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Short filmTranscript
00:00TARAK MEHTAKA ULTA TASHMA
00:30BURRO
00:31рд╣рдо рдЬрд╣рд╛рдВ рдкрд░ рд╡рд╣ рд▓рдЧрдирд╛рдЪ рд╕рдм рд▓рдбрд╝рдХрд╛-рд▓рдбрд╝рдХрд┐рдпреЛрдВ рдорд┐рд▓рддреЗ рд╣реИрдВ рдирд╛
00:36рд╡ рдЕрдЪреНрдЫрд╛ рдЕрдЪреНрдЫрд╛ рдЕрдЪреНрдЫрд╛ рдорд╣рд░реЗрд╢ BURRO
00:38рд╣рд╛рдБ рд╡рд╣реА
00:42рддреЛ рдорд╣рд░реЗрд╢ BURRO рд╡рд╛рд▓реЗ рд╕реЗ рдмрд╛рдд рдХрд░рдХреЗ рд░рдЦреА рд╣реИ
00:46рдкреЛрдкрдЯ рднрд╛рдИ рдЖрдкрдХреЛ рд╕реБрднреЗ рд╕рдкрдирд╛ рдЖрдпрд╛ рд╣реИ рдирд╛
00:48рддреЛ рдЗрд╕ рдмрд╛рд░ рддреЛ рдЖрдкрдХреА рд╕рд╛рдзреА рд╣реЛрдХрд░ рд░рд╣реЗрдЧреА
00:51рдЕрд░рд╛ рднрд╛рдИ рддреЛ рдХреНрдпреЛрдВ рдмрд┐рдЪрд╛рд░реЗ рдХреЛ рдЬреВрдареА рдЖрд╢рд╛ рджреЗ рд░рд╣реА рд╣реИ
00:56рдХреНрдпреЛрдВ рдРрд╕рд╛ рдХреБрдЫ рдирд╣реАрдВ рд╣реЛрддрд╛ рд╣реИ рднрд╛рдИ
00:58рдХрд┐ рд╕реБрднрд╛ рдХрд╛ рд╕рдкрдирд╛ рд╕рдЪ рд╣реЛрддрд╛ рд╣реИ
00:59рдРрд╕рд╛ рдХреБрдЫ рдирд╣реАрдВ рд╣реЛрддрд╛ рд╣реИ
01:02рдирд╣реАрдВ рдирд╣реАрдВ рдЯреНрдпрдкреВ рдХреЗ рдкрд╛рдкрд╛ рд╕реБрднреЗ рдХреЗ рд╕рдкрдиреЗ рд╕рдЪ рд╣реЛрддрд╛ рд╣реИ
01:07рд╣реИ рдирд╛ рд╣реИ рдирд╛
01:08Listen, before my husband, I had a dream.
01:12A girl to see me and I was married.
01:17And after that, you came to see me and I was married.
01:23So, it's a dream of a dream of a dream.
01:27Wow, wow, wow, wow.
01:29What? Wow, wow, wow.
01:31I was a dream of a dream of a dream.
01:37I was a dream of a dream.
01:40It's true.
01:44My dream is good and my dream is also good.
01:48And I am a dream, or my husband and I,
01:51or my husband and I, or that's the dream of a dream.
01:56My husband, my dream is not a dream.
01:58It's a dream.
02:00It's a dream.
02:00It's a dream.
02:01A dream.
02:03Now, I've come to understand,
02:05why didn't my marriage happen to me?
02:07Why?
02:08Why?
02:09Why?
02:10You've got attention to one thing.
02:11Who?
02:12The dream is after the dream.
02:15The dream is after the dream.
02:16The dream is after the dream.
02:17The dream is after the dream.
02:19And I haven't come to the dream.
02:22And when I have come to the dream,
02:24I have come to the dream.
02:26It's obvious that my dream is going to be true.
02:30You have to come to the dream.
02:32I have come to the dream.
02:33I have come to the dream.
02:35You're right, but, oh boy,
02:38the dream has come to the dream,
02:39it doesn't mean that you'll get the dream,
02:41you'll get the dream.
02:43You'll do the dream.
02:44That's right, uncle.
02:45I have said to you all.
02:47Today, I told everyone that I would have to find,
02:49find my marriage for my marriage,
02:51and then I would have to be gone.
02:52And you,
02:53until you get the marriage,
02:54you'll never get the dream.
02:55I'll sit down either,
02:56nor sit down any of some.
02:59And ask me,
03:00the dream is for you.
03:02Hey, brother.
03:03Why are you giving the dream?
03:05No, no, no.
03:05I'm giving the dream.
03:06I'm giving the dream.
03:08I'm giving the dream.
03:08The big man is giving the dream.
03:12The big man is big.
03:14And the big man is big.
03:15I mean,
03:17I'm giving the dream.
03:20The dream is giving the dream.
03:22Now you can do my dream.
03:24You can cancel your job and make a mission to my wife.
03:29Poppet, I work. I take all my work at home.
03:33Then we go to the same marriage.
03:37I've been talking about that too.
03:40What happened? They ask me.
03:42But if you talk about the work at home, it will be late.
03:46Do you work, brother?
03:48If you don't have a hand, you can work hard.
03:50You can't work hard.
03:52Yes, tell me what the work is.
03:54I will do it right now.
03:56Do you have another one?
03:58Yeah, baby.
03:59I will do it right now.
04:03Poppet, my dad is doing fun.
04:07But I don't do fun.
04:09As much as we both get together,
04:12we will do so much more work.
04:13And then we will do so much more work.
04:16Poppet, go to my house.
04:18I will do so much work.
04:20I will do so much work at home.
04:21I will do so much work.
04:22And then we will get married.
04:25No, no.
04:26I will sit here.
04:27And I will give you a company.
04:32Come on.
04:34Come on.
04:35Come on.
04:36Come on.
04:37Come on.
04:37Come on.
04:38Come on.
04:39Come on.
04:41But, Baba Ji,
04:43now the rest of the house is still full.
04:45Chacha Ji,
04:46you can go to our house.
04:48We will eat outside.
04:50Come on.
04:51Come on.
04:53Come on.
04:54Come on.
04:54Look, the girls,
04:55then we will come here.
04:57Ha ha ha.
04:57Ha ha ha.
04:58the dream came from the house.
04:59And this is the dream of the morning.
05:02Ha ha ha.
05:04Ha ha.
05:05Don't do my food.
05:06Do not do this.
05:07Follow me.
05:08Go with him.
05:09Okay, Baba Ji.
05:10Poppet,
05:11I'm ready for the house.
05:12Ha ha ha.
05:13Daaya,
05:14I'm going to the house.
05:15Good to meet you.
05:16Good to meet you.
05:17Baba Ji.
05:18I'm going to the house.
05:19Good to meet you.
05:20I'm going to the house.
05:21Where?
05:22No, no, it's my house.
05:24Dayabha is also ready, so I'm also ready.
05:27I'll give you a company to a compound below.
05:31The phone is long, you take it.
05:35Yes, say, say Upindra.
05:38What are you talking about?
05:40No, no, it can't happen. Check, bounce.
05:44No, no, no, don't do a return.
05:47Don't do a return, don't do a return.
05:49I'll give it back to Natu Kaka.
05:50I'll see.
05:51No, no, it'll happen today.
05:53Okay, okay.
05:56Jethalal, let's go.
06:04Jethalal, one thing is out of my mind.
06:07Do you ask who?
06:08No.
06:09I'll tell you.
06:11I don't understand this.
06:14Why don't you believe this?
06:15Which one?
06:17It's true that the dream of the morning is true.
06:22Tell me.
06:23How do I believe on the dream of the morning?
06:27Why not?
06:29Today I saw the dream of the morning,
06:31that I had so hurt you,
06:34so hurt you,
06:35so hurt you,
06:36so hurt you,
06:37so hurt you,
06:38so hurt you,
06:39so hurt you.
06:41Tell me.
06:42I'll give you the dream of the morning.
06:44Jethalal?
06:49Jethalal?
06:54Jethalal?
06:56Jethalal?
06:57Jethalal?
07:06Jethalal?
07:07Jethalal?
07:08Jethalal?
07:09Yes, Jethalal?
07:10I'm going to the mayor's bureau.
07:12Yeah, but that's a weird town.
07:16You don't go there,
07:17right?
07:18But why don't you have to buy your money?
07:22Why go to the mayor's bureau?
07:23Why doesn't you go to the marriage?
07:25Why doesn't it fall out of my mind?
07:27You are living a good life,
07:29and why do you want to go out of your
07:31ghulami's walls, Popatlal?
07:35I said to myself,
07:36I've heard Anjali Baba,
07:37so we'll have to take it.
07:40Come on.
07:41Come on, I'm talking.
07:42I'm telling you.
07:43I'm telling you.
07:45Why are you becoming your enemy, Popatlal?
07:48What are you telling me, Popatlal?
07:49I'm telling you, Popatlal.
07:51I'm telling you.
07:52Look at your life.
07:53I'm telling you.
07:54There are no questions.
07:55There are no questions you want.
07:56Where you want, go.
07:58Where you want, go.
07:59Don't go.
07:59Whatever you want, do.
08:01No questions in your life.
08:03But if you married tomorrow,
08:05you won't wear clothes from your own purpose.
08:09No, no, don't.
08:10I'm keeping a lookout.
08:11If Anjali Baba came,
08:12I'll tell you.
08:13Tell us.
08:14I don't wear clothes for your own purpose, Popatlal.
08:17And clothes and clothes,
08:19you won't wear clothes from your own purpose.
08:20As a grandma says,
08:21she will eat food.
08:22It's going to be a good one.
08:27You will be a good one.
08:28You will be a good one.
08:33Wow, Mehta sahab.
08:34Your way to explain it is a good one.
08:36You will be a good one.
08:39God gift.
08:42Mehta sahab,
08:45I'm sure I'm going to be married and be a good one.
08:52Deetalal, I'm going to go to the shop.
08:54A shop?
08:55I'm going to go to the office.
08:57Mehta sahab,
08:58husband and wife,
08:59I mean,
08:59badal and bursaath,
09:01chand and chandni,
09:03kagas and kalam.
09:04Like Darti and Gagan,
09:06you can't see it,
09:07but you can't see it.
09:09And if you've ever met with a mistake,
09:11you can't see it.
09:13Right, right, Deetalal.
09:16You are good as friends.
09:18Go, go.
09:20I'm going.
09:21I'm ready.
09:21I'm ready.
09:22I'm going to go to the office.
09:25Don't worry, Deetalal.
09:27I'm going to be married today.
09:31So, I'm going to do it, brother.
09:32How did my father get rid of it?
09:34Huh.
09:35I'm going to get rid of it.
09:40Babita Ji.
09:42Hi.
09:44Good morning, Babita Ji.
09:46Good morning.
09:46Good morning, Ayur Bhai.
09:47Good morning.
09:48Good morning.
09:49Where did you go, Babita Ji?
09:50He's also with Ayur Bhai.
09:51Huh?
09:52What do you mean?
09:53You go to the office, right?
09:55Are you going to the laboratory?
09:57No, no, no.
09:58Actually, Ayur's friend's furniture shop.
10:01So, we're going to go there.
10:02Oh, no.
10:04What?
10:05I forgot the visiting card shop.
10:06I forgot to go home.
10:09No.
10:10You have a brochure.
10:11You have a brochure, right?
10:12Ayur visiting card brochure.
10:14You were going to take all of the visiting card brochures.
10:16What happened?
10:17You were going to forget everything today.
10:19But you forgot to take all of the food.
10:20You forgot to take all of the food.
10:23Ayur Bhai, you're a little old.
10:25Ayur.
10:50Ayur.
10:50Ayur's when yourjaw is burning.
10:51And some other way is you stay in your bedroom.
10:58You're sitting there.
10:58You still take some old diary.
10:58This is the common house.
11:00What?
11:02You're not missing.
11:03I'm going to take 3 or 4 ideas.
11:04Babita Ji, I'll tell you.
11:05Come and take a visiting card.
11:07Oh, no, it's OK.
11:08No, no.
11:09There is no need.
11:10We have the friend's contact in it.
11:12Let's call the address.
11:14Babita Ji, do you get some food?
11:16No.
11:17Now, look.
11:18Look, here, bhai, how fast it is, Pobita Ji.
11:22He just remembered that he has a friend's friend's number.
11:26We'll take the address of his friend's phone.
11:28That's how you say it.
11:34Jappooke, Papa!
11:36Pobita Ji, here, bhai, hi.
11:38Hi, dear, bhai.
11:39Yes, say it.
11:40Just one minute.
11:42Yes, come here.
11:43What do you say?
11:45You have to give something to you.
11:49You have to give something to me.
11:51Yes, come here.
11:56Yes, come here.
11:58What are you doing?
12:00What are you doing?
12:02What are you doing?
12:02First, I'll tell you again.
12:08It's me.
12:09I forgot to tell you.
12:10I forgot to tell you.
12:30I forgot to tell you.
12:32Why are you laughing at me?
12:33I forgot to tell you.
12:39I forgot to tell you.
12:40Yeah, Dad.
12:40Who's going who's sitting here?
12:44What's going on?
12:45What's going on?
12:46You are so mean.
12:47Oh!
12:49Oh!
12:49Oh, boy, my dad always eats my dad's day.
12:52Oh, he's eating the day.
12:55Oh, he's eating the day.
12:56He's eating the day.
12:58Oh, my God.
13:00Oh, my God.
13:02Oh, my God.
13:02Let's go.
13:03Jayji Nendra.
13:04Jayji Nendra?
13:05What?
13:05Oh, my God.
13:06You just give me a hand.
13:08Oh, boy, you gave me a hand.
13:10I'll put you on the road.
13:11I'll put you on the road.
13:12Oh, my God.
13:13I'll put you on the road.
13:16I'm not a man.
13:19Zedala, you forgot to wear a dress in the Rikshya.
13:21You've got to read it in the diary.
13:23Oh!
13:24And two things.
13:25Let me read you and tell you.
13:28Oh, no, it's so much.
13:50Shedjee!
13:58Shedjee!
13:59Shedjee!
13:59Shedjee, you are great.
14:00You don't know what you have done.
14:04What have you done?
14:06Shedjee, you have completed my dream.
14:09Yes, that's also the dream of the day.
14:12God, where is the dream of the day?
14:17Shedjee!
14:17Shedjee, you are right.
14:19In the morning morning, I had a dream of
14:21that you will enter the house at 9 o'clock at 12 minutes.
14:27And now at 9 o'clock at 12 minutes,
14:30you will enter the house in the house.
14:32So, what is so happy about that?
14:34The happy about that is now.
14:38Then, you grow up in this dream.
14:42And then, you say,
15:12you say,
15:13Bhagah!
15:13Bageshwarji?
15:14Huh?
15:15Wow!
15:16After coming, you are asking if I can come in?
15:19Sorry.
15:20The wrong thing is steak.
15:22No problem, Bhavarita.
15:25Bhavariji.
15:25There are such small mistakes.
15:30Thank you, Bageshwarji.
15:33Tell me.
15:35How is it going to happen?
15:36What is it?
15:37I had a dream that Bageshwarji wants to see his face.
15:42So, I brought them for him.
15:45Phaluda?
15:48Nattu Kaka!
15:50Phaluda!
15:51Phaluda!
15:51Phaluda!
15:52Phaluda!
15:53Are you Phaluda?
15:55Yes.
15:56I did fine, Gattu Kaka.
16:00Well, I did fine.
16:01But Gattu Kaka is not Nattu Kaka.
16:04Yes, I have a mistake.
16:06No problem, Bhavariji.
16:12Phaluda!
16:14Phaluda!
16:15Thank you very much, Bhavariji.
16:18Thank you very much, Bhavariji.
16:21Thank you very much, Bhavariji.
16:34No, Bhavariji.
16:35I don't know how the dream of this dream is.
16:36I don't know if this dream will be with you.
16:40What will you eat in the morning?
16:40No, Bhavariji!
16:41No, Bhavariji!
16:42Hey, Bhavariji!
16:43Turn a nice, nice.
16:45Chacha Ji,
16:47You'll fall in these clothes, right?
16:49Yes!
16:51You'll fall in 1500 grams.
16:53No, no.
16:54I mean, I mean,
16:55I mean,
16:55What do you think?
16:55I'm like a girl.
16:58What?
16:59What?
17:00What?
17:01What's the girl asking?
17:03How are you feeling?
17:05I'm getting mad at my house.
17:07I'm not getting mad at my clothes.
17:09I'm getting mad at my clothes.
17:10I'm getting mad at my clothes.
17:12I'm getting mad at her.
17:14Huh?
17:14No, no, no.
17:16How long are you?
17:18How long are you?
17:20What's your brother?
17:21How long are you?
17:22Let's go, let's go.
17:23Marriage is closed.
17:26Poppet boy, don't do that.
17:29Marriage is closed.
17:31You should keep it slow.
17:34My brother,
17:35until I get married,
17:37I'll send out my dictionary
17:38and send my clothes to my clothes.
17:41You've got two minutes,
17:42I've come.
17:44It's necessary, it's necessary,
17:46it's necessary,
17:47it's necessary.
18:01It's necessary.
18:03Come on, Poppet boy!
18:05Come on, Poppet boy.
18:05I'm ready.
18:06Come on, come on.
18:07Chacha ji,
18:08feel free.
18:11What are you doing?
18:13Poppet boy.
18:13I was who's suffering from my mother.
18:16Feel free,
18:17feel free to become ready
18:18and get back to your house.
18:20Oh, my lord, my husband is the same.
18:23Oh, my lord.
18:24Father, I'm going to go with my marriage to my brother.
18:27Yes.
18:28Joy, Nendra.
18:29Joy, Nendra.
18:30Let's go, let's go.
18:31Ah.
18:32Ah.
18:32Ah.
18:32Ah.
18:32Ah.
18:33Ah.
18:33Ah.
18:34Ah.
18:35Ah.
18:35Ah.
18:39Ah.
18:40What's the name of Saro Janik Vachana?
18:42There is no problem for anyone.
18:44Everyone here had no problem.
18:47No paper is human.
18:49How would you do it?
18:50You should keep the man here, right?
18:54I will do my job.
18:58I'm going to write you.
19:02Oh, god.
19:05That's so good, I'm going to write you.
19:07I'm going to write Sohi-chan.
19:10Pramal, what's happening here?
19:13My brother, you're going to get money.
19:17What kind of confidence?
19:22You got it, Sohi-chan.
19:24Confidence.
19:25Confidence is the biggest concern.
19:28Do it.
19:45What's happening?
19:48What's happening?
19:50What's happening?
19:53What's happening?
19:59Little uncle?
20:00You're a little uncle, right?
20:05What's that?
20:06Little uncle?
20:07You're our master, guru ji, shikshak.
20:10Little uncle?
20:13What do you want to say, girl?
20:15Very bad, Little uncle.
20:16Very bad.
20:17But what is bad?
20:20How did you say that?
20:22Do you want to believe inside your trust?
20:24Yes, Little uncle.
20:25You always say that you shouldn't believe in these things.
20:27I shouldn't believe in this.
20:28But what is complicated?
20:34Yes, very amazing.
20:35How long do you do that?
20:36You should not believe in this.
20:36Oh, your father.
20:47You shouldn't believe in this.
20:50Can you tell me the truth?
20:56I'm not gonna believe in this.
20:57Put your hand on your hand.
20:59Oh, little boy, I said that your hand on your hand on your hand.
21:04You're standing up, you're standing up.
21:07Hand on, hand on.
21:08Now listen to my story.
21:09This is what I wrote, I don't have to believe it.
21:12I was going to write that I don't have to believe it.
21:16But I wrote that I don't have to believe it.
21:18But my chock is gone, you understand?
21:20Oh, that's it. Sorry, my uncle.
21:23But my uncle, until the new chock will not come.
21:25Until the new chock will remain like this.
21:28Your image will be bad, my uncle.
21:31I'll keep this like this.
21:32I'll reach it right now.
21:34I'm going to rub it right now.
21:37Hey, my uncle.
21:39I'm going to leave it.
21:40Hey, my uncle.
21:43I'll reach it.
21:46My uncle, I have a chock.
21:51Why did you rub it?
21:53How do you have a chock?
21:54My uncle, we took the chock to play.
21:57Yes.
21:58Hey, what do you want to play with the chock?
22:01That's it.
22:01I don't know anything.
22:02That's why they were coming back.
22:03Yes.
22:04Come on, come on, come on.
22:07Come on, come on.
22:11Come on.
22:13Hey, Popat Uncle.
22:15He's wearing a suit and boots.
22:17Go, go, go.
22:18Go, go, go.
22:20Come on.
22:20Come on, come on.
22:21Popat Uncle.
22:21We were married in Gujarati, right?
22:24This is the song.
22:26Oh, come on.
22:26Come on, come on.
22:30Hi, Popat Uncle.
22:31Hi, Popat Uncle.
22:32Hi, Popat Uncle.
22:33Hi, Tappu Senna.
22:34Hi.
22:35Hi there, auntie.
22:36Hi there, auntie.
22:37Hi there, auntie.
22:37Hi there, auntie.
22:39Hi, hi.
22:40How so high?
22:41Hi, Popat Uncle.
22:42Hi.
22:43What's up, Popat Uncle?
22:44Why are you so happy?
22:46Yes.
22:47What's up, my auntie?
22:48Yes, Popat Uncle.
22:51Yes, Popat Uncle.
22:52Sonu, son.
22:53As much as you are, you say a lot more.
22:57Tappu Senna.
22:58I am going to take your auntie.
23:00I am going to the marriage bureau.
23:01Oh, all the best.
23:04Thank you, thank you.
23:06Wow, wow, Popat Lal.
23:07Wow, all the marriage bureaus of Mumbai,
23:09you are going to be back in 10, 10 times.
23:13But then you are also going to be the marriage bureaus.
23:15Hmm.
23:16You have to believe me.
23:19Hey, brother, brother.
23:20It's been done, isn't it?
23:22Because Popat Uncle has a dream today
23:24that he has been married.
23:27Oh, wow.
23:29Yes, I know, baby.
23:30I have to tell you about that in the morning.
23:33Oh, boy, brother.
23:34You didn't even tell you in the office of Abdul.
23:36that the dreams of the morning are true.
23:40Oh, that's what I have told you.
23:42I just thought that the dreams of the morning will come true.
23:44Oh, that's not true.
23:47Oh, well, I don't know.
23:48But then,
23:48I have to tell you that your dreams of the morning will be true.
23:53And soon as soon as soon as possible,
23:54a dream will come true.
23:55Yes.
24:00Who is in the car?
24:26Oh, my goodness.
24:28Are you serious?
24:29Yes!
24:31Yes!
24:33You're the super-hits show,
24:34the anchor of all the people of the world.
24:36Yes!
24:37Yes, it's the only one.
24:38Let's go!
24:39Let's take a break!
24:40Let's go!
24:42All the people of the world!
24:44Hello!
24:45Hello, sir!
24:46How are you?
24:47Hello, sir!
24:48How are you, sir?
24:49Hello, sir!
24:51Hello, sir!
24:51Hello, sir!
24:52You're the virus, right?
24:56No virus, my name is Cyrus.
24:59Cyrus Saoqar.
25:01Oh, Saoqar?
25:02Where is Saoqar?
25:03My name is Saoqar.
25:05Actually, I'm not a state of Saoqar.
25:07Okay.
25:08But I have to tell you,
25:10that your ring looks really good.
25:13Ring?
25:13Which ring?
25:14That's all the rings.
25:17You're playing games in every game.
25:19What?
25:20I'm playing?
25:21No, no, no!
25:23I'm playing!
25:23I'm playing.
25:24I'm playing anchoring.
25:25How are you?
25:27Anchoring?
25:28Oh, anchoring ring.
25:29That's the ring of anchoring ring.
25:30Cyrus, you're all welcome to the Gokul Dham Society.
25:34Thank you!
25:35Thank you!
25:36Thank you!
25:36Thank you!
25:37Thank you!
25:38And I am,
25:40Atparam Tukaram Bide,
25:41Gokul Dham Society of Cake Maeve Secretary.
25:45You know me?
25:47No!
25:48I don't know you.
25:48I know the whole Gokul Dham Society.
25:51What?
25:51Game show, Daya Ben.
25:54You're world famous.
25:55World famous.
25:56Oh, oh, oh!
25:58You're all right!
26:00Oh, Popat Lal Ji.
26:02Do you want to marry a wedding?
26:03Ha ha ha!
26:05No, absolutely.
26:07You want to marry a wedding.
26:08You're going for that.
26:08I'm going for that, Gokul.
26:09Okay, all the best.
26:10Thank you, thank you.
26:12Oh, oh, Tappu Sena.
26:13You're listening to me.
26:15I'm very excited.
26:18I'm very excited.
26:18I'm very excited.
26:19Oh, oh, oh.
26:20Thank you, sir.
26:21Thank you, sir.
26:22Thank you, sir.
26:22Mr. Saras, how did you come here today?
26:25You have to come here.
26:26Because everyone plays and wins.
26:27There's a family show.
26:28And you're such a big family that we're going to play in front of you.
26:32Yes, that's it.
26:33And my Gokul Dham Society is a family.
26:35Yes, that's it.
26:36Your show's Nirmata, Asit Kumar Modi Ji, right?
26:39Yes.
26:40Yes.
26:40Yes, look.
26:41Let me know.
26:43We all know each other.
26:45We all watch their shows.
26:46Yes.
26:48On Saturday, Sunday, we watch your program without fail.
26:52Oh.
26:53We haven't even missed one episode.
26:55Yes, sir.
26:56Thank you so much.
27:00Thank you, Popat, sir.
27:01Popat, uncle.
27:02Only games are full.
27:03We all know each other.
27:06Yes.
27:07Yes.
27:09LCD TV, refrigerator, washing machine.
27:12Now we see.
27:13Yes, sir.
27:14We also want to play.
27:15Yes.
27:16We want to play.
27:17Yes.
27:17Yes.
27:17Yes.
27:18Yes.
27:18Yes.
27:19Yes.
27:19Yes.
27:19Yes.
27:20Yes.
27:20Yes.
27:29Yes.
27:29In truth do we play games?
27:31Yes.
27:32No kidding.
27:33You don't try to play games.
27:34But you play games in TV, right?
27:36Wow.
27:37Oh, Daya, girl, when we allebei, we play.
27:39We play here.
27:40We play here.
27:40Do you like it?
27:43Yes.
27:45Hey.
27:45Check that game.
27:47Hello.
27:48Hey, guys.
27:55Yes!
27:56Right!
27:57The name of the game is Spoon from Spoon Milla.
28:03You have a spoon and this is a ball.
28:06You have to put a spoon in your mouth
28:09and you have to pass this ball.
28:11But in the story, there is a twist.
28:15You can't use your hands.
28:17If by chance this ball has fallen,
28:20you will have to start with your starting point.
28:22And in the balance,
28:24you have to give the ball of the open.
28:30Let's start the game.
28:31Yes!
28:33Golly, ready?
28:34Ready.
28:35Put a spoon in your mouth.
28:37And this is your ball.
28:42Golly, Tappu, best of luck.
28:43You will play in full focus.
28:44Three, two, one.
28:50Very good, Golly.
28:53Focus, Golly, focus.
28:55Very good.
28:55Very great.
28:56Very great.
28:57Make sure, very great.
28:59Very great.
29:01Very great.
29:05Very great.
29:06Look!
29:16We won't win!
29:18We won!
29:2145 seconds left!
29:27And...
29:28We won! We won! We won!
29:32You've got to do a lot of less time, you've got to do it quickly.
29:34Three, nine, eight, seven, six, five, four, three, two, one.
29:45And now for playing the second game, are you ready?
29:48Yes!
29:49Okay.
29:50What's the game?
29:50This game's name is Throw Dekhe Dekho.
29:52Throw Dekhe Dekho.
29:53It's a very easy game.
29:54You three will be on this side.
29:56You're here alone.
29:58You have to throw the ball to the right side.
30:00You've got to throw the ball in the basket.
30:03If you've got 20 balls in the 90 seconds, you'll win.
30:06Yes!
30:09It's very simple.
30:10Sir, sir, sir.
30:12But in the story, there's a twist.
30:14When you throw the ball, you'll have to wear my funny mask.
30:17After wearing these masks, we can see you, but you won't see us.
30:22Yes, these are blind-fold masks.
30:25Okay.
30:26We're ready.
30:26We're ready.
30:27Yeah!
30:29Look at you, in the 90 seconds, you'll have to throw 20 balls.
30:31Ball is ready.
30:33Maat, silky!
30:34Yay!
30:36Okay.
30:37Let's play.
30:37Three, two, one.
30:40Come on, come on.
30:42Oh!
30:44Oh!
30:45Super!
30:52Oh!
30:52Oh!
30:53Oh!
30:57Oh!
30:59Oh!
31:01Oh!
31:01Oh, oh!
31:02Oh!
31:04Oh.
31:05Oh!
31:11Oh!
31:15In your basket, there are 20 balls in your basket.
31:16Will it happen in your opinion?
31:18I like it.
31:19Very good to play.
31:20Now you have time to play.
31:21Let's get ready.
31:23Okay!
31:24One!
31:25Two!
31:27Three!
31:37Eighteen!
31:38Two!
31:41Nineteen!
31:45One!
31:53One!
31:55One!
31:56One!
31:58One!
32:00One!
32:01One!
32:02One!
32:02One!
32:02One!
32:03One!
32:04One!
32:04If you're playing on TV, you're playing on TV, you're playing everything.
32:10Refrigerator, microwave, television, phone, everything.
32:13Nothing.
32:14Oh, Cyrus, what are all things that get to know?
32:17What do you want to know?
32:18You don't get to know what you want.
32:21You have to make a wedding special episode.
32:23You have to do all those guests who have not married.
32:27And then you have to do them.
32:29And you have to play the most wedding-related games.
32:30You have to play the most wedding.
32:31I am telling you that if my wedding is in your show, I will give you a washing machine, LCD
32:38and fridge.
32:42What are you talking about?
32:43You're going to freeze.
32:44Look at that.
32:45Sorry, Cyrus.
32:46What is it?
32:46They've been married.
32:48What?
32:49They've been married.
32:50What?
32:52They've been married.
32:52They've been married.
32:52They've been waiting for a long time.
32:53You don't get married.
32:54Don't mind, please.
32:55No, no, no.
32:55No, no.
32:56No, no.
32:56No, no, no, no.
32:58Look, it's time for me to go.
32:59But you all had a lot of fun.
33:02You all played well.
33:04And remember, now we'll meet Shaniwar and Raviwar.
33:08Sure, sure, sir.
33:09Okay, bye.
33:12Bye, bye, bye.
33:13Bye, bye, bye.
33:13You have to keep an episode here.
33:14Absolutely, sir.
33:15Okay.
33:16Bye, bye, bye, bye.
33:18Bye, bye, bye.
33:19Bye, bye, bye.
33:22Bye, bye, bye.
33:25Jee,
33:26I'm going to get married.
33:28What?
33:28I mean,
33:29I'm going to get married.
33:31I'm going to get married.
33:32Hey, baby, I'm going to get married.
33:34Yes, yes, Rani is saying.
33:36Now, no girl is getting married.
33:41I'm ready for the king to be a king.
33:45I'm ready for the king.
33:46I'll talk to you later.
33:47Jee.
33:48I'm ready for the king to marry you.
33:50What?
33:52Myself,
33:53a stringed Puppet Lal.
33:54Warish Yuvah.
33:56Dhabhabi.
33:58Hello.
33:59Oh, ho, ho, ho.
34:00Puppet larky has not gotten married yet.
34:02We are here for now.
34:04We are here.
34:04Ah, yeah, Bajo's society is not.
34:05Go-Kuldham society is not.
34:07They stay there.
34:08Oh, no.
34:09It's his own house, right?
34:10And he's a pretty good and unique.
34:13I'm against the Shade.
34:14By the way of his action.
34:15I am against the Shade.
34:16Don't need anything to say.
34:18Just tell him,
34:19that he's told to tell him that
34:22What's wrong with you?
34:23I am the manager here.
34:26That's very good.
34:27Look, after marriage, if you continue your work,
34:30then I don't have any problem.
34:31Wow, look.
34:33What are you talking about?
34:34Are you looking for marriage?
34:35Are you looking for marriage?
34:36And you are standing in front of the most eligible bachelor.
34:38Yes, Ben.
34:40Oh, that's it.
34:42No, no.
34:43I'm not looking for myself.
34:45Our customer is looking for them.
34:48I'm looking for marriage.
34:49I just want an NRI girl.
34:52It was just her phone.
34:54Oh, okay, okay.
34:56I wish I had an NRI.
35:00Like...
35:01Your marriage?
35:02No, my marriage wasn't.
35:07But it's going to be very soon.
35:10My boyfriend is Dhanraj Chunoy.
35:15That's it.
35:16I'll call her.
35:18Dhanu.
35:23Yes, I'll call her, Rani.
35:33This...
35:34Dhanraj Chunoy.
35:35I'll call her.
35:48What's your boyfriend?
35:50Yes.
35:52You don't see the love of her.
35:52I don't see anything below.
35:54Yes, absolutely.
35:56Hello?
35:58Dhanu, give them a form.
36:00Yes, what?
36:02No, no, no.
36:04Please stay here.
36:05The form we've already had before.
36:08And everyone has talked about it.
36:11But we have to meet them.
36:13I'll talk about it now.
36:14What's your name?
36:15Daya Tupu Papa Gada.
36:18You're just Daya Ben Gada.
36:20Tell me, tell me.
36:21Okay.
36:23I'll talk about Daya Ben Gada.
36:25Yes, ma'am.
36:28Did you meet Daya Ben?
36:30Okay.
36:32Yes, ma'am.
36:34You can go inside.
36:37What do I say, Dhanu?
36:39Today, we have to meet you.
36:45Tell me.
36:46Why did you meet the manager?
36:47Did you meet him?
36:50Hey, brother.
36:50Who are you talking about?
36:51Sorry, brother.
36:52He's not talking about you.
36:53He's talking about God.
36:55He'll do it.
36:56Papa Gada.
36:57Yes, yes, yes.
36:59Here.
36:59Here.
37:00Sorry.
37:00Here.
37:01Here.
37:03Here.
37:04Here.
37:04Here, Papa Gada.
37:07Hello, Sapanah Ben.
37:08Hello, Daya Ben.
37:09I talked to you now.
37:11This is Papa Gada.
37:13Hello.
37:14Hello, hello.
37:15Come here.
37:16Come here.
37:18Come here.
37:19Come here.
37:20Come here.
37:21One minute.
37:35The girl is looking.
37:36Oh.
37:37I'll see your profile.
37:39What's that?
37:40I love challenges.
37:42What?
37:44I mean, you have written in your profile, right?
37:47It's good.
37:50Look, Papa Gada.
37:52Daya Ben has sent us your profile.
37:54That day, we have sent 10 girls to your details.
37:57Oh.
37:59But then the hair will be cut.
38:02Why?
38:02If 10 girls have said this.
38:06Sorry, Popat, brother.
38:08One girl didn't say yes.
38:10Why?
38:11Why?
38:12Why?
38:12The problem is that...
38:14I'm aхлБ.
38:15No, no.
38:16So, I'm aхлБ.
38:17This is your problem.
38:18No, no.
38:19That's your plus point.
38:20So, I don't have money.
38:21This is a problem.
38:22No, no.
38:23So, what is the problem?
38:25What's the problem in me?
38:27You're running.
38:28You're running.
38:29You're running.
38:29You're running.
38:31Oh, Popat Bhai.
38:34Sit here.
38:35Look, Saba Ven, Popat Bhai has been in the morning in the morning.
38:41Look, don't do not care about any flashbacks.
38:45We have send your details to your details tomorrow.
38:48Really?
38:49So, you'll just tell her name and story about her.
38:51We'll meet them.
38:52Yes.
38:53You're right.
38:55That's right.
38:55Daya Bhabi, Popat Lal Ji, see, we can't go like this.
38:59Give them the answer to the people.
39:01If they show interest, then we can move forward.
39:04Yes, then ask them, what is their answer?
39:06Yes, ask them.
39:08See, we can't ask them like this.
39:10Until they don't answer their answers, we will have to wait for them.
39:15Okay, so we are waiting for them.
39:18I mean, outside, in the waiting area.
39:21Yes, that's right.
39:23Yes.
39:23Daya Bhabi, the answer is 2 days and 20 days.
39:29Yes, Popat Bhai.
39:32This is the right thing to say.
39:34But then, what will the dream of the morning?
39:38The dream of the morning?
39:40The dream of the morning, the truth is,
39:43that I married in the morning.
39:45That dream came to me.
39:48And the dream of the morning always is true.
39:51The dream of the morning was the dream of the morning.
39:54And their husband, the dream of the morning was the dream of the morning.
39:59Yes, that's true.
40:01So?
40:02So, you have to do something for my wedding today.
40:05Why?
40:07Because the dream of the morning is the morning.
40:09And the dream of the morning always is true.
40:12Look, the dream of the day, you will try with your heart.
40:15So, it's possible that my relationship will be changed in the morning.
40:18And if it's like this,
40:19then you will get the same young marriage bureaus of the young people.
40:23Please, try again.
40:25Don't do it.
40:26Don't do it.
40:28Don't do it.
40:28Yes!
40:29What is it?
40:30Poppet bhai took her to take her to take her.
40:33I understand.
40:35Poppet bhai, keep her to take her.
40:39Hello?
40:40Hello, Rani.
40:42Okay, okay.
40:43Sandy.
40:44Hello, Rani.
40:47Daya bhabi.
40:48Huh?
40:49My other client is waiting.
40:51Just like someone's positive reply came,
40:53I will call you.
40:55You and Poppet bhai have a number.
40:58One minute.
40:59I'm writing now.
41:05Let's go.
41:06Let's go.
41:09Let's go.
41:17Let's go.
41:17How many mobile numbers?
41:18These are my Gokul Dham's friends.
41:21If my or my brother don't get the number,
41:23then you will get the message from anyone.
41:26I will get the message from them.
41:27I would not have any chance to get this today.
41:30Okay.
41:32Poppet bhai, let's go.
41:33Yes, let's go.
41:38Do you want to see your daughter's relationship?
41:41No, it's for me.
41:47No, it's for me.
41:48Okay, sit here.
41:51What's your name?
41:53Sirjji, let me sign this check.
41:55I'll give you the last month of your delivery tempos.
41:58Okay.
41:58I'll give you the last month of your delivery tempos.
42:15Okay.
42:15Oh, my God.
42:16I'll give you the last month of your delivery tempos.
42:25Oh, my God.
42:26Okay.
42:27I'll give you the last month of your delivery tempos.
42:28You can see this.
42:31Look at this.
42:31Hey!
42:32Sirjji, what was it?
42:33What was wrong?
42:35What was wrong with your delivery?
42:36You never went, never went.
42:38Why didn't you go, never went.
42:39No, no.
42:40No, you've got the second check.
42:41Sirjji, the last check was done.
42:42The checkbook is over.
42:44And the new checkbook is not yet.
42:45No, no, no, no, no.
42:46Then, first, you don't have to ask the bank.
42:48You don't have a checkbook.
42:49Oh, Sidji, when did you order this?
42:51But, in the bank, there is no checkbook.
42:55No, you don't have to worry about it.
42:56Give it to the tempo and give it to the voucher.
42:58Yes, Sidji.
42:59Do you want to change this refill?
43:01Yes, do it.
43:02Say, say Nitin, why?
43:05What are you talking about?
43:08Okay.
43:11Oh, no, no, you told me.
43:13Okay, okay.
43:16What was Sidji?
43:18Nitin, who was the phone.
43:19He was there, Kamleshbhai.
43:21Who is Kamleshbhai?
43:22Kamleshbhai, do it.
43:23Okay, that is Kamleshbhai.
43:25Who have lost your money in the past year.
43:29He was there for a year,
43:31and he was there for a five minutes.
43:32Nitin, who understood that he would have paid money.
43:35So, he made something that he would have to go to an urgent meeting.
43:38And he left.
43:39So, Kamleshbhai said, okay, no, no.
43:41I would have to go to a Jatabhai.
43:43That's why Nitin, who was the phone.
43:44I was there for a while.
43:46I was there for a while.
43:46Oh, that means you have to give them back to him.
43:50What do you do?
43:51The time is so full, you can't speak.
43:54Oh, now?
43:55Yes, he is.
43:56No, now he is.
43:57No, now he is.
43:57Yes, he is.
43:58What do you do now?
43:59No, now he is.
44:01What do you do now?
44:02Okay, okay.
44:02Do you work in the shop?
44:04And he is.
44:05And he is.
44:05So, he will tell them,
44:05I am not in the shop.
44:07I am not in the shop.
44:09I am not in the shop.
44:09I am going to go outside.
44:10Don't worry, Shedji.
44:12I will handle with mines.
44:15I want to say fines.
44:17Come, come.
44:18Come, come, you, me.
44:25Come, come.
44:32Come, come.
44:33Come, come.
44:33Come, come.
44:33Come, come.
44:34Come.
44:34Come, come.
44:34Come, come.
44:34I like this.
44:36You always like me.
44:37Whenever you get to meet the same old brother,
44:39you always get to the same old brother's bursos.
44:40You always show a great joy in your face.
44:44How am I beating for meat?
44:48Sorry, Kamilaz Bhai, but I have to start an urgent meeting for an urgent meeting.
44:53Jeda Bhai, only 5 minutes. I won't have time for you.
44:58Let's get this. I'll bring your heart-to-paste jalebi.
45:01Before you eat this.
45:03I want to open my jayb from the jayb from the jayb.
45:07Sorry, Kamilaz Bhai, I can't eat anymore. I'm really late.
45:11Jeda Bhai, please, 2 minutes. I don't want to talk about the money.
45:14That's why I'm running.
45:17Look, you have 25,000 left.
45:20Yes.
45:22Let's do one job.
45:23Let's do the whole 50,000.
45:26Oh, that means 25,000.
45:30Kamilaz Bhai, I'm sorry. I'm very late.
45:34Please.
45:35I have to go to the hospital.
45:38No hospital, Shedji. I have to go to the meeting.
45:41I have to go to the hospital.
45:43Nattu kaka,
45:44who asked me for a meeting,
45:47their father is in hospital.
45:50They stay in hospital for the hospital.
45:53They stay in hospital for the party.
45:54They have to go to the hospital.
45:56So, I have to go to the hospital.
45:59Okay.
46:01I'm leaving, Kamilaz Bhai. Sorry.
46:03Look, Jeda Bhai, you said something.
46:05You will have to go to the hospital with your money.
46:06Then I will go to the hospital.
46:10Okay.
46:11Let's do anything.
46:13I won't be able to stop there.
46:15Jeda Bhai, you know?
46:16Hey, what do you mean?
46:17Oh, I've got a dream of them.
46:18I've got a dream of them today.
46:19I'm going to get the money today.
46:23What are you doing today?
46:25What are you doing today?
46:25Not to kaka, baori, poppa, tlal.
46:27I've got a dream of them all.
46:29Now, they live there.
46:31So, they also have a dream of them.
46:32Jeda Bhai, I'm going to give you in the last year,
46:34for the 20,000, right?
46:36Yes.
46:37Yeah, let's get this, it's over $50,000.
46:45$50,000?
46:46Look, I've got your $25,000 for a year.
46:50Right?
46:50So now, you've got my $25,000 for a year.
46:54That's right.
46:54That's right.
46:56Sethji, I mean, Kamlash, you don't have to take money.
46:59You've got to give it.
47:03You're joking.
47:04Come on, why don't you sit here?
47:05Why don't you sit here?
47:06No, no, no, no.
47:06I've got to steal money.
47:08My job is done.
47:10You're late too.
47:11You go, I'll go.
47:13Excuse me, Kamlash.
47:14There is one small confusion.
47:17What was your dream come to you?
47:19Do you have to get money or our Sethji?
47:22No, actually, the matter was that
47:25in the past four years,
47:28I got my $5,000,000 in a party.
47:30So, in the morning,
47:31he lost his money.
47:32So, I thought that
47:34who I got the money,
47:35I'll give them the money first.
47:38After that, Nitin,
47:39I was like that.
47:40He was in the meeting soon.
47:42He was in the meeting soon.
47:43Let me tell you something,
47:44I got the money from him.
47:47They asked me,
47:49Kamlash, when did you give me money?
47:50But you've never called me
47:52so much.
47:54So, thank you very much.
47:57My, Kamlash,
47:59is a bit different.
48:01I say,
48:04I keep the trust of the money.
48:06I give the trust of the money.
48:07I give the trust of the money.
48:08It's like my, Sethji.
48:10It's like me.
48:12I also give the trust of the money.
48:16I also give the trust of the money.
48:18I don't know how the money is.
48:19I have the trust of the money.
48:21I have the trust of the money.
48:24But the trust of A1.
48:27Very big, very big,
48:28Nattu Gaga.
48:29Jeta bai is an A1.
48:31I'll go, Jeta bai.
48:34Oh, Nenie.
48:37Why are you blaming me?
48:40I'll go.
48:41Okay, thank you.
48:42Okay, Khamlash bai.
48:44Tell me,
48:45what you thought and what you did.
48:47I told you,
48:48Nitin bai had a lot of money.
48:50Sethji,
48:51did you give the tempo to him?
48:53Yes.
48:54Oh!
48:55What happened?
48:56Oh, Khamlash bai
48:57gave extra $25,000.
48:59He didn't get back.
49:00He didn't get back.
49:01Nattu Gaga,
49:02what do you want to do?
49:02The other $25,000
49:04will get back.
49:05No, no, Sethji.
49:07This money will give you.
49:09So, Khamlash bai
49:10will get the money again.
49:11So,
49:12give him the money.
49:14Nattu Gaga.
49:15Got it, Sethji.
49:20I think,
49:20today,
49:21it's going to be the season
49:22of truth.
49:24Let's go.
49:25Let's go.
49:26Like Khamlash bai
49:27of truth,
49:29truth,
49:29truth,
49:30truth,
49:30truth,
49:30truth,
49:31truth,
49:31truth,
49:32truth.
49:37truth,
49:38truth,
49:38truth,
49:38truth,
49:42truth,
50:11truth,
50:12truth,
50:13Puppet boy, keep in touch with your God and your God.
50:17If you want them,
50:19then anyone can come along with your family.
50:22And you can always be married.
50:24Thank you, thank you.
50:26So now, which marriage bureau?
50:27What?
50:29Sorry, Puppet boy,
50:31we'll go to another marriage bureau.
50:34I have to go to my house.
50:37So, I have to send a ticket to Papa for Tiffin.
50:40So, let's go.
50:41Okay, Puppet boy,
50:43I have to go somewhere else.
50:45You have to leave my house.
50:46Why?
50:47Now you have told me,
50:48that anyone can come along with a relationship
50:49and get married.
50:51If everything is changed,
50:52then you won't be prepared in the house.
50:54And if I'm late at the house,
50:57then you can start with my friends
50:58with the rest of my family.
51:01Wow, Puppet boy,
51:03it's like this.
51:05Today, see you,
51:06the Bhagavan,
51:08you will definitely listen to your story.
51:11Thank you, thank you.
51:12Nayababi,
51:12you go to the house,
51:13then I'll go to the mandir
51:14and I'll talk to you.
51:17That's okay.
51:18Riksha.
51:20Come here.
51:23Come here.
51:24Come here.
51:24Come here.
51:24Go Kuldan Society powder.
51:26Come here.
51:27Come here.
51:27Bye.
51:28Bye.
51:28Bye.
51:29Bye.
51:29Bye.
51:30Bye.
51:32Come here.
51:33Come here.
51:34Come here.
51:37Come here.
51:38Come here.
51:39One more?
51:40You have to buy one more mobile.
51:42No, no, no.
51:43Okay, okay, okay.
51:44I'll do one more.
51:45Okay.
51:49Yes, tell me.
51:50Come here.
51:51Can you come here?
51:52You're right?
51:54No, no.
51:57I'm not running!
51:59I'll sit back behind you.
52:01That's why I'm telling you.
52:03I've told you.
52:03No, no.
52:03I've told you since I've been out of marriage.
52:09I have run to sell my army,
52:10and now I will bring you food.
52:12and bring you to the kitchen.
52:14I will send you all out.
52:16Don't eat everything outside, huh?
52:18Yes, okay.
52:19Yes, let's go, bye.
52:25Oh, that's it?
52:31Yes, Papa-ji.
52:33Papa-ji, what are you doing?
52:35I'm putting a button.
52:37Papa-ji, why are you doing it?
52:40I'm putting it.
52:41Oh, boy, I'll put it myself.
52:44Do you know,
52:45when I used your hand,
52:46I used to put a button on my hand.
52:48This was your hand,
52:49and you made me a horse.
52:51Otherwise, I used to put it in my hand,
52:55and sometimes I used to put it in my hand.
52:58I used to put it in my hand.
53:00I used to put it in my hand.
53:00I used to put it in my hand.
53:00Papa-ji, my father-ji was like this.
53:03You said to me many times,
53:05you said to me many times,
53:06you're a very rich man.
53:07You're a very rich man.
53:11You're a rich man.
53:13I used to put it on my hand.
53:14I used to put it in my hand.
53:17I used to put it in my hand.
53:18I used to put it in my hand.
53:18Oh, you're my daughter.
53:20so you're my daughter.
53:22I used to put it in my hand.
53:23Let's go, let's talk about that.
53:24Tell me.
53:25You guys were living in my hand.
53:28What happened there?
53:29Did he get to the divya?
53:31What?
53:32Divya?
53:33Why did she get this girl?
53:36It's not, Papa-ji.
53:37No, Papa-ji.
53:38It's her...
53:46This is the temple of Popat-ji.
53:48It's the temple of Popat-ji.
53:49Is this a temple of Popat-ji?
53:52Or is this a temple of Popat-ji?
53:52Oh, my father-ji.
53:55Listen to me quickly.
54:08Hey, go.
54:09I'm coming to a meeting.
54:12Don't do this, don't do this.
54:14Bolenath!
54:15Yes, say it.
54:16What?
54:17You called me now, right?
54:18No.
54:19I don't know you.
54:21You called me your name, Bolenath?
54:22My name was Bolenath.
54:26I'm not talking to you.
54:27I'm talking to you.
54:28I was talking to you.
54:29I was talking to you about Bolenath.
54:32Yes, say it.
54:33What?
54:34You called me now, right?
54:36No.
54:37Oh, good.
54:39Your name is Bolenath.
54:40No, my name is Jai.
54:43Say it.
54:44What was your job?
54:45No, nothing.
54:47You understand what happened.
54:49Sorry, sorry.
55:00What was your job?
55:02Yes, say it.
55:03Service text is full of time, right?
55:05Yes, say it.
55:06I will tell you.
55:07You'll have to tell me.
55:08I'm a very perfectionist.
55:10Hey!
55:10I'll tell you.
55:12Say it.
55:13Say it.
55:13You have to tell me.
55:20I'm a very perfectionist.
55:21Say it.
55:21Hey, brother, I'm not playing for you.
55:24Hmm?
55:26Then?
55:26I'm playing for my brother.
55:29I've been giving so much food.
55:32Nattu Kaka, my brother is a super fast express.
55:36In Japan, I don't have any support.
55:39I can't put his hands on his hands.
55:43Hey, brother!
55:45What are you listening to?
55:46Go and keep it in Godon.
55:48Yes.
55:48Hi, brother.
55:50I'm Rita Reporter.
55:52This time, there is a story about the village of Hilaabad,
55:55whose daughter has escaped from her house.
56:03This is the house,
56:05where after two days there was a wedding.
56:08But now,
56:09there won't be a wedding.
56:11Because the wedding's wedding has escaped.
56:16This is the house,
56:17where there was a wedding.
56:20But in this house,
56:22there's only tension in this house.
56:25Tell me.
56:26Not only in Gokuldam society,
56:28but in the whole country,
56:29there's a lot of people in the whole country.
56:32There's a lot of people's thoughts,
56:34and the girl is running away.
56:35Tell me.
56:37What's up,
56:38boutique?
56:44Come on.
56:49But on the other side,
56:50there's a lot of people in the house,
56:50and you can't hide.
56:50There's a lot of people in the house.
56:50You're not alone.
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