- 41 minutes ago
My Sexy Mentor Seduced Me - FULL MOVIES ENGLISH SUB
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Short filmTranscript
00:00:10I
00:00:10Shouldn't be here. I'm birdie Edwards. I can be anywhere. I want to be. I don't want you here birdie
00:00:18look
00:00:20I came to apologize
00:00:23You're right
00:00:25You mean that?
00:00:28I do
00:00:38Prove it
00:00:39Well, the student is now the teacher. Stop talking on your knees
00:00:49Call to me
00:01:00Now show me how sorry you really are
00:01:31Yeah, there you are
00:01:33Come on
00:01:33Yeah, there you are come on
00:01:33Break over
00:01:34Sorry I got distracted
00:01:43That girl
00:01:44Who is she?
00:01:54God, she is insanely beautiful
00:02:01A toast
00:02:02To my wife
00:02:05The birdie Edwards my finest creation
00:02:08Cheers to your finale sweetheart
00:02:12What's next birdie
00:02:13What's next birdie?
00:02:14Sleep
00:02:17Actually
00:02:17Mason and I have some thoughts about producing a new play
00:02:21Together
00:02:22Isn't that right my love?
00:02:24Well, actually I have a better idea
00:02:25Well, actually I have a better idea
00:02:26You know
00:02:26The fans are demanding a revival of Stone's fantasy
00:02:30And we're gonna give it to them
00:02:32Will birdie Edwards play Greta Stone once again?
00:02:35Well better yet
00:02:37We are on the search for a new Greta Stone
00:02:40And birdie will mentor her new protege as I did for her
00:02:4420 years ago
00:02:47It's time for birdie to pass the torch
00:03:01Excuse me
00:03:03Yes, you
00:03:04Do you have a light?
00:03:06Just matches
00:03:07Sure, that'll do
00:03:27You're filthy
00:03:31We were understaffed
00:03:33It's a busy night
00:03:35Closing night for you
00:03:37Which you were amazing
00:03:39By the way, I've been such a huge fan for like
00:03:41Do you work here?
00:03:42Yeah
00:03:43I'm new
00:03:45Just moved here actually
00:03:46Mm
00:03:47Another transplant
00:03:50Excuse me?
00:04:06You're too pretty to take out the trash
00:04:11Don't you dare
00:04:13Don't you fucking dare Carl
00:04:15You know what this means to me
00:04:18How could you?
00:04:20Next!
00:04:22Over 200 auditions and not one single Greta
00:04:26I guess it's not that easy finding my replacement, huh?
00:04:32Um...
00:04:34I...
00:04:34Could give it a try
00:04:37All right
00:04:38All right
00:04:38Show us what you've got
00:04:40Matches girl
00:04:45I hate your face
00:04:48Your eyes
00:04:49Worst color of brown
00:04:51Mud
00:04:52Dirt
00:04:53Broken clay
00:04:54And your big nose just
00:04:57Always pointing you north of nowhere
00:04:59Where
00:05:01But it's your mouth that I hate the most
00:05:04Lips I cannot taste
00:05:05A laugh I cannot forget
00:05:08And a smile
00:05:11And for someone that's not me
00:05:17Uh...
00:05:17Thank you
00:05:20Wow
00:05:20That face
00:05:22The cheekbones of Meryl
00:05:24The eyes of Hepburn
00:05:25That body
00:05:26Stop thinking with your dick for once Mason
00:05:30Although...
00:05:30She is better than anyone else we've seen
00:05:32But...
00:05:33Can she carry a whole show by herself?
00:05:36Vera?
00:05:39Are you ready to be the next Greta Stone?
00:05:44It was the craziest thing
00:05:45I mean...
00:05:46One minute I'm sweeping Raisinets
00:05:48And the next...
00:05:49I'm auditioning for Birdie and Mason Edwards
00:05:53I didn't know you wanted to act
00:05:56Yeah, since I was a kid
00:05:57But I never thought it would happen
00:06:00Well...
00:06:01You're definitely beautiful enough
00:06:02To be an actress
00:06:05Kyle...
00:06:05I don't really think we should
00:06:07Thought you wanted to thank me
00:06:08For letting you stay here?
00:06:09I do, but...
00:06:10Just relax
00:06:33Is that on my face?
00:06:35What?
00:06:41What?
00:06:43Well, it would really show me
00:06:44How grateful you are to me
00:06:46For...
00:06:47Getting you the job
00:06:49I was just kidding
00:06:50Hey, but...
00:06:52I mean, if you want to
00:06:52Okay, you...
00:06:55Had nothing to do with me getting that role
00:06:57Well...
00:06:58I got you the job at the theater
00:06:59So without me
00:07:00You wouldn't have gotten the audition
00:07:02Are you being serious right now?
00:07:03Ah, come on...
00:07:04You talk way too much
00:07:05Okay, I said no!
00:07:18And...
00:07:18And not like a little girl
00:07:20Like...
00:07:21Like...
00:07:21A woman...
00:07:22That wants to be touched
00:07:24Alright, stop
00:07:26This is an Edwards show, okay?
00:07:29Not community theater
00:07:30We have less than three months
00:07:32And it's like I'm watching a middle school dance
00:07:35Why don't you two take five?
00:07:43She's far more green than I thought
00:07:46Maybe we recast
00:07:47It's too late for that
00:07:49It's all over the press
00:07:50The city's buzzing about this play
00:07:53What if the girl stays with us?
00:07:55Right?
00:07:56That way you can really train her
00:07:58You're the only one that can do it, Bertie
00:07:59No
00:08:01Put up in the hotel for goodness sake
00:08:03We need to keep her close
00:08:04So she can learn from you
00:08:06Okay? Come on, you're the best in the biz
00:08:08You just want her close so you can sleep with her
00:08:11Would you stop with that?
00:08:12You want the show to be a success or not?
00:08:16Fine
00:08:18But I want 15% of the revenue
00:08:2110
00:08:22Deal
00:08:39Vera, come here
00:08:44Sit
00:08:45I'm sorry, I was just looking around the house
00:08:48It's massive
00:08:52You want to watch me?
00:08:57Then watch me
00:09:22Say it
00:09:25What do you want from me?
00:09:27I...
00:09:31I can't give you anything until you ask
00:09:35I want you
00:09:43Say it
00:09:44What do you want from me?
00:09:44I'm there
00:09:44No, no, no, no.
00:10:00I'm there
00:10:00I'm in the house
00:10:00You don't have to care
00:10:00You don't have to get anything
00:10:01Hello
00:10:14There's a home
00:10:14Mr. Edwards.
00:10:15Hi.
00:10:16Please, call me Mason.
00:10:18Sorry.
00:10:19Don't apologize.
00:10:20So make sure that you're comfortable here and everything you need.
00:10:26Guest bedroom is the opposite way.
00:10:28Oh.
00:10:29Oh, can you have the maid's steam this warm, ma'am?
00:10:33Sure.
00:10:47Sit here.
00:10:54One scoop of yogurt, a half a cup of berries, and a cup of green tea is what you'll have.
00:10:59What?
00:11:00From now on, you will eat what I tell you to eat, sleep when I tell you to sleep, and
00:11:05do exactly as I say for the next three months.
00:11:09Is that understood?
00:11:10Do I have a choice?
00:11:11Do you want to be a star?
00:11:13Yes.
00:11:14Of course.
00:11:15Good.
00:11:16Eat your breakfast, and then meet me in the living room for your first lesson.
00:11:24Don't disappoint me there.
00:11:33I was rereading the script.
00:11:36I love the monologue in Act 2.
00:11:38Take off your clothes.
00:11:41Excuse me?
00:11:42Strip.
00:11:44Why?
00:11:45Our deal is that you do everything I say.
00:11:48Remember?
00:11:50If you're a man, I wouldn't.
00:11:51But I'm not a man.
00:11:52So what are you afraid of?
00:12:00You know what?
00:12:01You think your body is humiliating?
00:12:06Well, now I really have to see what's going on under there.
00:12:09You wouldn't get it.
00:12:11Try me.
00:12:13Because I can't stand to be looked at.
00:12:15I was teased a lot as a kid.
00:12:20An actor's job is to shed every ounce of inhibition in order to become a canvas for the character.
00:12:28Let's try again.
00:12:42Tell me what you see.
00:12:45I don't know.
00:12:45I can't.
00:12:49Your long limbs and determined jaw show your strength.
00:12:55But your shy eyes believe an innocence you haven't yet lost.
00:12:58Your heaving chest and flushed cheeks say you're enjoying me looking at you.
00:13:06I am.
00:13:08Are you?
00:13:11That's enough.
00:13:12Wait.
00:13:14Don't stop.
00:13:17What about the rest of my body?
00:13:33You're firm and soft in all the right places.
00:13:39But your posture needs work.
00:13:40Strength comes from your core.
00:13:43Not only on the outside.
00:13:48But deep.
00:13:49Down.
00:13:51Inside.
00:13:56Do you like it when I touch you there?
00:14:02Do you like it when I touch you there?
00:14:09Hello?
00:14:11What is going on here?
00:14:13It's a disinhibition exercise.
00:14:16And it was working perfectly until you came stomping in, darling.
00:14:20Don't stop on my account.
00:14:21Please proceed.
00:14:23Can we help you with something?
00:14:25Yes, you can.
00:14:26Dan, I just want the two of you to know that the whole town is buzzing about the revival in
00:14:31your mentorship with Vera.
00:14:34Look out, L.A. wants to do a cover story on the two of you.
00:14:38Hmm.
00:14:42Not without a little makeover first.
00:14:47Shall we?
00:14:48Watch me walk away.
00:14:50Putting myself on display.
00:14:52One, two, three a day.
00:14:54I'm on my way, on my way.
00:14:56I'ma have you on tiptoes.
00:14:58Watching my diamond after glow.
00:15:00I know you wanna take me home.
00:15:02I'm on my way, on my way.
00:15:14Now you're ready.
00:15:16Say goodbye to Vera Gibson.
00:15:19Say hello to Vera Grace.
00:15:26Vera Grace?
00:15:27Is something the matter?
00:15:29Nope.
00:15:31I'm...
00:15:31Speak up.
00:15:32Sorry, it's just, uh, it's all happening really fast.
00:15:35You need to choose now.
00:15:37Do you wanna be a star or not?
00:15:40I do.
00:15:43Vera Grace.
00:15:45Good.
00:15:47Yes, do you have a say?
00:15:49I had no say in my name.
00:15:52Freddie Edwards?
00:15:53Edwards.
00:15:54Kind of an iconic name.
00:15:55Not to me.
00:15:58I never wanted to take Mason's name.
00:16:00Did you really have to?
00:16:02It's not really a thing anymore.
00:16:05It was to him.
00:16:07And the Edwards family.
00:16:08Even in our prenup.
00:16:10I never wanted to get married.
00:16:14Mason practically forced me.
00:16:16He controlled everything.
00:16:17My name.
00:16:18My image.
00:16:20My career.
00:16:21My diet.
00:16:23Sounds familiar.
00:16:24It was different.
00:16:26Believe me.
00:16:28I lost control.
00:16:31Fame came overnight.
00:16:33I didn't have time to choose.
00:16:35I just went along with it.
00:16:38And now, fast forward.
00:16:40Fifteen years later, I'm...
00:16:42really coming to grips with it.
00:16:45Pretty.
00:16:46Anyways.
00:16:48We should go rehearse.
00:16:52Okay, Vera.
00:16:53Try a sexy pout.
00:16:56So much for the next big starlet, huh?
00:17:00Maybe you just aren't good at your job.
00:17:05Close your eyes.
00:17:18No, stay focused on me.
00:17:25Arch are back.
00:17:27Yes.
00:17:28Beautiful.
00:17:30Let's get you up there with her, Birdie.
00:17:32Come on.
00:17:33Come on.
00:17:34Come on.
00:17:35Come on.
00:17:42You two have an intense connection.
00:17:45It's almost like watching a proud mother with her daughter.
00:17:59I just want to be alone.
00:18:01Just ignore him.
00:18:03He's an idiot.
00:18:04That's easy for you to say.
00:18:05You're 23.
00:18:07Yeah, and you're one of those beautiful women in the world.
00:18:10Don't...
00:18:10patronize me, Vera.
00:18:13I think you're the sexiest woman I've ever laid eyes on.
00:18:23What are you doing?
00:18:25I...
00:18:25I thought...
00:18:26You thought what?
00:18:27I'm married.
00:18:29But you've been flirting with me since the day we met.
00:18:32No, I haven't.
00:18:33It's called acting.
00:18:36So...
00:18:37you've just been stringing me along?
00:18:39I'm mentoring you.
00:18:41This is what it takes to become a star.
00:19:04I have to admit...
00:19:07I've seen those photos of you in the mirror today.
00:19:11very...
00:19:11very hot.
00:19:26Ow, you're stubble.
00:19:28You like it.
00:19:29I don't, actually.
00:19:32Besides, you're reek of cheap perfume.
00:19:34Come on, Bertie.
00:19:35You know I have eyes for you.
00:19:37My wife.
00:19:43I said I'm tired.
00:19:50Wow, she's really making progress.
00:19:53Great work, Bertie.
00:19:54Okay, Vera, put your arms around Adam's neck.
00:19:57Adam, hands on her waist.
00:20:06Kendrick's sick.
00:20:07You want to step in?
00:20:09Sure.
00:20:13Vera, put your arms around Bertie.
00:20:17The torment of that woman's kiss.
00:20:19Who makes us her footstool.
00:20:21Her plaything.
00:20:23Her toy.
00:20:24Sorry, this just...
00:20:26isn't working without Kendrick.
00:20:27You should be able to work with any scene partner.
00:20:30Including a chair.
00:20:31I'd take the chair over you any day.
00:20:34All right, let's take five.
00:20:36We got back two after the break.
00:20:40You can't talk to me like that.
00:20:46I'm sorry I hurt your feelings at the photo shoot.
00:20:50I overreacted.
00:20:52It was just a misunderstanding.
00:20:54Yeah.
00:20:55It's all in my head.
00:20:56Let's keep it professional.
00:20:58Okay?
00:20:59You're making great progress.
00:21:00I know you don't want to sabotage that.
00:21:03I thought I told you water or green tea only.
00:21:11You're acting like a child.
00:21:14Put that soda down or...
00:21:16Or what?
00:21:17I'll spank you.
00:21:20Put that soda down.
00:21:23Or there'll be consequences for breaking the rules.
00:21:28Prove it.
00:21:43Is this what you want?
00:21:46Answer me.
00:21:47Yes.
00:21:56Be quiet or I'll stop.
00:22:10I think that's enough for today.
00:22:13Give me the soda.
00:22:17Good girl.
00:22:22No.
00:22:23That isn't how this is going to work.
00:22:26You will follow my rules.
00:22:29Do you understand?
00:22:31Yes, I understand.
00:23:00Thanks.
00:23:0833.
00:23:1133 what?
00:23:12Thirty-three blueberries make half a cup.
00:23:15Okay. You get off on having all the control, I see.
00:23:21I'm doing this for you.
00:23:23Whatever you say.
00:23:27Without restraint, this industry will eat you alive.
00:23:31Trust me. Learn to submit here, to me, in a safe space, rather than submitting to the pariahs out there.
00:23:41Submission is the only chance to understand true dominance of the stage and of yourself.
00:23:48So, are you asking me to be your sub?
00:23:54This arrangement is for business, not pleasure.
00:23:58What if someone catches feelings?
00:24:01As long as we follow the rules, everything will be fine.
00:24:05The rules?
00:24:05Just do as I say. It's that easy.
00:24:11First rule.
00:24:13No matter how edgy it gets, you can always say no.
00:24:18And two, no kissing, no sleepovers, and no sex.
00:24:25My purpose is to make a star, not a plaything.
00:24:29Are you sure?
00:24:30You kind of seem to be enjoying this.
00:24:34I enjoy doing my job.
00:24:36Just business?
00:24:39Fine.
00:24:46No, okay, that makes sense.
00:24:48All right, I'm off.
00:24:49Oh, see you at dinner?
00:24:50I forgot, I have a late night meeting with a potential investor, so can we recheck it?
00:24:55Sure.
00:24:56Okay.
00:24:56Have a good day.
00:24:58You too.
00:25:02Shall we?
00:25:12I want you to look at me.
00:25:14Like, really look at me.
00:25:16All of me.
00:25:17And not like a little girl, like a woman that wants to be touched.
00:25:21Stop.
00:25:24Breathe.
00:25:25Take your time.
00:25:27Again.
00:25:29I want you to look at me.
00:25:33Like, really look at me.
00:25:35All of me.
00:25:37And not like a little girl, like a woman that wants to be touched.
00:25:48Better.
00:25:49What does this have to do with the scene?
00:25:52Acting is all about submission.
00:25:53In order to embody the character, you must submit to their every fear, every pain, and
00:26:00every desire.
00:26:01Submission is when you fully trust.
00:26:05Do you trust me?
00:26:07Yes, mistress.
00:26:09Good girl.
00:26:23I want you to use that on me.
00:26:35I want you to use that on me.
00:26:36Are you okay?
00:26:38Yeah.
00:26:40Do you want more?
00:26:41Yes, please.
00:27:21Don't listen to that.
00:27:22It's not true.
00:27:24Session's over.
00:27:31And if I know one thing to be true, it's this.
00:27:34As the moon is my witness, I vow to never stop looking for you.
00:27:38The memory of your eyes, your lips, your touch will never fade.
00:27:44Let's pause for a minute.
00:27:49What is Greta's objective in this scene?
00:27:53She goes on this journey to find love.
00:27:56You sure?
00:27:57I think so.
00:28:03You think so?
00:28:08How can you act if you weren't committed to your motivations?
00:28:11You must have full conviction.
00:28:16Now tell me again.
00:28:18What is this scene about?
00:28:20Love.
00:28:21Wrong.
00:28:23It's about desire.
00:28:25Aren't love and desire the same thing?
00:28:29No.
00:28:31Love is what you feel here.
00:28:33But desire...
00:28:36is deeper.
00:28:39Now let's try and exercise.
00:28:42Okay.
00:28:44Tell me your fantasy.
00:28:47Now...
00:28:49I can't.
00:28:51Why not?
00:28:54Because...
00:28:57Because it's about you.
00:29:02For the purpose of this exercise,
00:29:05you should share it with me.
00:29:07Well...
00:29:09In my fantasy...
00:29:10we...
00:29:12go away together.
00:29:15Just the two of us.
00:29:18Somewhere quiet.
00:29:21Secluded.
00:29:23No interruptions.
00:29:25No one can find us.
00:29:29And then what happens?
00:29:32We'd open a bottle.
00:29:36Good Italian bread.
00:29:39And we'd...
00:29:41play music.
00:29:43And...
00:29:43I'd cook dinner for you as you...
00:29:46sat across the counter and...
00:29:48told me about your life.
00:29:50Sounds like a date.
00:29:52Not a fantasy.
00:29:55It's a fantasy to me because I'm breaking all your rules.
00:30:01We'd get a good day buzz on.
00:30:04And eat and drink.
00:30:06And laugh about how weird I was as a kid.
00:30:09And then you would confess that you were just as weird.
00:30:17And then I'd kiss you.
00:30:18And...
00:30:22sweet...
00:30:23soft at first.
00:30:25But long...
00:30:27and deep.
00:30:30Our mouths wet and hungry for each other.
00:30:38And then I'd want to see you naked.
00:30:41so I could run my tongue down every crevice of your body.
00:30:48I want to know what you taste like.
00:30:52I want to kiss you everywhere.
00:30:54Every inch of you and I wouldn't stop.
00:30:56Time.
00:30:58Time.
00:30:58That's enough.
00:31:09Just doing as you asked.
00:31:10Great.
00:31:12Let's take the scene from the top.
00:31:19On behalf of Edwards Productions,
00:31:21please put your hands together for our very own Greta Stone...
00:31:25Vera Grace!
00:31:37Vera Grace, huh?
00:31:39Hi, Kyle.
00:31:40I don't even recognize you anymore.
00:31:43You've changed.
00:31:44It's just for the play.
00:31:47Birdie's really taken me under her wing.
00:31:50Oh, I know.
00:31:51What's that supposed to mean?
00:31:52Well, seems to me that she's, uh...
00:31:56taking her liking...
00:31:57to you.
00:31:58Well, the success of the play is riding on it.
00:32:01So...
00:32:01it's just business.
00:32:04You used to be so perfect before all this, you know?
00:32:08Birdie, you know...
00:32:09whatever it is you're doing with Vera,
00:32:11it's working.
00:32:13Yeah.
00:32:15She's really blossomed.
00:32:17I think she's ready.
00:32:19I think so, too.
00:32:20You know, for your next career move,
00:32:22you should really consider testing.
00:32:29That's a great idea, Cass.
00:32:31I'll consider it after you lose a few extra pounds.
00:32:51Everyone will be looking for you soon.
00:32:54I needed a break.
00:32:57It's a lot.
00:32:58Gotta get used to all that attention.
00:33:01That'll be your life soon.
00:33:03I'm not trying to replace you.
00:33:07You know that, right?
00:33:09I know you're not trying to.
00:33:12But it's happening.
00:33:15No matter what.
00:33:17It's just the way it goes.
00:33:20I'm sorry.
00:33:23Don't apologize for things you can't control.
00:33:29So...
00:33:30So...
00:33:31Who's your friend in there?
00:33:33Who?
00:33:35Kyle?
00:33:37Yeah.
00:33:39I wouldn't exactly call him a friend.
00:33:43Oh.
00:33:44Are you together?
00:33:47Why are you asking?
00:33:51Wait a minute.
00:33:54Are you jealous?
00:33:59What?
00:34:00No, why would I be?
00:34:02Because I saw the way you were looking at me in there.
00:34:05Like how?
00:34:06Like I was your property.
00:34:09And...
00:34:11Like...
00:34:13Maybe...
00:34:13You want my fantasy to come true, too?
00:34:20I am...
00:34:22Curious.
00:34:23In your fantasy.
00:34:26What are you making me for dinner?
00:34:28Pasta.
00:34:31From scratch.
00:34:33Masons never cooked me dinner.
00:34:36Let alone...
00:34:38Pasta.
00:34:39Well, you...
00:34:40Deserve a big ol' bowl of pasta.
00:34:44That's...
00:34:46Definitely...
00:34:46Against the rules.
00:34:48It's my fantasy.
00:34:50Fuck your rules.
00:34:58Birdie Edwards?
00:34:59It's so dark in here.
00:35:00I could barely tell it was you two.
00:35:03Sorry to interrupt.
00:35:04Would you two mind doing an interview?
00:35:07Yeah.
00:35:07Absolutely.
00:35:09Let's start with you, Miss Farrah Grace.
00:35:11How has it been having the one and only Birdie Edwards training you?
00:35:15Well, it's been a lot of work, but I wouldn't want to learn from anyone else.
00:35:21She's the best.
00:35:22You two must be spending a lot of time together.
00:35:24You've grown close, would you say?
00:35:26Yeah, we've really bonded...
00:35:29Bonded...
00:35:30We've really been bonding over our love of the craft.
00:35:35Birdie, over 20 years ago, you boldly introduced us to the imitable Greta Stone,
00:35:40which made you a star.
00:35:42How would you say your Greta differs from Farrah's Greta?
00:35:46Well, I think my Greta was curious, but scared.
00:35:53Scared of what?
00:35:54To come out of her fantasy world.
00:35:57Because of fear, she missed out on true happiness.
00:36:01But I think Farrah's interpretation is definitely teaching the character to go after what she desires.
00:36:11Well, I think this new Greta Stone 2.0 wants more than to give in to her desires.
00:36:18She needs love.
00:36:23Greta Stone doesn't need anything.
00:36:33Ah, shit.
00:36:35What?
00:36:36I am so sorry. I didn't forget, but...
00:36:40But you forgot about our anniversary trip.
00:36:42I had this big investor meeting that got added to my schedule last minute.
00:36:46Is this investor another one of your young blondes?
00:36:50Birdie, why do you do that?
00:36:52Am I wrong to assume?
00:36:55You know what? It doesn't matter. Forget the cabin.
00:36:57No, no. Hey, hey, hey. You love the cabin.
00:36:59Why don't you and Vera go get a little R&R before opening night?
00:37:03You two have been working so hard lately.
00:37:08Actually, I would like to blow off a little steam.
00:37:10Yeah.
00:37:11You can make it a rehearsal immersion.
00:37:14I'd love it.
00:37:23Pack your bags.
00:37:25We're going on a trip.
00:37:27Wait, really?
00:37:29It's a work trip.
00:37:30Don't get too excited.
00:37:45My house staff must have gone to the wrong vacation home.
00:37:48You have more than one?
00:37:49Someone is getting fired today.
00:37:52No, no. Don't. Don't do that.
00:37:54Let's go. I can book us a hotel in town.
00:37:56We've been driving all day. Can we just stay...
00:37:59Here?
00:38:00Maybe I can hire someone that...
00:38:03Okay, you need to relax.
00:38:05I got this.
00:38:07Alright, let's see what we're working with.
00:38:15Yeah, we're gonna need to go get groceries.
00:38:18And get more wine.
00:38:21Stats.
00:38:27Thermostat's not working.
00:38:30I can call someone.
00:38:34No need.
00:38:35We can build a fire.
00:38:38It's not gas though.
00:38:40Ooh, even better.
00:38:41You know how to build a fire.
00:38:44I can do a lot of things.
00:38:53I don't know how to do laundry.
00:38:55You agree?
00:38:58Well, it seems like I'll be teaching you a few things this weekend.
00:39:13Nothing tastes better than fresh pasta.
00:39:16Here, come.
00:39:17No.
00:39:18It's fun and it's easy, I promise.
00:39:21You can't eat it unless you help.
00:39:25You're just gonna hold your hand here like...
00:39:27Hold it out like this.
00:39:29Keep pulling so that there are no wrinkles.
00:39:34Perfect.
00:39:37Okay.
00:39:48And I was...
00:39:50All over my face.
00:39:52So, from that day on, I was known as Pie Face.
00:40:00Wow, I can't unsee it now.
00:40:06You know, I think this is the first time I've heard you laugh.
00:40:09I laugh all the time.
00:40:11You don't.
00:40:14You're right.
00:40:16I don't.
00:40:17Hmm.
00:40:19I like it.
00:40:23It suits you.
00:40:27I think I've had too much wine.
00:40:29Here, I should go to bed.
00:40:35Great.
00:40:39Um...
00:40:45Thanks.
00:40:52Well, are you just gonna stand there or are you gonna help me?
00:40:56Actually, yes.
00:40:58I'm going to stand here and watch you.
00:41:06The sheets are all crooked there.
00:41:14Anything else, Your Highness?
00:41:16Yes.
00:41:17Bend over and do it again until I say it's perfect.
00:41:22Remember...
00:41:23I'm in charge.
00:41:37Take off your clothes.
00:41:39Do it now.
00:42:00You need to be punished for talking back to me.
00:42:02Lay on the bed.
00:42:04Now.
00:42:27Stop laughing.
00:42:30Please, take off my nose.
00:42:34Take back.
00:42:35Take off my nose.
00:42:39Take off my face.
00:42:39Take off my nose.
00:42:40Take off my nose.
00:42:40Take off my nose.
00:42:42Take off my nose.
00:42:52wait where are you going you made the bed you should have it stay with me please
00:43:04that's against the rules fuck your rules
00:43:09you know you don't want to stop
00:43:18rules are rules it won't happen again
00:43:28you know you don't want to stop
00:43:59you're not paying attention did you just hear what i said sorry guess i'm still reeling from the
00:44:05mindfuck of yesterday we're actors it's what we do that definitely wasn't acting
00:44:16suddenly you're an expert i am on you
00:44:24your heart's pounding your hands are sweaty
00:44:31your cheeks are flushed you can lie but your body tells the truth
00:44:49i shouldn't have done that why not because i'm married to a man and he's not here
00:44:55but i am on your anniversary weekend this was his idea you know for someone that likes control you're
00:45:03a real sub when it comes to mason it's complicated you wouldn't understand
00:45:08mason made me what i am i can't just turn my back on him do you even love him
00:45:18of course i do you're lying to yourself again
00:45:25that's enough i'm done with this fine if you don't want me to walk away then i can be done
00:45:32with this too
00:45:39so
00:45:47so
00:45:49so
00:45:49so
00:45:49Let's go.
00:46:20I guess you belong to me. I guess it was time to see. I guess it was time for me.
00:46:26We'll show you the way you go down. When you go down, look at you now. I guess you belong
00:46:31to me. I guess you belong to me. You have been waiting to see. Now you got your soul slashed.
00:46:39You're soul slashed. Once I get a hold, you'll never get you.
00:46:49You're soul slashed. You're soul slashed. Once I get a hold, you'll never get you.
00:46:59You're soul slashed. You might never get you.
00:47:04You're soul slashed.
00:47:15Ooh, glasses. So sexy. You know what? You're so sexy.
00:47:35What's so funny?
00:47:37Now that I've lived out my fantasy, I don't really know what to do next.
00:47:41Well, I'm sure you'll think of something.
00:47:45What's your fantasy?
00:47:48You'll laugh.
00:47:50I promise I won't.
00:47:54To write and direct my own plays.
00:47:56You would be amazing at that.
00:47:59Tell that to Mason. He thinks I should stay in my lane.
00:48:04Have you had other lovers?
00:48:06Lovers?
00:48:07Mm-mm.
00:48:10Only you.
00:48:12Well, I hope I didn't disappoint you.
00:48:15Disappoint me?
00:48:16No.
00:48:18You set the bar, baby.
00:48:20That's all I'm going to think about.
00:48:32Birdie?
00:48:35Birdie?
00:48:38Mason!
00:48:40What are you doing here?
00:48:42Well, my meeting got pushed, and I felt so guilty about missing her anniversary.
00:48:47And I know that there's only one night left here.
00:48:50So I wanted to...
00:48:52You did this.
00:48:53It's a clipping from your very first review of Greta Stone.
00:48:58Raving, of course.
00:49:00I just wanted you to know that...
00:49:02You are, and always will be my little star.
00:49:09Mason, this is beautiful.
00:49:11I...
00:49:13I don't know what to say.
00:49:15I love you, Birdie.
00:49:19Vera!
00:49:20Hey!
00:49:21Hope the two of you are enjoying the weekend so far.
00:49:24Yeah, we have been.
00:49:25Good, I'm starving.
00:49:26Is there anything to eat?
00:49:27In the kitchen.
00:49:27Okay.
00:49:31What am I supposed to do?
00:49:33I don't know.
00:49:34How about being honest about who you are?
00:49:37Stop living a lie?
00:49:38It's not that easy.
00:49:39Well, pretending seems pretty fucking hard, too.
00:49:43I'll figure this out.
00:49:46I just need some more time.
00:49:49Okay?
00:49:49Just until the show wraps.
00:50:07Tired of being on your carousel of men, Greta?
00:50:10Don't be silly, my love.
00:50:13Tired of the two, Greta.
00:50:14You have to choose.
00:50:15But it's impossible to choose.
00:50:19So why not have both?
00:50:22Very good, Vera.
00:50:23Kendrick, you're still a little late in your queue, buddy.
00:50:32I gotta take this. It's the investor.
00:50:34Run the show?
00:50:35Yeah.
00:50:36Great.
00:50:42Thank you, gentlemen.
00:50:44Hey, I can't talk right now.
00:50:47I can't stop thinking about you, either.
00:50:50Got any notes for me?
00:50:52Sure do.
00:50:53You gotta get a little bit closer.
00:50:54Oh, do I?
00:50:55Uh-huh.
00:51:02You're gonna get me in trouble.
00:51:04Okay.
00:51:05Bye.
00:51:09Can I help you?
00:51:10Mr. Edwards, I'm so sorry to bother you, but I need to talk to you about something.
00:51:15Yeah, I gotta get back to it. I'm on the clock.
00:51:18It's about Birdie.
00:51:19She's having an affair.
00:51:23Excuse me?
00:51:24Birdie's having an affair with your lead actress, Vera Grace.
00:51:28Okay, I don't know who you are, but I certainly don't need a janitor to tell me about my wife.
00:51:33I'm the concessions manager, and I do know what I'm talking about.
00:51:38Oh, okay, Mr. Concessions manager. What proof do you have?
00:51:42I've seen them together.
00:51:45Kissing? In bed what?
00:51:47On stage. Just the looks, the touching.
00:51:51Look, if you watch them closely, you'll see it, too.
00:51:54Okay, look, I don't expect you to understand this, but my wife is an amazing actress.
00:51:59She creates chemistry on stage, so whatever you think you saw, you didn't.
00:52:05Cass, get this guy. He's disrespecting the theater and my wife.
00:52:09Have him fired immediately.
00:52:10You're gonna regret this.
00:52:11Pretty soon, the whole world is gonna see what's right underneath your nose.
00:52:22Ahem.
00:52:24Oh, Mason.
00:52:26Birdie was just giving me her insights on Greta's promiscuity and the lack of quality male suitors in her world.
00:52:34Where are Adam and Kendrick?
00:52:36Oh, we gave him a break so we could work some things out alone.
00:52:43You mind if I take the reins back?
00:52:45No, of course not.
00:52:47Sure.
00:52:51Why don't we show Vera the proper slow answer?
00:52:55Techniques.
00:52:56Mm-hmm.
00:52:59You remember our wedding night?
00:53:02Mm-hmm.
00:53:11You meant wearing a new necklace.
00:53:13Oh.
00:53:15It was a little tight on my neck, so I took it off.
00:53:26Make sure you get used to it.
00:53:30Back to work?
00:53:32Yeah.
00:53:35Gentlemen.
00:53:36From the top.
00:53:52I see you got your collar on like a good dog.
00:53:55Mason must be thrilled.
00:54:01I'd like to put you on a leash.
00:54:05I'm sorry, I know this isn't ideal.
00:54:07What?
00:54:08No, I personally love watching you be manhandled in public by your husband while I sneak around in the shadows.
00:54:15It feels like you're ashamed to be with me or something.
00:54:18What?
00:54:20No, I'm not.
00:54:22Hey, back in five.
00:54:25You okay?
00:54:26Yep, I'll be right there.
00:54:31I promise, when this is all over, I will leave him.
00:54:36I only want to be with you.
00:54:39Our way.
00:54:41I wish there was a way for us to be together now.
00:54:44I just want to touch you and not care who sees it.
00:54:48Maybe I know a way.
00:54:51Maybe I know a way.
00:54:51What are you doing tonight?
00:55:03I can't do this.
00:55:04Hey.
00:55:06I'm in charge tonight.
00:55:10Come on.
00:55:18I've never been to one of these before.
00:55:20What?
00:55:21A masquerade party?
00:55:22A lesbian party.
00:55:25You can be yourself, dear.
00:55:26A lesbian party.
00:55:29A lesbian party.
00:55:31A lesbian party.
00:55:33A lesbian party.
00:55:34A lesbian party.
00:55:34A lesbian party.
00:55:35I've never felt this free before.
00:55:38That's why I love this place.
00:55:40It's not this place.
00:55:44It's you, Vera.
00:55:57Oh, my God.
00:55:59You're Buddy Edwards.
00:56:02Excuse me?
00:56:03I'm your biggest fan.
00:56:04I've seen Stone's Fantasy at least 50 times.
00:56:07I'm sorry.
00:56:08I don't know what you're talking about.
00:56:10I'm sorry.
00:56:11I thought you were the actress of Birdie Edwards?
00:56:15You look so familiar.
00:56:16Are you sure you're not famous?
00:56:17Oh, trust me.
00:56:18She's not.
00:56:19Oh.
00:56:20I feel terrible.
00:56:22Can I buy you both a drink to make up for it?
00:56:25It's fine, really.
00:56:28Have a good one.
00:56:36I had a lot of fun tonight.
00:56:37Oh, who said it was over?
00:56:44Sorry.
00:56:46Sorry I took that picture of you.
00:56:49You're fine.
00:56:50Have a good night.
00:56:53Hey.
00:56:56How would you like making 500 bucks?
00:57:04Make me one of your martinis.
00:57:06I think we should just go to bed.
00:57:08We have a big day tomorrow.
00:57:09Oh, but I'm having fun.
00:57:12I just want to be with you.
00:57:18So, earlier was a lie?
00:57:22No.
00:57:23Of course not.
00:57:25But that was fantasy land.
00:57:27This is real life.
00:57:30So, real life means always having to hide who we are?
00:57:34Never actually being together?
00:57:36That's not fair.
00:57:38Tonight was fun.
00:57:41But we have to stay focused on the play.
00:57:43Oh my god, it's always about the fucking play!
00:57:46Why?
00:57:46Oh, your voice.
00:57:47Why?
00:57:48I'm not afraid to tell everyone who I love.
00:57:52Dara, what do you say?
00:57:54I love you, Birdie.
00:58:02Clearly you don't feel the same.
00:58:03I am such a idiot.
00:58:05I am such a idiot.
00:58:08Don't...
00:58:10Don't touch me.
00:58:12Ever again.
00:58:26I'm not scared.
00:58:28I can't do anything.
00:58:28I'm not scared.
00:58:38I'm afraid I'm so scared.
00:58:43It's like you.
00:58:48Come in
00:58:56I told you I didn't want to see you again
00:58:59Why are you here?
00:59:02Because
00:59:04I wanted to let you know
00:59:06That
00:59:08I've been thinking
00:59:10And
00:59:13Vera, I'm in love with you too
00:59:18You mean that?
00:59:20I do
00:59:28On your knees
00:59:45Bertie, what the hell are you doing?
00:59:48Mason, I can explain
00:59:49No, don't bother
00:59:50I already know about all your deviant behavior
00:59:51She is not deviant
00:59:55We're in love
00:59:59You poor idiot girl
01:00:01Do you honestly think that Bertie Edwards is in love with you?
01:00:04She only loves this spotlight
01:00:05Oh, oh, oh, oh, oh
01:00:07And the 10% cut that she's making off of you
01:00:09How dare you?
01:00:10You don't know the first thing about her
01:00:13Mason is right
01:00:16But that was before everything
01:00:19So it really was just business
01:00:20It wasn't
01:00:23Or at least not anymore
01:00:24How am I supposed to believe anything you say?
01:00:27Why don't I help speed this up here?
01:00:42Bertie, what is it?
01:00:49You know, the whole world knows about the two of you
01:00:51Well done
01:00:52So what?
01:00:54I'm not ashamed of who I am or who I love
01:00:57Mason, I am sincerely sorry
01:01:00We didn't want you to find out this way
01:01:02We never meant to hurt you
01:01:03But
01:01:05Bertie and I just want to be together
01:01:07We should go to a press conference
01:01:09Oh, I
01:01:10I want the world to know how I feel about you
01:01:12But
01:01:12You think that's a bit much?
01:01:15I already contacted Gwen's office
01:01:16We're meeting her tomorrow
01:01:17Good
01:01:19She'll handle it
01:01:20Wait, what is happening here?
01:01:22Who's Gwen?
01:01:23She's our publicist
01:01:26So you're just going to have your publicist
01:01:27To eat this under the rug?
01:01:29This is how celebrities handle crises
01:01:33What about starting our lives together?
01:01:36Living our truth?
01:01:40It wasn't supposed to come out that way
01:01:42So what?
01:01:43It's out
01:01:44I don't care how
01:01:45I just care about being with you
01:01:51It's complicated
01:01:52Yeah, it's complicated
01:01:54I'll say
01:01:55We've got less than ten fucking minutes
01:01:57To open this show
01:01:58And every single member in that audience
01:02:00Is going to know about this scandal
01:02:01And it's your job to fucking make them forget it
01:02:03The show must go on, right?
01:02:06It's all you've ever cared about?
01:02:09Well, good luck finding your new greatest stuff
01:02:11No, Vera
01:02:12You're not thinking clearly
01:02:13Actually
01:02:14I've never felt more clear about anything
01:02:16In my entire life
01:02:17I see who you are
01:02:20A fame monster that he created
01:02:23Always afraid to be honest
01:02:25Show your true self
01:02:28You're living in a gilded cage
01:02:30Birdie
01:02:31I mean, if that's what being a star is
01:02:33Then I don't want any part of it
01:02:35Hey
01:02:36Do you know how much time and money I've invested in you?
01:02:39A million girls would die to be in your place
01:02:42You are an ungrateful brat
01:02:45You're a joke, Mason
01:02:47And a sham
01:02:48The only one with any real talent is Birdie
01:02:50And you've been riding her coattails for years
01:02:53You may have convinced her that she needs you
01:02:56But you'll never convince me
01:03:00Listen
01:03:01If you walk out that door
01:03:03You're never coming back
01:03:11Come with me
01:03:15We can make our own art together
01:03:17Just like we talked about
01:03:20Please
01:03:24I love you
01:03:30I can't
01:03:35Good luck with the show
01:03:45Ladies and gentlemen
01:03:46I regret to inform you
01:03:48That tonight's
01:03:48And all subsequent performances
01:03:50Of Stone's Fantasy
01:03:51Are cancelled
01:03:52Until further notice
01:03:55Excuse me?
01:03:56Wait
01:03:56Hey
01:03:58Hey
01:03:58So you're back
01:03:58Miss you
01:04:09This is what we need to do
01:04:11Lots of couples time
01:04:13And charity work
01:04:14In fact
01:04:14Photos of you two
01:04:16Doing charity work
01:04:17As a couple
01:04:17Yeah
01:04:18I used to volunteer
01:04:20At the children's hospital
01:04:21All the time
01:04:22So
01:04:23No you didn't
01:04:25Well I
01:04:25I gave blood
01:04:27Once or twice
01:04:31Why are we doing this?
01:04:32Because
01:04:33If we don't turn this
01:04:34PR nightmare around
01:04:35And get the show
01:04:36Back on its feet
01:04:37We will lose
01:04:37Every cent
01:04:38We have
01:04:39Birdie
01:04:42No
01:04:44I don't think
01:04:45It'll work
01:04:45Trust me
01:04:46This is a
01:04:46Tried and true
01:04:47Strategy
01:04:48Of many
01:04:48A floundering
01:04:49Celebrity
01:04:49No
01:04:51I mean
01:04:51This won't fix
01:04:52What's wrong
01:04:53Between us
01:04:53Mason
01:04:58I'll give you two
01:04:59A moment
01:05:03Haven't you
01:05:04Caused enough
01:05:04Trouble already
01:05:06Just answer me
01:05:07One question
01:05:10Are you happy?
01:05:12What kind of question
01:05:13Is that?
01:05:14A simple one
01:05:15Because I can
01:05:16Honestly say
01:05:18I'm not happy
01:05:22I don't know
01:05:22If I've ever been
01:05:23How dare you?
01:05:26I have given you
01:05:27Everything
01:05:27That you ever wanted
01:05:32Except love
01:05:34You're not leaving me
01:05:36Because if you do
01:05:39I will take everything
01:05:40I know all about
01:05:41The other women
01:05:42Mason
01:05:43You can have the house
01:05:45But I want the theater
01:05:49You owe me that much
01:05:51You'll never make it
01:05:52Without me
01:05:55Maybe
01:05:59But I'm going to try
01:06:00Anyways
01:06:13The number you are trying to reach
01:06:15Is no longer in service
01:06:24Nothing
01:06:25I don't think
01:06:25I'm not using it
01:06:26I'm not looking
01:06:30I'm not looking
01:06:34It's that
01:06:35I'm not looking
01:06:39I'm
01:06:43I'm not looking
01:06:44I'm not using it
01:06:46Animal
01:06:46I'm looking
01:06:47I've never felt this free before.
01:07:07Bertie.
01:07:09This is phenomenal.
01:07:15I was struck by inspiration, and it just poured out of me.
01:07:20Did that inspiration take the form of a beautiful dark-eyed girl named Vera Grace?
01:07:28I love her, Cass.
01:07:31I'm no longer afraid to admit it.
01:07:35That's why I need you to tell me where she is.
01:07:38I'm sorry, I don't know, Bertie.
01:07:40She must have left a forwarding address.
01:07:43She did, but it was a P.O. box.
01:07:46I'm afraid I don't know any more than that.
01:07:48No phone number or nothing?
01:07:51I wish I could help.
01:07:59I'm going to miss seeing you every day, Bertie Edwards.
01:08:02You are a true star.
01:08:09What are you going to do now?
01:08:11The only thing I know how to do is take this broken heart and turn it into art.
01:08:26Bertie, you have a new play coming out, A Masked Love Affair.
01:08:30Yes.
01:08:31It's a much smaller production than I've been involved with in the past, but it's the one
01:08:37I'm most proud of.
01:08:38You wrote, you're directing, and you're starring in this play.
01:08:42You're quite the triple hyphenate.
01:08:44Tell us about this play.
01:08:46Well, it's about finding yourself when you didn't even realize how lost you were.
01:08:52And it was inspired by someone very special to me.
01:08:57You're the only one that knows me.
01:09:00All of me.
01:09:03There are parts of me that came alive because of you.
01:09:07I'm ready to make this fantasy a reality.
01:09:14I'm ready to make this fantasy a reality.
01:09:44you
01:10:21you
01:10:50you
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