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00:01Where do you keep these things? A bank?
00:03We have our own treasury.
00:05One cellar and a tunnel under the river.
00:07And my guess is they've turned one of the sellers into a strong grill.
00:10Do you find someone Arthur?
00:12Stefan Radicheski.
00:13And he speaks Russian?
00:14Yeah, he works in the house for four weeks.
00:17Keeps his ears open.
00:18Alright?
00:19I have a bright future too.
00:22Mapped out.
00:23But you want to try things first.
00:25Michael.
00:27Why does a pen pusher who sits on his arse all day wanna fire a gun?
00:33There's gonna be a vacancy.
00:35It shall be company limited.
00:37No revolvers all legal.
00:38And get me a meeting.
00:39I want someone from the Soviet Embassy.
00:51Look up here.
00:53I'm in heaven.
00:58I've got scars that can't be seen.
01:05I've got drama that can't be stolen.
01:13Everybody knows me now.
01:16No.
01:25He was in the war.
01:29He was in a tunnel collapse.
01:33He won medals.
01:38Take care of him.
01:50Look up here man.
01:52I'm in danger.
01:57I've got nothing left to lose.
02:04I'm so high it makes my brain whirl.
02:12Drop my cell phone down below
02:32Here he is, Mr Shelby
02:36Thank you, nurse
02:40Tommy
02:47I need to speak to you about the priest
02:54I know things about him
02:59From when I was a boy
03:11I will shoot him myself, Tommy
03:16Just teach me how to shoot
03:22It's easy, Michael
03:25It's a point
03:28Pull the trigger
03:28Maria
03:28I don't know how to break
03:50I want them to take me to school
03:58Let's try it.
04:58He asked for me today, Mary.
05:03Not his mother.
05:06For the first time.
05:08He missed you.
05:11What is he? Is he in the kitchen?
05:13Yes, he's with the girls and Johnny.
05:20Do you remember your medicine, sir?
05:25Did you ever read the Bible, Mary?
05:29Sometimes.
05:30Do you ever read it out loud while standing naked next to my bed?
05:37Because when I take the morphine the doctor gave me, that's what you do.
05:41I'm wide awake.
05:43But you're standing there naked, plainest day,
05:48reading from the book Leviticus.
05:52Do you want to know what happens next?
05:57No.
05:59Neither do I.
06:02So I pour the medicine away.
06:06Go and get Johnny, Mary.
06:07All right.
06:15All right.
06:16All right.
06:42Without the firing pins, the guns won't work.
06:45And there are no replacements.
06:46I don't make these anymore.
06:48These are the end of the line.
06:51Yeah, we had the foreman take out all the spares.
06:53Take the pins.
06:54They'll never fire a shot.
06:56How do you know?
06:57Until they unload the bloody things.
06:59It's a police thing.
07:00Or until they are facing our guns at Kutaisi.
07:03Take them all out and give them to me.
07:04Oh, corn boy's not fucking about.
07:06And I will tell the Soviet ambassador that there is no longer a need to blow up the train.
07:10And I'll tell Tommy you accept his plan.
07:18You know, some mornings I wake up, I think I've died in this is heaven, Tom.
07:23I mean, the wives and the kids camped out by the valley.
07:26Huh?
07:27Not being moved on.
07:29Sure, me, myself.
07:30I'm surrounded by maids and food and booze.
07:36You see that line there?
07:41What?
07:42That's the edge of heaven.
07:46The border between Birmingham and paradise.
07:51And today, my friend, you're going to step over that line back into the world.
07:59You mean you have something for me to do, Tom?
08:03Have you ever heard of Hampton Court Palace, Johnny?
08:07No.
08:08I can't say I have.
08:09You and three families of the Lees are going to set up camp 100 yards from the gates of the
08:14palace.
08:15You won't be moved on because I've just bought the land.
08:18You'll be joined by some old friends of mine.
08:20I'm going to open a hole underneath your tents and caravans.
08:25You see this blow to the head you took, Tom?
08:27And for allowing the hole to be dug, you'll get 5,000 pounds, which you will split between the three
08:32Lees families.
08:36I take a lot of this money has to do with not asking questions, Tommy.
08:42Dead right, Johnny.
08:43And when the hole is filled in again, you can go back to paradise.
08:52Mr. Shelby, your brothers are here.
08:56And there's someone who described himself as the wandering Jew.
09:04Will you take the Jewish gentleman to the drawing room?
09:09Take my brothers to the kitchen and give them tea and rum.
09:13Yes, sir.
09:25Good morning, Mr. Solomons.
09:27Yeah, it is.
09:31Nice little place you've got here, Thomas.
09:34Or is it that old foreclosure of a gambling debt from some poor young lord who you pumped full of
09:41opium in one of your casinos?
09:43Was that just tittle-tattle?
09:45Drink?
09:47No, no, no, touch it, mate.
09:48Your housekeeper said you're not allowed to drink.
09:52No?
09:54She said you're suffering for so many ancient injuries from your sporting life that your head is like some sort
10:02of smashed vase what has been stuck back together by an horse.
10:09Now, word in London is that you can be found wandering the streets of Birmingham stark naked, throwing away money.
10:18You talk to dead people.
10:20Also, that you believe that you are powerful enough to summon up Jews of a very particular standing up to
10:34the Gentile wilderness wherein you live in order for them to do your fucking bidding, mate.
10:40And still you came.
10:41Yeah, well, you know, I was passing, wasn't I?
10:48Do you know something, Alfie?
10:50This morning, I tried to read the paper and I realised that the only consequence of my terrible accident is
10:59that I now need glasses.
11:05Alright.
11:09Alright, well, I know a man.
11:15Who can make you a pair of these?
11:17Now, he's a magician, mate.
11:20He is a magician.
11:22So not only will you be able to read your newspaper, but you will also be able to see into
11:32the future.
11:35Now, I know this, right, because he made this pair here for me.
11:41So you don't have to worry about telling me what this is all about, do you?
11:44Because I have already seen it.
11:56You're fucking about out of the rushes, isn't you, you silly boy?
12:00I haven't got two choices, Michael.
12:03You fuck off to America with Arthur, join the Apaches, or you marry the girl.
12:08This isn't a joke.
12:09Arthur, are you really going to live with the Apaches?
12:12Have you told her father yet?
12:14No.
12:15Well, fucking shoot you, mate.
12:17Are you sure the kid's yours?
12:18I wish I hadn't told you.
12:20Then think of marriage as a beautiful road, with flowers all the way down it.
12:25Is he joking?
12:26Oh, it's hard to tell these days.
12:31Do you, er...
12:34Do you love the woman?
12:37Fucking what?
12:38When you go and marry her like the rest of us.
12:40She doesn't want her family to know.
12:43She doesn't want to have the baby.
12:44We know a woman.
12:45Shut up, John.
12:46The same woman who helped you out twice.
12:48Not my women.
12:49Mm-hmm.
12:50That's why you had him fixed, Arthur.
12:52Charlotte will want the best.
12:54She is the best.
12:55The best?
12:55Used to be a nurse.
12:5620 minutes, done.
12:58Don't even have to go in.
12:59All waits outside.
13:01You go to the garrison.
13:02Drink whiskey.
13:03Have a laugh.
13:05Remember, John?
13:06And then this kid walks in.
13:08No shoes on.
13:10Says it's done.
13:11Second time he was in there.
13:13Same kid.
13:14This time he's wearing...
13:16shiny new shoes.
13:20Shouts.
13:20It's done, Arthur.
13:22And what?
13:26She bought new shoes.
13:30The money I gave her.
13:33It's for a good cause.
13:35Arthur.
13:36If you're going to get on like this with the Apaches,
13:39they'd fucking scalp you by.
13:43Tommy said when that bell rings,
13:44would they all go to the big room?
13:52Come on.
13:53Tommy has a plan.
14:11Arthur! Arthur! Arthur, come here.
14:17Shalom! Arthur, shalom!
14:22Shalom!
14:24Shalom!
14:25Come here, come on, listen.
14:27I owe you a little something, don't I?
14:29I do. Come on.
14:31Sit down.
14:32Come on, sit down here.
14:34There you go.
14:36Right.
14:39Listen, Arthur,
14:42I want you to know, right,
14:45that whatever happened between us, yeah, back then,
14:48that was business.
14:50It was just business, all right?
14:53And I also want you to know
14:55that I have made my apologies
14:58by my own God
15:00for abusing a very holy day
15:03to get you clinked up and battered, which I did.
15:07And now I would also like to extend my personal apologies unto you.
15:23What?
15:26I hear that you have allowed Jesus to come into your life.
15:30Yes.
15:32Oh, you heard that.
15:33Yeah, that's beautiful.
15:34That's wonderful.
15:35That's lovely, isn't it?
15:37That's lovely.
15:39And I was wondering, how does that work for you on a day-to-day,
15:43considering your line of work, mate?
15:49Your apologies accepted.
15:54Because I hear you're a right fucking nuisance with it.
15:59Hello.
16:02You see, all I'm saying is that every man, he craves certainty,
16:06daddy, he craves his certainty.
16:09Even if that certainty is yours, right?
16:12Well, I mean, it's fucking fanciful, mate, isn't it?
16:22I...
16:32I'm Old Testament.
16:38Fucking hell, look at that.
16:40Now that...
16:42That scares me more.
16:45Yeah.
16:47Congratulations, Tommy.
16:48You now have the finished article right there, didn't you?
16:52See, that man, right, he will murder and maim
16:55for you with God on his side.
16:59Yeah.
17:03You don't want to let him go.
17:06We're gonna do business with this fucker.
17:09I demand to know why.
17:16Right.
17:17While I was in the hospital, I formulated a plan.
17:25And this is how it's gonna work.
17:28So the Russians cannot be trusted to pay us.
17:31We are gonna take what is ours.
17:35We need to see what's in their treasury.
17:38And that's why we need Mr. Solomon's.
17:41All right, boys.
18:05Just remember...
18:06They are fucking insane.
18:09And dangerous.
18:11And drunk on stuff we've never heard of.
18:14And they're worse than us for spirits and ghasts.
18:21Today, they're gonna test us.
18:24For come.
18:33Russians.
18:35All turned and ran.
18:37Cossacks didn't run, Arthur.
18:52Mr. Shelby, welcome.
18:54How's my car?
18:56I think I'm in love with this.
18:58And I yours.
18:59So we should keep what we love, yes?
19:01Excuse the deception.
19:03Whenever we open the treasury, the Cossacks are on guard.
19:14In Russia, men on the other side of the law decorate their body in tattoos.
19:20Nice.
19:21Nice.
19:21Now, some of these tattoos are proof of allegiance to underground organisations which are the sworn enemies of the royal
19:30household.
19:31So, it's customary in Russian royal households to check for such tattoos before engaging a man in business.
19:41And as we approach the lot of day, these ladies here would like to make sure that you're not assassins
19:45or infiltrators, so...
19:47No, we're all good.
19:48So they'd like to check your skin.
19:52I want to check off skin.
19:55Yeah.
19:56Now, my body's already been checked.
19:57Although, at the time, I wasn't sure that was the reason.
20:01And now it's your turn.
20:04Well, boys, take your clothes off.
20:09Fuck off.
20:10No, no, no, no, no, no, no, no, no.
20:12I'll be.
20:14That's it.
20:15I'll be, Arthur.
20:18No, I won't be.
20:19I'll be.
20:20I'll be.
20:48I'll be.
20:49I'll be.
20:53I'll be.
20:54I'll be.
21:03I'll be.
21:09I will be.
21:11I'll be.
21:11in fucking Birmingham.
21:15All right, I think we've seen enough, eh?
21:19Tatiana?
21:26Your face, Arthur's fucking picture.
21:29Sometimes assassins hide their allegiances
21:31behind their balls.
21:32I see.
21:39But you passed a test, soldier, with flying colors.
21:56You see, he wants to be a good man.
22:03Oh.
22:10There, now.
22:13There.
22:17Inside every man, there is a devil.
22:21Oh.
22:22Oh.
22:39There are real diamonds, eh?
22:40It is traditional to seal the successful examination
22:45with vodka and music.
22:54Oh.
22:55I'll be fucked, Homer.
22:56What was that?
22:57Well done, boys.
22:58Hey?
23:00Well done, Arthur.
23:04Now you know what you have to do next.
23:06All right?
23:08One last job.
23:10Make contact.
23:11I'm bloody nice.
23:13I'm bloody nice.
23:23Another five minutes.
23:28Board Michael because he's chief accountant.
23:31He has to be witness.
23:32Yes?
23:32Ada, can I, uh, can I use your phone?
23:34Michael?
23:38Business first.
23:56Michael, stop looking at your watch.
24:01Ada, whilst you're reading this, um, can I go and use your phone?
24:05Who's the lucky girl, Michael?
24:07Her name is Charlotte, and Michael could not breathe if he does not talk to her every two
24:12hours.
24:12Ada, please.
24:15Phone's in the hall.
24:16I'll nought for the line.
24:18And keep it quick.
24:19I pay the bill.
24:20I will.
24:21Not for long.
24:40I will.
24:41I will.
24:41Think about it, Paul.
24:42Together we can take control.
24:44With two of us in the company, we can straighten things out.
24:47What about the politics?
24:48You and me fighting together and winning.
24:51That is politics.
24:52That's a new kind of politics.
24:55It's just this way I get paid and Carl gets a nice Christmas.
25:00Good.
25:01Welcome to the bush, Rosie.
25:06My name is Smith.
25:10My girlfriend is pregnant.
25:13And, er, we'd like you to help us.
25:20We need to fix a date.
25:28Welcome to Shelby Company Limited.
25:32Shelby Company Limited.
25:34Limited and unarmed.
25:38Michael, would you like to welcome Ada, our new head of property and acquisitions?
25:44Congratulations.
25:45Where do I sign?
25:52Ada.
25:54Have you got, um, whiskey?
25:56Yeah, Tommy.
26:02I've already told him.
26:04He's becoming too like his cousin.
26:06I thought that was the idea.
26:08Yeah, Tommy's but with a bit more fucking charm and class.
26:11Yeah.
26:11Oh, that'll help.
26:13Yep.
26:14Where am I sleeping, Ada?
26:15Michael.
26:16In the room next to Carl's.
26:18Michael.
26:19Good night.
26:21Oh, heartbroken.
26:22Poor love.
26:24So, how shall we celebrate?
26:26Well, with Michael in bed, I thought I might, um, go for a little drive.
26:33A drive?
26:34Where are you going to drive?
26:36Polly.
26:37Things have begun to develop with the man who's painting my portrait.
26:40Polly?
26:42It's, it's when you stand there in the dress, you just find yourself talking about every
26:50little thing.
26:51And have you?
26:52No.
26:53Mm.
26:54Not yet.
26:55He called me two nights ago to say that the portrait was finished and I said I'll go there
27:00in the morning.
27:02But he said no.
27:03He wanted me there tonight.
27:12Ada, you don't agree the fucking word of this to the boys.
27:14Okay, but is he nice to you?
27:16No, no, I mean it, Ada.
27:17Is he rich?
27:19Look, his friends write the papers, Ada.
27:22Tommy would try and close him down.
27:24So go.
27:26He's like a tiny bird pecking at you.
27:32And I think he's given up on me.
27:36So bloody go.
27:44Why should the boys have all the fun?
27:46Uh-huh.
27:49Baby.
27:54Ah!
27:55Ah!
27:55Ah!
27:57Ah!
27:59Ah!
28:00Ah!
28:01Ah!
28:10Pillow Five.
28:15All right, the 4 book off...
28:22All right, come on.
28:23I don't know.
28:24Oh, fuck!
28:25Make sure though I
28:25didn't recognize our
28:25Oh, fuck!
28:28No, fuck!
28:30No!
28:32What the fuck?
28:33You know what?
28:34What the fuck?
28:36What the fuck?
28:36Come on, don't move.
28:40What the fuck?
28:43What the fuck?
28:45What the fuck?
28:47What the fuck?
28:48What the fuck?
28:51You're doing good, Stefan.
28:55It's a fucking madhouse.
28:57Yeah, I know.
28:59Prince wants me to suck his cock.
29:03And how much do you need to say yes?
29:05That's on top of the day, right, for the arse slaps.
29:12When am I out of here?
29:14Siren.
29:15What you got?
29:20The strong room's not guarded at night,
29:21but they said they would kill the three brothers in the ugly edible.
29:25Coal yard.
29:27Jake was talking about using the sword,
29:29but the woman, she was talking about using machine guns.
29:35What?
29:43You're fucking madhouse, John.
29:47We're doing up your pub in nature's.
29:51It looks a treat.
29:55You're fucking mad.
29:55Keep your fucking head up biggie boy, eh?
30:04Fucking madhouse, man.
30:08We are almost there. This way.
30:17This treasury was built 200 years ago to protect the King's Jewels in case of French invasion.
30:28We are now underneath the River Thames.
30:36.
30:57You're a jeweler.
31:00I'm sure they trust me, Tommy.
31:02Mr. Solomon's is the only jeweler I trust in London.
31:04Yes, trust.
31:07Might have to add that on the old invoice.
31:12As we agreed, your jeweler will now select items to a total value of £70,000.
31:17When you have selected your chosen items, they will be put into a box and stored.
31:21When you have fulfilled your part of the deal, the box will be delivered to you.
31:29May I just start, right, by saying that I might choose to stay here and just starve to death and
31:36choke on sapphires or I'll never go back to the fucking world again.
31:40.
31:42Yeah, well, there is a good reason for that, you know, little man.
31:44Because my shop, right, is just above a rum house.
31:48So all that...
31:49I do, yeah, I do.
31:50This is with my mum.
31:51Yeah, me mother.
31:54You people, right, you hunted my mum with dogs through the snow.
32:05Yeah.
32:08But today, what is for forgiveness, isn't it?
32:13For selection.
32:16So, now, hello.
32:22Right.
32:23I think it's fair to say, yeah, £1,500.
32:26£1,500.
32:27Well, now, I'll give you £1,800.
32:29I know the current market value.
32:31£1,800.
32:32That's very gracious of you.
32:35Right then, how about, let's have a look at this.
32:39It's a nice little bit of it going on now, innit?
32:41Oh, but that was a gift of...
32:44I ain't asking you, though, am I, right?
32:46I ain't asking you.
32:47Well, I come here to do business for my professional services.
32:53If you keep interrupting me, I won't be able to focus at him.
32:55I'll tell you what I'm saying.
32:56Mr. Romanov, let me remind you,
32:58we were told to come in and choose what we like.
33:02And now we've chosen.
33:03So, I'll Nicholas give you that.
33:05Give you four.
33:07Five.
33:08With the royal provenance.
33:12Done.
33:14Right, Rumpelstiltskin.
33:15Let's get over here and have a look at what's in these boxes.
33:19Two.
33:20That's much nicer.
33:22Ten.
33:23Mate, that was definitely a five.
33:26You came in school?
33:28Yes, I am.
33:29Yeah, an upper five.
33:31Seven.
33:31Six.
33:32Let's call it six, eh?
33:33Beauty.
33:34Look at that.
33:35Beautiful, isn't it?
33:36That is splendid.
33:37Splendid, yes.
33:37Beautiful, is it not?
33:39It is, isn't it?
33:39It's a work of art.
33:41Do you recognise this work there?
33:42Immediately.
33:43I'm guessing, right?
33:44That all the bad ideas around here, they're you.
33:47Right?
33:47They are you, aren't they?
33:49Hmm?
33:50I don't know what you mean.
33:51Yeah.
33:51I'm sorry.
33:52See this, right?
33:53It's got paste in it.
33:55That's paste.
33:55Let me tell you something, son.
33:57Somebody comes into my shop with some paste like this,
34:01usually what I make them do, right,
34:04is fucking swallow it.
34:06Mate, what game are you playing?
34:13Yeah.
34:14Hi.
34:14Uh, Mr. Sullivan's.
34:19Shall we, uh, shall we clean it up?
34:22Be careful.
34:23Aye.
34:24Hmm?
34:27Yeah.
34:29Yeah.
34:30Yeah.
34:31What have we got?
34:3437,600.
34:37Oh, yeah.
34:45Do you have any eggs?
34:47Excuse me.
34:49Some simply are on skin.
34:50Faberge is not part of the deal.
34:52We would not offer you Faberge eggs.
34:55Mr. Romanov, my jewellery, he advises me to insist on Faberge.
35:01What's the deal about that, Sylvie?
35:20Oh, man.
35:24I brought that from Crimea myself.
35:27Fucking hell.
35:32With the provenance of that being laid by such a delicate beauty,
35:39that does indeed bring us the entire solution to 70,000 pounds.
35:45Yeah.
35:54Good, ma'am.
35:55And now, Mr. Shelby, you will join your brothers and Mr. Solomons will take his leave.
36:02I demand absolute honesty.
36:24Oh, son, can I...?
36:25I insist.
36:34Oh, son, can I...?
36:36There.
36:38A woman of style and substance.
36:47I'm a student of silence.
36:48Is this a good silence or a bad silence?
36:52It's good.
36:56It's good.
37:04It's very good.
37:05It's very good.
37:05No, it's still wet.
37:11I know it isn't saying much in the grand scheme of things, but...
37:14this is the best work I've ever done.
37:24I'll miss Sundays.
37:30There will be more Sundays.
37:31mes.
37:42No, I'll miss.
37:43All right.
37:56All right.
37:57No, me, I always...
37:57Mo, my friend.
37:58No, no, no, no.
38:00No, no, no.
38:00No, no.
38:00No, no.
38:03Sorry.
38:05Sorry.
38:06Sorry, can you not do that, please?
38:09Can you just not do that?
38:10I'm sorry.
38:11I'm sorry.
38:12I'm sorry.
38:13No, I'm sorry.
38:31There we go.
38:57Otka!
38:59I sewed your buttons back on.
39:03I wanted to see if I did a good job.
39:08Yeah, you did.
39:11You did a good job.
39:15Sir?
39:18No.
39:20I didn't.
39:38My aunt only employs the best horse.
39:45How did you feel when I held him?
39:47You were jealous.
39:50You wanted to kill me or him.
39:53No?
39:58Why do you play games with people?
40:03There is no benefit to you.
40:07In Russia because we were bored.
40:11In England because...
40:14we don't know how to stop.
40:17At least there are silly games and orgasms.
40:25So let's fuck.
40:27Yeah.
40:28Huh.
40:30No, I'm in a darker place.
40:52Marvai!
40:56Shlugi!
40:58You're poverty!
41:56You still love her, don't you?
42:03You want her?
42:05What would you fucking say?
42:08What would you fucking say?
42:09Mom, you love her.
42:11Are you fucking safe?
42:12You want her?
42:13You want her.
42:17Who the fuck are you?
42:19Hey.
42:27Oh, my fucking son.
42:33Oh, my fucking son.
42:35Oh, my God.
42:45Oh, my God.
42:49Oh, my God.
43:05You want her?
43:07Oh, my God.
43:09Oh, my God.
43:10Oh, my God.
43:16Oh, my God.
43:25Oh, my God.
43:26Oh, my God.
43:26Oh, my God.
43:26Oh, my God.
43:27Oh, my God.
43:28Oh, my God.
43:31Oh, my God.
43:34Oh, my God.
43:35It's called Klisti, a Siberian prayer.
43:39You are almost hungover.
43:41You are almost dead, but in that moment...
43:49Women who are the last men in the war would lay down.
43:53And they would find the ghost.
43:57You want her.
43:59You want her, don't you?
44:02You want her!
44:07You want her.
44:51If you are the dealer, let me out of the game.
44:55If you are the healer, I'm broken and lame
45:00If thine is the glory, mine must be the shame
45:05You want it darker, we kill the flame
45:12Now you should drink this
45:15It's holy water
45:17I opened up another treasury for you
45:35You should call this painting
45:40Fuck them all
45:45I will
45:49The parish
45:53The king
45:57The copper
46:17Yeah, the copper in particular
46:31Do you want to hear the wildest story of them all?
46:35Yes
46:37I killed a policeman
46:39In cold blood
46:44With a gun
46:45Really?
46:49She did it
46:53There's a monkey on the back
47:00There's a monkey on the back
47:08There's a monkey on the back
47:11There's a monkey on the back
47:12There's a monkey on the back
47:15There's a monkey on the back
47:19As we talk like that
47:33As we talk like that
47:52At one point
47:53At one point I looked down
47:55I got the top of her head
47:58And I thought she was gonna pull me cock off in her hand
48:00And fucking throw it out the window
48:03Oh
48:03She sucked me dry I swear to god
48:06Like fucking spud water at the end
48:10We've had worse nights
48:14You're quiet Arthur aye
48:16Yeah yeah yeah
48:17It was your night brother
48:18You've got all your buttons back aye
48:20Yeah all right
48:21Yeah what's god gonna say about it Arthur aye
48:23Fuck off bar for ya
48:28Tells Linda everything
48:30Yeah
48:32Every single thing
48:33Yeah well
48:35We'll see
48:42Gonna miss you when you're gone now Arthur
48:47Just drive the fucking car
48:51Yeah
48:52Yeah
48:53Oh yeah
49:06Yeah
49:19Private Letson, reporting for duty, Sergeant Major.
49:23That's his private.
49:28Good to see you.
49:33Seven left.
49:35I had a 50.
49:36Should I get them tea?
49:38Get them beer, Colin.
49:40I used to run a lot of cars on petrol.
49:43Give them the black country stuff.
49:44It's in the barrel with the sack.
49:47They've got to fucking clean me out.
49:50Whatever they take, they'll put back.
49:52A good man.
49:53John, Arthur.
49:55You remember these boys?
49:59Well, if it ain't the Tipton fucking Clay Kickers, eh?
50:03Clay Kickers.
50:03Come here, you.
50:04You're welcome.
50:05All right.
50:06All right.
50:06All right.
50:08All right.
50:11This is William Lettel from the South African Native Labor Corps.
50:16Sent to Flanders from the Brunfontein diamond mines.
50:18The best tunneller I ever met.
50:22So there's three cellars underneath the house.
50:24Wine, kitchen, septic.
50:26There's a tunnel here that runs from the house underneath the river to an underground strong room.
50:32Now, this used to be the palace treasury.
50:34The tunnel runs directly west, and it's separated from the house by three iron doors with locks we can't open.
50:41We'll need our tunnel to run from here and hit the strong room direct.
50:48Let's go.
51:00Let's go.
51:03Let's go.
51:04Let's go.
51:05Let's go.
51:06Let's go.
51:06Let's go.
51:06Let's go.
51:06Let's go.
51:06Let's go.
51:06Let's go.
51:06Let's go.
51:13Let's go.
51:27Brimrose Hill, 23, Ada Thorne.
51:32Ada?
51:33Is Michael still there?
51:39Right.
51:40Would you tell him that I've taken the car?
51:42He can take the train.
51:45Try and find out why he's been so bloody sour lately.
52:15We might be.
52:16Yeah.
52:16Yeah.
52:27Yeah.
52:31Yeah.
52:35Yeah.
53:28You shouldn't go out looking through other people's private things.
53:32He's my son.
53:35The bullet was mine.
53:36I never got a chance to fire it.
53:38And the gypsy rules say it must be passed on.
53:41It's all about rules, Paul.
53:43It's about he asked me.
53:46It's about he told me why he wanted to do it.
53:51Now if I tell you, I can't take the knowledge back.
53:58Better off without it.
54:04So this is when he was with the parish?
54:06Better off without it, Paul.
54:19This is when he was with the fathers.
54:22This is when he was in the care of the holy fathers.
54:26Michael wants it so you don't know.
54:39That priest.
54:40That priest.
54:42Who was there when he was taken in.
54:46And who was still walking the fucking earth.
54:49Fuck.
54:59Fuck.
55:00He asked me, Paul.
55:02And I said yes.
55:08And I said,
55:09you put a bullet
55:11in that fucker's brains
55:16by order of the Pinky Blinders.
55:31No.
55:34Not my son.
55:39He'll still be as dead if Arthur does it.
55:41And part of him will always stay dead.
55:47I swear to God.
55:48In whose house it took place.
55:49If my son pulls the trigger,
55:53I will bring this whole fucking organization
55:56down around your ears.
56:26On a gathering storm comes a tall handsome man
56:31in a dusty black coat
56:33with a red right hand.
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