- 6 hours ago
tele: https://t.me/TopFilmUSA1
#film#shows#usa#usashows#hot#filmhot
#film#shows#usa#usashows#hot#filmhot
Category
😹
FunTranscript
00:15I started dancing at nine years old. It started with a free after-school ballet class and quickly
00:23became my obsession. My greatest advantage as a dancer was my tolerance for pain. It was a daily
00:32reality in my life already, and a small price to pay for transcendence. You learn to withstand the
00:40pressure of 12 times your weight balanced on the tips of your toes, to create the illusion of walking
00:46on air, to maintain that graceful, effortless performance, even when things feel almost
00:53unbearable.
01:04You sleep okay, honey?
01:06Not really.
01:09Did you crash on the couch?
01:11No guest room. I had meetings running late, so I didn't want to wake you.
01:24Can you help me with this?
01:26Yeah.
01:33I'm going to be done around six if you want to eat dinner together.
01:35I have meetings until late, so do it without me.
01:41There.
01:45First day jitters have me a little bit nauseous.
01:48Over the volunteer thing?
01:54I'm creative consultants to the entire production.
01:57Yeah.
01:59Weighing in on set design, costumes, sitting in on rehearsals.
02:03Mm-hmm.
02:08You think investments are tricky?
02:10Try getting an experimental ballet on its feet.
02:13Mm-hmm.
02:22Unless you don't?
02:23An entire liter in two days.
02:25I have enough shit to deal with without you hammering me.
02:31Just drop it, please.
02:39All I'm asking for is time.
02:41Just one hour with that therapist that I mentioned.
02:45Sure.
02:46Okay.
02:47I'll try to get something on the books.
02:49I-I really need to get this over to Kit before the meeting starts.
02:52Let me know when you're ready to talk.
02:59Let me know when you're ready to talk.
03:32You're ready to go!
03:32Say you should
03:32Nice to meet you.
03:43быть
03:43Any questions
04:06Thank you so much for giving him a ride.
04:08Hi.
04:08Our Saab is in the shop for the fourth time this year.
04:11Oh.
04:12Should be back today sometime.
04:13I don't know.
04:13How many coffees have you had this morning?
04:15Do you think four?
04:16Maybe five?
04:17But I've been up since 5 a.m.
04:18I wrote two chapters this week.
04:19Did you sign up for the writer's workshop?
04:21Yeah.
04:21And so far it's just six retired boomers at the South Pass Public Library.
04:25But it gives me some structure.
04:27I love it.
04:27That is great.
04:28You look amazing.
04:29Really?
04:29Yeah.
04:30This is very professional.
04:31Knock on wood.
04:32Maybe I can spin it into something more permanent.
04:35You know, consult on a few other shows.
04:37Great.
04:37Great.
04:38Would they pay you?
04:39Possibly.
04:40I don't know.
04:40I just...
04:41I don't know what's going to happen there.
04:42Yeah, I gotta be ready.
04:44Ready for what?
04:45I don't know.
04:46Anything.
04:48You and Robert still...
04:50I mean, I've gotten a few full sentences out of him here and there, but...
04:55Well, look, it's only been a few weeks, right?
04:57Since the party, so things might still be a little raw.
05:00Mm-hmm.
05:01He'll come around.
05:03Okay.
05:03Okay.
05:04Let the games of Mount Olympus begin.
05:06Hi, Howard.
05:07Here you go.
05:08Hi, Nancy.
05:09Okay.
05:09Have fun.
05:12Bye.
05:14I know.
05:14Howard needed this, but I may have needed it more.
05:17Have a good day, okay?
05:19Have fun, you guys.
05:21In all my years of friendship with Mary, I hadn't spent any time alone with her husband.
05:26I hadn't missed much.
05:27My phone...
05:28Oh, you know what?
05:30I'm just gonna add my phone, just so that I've got this great Stravinsky...
05:33I loved Mary.
05:34I just wasn't in the headspace to babysit anyone's underemployed husband.
05:48Thank you, Bonnie.
05:50Thank you, dancers, musicians, technical artists, and all of our magnificent crew.
05:55Now, before we dive into rehearsal, I want you to take a moment, turn to the person next
06:01to you and introduce yourselves.
06:03Helga, you're a costume designer.
06:05Yes, I'm Nancy Hennessy.
06:07I loved your work on Waves last season.
06:09It was really beautiful.
06:10For the next eight weeks until opening night, this is your family.
06:15Now, before we wrap this up, there's one person I'd like to introduce.
06:20Metro Ballet board member and creative consultant for this show, Nancy Hennessy.
06:26Thanks, Phil.
06:28Ariadne is the company's most complex ballet yet, which is appropriate for the complex times
06:34that we're living in.
06:35And I'm so happy to be on this journey with all of you.
06:38And I'd like to introduce Howard Simpson, a classics scholar and...
06:43And close friend.
06:44And friend, whose program notes will provide the audience with essential historical context.
06:51Now, when Phil recruited me for this project, I paused by Herculaneum Papyri translation sabbatical.
06:58As you may or may not know, Ariadne derives from the Greek for most holy or most pure.
07:05Thank you, David.
07:07Howard.
07:07All right.
07:08Thank you so much.
07:08Let's get to work, everybody.
07:11Thanks to me.
07:11We have new students.
07:15Hey, Nancy.
07:16Um, do you know what the lunch situation is?
07:19Ugh, I don't.
07:20No, sorry.
07:23Hey, Phil.
07:24Excuse me.
07:25I'd love your opinion on something.
07:27I was just thinking about the, um, color palette for the costumes.
07:30I know that in your more recent work you've used a more monochromatic black leotard look,
07:35but I thought we could do something a little more innovative this year.
07:39Interesting.
07:39So I've been researching textiles with the ability to reflect light, color, even take projections.
07:47I was thinking maybe I could elevate the look of the show.
07:50Why don't you make me a look book and we'll take it from there.
07:52Okay, great.
07:53Just give me a few days.
07:54Okay.
08:08It had been 25 years since I stepped foot in a dance studio.
08:15Returning to ballet required all of my emotional reserves.
08:21Memories lingered in rehearsal rooms.
08:25Young, pliant bodies.
08:27The expanse of the stage.
08:35It was harder than I thought it would be.
08:41I have seen it with Robert's group of friends before.
08:44One minute, Alana Berkov is showing off her new stack of Cartier bracelets
08:48and the next she is selling them for food.
08:51Okay, I need you to breathe.
08:52Honestly, like really take a breath.
08:56I think you're jumping to conclusions.
08:59From where I'm sitting, the drinking, the fighting with his family,
09:03that is, that's more of a midlife crisis than divorce.
09:07Wealthy families divide assets for so many reasons.
09:11You just have to talk to him about it.
09:13Every time I see him passed out on the couch.
09:18Or...
09:22Every time I find an empty bottle, it's like my childhood nightmare playing on a loop.
09:28Like, part of me thinks we will get through anything, right?
09:32But then the louder part of me is like, fuck it.
09:35If you can't control your life, then you might as well just...
09:40I don't know.
09:42Nancy, can I give you some real advice?
09:47Yeah.
09:49You have to listen to that quieter voice.
09:54I know that Robert's drinking is ripping open old wounds, but in reality,
10:01this man thinks that your armpits smell like honeysuckle and rainbows.
10:06He worships you.
10:08He is not leaving you.
10:13You're right.
10:15I'm just, I'm spinning.
10:19It's ironic that we're talking about this right now.
10:22I just commissioned this piece of art for our anniversary.
10:25If we make it that far.
10:27Oh my god, you are going to make it that far.
10:30Those vows are till death do you part.
10:33He's not going anywhere.
10:49I love the piece you did with Georgia Leonard.
10:53I do a lot of business with Georgia.
10:56Did she tell you she commissioned a portrait of her dogs?
11:04I was hoping we could do something a little less safe.
11:12I haven't stopped looking at this piece. Who is she?
11:16A poet.
11:18We met at a party.
11:20Did you sleep together?
11:23She left an impression.
11:25Please.
11:26Take a seat.
11:39It's sexy.
11:41White.
11:42Where you can see my, may scars.
11:45Why not?
11:47I like them.
11:49They're part of you.
11:50They tell your story.
11:52A story that I'd like to forget.
11:55I thought you said you wanted less safe.
11:59Well, I see them every day I look in the mirror.
12:02I don't think I need to capture them for posterity.
12:05So then you do want a safe.
12:08I'm not sure what I want anymore.
12:15Go ahead.
12:16We'll reset when you're done.
12:18Excuse me.
12:24The messages from Scott were frightening enough.
12:27What was even worse was that I had asked for them.
12:30That there was something inside me that made me go back and touch that flame.
12:36Even though it had burned me so badly.
12:39Everything okay?
12:42Yeah.
12:51I'm ready.
12:53I'm ready.
13:22I think you're looking for this.
13:25I saw your notebook was filling up.
13:27That's right.
13:28It's nothing much.
13:29Thanks, Howard.
13:33Does he still call you David?
13:34He's called me Louise twice this week.
13:36He calls me something different every time.
13:41It's what you'd expect from a champion snowblower like that.
13:44What?
13:44Wait, Phil?
13:46I think all that devil's danger if it's perforated his brain.
13:52Anyway, glad you like it.
13:55Great, everyone.
13:56Let's bring it in.
13:57Let's do it.
14:48I wondered if maybe I was wrong about Howard, if my dismissiveness had more to do with
14:54me than anything about him.
15:18It started to feel inevitable that we would forge our own friendship.
15:36There it is.
15:37Okay, that's good everyone.
15:39Let's call it a day.
15:42Wow.
15:43Half day rehearsal.
15:44I hardly know what to do with myself.
15:45I know.
15:45I've got four hours to kill before I pick up the girls.
15:50Does it make me a bad father if I want to catch the 35 millimeter print of red shoes?
15:56You're welcome to join.
15:57Oh, this dripped on me.
15:59I'm just going to go clean it off.
16:00Okay, go ahead.
16:01I'll wait.
16:02Okay.
16:02Okay.
16:03Hey, Phil.
16:04Great rehearsal.
16:05See you tomorrow, Louise.
16:07It's Nancy.
16:08Oh.
16:15Oh.
16:27Oh, thank you.
16:52What's wrong?
16:53It's nothing.
16:55Nancy, it's okay. You can tell me.
16:59Phil threw away this lookbook
17:01that I made.
17:03It's pathetic that I thought he cared
17:05about my ideas as much as he cares about my money.
17:08That gold-plated
17:09prick wouldn't have a job without your money.
17:12It's not even my money.
17:13It's Robert's. You don't really
17:15believe that. Well, his family never
17:17misses an opportunity to remind me.
17:20I don't know how all that money stuff works.
17:23My father was confined
17:25to a wheelchair with a mess.
17:26We were always trapped. I would get
17:28so resentful, and he would
17:31say,
17:32people like us
17:33have something
17:35those people
17:35will never have.
17:37Pride of accomplishment.
17:39The fact that you made it from
17:41Bakersfield
17:42to become a creative consultant
17:45of a world-renowned ballet company,
17:47that's an enviable achievement.
17:50Robert calls it
17:51my volunteer thing.
17:53All due respect,
17:55your husband is a trust fund philistine.
17:57What you've done is impressive.
18:01Thanks for that.
18:04What time was that movie?
18:09Is that the point?
18:11Yes.
18:11Vicky chose
18:12obsession
18:13over all else.
18:14Love, food,
18:16sleep.
18:17And it was that choice
18:18that led to her
18:19inevitable destruction.
18:21Do we really choose
18:21our compulsions,
18:23or are they
18:23hardwired into us?
18:25I don't think she could stop
18:27even if she wanted to.
18:28That's what makes it a tragedy.
18:31You know,
18:32I always thought
18:33you bought into
18:33the whole
18:34trophy wife shtick.
18:36But, you know,
18:37beyond the
18:38perfect bone structure
18:39and the watch worth
18:40more than my mortgage,
18:41there is so much more
18:42than meets the eye.
18:43Well, that is the sweetest
18:44backhanded compliment
18:46I have ever received.
18:48And I admire
18:49the hypocrisy
18:50of your bacon-eating
18:51veganism.
18:53And your irrational
18:54loathing of e-books.
18:55If I can't touch it,
18:57I refuse to read it.
19:00Hello.
19:01Nancy.
19:05You need to stop
19:06calling me.
19:07Why do you keep
19:07playing these games?
19:08You found me.
19:10No.
19:12No, I was curious
19:14and in a stupid,
19:17weak moment,
19:17I looked you up.
19:19You need to leave me
19:20the fuck alone.
19:21Nancy.
19:25Hey, sorry.
19:29That looked intense?
19:32Yeah.
19:33Is it something
19:35you want to talk about?
19:36Um, it's just
19:37someone from my past,
19:39complicated and
19:41twisted and
19:43in the worst way
19:44imaginable.
19:46I've had my fair share
19:48of those.
19:50God, you're
19:51trembling.
19:53Um, you know
19:54Mary invited us over
19:55to your house
19:56for dinner?
19:57Yeah, I'm looking
19:58forward to it.
19:59Can we just keep
19:59this conversation
20:00between us?
20:01You know, about
20:02the calls?
20:03I just, uh,
20:04I haven't spoken
20:05to Robert about it.
20:08Of course.
20:09We'll say a word.
20:11Okay, thank you.
20:17Uh, two cappuccinos,
20:18please.
20:19Name for the order?
20:20David.
20:25Yeah, I've been
20:27doing just fine.
20:29Say I've got my eyes
20:31out every night
20:32after night.
20:33Hate to disappoint,
20:35but I've been
20:36doing just fine.
20:37Fine.
20:39Fine.
20:41Yeah, yeah,
20:43I've been doing
20:44just fine.
20:45Fine.
20:47Fine.
20:49Yeah, yeah,
20:50I've been doing
20:51just fine.
20:53Yay!
20:55Excellent.
20:56Fantastic.
20:57That was fantastic.
20:58We've got to book her
20:59to one of our parties,
21:00okay?
21:00We're going to book you.
21:01We're going to book you.
21:01Go do your homework.
21:02Start with your spelling.
21:03That was amazing, sweetie.
21:05I got it.
21:06Sweet.
21:07How's the ballet going?
21:08Great.
21:09Great.
21:09Yeah, so far.
21:10If you don't factor in
21:11the insufferable pomposity
21:13of the nasal hoovering director...
21:16Nasal hoovering?
21:17Who are we talking about?
21:20The Phil,
21:21the artistic director,
21:22he's...
21:23An ass,
21:23but enough about him.
21:24You two relax.
21:26Retire to the living room.
21:27Let the men handle the dishes.
21:36Oh, my God.
21:37I'm so tired.
21:38Yeah?
21:38Sleep has just become
21:39a bit of a luxury these days.
21:42Between Howard's,
21:43you know, job search
21:45and everything that's going
21:46going with Marcus.
21:47Well, I think that Howard
21:48is going to get
21:49a full-time job soon.
21:50Spending the small amount
21:52of time that I've spent
21:52with him, he's so smart.
21:54Are you wearing
21:54your clatter ring again?
21:55Yeah.
21:56Aw, it looks beautiful.
21:57Well, you told me
21:58it would be my
21:59grounding force, right?
22:01It is.
22:02Whoa, whoa, whoa, whoa.
22:04Look at who's wearing
22:05Mommy's good shoes.
22:07Please be careful with those.
22:10Especially if the stairs, honey.
22:11Hey, babe.
22:12I think we should head home.
22:13They're going to put
22:14the kids to sleep.
22:15No, let me tell Mary
22:15and Howard this one thing.
22:18We're all ears.
22:19So, this friend of mine,
22:21Jay Michaels,
22:22actually, he's a friend
22:23of my family's.
22:24He's kind of a dick,
22:26but he's really fucking smart.
22:27Baby, let's just head home.
22:28Hang on.
22:29These are our friends, babe,
22:30and they need our help.
22:32We're fine.
22:32So, Jay is a criminal
22:34defense attorney,
22:35and he owes me a big one.
22:38And Nance told me that
22:39Marcus has a court date
22:40coming up.
22:41So, why don't I just have
22:42Jay represent him
22:44totally free?
22:45Oh, my God.
22:47Well, that's Robert.
22:48As generous as that sounds,
22:49we're going to have to decline.
22:51Well, Howard,
22:53you should talk about that.
22:54We don't have to freeload
22:54off your friends
22:54to protect our son.
22:56I'll find another way.
22:58Thank you, Howard.
22:59It's not freeloading.
23:00It's a gift.
23:01You know, he owes me.
23:02I told you.
23:03Babe, let's just respect
23:04their boundaries on this one.
23:06Oh, my God, Nance.
23:08Respect their boundaries?
23:09Do you realize how stupid
23:11you're sounding right now?
23:15Come on.
23:16I'm sorry.
23:17Come on.
23:18I was just trying to help.
23:19Oh, I'm so sensitive.
23:30It's not my place,
23:31but that was totally uncalled for.
23:34Is it a good idea
23:35for you to be alone
23:36with him tonight?
23:40Yeah, I'll be fine.
23:46Nance, Robert's about
23:46getting the car.
23:47Yeah, I should take him home.
23:49I'll see you at
23:50time rehearsal.
23:51Okay.
23:52Okay.
24:06Hey.
24:07Hey, I thought you left.
24:09I forgot my bag.
24:10I'm just finishing up
24:12the program copy.
24:13Do you mind taking a look
24:14at this passage
24:15before I press send?
24:16Sure.
24:18You're the expert,
24:19not me.
24:19I don't know
24:20if I captured
24:21the right tone.
24:23You scroll down.
24:24Let me get there.
24:27Add a line
24:28that says
24:29he's pushing
24:31the limits of ballet
24:32with angular,
24:33staccato movement,
24:35and the physicality
24:37is creating
24:38an intense intimacy
24:39between the dancers.
24:41You just came up with that?
24:43Yeah,
24:44I was a very serious dancer.
24:45serious enough
24:46to be recruited
24:47by the San Francisco Ballet
24:48when I was 16,
24:49but I never did
24:50end up making it,
24:51and it was
24:52a million years ago.
24:54But I feel like
24:55if you
24:56do that,
24:57then
24:59you'll be golden.
25:05Done.
25:08Look,
25:10I really have to thank you.
25:13More than just the
25:14gainful employment.
25:17I've made a great friend.
25:19Well,
25:20don't get too sentimental.
25:21You are my best friend's husband.
25:23I will be seeing you.
25:24Yeah,
25:25I know,
25:25I know,
25:25but it's been nice
25:26spending time
25:26with such a thoughtful,
25:27intelligent person.
25:29You and Nancy Hennessy
25:30have been superb company.
25:33That's very kind.
25:38I was actually going to
25:40treat myself
25:40to this
25:41stellar bottle of wine.
25:43Obviously,
25:44I cannot share it
25:45with Robert,
25:46so
25:47would you like
25:49to...
25:53this is a 98
25:54Pomerol Bordeaux.
25:57Louise,
25:57it would be criminal
25:58to drink this by yourself.
26:00Are you sure
26:00you don't have to get back
26:01to Mare and the kids?
26:02This might be
26:03the house red
26:04in your household,
26:05but this is
26:06some good shit.
26:07And like the Bacchae,
26:10we will savor
26:12every drop
26:13of this bold-bodied
26:14liquid ecstasy
26:15and worship
26:17the god
26:17of the 13th century
26:19BCE linear B tablet.
26:22What is a B tablet?
26:25The Mycenaean artifact
26:27where Dionysus first appeared,
26:29obviously.
26:30And apropos of Dionysus
26:32also being the god
26:33of insanity,
26:34here's to the chaos
26:36and the madness.
26:38Now,
26:39this should really
26:39be decanted.
26:41Let's see.
26:46Mm-hmm.
26:54I think I'm actually
26:56quite good at this.
26:56I might actually
26:57be a prodigy.
27:00Oh, God.
27:02That's so...
27:03Everyone thinks
27:03they can dance.
27:04No one knows how hard.
27:05Come on,
27:05show me.
27:06I know it.
27:07I mean,
27:08it's first position,
27:10second position.
27:11No,
27:11you gotta extend
27:12that arm more.
27:14I am.
27:14You're looking at a man
27:15with the most
27:16unfashionable
27:16rotator cuff injury.
27:17Is this as far
27:18as it goes?
27:19Oh, God sakes.
27:20No.
27:20Try it again.
27:22I'll show you.
27:23Okay.
27:24Ow.
27:25Ow.
27:26Wait.
27:26Are you okay?
27:27Ow.
27:28Oh, my God.
27:28Don't move.
27:29Don't move.
27:29Don't move.
27:29I got you.
27:30Ow.
27:31Ow.
27:33Take the wheel.
27:35Ow.
27:36I heard it.
27:36Oh, God.
27:39For the swelling.
27:41Thanks.
27:43For the pain.
27:44Nice.
27:55So, why did you
27:57stop answering?
27:59You want the short answer
28:01or the long answer?
28:02Let's start with the short.
28:03A car accident.
28:07What's the long?
28:12Well,
28:16when I give you my answer,
28:18you're going to think
28:18I'm fucked up in the head.
28:20Try me.
28:22Um,
28:24my mom,
28:24she was furious with me,
28:27and rightfully so.
28:30She was driving,
28:31speeding,
28:32and I begged her to stop.
28:36But she wouldn't.
28:37I guess the usual
28:39drunken slap
28:40wasn't going to cut it
28:41this time.
28:41Not after what I did.
28:43What did you do?
28:47I fucked her boyfriend.
28:50You mean he assaulted you?
28:53After my mom
28:54would pass out drunk,
28:54he would take me to the car
28:56or my closet
28:58or wherever.
29:00That mystery caller,
29:02that's him?
29:03Scott.
29:06You want to know
29:07something crazy?
29:08I'm the one
29:09that reached out
29:10to him this time.
29:14I don't know
29:15why I did that.
29:16I think you do.
29:19You're a fire starter.
29:22That's your true nature.
29:23You run into the burning building
29:26right before it collapses.
29:30But you have to hide it
29:31behind all this
29:34respectability.
29:38Robert's good little wife.
29:40I bet he has no idea.
29:45And he started to like it.
29:49the danger.
29:52Not knowing if we were
29:53going to get caught.
29:57And the attention.
29:58I never had that before.
30:00Yeah, you wanted that.
30:03I needed it.
30:13Some crashes
30:14you can see coming.
30:16There's time to brace
30:17for impact,
30:19for veer off course.
30:20But some crashes
30:21send you hurtling
30:22through space
30:23at such velocity
30:24that there's nothing
30:25you can do
30:26to change your fate.
30:29Hmm.
30:31Hmm.
30:31Hmm.
30:33Hmm.
30:34Hmm.
30:42Hmm.
30:47Hmm.
30:49Hmm.
30:50Hmm.
30:51Hmm.
30:51No.
31:24So, the judge agreed to put Marcus in a diversion program if he commits to Gamblers Anonymous
31:30and then he does community service, which is good news.
31:33Yeah, I think it's great.
31:35It's the best thing.
31:38Because he's going to get the help that he needs.
31:41He's not going to have a permanent day on his record, and that's so and so bad.
31:44I'm sorry.
31:44I don't feel good.
31:45I'm going to go home.
31:47Nancy?
31:48Well, are you...
31:49Should I?
31:50Yeah, yeah, yeah.
31:50I'll be right back.
31:52Hey, Nancy.
31:55Nance.
31:55What is that?
31:56I'm sorry.
31:56I want to be there for Mary.
31:58I just...
31:59I just have too much going on right now.
32:02What are you...
32:02With Robert?
32:05I did something so stupid.
32:08Stupid how?
32:11I slept with someone.
32:14Please don't tell Mary.
32:16I don't think she would understand.
32:17Nancy, I...
32:19Are you having an affair?
32:24With who?
32:26It doesn't matter.
32:27It's no one you know.
32:28Okay?
32:28His name is David.
32:29It's not going to happen again.
32:31Okay.
32:32I have to go.
32:33Yo, can you call me?
32:34Okay.
32:34Okay.
32:43Hey, honey.
32:45Where are you going?
32:46I'm rushing to make a flight.
32:49Why didn't I know about this?
32:51I just found out about it myself.
32:53It's a 9-1-1 emergency.
32:55They need my help closing a deal before the restructuring gets finalized.
32:58I'm meeting with the New York's lawyers first thing tomorrow.
33:01I feel like I'm losing my mind.
33:04What?
33:04Why?
33:05There's nothing to worry about.
33:06Of course I'm worried.
33:08You have time to fly across the country at the drop of a hat, but you don't have time
33:11to talk to me or to set a time with a counselor?
33:15I'll make time for everything when I get back on Monday.
33:17Monday?
33:19You're going for a week?
33:22It's not like I want to leave.
33:25Then don't.
33:26I have to.
33:28Are you divorcing me?
33:37Hey, stop worrying.
33:39I love you.
33:45We'll talk when I get back.
34:10Hey.
34:12Can we meet?
34:17I am a monster.
34:20A feline, a queen.
34:25Angelic majestic.
34:28Little old me.
34:31I am a lion.
34:35I am a lion.
34:38Zion within me.
34:42I am I.
34:46Never, never look back.
34:50Never, never, never look back.
34:57Never.
34:59Never, never, never look back.
35:14I am a goddess, a fool, a fake
35:21I am your mother, your sister, a snake
35:28I am a dreamer, a star, a night star
35:35I'm looking at you, baby, you know who you are
35:45Never, never, never
35:50Never, never
36:04Never, never, never, never
36:12so
36:33you hit my
36:50Yeah, that's good.
36:55Hey.
36:58Hey.
36:59How was the trip?
37:01Fine.
37:05Um, I was hoping we could sit down tonight and talk.
37:09We're joining family dinner tonight.
37:12Yeah.
37:13I'm just gonna hop in the shower.
37:24They said it was futile.
37:25Cute's too far gone.
37:27Time to let her go.
37:29But, uh, your obstinate father wouldn't listen.
37:32No price was too great to pay to bring her back to life.
37:35This summer, we bid fair winds and following seas to Demeter's wish.
37:40The old gal is ready to cast off.
37:43Son.
37:44Yes, sir?
37:44Our champagne glasses need refilling.
37:46Right away.
37:47I shouldn't have to ask.
37:50That's incredible news, Daddy.
37:53It almost wasn't.
37:54Thanks to Bobby's colossal fuck-up.
37:56Not here.
37:57Please.
37:58Why not?
37:59That's why we're celebrating.
38:00The SEC is off our backs.
38:02Thanks to Harlan's clever maneuvering.
38:04Always happy to be of service.
38:07We managed to survive a bloodbath by the skin of our teeth.
38:10I, uh, think it's cause to celebrate.
38:14Babe, what's he talking about?
38:15What fuck?
38:18I thought you were gonna tell her when you got home, Bobby.
38:21I don't know.
38:22I don't know.
38:22I don't know.
38:23I don't know.
38:36I don't know.
38:51Let's go.
38:53Let's go.
39:19Let's go.
39:34Oh, sweetheart.
39:41I fucked up, Nance.
39:46I really fucked up.
39:51I'm gonna fuck up.
39:54They're right about that.
39:57And everything changes now.
39:59All our expenses.
40:03My father will control the house,
40:07cars, your parties.
40:11Everything goes through him.
40:15Is that all that this is about?
40:17Money?
40:17It's all that.
40:20I know this isn't what you signed up for.
40:22So I want you to know that if you decide to leave me, I understand.
40:28If you, I thought you wanted to leave me.
40:32I would have to want to leave you.
40:33You're the most important person in the world to me.
40:37Because I read that email about separation of assets.
40:44That was to protect you.
40:48You're divorcing me to protect me?
40:50It's needed to stash your settlement money in an offshore account so my father couldn't get to it.
41:02I don't want to divorce.
41:05I don't want to divorce.
41:05I want you.
41:06But the man who rescued you, I'm not that guy anymore.
41:11Your money did not rescue me.
41:14You can't say that.
41:16Yes, I can.
41:17I can.
41:19I've been living without your love for three months now and I'm...
41:25A total mess.
41:27I don't care about it.
41:28Your dad can take it.
41:30I just want you.
41:31No.
41:32So sorry.
41:35I really let the drinking get out of hand.
41:39I fucked that up too.
41:43Look at you.
41:45How strong you are.
41:46No.
41:47Yeah.
41:47Don't.
42:02I'm never going to let you go.
42:30I'm never going to let you go.
43:01I'm never going to let you go.
43:31I'm never going to let you go.
43:40You haven't answered my calls in days.
43:46You can toss the burner phone.
43:47We both need to move on.
43:49Two weeks ago, you and I were fucking in the backseat of your Range Rover.
43:52The day before that, we fucked in the dressing room.
43:55And the day before that, it was wherever you told me to be.
43:57It was a mistake.
43:59I was in a bad place in my marriage.
44:01It never should have happened.
44:02I deserve more consideration than this.
44:04I risked everything for you.
44:05I never asked you to.
44:06No, you just seduced me, then treated me like one of your house servants that serves at the ring of
44:10a bell.
44:10Okay, if you need to blame me to make yourself feel better, that's fine.
44:14But we need to move on.
44:15You don't get to decide that.
44:17Let go of my arm, or I promise this won't end well for you.
44:24Maybe I owe it to Robert to tell him about us.
44:30He's a good man.
44:33He deserves to know who we married.
44:38You really think he would believe I'd sleep with you?
44:42No one ever would.
44:55I'm so happy that you didn't hate it.
44:58That I what?
44:59That you didn't hate it.
45:00Oh, I loved it.
45:02I loved everything about it.
45:03The dancing, and the clothes.
45:07Costumes?
45:08The costumes, yeah.
45:09It was beautiful.
45:10This was my chance to course correct and avoid catastrophe.
45:14I had to tell Robert the truth.
45:16All of it.
45:17And believe that he would still love me.
45:23Hey.
45:28Boom.
45:42Honey.
45:44Honey, I have to tell you something.
45:47Who sent this to you?
45:52I don't know.
45:53I don't know.
45:56No, I can't.
45:57You're lying.
46:01Who is he?
46:03No one.
46:04He was a mistake.
46:06Mistake that you fucked in the backseat of your car!
46:09Please, please, can we just talk about it?
46:10This whole time I've been torturing myself with guilt.
46:13I'm sorry.
46:13I'm sorry.
46:14I'm sorry.
46:14Fucking time.
46:15I can't believe this.
46:16I can't believe this.
46:17Stop, stop, stop, stop, stop, stop.
46:20He did this!
46:21Hey!
46:22Get back here!
Comments