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00:00You'll further notice, you know, fraternizing the foreign place.
00:04My son will walk with any woman in this city.
00:08If you offer your son to walk anywhere, put a bullet in each knee.
00:13You said you wanted peace at home.
00:15Now we're going the offensive.
00:18The woman is substance of class.
00:20I've painted many believe. There'll be no charge.
00:23The name I've heard is Sex and D.
00:26MPs, army officers.
00:27Now we're trying to deal with save the country from revolution.
00:31This is for the killing of the spy and the down payment on future services.
00:35Does your wife know that the sepire she's wearing is being cursed?
00:39Nothing on earth would make me wear it.
00:41Oh, I need you!
00:57I'm going to go across the tracks.
01:01Where the vital clues I could have to.
01:06As it shows in the land of Christ.
01:10Their secrets fly in a lot of fires.
01:14In the hummingbirds, hey then you know you're never coming by.
01:19God.
01:27Jesus.
01:27I've been.
01:27That's a very easy way.
01:36I've been.
01:36You're not.
01:36I've been.
01:37You're not.
01:37You're not.
01:38You're not.
01:38I'm.
01:39I'm.
02:11He's back.
02:14Was he out there all night?
02:16Every night since the funeral.
02:19Comes back in the morning to see Charles and feed the horses,
02:21and when it gets dark, he goes off again.
02:25He used to sleep out when he was a kid.
02:29Clearly he'd find him in the pasture.
02:32How's the baby?
02:35He asks for his mum at night.
02:40Tommy made a list.
02:41He wants to see you two first.
02:43What about John and Arthur?
03:05How are the books?
03:10Unaffected.
03:11Up slightly.
03:16There's also been a threefold increase in donations to the Shelby Foundation charity.
03:21The council have suggested naming the new school the Grace Shelby Institute.
03:33Tell the council the name Grace Shelby Institute is acceptable to us.
03:42This is a list of the other things I want doing.
03:46That's all.
03:55Tommy.
03:56It's all gone.
04:07Well done, both of you.
04:18Right.
04:20How'd you go?
04:20Oh, we've already seen him.
04:26He wanted to see people in a particular order.
04:31I can normally read him, but it's difficult to read, so be careful.
04:37I thought it was a fucking family meeting.
04:40No.
04:40All of us together, I thought.
04:42John, he's grieving.
04:43To see everyone together would be too much.
04:46Yeah, well.
04:48Come on, John.
04:51Oh, but Arthur, we need him back.
04:54Sabini and Solomons have already sent condolences and flowers,
04:58so it won't be long before they come trotting up the A1 like wolves.
05:01Oh, go on.
05:02There's a timetable.
05:06Only good news.
05:08It is only good news, Polly.
05:12Yeah, we fucking know.
05:14Well, there he is.
05:19All right, Tom.
05:21All right, boys.
05:24We, uh...
05:25Didn't get a chance to, uh, see you after the funeral.
05:28Well, you disappeared on us, but, uh...
05:31What do you mean, John?
05:32We just want to say that...
05:33Arthur, shut up.
05:34All right.
05:36All right, now talk to me.
05:38We got to ain't you at the hospital,
05:41where he lied.
05:42Cut his throat.
05:44He's dead.
05:46Cleared out the rest of the Italians out of the south of the city.
05:49They mostly went to the black country,
05:51but we told Betty Kitchens, keep her moving.
05:53And Betty sends her condolences.
05:54What about the old man?
05:56We interrogated his boys.
05:58Yeah, he went to Liverpool.
05:59He's waiting for an immigrant ship to New York.
06:01When?
06:03First ship's off Saturday.
06:05All right.
06:07I have contacts.
06:09People in Cunard, in Liverpool.
06:11They'll have passenger lists.
06:12They can get you into the point of departure.
06:14You pick him up and you bring him to me.
06:16Who's he got travelling with him?
06:19His wife.
06:20What?
06:22His wife.
06:23So shoot her and bring him to me.
06:31Tommy, Mrs. Cangretta was a teacher at our school.
06:35She's a good woman, Tom.
06:37Good woman.
06:42Well, if she's a good woman, then she'll go to heaven.
06:45Eh, Arthur?
06:49Just who was on the list, nothing else than burn it.
06:51Don't speak on the phones.
06:52The fucking Secret Service is listening.
06:58I don't want the old man alive.
06:59I want to do it myself.
07:09All right, that's it.
07:10You can go.
07:15Come, John.
07:18Tommy, if you ain't going to burn her,
07:19you're going to have to tell her something.
07:22Nice, Polly.
07:25Not Michael.
07:27What?
07:28Not Michael, no.
07:29No.
07:30Not Michael, no.
07:31Because Michael deals with legitimate business.
07:33You saw him before us, John.
07:37Not now.
07:38Wait, what did you say?
07:40You saw Michael before us.
07:43What's sake, John?
07:46Because legitimate business, John, is the priority.
07:51Legitimate business.
07:52Please, when?
07:54Your fucking wife took a bullet meant for me!
08:03How are you?
08:04Okay.
08:06Yeah, so Secret Service, Secret fucking Service,
08:08blah, blah, blah, but you don't tell us shit.
08:11We're a couple of fucking toy soldiers.
08:14Do this, John.
08:15Do that, John.
08:16Kill your fucking sister, John!
08:27This is how it's going to be.
08:31All right, listen to me.
08:33There's going to be a little war
08:35in a little place
08:36that no one gives a fuck about.
08:37And the side that it's going to lose
08:40needs a little bit of help.
08:41And they're willing to pay.
08:43All that business is done.
08:45Legitimate business
08:47is the priority.
08:49Now,
08:50do what's on the list
08:50and fuck off.
09:06And when are you coming back?
09:08Hmm?
09:09I'm back, Arthur.
09:24The thing is,
09:25we all naturally came in here
09:26with the servancies.
09:28Oh, it's nothing to do with politics,
09:29Ida.
09:30It's fucking freezing
09:31in the big room.
09:32John, mind your language
09:33in front of Carl.
09:34Ida, we're in the servants' cultures
09:36because it's where
09:36the fucking booze is kept.
09:39Arthur,
09:39find better words.
09:41Yes.
09:41I pal to swear
09:42any gypsy count.
09:43There's no reason
09:43for us to be speaking
09:44rocker or shelter
09:45in any case.
09:46Oh, yeah!
09:47Hey, I'm just saying
09:49there is no need.
09:50When she's drunk,
09:51my wife can't speak
09:52fucking English.
09:53John!
09:54Yeah, right.
09:58You dealt with it?
10:00Incentives,
10:01no threats.
10:02Implied consequences
10:03without specific reference
10:04to physical harm.
10:06That's why young Michael
10:08is the boss.
10:09He knows better words.
10:12Right, pal.
10:13Since when was that
10:13your boss, Arthur?
10:14First the boss meeting,
10:16then the workers' meeting.
10:17When did either of you two
10:19do a day's work?
10:20In the old days, Finn.
10:22Family meetings
10:23used to be all of us.
10:25Together.
10:26Arthur, shut up.
10:32Now me and John
10:35we're just fucking
10:37bin men
10:38whose duty it is
10:40to obey.
10:43Hmm?
10:48It's Jane Greta.
10:53Arthur.
10:56Shut up.
10:57Finn.
10:59Go and get us cigars.
11:00So what are we
11:01going to do
11:01tonight, eh?
11:03Can't fucking
11:03trace.
11:04John, stop swearing
11:05in front of the kids.
11:06Yeah, and who said
11:07you're staying the night?
11:07I know what we can do.
11:10We get the guns out,
11:11John.
11:12We go outside
11:13and we shoot
11:14some fucking
11:14peasants.
11:17That's what the boss
11:18is doing, isn't it?
11:19Yeah, fuck off.
11:20Arthur.
11:23Fuck, you just
11:24say to me.
11:26I didn't ask
11:27for separate
11:28meetings today,
11:29all right?
11:29Oh.
11:31What the fuck
11:32did you just
11:33say?
11:34Cos I didn't
11:35fucking hear,
11:36right?
11:38I didn't ask
11:39for separate
11:40meetings today,
11:42all right?
11:43Fuck you
11:44and Fesson.
11:45I can't.
11:46I can't say
11:47things like that.
11:48Now look what
11:49you've done.
11:53All right,
11:54probably.
11:55It's just a
11:56fucking whiskey talk.
11:57I don't ask
11:58to be protected,
11:59all right?
12:00Shut up,
12:01the pair of you.
12:02Sit down.
12:05Sit down.
12:06Yeah, yeah, yeah.
12:07Look around you.
12:09Look at this house.
12:12Look where we are.
12:14Look how far
12:15we've come.
12:16I think it's about
12:17time we all
12:17started acting
12:18in a way more
12:19appropriate to
12:20our station.
12:23We're none of us
12:23bin men anymore,
12:24Arthur.
12:26Tommy needs us
12:27all together.
12:30I'd like to
12:30propose a toast.
12:40It's a family
12:41united
12:41that shall never
12:43be defeated.
12:46Tommy's gone.
12:47I swear to God
12:48he's in a wagon
12:49with Johnny
12:49Dogs.
12:52Shit.
12:54This is what he
12:54does now.
13:03Tommy!
13:05Tommy!
13:07Tommy!
13:09Tommy!
13:11Tommy!
13:12Hey!
13:14Tommy!
13:15I don't think we,
13:18Waka! Waka!
13:22Tommy! Waka!
13:24They're coming out in the drive.
13:26You're not gonna tell them?
13:27Tell them what?
13:29That we're going to Wales.
13:31I left the notes.
13:34Did you tell them why we're going to Wales?
13:36No.
13:37At some point, you're gonna tell me why we're going to Wales?
13:39Yeah, when we get there.
13:41Waka!
13:42Shut up out of at least one woman, Tommy.
13:44Donnie, it's a woman we're going to see.
13:47There.
13:48Walk on. Walk on.
13:54Says he'll be back in Birmingham in three days.
13:58Let him go.
14:00The important thing is, if he says he'll be back,
14:02he'll be back.
14:03Come on. Let's go light a fire in the big room.
14:07Let's go drink whiskey.
14:10With water.
14:22I'll see through the horses, Johnny.
14:23Aye, Tom.
14:24Come on.
14:40So I'll go out through Meridian.
14:42Run into the Black Mountains.
14:46Yeah.
14:48Here.
14:49Give me some.
14:51Boy.
14:54Here you go.
15:00Now, remember last night when you asked after Mama?
15:05She's gone, Charlie, and there's a few things we need to get straight.
15:09There's a photograph.
15:12There's a photograph.
15:17We'll keep things the way they are in the room.
15:22Just...
15:24Keep things the way they are.
15:31Here you go.
15:34Here you go.
15:38I'm not much good, Charlie.
15:41Well...
15:42I'll find that out soon enough.
15:46She's not gonna be coming back, so it's just you and me.
15:52She'll be with us.
15:53In our hearts.
15:55Cos we love her.
15:57Tommy.
15:57Yeah?
15:58This fucking horse of yours won't come to me.
16:00All right.
16:01I'll be there.
16:01All right.
16:04That was her favourite horse, Charlie.
16:07Oh, he's been all over the place since he's gone.
16:11Honk?
16:12Yeah, you watch him.
16:13I will.
16:14Oh, yeah?
16:15Huh?
16:27All right.
16:28Now cock it with the thumb.
16:37There you go.
16:39Now she's been cocked.
16:41She's alive in your hand.
16:43It's like waking up a girl when you cock that trigger.
16:46Oh, yeah.
16:47She rolls over all sleepy-eyed and she goes...
16:51Michael.
16:53Michael.
16:55What are you gonna make me do, Michael?
16:58You boys are fucking crazy men.
17:02Yeah, but you feel it though, right?
17:04Yeah.
17:05You feel it.
17:06Yeah, and you can feel the power.
17:10Now, squeeze it.
17:17Oh, fuck.
17:19Oh, fuck you.
17:20You useless piss off, John.
17:22Michael.
17:24Why does a pen pusher who sits on his arse all day wanna fire a gun?
17:29Hmm?
17:30Aye?
17:32Cock it again.
17:35Cock it again.
17:36Cock it again.
17:37Mountain.
17:41Oh.
17:43Look at that fucking face, John boy.
17:46Look at that face.
17:48Now he feels it.
17:51But you won't feel nothing until you point that thing at a man.
18:01So...
18:02Do it.
18:10There you go, young boss.
18:15There you go.
18:16Now you feel it.
18:17Now you feel what we feel.
18:21This...
18:21Is what it's like.
18:24Michael.
18:26That's a web blade.
18:29Jumps on the hammer.
18:30How does it feel, Michael?
18:32Huh?
18:34Better than having a pen in your hand, and it's...
18:37More like having your cock in your hand.
18:40Yeah.
18:41Yeah, it is.
18:43Yeah.
18:45One squeeze.
18:48Boom.
18:50I'm gone.
18:52I'm fucking meat.
18:54Michael.
18:56You fucking watch that.
18:57Weebly don't drop me like that.
18:58When you pull that fucking trigger.
19:02And the body of the man you shot wraps itself around your ankles.
19:08They pile up.
19:11It gets to the point where you can't walk in a room.
19:16Without bringing a load of them with you.
19:23What's going on?
19:34Polly, we're just...
19:37Educating the boss here.
19:40On our side of the business.
19:44Michael.
19:47Get in the house.
20:04I'm not a fucking kid anymore.
20:07Weebly...
20:19Weebly
22:02Well, take a look at this list.
22:04These are all the men who worked the night shift who are members of the South Birmingham Communist Party.
22:09You've got six weeks.
22:11Sack them all.
22:23Are you fucking mad?
22:25He is.
22:27Yeah.
22:29Every factory in the city will come out as old stories.
22:31So?
22:32You find reasons.
22:35You set them up.
22:38You sack them.
22:40Look at the list again.
22:41Are there any communists on your shift who aren't on the list?
22:47No.
22:49Please don't fucking lie to us.
22:51Who's missing?
22:52I don't know.
22:58Emmanuel Hunter.
23:01Hmm?
23:04Convener.
23:05Deputy Treasurer of Sparkeel Communist Party.
23:09Life operator to you.
23:12I didn't know he was a communist.
23:14We left that name off the list on purpose.
23:18See if you could be trusted.
23:21And you can't be trusted.
23:23Look, I'm just a working man.
23:25We're going to be watching you.
23:28Watching your fucking house.
23:29I've got kids.
23:34Edna and John.
23:39Just get them sacked.
23:42As they appear on the list.
23:44Two a week.
23:46The last one before the clocks go forward.
23:51Is that a yes or a no?
23:55Yes.
24:12Good.
24:15Good.
24:29Do you think he'll return?
24:31Tommy.
24:36Yeah, they always come back.
24:39You speak differently when you talk.
24:41Yeah, I prefer to talk about other things.
24:43Let me see.
24:47What books do you like?
24:50Writing, flower arranging, embroidery?
24:53You'd be surprised at the things I know.
24:58You could also be surprised at the things I don't know.
25:02What could you possibly not know?
25:05I wasn't educated.
25:12At all.
25:13What is there to learn after all?
25:24Goodness.
25:27I'm sorry.
25:28You must need a rest.
25:41Do you tell your friends you're painting a gangster?
25:47Is that the fun in all of this?
25:49In truth, I don't have any friends.
25:53I knew everyone through my wife.
25:57When she died.
26:07Look, Polly.
26:10My motivation for doing this is twofold.
26:14Firstly, you have a face full of contradictions.
26:19And it's a challenge to capture them in one expression.
26:22That's the sales pitch.
26:26That's the sales pitch.
26:27The second motivation is that I am planning to seduce you eventually.
26:34And please God sleep with you.
26:36How would that please God?
26:38Please me.
26:57Look.
27:00I'm sorry.
27:02I'm sorry.
27:04I'm sorry.
27:16Oh.
27:18Unstopped.
27:24And he didn't say what he wants.
27:26When he was drunk, he said absolution.
27:29Other than that, nothing.
27:51Thank you for your time, Adam Buswell.
27:55I heard someone shot your wife.
28:01If you're looking for soldiers, our men are all up at Appleby.
28:04I have no need for soldiers.
28:07That's not why I came here.
28:21What do you think?
28:22Your salad.
28:24Giving.
28:27Why?
28:27Would you take it?
28:30I'd take it.
28:32Would you wear it?
28:33Why would I not?
28:34Well, that's my question.
28:43My wife was wearing it the night she was shot, and I lie awake at night and fall in the
28:53fucking
28:54morning and I blame myself for her death.
28:58I pushed some people too far.
29:02You want me to tell you this jewel is cursed.
29:07And then our death won't be all your fault.
29:17If I believed in priests, I would confess and ask for forgiveness.
29:23But all I have is you, Madam Boswell.
29:28I have a son.
29:31I have a son.
29:34I need to get some sleep.
29:39It is cursed.
29:43I feel a curse burning through my hand.
29:53Less you, Tommy Shelby.
29:56You'll have good fortune from now on.
29:58The business is done?
29:59It's done.
30:01Are you not going to give me one fucking clue what that was about?
30:05All religion is a foolish answer to a foolish question.
30:09What does that mean?
30:10I'll go and get Charlie from the camp.
30:12He'll have learned enough bad habits by now.
30:14He can drop us through the train station.
30:17And Johnny boy, if I were you, I'll come back here tonight.
30:24Later on, it's going to be one hell of a big fucking party.
30:33Yes!
30:33The day and date on your tickets.
30:37If you can't read, find someone who can.
30:41Tickets for salons other than today's will be destroyed.
30:45Because of people all over the lot, it is going to happen.
30:48It will happen now.
30:49We'll be all right.
30:51Why don't these Irish fill in their papers in advance?
30:54Think about Moth Street, the cafe, the smell of the coffee.
30:58Oh, signore, potisce passare.
31:02Oh, signore, potisce passare.
31:52There are some men, they may not howl, we are in danger here, come and escort us to
31:57the dock. Please, come with me. Excuse me brother, have you got a light?
32:41Thank you officer.
32:44Thank you officer.
32:59John Shelby, is that the lad I used to teach? John Shelby, I smacked your arse.
33:07Let him go. Please, please let her go. Arthur, how many times I looked the other way
33:15because of your sweet smile. I said let him go, he's coming with us.
33:21Not until I know my wife is safe. She's safe? I'm not going to harm her. Let's just get a
33:29move on.
33:29Look we're disobeying Tommy's orders, just by talking to you. Don't push it, please. Come with us, let him go.
33:39Let him go too. Say it's Tom. Say he's in the harbour. He can do you no harm from New
33:45York.
33:46I can't do that, Miss Jane Greta. I can't do that, sorry.
33:50OK, sorry. Andre, listen.
33:52No! Listen to me! Go to the cafe in March Street. Bonito will take care of you.
33:59Let him go too. He's an old man. I gave you sweets and cakes.
34:04Jane Greta, there are rules. Your husband knows the rules. Come on, old man.
34:10No! Sorry. We're disobeying orders here. Let him fucking go!
34:23You have ten seconds or Tommy's orders stand. They stand. One. Two.
34:31Please!
34:34Ray.
34:39I love you forever. War!
34:52No! No! No! No!
34:55America!
34:56No! No! No! No!
34:58And no life!
34:58No! No! No! No!
35:00No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No!
35:13No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No!
35:16No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No!
35:16No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No!
35:16No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No! No!
35:16No! No! No! No! No! No! No! No! No! No! No
35:27Thunder on horizon
35:29Stop the mighty river
35:31And set the dancing dry
35:33Distant thunder rumble
35:36Distant thunder rumble
35:38Rumble hungry like the beast
35:40The beast it cometh, cometh down
35:42The beast it cometh, cometh down
35:45The beast it cometh, cometh down
35:47Tupelo bow
35:53The black ray come down
35:55The black ray come down
35:57Water, water everywhere
36:00When a bird can't fly
36:01No fish can't swim
36:03Until the king is born
36:06Until the girl is born
36:36Do you know what time it is?
36:38Old man
36:42They'll tell you
36:48It's after seven in the evening
36:52And I'm gonna keep you alive
36:54And I'm gonna keep you alive
37:21Which my wife
37:22Will never do it again
37:24I'm gonna keep you alive
37:31And I'm gonna keep you alive
37:44And I'm gonna keep you alive
37:51Open your eyes, open your eyes or I will cut away your fucking eyelids!
38:02Now look at me. Look at me.
38:08This is the end. This is the end.
38:20It was your tongue that gave the order.
38:26I'll take your tongue first.
38:31And I'll take your ears.
38:35And I'll take your fingers.
38:39And your fucking toes.
38:42See, I'll take your balls first. You drain too fast like you fuckers do.
38:50I think tongue first.
39:05I'll take your tongue, you won't be able to explain.
39:10And I want you to explain.
39:13I want you to fucking explain!
39:21I want you to explain.
39:26I want you to explain.
39:36I want you to explain.
39:40You're the best but I will be able to explain.
39:47I want you to explain.
39:48Come on tell me.
39:51I forget who I am
39:54I forget who I am
39:57I'm a blind man
39:58I'll take your fucking eyes first
40:06I heard the blackbird sing
40:22and we let his wife
40:23board the immigrant ship to New York
40:26where he didn't kill Mrs. Changretta
40:30it's alright
40:35we're not those kind of men
40:48oh, and this one is for bravery
40:55when this one is for me
41:01and everything's a dollar
41:03in this box
41:07you get rid of the body, John
41:11and get rid of the house
41:14for good
41:15cufflinks and hubcaps
41:20trophies and paperbacks
41:24it's good transportation
41:28but the brakes aren't so hot
41:34neckties and boxing gloves
41:38this jackknife is rusted
41:44you can pound that dead out on the hood
41:53a tanker, a tailor
41:56a soldier's things
42:03his rifle, his boots
42:05full of rocks
42:09oh, and this one is for bravery
42:16oh, and this one is for me
42:22and everything's a dollar
42:25in this box
42:29in this box
42:54did you do what was on your list, Anna?
42:56you and your fucking lists
42:59did you?
43:02I spoke to an old friend of Freddy's
43:05he's a communist party candidate for Borsal Heath
43:08I asked him about the Birmingham branch
43:10of the National Vigilance Committee
43:13he said he'd heard the Soviet embassy
43:15was giving information from the inside
43:18and?
43:19did you get a name?
43:22yes
43:25but just promise me no one will get killed
43:27Ada
43:29it'll be me
43:30or John
43:30or Arthur
43:31who gets killed
43:32if you don't give me the fucking name
43:35there's someone ahead of us
43:36and I don't need to know why
43:40James Mumpland
43:42he's a Lloyd's underwriter
43:44he's got an office on Curzon Street
43:45Tommy, for fuck's sake
43:47who is it that's ahead of you?
43:49I know I could count on you, Ada
43:51no, you can't
43:52and I just asked you a fucking question
43:59and I notice
44:00you started wearing lipstick again
44:04so what?
44:09I got bored
44:10you can change what you do
44:13but you can't change what you want
44:17and what is it that I want?
44:25there's going to be a vacancy
44:28coming up
44:29and she'll be company limited
44:34Boston office
44:36Boston, America
44:39lipstick
44:40clothes from Paris
44:44no revolvers, all legal
44:46just turn a few heads
44:48do the transit deals
45:00Chinese Mumpland, right?
45:02through a chip
45:03and fire
45:04be nice, all right
45:06go into business
45:08with a grizzly band
45:13but just don't sit down
45:16cause I've moved your chair
45:19drive your friend
45:20come on, Cal
45:21you shouldn't
45:48who the hell are you?
45:51what do you want with me?
45:52you've been passing information
45:53about the robbery
45:54at the Lanchester factory
45:55in Spartanbrook
45:57are you
46:00told me Shelby?
46:02I need to know the name
46:03of the person in the organisation
46:04who's giving you information
46:08what organisation?
46:11the Economic League
46:13the Vigilance Committee
46:14the Odd Fellows
46:14Section D
46:15they have many fucking names
46:18shit, shit, shit
46:20give me the name
46:20of the informant
46:28Mr. Shelby
46:32they are very, very
46:34dangerous people
46:35oh
46:36oh
46:40well
46:42unfortunately so are we
46:45you have to choose who
46:46you're more afraid of
46:47the Peaky Blinders
46:48at exactly 11.43
46:50or
46:51Section D
46:52at some
46:54point in the future
46:58if you make the wrong choice
47:00you won't see 11.44
47:03do they always have to do
47:05the stocktaking
47:06at night, Father?
47:07Arnickers
47:07you know
47:08it slows down production
47:11thank you
47:15thank you
47:30night work will have to end
47:32I will
47:33I will
47:34you'll have things to do
47:36at night
47:43yeah
47:45you and I
47:48we've spoken about
47:50I was going to wait
47:52until you had a strong
47:52cup of tea in your hand
47:53come on then
47:54but um
47:55I'm going to have a baby
47:56Arthur
48:12right
48:14yeah
48:19you said you spent the night
48:20taking stock
48:21or so did I
48:23this working at night
48:25will have to stop
48:34I'm going to have a bite
48:36yes
48:48oh
48:49oh
48:49it's great news
48:49oh
48:53oh
48:54oh
48:54what that
48:56oh
48:58oh
48:59oh
48:59What did they say?
49:01Oh, Mum.
49:10What what?
49:11That's what they'd say.
49:19Arthur, for fuck's sake, what is it?
49:21No.
49:23We're waiting for Tommy.
49:26I've got a stolen statue back there with its dick hanging out
49:29waiting to be melted down.
49:31Tell us, tell Tommy later.
49:33Yeah, look, he's not here.
49:34He's not here, I'm going.
49:36What is it?
49:37My curly giggish.
49:39All right, what is this?
49:40He's fucking giving us all this shit.
49:42Come on, come on.
49:43Right.
49:47Arthur, you've got wire on the fucking court.
49:49Give it him.
49:50Bastard.
49:50Right.
49:51Gentlemen.
50:01Linda is up the swanning.
50:03I'm going to be a fucking dad.
50:05Fuck off.
50:06Yeah.
50:08Yes, girlie.
50:12Arthur, I knew you had it in you.
50:14I knew you had it in him.
50:16September, she reckons.
50:18The tits feel different already.
50:20Yeah, that's not the only thing that's going to be different, brother.
50:22You're fucked now, man.
50:24Fucked.
50:25Absolutely fucked.
50:26Nah, nothing's going to change, John.
50:29Goodbye, Arthur.
50:32I have a meeting I have to go to.
50:35Yeah.
50:36Yeah, of course you do.
50:42Yeah, you, uh...
50:45You go to your meeting.
50:48Congratulations.
50:50I won't be dead.
50:51Proud of you.
51:31Your Highness, Mr. Thomas Shelby.
51:37Welcome, Mr. Shelby.
51:39I believe you've met everyone apart from my wife.
51:44Grand Duchess, Isabella Petrovna.
51:48Please, take a seat.
51:56Before we begin, Mr. Shelby,
51:58we must offer you our sincere condolences on your recent loss,
52:02which some of us witnessed.
52:09Did you drive, Mr. Shelby?
52:11Yes.
52:17They say you're an expert on cars.
52:19Yes, I am.
52:20I am curious.
52:21What was your father's profession?
52:23Well, he, uh, he told fortunes and he stole horses.
52:27Often he would tell a man that his horse would be stolen,
52:29and they would marvel at his powers when it was.
52:32Yes.
52:38Before we eat, should we say grace?
52:46For what we are about to receive,
52:49may the Lord make us truly thankful.
52:52Amen.
52:53I'm not here to eat.
52:55I'm here to do business.
52:57And what I have to say can be said before the main course.
53:00And then I will leave you all to your evening.
53:02Grand Duchess, I must apologize for the bad manners of my compatriot.
53:07This is a report on the mission's progress so far.
53:11I've made only one copy for security.
53:15Who should I go to?
53:16My husband is in charge of this operation.
53:20But since there will no doubt be vodka later,
53:24perhaps you should give it to me for safekeeping.
53:30Speak, Mr. Shelby, while we eat.
53:37Five factory foremen on our payroll
53:39have begun a campaign of victimization
53:41against communist workers in five factories across Birmingham.
53:45Anger amongst the workers will grow, but we will control it.
53:48On the night of June 21st,
53:50a general strike will be called across the city.
53:53Protests will develop into riots.
53:56And all police that are not already under our control
53:59will be busy.
54:00The city will be paralyzed.
54:02So how will you move the train?
54:04We have two locomotive drivers
54:06who have been allocated to drive the midnight goods train to London.
54:09The armored vehicles will be waiting on flatbeds.
54:12And the ammunition?
54:13The ammunition...
54:14I have to say that this soup is exceptional.
54:20Absolutely delicious.
54:23Ammunition incendiaries will already have been packed up and crated
54:26for transport to Istanbul.
54:28And how long to London?
54:30The train won't reach London.
54:32All the goods will be unloaded at a coal yard in St Albans
54:35and put onto Shelby Company trucks.
54:38From there they will go directly to the poplar docks.
54:40Your Highness, if you're having difficulty understanding his accent then,
54:44I can go to the plan with you at a later date.
54:47If there is no ship waiting for my men,
54:49all goods will be dumped into the sea before first light.
54:52What happens when they discover the armored cars are missing?
54:55During the rioting,
54:56the Lanchester factory will be firebombed.
54:59The scrap metal dealer of my acquaintance will declare
55:02that all the armored vehicles are in the wreckage
55:04and should be written off as salvage.
55:06And no one will know that they are in your possession.
55:08We formulated this plan when we met at Birmingham.
55:13I'm certain that nothing has been overlooked.
55:18This, uh, is the amount of extra expense
55:23I believe I will incur for trucks and fuels.
55:27I trust you will respond in kind.
55:31But of course, Mr. Shelby.
55:36Before I go,
55:39I would like it known
55:41that I'm unable to swallow food
55:44in the same room as this priest.
55:50Enjoy your evening.
56:01Tатьяна,
56:02see Mr. Shelby to his car.
56:04Yes.
56:13Послушай,
56:14что он хочет сказать.
56:26ılar
56:33о
56:33rows
56:34и
56:34о
56:54ч
56:57The priest is passing information about the robbery to a lawyer's underwriter called Monkland.
57:02He, in turn, is passing information to the Soviet Embassy.
57:06If you want him dead, I'll kill him, no charge.
57:10Why would the priest pass information to our enemies?
57:18I'm being paid to act and to observe, like a soldier.
57:23The complexities are your business.
57:27If you want to speak to Isabella, I don't trust her to decide.
57:33You were able to continue your business dealings even after what happened.
57:39Perhaps you didn't love her.
57:48She's here, by my side.
57:53And she says, don't trust these people.
58:01Now get me permission to kill the priest.
58:30I'll see you soon, Stan.
58:32I'll see you soon.
58:32I'll see you soon, Stan.
58:34I'll see you soon.
58:35Black coat with a red right hand.
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