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#video #In Other Words, I Love You [Full Movie] [Trending]Full EP - Full #moviehot2026 #trendingmovie
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00:00:03I've always described the world in words people moments places all through
00:00:10metaphors and margins okay like my mom self-made stubborn and never wrong
00:00:17almost there you excited for your first day she calls this a fresh start I call
00:00:23it terrifying
00:00:30got this just for yourself that's kind of the problem
00:01:04okay morning class and you're not seated because I don't have a seat ah a new
00:01:16transfer Alice Keaton right let's see there's a spot next to Charles seriously
00:01:27the charity case sitting next to Charles quiet Charles I've always had words for
00:01:38everything but in that moment I forgot them all
00:01:53Charles move your things I'd rather not she'll be a distraction from what
00:02:00sleeping from everything if anything Charles Miss Keaton will be a positive
00:02:06influence on you she was top of her class at a previous school with all due
00:02:11respect sir her previous school was American I highly doubt that that's
00:02:19enough she can sit here it's fine back to Golding thank you you got it I'm
00:02:28Sherry Vaughan Alice Keaton it's very important that we look at what he's
00:02:34talking about their experience of the time
00:02:40wait you sat next to Charles she didn't you totally shut her down oh knew it
00:02:45don't take it personally he's impossible can everyone stop acting like the goal is
00:02:50getting into his pants what he's hot everyone kind of is I I've seen Connor
00:02:58he's not my type you're joking I don't find bullies attractive hey be careful
00:03:04you're talking about the king of Ashford the what his family basically own the
00:03:09school and the town maybe even the country yeah everyone's tried to get close no one
00:03:15can get past his ego you're not the first to get nice okay first of all I wasn't
00:03:20iced it's more like a mutual decision and second I think he's arrogant cold
00:03:26thinks he's untouchable but if you really look at Charles he just seems
00:03:31isolated like he's making out honestly I just think he's lonely and kind of
00:03:36pathetic what no go on you were saying I'm lonely and pathetic
00:03:55next time read the room before opening your mouth American we're not in Kansas
00:04:21anymore Alice
00:04:22hey how was your first day I good things like to cap it not really super
00:04:28uneventful really how's your new job yeah all right
00:04:33get this is that we can stay in the servants wing seriously mm-hmm apparently
00:04:39the young master won't mind the company the young master this is your boss's
00:04:46house yeah it's not credible I mean I wouldn't call it a house it's a museum
00:04:54with better landscaping
00:04:59wait here I'll talk to the butler
00:05:06wow rich people you've topped yourselves again
00:05:14Stephen King
00:05:15first edition
00:05:26breaking and entering now how American of you
00:05:52you can get up now I I'm trying wait are you serious well you say this is the
00:06:01You said you were trying.
00:06:03What is wrong with you?
00:06:05Funny. I was about to ask you the same thing.
00:06:08What are you doing in my house?
00:06:12You... wait. Your house?
00:06:15My house, my library, and now, apparently, my unwanted guest.
00:06:22Ah, Master Charles.
00:06:24You must be Miss Alice, Anne's daughter. She said you'd be moving in today.
00:06:28She what?
00:06:29There... there's been some kind of misunderstanding.
00:06:32You see, I'm not actually moving in.
00:06:35Is that so?
00:06:36Yeah, I'm not staying here, like, at all.
00:06:39That's a shame. Your mother seemed quite pleased with the arrangement.
00:06:41Well, I just don't think it's appropriate.
00:06:45Well, if you're sure, then absolutely not.
00:06:49Come on, Alice. You must stay.
00:06:55It'll be fun.
00:06:56My dear... classmate.
00:07:01I'm dead. Like mentally, socially, and actually dead.
00:07:12Just trying to figure out how exactly my life went off the rails.
00:07:17Get it together, Alice Keaton.
00:07:20You've been through hell.
00:07:21I wish you I'd never find someone to make my head spin around.
00:07:24No one's ever gonna be the thing I need. They all just let me go.
00:07:28But baby, you saved me.
00:07:30Hi.
00:07:31Good morning.
00:07:35Hi.
00:07:36Hi.
00:07:36Hi.
00:07:36Hi.
00:07:37Hi.
00:07:38Hi.
00:07:39Hi.
00:07:41Hi.
00:07:46Hi.
00:07:52Hi.
00:07:54Hi.
00:07:54Hi.
00:07:55Hi.
00:07:59Hi.
00:08:11Hi.
00:08:13Hi.
00:08:31Hi.
00:08:34Hi.
00:08:36Hi.
00:08:39Hi.
00:08:40here maybe you could be a decent person and give me a ride no seriously your car
00:08:50is huge yeah and I'm not a fan of sharing says the guy who forced me to live in
00:08:59his house
00:09:04unbelievable
00:09:14Ashford Institute please thank you
00:09:20who needs that entitled brat anyway sir you called the cab why don't just give
00:09:25Miss Keaton lift why don't just give Miss Keaton lift and have the whole school
00:09:34go crazy she's new everybody's already talking so you're worried about her
00:09:40you're overthinking I just don't like drama
00:09:51asshole hey morning class back to Golding remind me what he's saying through Lord of
00:10:03the flies
00:10:05mr. Kenwood care to share what you found so amusing not particularly oh I insist you seem
00:10:12very entertained by Golding I'm not entertained by Golding sir on the contrary
00:10:18I think his ending is weak wait wait you actually read it quiet that's an interesting take explain
00:10:32he had the setup for something brutal something honest in the end he backed out he could have left
00:10:40the boys on the island force them to confront collapse of all morality let them choose survival
00:10:45or death but instead he gave them a rescue boat slap a happily ever after on a book about savagery
00:10:56it's a waste don't you think I'm delightfully surprised Charles didn't think you had such strong literary opinions
00:11:04I'm always a model student sir let's not get ahead of ourselves
00:11:09so a critique of Golding's mercy anyone disagree
00:11:29I think Golding knew exactly what he was doing by ending the book that way it's not mercy it's irony
00:11:35how so
00:11:39the rescue isn't a happy ending you don't just walk back into society and forget you're a monster
00:11:44Golding didn't save them he left us with the discomfort of pretending they could be saved
00:11:48that's an interesting take Miss Keaton you still think it's a harsh critique in some ways but not harsh
00:11:56enough yes it's a critique of toxic masculinity but still Golding sympathize with them and the civilized
00:12:04world toxic violent he didn't call that out nearly as much so yeah I don't think Golding pushed far
00:12:10enough but I think it's unfair to call it a happy ending
00:12:16thank you Miss Keaton well said anyone else
00:12:23both opinions are valid okay that's kind of epic
00:12:26Golding faced major backlash when he first published the book good literature will always divide opinions
00:12:36what's happening to me
00:12:43okay what is going on why is everyone staring at me
00:12:47well you're new and apparently had a thing with Charles
00:12:50a what now you two are in the middle of this epic feud Asher's teen in years we're not even
00:12:57fighting
00:12:57well according to everyone you confessed your love on day one got rejected begged to sit next to him
00:13:03got rejected again and today in class you broke down crying about not believing in happy endings and stormed out
00:13:10in tears
00:13:13you were there sherry that is not what happened doesn't matter people believe what they want
00:13:19to believe and they want Charles to be flawless untouchable wow is misogyny like a rich kid thing or
00:13:27just a british specialty honestly both but seriously Alice some people already see you as a threat
00:13:43okay noted it looks like the new girl's in for a rough first semester
00:14:04hello hello is somebody out there
00:14:08oh come on
00:14:23fine
00:14:38seriously
00:14:41oh
00:14:42shit
00:14:48what the hell
00:14:50Anne
00:14:51i thought you were having dinner with Alice
00:14:52she hasn't come home her phone is off maybe you've seen her this evening
00:15:00yikes looks like the new girl's in for a rough first semester
00:15:09shit
00:15:14hi
00:15:16Alice
00:15:16Mr Pelton Charles Kenwood here
00:15:18i was wondering if i could get the timetable for Alice Keaton
00:15:21she hasn't come home
00:15:22she hasn't come home
00:15:23i'll have it sent over
00:15:25check the common room in the library i'll take the rest
00:15:30Alice
00:15:31Alice
00:15:44come on Alice
00:15:46close your eyes and jump
00:15:49it's fine
00:15:51you're fine
00:16:20i'm
00:16:20i'm
00:16:21my
00:16:21but my
00:16:25what what are you doing here can you get off me first
00:16:41you're welcome I didn't say thank you I figured saving your life might turn me
00:16:46basic manners someone just dumped swamp water on me excuse me if I'm not feeling
00:16:51very polite you smell like a biology experiment Wow you should try falling
00:16:57out of a window and if someone's arms are getting insulted for it wouldn't
00:17:00recommend it heavier than you look I hope you pull your shoulder you okay no but I
00:17:14will be someone did this on purpose what do you think golden boy don't worry I
00:17:22can hear you shouldn't have to I'm sorry sorry
00:17:39did you just apologize to me don't get used to it I wouldn't dream of it
00:17:48Alice over here
00:17:52you okay
00:17:55why are you drenched yeah I just took a weird shower top exploded
00:18:14I just cheated right I heard you stage the whole thing for attention
00:18:43I know how this place works if you don't do anything about it
00:18:47it's only going to get worse I look into it
00:18:54Charles good on you how many here would speak up
00:19:02I can't believe someone actually locked you in that's insane
00:19:05where the hell was the school when this was happening
00:19:08they're busy protecting their golden boys and trust folks
00:19:10well for what it's worth I heard Charles looked pretty freaked out when he ran out last night
00:19:17please he just didn't want a lawsuit
00:19:36being a scholarship student has its perks
00:19:38like saving a fortune on tuition and getting into schools that normally wouldn't even let
00:19:44you pass the gates
00:19:46hey we miss you in Paris
00:19:49though there are enough Americans to remind us of you
00:19:52but sometimes being here means staying behind
00:19:55and watching ask for the leaps go on a two-week enrichment program you can never afford
00:20:02have fun bring me something overpriced and unnecessary
00:20:10the trip cost 20 grand in pounds which translates to mom's salary for half a year
00:20:17so yeah I didn't go
00:20:40uh what are you doing here do you not believe in shirts
00:20:42do you not believe in dignity
00:20:45it's comfortable
00:20:46you look like a rejected ewok
00:20:48this this is not even your kitchen
00:20:50and this is not even your house and yet you're here dressed like this
00:20:55just don't look go away
00:20:57hard not to when you're walking around dressed like that
00:21:00what do you guys call it um buzzkill
00:21:04cock block
00:21:06you're insufferable
00:21:07you're the one cosplaying at breakfast
00:21:09you know what I don't get it
00:21:11why didn't you go on that tour I thought rich people live for that kind of thing
00:21:15why do you think
00:21:21where would I go
00:21:22I could practically recite the itinerary in my sleep
00:21:27Florence walk in the great footsteps of Dante, Michelangelo, Da Vinci and Titian
00:21:32or Tiziana if you want to sound extra pretentious
00:21:36then Venice because everybody loves a good canal and getting lost in the most confusing
00:21:41city on earth
00:21:42next stop Napoli
00:21:43marvel at Pompeii pretend you're shocked ancient people had plumbing
00:21:48the final stop
00:21:50Paris
00:21:51the ultimate city of romance
00:21:53and naturally Woody Allen's favorite city outside of New York
00:22:00that's word for word
00:22:03I told you
00:22:04I've done this tour so many times I could run it
00:22:07okay but still it's Europe
00:22:09most people would kill for that chance
00:22:11most people haven't had their phones stolen in Paris
00:22:14twice
00:22:16also I hate the accommodations
00:22:17aren't they all five-star hotels
00:22:20standard rooms in five-star hotels
00:22:22no thank you
00:22:25wow
00:22:25some were born in Rome huh
00:22:27that's unfortunate it's a very chaotic city
00:22:30one word of advice shut up
00:22:32that's two words
00:22:35you're weird
00:22:36you're loud
00:22:37you're annoying
00:22:37you're in my kitchen
00:22:38you have three other kitchens
00:22:40and I prefer this one
00:22:42just for today
00:22:43come back when you got a shirt on
00:22:44come back with normal clothes on
00:22:46you don't have to come
00:22:47don't tell me what I have to do
00:22:57after Charles roads are flooded
00:22:59staff won't make it tonight
00:23:00will you be all right sorting dinner
00:23:05I've got it sorted
00:23:22I'm here to make a deal
00:23:24what deal you nearly gave me a heart attack
00:23:31you'll survive
00:23:33I'm not selling my body
00:23:38I'm not selling my body
00:23:44Wow I am deeply offended
00:23:48that thought disgusts me
00:23:50then what are you doing
00:23:51the staff's off tonight
00:23:53I'm buying dinner
00:23:57did you seriously think I'd spend a hundred pounds on
00:24:00no I'm
00:24:02wait
00:24:04you think I'm not worth 100 pounds
00:24:08I'm not spending 100 pounds to snort Chewbacca
00:24:10you know what dinner's cancelled
00:24:15are you sure about that
00:24:18I present to you
00:24:20meatballs spaghetti
00:24:21stir fried veggies
00:24:22and french fries
00:24:23you're welcome
00:24:25interesting combo
00:24:26well I know we're not in Italy or France
00:24:28but this will do
00:24:30it's
00:24:32good
00:24:38you
00:24:38was that a compliment
00:24:39although
00:24:41I am obliged to inform you
00:24:43meatball spaghetti isn't italian
00:24:45it's american
00:24:46and french fries likely born in south america
00:24:49you should read more
00:24:52put it down
00:24:54I paid for it
00:24:55you really just have to win every argument don't you
00:24:57to be fair
00:24:59you make it very easy
00:25:01it's only easy because it costs 200 pounds
00:25:05you know if you'd ask for more I probably would have given it to you
00:25:07make sure
00:25:23hey Alice it's fine
00:25:26you're fine
00:25:33911 what's with your emergency
00:25:39911 what's with your emergency
00:25:41it's my dad
00:25:42he needs help
00:25:43he just had a stroke
00:25:44okay miss hurricane constant traffic shut down
00:25:47get to you as soon as we can
00:25:48please he's not well
00:25:49I understand
00:25:51can you confirm your address
00:25:53yes i'm right here
00:25:56all right
00:25:58my daughter
00:25:59please stay with me dad
00:26:01please
00:26:06no
00:26:08please wake up
00:26:13dad please
00:26:15please don't leave me
00:26:48what are you doing here
00:26:50okay
00:26:54you were crying
00:26:56loudly
00:26:58kind of hard to ignore
00:27:00right
00:27:02sorry for the night
00:27:04wait
00:27:05you know snarky come back
00:27:07not tonight i'm too tired
00:27:08if you're here to argue knock yourself out
00:27:13you were calling for your dad
00:27:15right
00:27:17hurricane hit new york
00:27:19power went down
00:27:20traffic froze
00:27:22dad had a stroke
00:27:24but he couldn't get help in time
00:27:28i sat there
00:27:29with a candle
00:27:31while he laid there
00:27:34peaceful
00:27:37like he was asleep
00:27:39but he wasn't
00:27:44so that's why you and your mum moved here
00:27:47this used to be our hometown
00:27:50after dad left
00:27:53we had nowhere else to go
00:27:59what are you doing
00:28:00what are you doing
00:28:04come on
00:28:05come on
00:28:20Wait, I thought the power was out.
00:28:24It is.
00:28:25We have our own generator.
00:28:26Wow.
00:28:27Rich people houses her.
00:28:29Just for tonight, I'll allow it.
00:28:33Allow what?
00:28:35You can call this place your house.
00:28:37So enjoy it.
00:28:38Stephen King's first edition.
00:28:40Alan Gisberg's handwritten letters.
00:28:42Jane Austen's notes.
00:28:43All yours.
00:28:48This is your home, Alice Keaton.
00:28:57Careful.
00:28:59Almost sounded sweet.
00:29:01Don't push it.
00:29:02Okay then.
00:29:05I have one request.
00:29:11What is it?
00:29:19Are you ever going to make a move?
00:29:21Wait.
00:29:22Give me a second.
00:29:23I'm thinking.
00:29:24You had one wish.
00:29:26Anything in the world.
00:29:28And in the middle of a thunderstorm, inside a literal mansion, you chose chess.
00:29:34Yeah.
00:29:35Got a problem?
00:29:36It's just so cool.
00:29:37Like spies or genius villains in movies.
00:29:41It's literally a board game.
00:29:42Says the guy who owns a custom set.
00:29:45Wait.
00:29:46Does the knight go diagonally?
00:29:48For the 10th time, it moves in an L shape.
00:29:52One, two, then turn.
00:29:56There.
00:29:57Happy?
00:29:59Ecstatic.
00:30:02That's a suicide.
00:30:04Or a brilliant long-term sacrifice.
00:30:06You are playing checkers at a chessboard.
00:30:08Still beating you in sarcasm.
00:30:09You literally haven't won any past arguments.
00:30:11Golding disagrees.
00:30:13It's going to be a long night.
00:30:40Maybe he's not so awful after all.
00:30:51It's going to be a long night.
00:30:51Um, who are you?
00:30:57What are you doing here?
00:30:59Well, your parents said you were still at home.
00:31:01Thank God you skipped that boring grand tour.
00:31:03Who needs Italy and France again, right?
00:31:06When did you get back?
00:31:07Last night.
00:31:08From Zurich.
00:31:09You didn't answer my messages.
00:31:12I missed you.
00:31:14Anyway, thought I'd come surprise you.
00:31:16Apparently, I'm transferring to Ashford.
00:31:19Your parents were so thrilled.
00:31:21They didn't tell me about this.
00:31:22I wanted to deliver the happy news myself.
00:31:25They said it'd be lovely for us to reconnect.
00:31:28You know, considering the engagement and all.
00:31:32Engagement.
00:31:33Oh, did no one tell you?
00:31:36He's promised.
00:31:38Old money stuff.
00:31:39Very retro.
00:31:40I didn't agree to that.
00:31:41You didn't have to.
00:31:42It's never up to us.
00:31:45Where did you find this little toy?
00:31:48Serena.
00:31:48I didn't hear you, you know.
00:31:50Oh, an American.
00:31:53How refreshing.
00:31:58Goodbye.
00:31:59Wait.
00:32:15Where are you going?
00:32:17You still owe me breakfast.
00:32:19You only paid for dinner.
00:32:21I have homework.
00:32:22Goodbye.
00:32:26Your little toy has quite the temper.
00:32:28Serena, can you please just stop?
00:32:30What?
00:32:31Teasing the help?
00:32:38That's her.
00:32:39That's the one from Kenwood's house.
00:32:42Was she like, the maid or something?
00:32:59Oh my god, what's wrong with people?
00:33:02They're saying you live with Charles.
00:33:04Oh, and Serena.
00:33:05What about her?
00:33:06Well, apparently she told everyone you were caught sneaking into his room.
00:33:10Of course she did.
00:33:24Careful, Alice.
00:33:25You're starting to look desperate.
00:33:401066.
00:33:42Come to the music room.
00:33:43Urgent.
00:33:44I just remembered, I need to check something.
00:33:47You guys go ahead.
00:33:48Yeah, okay.
00:33:55Hello?
00:33:55Is someone there?
00:33:57Seriously?
00:33:58This is getting old.
00:34:11Wait.
00:34:13Music room?
00:34:14What?
00:34:16James?
00:34:17Is anybody in here earlier?
00:34:19Just Miss Serena.
00:34:20Said she was waiting for you.
00:34:23Sir?
00:34:25Sir, it's raining.
00:34:37Come on, Alice.
00:34:38You're fine.
00:34:40You're not that girl again.
00:34:48Wait, can you remind me of one more time?
00:34:51Okay.
00:34:52Rooks move in straight lines.
00:34:54Yeah.
00:34:55Bishops move diagonally.
00:34:57And knights...
00:34:58The knight's the weird one.
00:35:04Rooks.
00:35:05Street lines.
00:35:08Street lines.
00:35:10Diagonally.
00:35:12Hello?
00:35:31The text.
00:35:33Are you okay?
00:35:35Are you hurt?
00:35:35I'm just...
00:35:36I...
00:35:36I'm okay.
00:35:38I...
00:35:38I saw the text and I thought...
00:35:40I...
00:35:40I didn't see the message.
00:35:42Serena took my phone.
00:35:43I...
00:35:43I didn't know.
00:35:44I'm sorry.
00:35:45I'm...
00:35:46Okay.
00:35:48You're gonna catch a cold.
00:35:49You're freezing.
00:35:50You didn't have to come.
00:35:54Don't tell me what I have to do.
00:35:56Give me hope that feels like hope...
00:36:19That wasn't a mistake.
00:36:20If that's what you're about to say.
00:36:23I...
00:36:24Wasn't going to.
00:36:37Really bad at this, you know.
00:36:40What?
00:36:41Kissing?
00:36:41Hiding feelings.
00:36:43Like...
00:36:44I...
00:37:04Dump those Ewok pyjamas.
00:37:07Oh, you wish.
00:37:09Seriously.
00:37:11It's a cock block.
00:37:13You kissed me.
00:37:15That's basically consent to everything.
00:37:23Dangerous words, Keaton.
00:37:25I might hold you to that.
00:37:36You'll be working in pairs on your comparative essays.
00:37:39The list is on the board.
00:37:43One, two, three, four.
00:37:45Paper planes.
00:37:48Are you okay?
00:37:49Fly me to outer space.
00:37:54That's where I'll see your face.
00:37:58And have you with me.
00:38:03It may seem dark.
00:38:07But you always like a high spark.
00:38:18You're welcome.
00:38:23They're either enemies or secretly married.
00:38:27Honestly?
00:38:28Both.
00:38:31I was sure I'd never find someone to make my head spin around.
00:38:35No one's ever gonna be the thing I need.
00:38:37They all just let me down.
00:38:39But baby, you saved me.
00:38:42Time's been new.
00:38:45Everything's so different now.
00:38:48So, the night goes in an L shape, right?
00:38:52Why is that the only one you remember?
00:38:55Because it's weird.
00:38:57And I like weird.
00:39:06Check.
00:39:12You're cheating.
00:39:14I'm winning.
00:39:15There's a difference.
00:39:16You are very distracting.
00:39:18And you like it.
00:39:30Charles.
00:39:31We need to talk.
00:39:40I expected poor judgment.
00:39:43But this, in my house?
00:39:45It isn't what it looks like.
00:39:46No.
00:39:47Kissing a servant's daughter in the family library.
00:39:51Enlighten me then, Charles.
00:39:53We came back tonight after speaking with Serena.
00:39:56Imagine our surprise walking in on this.
00:39:59She isn't just...
00:40:00You have no right to barge in.
00:40:03On my property.
00:40:07I care about her.
00:40:09I'm not ashamed of that.
00:40:10That's enough.
00:40:14Why do you care?
00:40:15We're protecting our son's future.
00:40:18And our name.
00:40:20You think this protects me?
00:40:21We think she does not belong in your world.
00:40:28Then maybe I don't either.
00:40:31You're ready to give up everything?
00:40:33For a girl you barely know?
00:40:38Yes.
00:40:39Then, are you sure she's ready?
00:40:49I'm asking you, do you think she's ready to lose everything, regardless of how little
00:40:54that is, just to be with you?
00:40:56What are you talking about?
00:40:58You left us no choice, son.
00:41:00You shouldn't disobey your father.
00:41:05Pelton, it's Frederick Kenwood.
00:41:07Ah, Mr. Kenwood.
00:41:09How can I help?
00:41:10If a scholarship student were to violate our behavioural code in a public setting with
00:41:16photographic evidence, would that warrant a review?
00:41:20Yes, sir.
00:41:23So, answer me again.
00:41:27Do you think she's ready to lose everything just to be with you?
00:41:31Yes.
00:41:34Yes.
00:41:37Yes.
00:41:39Yes.
00:41:41Charles, what happened?
00:41:43Did your parents say something?
00:41:44Are they mad?
00:41:44Is everything okay?
00:41:46Pack your things.
00:41:49You can't stay here anymore.
00:41:51What?
00:41:53My parents fired your mother.
00:41:55She's leaving.
00:41:57So are you.
00:41:57Wait, what?
00:41:58Why?
00:41:59Is it because of us?
00:42:00We can fix this.
00:42:01I'll get a job, anything.
00:42:02Stop, stop it.
00:42:03You don't get it.
00:42:05If I don't walk away from this, they'll cut me off.
00:42:08Okay?
00:42:09No card.
00:42:10No trust.
00:42:11No support.
00:42:13Nothing.
00:42:14Then, then we'll figure it out.
00:42:17We don't need all that.
00:42:18We can...
00:42:19Do you really think I'm going to live like that?
00:42:24So that's what this was.
00:42:26Just fun until it got inconvenient.
00:42:30What did they promise you?
00:42:34Nothing.
00:42:38They just reminded me of what's real.
00:42:44Charles, I'm not stupid.
00:42:46You don't just turn into a cold stranger because of one conversation.
00:42:49What did they threaten you with?
00:42:56What did they threaten you with?
00:42:58This is the difference between me and you.
00:43:00What?
00:43:01You think you know me.
00:43:03Or what I have.
00:43:04You don't, Alice.
00:43:07You're still lying.
00:43:08I'm not, Alice.
00:43:10Look around you.
00:43:11This mansion you thought was a museum.
00:43:14It's my house.
00:43:16My world.
00:43:18I was bored into this.
00:43:20I am not choosing between this
00:43:22and something I picked up for a moment of fun.
00:43:30Don't do this, Charles.
00:43:32You don't mean it.
00:43:33It was fine.
00:43:35But you?
00:43:37You don't compare to what I own.
00:43:41I'll survive the loss.
00:43:44Right.
00:43:47I should have known.
00:43:50Guys like you don't end up with girls like me.
00:43:55You play with them, then you throw them away.
00:43:59Go to sleep, Alice.
00:44:11This fall is a little more than I expected.
00:44:18In so deep, I can barely see myself.
00:44:24Yeah, around me feels so heavy, but depleted.
00:44:30But I find this the place to test myself.
00:44:43Oops.
00:45:00Oh, sorry.
00:45:01Didn't see that.
00:45:03Then again, nobody does.
00:45:05Move, please.
00:45:07Hmm.
00:45:08Try begging.
00:45:14You know what?
00:45:15Keep it.
00:45:21Poor thing.
00:45:22So dramatic.
00:45:24Don't.
00:45:26Excuse me?
00:45:27I warned you.
00:45:29Walk away, Serena.
00:45:32Oh.
00:45:50Last week's group assignments were mostly forgettable, but one pair surprised me in a good way.
00:45:58Charles Kenwood and Alice Keaton.
00:46:01Would you mind giving us a short summary?
00:46:03She loves the sound of her own voice.
00:46:05Better have it.
00:46:07I couldn't stay.
00:46:08I couldn't wait.
00:46:10I thought that you should know that I would have.
00:46:14Our essay explored what happens when two fundamentally different voices meet, like logic and chaos, or silence and noise.
00:46:24Different worlds, different rules.
00:46:28At first glance, they clash.
00:46:30But what makes the story interesting is what happens next.
00:46:34Confusion.
00:46:35Curiosity.
00:46:37But in the end, some stories aren't about staying.
00:46:40And yes, there is no such thing as a happy ending.
00:46:52And yes, there is no such thing as a happy ending.
00:46:56Is she still talking about the essay?
00:47:01Miss Keaton?
00:47:03Dramatic as always.
00:47:05Alright.
00:47:06Thank you, Alice.
00:47:07That was...
00:47:09Laid.
00:47:11Are you okay?
00:47:12A reminder.
00:47:13That good literature always stirs something.
00:47:19Hello?
00:47:20Hi, here's Alice Keaton.
00:47:21This is Whitmore Press.
00:47:22We've been following your work.
00:47:23We'd like to offer you a long-term publishing contract.
00:47:26Name your price.
00:47:27We'll make it work.
00:47:28Sorry, what?
00:47:33That's...
00:47:34Kind of...
00:47:35Insane.
00:47:36Who's behind this?
00:47:37Your sponsor wishes to remain anonymous.
00:47:40Can...
00:47:41Can I meet them?
00:47:43I want to.
00:47:45Please.
00:47:47Or at least tell me a name.
00:47:52Sorry, they wish to stay in office.
00:47:53So their only interest in words, not the person.
00:47:55I'd really like to meet them.
00:47:57I'm sorry for to keep saying their name was very good.
00:47:59I think the most generous offer we've ever given a Disney writer.
00:48:03I see.
00:48:04Congratulations again.
00:48:09You got the interview.
00:48:10It's just an interview.
00:48:12I haven't gotten it yet.
00:48:13Still, Alice Keaton at Oxford.
00:48:15That's iconic.
00:48:25You okay?
00:48:27Yeah.
00:48:28I'm so excited.
00:48:42It's done, Mr. Kenwood.
00:48:44Miss Keaton signed the contract.
00:48:47Good.
00:48:48It's a generous deal.
00:48:50You sure you don't want it to know?
00:48:52No.
00:48:54No, it's better if I stay out of her life.
00:48:57I will be for you.
00:49:01I'll be there in your darkest days.
00:49:05Congratulations, Alice Keaton.
00:49:08Go live the life you were always meant to.
00:49:15Your engagement and advancement should align perfectly with the Foundation Gala.
00:49:20And the Browns already offered to host the London reception.
00:49:25It's all coming together beautifully.
00:49:31I've lost my appetite.
00:49:36I'll go check on him.
00:49:42What's your problem, Charles?
00:49:49Disengagement is not happening.
00:49:50It's not up to you.
00:49:51You know that.
00:49:52Serena, we're not doing this.
00:49:55You've changed.
00:49:59Or maybe I finally just stopped pretending.
00:50:02Or maybe I'll go.
00:50:12I'll go.
00:50:13Maybe I'll go.
00:50:26Maybe I'll go.
00:50:30You're the sponsor.
00:50:32You've been funding Alice Keaton this whole time!
00:50:37So?
00:50:38You lied to everyone, including her!
00:50:41I protected her.
00:50:45You loved her.
00:50:47Still do.
00:50:49Let it go, Serena.
00:50:52There's no point.
00:51:02I need a favour.
00:51:04Find out when the Oxford interview is.
00:51:07And make sure Alice Keaton won't show up.
00:51:14Anything? No?
00:51:16She's not answering.
00:51:18The interview's almost over.
00:51:20Well, she won't just not show up.
00:51:22Something's wrong.
00:51:24Where's Alice?
00:51:26When was the last time you heard from her?
00:51:28Last night. She said she was prepping all evening.
00:51:34James, track someone for me.
00:51:38Wait, where are you going?
00:51:47Chill, okay.
00:51:48It won't hurt you.
00:51:50Yeah, we're just supposed to keep you away from the interview.
00:51:53That's it.
00:52:02Shit!
00:52:02Come back!
00:52:30I
00:52:31I remember how we met
00:52:35Didn't need a second guess
00:52:40Hey, hey, hey, Alice, Alice
00:52:43Alice, stay with me, stay with me, stay with me, Alice
00:52:53You're awake?
00:52:55Where, where am I?
00:52:57A local clinic
00:52:58Passer-by brought you in
00:53:01Passer-by
00:53:02He found you on the side of the road
00:53:04He had to leave, he didn't leave a name
00:53:08Oh
00:53:10The interview, what time is it?
00:53:12Easy, it's okay
00:53:13Someone already contacted the university
00:53:16And sent in your writing samples
00:53:18They've rescheduled your interview for tomorrow
00:53:20Wait, what, who?
00:53:22No idea, but it's all taken care of
00:53:27What did you say?
00:53:29Nothing
00:53:29Nothing
00:53:30I just
00:53:32Had a dream
00:53:40Yeah
00:53:43Did you?
00:53:44I got him!
00:53:48Oh, I knew it
00:53:50Too bad Charles isn't here to watch you crush it
00:53:53He's not here
00:53:55Oh, you didn't know
00:53:57Know what?
00:53:59He left
00:54:00A few days ago, yeah
00:54:02Everyone doesn't really know where he went
00:54:04Honestly, Ashford's been quieter without him
00:54:06It's probably for the best
00:54:08Come on
00:54:08We can't wait
00:54:09I couldn't stay
00:54:10I couldn't wait
00:54:12I thought that you should know
00:54:15I would have
00:54:16I'm hanging around
00:54:18I'm hanging around
00:54:19The summer I met Charles Kenward was loud
00:54:22Chaotic
00:54:23Unexpected
00:54:27And with his absence
00:54:28Come on
00:54:31It ended quietly, like summers always do.
00:54:49And joining us today, the Dake's most unexpected literary phenomenon, Alice Keaton.
00:54:55Thank you for having me.
00:54:56Now, your words moved millions. They say your stories feel real, especially the ones about love.
00:55:05Which brings us to the most obvious question. How's your dating life like these days?
00:55:10No comment.
00:55:11A little bird told me that the past four years has been just writing and working, not even a single
00:55:17date.
00:55:18Let me guess a bird named Sherry.
00:55:19She caught me.
00:55:20Still no comment.
00:55:21Alright, alright. No matter what you say, you write love like someone who's lived it.
00:55:29If you're so real.
00:55:30Because once, I did.
00:55:31That's why today we're here sharing the story behind Alice Keaton's love.
00:55:36And no one ever quite matched the light after that.
00:55:38And let's give it up for Alice Keaton one more time.
00:55:52Congratulations, Alice. The numbers just came in. You broke your own record.
00:55:58That's incredible.
00:56:00We're thinking celebration? Press? Photos? Maybe tonight?
00:56:04Actually, there's something I'd rather do. I'd like to meet with the person who believed in me first. My sponsor.
00:56:14You're sure?
00:56:15Yeah. Just once.
00:56:16Tonight, 7pm.
00:56:29Good evening.
00:56:34Good evening.
00:56:37May I sit?
00:56:43With Emerson.
00:56:48Hi.
00:56:49Hi.
00:56:52You look well.
00:56:56And you look like you just stepped out of a GQ cover.
00:56:59You always did.
00:57:01You were expecting someone else?
00:57:04I was hoping, but I guess I always knew
00:57:10I didn't come here to confuse you, or to reopen anything
00:57:16I just wanted to say congratulations
00:57:20Oh, thank you
00:57:24Didn't know you're still reading, you're rich enough not to do so
00:57:30Always
00:57:31Either way, your sponsorship started my career, so
00:57:35No, no, you earned everything
00:57:41Every word, every page, every reader
00:57:47That's what I came to say
00:57:52It was good to see you again, I hope
00:57:55Charles, can you just...
00:58:00Wait a little longer
00:58:07I think I knew it was you
00:58:10There was one email, you said something, it felt familiar
00:58:16Really?
00:58:17Kinda had that rich asshole with a conscience energy
00:58:20Very on brand
00:58:23I should have anonymized my grammar
00:58:25Too late, your semicolon usage gave you away
00:58:28Still the only girl I know who flirts through punctuation
00:58:31Still the only god I know who uses wiles unironically
00:58:37You've changed
00:58:38You've changed
00:58:39But not really
00:58:43You haven't changed
00:58:46But maybe you've grown into who you really were
00:58:51Anyway, I wanted to say thank you
00:58:58And thanks for being here tonight
00:59:00You didn't have to come
00:59:02Don't tell me what I have to do
00:59:07You didn't have to come
00:59:09Don't tell me what I have to do
00:59:31If you could go back
00:59:33If you had the chance to do it all again
00:59:35Would you do anything differently?
00:59:42No
00:59:47No
00:59:52I see
00:59:56I know my answer now
00:59:57I didn't have the power back then
01:00:00Not enough to protect you
01:00:02I couldn't watch you get crushed because of me
01:00:05Because of my name
01:00:07My family
01:00:10I didn't want to be the reason you lost everything
01:00:13So you just disappeared
01:00:14Without a word
01:00:18If you had the chance to see the world
01:00:20Without me weighing you down
01:00:23If you still chose me after that
01:00:29You keep saying you wanted to give me a choice
01:00:32But you made a choice for me
01:00:36Did it ever cross your mind that maybe
01:00:41I would have chosen you anyway
01:00:48I didn't think I was the smart choice
01:00:51You weren't
01:00:54But I never claimed to be that smart
01:01:04This is me
01:01:05Right
01:01:14I'm still mad at you
01:01:15I'm still mad at you, you know
01:01:18I'm still in love with you, you know
01:01:28Do you want to come in for a bit?
01:01:32You're asking your ex
01:01:33Who you haven't seen in four years
01:01:36To come into your hotel
01:01:38At approximately 11pm
01:01:41You were right
01:01:43You never were that smart
01:01:45You don't have to come
01:01:47Don't tell me what I have to do
01:02:03Stop quoting yourself
01:02:04I recycle
01:02:05It saves energy
01:02:08This feels wildly irresponsible
01:02:10You sound like a disclaimer
01:02:11You're the one who once called romance a distraction
01:02:14I said that?
01:02:15Yeah
01:02:15Before calling Wuthering Heights overrated
01:02:18Still is
01:02:20You're lucky you're a good kisser
01:02:25That is cute to me
01:02:27Don't you dare quote poetry
01:02:29I wasn't going to
01:02:30I forgot all of it the day you left
01:02:33Then shut up
01:02:35And prove it
01:02:41I still can't believe this is happening
01:02:43I told you
01:02:44They're either worst enemies
01:02:46Or secretly married
01:02:47And I told you
01:02:48They're both
01:02:52It's more than a night to night
01:02:55I'll be there
01:02:58I'll be there
01:03:02It's enough to let folks
01:03:15I vow to always tell you the truth
01:03:18Except for when you ask how your cooking was
01:03:20Then I lie
01:03:23Respectfully
01:03:25I vow to keep choosing you
01:03:28Loudly
01:03:30Quietly
01:03:31Always
01:03:45I vow to argue with you at least twice a week
01:03:47Especially over Shakespeare
01:03:50I vow to write you in your every story
01:03:53Even when I say I didn't
01:03:55You will always be a part of my life
01:03:58If she quotes Austen in this toast
01:04:00I'm out
01:04:01No you're not
01:04:01You're going to cry harder
01:04:25I can't believe you picked Paris
01:04:28It's such a cliche honeymoon destination
01:04:31Guard your phone
01:04:33Relax
01:04:33Just don't dress like a walking inheritance
01:04:36And you'll be fine
01:04:39You are not wearing that on our honeymoon
01:04:43Please Alice
01:04:44Go change
01:04:45Don't tell me what I have to do
01:04:51No
01:04:52No
01:04:52No
01:04:53No
01:04:53No
01:04:53No
01:04:53No
01:04:53No
01:04:53That is not an invitation
01:04:54Do not take off these clothes
01:04:56I've ever ruled
01:04:57You look much better without them
01:05:02But there's a feeling in my home
01:05:05To the ones who loved in silence
01:05:07In chaos
01:05:08In chapters
01:05:10You will find your way home
01:05:12You will find your way home
01:05:15Sometimes I want to be on my own
01:05:18I don't want to die alone
01:05:21So much for a boy
01:05:25Really?
01:05:26I'm gone by the morning
01:05:29I'm not
01:05:32I'm not
01:05:33I'm not
01:05:34I'm not
01:05:36I'm not
01:05:39I'm not
01:05:41I'm not
01:05:41I'm not
01:05:42I'm not
01:05:46I'm not
01:05:47I'm not
01:05:47I'm not
01:05:47I'm not
01:05:48To make sure that we can gain what's been passed through these books.
01:05:52Help us develop, learn, and grow.
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