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Watch Episode 4 "Sorcerer" of "Stranger Things 5" in Full HD with Spanish Subtitles on BingeTV Series.

SYNOPSIS (EPISODE 4):
Sorcerer. Will's supernatural connection to the Upside Down intensifies. As he unlocks terrifying new psychic abilities, the group realizes he might be the only one who can truly rival Henry Creel's power.

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Transcript
00:00:16Hey. I know you're scared, and I know you're angry, but I promise you, we are here to help you.
00:00:25Derek, Derek. If you keep doing that, you're just gonna hurt yourself. We just calm down so we can talk,
00:00:32okay?
00:00:34Do you know who I am? An evil child kidnapper.
00:00:39Okay. I understand why you would think that, but I'm not evil. I'm just a mom. A regular mom.
00:00:47That's my son, Will.
00:00:50Zombie boy. You know why they call him that?
00:00:53Because he died and came back to life.
00:00:55But what people don't know is that when he went missing, he was taken by a terrible, scary monster.
00:01:03And now that scary monster is after you.
00:01:06Yeah, I know. Mr. What's It told me. Which is why you need to...
00:01:09No, no. Mr. What's It is not who he says he is, okay? He is lying to you. All these
00:01:15monsters, they work for him.
00:01:17Now, that's why we took you here to this barn. We thought this barn was safe, but he's found us,
00:01:22so we have to move you again somewhere he can't find you.
00:01:24So if I untie you, will you cooperate and come with us? Please?
00:01:32Okay, great. You're a very brave kid, Derek. I want you to know that. Very brave kid.
00:01:46Let me go! Get off of me! Please! The door! Get the door! Help me! Let me go! Help me!
00:01:54Get away! Somebody help me again now! Get away from me! Let me go!
00:02:01Mom, the rope! I need the rope!
00:02:03I'm moving! Let me go! Eat dirt!
00:02:09Come try us, dipshit! Shit!
00:02:23Dude! She's not lying to you, okay? Mr. What's It is a very bad guy. He sent the monsters after
00:02:29you.
00:02:29Fuck my fat one! Jesus, what?
00:02:32You just signed your death warrant, dipshit!
00:02:34You're just a psycho and you're going to jail!
00:02:36Just trying to help you. There is a monster coming! I believe you!
00:02:40Derek, please! You've got to keep down!
00:02:42I'm not listening to mine now!
00:02:44I'm not listening to mine now!
00:02:45I'm not listening to mine now!
00:02:47I'm not listening to mine now!
00:02:48I'm not listening to mine now!
00:03:07Get back!
00:03:18If you want him, you're going to have to come through me!
00:03:47You're going to have to come through me!
00:03:48Here we go!
00:04:07It flipped! It's headed back towards us!
00:04:09Come on!
00:04:10What are you doing, man? We've got to turn around!
00:04:11Wait, the gates are kind of like peanut butter boppers, right?
00:04:13What?
00:04:14The outside is like crunchy and tough, but then you bite down on it,
00:04:17gives way to a gooey, creamy core.
00:04:19Dude, what the hell are you talking about?
00:04:21I drive fast enough, I think the Beamer can punch a hole straight into the gate,
00:04:23and then we can track the demo on its home turf in the upside down,
00:04:27follow it straight back to Holland.
00:04:28We're losing the signal!
00:04:29We're not going to be able to follow anything if we crash!
00:04:31We're not going to crash if it's like a boxer!
00:04:32It's almost gone!
00:04:36Do it.
00:04:42Oh!
00:04:42Oh my God!
00:04:43Oh my God!
00:04:44I got it!
00:04:44I got it!
00:04:47Oh, God, no!
00:04:48It's not going to work!
00:04:48It's not going to work!
00:04:48We're not going to make it!
00:04:49It's not going to work!
00:04:49It's not about...
00:04:50Stop!
00:04:51Ah!
00:05:02You did it!
00:05:03That's who I told you!
00:05:05Ha ha!
00:05:06No!
00:05:07Signal!
00:05:09It's wrong!
00:05:10Oh my God!
00:05:11Get you son of a bitch! We got you!
00:05:30Will! Will!
00:05:33Will! Will!
00:05:35It's too late!
00:05:36I got you!
00:05:38I got you!
00:05:41I got you!
00:05:43No!
00:05:44No!
00:05:45No!
00:05:46No!
00:06:03No!
00:06:04No!
00:06:17No!
00:06:20No!
00:06:22No!
00:06:23No!
00:06:25No!
00:06:25No!
00:06:26No!
00:06:26No!
00:06:27No!
00:06:27No!
00:06:27No!
00:06:27No!
00:06:28No!
00:06:30No!
00:06:32No!
00:06:50Oh, yes, yes, that's right.
00:06:51Hockety-pockety-wockety-whack.
00:06:53Hards and hens and prick and prick.
00:06:55We'll be with you in just a minute, son.
00:06:56Catching's almost done.
00:07:01Shush.
00:07:04Jelly.
00:07:11Alan Miller?
00:07:13I'm sorry, what is this about?
00:07:15It's your daughter, sir.
00:07:48It looks like our boy's taking us on the shortcut through Road Cemetery.
00:07:51That's the most of the county line.
00:07:52Doesn't this thing ever get tired?
00:07:54Unfortunately, it looks like the opposite.
00:07:56I think he's speeding up.
00:07:57Wait, what?
00:07:57I'm losing the signal.
00:07:59You've got to be shitting me, man.
00:08:00Can you go faster?
00:08:01Let's see.
00:08:05Henderson, you've got to talk to me here.
00:08:07What do you got, man?
00:08:08Hanger signal.
00:08:08Wait, I'm picking up some interference.
00:08:10How is that important right now?
00:08:11It means I can't hear the signal.
00:08:12Well, then listen harder, Henderson.
00:08:14You want to try to put these on?
00:08:15I'm driving.
00:08:16You do the driving.
00:08:17I'm driving, man.
00:08:18What is that?
00:08:19I didn't find it.
00:08:20Steve, slow down.
00:08:23Steve, Steve, watch out.
00:08:25Steve, watch out.
00:08:33Jonathan, it's Mom.
00:08:34Answer me, please.
00:08:35Over.
00:08:37Jonathan, please answer.
00:08:39Jonathan, Nancy, Dustin, it's Joyce.
00:08:43Please answer me.
00:08:45Hey.
00:08:46Any luck?
00:08:48On the plus side, I guess that means they made it through.
00:08:52You want to see where they're headed?
00:09:01You want to see where they're headed?
00:09:24What is it?
00:09:26I don't know, but I could feel it's important to him.
00:09:33It's Mr. What's it?
00:09:36His real name is Henry.
00:09:37A.K.A. Vecna.
00:09:38A.K.A. One.
00:09:39That's too many names.
00:09:41Why won't you just zip it and listen, dipshit?
00:09:44I had this feeling he didn't want me there.
00:09:48I wasn't supposed to see it.
00:09:51You've never been this close to the hive mind before.
00:09:54I mean, that thing was, like, feet away.
00:09:58Sometimes at the squawk, when a signal comes in too strong, it overloads the whole system.
00:10:04I think that's what this was, an overload.
00:10:06You didn't just tap into the hive mind.
00:10:09You jacked right into the goddamn control center.
00:10:12And Holly.
00:10:13Where was Holly?
00:10:14Holly.
00:10:16Holly.
00:10:16She was attached to this spire.
00:10:22She became a part of it somehow, like it was doing something to her.
00:10:28And there were others.
00:10:30There were three others.
00:10:35I thought Vecna was just coming for dipshit.
00:10:37So did I.
00:10:38But I only knew about Derek because he walked right past me.
00:10:44Serendipitous timing.
00:10:45You hear that?
00:10:46Serendipitous.
00:10:47I don't know what that means.
00:10:48I'm really not loving all of these extra spires.
00:10:51I mean, night one, Vecna kidnaps Holly.
00:10:53Night two, he takes three more.
00:10:55He's escalating.
00:10:56And he's coming for more.
00:10:57Yeah, eight more, if this is accurate, which brings him to a total of twelve.
00:11:01What does he want with them?
00:11:02And why kids?
00:11:03And why Swell?
00:11:04I don't know.
00:11:05But we have to stop him before he takes any more and buy Dustin and the others' time to find
00:11:08this place.
00:11:09To find Holly.
00:11:10Maybe if we can pinpoint his exact targets, we could get them out of Hawkins.
00:11:14And out of Vecna's reach.
00:11:15Did you forget we're quarantined?
00:11:17That's not all.
00:11:17There's another problem.
00:11:19On the way here, we saw soldiers load Debbie Miller onto a bus with a bunch more kids.
00:11:23And then we followed them for two blocks more, and they loaded more kids onto it.
00:11:26I don't think they were taking them to school.
00:11:30Vecna's not the only one that wants these kids.
00:11:38Eleven was at the Wheeler house the same night Holly was taken.
00:11:42Twenty-four hours later, we've got three more missing kids.
00:11:45There's 73 children in Hawkins between the age of nine and ten.
00:11:49If the pattern holds, our next target will be from this group.
00:11:53And you believe 11 have taken these kids?
00:11:57For what purpose?
00:11:58Killing them, protecting them, the reason doesn't matter.
00:12:02And these children, where are they now?
00:12:03Arriving at the Max-E any moment, which is where I want you.
00:12:07I should be looking for Lieutenant Akers.
00:12:08I find Akers, I find...
00:12:10You'll find a dead man.
00:12:12Report to the Max-E, Colonel.
00:12:14That's an order.
00:12:21Major General.
00:12:24With all due respect, these kids are in danger.
00:12:28To use them as bait seems...
00:12:31Seems what, Sergeant?
00:12:36Reckless.
00:12:38It's only reckless if you fail to protect them.
00:12:43Um, are you telling me you can't protect them, Sergeant?
00:12:47No, ma'am.
00:12:51Good.
00:13:06I'm sorry for scaring you.
00:13:09I haven't seen anyone in a really long time, so...
00:13:14I guess I got excited.
00:13:18Good news is, it doesn't look that deep.
00:13:20Not enough for stitches.
00:13:22I bet it stings, though.
00:13:24Huh?
00:13:27You can talk to me, you know.
00:13:30I won't bite.
00:13:32I won't bite.
00:13:34You do remember me, right?
00:13:37I've been to your house.
00:13:39Like, a lot.
00:13:43You're Max.
00:13:45Max Mayfield.
00:13:46You skateboard and never take off your Walkman.
00:13:49That's me.
00:13:50But how am I in here when I'm in a coma in Hawkins General?
00:13:55That's a very reasonable question.
00:13:59We should get going.
00:14:01It's not safe here.
00:14:01Come on.
00:14:03Where are we going?
00:14:05My home.
00:14:06Well, I can't go far.
00:14:07I came here to meet Henry.
00:14:08Do you know Henry?
00:14:09Yeah, you could say that.
00:14:10Well, he left me this note here, see?
00:14:11And he told me to meet him right here at the X, right here.
00:14:14I think he's in trouble with the monsters.
00:14:15Henry is a lot of things, but in trouble with the monsters is not one of them.
00:14:18No, but look.
00:14:18Look, the note says...
00:14:20Holly, I know what the note says.
00:14:20Then how do you know he's not in trouble?
00:14:22He said hurry!
00:14:23Holly, I know what the note says because Henry didn't write it.
00:14:25I did.
00:14:27I...
00:14:27I...
00:14:28I don't...
00:14:29I don't understand.
00:14:32I'm sorry.
00:14:34I didn't want to lie.
00:14:35I...
00:14:36I just...
00:14:36I had to make sure that you came here.
00:14:39You're one of them, aren't you?
00:14:41One of what?
00:14:42The monsters.
00:14:43Do I look like a monster?
00:14:44I don't know.
00:14:45Maybe you're in disguise.
00:14:46You're dressed weird and you're in a coma.
00:14:48Okay.
00:14:50Well, would a monster know that your brother tried to get a mohawk until your sister stopped
00:14:55him, saving him from possibly the greatest social humiliation that a freshman has ever
00:14:59experienced at Hawkins High?
00:15:01What color was this mohawk?
00:15:04Hot orange.
00:15:05And personally, I think the use of the word hot is a bit ironic, but people say I'm too
00:15:10negative.
00:15:10I just think I'm honest.
00:15:35Come on.
00:15:45Welcome.
00:16:04Hey.
00:16:06It even comes with a view.
00:16:30Where are we?
00:16:32In a memory, which exists inside a world of a thousand memories, I know it might look
00:16:40nice, but it's not.
00:16:43This place, this world, it's a prison.
00:16:55Henry's prison.
00:17:22It's okay, sweetie.
00:17:25These are the good guys.
00:17:26They're going to keep everyone safe.
00:17:28Just try and think of this as a field trip.
00:17:32Mm-hmm.
00:17:33A learning expedition.
00:17:47Cargo has arrived.
00:17:49I repeat.
00:17:50Cargo has arrived.
00:17:55They're taking them into a barrack second from the library.
00:18:06Tunnels.
00:18:12Yeah.
00:18:13See?
00:18:13The north tunnel of the Max Z runs right underneath the barracks.
00:18:17Lucky break.
00:18:18Well, I'm having one of these days.
00:18:19We're going to need a lot more luck if we want this plan to work.
00:18:21If we're right, the military is trying to protect these kids, so this barracks is going
00:18:25to be heavily guarded.
00:18:26I mean, we have to dig up into the barracks unnoticed, grab the kids, get them to Murray,
00:18:30smuggle them out of Hawkins.
00:18:31All before anyone notices they're gone.
00:18:33Dick.
00:18:34What?
00:18:35What?
00:18:36Oh.
00:18:37Sorry, did I say that out loud?
00:18:38I thought I was talking in my head, but you guys know Tom, Dick, and Harry, right?
00:18:45Seriously?
00:18:46None of you have seen The Great Escape?
00:18:48Well, basically, it's about these POWs, right?
00:18:51And they're stuck in a barracks just like this one, and they need to escape.
00:18:55So they dig these tunnels, and they call their tunnels Tom, Dick, and Harry.
00:18:58They have to hide the tunnels from the Nazis, so they put Tom in this dark corner, and they
00:19:03put Harry under the stove, and they put Dick in the washroom.
00:19:05And personally, for us, I like Dick.
00:19:11Oh, um, sorry, the washroom.
00:19:13I actually don't even...
00:19:14Never mind.
00:19:15Okay.
00:19:16Say we go with Dick.
00:19:18How do we find the washroom?
00:19:20And how do we get the kids to it?
00:19:21How do we even know which kids are being targeted by Vecna?
00:19:24We use an inside man.
00:19:26Someone who could get into the barracks, measure the distance of the washroom, find out which
00:19:29kids have actually seen Mr. What's It, and somehow avoid the military altogether.
00:19:32Well, that's a lovely plan, but isn't it a tad...
00:19:36Mission impossibly.
00:19:37Yeah, I mean, Mike, who are you going to get to do this?
00:19:40Bond?
00:19:41Magnus?
00:19:41No, no, we don't want a super spy.
00:19:43We want the opposite.
00:19:44We want someone no one would suspect.
00:19:47Someone that could just walk in, no questions asked.
00:19:49The one kid the military failed to wrangle.
00:19:59What?
00:20:29Two grunts in the tower.
00:20:32One tower by the west gate, one more in the tower by the east gate.
00:20:37One, two, three, four on the ground.
00:20:40I hope to God you're right and Vecna is in there, because we might just die trying to
00:20:44break in.
00:20:45I am right.
00:20:45Well, you can't be right about everything, because your theories aren't exactly lining
00:20:48up.
00:20:49Why not?
00:20:50You heard Kryptonite.
00:20:51It means if Vecna's in there, he doesn't have his powers, and if he doesn't have his powers,
00:20:54how could he have anything to do with Holly's kidnapping?
00:20:56You can ask him before I kill him.
00:20:59How high is that fence?
00:21:02Hey, you're not jumping that.
00:21:04Why not?
00:21:05Because this is not training.
00:21:07This is a real-world situation.
00:21:09And that roof is metal.
00:21:12You hit that on a jump, you're going to alert the whole damn base.
00:21:15Not if I time it with the thunder.
00:21:17Yeah.
00:21:18It's seven seconds.
00:21:24One, two, three, four, five, six, seven.
00:21:35Okay.
00:21:36You got lucky.
00:21:38Hopper, you copy.
00:21:40Dustin!
00:21:41Hopper, you copy.
00:21:43This is Dustin.
00:21:44Hey, hey, it's Hop.
00:21:46I copy.
00:21:47Oh, shit!
00:21:48Okay.
00:21:48Well, they're alive.
00:21:49Stop it!
00:21:50Talk about El!
00:21:51Uh, El, El.
00:21:51Is El with you?
00:21:52Over.
00:21:52Yes, I'm here.
00:21:54Over.
00:21:54Okay!
00:21:55Yay!
00:21:56Terrific!
00:21:56I don't know what you're doing right now, or if you're caught up in something important,
00:21:59but...
00:21:59Dustin, meet us!
00:22:00Meet us at Rhone Cemetery Church, please.
00:22:03Rhone Cemetery?
00:22:03How the hell are you contacting us from there?
00:22:05Right.
00:22:06You don't know.
00:22:07We're in the Upside Down.
00:22:09What?
00:22:09Long story short, we're in here to track a Demogorgon using our telemetry tracker, only to then
00:22:13hit a wall.
00:22:14Literally.
00:22:15Now, Steve's beamer is stuck, so we need El to come and pry it loose using her power so we
00:22:18can then
00:22:18resume the search for said Demogorgon, which will, in theory, lead us to Holly.
00:22:22Does any of this make sense?
00:22:23Do you need additional details?
00:22:24Questions?
00:22:25Concerns?
00:22:26Over.
00:22:26You hit a wall.
00:22:28What kind of wall, exactly?
00:22:32Uh...
00:22:33It's a bit...
00:22:34hard to describe.
00:22:37Sort of...
00:22:38Huge.
00:22:40Disgusting.
00:22:41Smells like Henderson's armpit.
00:22:43Yeah, we hit the same thing, but not at the Rhone Cemetery.
00:22:46We hit it about a quarter mile southeast of the Old Hagen Bridge.
00:22:50That's the opposite side of town.
00:22:53Fascinating.
00:22:54We don't know what it is, but we think that Holly's behind it.
00:22:56Don't bother trying to break through.
00:22:58You...
00:22:58You can't.
00:23:00We're working on a solution.
00:23:02Needs.
00:23:02Solution?
00:23:03What kind of solution?
00:23:06Wait, what kind of solution?
00:23:08Hopper!
00:23:09Listen, we gotta keep the airwaves clear, all right?
00:23:11We'll come get you.
00:23:12Just stay put.
00:23:15You think they're safe?
00:23:17I mean, compared to us?
00:23:18Yeah.
00:23:19Okay.
00:23:21Let's go see if that training is paid home.
00:23:24You're gonna let me jump?
00:23:27Let's go.
00:23:28Before I change my mind.
00:23:36Vecna's curse.
00:23:39It never goes away.
00:23:41It never leaves you.
00:23:43With each victim that he took, he created a new gate.
00:23:46A gate to the Upside Down?
00:23:49When he took me, he opened the fourth, final gate.
00:23:53Splitting Hawkins in two.
00:23:56Wait, but if Mr. What's It, I mean, Henry, took you, how are you here?
00:24:04You mean, shouldn't I be dead?
00:24:06It's okay.
00:24:07It's a fair question.
00:24:09I definitely should be.
00:24:11And for a moment, I was.
00:24:18I don't know how long I was gone, but then I felt something calling to me.
00:24:26What?
00:24:27I don't know how long I was.
00:24:38Oh, oh, oh.
00:24:43Oh, oh, oh!
00:25:06Oh, my God.
00:25:24One night only. Don't miss it. Tickets are only 50 cents.
00:25:28That's two quarters for you, point, Dexter.
00:25:30Joyce! Is that stupid play of yours?
00:25:33Better see you there, Harrington.
00:25:35Friday night? You wish.
00:25:40Nice shot, jerk.
00:25:46Somehow, I was in another time. Hawkins.
00:25:49Hawkins. 30 years ago.
00:25:53Time travel. Only, I wasn't actually there. Not really. I was just... an observer.
00:26:05And that's when I understood. I was trapped inside Henry's mind. His memories.
00:26:12Like a nightmare prison world ruled by an evil, psychopathic piece of shit.
00:26:20Like Camazots.
00:26:21Cam... what?
00:26:23Camazots. From Wrinkle in Time.
00:26:26Never read it.
00:26:26You should. It's amazing. Camazots is like this dark planet that's under the control of It, which is this giant
00:26:31disembodied evil brain.
00:26:33Anyways, Meg's dad, Meg's the main character, he gets taken prisoner there.
00:26:36So, Henry's kind of like it, and you're kind of like Meg's dad.
00:26:39Okay, well, I don't know if Meg's dad would agree, but the way I see it, when you're a prisoner
00:26:46in a messed up prison world, you really only have a few doors open to you.
00:26:51Door one, you take your own life. Door two, accept your fate. Or door three.
00:27:00You escape.
00:27:01I chose door three.
00:27:02That seems like the best door.
00:27:05So, I kept moving from memory to memory. Only this place is a maze. I became lost. Turned around. I
00:27:18got so turned around, I actually ended up right back at the beginning.
00:27:32And that's when I heard her.
00:27:37I heard Kate Bush.
00:27:38Is she one of your friends?
00:27:42You could say that.
00:27:47Music has a way of finding you, even in the darkest of places.
00:27:51Lucas had used it before, to reach me, to guide me out of Vecna's mind. Back to the light.
00:28:08So, this music was coming from Lucas. From the real world.
00:28:18Even after all this time.
00:28:21He hadn't given up on me.
00:28:23If you followed this music...
00:28:26Then what?
00:28:28Then it would lead me out of here.
00:28:32Back home.
00:28:35At least that's what I thought.
00:28:41Then...
00:28:45Everything went wrong.
00:28:47Come on, Angel.
00:28:49Come on, come on, darling.
00:28:51Let's exchange...
00:29:15What the hell are you doing?
00:29:17Can't you read, kid?
00:29:19No trespassing.
00:29:20Right, right.
00:29:21Right, I see that, officer.
00:29:23It's just...
00:29:24My school is missing.
00:29:32Let's travel.
00:29:43Move it.
00:29:49Holy shit, are those laser blasters?
00:29:52It might just be.
00:29:54And the blaster, if you don't keep it moving.
00:30:00Boys.
00:30:01Can't get me.
00:30:02Boys.
00:30:05All right.
00:30:06Absolutely nothing.
00:30:08Whoa, whoa, whoa, whoa, whoa, whoa, whoa.
00:30:11This is a private chat.
00:30:12You do exactly as he says.
00:30:14Got any questions?
00:30:15Direct them to him.
00:30:17Where might I relieve myself?
00:30:22Breaking bar.
00:30:24Shovel.
00:30:27Five safety goggles.
00:30:29A surveyor's wheel.
00:30:32And hold for applause.
00:30:38Santa's sleigh is ready for his reindeer.
00:30:41We got built-in benches, seat belts, foam padding.
00:30:45Everything a kidnapped child could desire.
00:30:48Foam padding.
00:30:49Don't want to break any eggs en route now, do we?
00:30:53I'm in.
00:30:54You copy.
00:30:55Repeat, I'm in.
00:30:56Foam copy.
00:30:57Yes, yes, we copied.
00:30:59We copied.
00:30:59Where are you?
00:31:00Bathroom.
00:31:01Backstall.
00:31:0145 of my patients from the front entrance.
00:31:03Good job.
00:31:04Now round up anyone who's seen Mr. Wetted.
00:31:06And we'll be there soon.
00:31:08And remember, you're not dipshit Derek.
00:31:11You're delightful Derek.
00:31:24Okay, once you get that gate open and I'm inside.
00:31:28You lead.
00:31:29That's right.
00:31:31And you?
00:31:31I will destroy your crypt tonight.
00:31:35Don't worry.
00:31:37Okay.
00:31:39Okay.
00:32:09to becasual anyone who needs nothing ever before you do has to wait during the bug.
00:32:09Oh man, don't worry.
00:32:20All right, come on.
00:32:22Come on, you got this, you got this.
00:32:55Wait, you're too early, you're too early.
00:33:02God.
00:33:07Sorry.
00:33:12You trying to give your old man a heart attack?
00:33:15Nice job, by the way.
00:33:23Pop.
00:33:24Yeah?
00:33:28For what?
00:33:30For teaching me.
00:33:33And trusting me.
00:33:36Always.
00:33:43The day of reckoning has arrived.
00:33:46With this in mind, I've been sent by Mr. What's It to gather the chosen ones.
00:33:50If you've been visited by Mr. What's It, speak now.
00:33:53And when night falls, follow me to the latrine.
00:33:55And I will lead you to our savior.
00:33:57To safety.
00:34:00Derek's gone mental.
00:34:03Monsters are coming and you're all gonna die.
00:34:06Ha, ha, ha, ha, ha.
00:34:08Derek?
00:34:10Were you talking about Henry?
00:34:23Anywhere from Derek yet?
00:34:25Not yet.
00:34:27Give him time, it hasn't been that long.
00:34:29I just can't get over the fact that the fate of the world rests on Derek freaking Turnbow.
00:34:36When you look in the mirror, do you see a navy seal looking back at you?
00:34:39Sometimes people need someone to believe in them.
00:34:43And they can do amazing things.
00:34:46Your mom and Robin are getting along better.
00:34:49Well, it didn't hurt that mom scared off that demo.
00:34:53It saved Robin's life.
00:34:54Everybody's life.
00:34:59So, when your mom, when she had her axe, you could see her?
00:35:03Like, through the demo's eyes?
00:35:05Yeah.
00:35:06And I was so close to the hive, it's like I could feel what it was feeling.
00:35:11Like this anger.
00:35:13But I was still in there too.
00:35:15And I was afraid.
00:35:16I was afraid for my mom.
00:35:18You wanted to protect her.
00:35:19Yeah.
00:35:19But I just couldn't.
00:35:22It was like this scary movie you just can't turn off.
00:35:29Open sesame.
00:35:32Oh.
00:35:32Well.
00:35:34Have fun.
00:35:35Thanks.
00:35:38Are you positive you didn't?
00:35:39Didn't what?
00:35:40Turn off the scary movie.
00:35:41Protect your mom, not the other way around.
00:35:43I mean, no offense, I know she's badass and everything, but you know.
00:35:46Yeah, she's five foot three.
00:35:47Yeah.
00:35:48And Vecna likes to control the hive mind like a puppet master.
00:35:50So, maybe when you tap into the hive, you can pull the strings too.
00:35:54Except I'm not Vecna.
00:35:56You sort of are.
00:35:57You're trying to say that I'm evil and hell-bent on destroying the world?
00:36:01Totally.
00:36:02No.
00:36:02I'm just saying that, you know, you're like a wizard, like him.
00:36:05In D&D, Mike, not in real life.
00:36:07True.
00:36:08In real life, you're more like a sorcerer because your powers don't come from a book of spells.
00:36:12They're innate.
00:36:13Ugh.
00:36:14Listen, as far as crazy theories go, I've had crazier.
00:36:17And with Eleven in the Upside Down, we really need some magic up here.
00:36:20It's over there.
00:36:20I'm sorry.
00:36:38I'm paying for the matter.
00:36:46You're like a sorcerer.
00:36:47You're like a sorcerer.
00:36:58working on a solution i mean if hopper has a solution to get through this and to get to holly
00:37:04he should he should share it with us i just say we ignore the old man we keep moving look
00:37:09for a
00:37:09door or something yeah and um but just curious uh this door yours why it's soft like a peanut
00:37:15butter bopper you got something to say bars why don't you just come out and say it man i'm just
00:37:19saying that maybe you shouldn't be making the calls from now on it was not just his call it was
00:37:22mine because it's my sister and i agree with steve okay we can't just sit here i don't know about
00:37:31a
00:37:31door but this wall can't go on forever there has to be a way around it there isn't this wall
00:37:39is a circle a circle completely surrounding the upside down oh yeah and how exactly do you figure
00:37:44that because unlike you i didn't sleep through algebra one
00:37:50so my telemetry tracker picked up a weird frequency coming from the wall and it took me a bit to
00:37:54place
00:37:55but i've heard it before rather we have you remember when we were out looking for hop and you heard
00:38:00that
00:38:00sound off of erwin road yeah you said it was an interference it was but this interference it wasn't
00:38:05coming from a military broadcast or an emi it was coming from this wall which is important because
00:38:11that gives us three known locations so i connected the dots measured the midpoints drew the perpendicular
00:38:17all right yeah we're not your teachers we don't need to see your work we get it you think it's
00:38:22all
00:38:22a big circle i don't think i know i triple checked and my calculations are correct jesus whatever
00:38:27still don't see how this gets us any closer to finding holly because it's not about the circle
00:38:31it's about the center
00:38:35the doe the department of energy that's hawkins lab what are the chances that the center of this
00:38:43wall just so happens to be in the very place where all of this started where the upside down
00:38:46was created so the lab created the wall no idea but i think we should find out don't you
00:39:01the music it led me to a new memory only something was different about this memory
00:39:08i was there
00:39:10it was the day that henry cursed me it was his first memory of me
00:39:16i know as if this goddamn place wasn't heady enough right
00:39:19but i still had the music to guide me so i followed it and it led me through new memories
00:39:36terrible memories
00:39:38let go
00:39:39follow me into death
00:39:56and it felt like they would never end
00:40:02but then eventually they did
00:40:06it was the night that becna killed me
00:40:12the night he took me prisoner
00:40:14the night he took me prisoner
00:40:16the night he took me prisoner
00:40:20i finally found it
00:40:26the way out
00:40:28the way out
00:40:29the way out
00:40:47and i was so close
00:40:52so close that i could feel his hand on mine
00:40:58and it was like i was there
00:41:01like i was with him
00:41:03in that hospital
00:41:04i was so close
00:41:14and i was so close to him
00:41:30no
00:41:31no
00:41:33no
00:41:52I ran and I kept running.
00:42:32I ran and I kept running.
00:42:33I had the look on his face that day.
00:42:36He was scared.
00:42:38More than scared, he was terrified.
00:42:42There's something about this cave, this memory.
00:42:49He won't come in.
00:42:52And here, I'm safe.
00:42:56So I turned it into my sanctuary, my home.
00:43:07I took door two.
00:43:10Shitty door two.
00:43:13Except your fate.
00:43:16That was until you showed up.
00:43:21And now door three is back.
00:43:24Escape.
00:43:25Okay.
00:43:26I have a plan.
00:43:27A plan to get us out of here.
00:43:29And it's gonna take time.
00:43:31More time than we have now.
00:43:33Henry will return to his house soon, and when he does, he cannot know that you're gone.
00:43:38You want me to go back there?
00:43:41Back to him?
00:43:42Back to Henry?
00:43:42No, I know.
00:43:43It's scary.
00:43:45But if you want to get out of here, if you want to escape Kamazots, this is the only way.
00:43:53It's the only way.
00:44:00Tell me what I need to do.
00:44:20Hey.
00:44:22Hi.
00:44:26Do you, um, by any chance, remember Tammy Thompson?
00:44:30Yeah.
00:44:30Isn't she that terrible singer?
00:44:33Yeah.
00:44:34But in the ninth grade, I thought that she sounded like Whitney goddamn Houston.
00:44:39I mean, the first time I saw her, oh, my God, like, time slowed down.
00:44:45It was like a scene from some lame-o movie, you know?
00:44:48Her hair blew in the wind, and she just looked perfect.
00:44:52It's so goddamn perfect.
00:44:54And, uh, it was right then and there that I knew she was the one.
00:44:58That with Tammy, I would finally be able to be myself, you know, all of myself, because there
00:45:04was always this part of me that kind of scared me, you know?
00:45:08But I thought that if Tammy loved me, all of me, you know, I wouldn't be so scared anymore.
00:45:15And then he showed up.
00:45:18And then he showed up.
00:45:18Steve the hare, Harrington.
00:45:19Oh, God.
00:45:21You probably can't guess the rest.
00:45:22Tammy fell for him hard.
00:45:25Mm.
00:45:26And my entire fantasy life with her, along with the rest of my life, pretty much imploded
00:45:32before my eyes.
00:45:33I mean, my grades plummeted.
00:45:34I got grounded.
00:45:35I had to stay home every weekend doing chores.
00:45:37But then one day, I was cleaning Pratchett out of my parents' garage, and I found this-this-this
00:45:42eight-millimeter film reel, you know?
00:45:43And it was just from this silly movie that I made in the fourth grade, but I got it up
00:45:47on the projector.
00:45:48And all of a sudden, I was looking at this little version of myself.
00:45:53And that little me, I could hardly recognize her.
00:45:57You know, she was so carefree.
00:46:01And, like, fearless.
00:46:04She just loved every part of herself.
00:46:07And that's when it hit me.
00:46:09It was never about don't have to him.
00:46:13It was always just about me.
00:46:17I was looking for answers in somebody else, but I had all the answers.
00:46:24I just needed to stop being so goddamn scared.
00:46:28Scared of who I really was.
00:46:32Once I did that, I felt so free.
00:46:38It's like I could fly, you know?
00:46:40Like-like I could finally be-
00:46:42Rock.
00:46:43Rock.
00:46:44Yeah.
00:46:46Rockin' around, man.
00:46:48Hey, guys!
00:46:50Take your time, will ya?
00:46:56You finally hit dick.
00:46:58Hit the dick.
00:46:59Yep.
00:46:59Let's just hope it's not too hard.
00:47:01If it is, I'll soften it.
00:47:10Hey!
00:47:12Hey!
00:47:14Hey!
00:47:16Hey!
00:47:17Hey!
00:47:18Hey!
00:47:19Take me to K.
00:47:36Doh-
00:47:40Damn it, dammit!
00:47:46make a sound it'll be your last not if you understand
00:47:53come on let's go come on
00:47:58it's not working how do we get through i don't have clearance i didn't ask if you have clearance
00:48:05i asked how do we get through you can't dr k your boss she got clearance
00:48:11i don't know i don't know thanks for your help plan b
00:48:41no
00:48:43no
00:48:44no
00:48:44no
00:48:45no
00:48:57no
00:48:59no
00:49:07no
00:49:25we're through
00:49:28no
00:49:29no
00:49:40no
00:49:58Oh, shit.
00:50:05Close your eyes and focus on your breathing.
00:50:09Breathe in and out.
00:50:11As you continue breathing,
00:50:14I want you to picture yourself on a beach.
00:50:16The water is blue, blue as a smurf.
00:50:20You listen to it lap the sandy shore,
00:50:23like a dog slurping from his bowl.
00:50:32It's called visualization.
00:50:35Mom does it when she's out of Valium.
00:50:392, 3, 2, go, go, go, go, go, go, go, go!
00:50:49Go.
00:51:35Howdy.
00:51:41Feel the sand under your butt.
00:51:44It feels cool and soft.
00:51:47Time.
00:51:48There you go.
00:51:50Good job.
00:51:51Good job.
00:51:51All right.
00:51:53Hey, sweetie.
00:51:55What's your name?
00:51:56Debbie.
00:51:57Do you work for Mr. What's It?
00:52:00Mr. What's It?
00:52:01Oh, yes, of course.
00:52:03I'm one of his elves.
00:52:04You know, like a magic elf.
00:52:24Right here.
00:52:25Couple more steps.
00:52:27All right.
00:52:28Nice.
00:52:29Good?
00:52:29All right.
00:52:30Great job.
00:52:32Step by step.
00:52:32Shut up.
00:52:48Shit.
00:52:50Yeah.
00:53:05Shut up.
00:53:06No problem.
00:53:10At least I'm a man.
00:53:12I'll take a break on the sword.
00:53:12You're hard for me to be ready now.
00:53:13I'm about to be able to stay in that space.
00:53:13It's hard for you to get your base.
00:53:14Oh, my God.
00:53:15You're not too weak.
00:53:16You'll be able to get your base together.
00:53:16You're dead.
00:53:16You're dead.
00:53:16I'm so tired.
00:53:18I'm so tired.
00:53:28Eleven, I have been looking for you for a very long time.
00:53:35My name is Dr. K.
00:53:39I know who you are.
00:53:43Know who you've taken.
00:53:49And I also know that you and your men are going to die.
00:54:28What the hell?
00:54:37What the hell?
00:54:48What the hell?
00:54:58What the hell?
00:55:04What the hell?
00:55:06What the hell?
00:55:08What the hell?
00:55:35It's best not to struggle.
00:55:38The greater the perceived threat, the more aggressive its response.
00:55:49Miss Robyn, what about the others?
00:55:51Uh, just Robyn, and don't worry, they're right behind us.
00:55:53Something's wrong, isn't it?
00:55:55No!
00:55:55No, Siree, everything is going exactly according to plan.
00:55:58Get her off!
00:55:59Right with your saddle!
00:56:01Right with your saddle!
00:56:02Hold it, hold it, hold it, hold it!
00:56:08Sorry, a bit of a plumbing problem here.
00:56:10Are you by chance looking for Mr. What's-It?
00:56:13Right through there.
00:56:25There's a little breeze in here, I'm telling you to see it better.
00:56:29You look up at the sky, searching for clouds, but all the-
00:56:49Mr. What's-It?
00:56:56Shit!
00:56:57Officer!
00:56:58Officer!
00:56:58Whoa, whoa, whoa, hey, calm down.
00:57:00What's going on?
00:57:00Shit balls.
00:57:01Good job, man.
00:57:02Yes!
00:57:03We've been spotted!
00:57:04Oh, no, no!
00:57:04Just get him out of here!
00:57:06Just go!
00:57:06What about the others?
00:57:07Just go, go, go, go!
00:57:08Damn it!
00:57:09Okay, go on, guys!
00:57:14Go, go, go, go, go, go, go, go!
00:57:18Hey, stop right there!
00:57:19Ugh!
00:57:20Ashley Clyde is in a desk!
00:57:22Ah!
00:57:23Uh!
00:57:25Oh!
00:57:27God, damn it!
00:57:29Open the door!
00:57:31Open the goddamn door!
00:57:33Ah!
00:57:35Oh!
00:57:37Oh!
00:57:39So, you're the reason, the reason she's been so hard to track, the thorn in my side.
00:57:51And after all that effort to hide her, you bring her here, of all places, why?
00:58:01Why risk her life for the other?
00:58:06What do you know that I don't?
00:58:15It's actually holding back, if you can believe it.
00:58:19That heat you feel, weakens it, but in the cold, it thrives.
00:58:36I can stop it, but you're gonna have to start talking.
00:58:59Come on.
00:59:01Come on.
00:59:15In your current state, I'm afraid that won't work.
00:59:29Not the sharpest, are we?
00:59:50You're too late.
00:59:52Cavalry's on its way.
00:59:53That's all right.
00:59:56I'll be quick.
01:00:10Grocery delivery.
01:00:11Where's everyone else?
01:00:13Coming?
01:00:17Come on, sweetie.
01:00:18Come on down.
01:00:20Come on.
01:00:21You get down here right now or a monster's gonna eat you.
01:00:25Go!
01:00:26Move me the door.
01:00:27Coming back!
01:00:28Shit!
01:00:29Get out of the way!
01:00:30That goddamn power!
01:00:32No!
01:00:33No!
01:00:34Fuck!
01:00:36No!
01:00:38No!
01:00:40I got you.
01:00:42That's good.
01:00:43Good, good.
01:00:44Hey there.
01:00:45Where do you think you're going?
01:01:00What are you doing?
01:01:02Hey.
01:01:03You gotta go.
01:01:04Oh, you gotta go.
01:01:05Come on.
01:01:06Hey.
01:01:09We're gonna get to the woods?
01:01:11Little kryptonite shit can't get you there.
01:01:14We can't.
01:01:15We can't leave.
01:01:16We came for Henry.
01:01:17Hey, you take this compass.
01:01:18Yeah.
01:01:18You're gonna follow it northeast.
01:01:20That'll take you to the graveyard.
01:01:21You're gonna find Nancy and the others.
01:01:23Whoa, whoa, whoa.
01:01:24Hey, hey, hey.
01:01:25Hey.
01:01:25What is it?
01:01:27It's just a failsafe, okay?
01:01:28No.
01:01:29It's a failsafe.
01:01:30If anything happens, I gotta make sure that he goes down with me.
01:01:32No.
01:01:32No.
01:01:33It's the only way.
01:01:33It's the only way.
01:01:34I'm not gonna risk losing you.
01:01:36I will not risk it.
01:01:38No.
01:01:38No.
01:01:39I want you to know something.
01:01:41From here on out, I want you to know how proud I am of you.
01:01:44I am so proud of you.
01:01:46I am so proud of what you've overcome.
01:01:50No.
01:01:50I'm proud of who you are.
01:01:52No.
01:01:54No.
01:01:55Noah.
01:01:56Hopper.
01:01:57I love you, Jane.
01:01:59Hopper.
01:02:00Hopper.
01:02:05Hopper.
01:02:07Hopper.
01:02:16I'm so proud of my arms.
01:02:37He's so proud of you.
01:03:04All right, kids, come on, find a seat in the back.
01:03:13All right, okay, let's have some fun, huh?
01:03:16This is going to be great, huh?
01:03:18Okay, let's get our seatbelts on, hmm?
01:03:20Safety first, come on, time's a-wasting, huh?
01:03:22Pretty comfy, huh?
01:03:24Not really.
01:03:25Oh, sorry.
01:03:27Robin, Lucas, do you copy?
01:03:29Over.
01:03:30Copy, it's Robin.
01:03:31Lucas, my copy!
01:03:33We've got a problem here at the Mac.
01:03:35What kind of problem?
01:03:36Let go of me, you asshole!
01:03:40You want to explain to me what in God's name is going on here?
01:03:42Get the hell off me!
01:03:43We've got five missing kids, sir.
01:03:45You've lost five kids?
01:03:46How is that possible?
01:03:47This woman...
01:03:48Joy Spires?
01:03:49She broke into the barracks.
01:03:50She's been helping them escape through some kind of tunnel.
01:03:53I'm sorry.
01:03:54Can you repeat that?
01:03:55Listen, these kids, they are not safe, okay?
01:03:58They are in danger.
01:04:00And why exactly do you think they're here now, hmm?
01:04:02They're under our protection.
01:04:04If I may reject, officer, I've seen what's coming.
01:04:07And no disrespect meant, but you and your men can't protect shit!
01:04:11Run!
01:04:13Hey, get off!
01:04:14Hey, run!
01:04:15Hey, get off!
01:04:16What's the matter?
01:04:23Hey, kids!
01:04:25Will!
01:04:26Will!
01:04:27Will!
01:04:28Will!
01:04:28Are you okay?
01:04:29Baby, are you okay?
01:04:31Baby!
01:04:37They're here.
01:05:15Take the nearest threat! Engage on sight!
01:05:17We're all gonna die! We're all gonna die!
01:05:25Guys! Guys! Guys! Get behind me! Get behind me!
01:05:35We're all gonna die!
01:05:48Get behind me!
01:05:50I'm in the bank! I'm in the bank! I'm in the bank!
01:05:54I'm in the bank! I'm in the bank!
01:06:07Stay behind me, stay behind me.
01:06:10Move, move, move.
01:06:14No, no, no.
01:06:26We are under attack, I repeat, we are under attack.
01:06:41We gotta go.
01:06:42We gotta go!
01:06:43What about the other kids?
01:06:44Shit!
01:06:55Go, go, go, go, go!
01:07:00Come on, show it!
01:07:01Leave me down!
01:07:37Hey, we're getting out of here, alright?
01:07:38Eyes on me, stay close!
01:07:40We'll see you.
01:07:41Come on, come on.
01:07:48Wait, wait, wait, wait, wait!
01:07:50I'm not running to die, I'm not running to die!
01:07:52Wait up, wait up!
01:07:53Stay close, stay close!
01:07:54Oh, Derek, I'm not running to die!
01:08:00Is everybody okay?
01:08:01Are you guys okay?
01:08:04We need to have it!
01:08:05Okay.
01:08:06The radio shack.
01:08:07As we move quick enough, I think we can make it.
01:08:09Get into the tunnels and get the hell out of here.
01:08:11Okay?
01:08:12Eyes on me, remember?
01:08:17Go, go, go, go!
01:08:21Alright, go!
01:08:22As you go...
01:08:26Get down!
01:08:29Get down!
01:08:30Go, go, go!
01:08:31Fuck you!
01:08:35Go, go, go, go!
01:08:38Get down!
01:08:40Get down!
01:08:58Hold on, baby! Hold on!
01:09:11What the hell just happened?
01:09:13I have no idea, but I love it!
01:09:44Oh, my God!
01:10:57Sister.
01:10:59Sister.
01:11:11Sister.
01:11:47Sister.
01:11:49Sister.
01:11:51Sister.
01:11:54Sister.
01:12:18Watch out!
01:12:24Watch out!
01:12:46Hurry!
01:12:49Son of a bitch!
01:12:54Shit, shit, shit!
01:13:05It's a cat!
01:13:06Hold on!
01:13:30Go, go, go, go!
01:13:31Go, guys!
01:13:37Back up, guys! Back up!
01:13:43Back up!
01:13:48Back up!
01:13:51Back up!
01:13:52Back up!
01:13:53Back up!
01:13:57Back up!
01:13:59Back up!
01:14:02Back up!
01:14:05Back up!
01:14:14Back up!
01:14:26Stay away from him!
01:14:28You stay away!
01:15:11Can you see them?
01:15:14William, can you see the children?
01:15:21Do you know why?
01:15:26Why I chose them to reshape the world?
01:15:34It's because they are weak.
01:15:42Weak in body and mind.
01:15:53Easily broken.
01:15:57Easily reshamed.
01:15:59Weak in body control.
01:16:06The perfect vessels.
01:16:08And you, well, you were the first.
01:16:18And you broke so easily.
01:16:29You showed me what was possible.
01:16:35What I could achieve.
01:16:39Some lions, it turns out, simply do not belong in this world.
01:16:53They belong in my world.
01:16:56Weak in body control.
01:16:59Weak in body control.
01:17:08Weak in body control.
01:17:46I was looking for the answers in somebody else, but I had all the answers.
01:18:04Do you want to be friends?
01:18:10I just need to stop being so goddamn scared.
01:18:25Scared of who I really was.
01:18:29Oh, wow, it's so good.
01:18:58And once I did that, I was so free.
01:19:02Weak in body.
01:19:03Gee, it's like I couldn't fly.
01:19:07It's like I couldn't fly.
01:19:09Oh, oh, oh, oh.
01:19:44Oh, oh, oh.
01:20:11Oh, oh, oh.
01:21:07Oh, oh, oh, oh.
01:21:09Oh, oh, oh.
01:21:45Oh, oh, oh.
01:22:09Oh, oh, oh, oh.
01:22:11Oh, oh, oh.
01:22:41Oh, oh, oh.
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