- 2 days ago
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Short filmTranscript
00:00TARAK MEHTAKA ULTA TASHMA
00:31Boys, relax.
00:32That white t-shirt man is from our department.
00:36He's a police officer.
00:37Tell him quickly.
00:39Little Lal, that white t-shirt man is a police officer who didn't stand there.
00:44That's why he doesn't need to take care of him.
00:46Okay.
00:49Tell him quickly.
00:51Hurry, hurry.
00:52Okay, I'm coming.
01:06Sorry, sorry, Maita Sahib. Sorry.
01:09What was that?
01:09One minute, brother.
01:12Sorry, sorry, Maita Sahib.
01:13What was he leaving from home?
01:15Why did he go there?
01:17Why did he go there?
01:17So, he got a little late.
01:20And what?
01:21Where are you from?
01:25Where are you from?
01:26What's this?
01:26You're back.
01:35Get ready.
01:37I don't know if you're an old person.
01:41Get ready.
01:43Get ready.
01:47At the end of time, Pandeji,
01:48I saw you in your uniform here.
01:51I shouldn't know you exactly.
01:53Sorry.
01:54But I said that you're coming back to the Civil Rush.
01:58In the society, the suit is the biggest civil dress.
02:02Oh, sorry, I didn't know.
02:06Amenbang, you know me.
02:10You can't even know in the suit.
02:12You don't know me.
02:12You don't know me.
02:14How do you know me?
02:20It won't be a doubt.
02:23A man, a man and a handsome inspector.
02:27He's locked in this suit.
02:32By the way, Aunty Ji, none of my business,
02:35but I was just asking that this three-piece suit is uncomfortable.
02:43Uncomfortable I am from now.
02:45When I was wearing this suit first.
02:50What do you mean?
02:51This is my wedding suit.
02:55Oh, wow.
02:56Where was your wedding suit?
02:58Is marriage marriage or love marriage?
03:00Hey, Popat, lal.
03:01Don't ask a question about Pandey Ji.
03:04Don't worry about Pandey Ji.
03:05They called him for a special work.
03:10Hey, Pandey Ji.
03:12Oh!
03:13Don't ask me.
03:14Don't ask me.
03:16Don't ask me.
03:17Don't ask me.
03:17This is a secret mission.
03:18I don't want anyone to know.
03:19Oh, yes, yes, yes.
03:21Jethalal.
03:22Move.
03:25Move!
03:26Huh?
03:26Move!
03:29Move!
03:38Move!
03:39Are you okay?
03:42Move!
03:44What are you doing there?
03:46You told us that we are different. Go ahead and go.
03:48I told you to go ahead and go ahead and go ahead.
03:51I told you to go ahead and go ahead.
03:51This way? Yes, this way.
03:57There are shops.
03:59Go and open and open.
04:02Go. All the best.
04:09Don't you stand like this?
04:10I don't know.
04:16Boys, alert.
04:36Hey, Chaluji.
04:38Where are you from?
04:39Where are you from?
04:41Yes, Chaluji.
04:43Chaluji, Panday Ji.
04:46Where are you from?
04:49Where are you from?
04:54Tell us.
04:56Tell us.
05:08Don't do that.
05:09Don't do that.
05:16Don't do that.
05:17Neta Sahib, what's the person who is seeing a photo?
05:20It's a very big.
05:22Okay.
05:28What happened to this guy?
05:31Don't do that.
05:32Why haven't you come here?
05:38Why haven't you come here?
05:40Do you have to keep your eye on me?
05:41Yes, sir.
05:47What?
05:48Leave me alone.
05:50No, no.
05:51Get out.
05:51Go.
06:01There's no problem.
06:03No, no.
06:04No, the person I have to open the box tonight is,
06:05no.
06:05Leave me alone.
06:06Leave me alone.
06:07Leave me alone.
06:08Put the man who is sitting there.
06:10If anyone will ask you,
06:10leave me alone.
06:11No.
06:12Why don't you ask me somewhere?
06:13Leave me alone.
06:14What do you mean, J. Talal, that you don't have to be standing there?
06:18Do you have to find something to be standing there?
06:21I mean, I'm not standing there.
06:23It's okay.
06:26I don't have to find something to be standing there.
06:35Hey, brother, what are you doing?
06:37It's good, it's good, it's good, it's good.
06:39No, no, no, I don't have to eat anything.
06:41I mean, I'm standing here for the time.
06:41I'm standing here for the time.
06:42Sir, don't do the time, don't do the time.
06:44Go to the side, right?
06:49Take a seat, J. Talal, take a seat.
06:50You'll be standing there and you'll get a seat.
06:52Okay.
06:55Do it, brother.
06:56Let's give it a 100 gram of seat seat.
07:00Okay, I'll give it now.
07:08Sir.
07:12I wish someone's taking a photo of me.
07:14What?
07:15So, I'm sitting here in the kitchen and I'm eating it, right?
07:18What?
07:19Mehta-sab, you too?
07:20You guys have a bad idea.
07:21I mean, bad idea.
07:24Sir, what have we done?
07:26Oh, I'm sorry, I'm sorry.
07:28Okay, sir, okay.
07:38I'm sorry.
07:39Where will the photo get taken?
07:41You sit.
07:42You're done.
07:42Let me give you a hug.
07:52Jeta uncle?
08:08Voice alert.
08:10Position.
08:13Hey uncle.
08:15This is your big meeting?
08:17With the boys?
08:20Don't sit here.
08:21Don't go here.
08:23What are you seeing?
08:25Don't go here.
08:25I'll explain it.
08:26Go here.
08:28No, uncle.
08:31I'll show you the photo and see the tapu.
08:33Do you know that the papa's meeting was with the boys?
08:36Don't go here.
08:40No, no, no.
08:43No, no, no.
08:45Voice beat party.
08:47Come on.
08:47Attack!
08:48Attack!
08:52Attack!
08:53Take it, take it!
08:55Jack!
09:00What are you doing?
09:02Come on, Jack!
09:04Take it, Jack!
09:07Don't take it.
09:08Come on!
09:09Roll it, roll it, roll it!
09:13Come on, roll it, roll it!
09:15Jack, keep it, roll it, roll it!
09:22Well done, boys, well done, well done.
09:24English sir.
09:25This is Mumbai Police.
09:27What about?
09:28Hey, you're a reporter, right?
09:30Yes, Dufan Express.
09:32Let's go.
09:34You need to have a headline in the newspaper tomorrow.
09:37Chalak, iman-dar and handsome inspector
09:39has made a complaint for 24 hours
09:42and has put his hands on his hands.
09:45No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
09:49What's up, Chalak?
09:50Oh, this is not so much photo.
09:54Chalak, I saw you from the eyes
09:55that this man was holding your face.
09:57Oh, this man is not, this is a child.
10:00A child?
10:03What are you doing?
10:05Open it, open it, open it, open it, open it, open it.
10:11Goli?
10:12Goli?
10:13You?
10:14Come on.
10:15Goli, come on, come on.
10:17Goli?
10:17Goli, what was you doing here?
10:21Hey, Chalupandai ji,
10:22this is Goli.
10:23Our society, our friends,
10:24Dr. Hansra, this is his son.
10:26Oh!
10:27These people call me.
10:29Why did I get it?
10:30What are you today?
10:32Today, we're looking for a new information.
10:34We are Mumbai police.
10:35In such a house?
10:38Hey, brother, what are you taking the house today?
10:40Huh?
10:41Mumbai police, what are you doing?
10:43What are you doing?
10:44Hey, Jethalal!
10:46Let me handle the case.
10:49Jeejee.
10:50Hey, brother, can you tell me why are you taking the picture on the mobile phone?
10:54He was eating the Jethalal.
10:55He was eating the Jethal uncle.
10:57He didn't give me a photo of the Tappu.
11:00Oh, what?
11:01You've got a voice.
11:03What's your voice?
11:04What's your voice?
11:04What's your voice?
11:05Hey, Jethalal, you didn't have a mistake.
11:08I'm here, Jethal uncle.
11:11He was eating the Jethal uncle.
11:13Major, he been eating the Jethal uncle.
11:16Right?
11:17Yeah, yeah, yeah.
11:18What do I know, Pandeji?
11:21Pandeji?
11:23Oh.
11:25Oh, oh, oh.
11:28Oh, oh, oh.
11:29Oh, oh.
11:32Oh.
11:32Oh, oh, oh.
11:33Oh, oh, oh.
11:34Oh, oh, oh.
11:40Oh, oh.
11:40Sir, this is Jethalal.
11:42Yesterday, he had a complaint.
11:44He was being able to get the picture from his mobile.
11:48So, we had to catch him with the man.
11:52But, we had to catch him with the child.
11:56What?
11:57There are so many big cases in the city.
12:00They are playing with the police.
12:04Sir, the truth is that...
12:06No excuses.
12:07Report to the police station.
12:09What do you do now?
12:10Ok, Sir.
12:11I want you to solve big crimes.
12:12Ok, Sir.
12:13And yes, in the future, your all the mistakes will be cancelled.
12:16Sir!
12:19Come on, pass.
12:21Driver, let's go.
12:25Jethalal!
12:27Every time, your tension increases my tension.
12:30My all the mistakes have cancelled.
12:35Hello, boys.
12:36Where are you going?
12:37Police station.
12:38Hey, look.
12:39The man will come now.
12:40Jethalal, if your man will come or not, he will not know.
12:43But, yes.
12:44If I haven't reached the police station,
12:45then I will know that my job will have to go.
12:49Come on, boys.
12:54Come on.
12:57Let's go.
12:58Don't say,
12:58I'll tell you,
12:59but the police also gave themselves by the time.
13:02But how is it going?
13:04Where is the girl going?
13:10What is the girl?
13:23Papa!
13:26A girl?
13:27A girl?
13:29A girl?
13:31What is the girl?
13:32A girl?
13:33Papa!
13:35Papa!
13:36A girl?
13:38What happened?
13:39What happened?
13:40A girl!
13:41A girl?
13:43A girl?
13:45A girl?
13:46A girl?
13:46Where is the girl?
13:47A girl, tell her first.
13:48What happened?
13:49A girl?
13:51A girl?
13:52You've seen Upma after.
13:54Master, she's saying Upma.
13:56Where are you talking?
13:57I'm saying Upma.
13:58I'm saying Upma.
13:59A girl!
14:00One minute.
14:01A girl.
14:01You've seen upma before.
14:03And tell her what happened.
14:04Yes, son.
14:06I'm going to the road.
14:08I'm gonna save her.
14:12I'll save her sister.
14:13Jeta uncle?
14:14Jeta uncle?
14:16Jeta uncle?
14:16Jeta uncle?
14:16He's here.
14:21No, no, no.
14:22No, no, no.
14:24Get up!
14:26Get up!
14:26Let's take a look at him!
14:36Sir, this is a black man.
14:38Yesterday, he took a picture of his face.
14:40He had a good job with his mobile.
14:43So, we have to take a look at him to take a look at him.
14:46Then, we take a look at him to take a look at him.
14:50What?!
14:51Oh my God!
14:52Oh my God!
14:53If we reach the society,
14:55everyone will know about this photo of the society.
15:01Papuji, like a guy who is like a guy who is behind me.
15:07If I go to the house,
15:10he will be behind me,
15:11and he will be behind me.
15:15I'm sitting here,
15:16and he will be behind me,
15:18and he will be behind me.
15:21I've been behind me,
15:22and he will be behind me.
15:24I was saying...
15:25...I'm standing like my house,
15:27I don't want to see my house.
15:29He will be behind me at the shop.
15:32I have to stretch my face...
15:35I'm stepping my face up and out of my face.
15:41and even looking at my face.
15:45When ever,
15:45I'm acting like that thing...
15:46...I'm not...
15:47... Asia.
15:49but...
15:49What do you want to do with him?
15:52GTIA, GTIA, you've been so big and you haven't told us.
15:56Sorry, Baba Ji.
15:58I didn't want you to give attention to people.
16:00Oh!
16:02If he comes to my hands,
16:05he'll put his hand on his face.
16:08And he'll do so much,
16:11he'll do so much,
16:13that he'll go to his mother.
16:17And he'll leave his work.
16:20Oh, Baba!
16:23The father of Tappu,
16:24the father of Tappu,
16:25he'll leave Tappu.
16:27Look, Baba Ji, I didn't tell you about it.
16:29But, Baba Ji,
16:31we wanted to tell you.
16:33When we all talk together,
16:35we'll talk together,
16:35we'll talk together,
16:36we'll talk together.
16:36What can we talk about?
16:38It's true.
16:40GTIA, we're all like a family.
16:43We don't talk together.
16:44We don't talk together.
16:49Sorry,
16:50I'm sorry.
16:50I'm sorry.
16:51But,
16:51it's not too much.
16:52It's so big.
16:53You don't know.
16:55It's not too big.
16:56It's not too big.
16:58It's not too big.
17:01It's not too big.
17:01It's not too big.
17:03It's not too big.
17:04I'm sorry.
17:05Sorry.
17:07I'll tell you all the facts.
17:09Sorry.
17:10It's wrong.
17:32Oh
17:41We are all together with you.
17:43Yes, that's the right thing.
17:48We will go with you tomorrow tomorrow.
17:50And four more people will go.
17:52Whoever gets a photo,
17:53he will have to complete the photo.
17:55As soon as he comes,
17:56we will take him all together.
18:00What are you saying?
18:06You are all together,
18:08now I have a double chance.
18:11Good luck!
18:12Pappuji!
18:15Pappuji, today I am feeling like
18:16Bhagawan Shri Rama.
18:20Like with Bhagawan Shri Rama,
18:22Wanner Sena.
18:25That's the same,
18:26with me today.
18:31Wanner Sena,
18:32not like Bhagawan Shri Rama,
18:35with Sugriwure,
18:38Jamvan,
18:41Lakshman,
18:43Hanuman,
18:46Aluman.
18:47Ok, today I have a full Sena.
18:51If me, I am a demon of Satan.
18:53I am loyal to him.
18:55I don't care about it!
18:58Now that Ravankant is a nishtet!
19:03Jai Shri Ram!
19:06Jai Shri Ram!
19:09Jai Shri Ram?
19:11Yes, Baba!
19:11Tappu Sena will not come!
19:13No, no, no, no!
19:15My brother is Nars Sena!
19:19I mean, this is Nars Sena, right?
19:23You don't need any Sena, man!
19:26Thank you!
19:26No, Baba!
19:27I will come from Tappu!
19:28Oh, Baba Ji!
19:32Tappu!
19:32Tappu!
19:33Jai Shri Ram!
19:33You don't need to go to Tappu!
19:35Thank you, Baba Ji!
19:36So, brothers, this is Tara!
19:39Tomorrow, we will sit down and sit in the field,
19:42and as he comes, we will catch him!
19:47Jai Shri Ram!
19:58Jai Shri Ram!
20:00How's Jai Shri Ram?
20:02Why?
20:05Be honest the traditional,
20:07What?
20:08What happened to you?
20:12My mom.
20:15My mom?
20:17When I was married, I had a dream in my life.
20:21I would never hide anything from you.
20:25But then, I would never hide anything from you.
20:31So, I would ask my mom.
20:32Oh, my mom.
20:35You have hidden things, but you don't hide anything from your mind.
20:40You have to hide anything from us.
20:43You have to hide anything from us.
20:44Don't hide anything from us.
20:48Don't hide anything from us.
20:50My mom is like a river.
20:54But the world is so much of your life.
20:59You have to hide anything from us.
21:00If your mom is like a river,
21:02then you have to become a river.
21:06If your mom is like a river,
21:08then the river also changes its shape.
21:11Wow!
21:13Wow!
21:13What a joke!
21:14My mom always says,
21:16If she's the love she needs,
21:19she's the love she needs.
21:20Then she does give me she to my wife.
21:23Taking some about the family.
21:27And She does seem to protect women from us.
21:29What's wrong today?
21:30Yeah, yeah.
21:31So, as a wife, my life has been blessed,
21:35now I'm not afraid.
21:37Now I'm not afraid of anything.
21:39Look, what am I going to do today?
21:48Come on, come on, come on, come on.
21:51Come on.
21:52What is this?
21:53He's not coming.
21:55He's not coming.
21:55What?
21:56They've already left the house,
21:57and they'll be in the position.
21:58Okay.
21:59Come on, come on.
22:00Come on, come on.
22:01Come on, come on.
22:03You guys come.
22:03I'll come from different.
22:04What?
22:06That photo has been seen by you guys.
22:08Don't be scared.
22:10So, you're not coming.
22:13That's why you go from different.
22:14You guys come from different.
22:15I'll come from different.
22:16Yeah, point.
22:17Come on.
22:17Come on, come on.
22:19Come on.
22:21Come on.
22:21Come on.
22:22Come on.
22:24Chappu's father.
22:25Where are you?
22:26Don't be careful.
22:26Don't be careful.
22:27Don't be careful.
22:29Don't be careful.
22:30Don't be careful.
22:30All the best.
22:36Come on.
22:48Come on.
22:48Father.
22:48Oh my God.
22:48Oh my God.
22:52Oh my God.
22:54Oh my God.
22:56Oh my God.
22:58Oh my God.
23:04I'm a fool.
23:06My son.
23:08Oh, my son.
23:09What?
23:10He'll tell him.
23:11He'll be stuck with a bear.
23:12He'll be stuck.
23:16This man without...
23:18Puppetal?
23:19Huh?
23:19Have you ever eaten a bear?
23:22No, why?
23:24You won't go with a bear.
23:26He'll be stuck with a bear.
23:29Sorry, sorry, sorry.
23:31I'll stop now.
23:31I'm going to die.
23:32I'm going to die.
23:33Sorry.
23:34Sorry.
23:34Sorry.
23:34Sorry.
23:41Okay.
23:48Be alert.
23:56Hello.
23:57What's your name?
23:57You're all sitting together, right?
23:59Yes, General.
24:00Everybody's in position.
24:01Absolutely.
24:02I've reached my position.
24:04I'm in front of you.
24:05I'm in front of you.
24:05You're back in front of me.
24:07My sister, they're back in front of me.
24:11There's a fire.
24:12There's a fire.
24:13There's a fire.
24:14There's a fire.
24:17You're standing on the fire.
24:19Every person is in perfect position.
24:21Don't do anything.
24:33Can you?
24:34You have to get a fire.
24:35It's funny.
24:39Don't you get?
24:40There's a fire.
24:48What are you doing?
24:52Do they want different from here?
24:54I
24:55PayPal $1,000 as well.
24:56Video bill.
24:57The bill, one single.
25:01The other one, the other one has come.
25:05You're right behind me.
25:10This is the one.
25:12The other one.
25:15Oh, my God!
25:17Oh, my God!
25:20Oh!
25:22Come on!
25:22Come on!
25:26Come on!
25:34She's going down.
25:36Come back.
25:38Come back.
25:38Come back.
25:38Come back.
25:39Okay.
25:41Okay.
25:53I'm the one and the one!
26:02Fine.
26:12Come back.
26:19You're gonna be apart.
26:19I was gonna be right there.
26:20I'm in my head.
26:26But
26:27The jib from the cage
26:27It's like
26:33You don't start
26:36No, no, no, no. The camera is not the phone.
26:42You can't get a photo.
26:47Oh, I'm trying to photo it.
26:56Forrest!
26:58Forrest!
27:01Can't you kill me?
27:03In this place you can have any friends.
27:08Give me 100.
27:10We're all right.
27:13Oweger!
27:14Oh
27:17Oh
27:18Sorry
27:19Oh
27:44I'm leaving you so much!
27:46Stop. Stop! Stop!
28:00Stop, stop, stop.
28:02Stop!
28:05Stop!
28:07Stop!
28:09Stop!
28:10Stop!
28:11Stop!
28:11Stop!
28:13Stop, stop!
28:15Stop and stop!
28:19Wait!
28:26Once come!
28:32Stop!
28:32I don't like that, it's okay, it's okay, it's okay!
28:35Let's go!
28:47Very good!
28:49Just hit it!
28:51This is a new arch!
28:53Oh my god, that's right!
28:57Sorry sorry!
28:58Sorry, sorry.
28:59Hey, Tom!
29:02I don't know, I'm here.
29:03Sorry.
29:04I just want to stop.
29:09Hey, come on.
29:11One minute.
29:13No, no.
29:13It's okay.
29:14You're here.
29:16Thank you for your effort.
29:17You're here.
29:28Hey!
29:29Come on!
29:31Pay attention!
29:32Do you have an internet?
29:37Don't they come here?
29:58What is this?
30:02These shirts are just like my shirts.
30:07Oh, Jet Halal?
30:14What's the man's fault?
30:16He didn't have your photos.
30:18His shirts are also sold.
30:21Maybe this guy doesn't make a duplicate of Jet Halal.
30:24He's not doing anything.
30:27It's amazing.
30:28I've heard the duplication of electronic item.
30:30But when you make electronic item,
30:32there's a duplication of the first time.
30:34What's that, Jet Halal?
30:35What's the man's fault?
30:37I mean, you have to tell the electronics.
30:48Sit, sit, sit.
30:54Look at that guy.
30:55The woman who wrote a joke here.
31:10What's that?
31:12Jet Halal?
31:13What sort of shirts?
31:16What are all these?
31:17I don't understand what it is, brother. What are all these things?
31:22I don't think this is going to happen when we pick up the phone and ask her.
31:26Look, look, look! Where is it?
31:29But where is it? The shop is in front of us, but here is not showing us.
31:32How is it hidden in the shop?
31:35Where is it?
31:41I think that it is not in the shop. It is gone.
31:44So, we should also go outside and find her.
31:48What are you talking about?
31:49I mean, everyone is going to the same door.
31:51And behind her...
32:04She has gone from this shop.
32:07So, there is no benefit from this shop here.
32:10We should also go outside.
32:12Realistic stuff again.
32:13She will be out of this shop.
32:17We should go outside.
32:20What is it?
32:20Yeah, we only go outside.
32:21We mostly need to hang out at the shop and see her.
32:26The shop is running out.
32:26You can come outside from there.
32:27We cannot get outside.
32:30You cannot save that.
32:38Four steps.
32:40You can come outside from there.
33:02Arrêtez !
33:04No!
33:09Please, please!
33:10Don't play!
33:10I can't stop anymore!
33:15Why are you standing?
33:17Why are you standing here?
33:17Say my little brother!
33:18Say it!
33:19Say it!
33:19You said it!
33:20Say it!
33:22You said it!
33:23You said it!
33:23Say it!
33:24Hey!
33:25Hey!
33:26Hey!
33:26Hey!
33:27Hey!
33:28Hey, calm down.
33:31Have a chance to say it!
33:32Why is this?
33:34Hey!
33:34Why are you standing behind me?
33:36Who is this?
33:37Who is this?
33:37Who is this?
33:38Hey!
33:40Hey!
33:41Sorry!
33:44How did you say it?
33:45Who said it?
33:47I...
33:49I...
33:49I...
33:49I...
33:52I...
33:52Sorry!
33:58Say it!
33:59How are you?
34:00I...
34:11How are you?
34:13How are you running?
34:13I...
34:13It's so colorful,
34:14for someطous music!
34:20genuinely愸 ofktime is still mine!
34:21This is a manufacturing defect.
34:27Oh, oh, oh, oh.
34:28Oh, oh, oh, shut up.
34:31Do you know why did you get my photo?
34:34Huh?
34:35Oh, but I didn't get your photo.
34:39Oh, oh, oh, oh.
34:41Oh, oh, oh, oh, oh.
34:42Oh, oh, oh, oh, oh, oh.
34:44Oh, oh, oh, oh, oh, oh.
34:51Why?
34:52Your shirt's unique to all your shopping.
34:55draftedibi.
34:57That's it.
34:59Then?
35:00One day, There was a great customer from me
35:03and he still wanted a different shirt.
35:06He said they bought the shirt from all different afar,
35:08but only one liked it.
35:10That's why my shop was gone out.
35:14And that way, that I would.....
35:20be ahead of them.
35:25Oh, my God! What is the name? What is the name?
35:32Oh, my God! What is the name? What is the name?
35:33Oh, my God! But this thing you can tell me about me.
35:36What was the name of my photo?
35:38Oh, my God!
35:44Look, because of this reason, I don't talk to anyone with anyone.
35:48People make fun and make fun.
35:52So, I thought you will also make fun.
35:56That's why I didn't talk to anyone.
35:58Sorry, sorry, sorry, sorry.
36:01What? That didn't give me my choice.
36:03But then, why did you sit on the laundry on the chum?
36:08Oh, that's why you came here.
36:10If you have the shirt for the clothes,
36:13I'll take a photo of it.
36:16Oh, oh, oh.
36:17That's okay, but why didn't you come here tomorrow?
36:20It was Sunday. Why do you do not work on Sunday?
36:22No, no. I came here.
36:24But that day, they wore a simple shirt.
36:28Oh, no!
36:30Today, I wore a simple shirt.
36:32But what do I make a photo of the simple shirt?
36:35That's why I went there without a photo.
36:38Oh, my God!
36:41Oh, my God!
36:42Because of my night, I was asleep.
36:45Do you know what I want?
36:46I want to forgive you.
36:49In the past, my voice was like this.
36:51So, I didn't have any friends.
36:54And because of that, I haven't married yet.
36:57I didn't even know what I was doing.
37:00I didn't know what I was doing.
37:02But my wife didn't even know what I was doing.
37:04Hello!
37:05My brother, I didn't call me at any function.
37:09They were afraid that they would never become a joke.
37:13Is the sound normal of the brother's brother?
37:15Yes, it's normal.
37:18I taught the owner of the dress.
37:20So, I taught the dress.
37:21You have to have to do less work.
37:23And I keep wearing the dress.
37:26My brother, look.
37:28It's very good that you told us your story.
37:30Otherwise, you go to someone's face with a photo.
37:34What do you think?
37:35Is it a criminal?
37:36And, friends, because of your voice,
37:37you don't have to worry about your self-confidence.
37:39You're such an old man.
37:40You're such a big dress.
37:42And God doesn't give everything to everyone.
37:45You're such an old man.
37:45And if your voice isn't normal,
37:49then those people who are enjoying you,
37:51they're not in them.
37:52And if there's no need for you,
37:54if there's no need for you,
37:55then we don't need to have self-confidence.
37:57If we have any need for you,
37:59then we don't leave the world.
38:01And during the time of the voice,
38:02the voice is different.
38:03You're also different.
38:05That's all.
38:05Yes, I'm telling you.
38:08And if I'm saying the truth,
38:09then I've come here,
38:10I was so angry for you,
38:13and I'm telling you,
38:14that if you're in your hands,
38:16then I'll give you a hug.
38:19But, Nabi,
38:21when you listen to this story,
38:24my heart was filled.
38:26Chetha, please forgive her.
38:31Chetha, please forgive her.
38:32Please forgive her.
38:33Please forgive her.
38:33Please forgive her.
38:34Chetha, go.
38:34Please forgive her.
38:35I've said that my heart is filled.
38:37It's because of anger.
38:40It's because of their feelings
38:41and their feelings.
38:44It's because of their feelings.
38:45It's a great thing.
38:46I've given them a lot.
38:47When did they do it?
38:48Yes.
38:50So,
38:51do you get your shirt designs?
38:53Well,
38:54my shirt is like Mitra Jitubhai,
38:56Lakhani,
38:57my designer.
38:58They're all working.
38:59So,
39:00you'll have to get them.
39:02I'll give them a number.
39:03It's a very good person.
39:04We'll talk about it.
39:05There's no problem.
39:07I'll give them a number.
39:08Yes,
39:09write it.
39:1198701
39:14and their shop's number is 2802.
39:23What the matter, Chetha?
39:24Your shirt is so famous.
39:27That's the truth, Chetha.
39:28Hey, Chetha.
39:29I also know today,
39:30that my shirt is more famous than I am.
39:35Papa,
39:36did you have a photo of your shirt?
39:39Yes.
39:40What happened?
39:41What happened?
39:41It's like that,
39:42as we understand the truth,
39:44it came out of a rush.
39:46Papa,
39:47whose shirt was the shirt?
39:49The shirt was the shirt.
39:52The shirt was the shirt.
39:54The shirt was the shirt.
39:55the shirt.
39:58Papa,
39:59my mother has a kind of illness.
40:02You say,
40:03I'll ask you.
40:03Who's mother?
40:05No,
40:06it's the treatment of her shirt.
40:07I'll ask you.
40:09What happened?
40:10I'll ask you.
40:10I'll ask you.
40:12I'll ask you.
40:13I'll ask you.
40:14Why?
40:15You don't have to be full of your mother's illness.
40:17No,
40:18I don't have to be full of her.
40:23What's happening, Chetha?
40:24Papa,
40:25what happened?
40:25Papa,
40:26No,
40:26nothing happened.
40:28You're just eating a little food.
40:29I'm eating a little food.
40:32That's right.
40:33So,
40:33I mean,
40:33don't go to the shop.
40:35I'm eating a little food.
40:38No, Papa,
40:38I'm eating a little food.
40:39But,
40:40in the past two or three days,
40:41there was no sleep in the last two days.
40:44So,
40:44let me relax.
40:47Papa,
40:48you won't be able to do that.
40:50Why?
40:52Because I was thinking that if this tension is too late,
40:56then we'll be going to be a night of the name of the Bhagavan.
41:01Huh?
41:02Huh?
41:03I was not a night of the night.
41:07Only night.
41:12Ha, ha, ha.
41:14What do you mean, Anjali?
41:15Ha, ha, ha.
41:19Ha, ha.
41:20Ha, ha.
41:20Ha, ha.
41:21Ha, ha.
41:21Ha, ha.
41:49By the night.
41:51He was scared of a lot of people, and he was scared of a lot of people.
41:56Tarak, sometimes it's like this.
41:59The fear is in our mind, but it's visible in the face.
42:02Exactly.
42:03Look, how did Jethah bhai get along with him?
42:05The one who was very criminal, he was a fashion designer.
42:10He wanted to shoot a photo of the shot.
42:13Oh, Jethah lal, Jethah lal, Anjali.
42:16I was scared of myself.
42:17I was scared of myself too.
42:18Okay.
42:19So you have so much help of your master,
42:22so you can make samosas with my hands.
42:25What are you talking about, Anjali?
42:27You made samosas for me?
42:30Wow, after that, I had a chance to make samosas.
42:34Wow, wow, wow, wow.
42:34What a joke, Anjali.
42:36I opened my mind.
42:37Hey, you're enough to make this right, Mr. Fire Brigade.
42:45I'll see.
42:46Wait a minute, Anjali, before you change your mood,
42:49you go to samosas.
42:50I'll see who it is.
42:50Samosas, samosas.
42:51What a joke.
42:54Who is this?
42:56Who is this?
42:56So many hours.
43:09You're going to be here.
43:10Batami?
43:11Don't be afraid.
43:13Come on.
43:14What's up?
43:15Come on.
43:16What's up?
43:16Hey, fuck.
43:17Why is this here?
43:18Why are you here?
43:20Open the door, you'll save me a minute.
43:27Why are you standing like that?
43:31Open the door, when is the bell ringing?
43:36Go, open the door and tell her that I'm not at home.
43:39What?
43:40I'll explain everything later.
43:41Go, go, open the door.
43:51Oh, my God, three-three missiles are sitting at night.
43:55This will be very dangerous.
43:58What will happen?
44:02This is a house in Tarak Mehta, right?
44:07Yes.
44:12What is your job?
44:14You can tell us first.
44:15You can tell us first.
44:17Then tell us what the work is.
44:19When I cut you out,
44:21I'm going to kill you.
44:23If you don't know me,
44:24I'm going to kill you.
44:27You can tell me what the work is.
44:29I'm your wife.
44:32Oh, you're your wife.
44:34You'll have to tell me.
44:36Actually, we need a photo of your husband.
44:39I need a photo.
44:41My photo?
44:43What is my photo?
44:47Your wife?
44:52No!
45:00Where are you?
45:02Look, there's my own story, Madam.
45:03There's no photo in my camera with you.
45:06What are you doing?
45:08What are you doing?
45:10Are you doing?
45:12What are you doing?
45:13What are you doing?
45:16What are you doing?
45:17Why are you staying running?
45:19No.
45:20What are you doing?
45:20What do you mean?
45:21If you come to someone's house and you sit in your bed,
45:25if you don't run away, what will you do?
45:28Oh, this?
45:30This is not for you.
45:31There was a big sale in Baju.
45:33I bought a lot of money for my brother.
45:37Yes, but why did you come here?
45:41Yes, why did you come here?
45:42You are a big writer, right?
45:44Who said that?
45:45Minnie.
45:46Minnie? Who is Minnie?
45:48This is Minnie.
45:50Minnie.
45:51Yes, Minnie.
45:53And we are a very big fan.
45:55We read your articles every day.
45:58When Minnie told you that you are here,
46:01you are not staying here.
46:02And we are going to take a photo with you
46:04and get to meet you.
46:07Okay, okay.
46:09I was totally...
46:11I was scared.
46:13It's okay, Minnie.
46:14It's always going to be wrong.
46:15Just like you,
46:16watching you and watching you in your hands,
46:18I was like,
46:18I was scared.
46:24What are you, Angely?
46:25What are you, Angely?
46:26Tarak,
46:28it happened to you, Jethabai,
46:29like you.
46:30You heard the voice of the child's voice,
46:31you scared yourself, right?
46:33You scared yourself, right?
46:35Yes, Angely.
46:36You scared yourself.
46:37You scared yourself.
46:40You scared yourself.
46:41You scared yourself.
46:43You scared yourself.
46:44And eat all of them,
46:45all of them.
46:47Samosa!
46:47Samosa!
46:48But,
46:48first of all,
46:49a photo.
46:51Ah,
46:51Ah,
46:52Ah,
46:52Ah,
46:52Ah,
46:52Ah,
46:53Ah,
46:54Ah,
46:55Ah,
46:55Ah,
46:55Ah,
46:55Ah,
46:55Ah,
47:06Ah,
47:09Ah,
47:09Ah,
47:11Ah,
47:14Smile,
47:15Please.
47:16Ah,
47:16Ah,
47:17Ah,
47:17Ah,
47:18Ah,
47:19Ah,
47:49Oh, what happened? Why didn't you stop?
47:52Oh!
47:54They keep talking about the phone in the mouth. Did you forget that?
47:57I'm not talking about the phone, Madhavi.
47:59I don't have to worry about the phone.
48:01Who's the phone?
48:02The company's company.
48:04Our society's company's company's company.
48:06Oh, who?
48:07Oh, Ganesh Chaturthi took two days
48:09and took the company's company's company's company's company.
48:12Kamale, where are you from?
48:14You've been a secretary.
48:16If you know the company's company,
48:17you won't go away.
48:19And you won't leave me alone.
48:21Lala, station, Lala.
48:23What?
48:24Your car stopped?
48:26You said it.
48:28I gave a cup of tea, brother.
48:30I gave an advice.
48:32I'm calling for reconfirm.
48:35I was telling you
48:37that Ganesh Chaturthi took two days
48:40and you took a book of Ganesh Chaturthi
48:42and took a book of Ganesh Chaturthi.
48:42How can this happen?
48:43How can this happen?
48:45In this situation,
48:46you have to keep your attention, right?
48:49Finally,
48:49I'm the secretary who is holding one.
48:52And society's own.
48:54That's it.
48:54That's it.
48:55That's it.
48:56That's it.
48:57The general who is holding the power of Ganesh Chaturthi
49:10is coming in.
49:15Thank you,
49:16my name is Ganesh Chaturthi
49:17and my name is Ganesh Chaturthi.
49:17and I'm the secretary of Ganesh Chaturthi.
49:20What is it?
49:21Where did he call the duty of duty?
49:23Hey, dear God,
49:25you have the final touching of Gokuldam Society of duty of duty.
49:27Oh, why?
49:28Hey, dear God,
49:29you have become such a beautiful duty
49:31that you will see all of us.
49:33And not that much,
49:34you have come to see Gokuldam once,
49:35there are many big duties.
49:37And yes, dear God,
49:38the day of Ganesh Chaturthi is very big,
49:40so please, go to the time.
49:42Yes, we will come to the duty of duty of duty on duty.
49:45Okay, okay, okay, we'll get you.
49:47Hi, Zala.
49:48Madhavi,
49:49the duty of duty of duty is perfect.
49:50Let's go.
49:51Gadpadi Wappa.
49:53Moriya.
49:55Wow,
49:56how much time for the entry, huh?
50:00Little uncle,
50:01we've come to talk to Ganesh Chaturthi's preparation.
50:03Yes.
50:04I know,
50:05you will come all of us.
50:07Let's do it.
50:07Let's talk to him.
50:09Madhavi,
50:10little uncle,
50:11it will have a lot of time.
50:12So,
50:13we'll have to drink.
50:13Let's do it.
50:19Let's do it.
50:20Let's do it.
50:20Yes,
50:20it's a chocolate.
50:21Yes, it's chocolate.
50:21It's for me.
50:22Oh,
50:25oh,
50:25a**,
50:25a**, a**, a**, a**.
50:26A**.
50:38A**, a**.
50:40A**.
50:43Uh,
50:55have a lot of money like homosexuals?
50:585,000.
50:595,000.
51:02Only 5,000?
51:04What's going on in this amount?
51:07Yes, my uncle.
51:08What a fun fact!
51:10The son of a kid is a difficult.
51:12This year, the Lord's father became more than the glory of the Lord's Father.
51:14The glory of the Lord's Father, the glory of the Lord's Father,
51:15the glory of the Lord's Father, the glory of the Lord,
51:16the glory of all the Lord,
51:17all the money is made to the end of this budget.
51:21But my uncle's 10 days,
51:22decoration, lighting, full art, puja part, prasad, brahman
51:27ki dhakshena, this is how much it will be.
51:29Yes!
51:30You have to manage this.
51:32Big uncle, you don't want to leave at home.
51:35That's why you don't know.
51:37Go home, big uncle.
51:39How much is the mangrove?
51:42That's it?
51:43That's it.
51:45I'm not sure this is the mangrove.
51:47He's telling me about the mangrove.
51:50What's that?
51:53Today's children, the mangrove is so important.
51:55This is how big it is.
51:57Yes!
51:59Good job, Gogi, good job.
52:01Hey, Gio.
52:02Come on, auntie.
52:02I don't want to understand what a big budget is.
52:04I don't want to make a big budget.
52:06I'm also sure.
52:08I can't get out of the money from society funds.
52:13I'll come back to Naorathri, Diwali.
52:15I have to see all of them, Madhavi.
52:17Yes, children.
52:18They're also together.
52:20What?
52:22How many functions are in our society, right?
52:24But Madhavi, auntie, we have to do a different decoration for competition.
52:28And it's also worth it.
52:30How will we manage all of these things in this money?
52:33Yes.
52:35This is also together.
52:36What's the problem?
52:37Tappu, I think we'll have to go to all of these things in society.
52:41Yes.
52:42We'll have to be capable of all of these things.
52:43Golly.
52:44This is a bad girl.
52:47You can't do this without donating to the society.
52:50Why can't you do it?
52:51Why can't you do it?
52:52Why can't you do it?
52:53Why can't you do it?
52:54Why can't you do it?
52:55I'm telling you.
52:55I'm telling you.
52:57Why can't you do it?
52:57Because the society is a festival fund.
52:59Every month, every month, it's a thousand rupees.
53:02And I've been told that in the society meeting,
53:04that in the year, there will be no fund for the festival.
53:08So, without being a secretary, I won't give you permission to give you a donation.
53:13My hands are closed.
53:14But I've heard that a situation is closed.
53:18No, that's not done.
53:24Me, that's not easy.
53:26We've come to eat.
53:26I don't have a drink.
53:27Come on.
53:29I mean, that's not just going to promote a bicycle,
53:31but I can't afford any other boat.
53:34I don't think that would produce some cash.
53:44Think, how much money will you manage this year?
53:48Oh, guys.
53:50Think, think.
53:51My sir is like football.
53:54But I don't think anything.
53:56The more I think, the more I think, the more I'm hungry.
54:00So, you're doing a job.
54:01Don't think about it.
54:02Do we have to think about it?
54:04Yes.
54:05But, friends.
54:06How much money will we do?
54:09Yes.
54:10And the older uncle also wanted us to give donations from society.
54:14So, how will the funds come from?
54:18Now, you can only help us only.
54:21Yes.
54:23Help us only.
54:24Now, you will have to think about ideas.
54:26Of course.
54:26I will not be going.
54:39Friends!
54:40I do not be a surprise for a program.
54:42I will only help you.
54:44I will not be a program.
54:45Do not be a program.
54:51If you log into a program,
54:53what is your program?
55:00Wow!
55:01Wow!
55:02Wow!
55:03Wow!
55:05If this idea has become successful,
55:08we will kill the donation of society.
55:11Come on, Tapu.
55:13Let's start this conversation.
55:14Now we have to start planning.
55:15Listen friends.
55:17We have to go to a little bit of a natack.
55:20Are you ready?
55:22Don't worry Tapu.
55:23In the natack, we have all got a PhD.
55:26Very good!
55:27Then tell me, Tapu.
55:44Hans?
55:50Oh, my God.
55:52Oh, my God.
55:53You guys are so angry.
55:55Why are you so angry?
55:57What is this urgent work?
56:26Yes.
56:37Oh, my God.
56:41Oh, my God.
56:42Oh, my God.
56:44Oh, my God.
56:48I don't want to be a man.
56:49I don't want to be a man.
56:50I don't want to be a man.
57:17I don't want to be a man.
57:19Oh, my God.
57:23Oh, my God.
57:24Oh, my God.
57:25Oh, my God.
57:44Oh, my God.
58:12I don't want to be a man.
58:15Let's go, it looks like it's gone.
58:17Huh?
58:20I mean...
58:22This Prashad's work has gone.
58:25The tension is far away, right?
58:27What?
58:29Let's go, let's do it again.
58:31Let's go, bye-bye, bye-bye.
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