00:00No, I think there's a little bit of, you know, creative liberties with, like, the events creative liberties.
00:06I mean, none of it's real.
00:07But it's funny because I did try and do a calendar where I was trying to exactly pinpoint, like, how
00:11these events coincide, and it's impossible.
00:14They don't, you know?
00:14There are major plot holes all over this, like, the cop dragging the guy in, and then the cop car's
00:20there all day,
00:20and so the little kid doesn't see the cop car until he comes home from school.
00:23It's like, how's that possible?
00:24It doesn't work.
00:25It doesn't add up.
00:26And at a certain point, you have to just be like, that's okay, you know?
00:29Well, I mean, is it, could you say it is just from their personal perspective and the way they're seeing
00:33the world?
00:33Yeah, exactly. They're unreliable narrators, you know?
00:35It's all, yeah, subjective.
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