38:30Fuck.
38:31Fuck.
38:33Fuck.
38:35Fuck.
38:36I'm gonna take it home
38:40I'm gonna take it home
38:44Do you know who this man is?
39:01All right. Come on, Arthur.
39:16I'm gonna take it home
39:18I'm gonna take it home
39:19I'm gonna take it home
39:24His brother, Thomas Shelby, says don't serve him opium ever again
39:29Or someone will write Arthur Shelby's name on your chest with a bayonet
40:00I'm gonna take it home
40:27I'm gonna take it home
40:30I'm gonna take it home
40:32Throw your perfume
40:33Tommy Shelby steps back into your life and right away this is what happens
40:37No names in here
40:38I'm sorry
40:40Let's just call him the devil
40:41Take a seat
40:46How is Lawrence?
40:47Oh, you know
40:49Missing his father
40:51What the fuck happened, Michael?
40:54It's in hand
40:55Whose hand?
40:57No, really
40:59Whose fucking hand, Michael
41:01Hmm?
41:10Like everything else in this city, it's in the hand of your Uncle Jack
41:14I need him to get the charges lifted and get me out of here
41:17I already talked to him
41:19He told me what the devil proposed
41:22Tommy Shelby wants to do business with Jack Nelson
41:25He wants to take on Boston?
41:28No one is taking on anyone
41:30It's in hand
41:32There are deals being made at a higher level
41:34But there are some people at the middle level and lower levels who cannot be trusted
41:37Michael, this sounds fucking
41:39Shut up and listen
41:42It was Tommy himself who warned us of the informant
41:45We're guessing that the informant was the one that tipped off the police about me
41:50Then the devil's plan has already begun
41:53What's the point of ships and planes if you can't get away?
41:56Gina
41:58In today's paper, you'll read about a man being fished out of the Boston Harbor
42:01With a bleeding heart tattoo and the name Maria written on his arm
42:05Single shot to the head
42:06Yeah, I know, I read it already
42:10His death will lead to others
42:13For this business to work
42:14We must only use men we trust
42:17And while the clean-up is being carried out
42:20You must keep things to yourself
42:22You talk loose to anyone, it'll be me in the harbor
42:25And you'll be the Maria with the bleeding heart
42:27Do you understand?
42:34Michael, I just want the truth
42:38No, fuck that!
42:40I need the truth
42:40Why are you doing business with him again?
42:42Gina
42:44Tell me what you're thinking of getting Lawrence for Christmas
42:46There are plenty of men who can supply powder all over the world
42:49I don't understand why it needs to be him
43:00Some of my business with Tommy Shelby is unfinished
43:04This is my opportunity to finish it
43:10So speak to your uncle and get me the fuck out of here
43:33Who?
43:38Sir
43:39Why the hell no?
43:40Why the hell no?
43:59I heard you were in town, and I thought, well, hey.
44:06Little man hitting the big side.
44:08You like jazz?
44:10No.
44:16What do you want, whiskey?
44:18Water.
44:19I don't have any water.
44:21What else do you want?
44:22I have a message for your Uncle Jack.
44:27Tommy, relax.
44:31Have a fucking drink.
44:34You know, my uncle's planning on buying the United States import license to all the best scotch and Irish whiskey
44:40distilleries.
44:43He's on his way to London right now to make those deals.
44:45Every drop in every state will be another dime for Uncle Jack.
44:49Yep.
44:51He's a very powerful, very impressive man.
44:54I've only seen photographs when he was young, police mug shots, and more recently in high society magazines.
45:02I think this represents progress.
45:05Yeah.
45:07And before you tell me what you want me to tell him, I have a message from him to you.
45:13No deal.
45:19Hmm.
45:22In England, when someone gets this close to Tommy Shelby, it's, oh, the horror.
45:29Oh, the desire.
45:32To fall on your knees, open your mouth, and say, yes, sir.
45:38Please, sir.
45:43So it's Uncle Jack you falling on your knees for, eh?
45:47Not Michael?
45:50He says no deal, Mr. Shelby.
45:56You smell a jail, Gina.
45:59And you drink too much.
46:02Yes, but booze is legal.
46:05Your white powder's not.
46:08Jack has friends in the government now.
46:09Do you have any idea of how far he's risen?
46:14All the way to the fucking top.
46:18Can't have white powder on his shiny black boots when he's on his way to meet the President of the
46:22United States,
46:23because, yeah, that's where he goes now.
46:28So he can't really be taking such a big risk on such a little deal.
46:34Go home, boy.
46:39Bye-bye, Mr. Shelby.
46:43Yeah, you have another whiskey, Gina, another dime for Uncle Jack.
46:47You mind if I smoke?
46:49If it's legal, it's okay.
46:53Before I go,
46:55you should know
46:59that it was me
47:01who tipped off the board of police
47:03about the contents of Michael's suitcase.
47:08I'm the reason he's in jail.
47:14I wanted to give your uncle a dilemma.
47:18His favourite niece's husband
47:22banged up in Boston
47:24for smuggling opium.
47:28What does he do?
47:30If he intervenes and has him released,
47:32how will that play in the Oval Office?
47:34If he does nothing,
47:36how does that play in South Boston?
47:37Oh, fuck you.
47:43Fine.
47:45Stay here.
47:47Deal here.
47:49Die here for all I fucking care.
47:56Dying in his hand, Gina.
47:57Hey!
48:01My message to your uncle is this.
48:05If he doesn't want to buy my opium,
48:07I will sell to the East Boston Jews.
48:16Oh, baby.
48:19Do you want to start a fucking war?
48:22Without amount of opium,
48:25the balance of power
48:26between the Irish,
48:28the Jewish,
48:29and the Italians
48:31will shift heavily in favour of the East.
48:35I have excellent contacts
48:37with the family that runs East Boston.
48:40The Solomons family.
48:42Have you heard of them?
48:46Once you people have accepted
48:48that you must treat us as equals,
48:54then I think our families
48:55will work together very well.
49:00Have a good day, Gina.
49:23Yes, I'll accept the call.
49:38Hello, Lizzie.
49:39Tommy.
49:42It's Ruby.
49:43She's not well.
49:46She's got a temperature of 101.
49:48The doctor's just left.
49:49What did he say?
49:51He says he thinks it's flu,
49:52but he's going to come later
49:54to check on it.
49:57She's been coughing,
50:00and...
50:02told me he said it's
50:04not a good idea for us to travel.
50:08We can't board that ship
50:09to Boston today.
50:11That's all right, Lizzie.
50:12Don't worry.
50:14Don't worry.
50:14You just stay there for now
50:15and get her better,
50:16and, uh...
50:18Can I speak to her?
50:20She's sleeping, love.
50:22Yeah.
50:23We'll let her sleep.
50:25We'll sleep.
50:27As you have a...
50:28I have a bit more business
50:29to do here.
50:31Look,
50:32you just book a new passage.
50:34I'm going to be feeling better.
50:35It doesn't matter if you don't get here
50:36for Christmas
50:36just as long as you get here, right?
50:39And then...
50:40I'll get this business done.
50:42You get here with the children
50:45and they're no more.
50:47And it'll just be us
50:48and the clean air
50:50out on the west.
50:52I found a place in the mountains.
50:54There'll be snow.
50:56Tell Ruby...
50:57Tell Ruby I'll build her a snowman.
50:59Hmm.
51:01How long has she been coughing?
51:03A few days.
51:05She's been out running wild
51:07with Johnny Dog's kids
51:08out in the cold by the river.
51:14Are you okay, Tommy?
51:16Your voice, it sounds different.
51:19Oh, it's just cold.
51:21I'll get this business done in Boston.
51:24That'll be the end of it.
51:27And then I just want to...
51:31I just want to pick Ruby up
51:32and hold her in me arms.
51:33You know?
51:35I miss the way to carrying her.
51:37I give her a present, Shirley.
51:40She loves them.
51:44Last night she was burning up.
51:46She was delirious.
51:47She kept talking.
51:49Johnny's kids have been teaching her
51:50to speak gypsy.
51:53Teaching her to rob and steal.
51:55I don't know what I like.
51:56Yeah.
51:59When she was delirious,
52:00she kept saying these gypsy words,
52:02so...
52:05Ticknamora.
52:07Ticknamora.
52:08Oh, bang, oh, bang.
52:09Over and over again.
52:12What?
52:13Is it...
52:13What...
52:15What did she say?
52:16What did Ruby say?
52:18Tickna.
52:19Ticknamora.
52:19Something like that.
52:20Did she say any...
52:21Did she say any other words
52:22that you didn't understand?
52:24No.
52:26Oh, bang, oh, bang.
52:28I don't know.
52:28Lizzie, did she say any other words in Romany?
52:31Fucking listen to me.
52:31I don't know Romany words, Tommy.
52:34I don't think so.
52:35Just Ticknamora.
52:36An old bang.
52:37Yes.
52:38Could she see anything
52:39when she was burning up?
52:40What could she see?
52:41Lizzie, please,
52:42just answer the fucking question.
52:43She said she could see a man.
52:47A man with green eyes.
52:49She was delirious.
52:51She was burning up.
52:52What the fuck is the matter?
52:54All right, listen, Lizzie,
52:55I'm coming out.
52:56Tommy, it's just a fever, love.
52:57Listen to me, I'm coming out.
52:58I'll be on the next steamer back.
53:00You keep her out of school.
53:01You hear me?
53:01You keep her out of school.
53:02You keep her away from the...
53:03Tommy!
53:03Keep her away from the river.
53:04Don't let her ride a horse.
53:06I'll go near the horse.
53:07Tell Johnny Dogs and his wives
53:08the words that Ruby has been saying.
53:11Do you hear me?
53:11Tell Johnny's eldest wife
53:12to put a black Madonna
53:14around her neck.
53:15You listen to Esmeralda
53:16the same way you listen
53:17to a fucking doctor.
53:18You hear me?
53:19Fucking gypsy stuff.
53:20Yes, it is gypsy fucking stuff.
53:22Yes, it fucking is.
53:24And you get Curly there.
53:26Time to stay in the stable
53:27with Ruby's horses.
53:28And you do everything
53:29that Johnny Dogs and his wives
53:31fucking tell you.
53:31Do you understand me?
53:34I'm sorry, Lizzie.
53:35Do you understand?
53:36OK.
53:38I'll do it.
53:39All right, I'm coming home.
53:51Polly?
53:54Polly?
53:59They're not trying to get out.
54:02Paul.
54:03They're coming for me.
54:12They're coming for me.
54:16There ain't no grave
54:20Can hold my body down
54:23There ain't no grave
54:26Can hold my body down
54:45You son of a fucking bitch.
54:48You sound American, Michael.
54:51I have to go back to England early.
54:53Let's make this quick, eh?
54:54You just fuck people up
54:56and you run away.
54:57No, this business will continue.
54:58Jack Nelson is also
54:59traveling to England.
55:00To London and to Edinburgh
55:02to buy import licenses.
55:03How the fuck do you know
55:05where Jack Nelson's going?
55:06Well, I have copies of his itinerary
55:08or his personal correspondence
55:10letters from the President
55:11of the United States
55:12and his many mistresses.
55:13I have contacts in his organization.
55:16An Irishman with a mortgage
55:17is a powerful resource, Michael.
55:21You're dead, Tommy.
55:23You're out of your fucking depth.
55:27You're dead already.
55:31You're threatened to sell to the Jews.
55:33And I have contacts in this prison.
55:35These boys here will look after you
55:36during your stay.
55:37I don't need your fucking people
55:39to look after me.
55:39Jack Nelson's getting me out of here.
55:41Oh, yeah?
55:42Is he?
55:44This is a letter...
55:46Here, give him this letter, will you?
55:48This is a letter
55:49from the President's
55:50personal secretary
55:51suggesting Jack Nelson
55:52keep you in here
55:52for a while longer.
55:53Just until the press
55:55lose interest, Michael.
55:59Fuck you.
56:01You'll be released eventually.
56:03And then you can execute
56:04your business with me
56:05as before.
56:08Our business being
56:09five million dollars
56:10for a shipment of powder.
56:12And when the exchange is done
56:13we can shake hands
56:14and go our separate ways
56:16once more, eh?
56:21So you didn't learn.
56:24When my mother died
56:25at the hands of your ambition
56:27you didn't learn
56:27your limitations.
56:31I have no limitations.
56:38Oh, and by the way, Michael.
56:41According to Jack Nelson's
56:42personal accounts
56:43he bought passage
56:45for five people
56:46from Boston to Liverpool.
56:48Five people.
56:49His wife,
56:50his mistress,
56:51President Roosevelt's son,
56:53himself,
56:55and Gina Gray.
56:59Gina's coming to London, Michael.
57:02where I will be happy
57:04to show her the sights.
57:05Fuck!
57:05You fucking bastard!
57:07Stop it!
57:08Spirits,
57:08Boston Irish,
57:09Uncle Jack.
57:10You're the fucking devil!
57:11I'm ready for the conversation.
57:38I'm ready for something.
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