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13:13What are you like, 6'2"?
13:15Come on!
13:19What was that, Yaz?
13:21I got it.
13:22You got it?
13:22Yeah.
13:25Excuse me, sorry.
13:26I'm sorry.
13:26I'm sorry.
13:27Excuse me, sorry. Just go.
13:29Sorry.
13:30Whoa!
13:31Boarding pass.
13:32We don't have boarding passes,
13:34but somebody that we really need to speak to has just gone through.
13:36That's not how it works.
13:38Sorry, one sec.
13:39Have you got any photos of Sophie on the phone?
13:42Yeah.
13:42Okay, now, quickly.
13:44Excuse me.
13:45We have reason to believe that this individual is a terror suspect
13:48and a security threat.
13:49Sure.
13:49We need to locate them and stop them immediately.
13:52One moment, sir.
13:53What the fuck are you doing, bro?
13:54Trust me.
13:55It's gonna work.
13:56No, no, I'm not in golf.
13:59Right.
14:00You said something about security.
14:01I did, yeah.
14:02He's travelling to the Middle East.
14:03He runs a complex network of drivers, couriers
14:05and black market dashcam suppliers.
14:08And how do you know this?
14:09I have links to the security establishment.
14:11What links?
14:12MI5.
14:13Sorry, I...
14:13MI5.
14:17Yeah, not buying it.
14:19Next.
14:20I'm sorry, what...
14:22What do you mean you're not buying it?
14:24You know, tone of voice, body language, the whole performance, really.
14:27I just didn't see it in the eyes.
14:29Let me go again.
14:30You film it this time and we can watch it back together.
14:32You are already on camera.
14:33If you keep annoying me, I'm gonna put you on the news.
14:36Better than having a hundred dead bodies and exploding 747 on the news.
14:39They don't fly 747s anymore.
14:41Because of people like this, I'm trying to tell you.
14:43Trained in Chechnya, fought in Afghanistan.
14:46The Battle of Kandahar, maybe...
14:47What are you doing?
14:50Are you saying you're a security threat and a terrorist?
14:52I'm an entrepreneur.
14:54Sorry.
14:57Hey, can we talk?
14:59Next.
15:00Yeah.
15:05You got blood?
15:07Oh, yeah.
15:09I got hit by a car.
15:11You hurt?
15:12Yeah.
15:12Good.
15:19Bro, I'm sorry.
15:22I'm really, really sorry.
15:24I've been a fucking dickhead.
15:26Shoot this.
15:27Bro, my whole life, I've seen you out here.
15:29Yeah?
15:29Doing you.
15:32I've been at home, bro.
15:34Trying to repay your family for taking me and QA.
15:40I should thank you.
15:42You know what you made me realise?
15:45I have to do me.
15:49Yeah.
15:52Wait, is this, like, a real thank you?
15:54Like, a fuck you thank you?
15:56Both.
15:58I'm tired of being the little baby.
16:00Like, I'm not trying to be a junior partner in a relationship.
16:03And I hear that.
16:04Yeah.
16:04And I don't want to control you.
16:06I'm sorry I sweated you.
16:09I just...
16:10I've just been ticking boxes my whole life.
16:12And...
16:14You're not a box.
16:16You are...
16:16Flour.
16:18Or...
16:18With layers.
16:20Like an onion.
16:21Okay, you need to work on that.
16:22Yeah.
16:25What are you getting on that plane?
16:28I'm back in four days.
16:31Oh.
16:32Why didn't you just call me anyway?
16:33I...
16:34This is too important.
16:40I love you, bro.
16:42Say it again?
16:42I said you're a fucking prick.
16:44Yeah, you're no prick too.
16:46Yeah.
16:50Um...
16:50Where is it?
16:51That way.
16:52That way.
16:53Economy.
16:54Uh...
16:54I'll see you at baggage claim.
16:56For fuck's sake.
16:59Yes.
17:00Put yourself together.
17:01I'll be grinning at that four boys.
17:02Ma'am, give me my phone please.
17:04It's chilling now.
17:06Psycho.
17:09Uh...
17:09I don't know if you're still down, but you could probably still make an audition.
17:39I won't.
17:59I don't know.
18:00I'll just burn out.
18:00I think you've already told us how to enjoy it.
18:00I'm working as somebody who takes a moment.
18:00got to give you alright. I'm
18:01working as a restaurant. You're
18:02stuck in this house too busy. You're
18:05stuck in this house too really quick with ayllic building. Did you
18:07say, you're stuck there. What were
18:08you looking for?
18:27Mr. Lateef, we're ready when you are.
18:43There he is!
18:47Someone's had a busy few days.
18:51So we're just going to go straight to the monologue, okay?
18:55Please tell me you're ready.
18:58Reporting for duty, man.
18:59Set on camera.
19:01Fire on set.
19:03Sound speed.
19:04Screen test, Charlotteef, take two.
19:07Marker.
19:10And we're set, and...
19:15Action!
19:18That could have just as easily ended a few centimetres to the left.
19:21It wouldn't have mattered to you at all, would it?
19:24Just as long as you were pleasing your masters.
19:28Letting them tell you exactly who to be.
19:32But I see you.
19:36And when it's just you, all alone, tell me, how do you live with yourself?
19:45Do you even know who you are anymore?
19:53Do you want to know what it's like doing the dirty work?
20:01Fighting everybody and being a nobody?
20:04To work with you?
20:04The beautiful piece.
20:04In a day...
20:07the blood of my hands is mine.
20:14Because I kill a part of myself every day, I don't...
20:24I live with myself.
20:29I live with whoever you need me to be.
20:38If I don't know who I am, it's because...
20:43you don't want to know.
20:47And cut!
20:48Shut up!
21:00You have never seen anybody turn a performance around like me.
21:04You see, you just...
21:06I think I get it now.
21:07OK, well, great.
21:09No, it's just one more thing. It's just, you know, a bit of a rites of passage.
21:15OK.
21:16Congratulations.
21:18Yeah.
21:23Back to one.
21:24Yes, thank you.
21:27So now you're going to say your name in three...
21:37...two...
21:40...one...
21:44...action!
21:47The names...
21:52...Sha Jahan.
21:54...
21:59...
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