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  • 3 days ago
Tom becomes involved in an explosion near The Flying Fish. Ken receives more dirt on Tom; Leo accidentally learns about Tom's actions, and Ken tells Jan his suspicions regarding Tom and Avril.

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00:29I'll see you next time
02:30Oh, Avril, I never expected it to happen any more than you did.
02:36But it has.
02:38And I can't say that I'm sorry, because I'm not.
02:51I have no regrets.
02:54So why should you?
03:11I can't say that I'm sorry, because I'm not.
03:12I can't say that I'm sorry.
03:13I can't say that I'm sorry.
03:29God almighty.
03:31It's the Henderson's boat.
03:33Tom, there's someone on it.
03:35Get under the Coast Guard and get an ambulance here, fast.
03:38Right.
03:41Solent Coast Guard, Solent Coast Guard, this is yacht Flying Fish, yacht Flying Fish.
03:46Solent Coast Guard, come in Flying Fish, over.
03:48There's an explosion on a small craft north of Tarrant, on the Hamble River.
03:54Fire and possible casualties.
03:56Request assistance.
03:57Immediate.
03:58PHONE RINGS
04:10Hello.
04:15Leo, it's Lynn.
04:16Did I wake you up?
04:17Yeah.
04:19Don't worry.
04:20Where are you?
04:21Plymouth, the Grand Hotel.
04:23Are you all right?
04:24Yes, I'm fine.
04:25That's why I'm ringing.
04:26Sorry it's so early.
04:28Did you hear the results?
04:30Well, not yet.
04:31But I've got a feeling I'm about to.
04:33We won our class.
04:35Oh, that's terrific.
04:36Congratulations.
04:41Phil Norton came in first, but we even beat him on corrected time.
04:44I couldn't believe it.
04:46Bet he couldn't either.
04:47Well, he wasn't exactly pleased.
04:51Is Mum still furious about my going in for the fast night?
04:54Don't worry.
04:55She called from London last night and sounded almost as excited as you two.
04:59Oh, great.
05:00Can I have a work with Dad?
05:02Yeah.
05:02Hold on, I'll go and wake him.
05:22Is he conscious?
05:23Is the ambulance coming?
05:24It's on its way.
05:30He's not there, Lynn.
05:31Must be at work.
05:33Are they so early?
05:34You know, Dad, the only thing on his mind these days is the boat.
05:38Seems to be spending all his time at the yard.
05:42Is everything all right there, Leo?
05:45Yeah, of course it is.
05:46Why shouldn't it be?
05:49Well, you sound a bit down.
05:51Everything's fine, really.
05:58Look, I've got to go and get some sleep before the presentation.
06:01I should be home about eight tonight.
06:03Okay, I'll see you then.
06:05Bye.
06:05Bye.
06:19Tom.
06:21You all right?
06:22Oh, it was nothing.
06:23Just a gash.
06:24Gave me a tetanus jab and a few stitches.
06:26And the boy?
06:27Is he badly hurt?
06:28The doctor says superficial burns and mild concussion will be fine in a few days.
06:33Good.
06:35Yes, he was lucky.
06:36Tom, if it hadn't been for you, he'd be dead by now.
06:39I only did what anybody else would have done.
06:42Car's over here.
06:48You'd better go straight to the yard.
06:51And let's hope no one asks too many questions.
07:05Avril.
07:07No, you're welcome.
08:38Oh, yes. I'll give evidence.
08:40You realise, of course, that once I instigate proceedings, there's no going back.
08:44You are quite prepared to go through with all this.
08:47Oh, yes, I am.
08:50Oh, yes, I am.
08:52Very well.
08:53I'll draft a letter to Mr Rolfe today and appraise him of our intention of making a claim.
09:00Oh, God, then, your turn.
09:11I know.
09:12You threw away the five of spades a minute ago, didn't you?
09:18Go on.
09:19Oh, do be quiet. Let me think. Don't be so grumpy.
09:22Well, you'd be grumpy if you were stuck in this dump.
09:25Not long now.
09:27You talked to Avril this morning?
09:29No.
09:30Oh, Jack, you promised you'd be so worried.
09:33You said you'd call.
09:34Well, I did call, but she wasn't in, so I left a message.
09:37Did you say where you were?
09:39No, and don't you either.
09:40The less she knows about this place, the better.
09:43You know what she's like.
09:44There's nothing to be ashamed of.
09:45Well, I shan't belong here, anyway.
09:48You're not still thinking of discharging yourself, are you?
09:51I might.
09:52Oh, I think it's stupid.
09:53But, as I said before, if you wish to drink yourself to death and end up in the batter, it's
09:59your decision.
10:00Well, if it wasn't for that two-faced daughter of mine siding with your son-in-law.
10:04She sided with Tom for business reasons. Nothing personal.
10:07Yeah, well, in my book, it's their fault.
10:09Otherwise, I wouldn't have hit the bottle in the first place, would I?
10:11Oh, yes, you would. You'd have found some excuse.
10:15No, really, Dr Freud?
10:16Well, yes, indeed, Mr Ruff.
10:18It's the truth, and you know it, so face up to it.
10:20I have faced up to it.
10:21Good. Then we're making progress, aren't we?
10:24Well, it's certainly not being stuck in here that's doing it.
10:26I don't need my head examined by any therapist to tell me where I went wrong.
10:30I drank far too much the other day.
10:32In a very short time.
10:34I had enough whiskey inside me to raise the Titanic.
10:37I shan't do that again.
10:38Fine.
10:39Then we're getting on, aren't we?
10:41I'm beginning to see the like.
10:43Oh, yeah?
10:45Absolutely.
10:46Wipe that angelic look off your face, Jack Rolfe.
10:48Who are you trying to kid?
10:50I'm not trying to kid anyone.
10:51I am a reformed character, Kate.
10:54I'll bet.
10:55I mean, what do I have to do, sit in a pub all night without a drink before you believe
10:58me?
10:59Stop cheating for a start.
11:00I've seen all those extra cards you've been slipping up your sleeve each time you dealt.
11:06You've got eyes like a sparrowhawk, haven't you?
11:08For an old girl, you don't miss much, do you?
11:10No, I don't.
11:12And when I come to visit here tomorrow morning, I shall be very disappointed if you're not here.
11:17Not for my sake, Jack, but for your own.
11:20Run me!
11:28Oh, hello, Bill.
11:29Morning.
11:31Morning, Bill.
11:33Was earlier on.
11:36Was he having you?
11:37No.
11:38No, it was not.
11:39He won't be for a few days.
11:40He's off on one of his binges, so it seems.
11:43Called just over an hour ago.
11:44Where was he phoning from?
11:45You wouldn't say.
11:47He done confided in me like you used to.
11:48But he is all right, isn't he?
11:50Yeah, he seems all right.
11:52He said to tell you it'd be in a back Friday.
11:56Well, now that someone else is here, perhaps I can go over the production schedule with Lance.
12:02How's the prototype looking this morning, Bill?
12:04I wouldn't know, would I?
12:05I've been stuck in here for hours, manning the phones.
12:09Yes.
12:10Well, I'm sorry about that.
12:12Avril had to drive me to the hospital.
12:14Cut my hand, needed a couple of stitches.
12:16How do you manage that, then?
12:18As part of my responsibilities, I have to fill in the accident register.
12:21Oh, it didn't happen to work.
12:23Happened at home.
12:24Cut myself in a piece of glass.
12:25Should have been more careful.
12:28Right.
12:30I'll get on.
12:31Oh, I'll be tied up this morning.
12:33There's an engineer from the chemical company.
12:35She'll have to crack the whip.
12:37A little bit behind schedule, as it is.
12:40I've left all the other messages on your desk, Miss Avril.
12:42All right, well, thanks.
12:44Oh.
12:45Oh, yeah, there's an urgent one for you, Mr. Allard.
12:48Your son called and asked me to get you to phone him as soon as you got in.
12:53He's over at Miss Avril's and seemed a bit worried.
12:56He didn't seem to think you'd been at home this morning.
12:59Or last night.
13:29I made a mess of that, didn't I?
13:30Apparently, Tom Howard rescued some teenager.
13:32Oh, yeah.
13:33Yeah, and for some reason, he doesn't seem to want to talk about it.
13:36So I was hoping you might do me a little favor and get some information out of his missus.
13:41Well, I wish I could help, but I can't.
13:42She's not here.
13:43She's in London.
13:43Ah, that explains a lot.
13:47Go on.
13:50Tom Howard wasn't alone.
13:52Avril Rolfe was with him.
13:54The accident happened just after dawn.
13:57Well, well, well.
13:59Why, yes.
14:02Maybe I can be at some help.
14:04What time did you ask Newman to be here?
14:06Twelve-thirty.
14:07Where the hell is he?
14:08Well, I'm sure he'll be here, Charles.
14:09Well, see, he had a meeting in London this morning.
14:11Perhaps he's been held up on the motorway or something.
14:13Nonsense.
14:14The man's incompetent.
14:15Well, I guess I couldn't agree more.
14:16His report on that last sand development was a total disaster.
14:19So you've made up your mind, then?
14:20He has to go.
14:22Of course, you do realize the delicacy of the situation, don't you?
14:25Yes.
14:26I've been a friend of his family for some years.
14:28So if and when he gets here, I shall excuse myself early.
14:32I'd be grateful if you'd deal with it.
14:34It shall be done.
14:35Be discreet, won't you?
14:36Sir, he still has quite a measure of support on the board.
14:40And I've already got enough opposition as it is on that marine development.
14:44By the way, how's everything going with Masters?
14:46Ah, now, I've arranged a luncheon meeting tomorrow for him to put his counterproposals.
14:50I'm not getting into an auction with him.
14:53Charles, he has a prime development site, and he knows it.
14:56You've got to admit he's in a strong negotiating position.
15:00Not strong enough.
15:10Oh, hello, darling.
15:12Sorry I'm late.
15:14That's all right, Polly.
15:16I'm telling you, once I start shopping, I never seem to be able to stop.
15:20Yes, well, I can see that.
15:21I thought I was the one in London on a shopping trip.
15:24Gerald makes the money, I spend it.
15:26Gives me something to do.
15:28Polly, you are dreadful.
15:29A devoted wife's payment for services rendered, darling.
15:32How else do I collect my just reward?
15:35Oh, lovely.
15:36Oh, lovely.
15:38You ordered?
15:39No, not yet.
15:41So, how was the fashion show?
15:43Well, actually, it was a preview of some new design that will be officially launched in Cannes next week.
15:49Sounds intriguing.
15:50How did you manage the ticket?
15:51Sonia Fielding introduced me to one of the designers.
15:54Oh, I could do with a dashing young fashion designer whisking me off to somewhere exotic.
15:59Gerald's such a bore.
16:01Oh, come on, Polly.
16:02He can't be that bad.
16:03You wouldn't have spent all these years with him.
16:05We're not all as lucky as you are, darling, being married to a man like Tom.
16:09Oh, the artichoke and the poached salad, please.
16:13And white vape for me, please.
16:16It's easy enough for you to say.
16:17You don't have to live with him.
16:19And I'd like to follow with, er, veal cutlets, please.
16:24And some spinach.
16:26A salad for me.
16:28Thank you very much.
16:30No, Tom's not exactly the most compatible person these days.
16:34Ever since he bought into the yard, everything else seems to come second, including me.
16:38At least you've got your business to keep you amused.
16:41I envy you, you know.
16:42You're involved getting something out of life.
16:46What do I have?
16:48So, how was it, your fashion show?
16:51So, so.
16:53But there is one new designer.
16:56He's young, French.
16:58Darling, tell me more.
17:01Holly, I'm going to meet him after lunch.
17:03He's joining us here.
17:04How thoughtful of you, Dan.
17:10It's all right, Tia.
17:11It won't help.
17:13Ready?
17:18There you are.
17:20Almost finished.
17:21That's it.
17:22Done.
17:24Now try and be more careful next time on the climbing frame.
17:27Okay?
17:29Good.
17:30Sit on it!
17:31Stop on it!
17:33You're sitting on it!
17:34Sit on it!
17:45What's the matter?
17:48Have you got any friends to play with?
17:50Oh, Jamie!
17:53I'm sure we can find you a friend.
17:56It's no fun being on your own, is it?
18:00You've got, like, baller shoes.
18:02Yes, do you like them?
18:03Hmm.
18:04I go to Bali.
18:06I'm afraid Miss Rolfe isn't in.
18:07I'll be seeing you later.
18:08Can I give her a message?
18:10I'm Michael Anderson.
18:11I'm from the local Gazette.
18:13Ah, may I?
18:17I wanted to interview her about a rescue she was involved in.
18:20What rescue?
18:21Ah, a young lad was hurt in an explosion on the handle.
18:26Miss Rolfe and someone from the mermaid yard saved him.
18:29When?
18:30Day in the early hours of this morning, I believe.
18:33Who was it from the yard?
18:35Ah, the new partner, Tom Howard.
18:37Are you sure?
18:38There must be some mistake.
18:40I'm Leo Howard.
18:41I only just spoke with my father.
18:43He didn't say anything about it.
18:45Must be some mistake.
18:47Ah, no.
18:48No, there's, ah, no mistake.
18:51Ah, look, ah, would you tell Miss Rolfe I'd appreciate it if she got in touch?
18:56Ah, perhaps you could ask your father to give me a call.
18:59Both my office and home phone numbers are on the card.
19:02Yeah, all right.
19:03Well, ah, thanks for your help.
19:06Now, don't get up.
19:06I'll see myself, actually.
19:12There's a wonderful gold one, I think, of the paint.
19:15Oh, it's a mark.
19:16It's absolutely marvelous.
19:18Jan?
19:20Oh, Claude, I'd love you to see you.
19:22Hello.
19:23Mrs. Polly Erkert, my friend.
19:25Claude Dubois.
19:26Enchanted, monsieur.
19:28How do you do?
19:30I've just been looking at your designs.
19:31Yes, Jan has told me all about them.
19:33And I must say, everything she says is true.
19:37I hope you are not too disappointed.
19:39On the contrary.
19:41They're marvelous.
19:42Not that I'm surprised.
19:43I've long been an admirer of Jan's days.
19:46Oh, but no doubt you both have business to discuss and would prefer to be alone.
19:51No, Polly, of course not.
19:52Nonsense, darling.
19:54Don't let me intrude.
19:55Besides, I've just seen a lovely man I once knew.
19:59Would you excuse me, monsieur?
20:00Of course.
20:01Au revoir.
20:02Au revoir.
20:03Don't wait around, darling.
20:05I think I've been making my own way back.
20:13So, did you see anything in the folio that might interest you?
20:17I certainly did.
20:18And I'll be phoning Sonia first thing tomorrow morning to place my order.
20:23The designs are really quite stunning, Claude.
20:26I only wish I could stop the move.
20:28Well, perhaps one day we will both have the success and it will be just so.
20:33Yes.
20:35One day, perhaps.
21:05Cyril?
21:06Shade up, not down.
21:09Look, I want fourteen, so I take my trade elsewhere.
21:14Fine.
21:15A five each way.
21:16I'll pick up the winnings in the morning.
21:21You're just going to stand.
21:22Yeah.
21:27Mr. Rolfe?
21:29Yes?
21:30I'm Louise Silverton.
21:31I arrange all the group therapy for the centre.
21:34Oh.
21:35Nice to meet you.
21:36Dr. Reynolds takes you for individual therapy, I believe.
21:39Ah, yes, yes, she does, yes, yes.
21:41And I understand she recommended our group sessions to you.
21:45Yes, she did, yeah.
21:46And did you find them beneficial?
21:48Oh, I agree with everything Dr. Reynolds said.
21:50They're absolutely worthwhile.
21:52Well, that's a very interesting observation, Mr. Rolfe.
21:56Because according to these reports I have, you haven't attended a single session yet.
22:01May I ask why?
22:03Well, um, you went there.
22:07Oh, no, no, no.
22:09I didn't think I had to.
22:10I thought they were voluntary.
22:11They are.
22:13Well, you've, uh, got yourself a volunteer.
22:16Good.
22:18I think you'll find it useful to participate in some of these sessions.
22:21Especially if you agreed with everything Dr. Reynolds said about the benefits.
22:24Oh, yes, I can, uh, quite see what she meant.
22:28Well, then, we meet tomorrow morning at eleven.
22:30I'll look forward to seeing you then, Mr. Rolfe.
22:32And I, you, Miss Silverton.
22:38Kate!
22:40In here.
22:46Tom, so glad it's you.
22:48I was afraid it was Lynn.
22:49Hmm, don't worry.
22:51She's not due until after eight.
22:54Would you be, dear?
22:55That's worn off.
22:56Oh.
22:57Oh.
22:58What about, up here?
22:59Please.
23:07This all looks terrific.
23:09You really shouldn't have gone to so much trouble.
23:11No trouble at all.
23:12Lynn deserves it, after all.
23:13She's achieved.
23:14Yes, she does.
23:15And she really appreciate it.
23:17And so do I.
23:19What on earth have you done to yourself?
23:20Oh, it's nothing.
23:21Just a cut.
23:23Going to get you a drink?
23:24No, thanks.
23:25Not for me.
23:25You go ahead.
23:29So, how's the boat coming along?
23:31All right.
23:33Just a little bit behind schedule.
23:35Oh, nothing too serious.
23:36Although Jack didn't turn in again today, which doesn't exactly help matters with the workload.
23:41I'm sure he'll show up soon.
23:43Oh, I hope so.
23:45Avril seemed a bit concerned.
23:47Apparently, he normally surfaces after a couple of days when he's been on one of his drinking bouts.
23:51Tell Avril there's absolutely no reason to be concerned.
23:54Jack is quite safe and well.
23:56Oh, no.
23:57He hasn't turned up on your doorstep again to sober up, has he?
23:59No, not exactly.
24:02And where is he?
24:03You'll know soon enough.
24:05You keep your mind on your boat.
24:07Then you'll have plenty to celebrate.
24:09Lynn's party is just the beginning.
24:19It was kind of you to meet me, Ken, but there really was no need.
24:22There's something I need to discuss with you.
24:25I can't wait until tomorrow.
24:28I've got people coming over for Lynn tonight.
24:30I'm afraid I can't wait.
24:31It's urgent.
24:33I'll drop you off home, but I think you ought to have a drink on the way.
24:36After what you hear, I think you're going to need one.
24:39The door's open.
24:44You've done a really fantastic job, dear.
24:47I can't thank you enough, really.
24:49Now, it's all decorated.
24:50Perhaps you'll spend more time here rather than on the fire and fish.
24:56Here you are.
24:57I don't want your money.
24:58I don't want your money.
24:58What do you mean?
25:00You know what I mean.
25:02No, I'm afraid I don't.
25:04Well, in that case, you'll just have to read about it like everyone else.
25:10Leo, what's all this about?
25:13Oh, come on.
25:14I've been waiting for you to say something about it ever since you came home.
25:17What?
25:18You're still not going to act as if nothing's happened, are you?
25:21Because that reporter was around, and I know, Averill.
25:25I know about you and Dad.
25:31Leo, don't you talk to me.
25:32No, I don't want to hear anything you have to say.
25:34Leo, please.
25:34You must have had it all planned.
25:36Leo, let me try and explain.
25:38I bet you couldn't wait for my mother to go to London so you could get your hands on him,
25:41could you?
25:41Leo, your father and I...
25:42I thought that you and I...
25:48Well, he's welcome to you.
25:51Because you may have all the looks, Averill, but that's all you've got.
25:54Any woman who goes after a man like that knowing full well he's got a wife and family is...
26:00damn well nothing.
26:09Leanne.
26:12Magnificent.
26:14Welcome home, darling.
26:16Hail the conquering heroine.
26:17Hello, Grant.
26:18I'm so glad.
26:20Well done, well done, well done.
26:21We're all so proud of you.
26:24Ah, not in there.
26:26Not for the moment.
26:27Why don't you go upstairs and change?
26:29You haven't got much time.
26:32What's going on?
26:33You'll just have to wait and see.
26:36It's a surprise.
26:41No.
26:42It can't be true.
26:44They must have spent the night together.
26:46There's no other explanation.
26:50I don't believe it.
26:52I thought the reporter was an old mate.
26:55I tried to convince him not to do the story, but you know what they're like.
26:59Gives them a bit of scandal, there's no holding them back.
27:04I thought it better to tell you, rather than you read about it, or heard about it secondhand.
27:15Yes, yes, thanks, Karen.
27:18Can we go now?
27:20Yes, of course.
27:33Perhaps there's jail at last.
27:34Right.
27:35I'd better organise the wine.
27:37What time did you say everyone else was riding?
27:40Benning's a company at half past eight.
27:48Thank goodness you're back.
27:50I was going to wonder what had happened to you.
27:52Darling, Lynn's arrived safe here.
27:54Mother, would you leave Tom and I alone for a moment, please?
27:58Are you all right?
27:59Please.
28:01It's important.
28:03Yes, of course.
28:09What's all this about?
28:15Avril Rolfe.
28:18What about her?
28:20Don't pretend you don't know what I'm talking about.
28:23How long has it been going on?
28:27Well, after 20 years of marriage, have you nothing to say to me?
28:31Like what, Jan?
28:32Like it isn't true.
28:35Or at least some bloody reason why.
28:43Come on, darling.
28:44Before the guests arrive...
28:45Is there going to be a party?
28:46No party, why not?
28:47Ask Tom.
28:49Hello, Mum.
28:52What's wrong with Mum?
28:53Not now, sweetheart, please.
28:56Gran?
28:57What's going on?
28:58I don't know, my dear.
28:59We may have to cancel the party.
29:01Your mother's in a terrible state.
29:02Yes, I know.
29:03But why?
29:05Look, I think they may want to talk on their own for a bit.
29:08Don't you?
29:09Come into the kitchen.
29:11Tell me all about the fastener, Trace.
29:13I want a blow-by-blow description.
29:21Jan, I know you're bound to be upset.
29:27How could you do?
29:31I didn't expect it to happen.
29:45Jan, please.
29:47Please, just try and rationalise what you think with what you feel.
29:52I'm trying.
29:53Well, the way things have been between us lately.
29:57If it hadn't have been me with Avril, it could just as easily have been you with Masters.
30:02How dare you say that?
30:04Oh, because it's true, and you know it.
30:05No, it's not.
30:06Yes, our marriage has been off course now for months.
30:10Maybe even years.
30:13Well, if that's how you feel, perhaps you'd better get out.
30:16And what good is that going to do?
30:19No.
30:21We have to somehow sort this thing out.
30:25Otherwise...
30:25Tom, there's nothing more to say.
30:29Our marriage isn't off course.
30:31It's bloody well over.
30:55How does Jan know?
30:56Did Leo tell her?
30:58No, Leo wasn't home.
31:00He doesn't know anything about it.
31:01He does, Tom.
31:04There was a report around here this morning, inquiring about the rescue.
31:09Leo knows everything.
31:13Hmm.
31:17Well, what did Leo have to say?
31:21He was very upset.
31:24And to make matters worse, I think he had some kind of crush on me.
31:29Huh.
31:30I had no idea.
31:33Well, I had no idea it was so serious.
31:39How did Jan take it?
31:43I'm moving out.
31:45Tom, I'm sorry.
31:47What a mess.
31:50Oh, come on.
31:52It's not your fault.
31:53But I know what it's like to be hurt.
31:55Look.
31:56The way things were between us, we were bound to split eventually.
32:01Jan and I only have ourselves to blame.
32:20I already know.
32:28Well, how?
32:30Have you seen Grant?
32:32I was at Avril's earlier.
32:39Like father, like son.
32:40Oh, for God's sake, Lynn.
32:43Well, where have you been?
32:44Just out walking.
32:46I wanted some time.
32:48Well, why didn't you call or something?
32:50Mum's been worried.
32:52I didn't want to talk to anyone.
32:53Well, you still could have called, couldn't you?
32:56After all that with Dad, Mum's got enough in him.
32:57Yeah, and so do I!
32:59Now, just leave me alone, will you?
33:14Mum?
33:15Yeah, darling.
33:19Leo's home.
33:21Does he know what's happened?
33:23Yes.
33:24Yes, well, I'd better go and speak to him.
33:26I don't think he'll want to talk to you.
33:29You know Leo.
33:30He's keeping it all inside.
33:34Oh, I see.
33:39Can we talk, Mum?
33:41Yes, of course, darling.
33:44Lynn, I'm sorry about your party.
33:47Forget.
33:48It's hardly important with everything else that's been going on.
33:53What about you?
33:55Are you all right?
33:59No, I feel awful.
34:02I just keep thinking about Dad and her.
34:05I always suspected there was something, but I never thought they'd have an affair.
34:11Neither did I.
34:14Well, perhaps it's all for the best, anyway.
34:17For who?
34:18Avril Rolfe?
34:19No, darling, for all of us.
34:22Now, come on, Lynn.
34:23You've got to admit, your father and I haven't been exactly close recently.
34:27Only because he bought into that yard.
34:29No, not just that, darling.
34:31You were happy before that.
34:32We all were.
34:34Now he's ruined everything.
34:37Oh, Lynn.
34:40I don't know that I can forgive him for that, Mum.
34:43I don't know that I can forgive him.
35:13But I do hope this is what I've been waiting for.
35:16Do you know what?
35:16I did all of this three weeks ago.
35:18I can't believe...
35:20Coffee.
35:21All right.
35:22Thanks.
35:24I let it go last night.
35:26Did he tonight?
35:30What's happening, then?
35:34Tom's left home.
35:36We're separating.
35:43I'm sorry, Jan.
36:03Ah.
36:04Well?
36:04She was in for a complete overhaul on the 3rd.
36:07Less than three weeks before the accident.
36:10Well, it's no reason to assume the yard is responsible.
36:13According to the information I have,
36:15it seems Mr. Rolf charged the Hendersons for a complete overhaul, all right.
36:18But he didn't even have the hatch off, let alone tighten the joint.
36:21Now, just hold on a minute.
36:23There could be any number of reasons for that explosion.
36:26Not according to the report I have, sir.
36:29So, in Mr. Rolf's absence,
36:31I'm afraid I'm going to have to ask both of you to make a formal statement.
36:34I'm sorry.
36:35I realise you'll probably save that boy's life.
36:37But his parents are pressing charges of criminal negligence against this yard,
36:40and there's nothing I can do.
36:43We know it must be difficult, Stan.
36:46Extremely difficult.
36:48But your wife has a life of her own to lead.
36:51And so do you.
36:52Oh, yes.
36:53And you can live that life without drink,
36:55just as you used to.
36:58That time can exist again, Stan,
37:00but only if you want it to.
37:02Yes.
37:03I could build a boat for her, Janet.
37:05Yes, Jack?
37:06Did you have something you wanted to add?
37:08Well, only if Stan didn't want it to,
37:11he wouldn't be here, would he?
37:13No.
37:14Well, so what's the good of hearing all that stuff going to do?
37:17Jack, we must be aware of our problems.
37:21No, I'm aware of my problem, all right.
37:24I don't drink a lot.
37:25I spill most of it.
37:29But are you aware, Jack,
37:30truly aware of why you drink?
37:33Well, I don't know, do I?
37:35I like it.
37:36I mean, does there have to be a reason?
37:38Yes.
37:38There's always a reason.
37:40Reason or problem.
37:42Well, what's the difference?
37:44I enjoy the company and my friends.
37:46I have a good time.
37:47I mean, that's all that matters.
37:48Is it?
37:50Why don't you share with the rest of us
37:52some of the reasons or problems you've had, Jack?
37:55The times you felt the need to drink.
37:57And then we can discuss if there is a real difference.
37:59All right.
38:01Where shall I begin?
38:02How about the last time you took a drink?
38:05What led up to it?
38:08I was thirsty.
38:09No.
38:10No, seriously, Jack.
38:12Can you relate to any of Stan's reasons or problems?
38:15Well, only Stan being short of cash.
38:17I don't have any marital problems.
38:19My wife popped off over 25 years ago.
38:22Would you like to tell us about her?
38:25Well, why bring her into it?
38:26I mean, what's she got to do with it?
38:28I didn't bring her into it, Jack.
38:30You did.
38:31Now, listen, Miss Silverton.
38:33I have three problems at the moment.
38:35One, my business partner.
38:37Two, my daughter.
38:39And three, Mr. Meadows.
38:42I see.
38:43Who's Mr. Meadows?
38:46My bank manager.
38:52Then she followed me around most of yesterday.
38:54She just refused to let go.
38:58Tina said she didn't have any friends.
39:02Anyway, then I eventually managed to persuade her to play with some of the others.
39:06I sat and watched.
39:09I wonder what it would be like for them when they grow up.
39:11Probably much the same.
39:13Maybe.
39:15But we should be able to change things for them.
39:18You know, I've been thinking, Leo.
39:22Abortion's not the only answer.
39:24I don't know.
39:26Right now, I can't imagine anyone wanted to be born into this world.
39:32I'm sorry about what happened with your father, Leo.
39:35Don't be.
39:36He's not.
39:37He got what he wanted.
39:40How did your mother take it?
39:42I didn't discuss it.
39:43Why not?
39:43Because I didn't.
39:44I suppose I should have done, but I just couldn't.
39:48She's as much to blame as she is for what's happened.
39:52Should have seen her side.
39:56What about Lynn?
39:58We didn't discuss it much either.
40:03Just had to get away.
40:06There doesn't seem to be much left at home for me now.
40:09It's incredible.
40:11I might have expected my parents to separate, but never yours.
40:16I always thought they were so happy.
40:18So did I.
40:24Why is it always the people you trust most are the ones that let you down?
40:32Feel free to choose anything you like, Charles.
40:35This lunch is on me.
40:38After all, if we're going to be partners, I'd better start picking up some of my share of the chaps.
40:43Perhaps you ought to make that decision after lunch, Ken, rather than before.
40:46Otherwise, you might not get a satisfactory return on your investment.
40:50Haven't heard your counter-proposals yet.
40:52Oh, I think you'll find them quite reasonable.
40:54Just like me.
40:56Good afternoon, gentlemen.
40:57Are you having wine with your meal?
40:58Oh, Lynn.
40:59Yes, thank you.
41:00I don't think you two have met, have you?
41:02This is Jan Howard's daughter, Lynn.
41:03Lynn Charles-Fro.
41:05Hello.
41:05Lynn, pleasure to meet you.
41:12Ah, I see they have an excellent bottle of Mouton Cadet on the list.
41:17I think we'll try a bottle of that, eh?
41:18May I?
41:20Yes, of course.
41:25Ah, yes.
41:27Thought perhaps you might prefer the Chateau Montreux.
41:30I don't think I've tried it.
41:32Oh.
41:33Oh, well, may I recommend it?
41:35Cabernet Sauvignon base from the Saint-Esteve region.
41:37I'm sure you'll appreciate the value.
41:40If not, I certainly will.
41:42I have a substantial holding in the vineyard,
41:44so I may as well ensure my interest pay at least some kind of dividend.
41:48Right, we'll try a bottle of the Chateau Montreux, then.
41:55Right, well, let's get under business here, we can.
41:58Gerald tells me you're rather concerned about the allocation of shares.
42:29Good afternoon.
42:31What a beautiful day.
42:33Yeah, for some.
42:35But maybe that's because you're not stuck in a dump like this.
42:38Come on, let's go for a walk.
42:40Do you mind?
42:41I was reading that.
42:42You can read it when I've gone.
42:44I'm fed up with being a battery hen, cooped up in here.
42:47All the more reason for you to get the smell of fresh air into your nostrils.
42:51I prefer the smell of wood.
42:53Patience, Jack.
42:55Is it still there?
42:56What?
42:57The boatyard.
42:58Yes, it's still there.
42:59Yeah, well, I can't wait to get back.
43:01I just can't sit around doing nothing.
43:03I just don't like it.
43:05I nearly forgot.
43:06Hmm?
43:06I brought these over for you.
43:08Oh, thank you.
43:10Bells, mostly, by the lick of it.
43:19Forsyth and Foster.
43:25I don't believe it, Kate.
43:27What is it?
43:29It's from a solicitor.
43:31My brother-in-law has arrived in this country from abroad.
43:35Well, that's good news.
43:36Isn't it?
43:38What's wrong with him wanting to get in touch with you?
43:40He's been dead 25 years.
43:42That's what's wrong.
43:45Bloody hellfire.
43:47What's the matter now?
43:49He's making claim for ownership of the boatyard.
43:56I'm getting out of this place right now.
44:35How's it going there, love?
44:36This evening.
44:37I thought it might help me take your mind off things.
44:41It's all right.
44:41Thanks.
44:42I've got something I want to celebrate.
44:44My lunch with Freya went just as planned.
44:47I'm on the verge of a major deal, Jan.
44:49I think I've cracked it.
44:51Can you be so sure?
44:53According to Polly, Freya's quite a smooth operator.
44:55And he doesn't always go by the book.
44:58Then he's met his match, hasn't he?
45:00I've got the yard and him just where I want him.
45:04If he doesn't go along with me, there's nowhere else he can go.
45:13Who is calling, please?
45:17Do you know a Claire Dupont?
45:20Claude.
45:22Claude.
45:23How lovely to hear from you.
45:26No, no, it's all right.
45:30Want me to go to Cannes?
45:33Well, yes.
45:35Why not?
45:35I'd love to.
45:38Well, I could get the tickets and just let you know when I'm coming.
46:05Yes, Samantha, I'll take the call.
46:06Put her through.
46:08It's Lynne Howard.
46:10I've just got home and found the flowers.
46:13They're beautiful.
46:14I'm glad you like them.
46:15I chose each one individually.
46:19What did you mean on the card about a car picking me up?
46:22It'll be with you at 8.
46:24Dinner is here on the yacht at 8.30.
46:27Oh, is it?
46:29And what makes you so sure I'll be there?
46:31Are you so sure you won't?
46:33Well, I might have something else planned.
46:35Then cancel it.
46:37I'm about to instigate a major property development here in Tarrant.
46:40And right now I can't think of anybody else I'd rather crack open a bottle of champagne with than you.
46:45You're something else, aren't you?
46:48Are you always so presumptuous?
46:50Not always.
46:51It depends.
46:52But I've often found it ensures that I get what I want.
46:56Well, not tonight, I'm afraid, Mr. Freer.
46:59Listen, Liv.
47:00I've just spent three months enticing one of Europe's most talented chefs away from the De La Quine, Geneva.
47:06They tell me he has the most amazing reputation.
47:10So why don't we see for ourselves if it's true?
47:15Please.
47:19Okay.
47:20Good.
47:22And now you'll have to excuse me.
47:24My 3.30 appointment's just arrived, so I'm going to have to go.
47:27I'll look forward to seeing you this evening.
47:29Yes, all right.
47:30Goodbye.
47:31Goodbye, Liv.
47:37Mr. Shelley?
47:38This is Charles Frey.
47:40I'm very pleased to meet you, Mr. Shelley.
47:42Won't you have a seat?
47:50I believe you met one of my lawyers yesterday morning.
47:54Uh, yes.
47:56And how did it go?
47:59Oh, everything has been put into effect.
48:04Excellent.
48:06Excellent.
48:07Oh, everything has been put into effect.
48:21Oh, everything has been put into effect.
48:22Oh, everything has been put into effect.
48:23Oh, everything has been put into effect.
48:24Oh, everything has been put into effect.
48:24Oh, everything has been put into effect.
48:24Oh, everything has been put into effect.
48:25Oh, everything has been put into effect.
48:25Oh, everything has been put into effect.
48:25Oh, everything has been put into effect.
48:26Oh, everything has been put into effect.
48:26Oh, everything has been put into effect.
48:26Oh, everything has been put into effect.
48:27Oh, everything has been put into effect.
48:28Oh, everything has been put into effect.
48:30Oh, everything has been put into effect.
48:31Oh, everything has been put into effect.
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