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00:01Factory breaking. That's what you said.
00:03We should never have got into this, Tom.
00:05On the night of June 21st, General Strife will be called across the city.
00:09How do we know this foolish man will hand over the diamonds when we're done?
00:13We don't. That's another business.
00:15When this business is done, it'll all be over.
00:17And afterwards, you and Arthur can begin your new life.
00:20So there's three cellars underneath the house.
00:23There's a tunnel here that runs from the house underneath the river to an underground strong room.
00:27We need Arthur to run from here and the strong room direct.
00:30I need to speak to you about the priest.
00:37I will shit him myself, Tommy.
00:40I swear to God, if my son pulls the trigger,
00:44I will bring this whole organisation down around your ears.
01:25There is no intention, Tyr Tyrion.
01:26Then, wait.
01:26There is no intention of violating your own contact,
01:27but paying attention for the fact that, this isn't the thing,
01:36Welcome to the opening of the Grace Shelby Institute for the Non-Insured Children of the Poor.
01:44I would very much like you to join me in thanking the man that made the founding of this establishment
01:50actually possible.
01:52Ladies and gentlemen, Mr. Thomas Shelby.
02:01Come on, Spence!
02:05Come on, Spence!
02:27I didn't come here today to make a speech, but I will say this.
02:30These children are now safe. In our care, they will be safe because we are from the same cold streets
02:38as they are.
02:39And in our care, they won't be shipped away to the colonies or separated from kin or made to work
02:49for men in the various ways.
02:51They will grow up here, at home, loved.
02:58And Birmingham.
03:01Because this is our city.
03:03By order of the Peaky Blinders.
03:07Head up!
03:24Now let us sing, Immortal Invisible.
03:42Hear that, Grace?
03:48The absence of my invitation for this event was obviously an oversight on your apparent, Mrs. Shelby.
03:56Look, I have the keys. I have allocated myself an office.
04:01Just there, two doors in from the street.
04:03It's the one that already has the stove and the crucifixion on the window.
04:08Mr. Shelby.
04:10It's the one that has the crucifixion on the window in orange and red.
04:14That will be my office.
04:16And I will take them to St. Aloysius for confession.
04:20You do understand that these keys are part of our broader arrangement?
04:25it. In the next 24 hours, you'll do exactly as you've been instructed. You'll not deviate,
04:39you'll not fail.
04:49Come on.
04:51Come on in.
05:09The Lord Mayor would like you to come and eat cake and drink some tea.
05:42No, Reuben. Do you know any other guests from London not turned up?
05:47Some, I think, yeah. Paul, I'm paid by the company now, so I have to talk to other people.
05:51Well, so you have moved from horses to automobiles in just four years.
05:56When you ship to New York, you pay a hired-dog duty. You should consider coming with us through Boston.
06:01I just spoke to Johnny Dogs. He said the tunnels hit heavy clay. Slowing him down.
06:05How long?
06:06Two days before they hit the wall.
06:07Tell him to dig a sinkhole to drain the clay.
06:09He's asked if you'd go down and have a look yourself. I told him wild horses wouldn't get you down.
06:14Yes.
06:15Mr Shelby, I'd just like to say that I wish I'd met your dear wife before she was taken from
06:20us,
06:20and I would like to allocate an hour a day of each of my ladies' time to make winter clothes
06:25for the little ones.
06:26Speak to my secretary, Miss Stark in the grey house. She'll answer my diary.
06:30Fuck my tum, I don't know how you do it. Incoming.
06:32Mr Shelby?
06:33Yes.
06:34Oh, your little boy looks so much like you.
06:36Yes, yes. He's a little rascal, isn't he?
06:38Mr Shelby, would it be too inconvenient to steal you for a moment?
06:42No, no, no inconvenience at all.
06:44Tommy, I'm sorry. He wants to...
06:46Oh, come on here, Johnny.
06:49Oh, little boy.
06:50It's so lovely to see a man willing to hold his charbon puppet from the members of the Moseley War
06:57Widow Institute.
06:59Made by Mr Winslow himself of Winslow Castings.
07:02Look at that.
07:02From a photograph of your horse that ran at the Derby.
07:06Oh, that is very kind. Thank you very much.
07:07Grace's Secret.
07:10Would you mind holding it for us so that we can have a photograph of the Gazette?
07:18Oh, thank you. Thank you very much.
07:22Thank you, Mr Shelby.
07:23Oh, thank you.
07:27Thank you for your time, ladies. Thank you. Thank you for your time. Thank you.
07:36Miss Charles, I had him.
07:38I gave him to you.
07:39What is he?
07:40I don't know.
07:42Boys?
07:44You see Charlie, eh?
07:46I don't see him. I don't know how he's playing, are you?
07:48What?
07:50Where's Charles?
07:51Is he?
07:52Where's Charlie?
07:53I don't know.
07:54Where is he?
07:54Back door, kitchen.
07:56Get to Blake Street where the cars are.
07:58Tommy!
07:58Someone said they saw a nurse take him through the back door.
08:01Fuck!
08:01I don't know, though.
08:16Arthur!
08:17What?
08:17Somebody said they saw a woman in a cage getting into a car.
08:19Ah!
08:20Fuck!
08:20I don't know.
08:20I don't know.
08:26Charlie!
08:29Charlie!
08:31Charlie!
08:32John?
08:34What is he?
08:36John!
08:36Arthur!
08:37Go find Moss!
08:38Arthur, where is he?
08:39Junction!
08:39Where is he?
08:40Olaf!
08:42Tell me.
08:43Someone took him off.
08:45All right.
08:45Hey, listen to me!
08:46They put him in a car.
08:47They put him in a car.
08:48They've thrown himself.
08:50We've got roadblocks and spotters.
08:52I'll set up shop and put every man we've got on the junctions from here to Maple.
08:57Right.
08:58You've got to go to the office.
08:59You've got to sit by the phone.
09:00You knew that.
09:01Whoever took him is going to go.
09:02Polly!
09:04Let's go, Pop.
09:06Stay by that phone.
09:08Me and John will cover the route.
09:09I need Markle at the Mount Pole Junction.
09:13I need Moss to block all the roads south.
09:20Give me Moss.
09:22Gone where?
09:30Tommy.
09:31It's them.
09:32Who?
09:33It's fucking them.
09:34Look, it might just be some random woman because you only sometimes women go mad.
09:37No, it's them.
09:38Did you break the phone?
09:45He broke the phone.
09:47It's all right.
09:48We've got another phone.
09:49Tommy.
09:50Ada.
09:52There's someone outside.
09:53A priest.
09:54Stay here, Paul.
09:55Stay here.
09:55Don't do anything.
10:10We have your son.
10:13Get in the car.
10:21Fast.
10:23Is he safe?
10:25Of course he's safe.
10:27All children are dear to me.
10:30You have all the cars.
10:32Tell me what you want me to do.
10:34And I will certainly do it.
10:36You ever drive one of these beasts?
10:37I'm asking you to conduct business.
10:40I was barred it.
10:42Lented by a lord for the duration of this business.
10:46I will certainly do what you need me to do with no complaints.
10:51What?
10:51We were forced into doing this awful thing.
10:55We did warn you that your son would be in danger if you deviated from the plan.
11:01It was you who made a mistake.
11:02You understand?
11:03I am.
11:03What mistake did you make?
11:05Do you even know?
11:06Tell me what you want me to do.
11:08You made a deal with our enemies.
11:10I will do what needs to be done.
11:12You went behind our backs to stop the Soviets from blowing up the train.
11:19But it's alright.
11:20It's alright.
11:22We've rectified your mistake.
11:25You ask me what do I need to do.
11:27Well here's what you need to do you fucking mongrel ya.
11:35But since the Bolsheviks will not be blowing up the train.
11:39You'll blow up the train yourself.
11:42It's always been about the explosion.
11:45From the beginning.
11:46The bang.
11:47The outrage.
11:49Understand?
11:52Those are notes and fragments for you to scatter in the wreckage.
11:56Implicating named officials from the Soviet Embassy.
11:59I will scatter them.
12:00It will be done.
12:01Good.
12:02Now friends at the Times and the Daily Mail will do the rest.
12:06And once the British government cuts diplomatic relations with the Soviet Union.
12:11That'll be our mission accomplished.
12:14You'll have been part of a fine adventure.
12:18To help with the outrage we need people to die in the explosion.
12:21How many?
12:25Say.
12:27Six.
12:29Railwalkers perhaps.
12:31Men from the factory.
12:38And I want my son.
12:41Return to me.
12:42Within an hour of the explosion.
12:45Oh, it's conditions now, is it?
12:47We need to fix the handover in advance.
12:50I haven't finished with you yet, Mr. Shelby.
12:54We also hear that you're digging a tunnel.
12:58Mining for precious stones under a wilderness house.
13:04I'm told they have a Fabergé in the strong room.
13:08The lilies of the valley egg.
13:10Made in 1898.
13:12One of the odd fellows has a wife who's obsessed with Fabergé.
13:16Who wants to give her the egg for her birthday.
13:18He will have it.
13:21And the Economic League will take all of the jewels that you steal.
13:25To cover our considerable expenses.
13:28The fight against communism's not cheap, you know.
13:31So if you want to see your...
13:33I'll give you all the jewels.
13:35A bang forced.
13:38Then bring everything that you've stolen to your office at dawn.
13:43No.
13:44No, Hannah.
13:45They'll not be able to give the jewels to you by dawn.
13:48The tunnel is in clay.
13:49If the St. Andrew's clock strikes 5am on the night of the robbery.
13:53And we don't have everything that we ask for.
13:56The bell will be telling for you, boy.
14:01Now get out of my fucking care.
14:15Come on.
14:16Where's Linda?
14:17With Esmae.
14:18Esmae's waters broke.
14:20I was just with her.
14:21Running around, fucking broke the waters.
14:23Where's Finn?
14:24Out with the young ones.
14:25Looking for the Riley.
14:26We couldn't reach him.
14:27I need to know who spoke.
14:29Our enemies know everything, everything.
14:31I need to know who spoke.
14:33About business outside of the family.
14:35I need to know who spoke.
14:36Who they spoke to.
14:37Now.
14:37Doings, no.
14:38Your wife, Arthur.
14:42I'm gonna tell myself that you're, er...
14:44You're not thinking straight.
14:46Your mind's not clear.
14:49Or Esmae.
14:50Getting cash for cocaine, eh, John?
14:52Fuck!
14:53All of a sudden, back in the family, Ada.
14:55Eh?
14:56That's a surprise.
14:57Out of the blue.
14:59On whose orders?
14:59Tommy, this is not helping find him.
15:02And you and your painter.
15:04You said he knows you.
15:05Things developed.
15:07You talked.
15:08If anyone has talked about the tunnel,
15:11to anyone else,
15:12I need to know.
15:13And I need to know this second.
15:15What about your clay kickers?
15:16Mmm.
15:17Drunk in a pub.
15:18I trust those men with my life.
15:20More than you trust us.
15:22Yeah.
15:23As of an hour ago, yes.
15:25There's Michael in this fucking line-up, anyway.
15:27You leave Michael out of this?
15:28Oh, yeah?
15:29No, he should be.
15:30I fucking don't even know him.
15:31How long you've fucking known him?
15:32Fucking three years.
15:33No, he's not gonna be your whipping boy.
15:34I don't even fucking know the boy.
15:36I never told Michael about the lilies of the valley.
15:40The only people I told about the Fabergé eggs are in this room.
15:49Tommy, I want you to know that I came back for love.
15:55And common sense.
16:02And his mate's got no need for extra cash.
16:10You bring my wife into this.
16:13Means we speak when this business is done.
16:21John.
16:21Arthur.
16:23I need 50 sticks of BSA dynamite.
16:25300 yards of cable.
16:27And six detonators.
16:29By midday tomorrow.
16:31This is evidence.
16:32I need you to scatter this.
16:34I'm blowing up a train.
16:35People are gonna die.
16:54Ruben and I talked about many things.
16:59But not that.
17:00Not ever.
17:03Tommy.
17:04I'm sorry I'm late.
17:05We looked everywhere.
17:06All the way up to Hay Mills.
17:07So, nothing.
17:09Put four cans of petrol in the boot of my car.
17:12And bring it round.
17:13And put a cigarette and a lamp in the box.
17:15And fetch Michael.
17:16I need him.
17:19Hey.
17:19Hayley told me he gave you red wine.
17:21I imagine you can't remember half of what you talked about.
17:24I was never interested in business.
17:27He came to you.
17:28At my wedding.
17:31He pursued you.
17:33He sought you out.
17:35Why would an educated man of his standing do something like that?
17:42You mean to a woman like me?
17:44Yes.
17:49I've done the odds on all of you.
17:51Evens it's him.
17:54There's another possibility but evens it's him.
18:19He's not his job too.
18:20He died.
18:22He died?
18:32He died.
18:37He died.
18:40He died.
19:02Oh, fuck you.
19:13I asked you to come alone and run armed.
19:16Yeah, well, alone I ain't never going to do, am I?
19:18As for the cane, don't worry about it.
19:20That's just my sciatica.
19:21It always plays up around the winter and the summer solstice.
19:25What have you got for me, Alfie?
19:27What you bring me out here for?
19:29It's on the way to somewhere I need to be in a hurry.
19:31Yeah.
19:32What have you got for me?
19:33Well, seeing as you was prepared to pay such an exorbitant amount
19:37with this information, I decided to give you
19:40value for money.
19:42So, here are the names of all the men in England
19:45whom I would approach, right,
19:47if I had a Fabergé egg for sale.
19:50There you go.
19:51And then here's all the men on that list,
19:54you know, who would buy the old Fabergé egg
19:56even if they knew that that item was stolen.
19:59Yeah?
20:00And in come your curious fucking gypo question,
20:03I won't ask, but, um,
20:06here's a list of the men
20:08who would buy a Fabergé
20:10because of their wives' obsession.
20:22Oh, yes.
20:23Thank you, Mr. Shelby.
20:24It's lovely doing business with you.
20:44You left a name off the list, Alfie.
20:46Did I?
20:46Yeah.
20:47I've already spoken to my people in the jewellery quarter,
20:50experienced dealers.
20:52They tell me there are only three men in Britain
20:55whose wives are obsessed with Fabergé
20:57and make some good customers.
20:59You, Mr. Richards, went off the list.
21:01Yeah, well, if you knew already,
21:03how come you dragged me all the way out
21:04in a fucking hoggy, mate?
21:06Two reasons.
21:07Reason one,
21:09while withholding a name that you most certainly know,
21:12you've proven to me
21:13that you've done a deal with the oddfellows.
21:15It was you
21:16who told them about the tunnel.
21:19You told them about the fucking deal with the Soviets.
21:23Reason two,
21:24the name of the man that you're withholding
21:26must be my enemy,
21:27otherwise you wouldn't be protecting him.
21:30He's now a man I can use.
21:32Listen, sweetie,
21:33you can't take a man...
21:34You gave information
21:36in exchange for a share.
21:37I mean, Tommy,
21:38there were things in that treasury, right?
21:40The God himself,
21:41he spoke to me and he said,
21:42Alfie, you were meant to have these things.
21:44You crossed the line, Alfie.
21:46You fucking...
21:47You crossed the line.
21:48The line?
21:49Easy, my boy!
21:56Did you fucking know?
21:57Yeah, I knew, you know,
21:59but damned as I am,
22:01made no fucking difference to me, mate.
22:10Fuck you, don't come in.
22:15Oh, cry that lad.
22:17What the fuck is going on?
22:23What is the matter with you, Tommy, eh?
22:26Eh?
22:27You're going fucking angry, ain't you?
22:28I'm going fucking angry!
22:29You're fucking angry!
22:30You're fucking angry!
22:30You're fucking angry!
22:31This bastard deserves it!
22:33He's not!
22:34You're fucking angry!
22:36You're fucking angry!
22:36This bastard deserves it!
22:38I fucking know!
22:40That's right!
22:40But if you kill him now,
22:42the truce with the London outfits
22:43will be run to fucking pieces,
22:45all right?
22:46Fuck off.
22:46Don't worry about that truth, kid, right?
22:48Because it's just,
22:48he fell apart, all right?
22:51Because you've got nothing to worry about
22:53when it comes to the old scary London boys.
22:55Which fucking side do you want to have him?
22:57Don't give a fuck right now, kid!
22:58What?
23:01I do not want him to spare me
23:04because of some fucking peace pact!
23:07I want him to acknowledge
23:10that his anger is un-fucking-justified!
23:14I want him to acknowledge
23:16that he who fights by the sword,
23:18he fucking dies by it, Tommy!
23:21Shorty took your boy, didn't they?
23:23Eh?
23:24You got your boy?
23:25And what fucking line am I supposed to have crossed?
23:31How many fathers, right?
23:33How many sons, yeah?
23:35Have you cut, killed, murdered,
23:37fucking butchered, innocent and guilty
23:39to sentence straight to fucking hell, ain't ya?
23:42Just like me!
23:44Fucking stand there!
23:47You, judging me,
23:49stand there and talk to me
23:51about crossing some fucking line!
23:55If you pull that trigger,
23:57right,
23:58you pull that trigger
23:59for a fucking honorable reason!
24:01Like an honorable man,
24:03not like some fucking civilian
24:05that does not understand
24:07the wicked way of our world, mate!
24:12Look, Tommy,
24:14the killing of Alfie Solomons
24:16is not gonna help.
24:19This will be very bad
24:20for business.
24:25Michael,
24:29I'll go and call Inspector Moss,
24:31tell him it's Palmer.
24:39Well said, Alfie.
24:42Well said.
24:50I did not know about you,
24:51boy, though.
24:52I know.
24:54I saw.
25:15Hello?
25:17Hello?
25:47Good Lord.
25:59But now I am ready.
26:19I've been searching all night for you.
26:22Polly, whatever you've been told is not true.
26:54Where I'm not.
27:00Not anymore.
27:04I can paint another.
27:16What the fuck am I doing?
27:23I want a dull life.
27:26I want you.
27:27I want you.
27:28I want you.
27:29I want you to paint me in a dress that I bought in a shop.
27:36Will you have a life?
27:41I think so.
27:51Hello?
28:01I demand to see my solicitor.
28:04I have no brain to have him here.
28:06Gilbert Power.
28:08I want to talk to you about a mission, kid.
28:12We are the key blinders.
28:15Where is it?
28:19I have no idea about them.
28:39I am afraid.
28:43Why is it not a big boy?
28:45No.
28:46Everything's fucking changed.
28:47Have to get the hole dug before midnight so he's gone.
28:50Do you hear me?
28:51Are you not going to have to charge yourself?
28:54Tommy!
29:30I was, uh, this morning I was out on the road with Tommy.
29:37I killed a man.
29:39They needed cover.
29:41I was all he had.
29:43What do you give you?
29:47He said it was good for close range.
29:50You're better with my Smith and Wesson.
29:51No, no, this is mine now.
29:54Phil's part of me hand.
29:58Where'd you hit him?
30:00I hit him in the side of the head.
30:02How was you when he went down?
30:04Tommy said I did all right.
30:06This is where we think Charles is being held.
30:11They're not expecting nobody, so...
30:14he should be alone.
30:23There's two good men there.
30:26You do what they say.
30:29But our father will be all right.
30:32Yes, you can be there.
30:35But it's better if they do it.
30:38See, these are experienced men, Michael.
30:43When you're sure the kid's safe,
30:46you call Finn.
30:49All right.
30:57Come on, boys.
30:59Come on, boys.
31:10Come on, boys.
31:27Hello there.
31:31There you go.
31:32Who's that?
31:34Like a spoon. A shiny spoon.
31:37Don't they hold the spoon there?
31:50Fire, boys!
31:53Worldcats strike!
32:03This locomotive.
32:09Couples.
32:10Fifteen minutes.
32:13We do not hear word by ten o'clock.
32:19We blow it up.
32:22There's men on board, Arthur.
32:26Yeah.
32:27Six men on board, Charlie.
32:30Driver.
32:32Stoker.
32:34Four men I handpicked myself.
32:40Me and John picked those men.
32:45No, it's me and John who pulled the switch.
32:54The rest of you men can go home.
33:01Tommy!
33:02Tommy!
33:03He's got the shakes!
33:04Help me with him!
33:05I'm sick.
33:07I'll get him out.
33:08Get him out!
33:09Bringing him through.
33:10We need to move.
33:12Now!
33:13Come on!
33:19No!
33:21No!
33:26No!
33:31No, no!
33:33No!
33:35No!
33:36No!
33:36Callì–´!
33:37No!
33:38234!
33:40No!
33:51You wait here.
33:54I'll do the killing.
33:59That's the fucking order.
34:27You move too fast, Summers.
34:38We need more timber.
34:39Make it safe.
34:41I'll go on.
34:42Thomas, it's too fucking wet.
34:43It's slag.
34:44Make it fucking safe.
34:45And I'll go on.
34:48Okay.
34:50I'll go on.
35:01I'll go on.
35:07Let's go.
35:54What do you think you're doing, boy?
36:01Please don't.
36:03Please don't shoot.
36:05Please don't shoot.
36:07Please don't.
36:08Please.
36:22Fucking wreck.
36:25What do you think you're doing?
36:27You know who you're fucking messing with.
36:29You know who you're fucking messing with.
36:33You know who you're doing.
36:56Let's go!
37:08That gypsy bastard.
37:32Who wants to be in heaven, eh?
37:35Who wants to be in heaven when you can be sending men to fucking hell?
37:40Me.
37:42I'll do it, Arthur.
37:44Me.
37:45I'll do it.
37:46Get off!
37:48I'll take him!
37:50This bastard's mine!
37:52Go and call Finn!
37:56But I'll tell me I'll do it.
38:00So I'll do it.
38:15Off the way!
38:17Charlie's safe!
38:23Fuck!
38:29Fuck!
38:32Fuck!
38:41Fuck!
38:43Fuck!
38:47Fuck!
38:48Fuck!
38:49Fuck!
38:49Fuck!
38:50Fuck!
38:51Fuck!
38:51Fuck!
38:53Fuck!
38:53Fuck!
38:54Fuck!
38:56Fuck!
39:15It's all right.
39:41It's all right.
39:58It's all right.
40:18It's all right.
40:21Hello, Charlie.
40:23Can you hear me?
40:25Yeah.
40:28Yeah, you got to bed.
40:29Good boy.
40:31Good boy.
40:31Good boy.
40:45Good boy.
40:47Good boy.
41:14Good boy.
41:15Good boy.
41:17Good boy.
41:18Good boy.
41:21Good boy.
41:28You can't stay.
41:29You can't stay.
41:32Tommy needs my help.
41:36It's family business.
41:37No, no, please.
41:39It's all right.
41:41Please.
41:47Good boy.
41:51Good boy.
41:53Good boy.
42:15Good boy.
42:16Good boy.
42:32ORGAN PLAYS
43:02ORGAN PLAYS
43:22YOU SAID ON BEHALF OF THE PARIS IN BUYERS
43:24YOU NEED TO VERIFY THE VALUE
43:30IT WAS A PLEASURE DOING BUSINESS WITH YOU
43:32THIS PAST FEW MONTHS
43:44you would never steal from your family would you
43:50collection was mostly my mother's anyway it was more mine than theirs and they would never have
43:55sold it they would have wasted it on the last cause you needed a tunnel
44:01I need your signature to make this illegal confirmed the original Duke Alexander Petrovnik collection
44:12to raise a legal bill of sale and get this across the border I need authorization signed by yourself
44:21in the family name in my presence as we agreed half for the tunnel half for the signature
44:29where will you go Vienna there's a man waiting for me poor man you Birmingham I'm gonna buy a racehorse
44:46I'll be trained
45:17also five thousand pounds for the sex
45:39and five for helping you through the grief of losing your wife
45:53you didn't even come close
45:57the papers are in order
46:02of course
46:04I have a pen
46:17at home these jewels are way worse
46:21that's why they are all cursed
46:24as are we
46:26Mr. Shelby
46:30if you're ever in Vienna look me up
46:32well
46:32she told me
46:32she told me
46:34I had that
46:34she told me
46:35of course
46:36she told me
46:36of course
46:41to get her
46:41uh
46:47hey
47:02of course
47:02Yes, yes.
47:45Before I begin, I want to let you know I made a mistake.
47:55I made a mistake, and I want to apologise to all of you.
48:02Arthur, you warned me against getting involved in Russian business.
48:08And you were right.
48:12I doubted your wife. For that, I'm sorry.
48:17Linda, I've added 3,000 years.
48:19I hope that you will forgive me.
48:31Apology accepted.
48:38Esme had added you as well.
48:40You know, John's got innocent lives on his conscience.
48:43Ordinary working men.
48:44Yeah, all right. Esme got it.
48:46Well, she's right.
48:48And you and Arthur are going to have to share that burden.
48:54But I hope the house that you could bear with this can become a place of contemplation.
49:02Perhaps redemption.
49:09Charlie, for lost tools, dangerous goods, and Curly's wise words.
49:15Johnny, for board and lodgings.
49:19Missing.
49:27Markle.
49:29For the killings.
49:32Fire for the cutting, fire for the shooting.
49:34No, Tommy.
49:35What?
49:35Tell me!
49:37Hey!
49:37This is who I am.
49:40And this is all I can give you.
49:43For what you give me.
49:44For your hearts and your souls.
49:52Yesterday, I nearly lost my son.
49:56You should fucking understand that.
50:00For what?
50:02For what?
50:03For what?
50:03For this.
50:04For this.
50:08And I know you all want me to say that I'll change.
50:11That this fucking business will change.
50:13But I've learned something in the last few days.
50:16Those bastards.
50:17Those bastards!
50:21Are worse than us.
50:24Politicians.
50:25Fucking judges.
50:26Lords and ladies.
50:27They're worse than us.
50:28And they will never admit us to their palaces.
50:32No matter how legitimate we become.
50:36Because of who we are.
50:38Because of who we fucking are.
50:39Because of where we're fucking from.
50:41Isn't that right, Ada?
50:43Our Ada knows.
50:45She got smart about revolution.
50:48And she knows you have to get what you want your own way.
50:55Lizzy.
50:56I want it known.
50:57That money.
50:59Was for you.
51:00Because some nights.
51:01It was you.
51:03Who stopped my heart from breaking.
51:05No one else.
51:10And the rest of you, you took the king's shilling.
51:16You took the king's fucking shilling.
51:19When you take the king's shilling, the king expects you to kill.
51:25Right, Arthur.
51:28Yeah.
51:29That's how it works.
51:30All right, John.
51:38That's all right.
51:40That's right, Paul.
51:44That's fucking right.
51:50Tommy.
51:52You've had a bad time.
51:55We understand.
51:59So would an alternative time.
52:05And we have all recovered.
52:08I would like...
52:10to put before the family...
52:13an alternative view...
52:16of the future of the Shelby Company Limited.
52:22A more hopeful view.
52:29Which I, for one, would quite like to hear.
52:32As would I.
52:34As would I.
52:38As would I.
52:43Come on, Arthur.
52:45Train for the dock leaves in one hour.
52:48Then we'll get the boat to New York.
52:51And it'll all be in the past.
53:13Thank you, Pera.
53:22G täna, dame, un Script...
53:28I'll be off then, Tom.
53:36I'll see you, eh?
53:40I'll see you, brother.
53:55You can go, but you won't get far, Arthur.
54:00All right, Tom.
54:01I spoke to Moss last night.
54:04He told me that the chief constable of Birmingham
54:07has issued a warrant for your arrest, murder,
54:13sedition, conspiracy to cause explosion.
54:17John, I'm coming for you as well.
54:20Murder, conspiracy to cause explosion.
54:24Michael.
54:25What the fuck?
54:26The murder of yous.
54:28Police.
54:31Wait a minute.
54:31What the fuck are you talking?
54:33The murder of Chief Inspector Chester Campbell.
54:36Josh, why are you fucking...
54:37The people that we betrayed last night, they want to bring us down.
54:40Now, they control the police, they control the judges,
54:44they control the juries, they control the jails,
54:46but they do not control the elected government.
54:50Listen to me!
54:50Why didn't you tell us before?
54:52Listen to me!
54:53So I have made a deal...
54:55Don't like us!
54:56...in return for giving evidence against them.
54:59We'll fucking act!
55:00It's all taken care of.
55:02Lizzie, collect all the money and bring it to the cellar.
55:04You will all get your money in due course.
55:08When the police gets in, do no resist, you go with them,
55:11you do not say anything.
55:14Arthur, I've made a deal
55:16with people even more powerful than our enemies.
55:19Trust me, brother.
55:21Hey?
55:23Trust me.
55:24No!
55:24Linda!
55:25You did this delivery!
55:27Linda!
55:28You did this delivery!
55:29Come here!
55:30Come here!
55:31Come on, Anna!
55:32We'll have to run!
55:39Fuck you!
55:47I'm in trouble with my friend
55:55She is paper and a window open
56:03She is putting on a smile
56:13Living in a glass house
56:21Well, of course, I like to sit around the chair
56:29Well, of course, I like to stay to the fair
56:42Well, of course, I like to stay to the fair
56:58Someone listening
57:01Someone listening
57:34You think sheå…ˆ goes to the fair
57:51On a gathering storm
57:53Comes a tall handsome man
57:55In a dusty black coat
57:57With a red right hand
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