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06:34Sorry, baby.
06:36Sorry, baby.
06:48Oh, Yahya, thank you.
06:50I hope I didn't wake you.
06:51I haven't slept a day since 65.
06:54I don't know if that's an age or a year.
06:56None of them will look great to ask.
06:59There's been a fourth killing?
07:02Um...
07:02Yeah.
07:03Yeah.
07:04Will you lock the door after me?
07:06Of course.
07:07Do not worry, sweet girl.
07:09Even the Nazis couldn't get me.
07:12If her mother calls...
07:13Her mother will not call.
07:16She's lucky to have her antique.
07:40Out there...
07:44Somewhere...
07:45Is a man...
07:50What the fuck?
07:52I'm on...
07:53I'm on...
07:55I'm on...
07:57Gotta grow up.
07:58Woo!
08:06My mother was a tailor...
08:12She sold my new blue jeans...
08:19My father was a gambling man...
08:23Excuse me.
08:25Uh, Dr. K. Scarpetta, Chief Medical Examiner, you are?
08:28Officer August Ryan.
08:30Doctor.
08:31Right, there should be gloves here, Officer Ryan.
08:33Some kind of PPE.
08:34You can't contaminate the crime scene.
08:36I was never first on the scene before of a...
08:40grisly murder and, um...
08:44First time at a violent scene.
08:47I definitely vomited in private.
08:50Now don't go sharing that.
08:52I'll do better next time, for sure.
08:54Anything else?
08:55You want to go?
08:56You want to go?
08:57All right.
08:58You can get...
08:59Okay, stop.
09:00Okay, stop.
09:01This starts off.
09:01All right.
09:02Shoot there.
09:03Yeah.
09:04Yeah.
09:05Yeah.
09:07Yeah.
09:08Yeah.
09:10Yeah.
09:10Yeah.
09:11Yeah.
09:18Yeah.
09:20Yeah.
09:24Yeah.
09:28Hey, Doc.
09:30This here's the husband.
09:31Uh, Matt Peterson.
09:32Mr. Peterson.
09:33Our Chief M.E.
09:35Dr. Scarpetta.
09:38Uh, Detective Marino?
09:43I'm so sorry for your loss, Mr. Peterson.
09:47Uh, she was a doctor.
09:48Your wife?
09:49A surgical resident at the, um, Virginia Medical Center.
09:53She worked in the ER.
09:55She, uh, is usually back by 1230.
09:57And-and you were out, or...?
10:00Matt was just telling me about play rehearsal.
10:02He's an actor.
10:04I got in late.
10:05After two, it was dark.
10:07So I just assumed that she was asleep.
10:11When I went up into our bedroom, there was this... smell.
10:17Um, uh, what kind of smell?
10:20I don't know.
10:21Maple.
10:23But...
10:24Sour.
10:26Rank.
10:28Terrible.
10:55Trust.
10:56Same as the others.
10:57She straightens her leg, and the ligature tightens like...
10:59Canoes.
11:02Sick SOB makes them suffocate themselves.
11:13Water in the tub.
11:14Must be where he grabbed her.
11:31So put the nightgown... on her... just to cut it off.
11:43Screen in the bathroom windows popped out.
11:46Maybe how he got in?
11:49All the other victims are single.
11:54DNA from the husband would be helpful.
11:56Our doer's a non-secreter, so that would rule him out.
12:02Doc.
12:02Hmm.
12:06Is that the husband's?
12:08I'll make sure and ask.
12:17Check with the archives. They might have loads.
12:19Okay.
12:33Doctor.
12:34Doctor.
12:34Doctor's gone, Hannah.
12:35When are you gonna release the autopsy reports from the first three victims?
12:38And why did he only wait a week this time between killings?
12:40If I didn't tell you yesterday, Abby, when you beat my staff with the Freedom of Information Act,
12:45I'm sure as shit not telling you now.
12:47Did you call the attorney of the Commonwealth?
12:50Oh, yeah.
12:52And my boss, too.
12:53I'd love to have as many heads up my ass at once as possible.
12:57That sarcasm gives me a lot of hope for the future, Doc.
12:59That's cool.
13:02Doctor Scarpetta.
13:03Mr. Bolts.
13:09Don't walk me through this here, Pete.
13:10It's the job of public service to bring truth to the people.
13:14Is this sort of evasion what you envision for the new Scarpetta regime?
13:19Doctor.
13:26Tragic news this morning, as a local woman was found brutally murdered in her home.
13:30Police have not released the identity of the victim, but it is widely presumed that this marks the fourth killing.
13:35Yes.
13:40I do solemnly swear.
13:42I do solemnly swear.
13:43That I will support the constitution of the Commonwealth of Virginia.
13:46That I will support the constitution of the Commonwealth of Virginia.
13:49I will faithfully and impartially.
13:51I will faithfully and impartially.
13:53Discharge all of the duties incumbent upon me.
13:56Discharge all of the duties incumbent upon me.
13:58As chief medical examiner.
14:00As chief medical examiner.
14:02To the best of my ability.
14:03To the best of my ability.
14:04So help me God.
14:05So help me God.
14:09Great.
14:10Second time's a charm.
14:11Good luck, Dr. Scarpetta.
14:17Did we miss it?
14:18Oh, damn.
14:20Congratulations, Dr. Scarpetta.
14:22And a hearty welcome back.
14:24Wow, I didn't expect to see you both here.
14:27Dr. Reddy, Maggie.
14:29Well, it's wonderful to see you again.
14:32Congratulations, Dr. Reddy, on being appointed health commissioner.
14:35I gotta be honest.
14:37Even I didn't see it coming.
14:38I don't think anyone saw it coming.
14:40I mean, you were so excited about retiring when we spoke.
14:43What was it?
14:44The lake house?
14:45The rowboat?
14:46The kingsling knot?
14:47And now here you are.
14:48Well, let's just say the governor made me an offer and I couldn't say no.
14:52So, I brought you something.
14:56Brought me a person?
14:58Dr. Scarpetta, I'd like to work for you.
15:01What?
15:02To ease the transition forward.
15:05No one in the Commonwealth knows my office.
15:08Yours now.
15:09Better than Maggie.
15:10She'd be eyes and ears to you.
15:11Full support.
15:12And a direct line to the health commissioner himself.
15:14I can't take you from Dr. Reddy.
15:16I mean, don't you...
15:17Don't you need her?
15:18Oh, you'll be just fine.
15:20I mean, you, you've been here, what, a month?
15:23So much has changed since your last tenure.
15:25Think of me as a welcome gift of sorts.
15:28Just like the old days.
15:29Come on, Maggie.
15:30You really want to work for me again?
15:33Dr. Scarpetta, I gave my life to this office.
15:36And it gave life to me.
15:42Great.
15:44Okay.
15:44Okay, then.
15:45Fabian called Jane Doe, was waiting for you an autopsy.
15:48He called you?
15:49Me.
15:49As he does.
15:50To pass on the word.
15:52Eyes and ears.
15:53What'd I tell you?
15:54Great.
15:55Eyes and ears.
16:13Thank you,
16:43So why don't you tell me about your wife, man?
16:46We met at Harvard.
16:48She, um, just had this way about her.
16:52Like, so much on her mind.
16:53Did you two meet in a class or some kind of extracurricular club?
16:58You asked about his christening, too?
17:02I mean, you had to see the guy, Doc.
17:04I mean, it was a total, almost lighthearted demeanor shift,
17:07not the broken-up softie that you saw.
17:11I met her at a party.
17:12Lorraine was always sort of a loner,
17:15but with this intense, like, purpose.
17:18What kind of party was it?
17:19It was casual, college.
17:21I was leaving when she was coming in,
17:23and her voice just stopped me in my tracks.
17:32Control toe.
17:34Beautiful.
17:36You notice a thing like that, huh?
17:39Its actual tone was perfection.
17:42And, uh, was it ever in Lori's habit to be, um, friendly to strangers?
17:49If someone were to come by the house, um, say, delivery man, would she ask him in?
17:53No.
17:55Lori understood the dangers of living in this city.
17:58She worked in an ER.
17:59In light of which, I think she'd be careful about, uh, keeping the windows locked.
18:04She probably thought it was locked.
18:06Right, because you accidentally left the window unlocked last weekend when you came to replace the screen.
18:12She hated it when I left.
18:17Something make you want to be an actor, Matt?
18:20I studied drama to get in touch with human emotions.
18:25Needs, impulses.
18:27The good and the bad.
18:29You had to study drama to do that?
18:34You two had something that had to be kept on ice.
18:38Yes.
18:40Incorruptible, yes.
18:43And death was the only icebox where you could keep it.
18:49Cat on a Hot Tin Roof by Tennessee Williams.
18:55Wasn't he a fag?
18:57The guy is off.
18:58You don't start doing speeches from plays after seeing your wife butchered unless you're a sociopath.
19:03And I did look it up.
19:04Tennessee Williams was a fag.
19:06Please don't use that word in my presence, ever.
19:08What's wrong with fag?
19:09I'm serious.
19:10I will not have it.
19:13He forced her to choke herself over and over.
19:16How can you connect a husband killing his wife to the first three murders?
19:20Who knows?
19:21Maybe she was the goddamn point all along.
19:23And those killings were what, just to throw us off track?
19:27Look, Peterson gives me the willies, okay?
19:29I took him in.
19:30I got a whole suspect.
19:32We're looking for a killer who gets off on the killing, not a man trying to get rid of his
19:36wife.
19:36And I guess I'll just take the fingerprints down in Ellie Cho's office myself.
19:40Yeah, he'd do that.
19:56Manner of death's homicide mechanism is exsanguination, period.
20:02Cause of death is sharp force injury to the neck, period.
20:10The head wound, though significant, was not the cause, perhaps to incapacitate her, period.
20:19The contused and lacerated area of her scalp is approximately four inches in diameter, period.
20:26The weapon would have to be hard and smooth, flat-bottomed with a broad, roundish surface, period.
20:35Dr. Scarpetta?
20:40Yes?
20:42Marvelous how you've kept your figure all these years.
20:45What do you need, Maggie?
20:47Officer Ryan just called.
20:49There's a situation that requires your assistance.
20:51Is it about the Jane Doe of the Railroad Trust?
20:53That's, I've left the address right there.
20:56Is it about Jane Doe?
20:59What a terrible thing to be called Jane Doe.
21:02All my years here, they always struck me as the saddest of them all.
21:07Maggie, is it about the Jane Doe?
21:11Oh, yes.
21:16Marvelous.
21:24It's weird, talking to you here, where you don't talk back.
21:33This was your idea, Kay.
21:35Go.
21:36She asked me to take her.
21:37She didn't ask me to sit there.
21:38What the fuck did you do?
21:39Though I can hear you saying,
21:43is it weird or is it nice?
21:45Hey, why not?
21:46But you can describe her.
21:48Kay, it's a cemetery.
21:50There are mourners everywhere.
21:51Look.
21:52They're over there.
21:52Dorothy, look.
21:53Oh, look.
21:53I'm sad those people are.
21:55Private innocence of someone who can grasp the appropriate societal emotional boundaries.
21:59Yeah, but that's not Lucy.
22:00You.
22:01It's not you.
22:02Right.
22:03Because Lucy's just like me.
22:05Because she's my daughter.
22:07Right?
22:08And they called me wild child.
22:13What?
22:14Wild child.
22:14They're a...
22:15It was wild child.
22:16No, that's not the words.
22:18They're the words.
22:18Ran calling wildfire.
22:20And they called me wild...
22:22No, not wild child.
22:23Wild child.
22:24Yellow Mountain called Nebraska Night and a...
22:26And a pony called wildfire.
22:29Wild child.
22:29Oh.
22:30God, I can't believe that we're...
22:32We will literally fight about anything.
22:34Anything.
22:35A song from our childhood.
22:38Because...
22:38I mean, you...
22:39Fighting is the idioma.
22:40The language of siblings.
22:43We could try and not be so threatened by each other.
22:47I am not threatened by you.
22:49I am not threatened...
22:52Forget it.
22:53By you.
22:53No, listen.
22:54I couldn't do your day.
22:56Not one day.
22:57Not one day.
22:58No, no, no.
22:59You win.
22:59Just the thought of being in proximity of a dead body.
23:03It just...
23:04It would destroy my brain space with dread...
23:06Maybe if I hadn't seen death at such a young age, I would have had some broader career choices.
23:10Just maybe.
23:12He was my father, too.
23:13Okay.
23:14Oh, fuck off.
23:16You just like being weird.
23:17I'm not the weirdo.
23:18You're the weirdo.
23:19No, I'm not.
23:20And you're not the normal one.
23:21Oh, well, between the two of us, I am the normal one.
23:22Just because you have a lot of money, it does not make you normal.
23:24Oh, actually, first of all, yes, it does.
23:28And second, it really bugs you that I have money.
23:32It really bugs you.
23:33You resent me for it.
23:34I do not.
23:35You do!
23:36What the fuck?
23:36You do!
23:38And you...
23:38Shut up!
23:39Now, look...
23:39Just shut up, okay?
23:44Now, look what you've done.
23:45That was your fault.
23:49Give her a moment.
23:50Walk away.
23:52Go fuck yourself.
23:53Get in the car.
24:02Excuse me.
24:03You, uh...
24:05You Dr. Scarpetto?
24:07Uh, yeah, yeah.
24:08Dr. K. Scarpetto.
24:09Agent Ben Wesley.
24:10Nice to meet you.
24:12Oh.
24:13Yes.
24:14Agent Ben Wesley.
24:16Benton.
24:16Benton Wesley.
24:19Well, the FBI.
24:20Did Detective Marino not tell you how it's coming?
24:22Um, tell...
24:23He told me.
24:24Yes, you are Agent Wesley.
24:25Hi.
24:26Um, I will meet you in my office.
24:28It's right down there.
24:29I will just go and put myself through a car wash or something.
24:33Probably.
24:34I-I'll go find Pete.
24:36Okay, great.
24:36I will meet you down there.
24:38Yeah.
24:38Okay.
24:39Bye.
24:40Bye.
24:53Uh, husband's a squirrel.
24:55Probably close to earning himself a poly.
24:58I-I know folks are scared.
25:01Time is of the essence.
25:02Yes, sir.
25:04Yeah, any more platitudes you want to share?
25:07City Attorney Boltz not all together pleased with our progress?
25:10Never trust pretty men.
25:12That goes for Peterson and Boltz.
25:14Anyways, as I was saying, no way are guys black.
25:16I agree.
25:17Interracial mix and victim selection is unusual.
25:20It don't happen.
25:20Period.
25:20Unless the killer is rapidly decompensating.
25:23Whatever the fuck that means.
25:24It means he's losing his mind.
25:33You guys always fight like this?
25:36No.
25:37Yes.
25:38Vicap yokes a bureau profiler with a homicide detective.
25:42Yeah, so we can learn about serial killers and psychotwaddle,
25:46and they can get tougher, funnier, and handsomer.
25:48How, uh, does Laurie Peterson affect your profile?
25:51This guy is someone you might not look at twice.
25:55He's well-functioning, probably has some type of menial job,
25:58a construction worker.
25:59Like an all-average, all-American Joe?
26:01Labor-related occupation, I suppose,
26:03but above average in intelligence.
26:05That's shocking.
26:06No, the best part for him is the antecedent phase,
26:09the fantasy plan, right after he becomes aware of her,
26:12when he's fueled by obsession.
26:14Yeah, my sense is he's a sadist.
26:17You don't break a surgeon's fingers by accident.
26:20Or violinists.
26:21I'm sure he entertained violent sexual fantasies
26:23long before he made them reality.
26:25It started him just looking in windows.
26:27Seeing the women watching them.
26:29Wanted to see them hurt.
26:31Next he rapes.
26:32Each rape gets more violent.
26:34Maybe needing more violence each time just to get him off.
26:37Or rape is no longer the motive murder is.
26:40And when murder no longer satisfies.
26:42He gets more sadistic.
26:44It's a taste for torture.
26:45How does he find them?
26:46Why them?
26:50Not for nothing but, uh, Matt Peterson,
26:52our Ph.D. candidate who's too brilliant to be our killer.
26:56He was a non-secreter.
26:58He had no blood type in his jizz either.
27:01This is the husband of the most recent victim?
27:03Mm-hmm.
27:05Can't hold back information, Pete.
27:06It's not playing fair.
27:07Well, he wasn't a plumber, so I didn't want to push.
27:10Look, Ted Bundy happened to study law.
27:12Well, who's to say our killer isn't a student or, dare I say, an educated actor?
27:18Christ, if that's not oxymoronic, I don't know what the fuck is.
27:25You'll get to understand him.
27:26Yeah, well, sometimes it gets exhausting, understanding men.
27:36Yeah, I mean, look, we screw up here.
27:39Next Friday, another woman could die, and I can't have him jumping to conclusions.
27:46Matt Peterson worries me if I'm being honest, Dr. Scarpetta.
27:53Okay.
27:57You can call me Kay.
28:01Kay.
28:02Okay.
28:03Okay.
28:04Kay.
28:06Okay.
28:09Do I want to know what that's for?
28:12Uh, no.
28:14No, you don't.
28:17Joe found partials on the wife's body that match Peterson.
28:21Same glitter slime on her as the rest of the Vicks.
28:24Looks like our very own Ted Bundy just bought himself a polygraph.
28:45I love her.
28:49Where are you?
28:58she's not been off that computer once doing a lot of yelling did you hide the newspaper yes
29:04wish i didn't look myself yeah well just you know be careful and smart like you always are
29:13ah this is the great thing about age yeah for yourself you don't worry so much good night
29:19dr kate hey yeah yeah thank you of course good night lucy
29:39how come you're spying on me i'm not spying i can see you you know
29:46that's because you're such a clever girl
29:50i'm i'm sorry we had to cancel monticello it's fine i like the computer better anyway
29:58ouch when you say things like that do you mean to hurt my feelings i don't like it more than
30:03you
30:03there was just loads to do what on the computer yeah your database needed so much cleaning you
30:10haven't initialized it in over a year i had it what does that mean don't worry i fixed it all
30:19up
30:21you you fixed it lucy what the fuck did you do to the sorry i did it just how the
30:27book said
30:27any dickhead could figure it don't say dickhead you say fuck lucy is this like the time that you
30:32formatted your mommy's diskettes and then she lost a whole book no don't worry auntie k i extorted all
30:38your data first you exported it that's what i said where where did you export it to these disks
30:46lucy what did you do with the computer
30:55the lady that died in the paper she was a doctor like you
31:05lucy honey i don't want you to die aunt dk
31:11uh yeah i
31:15i know i know i'm not i'm not gonna die my daddy did
31:22hey come here
31:26you can't die auntie kate you just can't
31:31i know
31:36i'm not going anywhere
31:40nothing's gonna happen to me
31:45promise
31:54okay
31:56okay
32:06okay
32:07okay
32:15time
32:18Well, you are a party in a bag, aren't you?
32:20Hey, it's all over the news.
32:22Our lady of the train tracks,
32:24that's what they're calling her.
32:25Is that where you were?
32:26Um, where is Lucy?
32:29Are you dressed like that for the birthday party,
32:32or are you having a not-so-subtle mental event?
32:35Actually, at my age, you know,
32:38seeing dressing and makeup is my new thing.
32:40It's all about communication,
32:42about being open and saying to the world,
32:44hey, hi, it's me, Dottie.
32:49Wow, look at those fucking boots.
32:51Aren't they fun?
32:52So what you're saying is that being a lifelong extrovert
32:55has just been a cover, has it, for your inner shyness?
32:58Yes, I know.
33:00Hi.
33:01Ooh.
33:03What?
33:03You stink.
33:04And not in your normal morgue way.
33:06What is it? Wait, let me smell.
33:07Stop it. Let me smell.
33:08Just stop it.
33:09Oh.
33:12Cigarettes.
33:13Bad girl.
33:15Want some wine?
33:16No, I don't want any wine.
33:18Have you checked in on Lucy?
33:19Oh, she's not five.
33:21It's her birthday.
33:22I mean, she said the worst year imaginable.
33:24Oh, don't be so dramatic, Kay.
33:26Dramatic?
33:27She lost her wife.
33:28I know.
33:28Have you seen her?
33:32Where is she?
33:35Talking to her dead wife.
33:36Where do you think?
33:43Oh, you are drinking.
33:45Okay.
33:50Yay.
33:52Yay.
33:52Happy birthday, babe.
33:54Thanks.
33:56Did you make a wish?
33:59I did not.
34:04Okay.
34:04Hey.
34:06You should probably be getting over to your celebration.
34:09Oh, yeah?
34:11Well, Kay is late.
34:13And I am not going over there if it's just my mother.
34:17Okay, then.
34:18Time for presents.
34:24Happy birthday.
34:26Bye, my love.
34:29Are you spying on me, Aunt Kay?
34:31Hey.
34:33Pass, Janet.
34:36Don't act like I'm doing something weird, okay?
34:38I'm not.
34:39I'm just asking.
34:40Sorry that I'm late.
34:43Look, I hate my birthday.
34:45I always have fans.
34:47I just assume we skip it all together.
34:49Mm-hmm.
34:50Oh, yeah.
34:52I know, Luz.
34:53I know.
34:54I'm fine.
34:55Well, I got you something.
35:09It's a dinosaur bone.
35:11And it has meteorite detritus.
35:14It's in the shape of an infinity symbol.
35:18Because I know my audience.
35:24Who we are endures forever.
35:30Do you really believe that?
35:32After all you've seen?
35:39Oh, yeah.
35:42Your very existence proves it.
35:49It took a while.
35:52Let's go eat some cake.
35:53Come on.
35:57You should see what your mother's wearing.
35:59I don't know.
36:00Oh, yeah.
36:01Yeah.
36:04Marlon can have some cake.
36:07Yeah?
36:07Yeah.
36:08What kind of cake?
36:11Come on.
36:12Oh, yeah.
36:23Okay, here she is.
36:26Hello.
36:27Yay!
36:29Happy birthday, Lulu.
36:30Thanks.
36:31I never thought we'd get you out of that cabin.
36:33Well, you didn't.
36:34Okay, let's do a tow, shall we?
36:36Yes, but wait.
36:36Where have our husbands gone off to?
36:38Danti-a-bure-at-ay.
36:42Oh, my goodness.
36:43Oh, my goodness.
36:43Danti-a-bure-at-ay.
36:46Danti-a-bure-at-ay.
36:50Danti-a-bure-at-ay, Lusi-ay.
36:52Betting just got here in time.
36:54Danti-a-bure-at-ay.
36:58Happy birthday.
37:00Happy birthday.
37:01Make a wish.
37:05Here it is. Happy birthday.
37:08Happy birthday.
37:09Thanks, guys. This is so, so nice.
37:12Thank you. Happy birthday, Lulu.
37:14Come here. Go.
37:15Give your mother a hug. Good.
37:18How was your day?
37:19Cheers.
37:21You smell good.
37:24I don't.
37:26Dorothy said I stink.
37:28How was the meeting?
37:30Well, sort of like a surprise welcome back to the FBI.
37:33Mm-hmm.
37:34Stale bagel fruit cup kind of deal.
37:36How'd that feel?
37:38As you'd expect, I guess.
37:39Did you remember to bring my purse downstairs?
37:42Yeah, put it right there.
37:43But did you remember to put my Chanel lip gloss in it?
37:46I don't know what that is.
37:49This is what it is.
37:51Okay.
37:52Oh, honey.
37:53Look at her.
37:54Okay.
37:55Okay.
37:56He doesn't like PDA.
37:58Oh, my God.
37:58Mom, can you just give it a rest?
38:00Jesus.
38:00Give what a rest?
38:01Lucy.
38:02Why are you such a prude?
38:04I mean, you're gay.
38:07I'm gay, guys.
38:08I'm gay.
38:09You know what?
38:10If you don't look out, you're gonna end up like one of those gray gardens recluses living here with your
38:16auntie in this big house until the end of time.
38:19You really need to get a handle on yourself.
38:22Hmm.
38:22Get a handle on myself.
38:24How?
38:24Move out, Lucy.
38:26Oh, God.
38:27Move out.
38:28Dorothy.
38:29Come on.
38:30What?
38:30And get a place of your own.
38:32Uh, uh, you had talked about wanting to do a PI business with my Peter here.
38:36Hello.
38:37Yeah, we talked about it.
38:38Right.
38:38Or, I mean, you could always go back to the FBI.
38:41They seem to always be hiring.
38:43Okay.
38:43Well, we'd be glad to have you, Lucy.
38:45Thanks, Bea.
38:46Look, there's nothing wrong with me living here.
38:48I'm not...
38:48And by the way, I made enough money by the time I was 13 to never work again.
38:52So if I'm living here, it's because I want to.
38:54I'm not saying there's anything wrong with it.
38:57I just think that it might be serving as a reminder of the very thing you need to get over.
39:03You mean Janet?
39:04No.
39:04My wife?
39:05Grief.
39:06Okay, Dorothy.
39:06Baby, that's what you need to get over.
39:08Well, good luck to me being the first to ever recover from it.
39:11Dorothy, can I see you in the kitchen, please?
39:12Sweetheart.
39:13All right.
39:13Cynicism will only get you so far.
39:14Can I see you?
39:15Yeah, well, I'd say the same thing about bullshit.
39:17But you are clearly living proof that that is not the case.
39:21Tough talk.
39:22Dorothy, I need to speak to you in the kitchen.
39:25I'll be right there.
39:25Watch it.
39:28Now.
39:29I'm coming.
39:31I'm coming.
39:32God.
39:32What?
39:33What are you doing?
39:34What?
39:35What the fucking hell are you...
39:36Turn those ears off.
39:39What?
39:39Why are you picking at her?
39:40Hmm?
39:41Why?
39:42Why?
39:42I mean, if she's happy.
39:44Oh, does she look happy to you?
39:46Anyone who has lost their wife in the last year isn't happy.
39:50Okay, but how many of them are still talking to their dead spouses all day long as if they
39:56were alive?
39:57Come on.
39:58So you're blaming me?
39:59Yes!
39:59Are you?
40:00No.
40:00Yes!
40:02Sei troppo intulgente con lei.
40:04Stop it.
40:05Stop it.
40:05Stop it.
40:05You are so easy on her.
40:07You are.
40:08No, I'm not.
40:09You can't say no to her.
40:11So that's a bad thing.
40:12Is that what you're saying?
40:13Yes.
40:14Why?
40:16If we're speaking honestly.
40:18Honestly?
40:18Yes.
40:19I think she was better off...
40:23What?
40:23What?
40:24What?
40:26What?
40:27What?
40:27What?
40:28Say it.
40:29Say it.
40:29What?
40:30I think she was better off before you came back.
40:35I fucking dare.
40:36Oh, what?
40:37Fucking dare I what?
40:38Care about my daughter.
40:39Care about my daughter.
40:39Yeah, yeah, she's my daughter.
40:41Okay, not yours.
40:41You didn't raise her.
40:42You didn't pay attention to her.
40:43Oh, I know.
40:43You only bother with her when.
40:44Listen, I am here now in her greatest moment of years.
40:47You're here.
40:47And as soon as you don't feel like being here, you will be gone.
40:51You will be gone.
40:52And that's why I'm here.
40:53Because I have to pick up the pieces.
40:55Oh, right.
40:55Because you're a saint.
40:56You're a saint.
40:57You're a saint.
40:58You're a fucking hero.
41:00No, don't do it.
41:00Oh, I know.
41:01You sacrificed your work and your life for your sister's only child.
41:07And you are a vain, shallow, male addicted narcissist who's never seen a cock or a myriad
41:12that you didn't like.
41:15Shit.
41:17Shit.
41:18Shit.
41:18Well, I would rather be me, cock and all, than some joyless, cold-hearted, scientific cunt
41:29like you!
41:30I will fucking-deck you!
41:33You're blowing up.
41:34Come on.
41:35Come on.
41:35Come on.
41:37Okay.
41:39Okay.
41:40Okay.
41:48All right.
41:49Here.
41:51Tell Lucy.
41:52Tell Lucy I'm sorry.
41:54Of course.
41:54I don't want to do that to her today.
41:56It's okay.
41:57It's okay.
41:57I just-
41:59All right.
42:00This is a shit show.
42:02Yeah.
42:02This is a shit show.
42:04I'm gonna tell you it's a shit show.
42:05Okay.
42:06In the making.
42:08I'm taking you.
42:09What?
42:09What?
42:10You're not gonna stay here with your lovely wife?
42:12Shh, shh, shh.
42:13You got, you know, rain in the forecast, bad treads, you drive an antique car.
42:17I'm just-
42:17I'm gonna take you.
42:18I'm gonna take you.
42:19I'm stuck here with his lovely wife.
42:22I'm so sorry.
42:23So sorry.
42:26Hey!
42:28Hey!
42:29Shhh!
42:29No, you shush!
42:49All right, colonial landing condos.
42:51Yeah, if you told me.
42:55Am I bad for Lucy?
42:58No, I mean-
42:59No, tell me, honestly.
43:00Do you think I'm bad for her?
43:01I think that Lucy is who she is because of you.
43:04No, that doesn't help me.
43:06Do you think-
43:06Do you think she shouldn't be living with me?
43:09Ah, come on.
43:10I don't think it matters where the fuck she lives as long as she's talking to A.I. Janet all
43:13day long.
43:16Yeah, but if you tell her not to do it, she just wants to do it more.
43:18She's been like that since she was a baby.
43:21Yeah.
43:21Well, you've also never been able to say no to her.
43:28What do we do? Sit here and-
43:30Okay.
43:30I'll tell you the truth.
43:31Okay.
43:32I just-
43:33I'm so fucked.
43:34I'm telling you.
43:36Reddy installed Maggie in my office today and it's-
43:38What do you mean he installed Maggie?
43:40Like-
43:42Why would he-
43:43You think he's gunning for you?
43:44I mean, look, you did humiliate the guy on the daily for ten years.
43:47I would never have come back after he forced me out. Ever.
43:51If I'd known he was gonna be my boss. No.
43:54Yeah, well, you would have come back cause you did come back for her.
43:58Right?
43:59You'd come back to give Lucy a family, all of us, and that was a good impulse, so-
44:03And maybe I didn't like the way I left things last time around.
44:12I need you.
44:14Well, I'm right here.
44:16I need someone I can trust.
44:21I'm all in, Doc.
44:22No.
44:23Needs to be official. Put your hand on your heart.
44:25What?
44:25Yeah.
44:26You need a real position. You need a job.
44:28Alright. Actually, I don't need a job for the first time in my life.
44:31I'm a kept man, in case you didn't tell us-
44:33It needs to be official so I can protect you, so you don't get kicked out of crime scenes and
44:37the morgue and so-
44:39Anyway, it needs to be legit.
44:42How does Forensic Operations Specialist sound?
44:44Forensic Operations Specialist?
44:46You like that, right?
44:47Yeah, that sounds educated.
44:48I need you to repeat after me.
44:50I, Pete Marino.
44:51I, Pete Marino.
44:52I'm officially deputized as Forensic Operations Specialist.
44:56I'm officially deputized as Forensics Operations Specialist.
44:59Pow!
44:59Kay Scarpetta is going to decide my work.
45:02God is going to decide my work.
45:04What is this?
45:05And she's going to make my pay as little as humanly possible.
45:09I'm going to make my pay as little as humanly possible.
45:10Do you accept that?
45:11Absolutely.
45:16Hey, Doc.
45:17Hey.
45:18Sorry to call so much.
45:19Uh, Doc?
45:21I, uh, just deputized him as my Forensic Ops guy officially.
45:25He's on the payroll.
45:26Everything.
45:27Uh, you just did that in the car?
45:29Forensic Ops in the house!
45:33Who is her?
45:34Gwen Haney, 33.
45:37Biomedical Engineer at Thor Labs.
45:39That tech company off I-95 that made the news for 3D printing human organs.
45:45Her boss called it in when she was a no-show at the office.
45:50Officer Fruit, you're first on the scene again.
45:53That she was.
45:54Likes to be everywhere at once, this one.
45:56Gets it from me.
45:57I didn't know you were so close.
45:58I didn't even know you knew each other.
46:00Yeah, well, I think they call that the mentor-mentee relationship.
46:03Uh, anybody get any of the security footage from those two cameras on the gate?
46:06Maybe check that out. They're operational.
46:07Yeah, I'm on it.
46:08Yeah.
46:08Why do you think this missing Gwen Haney is, uh, Jane Doe?
46:13Because I think we may have found the murder weapon.
46:19We took prints on arrival.
46:21Where'd you find it?
46:22It was propping open the door in the living room.
46:27It's the right size, right shape.
46:30There's no blood on the ball, but there was only one blow.
46:37Oh, this is the lab.
46:40Officer Ryan.
46:42How bad was the hit?
46:44Mm, punched out the bone. Traumatic brain injury.
46:49And they could kill her?
46:50Would have eventually, but he took her to Dangerfield Island.
46:54Slid her throat and she bled out.
46:58Well, it could have caused a brain injury, huh?
47:02Yes.
47:07Prints on the kettlebell came back with a name.
47:10And?
47:10Who is it?
47:13Ryan.
47:14Who is it?
47:16It's Matt Peterson.
47:19Matt...
47:20Matt Peterson, the husband of the murdered Lori Peterson?
47:24No, they can't be right.
47:25They're his prints.
47:29If that's true, then 20 years ago...
47:35We got the wrong guy.
47:39There is a house in New Orleans.
47:49They call the rising sun.
47:57They call the rising sun.
48:00And it's been the ruin of many.
48:06He's a poor boy.
48:09And God, I know I'm one.
48:17And God, I know I'm one.
48:20My mother was a tailoring.
48:29She sewed my new blue jeans.
48:37She sewed my new blue jeans.
48:40And my father was a gambling man down in New Orleans.
49:02It's the one I built my whole career on.
49:05My reputation, everything.
49:09I can't be wrong.
49:12We have a possible murder suspect who has gone off the grid.
49:16Matt Peterson.
49:17You can find anyone with the right equipment.
49:19I could run facial recognition on the public cameras.
49:23I did think it was him back then.
49:25But you proved me wrong.
49:27Right?
49:28If he'd have something to do with this, then Gwen's death is on me.
49:32You'd have tarnished on your otherwise flawless reputation.
49:37Death stare.
49:40What is your obsession with this case?
49:42This is not like you.
49:45You don't know, do you?
49:46Stop being cryptic.
49:48I know my wife.
49:49I think you know the parts of her that she wants you to know.
49:55The killer's fourth victim.
49:57Head wounds just like Gwen Haney.
49:59Doc, what we're looking for here is a serial killer.
50:01And I think we're the only ones looking for him.
50:04Trust no one.
50:05And even people that you think you know.
50:08No secrets between us.
50:11Not any.
50:13I wanna know what you said to my husband.
50:15You put yourself in the middle of my marriage?
50:18Now that's too far.
50:20Death is all I've thought about since I was 11.
50:22No!
50:23Once you've experienced it.
50:30You're really never the same.
50:37I got one foot on the platform.
50:48And another one on the train.
50:58I'm going home.
51:04To me.
51:06Or at least.
51:09To where that ball.
51:14And the train.
51:18There is a house in New Orleans.
51:27There is a house in New Orleans.
51:29They call the rising sun.
51:38And it's been the ruin.
51:43Or many.
51:46That's a poor boy.
51:50And God.
51:54I know.
51:59I'm one.
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