Beyond Paradise S04E02 (2026)
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PrimeSeries is your destination for the best Asian and Spanish TV series with English subtitles, featuring top-quality dramas from Turkey, China, Korea, Thailand, the Philippines, and Spain.
We bring you a wide range of series including romance, drama, thriller, and emotional storytelling. Whether you enjoy Turkish dramas, Chinese historical series, Korean romantic shows, Thai lakorn, Filipino teleserye, or Spanish drama series, PrimeSeries delivers high-quality episodes with accurate English subtitles for global audiences.
Watch full episodes in HD, explore trending international series, and stay updated daily with the most popular shows worldwide.
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TVTranscript
00:00You
00:36Let's go.
01:04Let's go.
01:36Um, what's your name?
01:38Adam Walsh.
01:39What were you doing in that man's shed?
01:42I came to save a mate last night, but we fell out.
01:44Just needed to get my head down, but then I woke up and that old crank had locked me in.
01:48Am I going to get done or what?
01:51I don't think they hand out custodial sentences for stealing biscuits.
01:57Custodial.
01:58As in custard creams.
02:00Forget it.
02:01Where do you live?
02:02Exeter.
02:03Okay, straight on the train.
02:04Go on home.
02:05Don't want to see you around here again.
02:06I just want to get home.
02:07I have a shower and some food.
02:08I'm starving.
02:10Oh.
02:12Mums, cheese and homemade pickle sandwiches.
02:15Take it for the journey if you like.
02:16Oh, cheers.
02:17Okay.
02:18Go on.
02:21Oi!
02:22Is that it?
02:23You won't be having any more trouble from here, Mr. Franklin.
02:26I'll hold you personally responsible if I do.
02:29Just so you know, Mr. Franklin, both imprisonment is also a criminal offence.
02:38Humphrey.
02:48Oh, Humphrey and I appreciate that.
02:51Thanks.
02:52Bye.
02:53That was Hannah.
02:55Checking on us after our meeting the other day.
02:58Pausing fostering still feels like the right thing to do.
03:01Yeah, it's probably for the best.
03:02Especially now we're back living with your mum.
03:04Exactly.
03:06Green or blue?
03:07What do you think?
03:09It was a bit formal for a Tuesday morning.
03:11The WI ladies are taking me out tomorrow evening.
03:13Again?
03:14Oh.
03:15Between us.
03:16They've become slightly suffocating since I've become councillor.
03:21Oh, they're both nice.
03:23Uh, the green one then.
03:25You're just saying that to shut me up.
03:27Humphrey.
03:28Green to match your eyes.
03:30My eyes are brown.
03:32So are they all.
03:36Sorry.
03:40Hello.
03:43Right.
03:44I'm away.
03:45Saved by the bell.
03:57Hiding from the paparazzi.
04:00Pardon?
04:02Well, don't get me wrong.
04:03They're very stylish.
04:05Not a criticism.
04:07Is it an image revamp?
04:10No.
04:11It's a tension headache from a cricked neck and no sleep.
04:15But thanks for the compliment.
04:19Rosewood Cottage.
04:20Where are you?
04:23Are you the police?
04:26Hello?
04:28Mrs Harris?
04:32I've been hiding in case they came back.
04:39Oh, darling.
04:39Oh, darling.
04:40I am so sorry.
04:42I was with a client.
04:43My phone was off.
04:45Clyde Harrison, June's husband.
04:47D.I. Goodman.
04:47This is D.S.
04:48Williams.
04:48I'm sorry we weren't here earlier, too.
04:50It's slightly tricky to find.
04:52We are tucked away here.
04:54It was much easier to find when the woodwork was pink, albeit slightly garish.
04:57Uh, shall we go inside, Mrs Harris?
05:08Look at it.
05:09They've wrecked the place.
05:20Sorry, Mrs Harris.
05:21What exactly did you notice was wrong?
05:28The whole place was upside down.
05:31They turned the drawers out.
05:33This chair was on its side.
05:35It was all a mess.
05:39It was all a mess.
06:00How are you so good at it?
06:02A what?
06:03Adulting.
06:04I mean, you make it look so easy doing ten different things at once and you're not even stressed.
06:09I'm just good at hiding it.
06:11Besides, stress isn't always a bad thing.
06:13We wouldn't get what we wanted without it.
06:15But what if you don't know what you want?
06:17Like, I really like what I do here, but I'm just worried that it's not what I want to do
06:22long term.
06:23I should hope not.
06:24I don't want to see you go, Zoe, but you've got a whole life to live.
06:27Doing what, though?
06:29You're 18.
06:30You've got bags of time.
06:31Takes six years to train to be a vet.
06:33Do you want to be a vet?
06:34No, I won't.
06:35I'm just making a point.
06:37How did you decide?
06:39I didn't.
06:40I went travelling.
06:42Thailand, Vietnam, Malaysia and the Caribbean.
06:45That must have been incredible.
06:47It was the best thing I could have done.
06:48I went alone and it took me more than any course ever did.
06:51Really?
06:52Weren't you frightened?
06:54Sometimes, but that's life, isn't it?
06:56My advice is to have all the experiences you can, good and bad.
07:00Take risks.
07:01Choose adventure, Zoe.
07:05Finger!
07:10I know what I saw.
07:13You're sure there's nothing missing?
07:15I've checked.
07:16Everything appears to be where it should.
07:19Understanding attachment disorders by Dr. Clive Harris.
07:22I'm a clinical psychologist.
07:24And a published one at that.
07:27I'm sorry, what happens now?
07:29Without any evidence of a break-in, then I'm afraid there's nothing much we can do.
07:33I am not mad!
07:35No one's suggesting that, Mrs. Harris.
07:37You don't need to.
07:38Clive is diagnosing me as we speak.
07:40June, that's not true.
07:46Yeah, thank you both for your time.
07:48I'm sorry if I've wasted it.
07:49Of course not.
07:50You're very welcome.
07:52Nothing to apologise for.
07:54Have there been any causes for concern with June recently, psychologically?
07:59Nothing.
08:00I'm as perplexed as you are.
08:02Yes, well, you know where we are.
08:04Yes, Sergeant.
08:10Might be the start of something to do with our mental health?
08:13Yes.
08:15Well, there's a buck coming.
08:17I believe her.
08:19You think someone trashed the place, then immediately put everything back exactly as it was?
08:25Not exactly as it was.
08:27Dr. Harris' book was upside down.
08:28It's odd.
08:29Don't you think?
08:30And the rest of the shelves were so neat.
08:40I've got a profile here on the eminent Dr. Clive Harris in the Times last month.
08:45I became a psychologist because I care.
08:48Oh, the burglary on Millstone Lane.
08:51I give my right arm for a burglary at the minute.
08:54Honestly, if I get one more call out about kids doing wheelies in the high street or eating people's custard
09:01creams, I'm going to scream.
09:02Well, it wasn't actually a burglary, so you didn't miss out on anything.
09:07But I took the call.
09:08Poor woman was hysterical.
09:10House was immaculate.
09:11What's going on, then?
09:13Not sure yet, but she certainly seemed convincing.
09:16Maybe it's like that old film where the husband gaslights the wife into thinking she's gone doolally.
09:23Oh, what's it called now?
09:25Um, gaslight?
09:28That's the one.
09:30Oh, I just hear they fostered, too.
09:33Dr. Harris's interest in attachment theory inspired him and his wife to foster children from troubled backgrounds.
09:40Doesn't sound like a manipulative gaslighter.
09:42Mum, I did an online quiz about this.
09:45Apparently, I've got an anxious attachment style.
09:50Oh, I don't buy into all that nonsense.
09:54That's because you're an avoidant.
09:57The only thing I'm avoiding is cod psychology.
10:00And this headache, if I can.
10:03See?
10:04You're masking the pain with pills when you should be pinpointing the root causes.
10:09I can pinpoint one of them right now, actually, Margot.
10:12Stress.
10:13That's what's going on here.
10:15Cortisol flooding the nervous system.
10:18I bet I know what started it and all.
10:21Or should I say, who started it?
10:24Yeah, all right, Margot.
10:24Thanks for the insight.
10:25But I slept badly, that's all.
10:27You should both try positive affirmations.
10:30Now, every morning, I look in the mirror and I say,
10:34I am enough.
10:36Out loud.
10:37Here.
10:39You try it.
10:41I am enough?
10:42No, no, no, no.
10:43It's a statement, not a question.
10:45Say it like you mean it.
10:48I'm enough.
10:49Less mumbly.
10:51Punctuate each word.
10:53I am enough.
10:56I am enough?
10:58All right.
10:58Don't blow me ears off.
11:00Now, you do that every morning and feel the difference it makes.
11:07Good.
11:15Yeah.
11:18Oh.
11:23Shipped and have a police station.
11:25Hold the line for me, please, Mr. Smith.
11:30Apologies, Mr. Smith.
11:32He's just popped out.
11:35Would you care to leave him a message and I'll get him to call you back?
11:41Will do.
11:42Goodbye.
11:46Didn't have the good grace to say goodbye.
11:49He wants you to call him back, ACP.
11:51He says he's keen to know your decision.
12:06Dr. Harris, sorry to bother you.
12:09Can I just check?
12:10Our next session is Tuesday, isn't it?
12:12Ten o'clock, yes.
12:13See you then, Amy.
12:51There's another liar before someone's tried to remove it.
12:55That tumour's right then.
12:57It's odd, but I feel rather relieved.
13:00Have you had any run-ins with anybody recently, Dr. Harris?
13:04No.
13:05There's nobody you know who might be inclined to call you a liar?
13:09Not at all.
13:10See, I did a bit of research after I left you earlier, and I found this.
13:18A fellow psychologist, Roger Franklin, accused you of plagiarising one of his research papers last year.
13:25How he was allowed to stay in the profession all those years is beyond me.
13:31That's the paper in question.
13:34Breaking the cycle of insecure attachment.
13:36Roger's under the impression that he invented Bowlby's theory of attachment.
13:40It's ridiculous.
13:42It's jealousy.
13:43Plain and simple.
13:44Good idea to start with him, then.
13:46Maybe, but I'd be amazed if he had the gumption to pull this off.
13:51Anything else?
13:53Unusual interactions?
13:55Who was the last patient you saw?
13:57Well, I bumped into one of them just before I arrived earlier.
14:01Amy Riley.
14:02She was outside the office.
14:03I wouldn't call it unusual, though.
14:05So she didn't have an appointment?
14:06No, not today, but I have a good rapport with all of my patients, Detective.
14:12Amy has a complex diagnosis, but she deals with it admirably.
14:17I've never had any cause to be concerned.
14:24Thank you, Doctor.
14:26Hi.
14:27I'm brief.
14:29Esther.
14:29Hi.
14:30Hi.
14:30Hello, Archie.
14:32You're here to see Doctor...
14:33About some wine.
14:35Dr. Harris wanted some advice.
14:38I'm so sorry to keep you.
14:40Unfortunately, I'm going to have to postpone our session.
14:52Good to see you, Archie.
14:59So, someone trashes the house, then puts everything back and cleans up after themselves,
15:04then goes and does the same thing to Doctor Harris' office.
15:07Any thoughts?
15:09Huh?
15:10Why would somebody commit a crime, then try to undo it twice within a couple of hours?
15:22Esther?
15:24Sorry, um...
15:25What was that?
15:26Are you okay?
15:28I'm fine.
15:30Yes.
15:31It's odd.
15:32Some sort of psychological game, maybe?
15:34Well, yes.
15:35It's a move.
15:36In any case, I'm pretty sure it'll happen again.
15:37So, uh...
15:38We should submit an urgent request for access to his patient files.
15:41And, uh...
15:42Let's pay a visit to Roger Franklin.
15:55Hi, Margot.
15:56Got a call from the manager at the train station.
15:58Fight's broken out there on Platform 1 between a couple of, uh...
16:02Don't tell me.
16:04Kids.
16:05Now, don't scream.
16:07Remember, you are enough.
16:11I've definitely had enough.
16:13Know that much.
16:18Kids.
16:19Kids.
16:20Kids.
16:21Kids.
16:23Kids.
16:24Kids.
16:31Kids.
16:40Kids.
16:43Kids.
16:44Kids.
16:46Kids.
16:47Kids.
16:47Kids.
16:55Oh, I'm so sorry.
16:56I was miles away.
16:59In Dolphin Cove?
17:00Have you been?
17:02Oh, I wish.
17:03I just said there.
17:04Sorry, I wasn't snooping.
17:06It just caught my eye.
17:07It's like paradise.
17:08Doesn't it?
17:10You planning a holiday?
17:12Thinking about going travelling?
17:14Seeing a bit of the world?
17:15That sounds amazing.
17:16Who are you going with?
17:18I'm not sure yet.
17:20Probably by myself.
17:21Well, that's brave.
17:23That's what life's about, isn't it?
17:25Having those different experiences, taking those risks.
17:28Well, good for you.
17:29As long as you take care of yourself.
17:33Kelby, I haven't told my mum yet,
17:35so please don't say anything for you.
17:49Mr. Franklin?
17:50Yes?
17:52I'm D.I. Goodman.
17:53This is my colleague, Detective Sergeant Williams.
17:55Well, glad to see it's been passed up the rags.
17:58Trust you'll be throwing the book of that little toe rag
18:00who's been squatting in my shed.
18:03They sent a young lad this morning,
18:04barely out of his teens by the looks of it.
18:07If you're referring to P.C. Hartford,
18:10then he's a highly competent police officer
18:11and a fully grown adult.
18:13Yes, we're actually here to talk to you
18:14about Dr. Clive Harris, Mr. Franklin.
18:17What about him?
18:19And his Dr. Franklin?
18:20Dr. Franklin, my apologies.
18:23Can we have a quick chat?
18:24Now?
18:25Yes.
18:26Is there somewhere a little more private we could go?
18:34But that is what Dr. Harris said.
18:36Absolutely preposterous.
18:37But you have called Dr. Harris a liar in the past.
18:39Because he is one.
18:40He stole my work and got away with it scot-free.
18:43Oh, and you wanted revenge?
18:45Don't try and trick me, Detective.
18:47For a start, I can't be in two places at one time, can I?
18:50And if one of your own officers isn't enough of an alibi,
18:54then I don't know what it is.
18:55I suppose that depends on what time you arrived at the allotment.
18:57Oh, here we go.
18:59Okay.
19:00I got here about eight o'clock,
19:03unlocked the shed,
19:04and saw some layabout sleeping on the floor.
19:07End of story.
19:08It was padlock from the outside.
19:09How did he get in?
19:11Well, I was here late last night, too.
19:131 a.m.?
19:17I'm an insomniac, later in my life.
19:19I hadn't locked up when I left earlier that day,
19:21so he must have gone in then.
19:24I put the padlock on,
19:25and then came back this morning and found him.
19:29Happy?
19:31And where were you at about 10 a.m.?
19:33Still here.
19:35Obviously.
19:36And there'll be other people who can vouch for you?
19:38The other allotment holders?
19:40Well, they've not long arrived.
19:42I mean, I was alone for much of the time, as it happens.
19:49Right.
19:50Well, thanks very much for your time, Mr. Franklin.
19:52Beg your pardon, Doctor.
19:54Watch out, share the seats.
19:55Oh, cool.
19:56Yes, I know, just take a little heads up.
19:59I don't mind that.
20:00I just skimmed that coat of varnish.
20:04So you have.
20:08Technically, Roger Franklin could have broken into the Harris's,
20:11trashed it, regretted it, tidied up,
20:13and come straight here.
20:16Er, technically, yes.
20:18Although, judging by the state of his shed,
20:20he doesn't strike me as being a particularly fastidious cleaner.
20:23Yeah.
20:24So, what now?
20:26Any ideas?
20:26Yep.
20:27Piece of cake.
20:28You know who did it?
20:29No idea.
20:30I mean, I want a piece of cake.
20:33Hmm.
20:35This stuff is ridiculous.
20:39Two lemon drizzles,
20:40two Americanos,
20:42a large milk,
20:42and a double espresso.
20:44For Lady Gaga.
20:46Hardly surprising I'm stressed,
20:48considering the amount of stick I have to put up with.
20:52Oh, no, I can't take any more or I'll be rattling.
20:55They're useless anyway.
20:56Sounds like you need a massage.
20:58You should try this new place.
21:00Apparently, the masseuse is incredible.
21:02No, thanks.
21:02Can't bear anybody touching me,
21:05let alone when it's accompanied by bare feet and pan pipes.
21:08Mum, you should take some risks.
21:10Get out of your comfort zone.
21:11Hardly class a neck massage is risk-taking.
21:15Great.
21:20What are you doing?
21:23Hi, uh, I was wondering if you had any availability for a massage lately today?
21:29Zoe?
21:30No.
21:32You okay?
21:34Yeah.
21:36No.
21:38Uh...
21:41Mr. Smith, from Hub.
21:43You know, he's chasing me for a decision on who I'm letting go of.
21:47There must be another way to deal with these cuts, surely.
21:50Oh.
21:51Show them how well you can operate on a strict budget.
21:54Yeah, possibly.
21:57Can I get a refund on the lemon drizzle?
22:00I'm not sure that equates to someone's yearly wage.
22:03It's a start.
22:10I'm not sure that's what I'm going to do.
22:18I'm not sure that's what I'm going to do.
22:21I'm not sure that's what I'm going to do.
22:35Well, that explains why he spent so much time at the allotment.
22:39Apparently, they had a huge row because he got suspended from his work.
22:43Oh.
22:44What happened here, then?
22:45Well, it was all over by the time I arrived, but the station manager thinks it was something
22:50to do with drugs.
22:52Uh, he heard the other lad shouting, we've got a deal, you can't pull out.
22:57Very good.
23:00So, two crimes, two attempts to undo those crimes.
23:05What would an eminent psychologist have to say about that?
23:09Oh, that reminds me.
23:12Email from Dr Harris' receptionist arrived with his patient records attached.
23:15I've just sent it to you.
23:17Excellent.
23:26I've just discovered something else very interesting.
23:29About Roger Franklin?
23:31No, Amy Riley.
23:33The patient Clive mentioned this morning, the one he saw just before he discovered his
23:37office had been broken into.
23:39He was right about her complex diagnosis.
23:44Dissociative identity disorder.
23:47Yeah, it's a psychological condition where a person switches between different identities.
23:52Each identity or altar has their own name, age and history.
23:57Oh.
23:57Or it might explain the attempts to undo each crime.
24:01What?
24:02Because it was two different altars belonging to the same individual?
24:08Possibly.
24:13Shall we go and talk to her?
24:15No, no.
24:15Sorry, Sergeant.
24:16As your senior officer, I'm asking, no, ordering you, to please stand down and go and have the
24:23massage your daughter booked for you.
24:24Oh, no.
24:25Honestly.
24:25It's for purely selfish reasons, believe you me.
24:28Because I'm honestly not sure how many more of those strange noises I can listen to you
24:31make.
24:31Okay?
24:32So, please, off you go.
24:36Enjoy.
24:39Right, Kelby, you're with me.
24:54Enjoy.
24:55Great.
24:57Thank you so much.
24:57Have a lovely day.
24:58All right.
24:59Hello.
25:00Hiya.
25:00Can I help you?
25:00Amy Riley, can you have a quick chat, please?
25:07I was a kid when it started.
25:10Seven, maybe.
25:11Nobody took any notice, really.
25:13My parents just thought I had imaginary friends.
25:16It's not unusual when you're little, is it?
25:20But they weren't friends.
25:23They were me.
25:25Or part of me, anyway.
25:27Would you mind telling us a little bit about the other identities?
25:31The past couple of years, it's been mainly Becky.
25:34Right.
25:35Sixteen.
25:35Always acting out.
25:37Can't stand authority.
25:39Authority meaning Dr. Harris?
25:42Apparently she gives me a bit of a hard time.
25:44What, apparently?
25:46I can't really tell you what my alters are like.
25:49You're best off asking other people.
25:51Dr. Harris says that Becky is always taking the mick.
25:56Calls him Clive, which is embarrassing.
25:59He doesn't mind, but I do.
26:02What does Amy think about him?
26:05I think that he is a brilliant, kind man.
26:10I just can't believe I did this.
26:14Wait, so you're admitting it was you?
26:17Not me as such.
26:19It sounds like just the sort of stunt Becky had pulled.
26:22Why might Becky call Dr. Harris a liar?
26:25Well, she doesn't reckon there's anything wrong with her.
26:27She tells him that he's talking rubbish.
26:28So if Becky is responsible for both break-ins,
26:31and then you, Amy, put things right,
26:35then, well, wouldn't you remember doing that?
26:40Not all the time, no.
26:42Especially if I go back to Amy
26:43in the middle of doing some silly Becky stuff.
26:47Sometimes I remember.
26:49Sometimes I don't.
26:52Can you tell us where you were
26:53between eight and nine this morning?
26:55At home.
26:56I think my memory gets a bit fuzzy.
27:01Sorry, I'm not being very clear, I know.
27:03No, no, no, no.
27:04You've been really helpful.
27:05I mean, thank you.
27:09Dr. Harris said he saw you this morning.
27:12I was on my way to work.
27:15So is it possible that you
27:18might have switched to Becky
27:20and then back to Amy
27:22just before you saw Dr. Harris this morning?
27:26It could have happened.
27:28Could have easily happened.
27:32Your words up?
27:35Yes, circumstantially.
27:37She pretty much confessed, though.
27:38Well, that's more than circumstantial.
27:40Well, a lifetime of not being in control
27:42of your own actions
27:43has to take its toll, Kelby.
27:45Amy strikes me as someone
27:46ready to take the blame for anything.
27:49Unlike Roger Franklin.
27:51Yes.
28:04Have you had a hot stone massage before, Esther?
28:07Uh, I've had a brick thrown at me, if that counts.
28:10Sorry?
28:12Hazard of the job.
28:14I'm a detective.
28:16A detective?
28:17Wow.
28:17Well, no wonder you're stressed.
28:19Now, it's perfectly normal
28:21to feel a little nervous
28:22the first time.
28:23I'm not nervous.
28:25Good.
28:32Okay.
28:36How's that pressure?
28:38Uh,
28:39fine.
28:40Thanks.
28:41Good.
28:43Oh.
28:44Oh.
28:46I don't normally enjoy
28:48this sort of thing,
28:49but, oh,
28:51that feels amazing, actually.
28:53My boyfriend's the same.
28:54Uh-huh.
28:55It's early days, though,
28:56so perhaps I can convince him.
28:59Most people will be delighted
29:01to have free massages on tap.
29:04Not Archie Hughes, though.
29:07Ooh.
29:08You are tense, aren't you?
29:11Let's get in those shoulders.
29:16Clive!
29:18Becky!
29:19Girl on shift with Amy
29:20said she had a visit
29:21from the police before.
29:22Said what happened.
29:23I'm sorry, Becky,
29:24but I'm afraid...
29:26I can't have this conversation now.
29:28I'll see you at our next session.
29:31You know I never do
29:32anything like that,
29:33don't you?
29:35Clive!
29:36Clive!
30:03No shades?
30:05Can I assume that's
30:07because the massage
30:07did the trick?
30:08You can assume
30:09it's because I was so desperate
30:11to get away from Archie's
30:12new girlfriend
30:12that I left them behind.
30:15What?
30:16What?
30:25Clive!
30:49Oh, so, um, background search on Franklin is pretty revealing.
30:54Apparently his behaviour towards Clive Harris was erratic, bordering on unhinged.
31:00Hundreds of abusive emails and phone calls.
31:04I mean, it's a pretty solid case for a disciplinary action.
31:07No wonder his wife gave him the elbow.
31:10Even more of a motive, he accuses Clive Harris and his whole life unravels.
31:16It makes sense.
31:16Yes, apart from the undoing.
31:19Oh, and that Mr Smith's been on again.
31:22He's like a terrier with a bone, that man.
31:24What's he after?
31:26Oh, well, I suppose he's just new to the role.
31:29And wants to make sure he's communicating regularly with everyone.
31:33Well, he's certainly doing that.
31:35I don't speak to my next of kin as much as I speak to him at the moment.
31:39And as for communicating, I can't understand half of what he's on about.
31:43I mean, what's the KPI when it's at home?
31:46What?
32:17Turn.
32:36Humphrey, you're asleep.
32:39Yes.
32:41Are you?
32:47A few days ago, Hannah told me that Rosie had something she wanted to send us.
32:52And?
32:53Nothing's arrived.
32:55I keep rushing to the door every time the post comes.
33:11Why didn't you mention it sooner?
33:13Because you've got so much on your mind.
33:17Speaking of which, talk to me about work. I know that's why you're still awake.
33:21Oh, do I have to?
33:29Mr Smith is still hounding me for a decision on who I'm going to let go.
33:34The guys are still oblivious, and I'm still desperately trying to think of a solution.
33:39I've thought of myriad ways to save money, and none of it comes close to a yearly salary.
33:44I can't stave him off for much longer.
33:49Hello?
34:01Hello?
34:02Hello?
34:10They were all in black.
34:13Did you hear them speak?
34:14No.
34:15I collapsed straight away.
34:18And the most thing I remember, I woke up in the ambulance.
34:23I was at my sister's.
34:26I will never forgive myself for leaving him alone in the house.
34:29Come on now, Julie. It's okay.
34:31Okay?
34:32It's not okay, Clive.
34:34This has to be dealt with once and for all.
34:39Is there something else we should know, Dr Harris?
34:44Clive.
34:48I...
34:49bumped into Amy Riley yesterday.
34:52Or rather, her main altar, Becky.
34:57She told me you'd spoken to her.
35:00Hmm.
35:03The ambulance?
35:04Who called for it?
35:09I've no idea.
35:11No, me.
35:13The hospital phoned when he was admitted.
35:24It doesn't look like anything was damaged.
35:26Nothing obvious stolen either.
35:28Laptop's out on the desk in the office.
35:33Hmm.
35:38Woven polyester mix?
35:41From cargo pants?
35:43But this is grey.
35:45Clive Harris said the intruder was all in black.
35:47Grey could be mistaken for black in the dark, though.
35:51They've caught themselves on something when they ran out.
35:54Right.
35:55So nothing damaged this time.
35:57Nothing taken.
36:00I've got something left behind.
36:07Amy, does the name Edith mean anything to you?
36:11Edith?
36:13You don't have an altar by that name?
36:16No, not that.
36:19Edith, no.
36:21It's mainly Becky who is more than enough.
36:26Uh, Dr. Harris said he saw Becky yesterday.
36:30Do you remember that?
36:33Beg pardon.
36:34Can I have a quick word?
36:38The recording of the 999 call from last night just came through from emergency services.
36:42I knew you'd want to listen to it straight away.
36:44Right, thanks, Marco.
36:46Hello.
36:47Can you send an ambulance to the house with the paint?
36:49To Rosewood Cottage on Millstone Lane.
36:52Right.
36:53So it's fair to assume it's the intruder making the call.
36:56And yet another attempt from them to reverse the damage they've done.
36:59They sound genuinely upset.
37:01And definitely male.
37:03Is Amy Riley in the clear?
37:05Plus, the caller started to refer to it as the house with the paint woodwork.
37:09Do you remember?
37:10Clive mentioned it used to be pink.
37:18Hello.
37:19I just popped back to pick up a few bits for Clive.
37:23The doctor's been very positive, so that's good.
37:25Good.
37:27Um...
37:27Sorry.
37:28Mrs. Harris.
37:31Do you recognise this?
37:36I've never seen it before.
37:38It says Edith on the back.
37:40Does that name mean anything to you?
37:42Nothing.
37:45And, um, sorry.
37:47What about this?
37:50Sorry.
37:54Uh...
37:56Clive, uh...
37:57Mentioned that the woodwork on the house used to be pink.
38:00That's right.
38:01Well, I don't suppose you remember how many years ago it was painted white.
38:04They do, as it happens.
38:06It was ten years ago.
38:08He'd just finished painting it when he had his first heart attack.
38:11I told him not to do it, that it would be too strenuous, but he wouldn't listen.
38:15And that's when we had to...
38:16Give up fostering.
38:19Yes, of course you fostered.
38:21I read it.
38:24My wife and I do.
38:26Although we've had to put it on hold for the moment.
38:28It's a wonderful thing to do.
38:30But hard not to get too attached.
38:32Yes.
38:33We actually had a placement when Clive fell ill.
38:36A gorgeous boy.
38:37He'd been with us for months.
38:38We talked about adoption.
38:40But social services were worried about Clive's health.
38:43We just didn't know what the future held and...
38:45How much care Clive would need.
38:48The last thing I wanted was for Adam to feel sidelined.
38:51Again.
38:52He deserves so much more.
38:55It must have been hard.
38:57It was the hardest decision we ever had to make.
38:59I can't say I don't regret it.
39:04No.
39:06Sorry.
39:09How old would Adam be now?
39:12He'd be...
39:14What?
39:16He'd have just turned 18.
39:1818.
39:2018! Pink!
39:22And now they're white!
39:2318! Thank you!
39:30What was his name?
39:30Kelby.
39:31What was his name?
39:33Sorcerer?
39:34Your boy from the allotment.
39:35The one who was fighting at the station.
39:37What was his name?
39:38Adam. Adam Walsh.
39:43Edith.
39:44Edith.
39:44Is not a person.
39:47It's a place.
39:49Specifically, her children's home.
39:56Edith House, in Exeter, is for young people aged 16 to 18 on the cusp of leaving care.
40:02Yep.
40:03I just spoke to the unit manager.
40:04This key ring is included in a leavers pack.
40:07He also sent me over a photograph of the most recent residence.
40:12Look.
40:13Adam.
40:14Yep, he left there a few days ago.
40:16The manager said that once they turn 18 then there's little support from social services.
40:20What's his connection to Clive and June Harris?
40:22He was their last foster placement ten years ago.
40:25They wanted to adopt him.
40:26But Clive had his first heart attack and then the social services removed Adam
40:30because they became concerned about the Harris' ability to care for him long term.
40:34So he went back into the system until he left last week and came straight back to Shipton Abbott.
40:40Why target them if they were so close?
40:42For that exact reason.
40:44Imagine thinking you'd found a family at last and they'd send you away.
40:47They couldn't help that.
40:49I'm not sure a vulnerable eight year old would see it that way.
40:52But Adam was locked in Roger Franklin's shed when the first break-in happened.
40:57It couldn't have been him.
41:01Hold on, look.
41:03There's that lad he was fighting with at the train station.
41:07The deal.
41:09The deal!
41:11The station manager heard the other boy say,
41:13we've got a deal you can't pull out.
41:16Is that right, Kelmy?
41:17Yeah.
41:17I don't think it was a drug deal.
41:19So what if the other boy targeted the Harris' in return for Adam doing something for him?
41:24But Adam got cold feet.
41:26Exactly.
41:26And tried to reverse the damage each time.
41:29The other boy broke into the Harris' first and trashed the living room.
41:39This is what June saw when she came back from her power walk that morning.
41:54After June left to go and get help, Adam entered the house at around 9.15.
42:00Straight from the allotment where Kelby had just seen him.
42:03Exactly.
42:04He then placed everything back as it should be.
42:09Apart from one book.
42:10Which he put back on the shelf upside down.
42:17The same thing happened in Clive's office.
42:19Adam tried to put it right again.
42:22But before he could finish the job, he heard Clive opening the door.
42:28And escaped through the window.
42:32Adam then tried to leave Shipton Abbot, but the other boy stopped him and a fight broke out.
42:35What are you doing?
42:37Get off me, man!
42:39We have to kill!
42:40You joking?
42:41What's wrong with you?
42:47So during the last break-in, the other boy framed him.
42:50A piece of cloth torn from Adam's cargo pants during the fight was left there deliberately along with the Kiwi.
42:57I don't think it was his intention to harm Clive.
43:01June?
43:05But the other boy certainly didn't want the risk of being accused of possible murder.
43:13Adam went back to the house to put things right again.
43:16But this time it was far worse than he could have imagined.
43:25Hello?
43:27Can you send an ambulance to the house with the pink...
43:30To Rosewood Cottage on Millstone Lane?
43:33When we first went to the Harris's, we were looking for Rosewood Cottage but couldn't find it.
43:37Clive said it used to be easier to find when it was painted pink.
43:40So whoever made that call must have had a history with the house.
43:45I do.
43:46Yes.
43:47And I think I know where to find it.
44:01Adam?
44:03Can you tell us who this is?
44:07Sam.
44:08We met in care and became mates.
44:10Same boat.
44:11Nobody wanted us.
44:13A few days after we left Edith's house, Sam showed me this thing you found online.
44:17Clive.
44:18In a newspaper.
44:19A profile piece in the Times?
44:23Talking about how much he cared about helping people.
44:26Didn't seem like he cared much about me when I went back into care.
44:29It must have stunned reading that.
44:32I know it was stupid, but I wanted to hurt them like they hurt me.
44:37Not properly, just shake them up.
44:41So that's when you and Sam made the deal.
44:45He would go after the Harris's for you, and what did he want you to do for him in exchange?
44:51Set up his mum's dealer boyfriend.
44:53Get him arrested.
44:55A revenge swap?
44:56I told Sam I changed my mind, but he wasn't having it.
44:59So you tried to stop it?
45:01Yeah, but that stupid bloke locked me in his shed, and by the time I got to the house, it
45:06was too late.
45:07Then Sam started blackmailing you?
45:09If he didn't keep your side of the deal, he'd frame you.
45:14It all got so out of hand.
45:19I never meant them any harm, but nobody told me anything.
45:25One day I'm living with Clive and June thinking I've got a family again, and the next I'm back in
45:30care.
45:31You understand.
45:34No, you don't.
45:36No, you're right.
45:39I don't understand what it was like for you.
45:43But I do have experience from the other side.
45:50My wife and I fostered a little girl, Rosie, not so long ago.
45:57I thought we might have a future together as a family.
46:02But we had to say goodbye to her.
46:05It was hard.
46:08It still is.
46:12Clive and June didn't reject you, Adam.
46:16They loved you.
46:18Letting you go wasn't their choice.
46:26Adam.
46:29Can you take us to Sam?
46:32I can't.
46:34He's not a bad person, he's just been through all-
46:36This isn't about punishment, Adam.
46:38We want to help both of you, I promise.
46:40But we can't do that if we don't know where Sam is.
46:47The next train to Exeter will be from platform one in twelve minutes.
47:00Finally seen some sense, Sam.
47:02Took your time.
47:04I'm sorry, Sam.
47:17You're crass.
47:18It's okay.
47:19I never laid a finger on him, I swear.
47:20We know that.
47:21We just want to help.
47:22Yeah, whatever.
47:23Sam.
47:25It is alright.
47:37You're okay.
47:38Yeah.
47:41Thanks.
47:50I'm sorry.
47:57I'm sorry.
48:02It's okay.
48:05I'm sorry.
48:06I can't be upset.
48:13You don't know.
48:21The silence of the eve
48:24The deep and foolish skies
48:29The two cleansed eyes
48:33I'll get my stuff
48:34Amy
48:37I'm not here to arrest you, okay?
48:39I'm here to tell you that we have found who's responsible
48:42And it's not Becky
48:43Okay, so most importantly
48:46It's not you
48:48Really?
48:49Yeah
48:49Oh, thank God
48:56Amy
48:58I hope this doesn't sound passionizing, but
49:02I think you're really brave
49:05The way you handle your disorder
49:06The way you're so honest and open
49:10Everyone has their stuff, don't they?
49:12Yeah, true, but not everyone handles their stuff
49:15Like you do
49:18Thank you
49:21Take care of yourself
49:36Come on then, spit it out
49:38What's on your mind?
49:40Nothing?
49:43Okay, there is something
49:44It's exciting though, don't worry
49:46I was talking to Martha
49:48Oh my God, Mum, there's Archie and that woman
49:51What should we do?
49:52Hello
49:54Esther
49:55Zoe, hi
49:57Sorry, this is...
49:58Amelia, I know, we met
49:59Hi
49:59Hi, Esther
50:00Esther, I came in for a massage
50:02Oh
50:03How's the headache?
50:04Gone
50:05I feel like a brand new woman
50:06Oh, I'm so pleased
50:07Well, let me know when you want to book in again
50:09Oh, no need
50:10I'm fixed
50:11You're a miracle worker
50:12Tell him that, will you?
50:13She is
50:14It's true
50:16See, sort yourself out, mister
50:17Yeah, I'm trying
50:21Well, we best be going, haven't we, Zoe?
50:24Nice to see you both
50:25Great to see you, Esther
50:26Yeah, well, you know where I am, if you need me
50:29I do, cheers
50:30Right, um, Kate
50:36Oh my God, Mum
50:38You're so amazing
50:39Well, we're all adults
50:41Apart from you, obviously
50:43You'll always be my little baby girl
50:45Go on, anyway
50:46What was it you want to talk about?
50:49Can't think, no
50:50No, you were chatting to Martha
50:52Something exciting
50:54Kind of forgotten already
50:55Er, yeah, she was just saying
50:57How much she appreciated me working at the cafe
51:01See?
51:02None of us can do without you
51:06I'm very proud of you
51:07Yeah? Yeah
51:09Thanks
51:11Thanks, Mum
51:19It came this morning
51:28Aren't you going to open it?
51:30Yes
51:31Why am I so nervous?
51:35July?
51:36Yeah
51:39To hunt for your Martha
51:51Do you think she knows how much we cared about her?
51:55How much we still care about her?
51:58Of course she does
52:00She knows Humphrey
52:04I wonder what you think about the lilybond, though
52:07I think it was my fault
52:09No, it wasn't
52:12Was it?
52:16Well, we couldn't live on a boat forever
52:19Speaking of which
52:20I think we should put an offering on the house
52:21Oh, it's so much work, Martha
52:23Not so much money
52:24Yeah, but we take our time
52:28Do it bit by bit
52:31Remember what we said
52:33It's the two of us
52:35And whatever else happens
52:36It will always be the two of us
52:39This is our adventure, Humphrey
52:41And there's nobody else I'd choose to be on it with
52:49That's it
52:50Come on, ladies
52:53Let's get this side
52:53And I'll get us all a drink
52:57Could you watch this
52:59A minefield for a week
53:00That's the two of us
53:11This is Dark Morris
53:13Someone help him
53:14Hurry
53:14So if someone did trigger the allergy
53:16They're just so during the dance
53:17But we were all watching
53:19So what did we miss?
53:20Is that the allergy?
53:21Is that Mr. Smith was talking about
53:22That on the golf course
53:23So, not just me
53:24You ignore your staff too
53:26She doesn't know about Mr. Smith
53:28Don't be cross-lipped at that
53:29I'm not
53:29I'm angry at him
53:30I'm here for one reason
53:32And that's to say
53:33If you're setting a man last
53:34You can't help who you fall in love with
53:36You can decide what you do about it
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