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00:01Thomas Michael Shelby.
00:02Today is my wedding day.
00:04Take the photograph!
00:06The Russians have made contacts on your wedding night.
00:09Whoever it is up there, he gave the wrong name.
00:12Can you do it? Can you kill?
00:14You know why he didn't come, don't you?
00:15My bloody man.
00:17There was a fire at his restaurant.
00:18You're not fraternizing the foreigners.
00:21He's a cavalry officer.
00:23The march will be engaged.
00:25But you watch Vikings first.
00:27Reuben Oliver, portrait artist.
00:29You have my card.
00:31It was in your heart.
00:32It was beautiful.
00:35Just get this business done.
00:38Get away from things like this.
00:39Promise me.
00:41I promise.
00:42I'll make a sign.
01:01Take a little walk to the edge of the tent.
01:05And go across the trap.
01:09Where the blind and to lose.
01:12Like a bird of doom.
01:14As a ship.
01:16And crap.
01:18Where secrets lie.
01:20And the border fires.
01:22And the humming wires.
01:24Hey man, you know you're never coming.
01:27Past the square.
01:28Past the bridge.
01:30Past the mills.
01:31Past the stack.
01:34On a gathering storm.
01:36Comes a tall handsome man.
01:39In a dusty black coat.
01:41Out with a red rat heel.
01:54Your brothers came to my house.
01:58Said the Peaky Blinders had business with me.
02:02You're not afraid of me.
02:13So.
02:15What is it you want from a simple working man?
02:18Fear.
02:24Poor Mr. Nutley drank too much.
02:28He went for a piss on the train tracks.
02:31That run behind the factory.
02:33Train came.
02:36They found his body and sorely broken into bits.
02:39I know what you do.
02:41Tell me what you want.
02:48There.
02:50The lot's complete warehouse.
02:52Base four, five and six.
02:54You have the keys?
02:56Yes.
02:57I have keys.
02:59What's in base four?
03:01Completed.
03:02Type 40's and type 21's waiting for the paint shop.
03:05Base five?
03:07Paint shop and parts.
03:09Mhm.
03:11So it's base six.
03:12What is?
03:15Give me the keys to base six.
03:19It's just old stock in storage.
03:21Give me the keys to base six.
03:26No, I got to keep it in place.
03:29No, I did not.
03:32No, you're not.
03:42I got to keep it in place.
03:42Do not leave a point, I got to keep it.
03:44You got to keep it.
03:54I got to keep it in place.
04:04I'm only doing this for the safety of my family.
04:54I'm only doing this for the safety of my family.
05:24I'm only doing this for the safety of my family.
05:32So will it be just boys in your charitable institution or girls as well?
05:39Both.
05:41You must avoid them.
05:44You know how the little creatures can get.
05:48What are your people? You said they'd be here by five.
05:51They're a law unto themselves.
05:54You can never quite grasp who they are.
05:57Like gripping wet soap.
06:01I've done my research.
06:06Perhaps you know them as the Economic League.
06:11Only once did I get a letter from them headed the Vigilance Committee, which tips the hand a little.
06:16No.
06:18The name I've heard is Section D.
06:22That's what Special Branch calls them.
06:26Businessmen, MPs, army officers.
06:33Yes, it'll be fun to bring such men to a gypsy scrapyard.
06:39You asked for privacy.
06:41Since the election, the government has decided that we are the enemy.
06:46When all we were trying to do is save the country from revolution.
06:52Are you political, Mr. Shelby?
06:56Because these odd fellows believe that the time is coming soon when everyone must choose a side.
07:03Are your people coming or are they not coming?
07:06Mr. Shelby, you will learn that these men are far too grand for the clock to govern them.
07:12You'll get used to meeting in the small hours of the morning.
07:16They're like monks.
07:21So when is your charitable institute opening?
07:24When I fucking say.
07:28Well, I'll stop by from time to time.
07:31Hear confession from the little creatures.
07:35You'll meet Mr. Patrick Jarvis, MP.
07:38You'll probably want to become a trustee.
07:41It's just his thing to drop by in the evenings after a few drinks.
07:45We'll make it a formal arrangement as part of the bigger deal between us.
07:52I will have an office there.
08:04My god, some devil gets into you, doesn't it, boy?
08:09Mr. Shelby, if I want to play the squire in your place of false charity, then I will.
08:18Ambition for respectability doesn't make you a saint. Am I wrong?
08:27My lord, that's six, is it?
08:32Well, I wish you a good day.
08:35What the fuck you got?
08:36Did I not make it clear?
08:39He said if they weren't here by morning prayers, then the meeting has been cancelled.
08:45Perhaps Mr. Jarvis has been held up at the House of Commons.
08:49Perhaps Admiral Hall's been held up at the House of Lords.
08:53Am I impressing you?
08:56Or perhaps they've decided they don't care for doing business with gypsies in scrap metal yards,
09:01which would be a poorer outcome for you.
09:03You give him a message from me, priest.
09:08You tell him I've been to the factories, and the armoured vehicles are in good condition.
09:16How many?
09:19Twenty-seven.
09:21And the foreman is ours.
09:26This is someone you'll meet today at the Reds.
09:30I have meetings today.
09:32You'll have one meeting.
09:34This one.
09:36In London.
09:39So you'd best catch the milk train.
10:01You're broke.
10:02It's better, right?
10:03It's better.
10:29Wind.pet
10:30graphically Judge!
10:41cold my apologies sir how many times I asked you to tell them about sending us the servants
10:46crockery I have no control over the choice of service sir what about the yesterday egg
10:51and last year's fish and last century still lives in a cracked pot sir I have a list of
10:56today's social engagements if you'd like to hear them oh are we in a rush today I have duties at
11:01the main house sir luncheon at the Ritz with Duke Mikhail Mikhailovich canceled what reason he says
11:11he's unwell sir you're due to have tea at three with Prince Seward Avenovich and Lady Mary Lewington
11:21sir hmm good I miss out on the board and meets the beauty however in the absence of the Duke
11:30the
11:30Prince and the Lady to have canceled sir other than that your day is your own you do have one
11:42business
11:43appointment to discuss automobiles with a mr. Thomas Shelby sir
12:15you'll ask for a meeting out in the open
12:18fresh air and the fine aroma of shit neutral ground you see this is highly neutral on the ground
12:27well it's what you've got so off of a boat you see that where it's on us he got called
12:38away he said
12:39he'd be here yeah he's busy I just told you he got called away what do you want
12:49there has been a peace between the Peaky Blinders and the Changrat family for two years now
12:57you want some tea or no if you can pour the Italians some English tea go on you don't want
13:04fucking tea
13:10we want an explanation well I'll have fucking tea the explanation for what the little Venice
13:17restaurant in 4th Street was burnt down no no I couldn't have been us well it was at a wedding
13:23you
13:23burnt it down to stop my son being at that same wedding it wasn't missed you are such big boys
13:36now but
13:37once your boy had clothes from us to look like men as a tee off is it it's called please
13:50tell Tommy
13:51me that we pay him whatever he asked us to pay we stay out of the city and off the
13:57tracks but you
14:00tell him from me that my son will walk with any woman in this city any woman he chooses even
14:10if that
14:10woman works for the Emperor Thomas Shelby my son is in love sorry do excuse me
14:22carry on and if he wishes he will walk with the woman he loves okay you know it'd be hard
14:37for your son
14:37to walk anywhere with a bullet next day wouldn't it
14:49too much
14:53you said too much my friend Sabine is a suck and swallow but no too much I spit
15:19I'm sorry put two extra men on our pubs in nature's we're talking about awesome you're scared of
15:28fucking what's all right John off the door
15:29don't tell Tommy about the chair and clean this fucking shit up
15:34well I'm scared of fucking what's all right John off the
15:45hello Ada Tommy Shelby in a library to borrow a book about the Russian Revolution
16:02have you got a new wharf at Maida Vale now I've got a new wharf everywhere now
16:07sometimes see our trucks driving past our trucks
16:12Shelby trucks why the interest
16:17oh that's gonna broaden my mind well this is a list of the bastards who ran away and this is
16:24written
16:24from the point of view of the people's struggle there was a Russian at your wedding you wouldn't
16:33tell me how come he got invited
16:39well sometimes exiled Russian aristocrats get invited to social occasions to add a bit of class
16:47that why he was there
16:50why do you want to know
16:53he was nice maybe I'd like to see him again would that be possible
16:58no that would not be possible
16:59what business do you have with the Russians Tommy
17:04can I rip this page out
17:05no you cannot rip that page out property of the people
17:08Tommy when Arthur took the Russian away he had his killing pistol under his jacket
17:12and then Johnny lit a fire in the woods
17:15you want all the details because you're bored Ada
17:21you used to chase rats with a revolver Ada
17:25I'll just have a job for you after all
17:52I'll just have a job for you after all
17:56we were on Kempton yesterday or not
17:58Danny Lee got drunk
18:00instead of injecting the horses with cocaine he decided to share it with his cousins
18:06Jesus Christ
18:07it's your brother-in-law
18:09tell Ace May to speak to him about it
18:11look
18:12before I start
18:17I don't want you to do anything about this
18:20about what
18:24Vincente Trangetta's son
18:26the one Lizzie was stepping out with
18:27what Angel
18:29he's no bigger than two pence worth of change
18:31well he heard you threatened him directly to shoot him in the knees
18:34and now he's going round knee chills telling everyone he's going to kill you
18:38this is Lizzie's fault to start with
18:41Tommy's for leaving it up to you
18:42what are you talking about
18:44we run London
18:46we run the north
18:47we run the old fucking country
18:48what do we care about some fucking knee chills
18:50those green eye types
18:51we don't need to be getting involved in all these little piss pots
18:53what does Arthur say
18:55that's why I'm here
18:57and not him
18:59if he said it there'd be a fight
19:02he says
19:05apologize
19:10he fucking said what
19:12we own the city
19:13but we don't need to rub everybody's nose isn't it
19:16if the old man decides to make a stand
19:18he might get Sabini feeling sentimental
19:20Sabini's done
19:25they're all done
19:28and they all pay up
19:31but we don't
19:33want
19:35rebellions
19:37what does
19:38must Tommy say
19:40Tommy's busy
19:41he left me in charge
19:43what would you say
19:49compromise
19:49compromise
19:52I've asked Lizzie to do it for you
19:54she's gonna meet him
19:55break up with him for good
19:56apologize for any inconvenience
19:58say it was all her fault
20:00no
20:02you know what all this is
20:04this is Arthur's fucking missus
20:06turn the other fucking cheek
20:09we'll be handing out bibles in the fucking ball ring with her cousins
20:12John you don't have to do anything
20:14Lizzie will do it for you
20:16then it'll all calm down
20:18and nobody will lose face
20:19take his fucking face
20:21how about that
20:21John
20:22do nothing
20:23I believe you have a reservation
20:34I've got a private room
20:35in the name of Mr. Romanov
20:40you work for Mr. Romanov?
20:43yes
20:44for his household
20:45or his office
20:46is there a problem?
20:48I'm afraid without the presence of the Duke
20:49Mikhail Mikhailovich
20:50or Lady Lewington
20:51we shall have to ask for payment
20:54in advance
20:56can I ask why?
20:58already Mr. Romanov has four outstanding bills with us
21:01one for accommodation
21:02and three for dining
21:03and two banquets which we wrote off
21:07we've been asked to be understanding
21:09of our Russian friends by his majesty
21:10but it has been some time now
21:12may I ask your name sir?
21:18shall be
21:19Thomas shall be
21:20and in the future I'll be dining here quite a bit
21:23then I shall put you on our special list
21:25you do that
21:27here is a menu
21:29I recommend the teal and the pork
21:32although your guest I'm sure will order the caviar
21:35myself
21:36my wife and my niece
21:37traveled by train
21:37then coach
21:39then on foot
21:40through the Villa Itador in Crimea
21:42on that journey I lost a toe
21:45I don't know
21:46I woke up one morning
21:48and it was gone
21:49all of a sudden I saw a dog
21:50and he was eating it
21:52they said the British had taken pity on us
21:54and we were taken aboard HMS Marlboro
21:57I immediately kissed the teal deck
21:58my lips froze to it
22:00and then of course
22:01I thank God and your king for saving us
22:05though since then he has done nothing but humiliate me
22:09oh
22:11God or the king?
22:12sometimes both Mr Shelby
22:15hmm
22:16so
22:17you met my niece already?
22:20Tatiana
22:22are you a love of her yet?
22:25hmm
22:26you would be wise
22:27not to love Russian women you know
22:30ah better not speak of Russian women
22:32that's the worst thing about being here
22:35Russian women they know how to hold it
22:38and most important
22:39they know exactly
22:40when to let it go
22:43your cock
22:43your cock
22:44I mean
22:46English women
22:47they do not know so much you know
22:53did he die well
22:55the spy?
22:58he begged for his life
23:02I heard you had your brother do it
23:08so you trust your family
23:10like me
23:12like us
23:13Mr Shelby
23:16let's talk about trust then
23:18shall we
23:21you were not a direct relation to the Romanovs
23:24you were Georgian
23:33and the palace where you live in Hampton Court
23:35is in fact a great and favourite house
23:37donated to you
23:39rent free by the British Crown
23:41a major dear here
23:42tells me
23:43that you were in some debt
23:45both here and other places I imagine
23:49see
23:49see I've been given ten
23:51but I've been promised forty
23:55already I've had to have a man killed
23:58that sort of work
23:59does not come cheap
24:01do you understand?
24:28let me tell you something
24:30Mr Shelby
24:33before we boarded the ship
24:35my niece sewed sixteen diamonds
24:37into her velvet dress
24:38and also
24:40she had two sapphires
24:42in her intimate places
24:43my wife managed two sapphires
24:46and five diamonds
24:49this is already for the killing of the spy
24:53and the down payment on future services
24:59now tell me
25:00where do you keep these things?
25:02in a bank?
25:03how could we plead poverty
25:05around London society
25:06if we used banks
25:07Mr Shelby?
25:10well you should know
25:13Hudson Gardens
25:15is not safe
25:17that's why we have our own treasury
25:23very well
25:24I shall have my people check
25:26it's veracity
25:32before the revolution began
25:33we were soft
25:35and weak
25:37we made compromise
25:39let me tell you
25:42we will never be soft and weak again
25:45do you understand?
25:50good day Mr Shelby
26:01will come you
26:02go to the church
26:03go to the church
26:03you are safe
26:06do you know
26:06how are you doing?
26:13do you want me to go?
26:13this way Mr John Grido
26:15go to the church
26:16you are right
26:17where are you going?
26:22Let's go, let's go, let's go, let's go
26:56I don't want to kill me
26:57Get him fucking
26:59Stay away from Lizzie
27:12By order of the Peaky fucking Blinders
27:32Good to introduce me, Michael
27:34This is Charlotte Murray
27:36My father makes cars
27:40I really enjoyed your wedding, Mr Shelby
27:45Polly said that you should call her
27:46There's been some trouble
27:47What trouble?
27:51I'm guessing the stuff she doesn't like to tell me about
27:56I'll submit you
28:13All right, Finn, thanks for coming, fuck off
28:18Finn, you can stay
28:22Sit down, John
28:24Sit down
28:32John, you caught Angel Changretta
28:36Even though Arthur told you to apologize
28:39Polly told you to compromise
28:42He chose not to listen to Mr. Apologize or Mrs. Compromise
28:47And now I've got an Italian walking around my backyard
28:49Saying he's going to kill my brother
28:54So what do we do, John?
28:55Do we apologize or do we compromise?
29:04It was just something John said as a joke
29:08Yeah, but he's your brother as well, Arthur
29:11Yeah
29:12And I didn't want to start a war over something John said without meaning it
29:20So should he apologize in Italian or in English?
29:27Or should we ask them which fucking language they prefer?
29:31I'm not clear
29:35You said while this business was going on in London you wanted peace at home
29:38And the only way to guarantee peace is by making the prospect of war seem hopeless
29:43If you apologize once, you do it again and again and again
29:47Like taking bricks out of the wall to your fucking house
29:50Do you want to bring the house down, Arthur?
29:51No, I don't
29:52If you're soft on rebellion, it'll grow
29:55What is soft on rebellion?
29:57You did the right thing, John
29:59Now we're going the offensive
30:00We take two of the Cangretta pubs, we take them tonight, that's it
30:03Oh, right, for Christ's sake, why?
30:06Eh?
30:06Why?
30:07Why, because we fucking can!
30:09Because we fucking can!
30:11And if we can, we do!
30:12And if we lift our heel off their necks now, they'll just come at us!
30:18Remember, these are the bastards that wanted Danny Woosbang dead!
30:28You're getting soft, brother
30:30Soft and weak
30:31So I'll be the barber for Sundays, eh?
30:38Finn
30:39I need to get to Hockley and then home
30:42It's been a long day
30:48You take the Wrexham
30:50You take the Five Bells
30:51You get them signed over to us in the morning
30:54You make sure the coppers stay away
30:58Don't use the fucking phones, alright?
31:01There's someone listening
31:11Well done
31:20Beeper
31:40Beeper
31:45This is all you need to write, write, write and send it to the first post tomorrow morning.
31:54This is the king of the king of the Michael.
31:59It will help his health and offer a new date for dinner.
32:06This is the lady Lewinton, quite frivolous.
32:11But I heard that she will respond to his own behavior.
32:17And this is Mr. Shelby.
32:20He has taken courage to check our sapphires,
32:24and we need to prove that he has the necessary materials for us.
32:29When it will be convenient for us.
32:35How much did you drink?
32:37I don't drink wine.
32:42In the end of this case,
32:48I think you will need to kill Mr. Shelby.
32:53Can you?
32:59Of course.
33:09Not hungry, Mrs. Shelby?
33:11Hungry?
33:11Oh.
33:12Oh no.
33:13Sorry, Mary.
33:15You'll ruin your eyes.
33:19Come here.
33:29Hello.
33:31Hello.
33:33Is it Dad?
33:41Guess?
33:42Guess?
33:42Guess what?
33:48He said yes.
33:50The leader of the Birmingham City Council is going to attend the dinner.
33:56Everyone has said yes.
33:58Everyone has said yes.
33:58Everyone.
34:00I keep having to change the catering.
34:03And my writing hand is almost falling off.
34:06What are you writing for?
34:07I bought you a typewriter.
34:08You don't write letters of a social occasion on a typewriter.
34:12Oh.
34:12Forgive me.
34:16I have the drawings of what they plan to do with the grounds of the house.
34:22There'll be an area for the children to play.
34:24Look.
34:25Mm-hmm.
34:26And the Birmingham Charity Commission have agreed to set aside those three rotten floorboards upstairs
34:30and grant us a licence for the month.
34:36You are not listening to me.
34:38Yes, I am.
34:40Do you think I'm becoming obsessed?
34:43Yes.
34:46Should I ask you how your day was like a good work?
34:49No.
34:53I'm guessing that means your day was not as successful as mine, hm?
34:57Well, it depends on how you measure success.
35:02See, personally, I measure it in sapphires.
35:06Oh.
35:08It's our fires.
35:10Mm.
35:13Close your eyes.
35:17Close your eyes.
35:19Please.
35:35All right, you can open them.
35:40Where the hell did you get that?
35:43It's beautiful.
35:48You can wear it to the Foundation dinner.
35:52Don't you think it's a bit much for a charity dinner?
35:55Grace.
35:57This is fucking Birmingham.
36:00Good taste.
36:01This is for people who can't afford sapphires.
36:05Oh, Mr. Shelby.
36:06I love you.
36:10Thank you, Lord.
36:29Thank you, Heidi.
36:35Did you wind the clock, Arthur?
36:40We should go to bed.
36:48I need to...
36:50I need to go out.
36:54Some business I need to do.
37:02I need to go to bed.
37:09But you only just got in.
37:12Won't be long.
37:13It's ten o'clock.
37:15It's pouring with rain.
37:19I'll go and...
37:20I'll go and I'll come back.
37:24Arthur.
37:28Working in the dark is for the devil.
37:32We said...
37:34Start to do your work in the light.
37:37Your own light.
37:40Inside your head.
37:44It's just paperwork.
37:57I need you to clear your men out of nature's...
38:00tonight.
38:04I thought you boys were a...
38:07bit grand for this sort of thing these days.
38:09with moss.
38:11Mind you...
38:12I think someone enjoys his sport.
38:18Something like that.
38:21Good night, Arthur.
38:23Night.
38:41κα...ena...age...
38:43OK.
38:44In spite
38:44You're not food from my
38:45so good! Oh,
38:48thank you!
39:16I'm going home, John.
39:21I'm going to fuck yourself up.
39:24Yeah, fuck off!
40:13I'm going home, John.
40:19I'm going home, John.
40:19That's a big man and his brother.
40:20A lot of Michael's a lot of money.
40:22Or Lou's a lot of money.
40:24Yeah, look, guys.
40:26That's a big thing, right?
40:27Nice,id.
40:28Dad.
40:31Yeah.
40:32I'm sorry.
40:35That's all.
40:38.
40:39That's all.
40:39Ohh.
40:41Go.
40:42It's all right.
40:44.
41:00You got a house, John?
41:05Full of kids.
41:06Well, you got a maid to look after the kids.
41:08They're she-licious.
41:12You done the odds for tomorrow?
41:15Something urgent came up.
41:17They get worse when they're pregnant, Tom.
41:20John.
41:22Esme!
41:22I need you to leave now.
41:24Go out the back door and lock in after you.
41:28When I left the office, there's two trucks full of coppers out there, John.
41:34Where the fuck is Arthur?
41:36He goes home to the Madonna of Mosley on the stroke of five.
41:39You need to talk to him, Tom.
41:40Esme, please, go now.
41:42Please.
41:43This is very fucking unusual.
41:44It's a cool moss.
41:45They're from out of town, London, by the looks of their boots.
41:49Since when Louise gave the coppers, Tom?
41:52Since things changed, John.
41:55Score on the yard!
41:56John, please!
41:57Oh, Scott!
41:58John!
41:59Please, score on the yard!
42:00All right.
42:01John!
42:01John, it's the yard.
42:02It's the yard.
42:03Put it down.
42:04Put it down.
42:08Let her fucking out!
42:10She's fucking pregnant!
42:11Leave it alone!
42:13The fuck is happening, Tom?
42:15Let's go!
42:16Hold me down!
42:18I'll tell Polly it's Russian business, John.
42:21All right?
42:22Peaking fucking blind as my arse.
42:26Are you afraid?
42:29No.
42:34Go.
42:40Sit.
42:46I'm talking to you, Mr. Shelby.
43:10I'm talking to you, Mr. Shelby.
43:11Hey.
43:13What's your name, boy?
43:16Your sister is a potential security breach.
43:20She has connections with the Bolsheviks in London.
43:23Who have connections with the Soviet Embassy.
43:25I think I'll just call your dog, boy.
43:29You love your boy.
43:31Oh, yeah.
43:34Understand this.
43:37You have the local police in your pocket.
43:40We have Scotland, you heard.
43:43They do what we tell them, just as surely as this dog.
43:47Let him off the leash.
43:51Are you hearing me, Mr. Shelby?
43:53I can charm dogs.
43:57Gypsy witchcraft.
43:59And those I can't charm, I can kill with my own hands.
44:05You learn it's when you have a dog in a boat.
44:07They got fucking mad at tunnels.
44:11I feel like I'm in a tunnel now.
44:15I have that feeling when you have to kill.
44:17Or be killed.
44:23Let the dog off the leash.
44:26Give the order you give in, Gaelic.
44:29Like I'm told you do.
44:31When someone displeases you or someone reports you.
44:35Visit your sister again and she will die crossing the road.
44:42Monarch!
44:47Monarch!
44:47I'm on your side.
44:54If you wanted me dead, I'd be dead, wouldn't I?
45:00It's true.
45:02It's true.
45:03It's true, we do need you alive.
45:06But when you go home today, Mr. Shelby,
45:09be sure to check onto your little boy's pillow.
45:13The Tooth Fairy has been.
45:17We can reach anyone.
45:20Anywhere.
45:45The Tooth Fairy
46:01Is everything all right?
46:03Yes.
46:05Everything's fine.
46:06Everything's fine.
46:07Yeah.
46:09You promised, Tommy.
46:10I know.
46:12I trust you.
46:17I trust you, Tommy.
46:21It's fine.
46:23It's fine.
46:34Bryce.
46:36Bryce.
46:38There we go.
46:53You're not one of those impressionists, are you?
46:55They're all terribly political, aren't they?
46:58You're not?
46:59Goodness, no.
47:00The people I work for just want me to paint once there.
47:04To me, politics is deliberately making things better for some people
47:07by deliberately making them worse for others.
47:16No.
47:17Well, I thought I might wear this.
47:22Oh, God, it's too much.
47:23I'll try something more simple.
47:25No.
47:25Don't.
47:30No.
47:41No.
47:42No.
47:42No.
47:42No.
47:49No.
47:51No.
47:52I'm a woman of substance and class.
47:54Believe me, I've painted many women who don't belong in their expensive dresses.
48:00There'll be no charge.
48:02You're normal rate.
48:04No.
48:06Oh.
48:06As a first.
48:09So when shall we start?
48:10I've already started.
48:13Come to my studio this evening.
48:15Er, I'm busy this evening.
48:16Polly, invite him.
48:18Invite me to what?
48:20No, Ada. This is a professional transaction.
48:22Invite me to what?
48:22Shelby Foundation dinner.
48:24Polly's going alone. You're invited.
48:26Ada.
48:29I'll come to your studio on Sunday.
48:33And then we shall begin.
48:47You're the only story that I've never told.
48:51You're my dirty little secret.
48:54Wanna keep your soul.
48:56You're the only story that I've never been told.
49:00You're my dirty little secret.
49:02Wanna keep your soul.
49:05Come on out.
49:06Come on over.
49:07Help me forget.
49:09Keep the walls from falling as they're jumbling in.
49:13Come on out.
49:14Come on over.
49:15Help me forget.
49:17Keep the walls from falling as they're jumbling in.
49:21Keep the walls from falling as they're jumbling in.
49:26This is love.
49:27This is love.
49:28That I'm feeling.
49:30This is love.
49:32This is love.
49:32That I'm feeling.
49:34This is love.
49:35This is love.
49:37A woman of substance.
49:40And class.
49:42Listen, love, love, love.
49:46This is love, love, love, but I'm in love.
49:51This is love, love, love, love, but I'm in love.
49:55This is love, this is love, but I'm in love.
50:20Tommy.
50:23This is the leader of the Birmingham City Council.
50:25Hello, Tommy.
50:26Hi, Danny.
50:27How's business?
50:28Hi, Tommy.
50:29Where are you?
50:31Do you know each other?
50:33I have interests in steelworks in Cradley Heath.
50:36Tommy helps me get my products to the car makers.
50:40Congratulations, Mrs Shelby, on your wedding.
50:43I'm surprised you weren't invited.
50:45Now, how would that look, eh?
50:48Oh.
50:49Now the party's really started.
50:51Who are they?
50:52Father John Hughes from St Mary's Boys Reformatory.
50:56And with him is Mr Patrick Jarvis, MP.
51:00They are part of an organisation called the Economic League.
51:05Did you invite them, Grace?
51:06I didn't sound familiar.
51:09They were recommended by the Lord Mayor.
51:11Oh.
51:12One of the best people of the city list, eh?
51:14Do you know them?
51:15I'll introduce you, Tommy.
51:17That's all right, Danny.
51:19I'll introduce myself.
51:34We appear to have taken you by surprise.
51:37I have adjusted it.
51:40Since the Socialists got into Downing Street, we are all being followed.
51:44We have to meet in places where we'd meet anyway.
51:46You should've stopped by Small Heath.
51:48I could've given you a more traditional welcome.
51:50Do you want to know about ammunition?
51:52And chains for the wheels.
51:53When the White Guard make their run for Tbilisi, it'll be over rough terrain.
51:58The chains are suitable for snow or wet ground.
52:01They're already stored on the vehicles.
52:03There's a bunch of weapons set aside at the BSA, which is bound for the Turkish Army.
52:07And how will you get it all aboard, the London train?
52:10There will be a strike that night across the city.
52:13We'll have to stop the train twice.
52:15How?
52:16Two drivers will join the strike at different points.
52:20Rather fun.
52:22Getting the Communist unions to help get weapons to the White.
52:26It's rather fun, eh?
52:29I'm thinking ahead, thinking of every possibility, remembering everything that is happening.
52:36The Russians want to inspect the vehicles.
52:39I'll take photographs.
52:42The Duke has sent his niece.
52:44She's here.
52:46Tomorrow you will take her to the factory and show her.
52:49No.
52:50Union conveners are watching the factories.
52:54Not possible.
52:57Anything is possible, Mr. Shelby.
53:00You will take her.
53:02You'll pick her up from this hotel at 10.
53:06And look.
53:08The priest with an empty glass.
53:10Let's get back to the party.
53:15You know, gentlemen, there is hell.
53:17And there is another place below hell.
53:21I'll remember everything.
53:24And forget nothing.
53:36Tommy.
53:37This is Duchess Tatiana Petrovna.
53:41Oh, and Tommy, aren't you impressed with the real Duchess?
53:43Well, I understand they charge a fee.
53:45Mr. Shelby, you're very direct.
53:48Too direct.
53:49Too direct.
53:50But it's true.
53:52I attend these things for the champagne.
53:54And for the chance to be treated like a Duchess again.
53:57You should have kissed my hands, Mr. Shelby.
54:02Forgive me.
54:06She was asking about my sapphire.
54:07I thought I'd recognized it.
54:09She said it was Russian.
54:11My husband has business in Russia.
54:12Perhaps you know about it, Tatiana.
54:14Well, tonight's not an art for business, eh?
54:16Is that why you're in the concert hall for 10 minutes?
54:17I think people are ready for dinner now, Grace.
54:19No, no, no.
54:20I'm not done pumping people for money.
54:21What is pumped for money?
54:23It's what I do every day.
54:25You, uh, you know each other, do you?
54:28You see, I'm in charge of compiling the list of guests,
54:30but it's, uh, my husband who seems to know all of them.
54:33I hear he's very recollected.
54:34And where does the Duchess hear that?
54:36In certain circles.
54:37Or ask, you know, Fida.
54:39Grace, uh, there's a lady dowager
54:41who wants to speak to you about coffee mornings.
54:42She mentioned a £2,000 cash donation.
54:45Tatiana, you and I will speak later.
54:47I would like that.
54:51Going to the factory tomorrow is a mistake.
54:54Nevertheless, we will go.
54:57Also, my uncle ordered me to seduce you
54:59to give us an advantage.
55:00But with a beautiful wife like that,
55:02it will be difficult, no?
55:03Tomorrow is a mistake.
55:05Have you not heard?
55:06We have no morals, we Russians.
55:08And no fucking sense.
55:09And no options.
55:11I would fuck you for the cause.
55:13What do you think of that?
55:15I think you should not drink vodka with champagne.
55:19Does your wife know that the sapphire she's wearing
55:21has been cursed by a gypsy?
55:27What did you say?
55:29Nothing on earth would make me wear it.
55:33No, no.
55:35Oh, no.
55:47I will have to say that, but what are they doing?
55:53Oh, no.
55:54Oh, no.
55:58I will.
56:01I will.
56:02Oh, no.
56:02Why? Because you think you look better on her.
56:04Grace, look at me. Fuck these people, eh? Fuck them.
56:07I need you to be all right.
56:10I need you, Grace.
56:12I need you.
56:21Damn you, Tommy Sheffy.
56:36Should I go inside?
56:37Yeah.
56:41Oh, Angel!
56:55Give me a fucking idea!
57:02What I do, Rachel?
57:05Oh, don't you?
57:31Oops.
58:02A dusty black coat with a red right hand.
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