- 17 hours ago
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00:00:09Bhaji, good morning.
00:00:10Good morning, Kapil.
00:00:11Bhaji, I was thinking that it's our third season
00:00:15and you're coming first.
00:00:16So, do you plan a special entry
00:00:20like you're coming to film?
00:00:21It's a very easy entry.
00:00:22I'll do two tanks.
00:00:25A tank? Why?
00:00:26I'm talking about the tank.
00:00:28I'm talking about the army of tanks.
00:00:30That's it.
00:00:31That's what you've done, right?
00:00:33I don't want to take a little bit.
00:00:34Tell me something else, Bhaji.
00:00:36Four horses.
00:00:38This season is going to be going to get horses.
00:00:41But they're busy.
00:00:43They're busy, right?
00:00:44Okay.
00:00:45So, what can they do?
00:00:49Two motorcycles.
00:00:51Why do you come here?
00:00:53Two motorcycles, two horses, two tanks.
00:00:55You've also kept two judges.
00:00:57So, you're coming from them.
00:00:58Yes, that's it.
00:00:59So, what do we do?
00:01:01Something different.
00:01:02Do you work?
00:01:03Yes.
00:01:04Two horses.
00:01:05Yes.
00:01:05This is the best.
00:01:08You've never done it.
00:01:09Never done it.
00:01:09It's a different entry.
00:01:10It's fun to come here, Bhaji.
00:01:12Damn.
00:01:13Two horses.
00:01:13Ajit Devgan.
00:01:14Wow.
00:01:21Come on.
00:01:22Yeah.
00:01:36Oh.
00:01:37Nice.
00:01:37No GOD
00:01:44Good evening!
00:01:46And welcome to The Great International Copy Show!
00:01:52Thank you, Shupriya. Please, please, Virajman. Thank you.
00:01:56You're lacking my Lil Bilh Sili Chilli, baby.
00:01:58I love them.
00:01:59But today you've made Prittor Jitok.
00:02:04That's why we're here in Punjab.
00:02:05Because today the guest here, they're coming from Punjab.
00:02:09Who's coming from?
00:02:10Look, Sardar Ji is with you.
00:02:12If Sardar also comes, how do you feel?
00:02:43Oh, oh, oh, oh, oh.
00:02:44Oh, oh, oh, oh.
00:03:12Oh, oh, oh, oh.
00:03:12Son of Sardar will come when the audience will be here.
00:03:18Son of Sardar will be very interesting.
00:03:22You will be very fun to see the role of the person in this form.
00:03:35Oh, oh, oh.
00:03:39Oh, oh, oh.
00:03:40Oh, oh, oh.
00:03:42Son of Sardar Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji
00:03:50Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji
00:03:52Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji
00:04:04Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji
00:04:06Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji
00:04:07Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji
00:04:07Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji
00:04:08Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji
00:04:09Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji
00:04:09Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji
00:04:10Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji Ji
00:04:11Ji
00:04:30This is our previous definition.
00:04:34I have come here a lot, but today I want to offer so long
00:04:44I also have no reason to say that
00:04:45No no no no
00:04:45Do you mean the sow is on the field from the ground?
00:04:50are you OK?
00:04:52What a good packer and a good packer
00:04:54that can be beaten through the verge
00:04:56Can't be there, my sow is on the ground
00:05:02After all the years, the whole world, all the wishwars
00:05:05The whole country was able to see their party
00:05:13People lose weight.
00:05:15But if you have done so much,
00:05:16you will also lose weight.
00:05:18It's gone.
00:05:20Oh, thanks.
00:05:22But, Ravi, I'm so happy for you.
00:05:24What have you done with the ladies?
00:05:26Yes, yes.
00:05:27Netflix told me that you should mention it.
00:05:29But you came to Oscar.
00:05:31Wow.
00:05:32What about this?
00:05:34That's right.
00:05:37I've been doing something for 34 years.
00:05:40Wow.
00:05:40Yes, but I didn't have anything.
00:05:42Then I became a part of Mahadiou.
00:05:43I became a part of Gorakhpur.
00:05:45Then I thought maybe someone would call me acting.
00:05:48But it's a part of it.
00:05:50It's a part of it.
00:05:52It's a part of it.
00:05:54It's a part of it.
00:05:54It's a part of it.
00:05:55It's a part of it.
00:05:56It was a small film.
00:05:57It was a director of Kiran Khair.
00:05:59The Lapatah Ladies.
00:06:00It was a police officer.
00:06:08But you were mind-blowing in Lapatah Ladies.
00:06:13I see.
00:06:13But Raviyah.
00:06:14You were so surprised.
00:06:17You said Kiran Khair.
00:06:20I was going to say, but I kept quiet.
00:06:24I was going to say, that the Lapatah Ladies and Sardar is sitting with him.
00:06:30And Dhamal is sitting here.
00:06:33It's a part of it.
00:06:34It's a comedy film.
00:06:34It's a very serious film.
00:06:36Oscar.
00:06:38So, there was any comedy in it.
00:06:39Seriously.
00:06:41I said, it was not clear.
00:06:43It was not clear.
00:06:44It was clear about half a day.
00:06:45Half a day after I told him,
00:06:46I didn't have to take a serious film.
00:06:48I didn't know what to do.
00:06:49I realized what to do.
00:06:51Actually, I will thanks to him that they have called me one day.
00:06:56Which was never happened to me in 33 or 33 years.
00:06:59I called him and he said,
00:07:00Ravik, what are you doing?
00:07:02I said,
00:07:04Sanju Baba is going to come to Sanjay Dutt.
00:07:06Sanav Sardar has rejected his visa in Sanav Sardar.
00:07:10You will do that.
00:07:11I was so happy.
00:07:13Sanju Dutt is a cult man.
00:07:15And in that place, we are going to go to Sanjay Dutt.
00:07:19That's the same.
00:07:27It's a big compliment also, Ravik.
00:07:29And a big compliment.
00:07:31And a big compliment.
00:07:31And a big compliment.
00:07:31Hey, brother.
00:07:33You have to know that in Climax,
00:07:35I have a lot of hero.
00:07:37But in Climax,
00:07:39everyone wants to take their lines.
00:07:41I was standing there.
00:07:43The director, Vijay Arora said,
00:07:46Ravik, give them all lines.
00:08:03You have to do it for the film.
00:08:06You have to do it for the film.
00:08:10You have to do it for the film.
00:08:16Superb.
00:08:17You have to do it for the film.
00:08:18I have to tell a story.
00:08:19I was a very multi-starrer.
00:08:22I have no name.
00:08:23I have all my friends.
00:08:24And I was a negative villain.
00:08:26And I left someone's shooting.
00:08:27And I left someone's shooting.
00:08:28And now, I have to kill me in Climax.
00:08:31I have to kill someone.
00:08:32And one of those three heroes will kill me.
00:08:35And now, I'm sitting in Vanity Van.
00:08:38It's morning.
00:08:38It's morning.
00:08:39It's morning.
00:08:39It's morning.
00:08:40And I have to go to another shooting.
00:08:42I just asked the AD.
00:08:44I called him.
00:08:44I said, what happened?
00:08:46Why didn't you leave me?
00:08:47He said, he's standing there.
00:08:48The hero is saying,
00:08:49I'll kill him.
00:08:51I'll kill him.
00:08:53I'll kill him.
00:08:54I'll kill him.
00:08:56I'll kill him.
00:08:58I'll kill him.
00:08:59I'll kill him.
00:09:04I'll kill him.
00:09:09I'll kill him.
00:09:10I'll kill him.
00:09:14I'll kill him.
00:09:19I'll kill him.
00:09:22I'll kill him.
00:09:24I'll kill him.
00:09:24I'll kill him.
00:09:26I'll kill him.
00:09:26I'll kill him.
00:09:28I'll kill him.
00:09:28I'll kill him.
00:09:29I'll kill him.
00:09:30I'll kill him.
00:09:30I'll kill him.
00:09:30I'll kill him.
00:09:31I'll kill him.
00:09:31I'll kill him.
00:09:31from u.p. So how did this happen in your mind?
00:09:34We had this character who was NK-Pitaji
00:09:38were thrown around in the city.
00:09:43Truck driver was thrown out of Bihar.
00:09:45He was thrown out of Bihar.
00:10:01My father has three daughters. One is in Punjab,
00:10:05he took a truck and stopped in Bihar a few days.
00:10:07My mother got there.
00:10:09We got there.
00:10:10Then a pole dancer got him in London.
00:10:14They worked in the restaurant,
00:10:16and they told me that he was angry and angry with his mother.
00:10:21And then I think that my father will not stop,
00:10:25so I will break his hands.
00:10:27That's why I will forgive you.
00:10:28My God.
00:10:29So this film is so much fun.
00:10:33After a very long time,
00:10:36Bihar Koyi Ashleel Shabdo,
00:10:38Kamal's family,
00:10:40five or six tickets,
00:10:41you can see a film with five or six tickets.
00:10:44Sir, I don't have a question to you.
00:10:46We were filming a little bit,
00:10:48we lost a little weight,
00:10:50and now we will go to Amritsar,
00:10:51and then we will grow up eating.
00:10:53When are you watching?
00:10:54You keep maintaining it.
00:10:56It's not so difficult.
00:10:56It's not so difficult.
00:10:57Today we have a camera with a belt.
00:10:59Yes, you can see the camera.
00:11:01How do you do it?
00:11:01We don't wear a jacket.
00:11:02We said,
00:11:03the jacket is on the back of the people.
00:11:05Because it's like the back of the back.
00:11:09It's like the back of the back.
00:11:23And, sir, in between the shots also,
00:11:26we would go and work out.
00:11:30Wow.
00:11:31So that is the amount of dedication.
00:11:33Amritsar, when you are on the set,
00:11:35you feel like you are coming out.
00:11:36Come with them.
00:11:39I'm coming here.
00:11:40I'm not coming.
00:11:41I'm coming.
00:11:43I'm coming.
00:11:43I'm coming.
00:11:44I'm ready for this exchange.
00:11:48No, no, no, no.
00:11:49I'm just a personal question.
00:11:52How do you get home?
00:11:5412 years old,
00:11:55you get a bill out of 12 years.
00:11:56As you get away from politics,
00:11:58you get out of the way.
00:11:59I'm coming.
00:12:01Guru, I'll tell you,
00:12:03you don't have to watch this show.
00:12:05You watch everything.
00:12:06I'll watch it in Switzerland,
00:12:08but we don't have to watch this show.
00:12:11Mirunal,
00:12:13the company, that agency,
00:12:15are you happy with that?
00:12:17Uh...
00:12:18Some woman is happy probably.
00:12:19But until the end happens.
00:12:21I didn't know why I asked you.
00:12:23You know, Mirunal,
00:12:25she's not happy with her.
00:12:27Oh.
00:12:50I think, when you see Sun of Sardar 2, you will know what you need to do.
00:13:07I think, when you see Sun of Sardar, you will be too late.
00:13:12When you are married, you will be married.
00:13:15If you married your wife, he will come home and get married.
00:13:17If you will be married with the daughter of Sardar, you will come home.
00:13:19If you will marry him, he will be married for five years later.
00:13:23If you will be married with the son of Sardar, you will say uncle?
00:13:26He will say that he will be an ARN.
00:13:29ARN is not.
00:13:30I mean, there will be no chance to get a very short time.
00:13:32You will forget the birthday, the anniversary.
00:13:35You will forget the 30th anniversary.
00:13:37He will come and come in night and the children will come.
00:13:39But you never know.
00:13:40Neta is a good person.
00:13:42He is a good person.
00:13:44He is a good person.
00:13:46He is a good person.
00:13:47No, I mean, it is not that you have an image that is created.
00:13:51It is not that they are emotional people, they are family people.
00:13:53Yeah.
00:13:54I am a good person.
00:13:55I would never think wrong.
00:13:57Really?
00:13:58Neta's hand, I would not give a mic.
00:13:59You have put it in his mouth.
00:14:07But I am coming here and I will get crazy.
00:14:11He knows this.
00:14:12But tell me, Neta or Abhi Neta, what will I get?
00:14:16I would say, do not get married.
00:14:17Avoid this topic.
00:14:18Do not get married.
00:14:20What?
00:14:20My dream is my dream.
00:14:21My dream is my dream.
00:14:22Really?
00:14:23My dream is my dream.
00:14:24I want to get married.
00:14:25I want to have children.
00:14:27No, for that.
00:14:28Okay.
00:14:31Okay.
00:14:31Okay.
00:14:32Let's change the topic.
00:14:33Yeah.
00:14:34Ajay, sir.
00:14:34Son of Sardar, a tool.
00:14:35First of all, a rate of two.
00:14:37A hit.
00:14:39Two, I have seen.
00:14:40Like my baby, I love you.
00:14:42Two.
00:14:44Two.
00:14:45Two.
00:14:46Two numbers are lucky.
00:14:46Ajay, sir.
00:14:46My date of birth and my date of birth are the same.
00:14:48Two numbers are lucky.
00:14:49Ajay, sir.
00:14:49Do you believe me?
00:14:51Your two numbers are lucky.
00:14:52My three, four, five are lucky.
00:14:54How?
00:14:56Drishan, three.
00:14:57Dhamal, four.
00:14:58And Golmal, five.
00:14:59Yes.
00:14:59Yes.
00:15:03Before I talk about another question,
00:15:04I had a friend of Ajay, sir.
00:15:06A fan of Ajay, sir.
00:15:07He said,
00:15:08You have to ask Ajay, sir.
00:15:09I have to ask a question.
00:15:10I have to ask a question.
00:15:11Ganga Ram Ji.
00:15:12Ganga Ram Ji's question is,
00:15:13Ajay, sir.
00:15:14Your Golmal series is a big comedy film.
00:15:16It's a big hit.
00:15:17Dhamal series is a big hit.
00:15:19You do comedy in your films.
00:15:21The shows are made for comedy.
00:15:22Why are you serious?
00:15:24Why are you serious?
00:15:30Ganga Ram Ji's question is,
00:15:32when I film the film,
00:15:33I'm going to check my name.
00:15:35When I'm here,
00:15:36I'm going to check my name.
00:15:36I'm going to check my name.
00:15:43Ganga Ram Ji's question is,
00:15:45The journey of Murnal is great.
00:15:47It's a big problem.
00:15:49It's a big problem.
00:15:49at 6 o'clock,
00:15:50at 11 o'clock,
00:15:50at 11 o'clock,
00:15:51building the show of Kappil Sharma.
00:15:54Tell you.
00:15:56You make a film for Mumbai.
00:15:58The other one is in South.
00:15:59One is here and the other is here.
00:16:01You make it here at the other.
00:16:02матери and the other is here.
00:16:05I wanted to say something.
00:16:06No, no.
00:16:07In a film does not work there.
00:16:08You make it here.
00:16:09You do shooting
00:16:10one day.
00:16:11The other day is there.
00:16:11One day is there.
00:16:12You do.
00:16:13Murnal,
00:16:14you see the menu and what changes
00:16:15are you in there?
00:16:17You do.
00:16:18set up.
00:16:18Nothing.
00:16:19I'm here.
00:16:20My dad is here.
00:16:20I'm here.
00:16:22I'm here.
00:16:23I'm here.
00:16:24And they're like, yeah?
00:16:27I said, oh, sorry, dad.
00:16:29I'm here.
00:16:30I'm here.
00:16:30I'm here.
00:16:31I'm here.
00:16:32Sometimes it's a confusion.
00:16:34How many languages have you done in Manala?
00:16:37In many words, it's only Hindi and Telugu.
00:16:40But have you learned Telugu?
00:16:43Ardhamayinda.
00:16:44Oh, okay.
00:16:51Now what will happen, Paaji?
00:16:53I'm in mood.
00:16:56What are you talking about, Paaji?
00:16:57How do you leave the world with wings?
00:17:03Jhima.
00:17:07Pichi, yes.
00:17:10A lot of these are looking at it.
00:17:13How are you talking?
00:17:14They didn't have a subscription at home.
00:17:44They started shaving.
00:17:46They started shaving.
00:17:48They started shaving.
00:17:49So they didn't go.
00:17:50They started shaving.
00:17:53So they didn't go.
00:17:54So they started shaving.
00:17:54So they started shaving.
00:17:54So they didn't go.
00:17:55So they didn't go.
00:17:55How do you put these 5-5 techniques?
00:18:00I taught this to Siddhupa.
00:18:02They put one in a roomal in cricket and one in politics.
00:18:08One roomal is also kept here.
00:18:10No, it's just a whole bed.
00:18:14Oh.
00:18:16Oh.
00:18:17Oh.
00:18:18Come on.
00:18:18Here's the one in the room.
00:18:20That's the little bit of Archenajji.
00:18:21Oh.
00:18:25Oh.
00:18:25Oh.
00:18:26Oh.
00:18:26Oh.
00:18:27Oh.
00:18:45Oh.
00:18:46Oh.
00:18:49Oh.
00:18:51Oh.
00:18:51Oh.
00:18:51Oh.
00:18:52Oh.
00:18:53Oh.
00:18:54Oh.
00:18:56Oh.
00:18:57Oh.
00:18:58Oh.
00:18:58Oh.
00:18:59Oh.
00:18:59Oh.
00:19:04Hello, sir, did you get them from Lily, Billy, Silly, Chilly?
00:19:08Like your artist, right, in the same time?
00:19:10Ravi, brother, Mindu Paji, Sanjay, Deepak, brother.
00:19:13How do you feel about your brother's attitude?
00:19:17Now I've come to understand why your tagline is here.
00:19:19Every year will grow up.
00:19:26See, you can see them, you can say that every year will grow up.
00:19:29If you look at Ravi, you can say that, you can't say that.
00:19:36Glamour has to be in the same place.
00:19:38A little bit of a feature, it just came out.
00:19:41Lily, Billy, Silly, Silly, you guys go backstage.
00:19:49Okay, I feel good that Ajay Sartre's film is also in Murnal and Kubra.
00:19:54This is the reason why we come to Son of Sardar.
00:19:56When we come to Son of Sardar, we have come to Son of Sardar.
00:20:06There is another one.
00:20:11It's been a big deal.
00:20:12The idea is that we're going to get together.
00:20:13So, when the Lord comes to Son of Sardar, we are going to have to be in the same place.
00:20:21It's like a big deal.
00:20:25The name is Virendra Singh Randhawa.
00:20:26Son of Sardar, Paji Tuzirik Sardar,
00:20:29I'm Sardar, Ambar Sarwale,
00:20:30and the rest of the people?
00:20:33Deepak and Kubra have also come to our show.
00:20:37Sanjay, you've come to the first time in the last 12 years.
00:20:40It was a great wish to meet you.
00:20:42This is the first time?
00:20:42Have you ever made such a place,
00:20:44have you ever made such a place
00:20:45or have you ever made famous at night?
00:20:51Have you ever made your wish?
00:20:53You've come here to become an actor.
00:20:54I've never been, Sanjay, you've come here.
00:20:57You've come here,
00:20:58but you've also made a film.
00:21:00But one thing,
00:21:01one thing about the power of God.
00:21:03We're always going to go to the school of the Bible.
00:21:09We're going to do good things.
00:21:11And when we become a film,
00:21:13we're going to be the big actors.
00:21:15They go to the power of God.
00:21:19When I become a big person,
00:21:20I'll be alone.
00:21:22My friends, I'm an editor, and I'm going to tell you something.
00:21:26It's great.
00:21:27It's a great deal.
00:21:28I love it.
00:21:29One to two.
00:21:31It's very strange, see you, Sucu.
00:21:34I love that.
00:21:34I love that every great director, actor, producer has to be able to get to you.
00:21:39This is your love, Sanjay.
00:21:40We have to tell you.
00:21:41We have all of them.
00:21:42We have all the films when we came,
00:21:45we're all about to say that we're all about to shoot a film.
00:21:49Yes.
00:21:50What are you trying to find a place to find a place?
00:21:52What are you trying to find a place to find a place?
00:21:54I don't know.
00:21:55I have an actor, Woody Allen, who has been studying.
00:21:58He said that he should talk to actors.
00:22:01No, but those who do good work, they can go.
00:22:08Why do you do it?
00:22:10Why do you do it?
00:22:12You are so good.
00:22:14Why do you do it?
00:22:15But no, genuinely.
00:22:16Look, when you meet with senior officers,
00:22:20you don't need to learn anything.
00:22:21But why did you say that?
00:22:23Why do you do it?
00:22:24You stay in your mind.
00:22:26You prepare yourself.
00:22:28If you have one mind, one person,
00:22:30you will say,
00:22:31you will do it in the past 20 years.
00:22:33But Sidhu Ji is coming from cricket,
00:22:34and coming from parliament.
00:22:39Sidhu Sir, Sanjay Sir,
00:22:41they do very familiar things.
00:22:43I was very disappointed in one day.
00:22:45I was very disappointed in one day.
00:22:46I asked you,
00:22:47are you still young or not?
00:22:48We always say,
00:22:49wise,
00:22:50big, big, big.
00:22:52I haven't called you the name of today.
00:22:55Oh, big.
00:22:58I don't think I'm born as a big.
00:23:00When I was born,
00:23:01I've never been born.
00:23:02I have never been born as a big girl.
00:23:04I'm not a big girl.
00:23:07I'm a big.
00:23:10I'm not a big girl.
00:23:13I can't.
00:23:39So,
00:23:41You can see your eyes when you see your eyes.
00:23:42When you see your eyes, you can see your eyes.
00:23:44You can see them in the morning,
00:23:46and you can see them in the morning,
00:23:46and there's no bounce.
00:23:49What is it, Deepak?
00:23:50Do you have any competition in your mind
00:23:53or do you keep 6-7 flat?
00:23:55No.
00:23:56No.
00:23:56That was also in the Kapil Sharma show.
00:23:58That's how it starts with everyone.
00:24:00Today, you've put a pink smile on your eyes.
00:24:02What's your eyes?
00:24:03What's your eyes?
00:24:04What's your eyes?
00:24:04What's your eyes?
00:24:07What's your eyes?
00:24:08We've got a pink smile on your eyes.
00:24:08And the other's eyes have been taken.
00:24:10Where are they?
00:24:11We're sitting at the corner,
00:24:12and we're looking at this.
00:24:13This guy is like this.
00:24:16What a lie!
00:24:17I'm like this.
00:24:18I'm going to shave your eyes.
00:24:19After that, I'm going to bite my face.
00:24:24We're all eating.
00:24:25We're eating.
00:24:25We're eating.
00:24:26We're eating.
00:24:30We're eating after Secret Games.
00:24:31You've seen all of this.
00:24:32Netflix debuted with her.
00:24:34When it was first time in the Secret Games,
00:24:36Everyone has seen it.
00:24:37You know, people have received a subscription in Netflix.
00:24:41No, no, no.
00:24:42They can also see it in Barsola.
00:24:47They have also been on Instagram.
00:24:49They keep killing their jokes.
00:24:51Did you know how to come to our show?
00:24:53When I'm ready?
00:24:55When I'm doing live shows,
00:24:56I think I'll get a chance.
00:24:59No, I know Kubera.
00:25:00We've done a lot of live shows.
00:25:01But as an actor,
00:25:04I was shocked.
00:25:05Wow, you've done great work.
00:25:08Welcome, welcome, Kubera.
00:25:09So happy for you.
00:25:17You're looking very pretty.
00:25:22Caps, finally,
00:25:23now you're going to flirt with me.
00:25:25When I'm married,
00:25:25I don't do it on camera.
00:25:29I'm like, okay.
00:25:30I'm like, okay.
00:25:32I want a motivation to be a person.
00:25:35I don't think the old ones are changing.
00:25:37Yes.
00:25:38That's what I'm saying.
00:25:39Let's look at the film.
00:25:40Look,
00:25:41Son of Serdar Tuk's shooting.
00:25:43It was in the first place.
00:25:44If I tell you the location,
00:25:45how much fun.
00:25:46Glanko.
00:25:48Glanfinan.
00:25:49Glan, Curloss, Don, Lothian.
00:25:52If you give all these names to a chemist,
00:25:54he'll give them one and two pieces of paper.
00:25:59Sanjay, when you first know Glan Phelan,
00:26:02one time you'll think that
00:26:03you're 12-year-old or 18-year-old.
00:26:06Glan Phelan.
00:26:08Glan Phelan.
00:26:09Glan Phelan.
00:26:11Glan Phelan.
00:26:12Glan Phelan, Lothian.
00:26:14You heard your name?
00:26:15I was just making a decision before going.
00:26:21Ajay brother said,
00:26:23you've got to come in a phone.
00:26:24I said, come in yesterday,
00:26:24he's got to come in here.
00:26:29I've reached the place.
00:26:32Now it's cold,
00:26:32it's okay,
00:26:34let's meet Ajay brother.
00:26:36We saw a gorgeous girl.
00:26:39Bye God,
00:26:40I said, will shooting at us?
00:26:58He's a woman in the film.
00:27:10He's a beautiful street, very beautiful.
00:27:14That's why I have to maintain all the beauty.
00:27:20And it's a very good, a proper woman.
00:27:24We're going to see it too.
00:27:25How do you think a proper woman?
00:27:27Because it was a whole set.
00:27:47Oh my God.
00:27:51the way he they made him look the way he carried himself he
00:27:58he had to go to the restaurant in the morning, he didn't change the clothes, the girl was dressed with
00:28:10the wig
00:28:10and the most important thing was he got to go to the room
00:28:14why did he go to the lady's clothes?
00:28:16that was a party, my hotel was a little far away, he was in the middle, he had to go
00:28:21to the beach
00:28:21so I had to go to the beach, I had to go to the beach
00:28:23so I had to go to the beach, I had to go to the beach
00:28:27I had to go to the beach, I had to go to the beach, my shirt was dressed
00:28:29but we had to go to the washroom
00:28:31he went to the men's washroom by herself
00:28:35and they came to the beach, it was like what was happening
00:28:37no no no, he was kind of a good idea
00:28:39I was going to the washroom in the girl, she was on the post
00:28:43and his hands were on the men's washroom, she was laughing
00:28:44he was on the streets, he was on the streets
00:28:49so he was on the way the other way
00:28:50he was on the waitress
00:28:51no no, start
00:28:54And then there was a girl in the washroom.
00:28:57He was also laughing.
00:28:58He told me that I was on the phone.
00:29:01I was on the phone and I was on the phone.
00:29:02You don't want to go to the washroom.
00:29:04So you don't go.
00:29:06And there was a girl in the washroom.
00:29:08So he was laughing.
00:29:09Oh, God.
00:29:10And I got my hands on the ladies.
00:29:12And I said, no, no, no.
00:29:15He's a boy.
00:29:15He's a boy.
00:29:17Oh, baby.
00:29:19Oh, baby.
00:29:20What happened?
00:29:20Oh, baby.
00:29:44Oh, baby.
00:29:51Yes, that was what you had.
00:29:54How talented is your love?
00:30:06Wow.
00:30:07Wow.
00:30:08Wow.
00:30:09Oh, boy.
00:30:10Oh, baby.好不好.
00:30:10Oh,
00:30:11baby. Oh,
00:30:13baby. Oh,
00:30:15baby.
00:30:21Oh
00:30:21Hello, it's a time is up. I'm a top. Don't a looter
00:30:30Yeah, I don't want to hot up
00:30:34I'm mr. Was this yeah, I can give water was a tank
00:30:40I have hope on the low way. Jinkie zero that come here
00:30:45but he is strong in the army.
00:30:50And what do you want to do?
00:30:52Those who don't care of mother,
00:30:55we want to do the father for them.
00:30:59Don't hurt yourself.
00:31:01Do you think you're scared from the above?
00:31:02Don't sit with the above.
00:31:04Don't sit with the above.
00:31:12Don't sit with the above.
00:31:13We are just for the red.
00:31:18Then you're late, late.
00:31:21Son of Sardar II is here.
00:31:22That was Ajay Devgan's red.
00:31:25We are just for Ajay Devgan's red.
00:31:28You're talking about Ajay Devgan's red.
00:31:30I'm just like that.
00:31:31It's the same thing.
00:31:34It's been a duplicate of Ajay Devgan's red.
00:31:39And you've seen them.
00:31:41How do you say it?
00:31:42How do you say it?
00:31:45It's not.
00:31:46You've also got a duplicate of them.
00:31:48You've ended up getting a double tune after Ajay Devgan's red.
00:31:54I've never felt like Ajay Devgan's red.
00:31:59One of the cosecrums is down the back of Ajay Devgan's red.
00:32:09You've simply got to be the same.
00:32:10I've got to be the same.
00:32:10What did you say?
00:32:10I've got to be the same.
00:32:10I can say yes you can see you can see you can see you can see you can see this
00:32:38duplicate
00:32:40Your associate is ADDA
00:32:47What does this stand for?
00:32:50Ajay Devgan Duplicate Association
00:32:58I'm a regional manager
00:33:00This is from marketing
00:33:03This is from HR
00:33:05This is from Pappard
00:33:06This is from Chetney
00:33:09You're saying that you're speaking from Pappard
00:33:10You're speaking from Chetney
00:33:14I'm not that
00:33:16Just like this
00:33:16Ajay Devgan
00:33:17I've got a question
00:33:19You're welcome
00:33:21You're welcome
00:33:22You're welcome
00:33:22Your new attitude is good
00:33:24Atitude is a little calm
00:33:29You're welcome
00:33:31You're welcome
00:33:32You're welcome
00:33:32You're welcome
00:33:33You're welcome
00:33:34They are the real ones, brother.
00:33:36Oh, way to go, way to go.
00:33:39Way to go.
00:33:41That's nice.
00:33:44Way to go.
00:33:49You're doing well.
00:33:56Anyway, it's my way or skyways.
00:33:59You are the one who is the one who is the one who is the one who is the one
00:34:06who is the one who is the one who is the one who is the one who is the one
00:34:15who is the one who is the one who is the one who is the one who is the one
00:34:22who is the one who is the one who is the one who is the one who is the one
00:34:26who is the one who is the one who is the one who is the one who is the one
00:34:29who is the one who is the one who is the one who is the one who is the one
00:34:29who is the one who is the one who is the one who is the one who is the one
00:34:29who is the one who is the one who is the one who is the one who is the one
00:34:29who is the one who is the one who is the one who is the one who is the one
00:34:29who is the one who is the one who is the one who is the one who is the one
00:34:29who is the one who is the one who is the one who is the one who is the one
00:34:29who is the
00:34:29I will tell you what you are doing.
00:34:32You will tell yourself what you are doing.
00:34:34We will eat all the food.
00:34:36Why?
00:34:38Here, sir, come here.
00:34:40You will train and teach you how this is.
00:34:43Here, here.
00:34:48Look, attitude.
00:34:50Additude.
00:34:51Additude.
00:34:52Additude.
00:34:52Additude.
00:34:53Additude.
00:34:53Additude.
00:34:55Additude.
00:34:58Additude.
00:35:19Additude.
00:35:20Additude.
00:35:24Additude.
00:35:24Additude.
00:35:26Additude.
00:35:27Additude.
00:35:28Additude.
00:35:29Additude.
00:35:29Additude.
00:35:29Additude.
00:35:29Oh, my God.
00:35:31Madness.
00:35:33I have the most duplicate in India with Ajay Devgan.
00:35:37No doubt, no doubt, a lot of look-alike.
00:35:38In Vihar, in U.P., a lot of...
00:35:41But Ajay, I wanted to ask you,
00:35:43how do you feel when you mimic yourself?
00:35:46What does it make you feel?
00:35:48It makes you feel good only.
00:35:50But some people get very upset.
00:35:52No, in fact, you should feel blessed that
00:35:54people are giving you that kind of respect.
00:35:56I'm so happy you think so, yeah.
00:36:01People start imitating you.
00:36:03People start mimicking.
00:36:05Then you understand that your life
00:36:07has been so successful.
00:36:09It's a hit.
00:36:09You become a cult.
00:36:11Absolutely.
00:36:14What you've talked about now,
00:36:17I say that someone's name is a hotel.
00:36:20It's a very small thing.
00:36:22If someone's name is a situation,
00:36:24it's a very big thing.
00:36:25Like when we go to school,
00:36:27and they're fighting for the other day.
00:36:29They say,
00:36:29I'll take your daddy.
00:36:31You're your daddy Dara Singh?
00:36:32Yes.
00:36:34You were your dad.
00:36:36Have you ever played in school?
00:36:38Have you ever played in school?
00:36:39Have you ever played in school?
00:36:40I'm sure not.
00:36:41I've never played in school.
00:36:43We all played in school,
00:36:47but we all played in school.
00:36:57There is another special thing.
00:36:58They didn't have Punjabi accent in Hindi pictures.
00:37:01He was doing it once again.
00:37:04I was doing it.
00:37:06I heard a story that said that
00:37:08we are Punjabi,
00:37:10we will have a little accent in Hindi.
00:37:13Someone told me the story.
00:37:15He said that Dara Ji was doing Hindi films.
00:37:17One time he did dubbing the Punjabi film in Chandigarh.
00:37:21The dubbing engineer was sitting there.
00:37:24He said that Dara Ji,
00:37:26listen to me,
00:37:28there is a Hindi accent in Punjabi.
00:37:35Every one has a habit.
00:37:37He has a habit.
00:37:38He is doing a prank.
00:37:39This time?
00:37:40No.
00:37:41No.
00:37:42I thought that we were all ready.
00:37:48Because they are doing it.
00:37:50What did he do?
00:37:52There was a scene where we are going
00:37:55and we have a whole group
00:37:56and a sump comes in.
00:37:58What is a sump?
00:38:00What is it?
00:38:02There are a sump, shooting people.
00:38:04I said that sump is a sump.
00:38:06I mean that sump is not a sump.
00:38:08I don't have a sump.
00:38:10They have a sump.
00:38:11Let me see.
00:38:13Let me see.
00:38:15I don't have a sump.
00:38:16I don't have a sump.
00:38:19I don't have a sump.
00:38:19I don't have a sump.
00:38:21Why?
00:38:22I don't have a sump.
00:38:23What?
00:38:25You are a sump.
00:38:26You are a sump.
00:38:29You are a sump.
00:38:31You are a sump.
00:38:33We have heard of Ravi's idea that
00:38:35every night, before bed,
00:38:37you have to wash your pants.
00:38:40If you wash your pants,
00:38:42you will keep your pants on how many days?
00:38:43You have to wash your pants.
00:38:46I mean, yeah.
00:38:48I love you.
00:38:50But she never let me do that.
00:38:51But even whenever she is sleeping.
00:38:53But it's a very good thing.
00:38:54What is the problem with this?
00:38:56Yeah.
00:38:58Because that was my fault.
00:38:59When I didn't have money,
00:39:01there was nothing.
00:39:02She didn't leave me alone.
00:39:05Today, whoever I am,
00:39:07she was with me.
00:39:09My son is also in front of me.
00:39:11He knows the way.
00:39:13She managed me.
00:39:14Oh, pair is going to be like.
00:39:16How sweet.
00:39:16What a matter.
00:39:19The man is guilty,
00:39:20the more pair is going to be like.
00:39:21Oh, my son.
00:39:25He is playing in front of me today, sir.
00:39:30Deepak brother is also a habit.
00:39:32As the schedule of the film is finished,
00:39:34he goes to the saloon,
00:39:35all the hair is cut off.
00:39:36All the hair?
00:39:37You do so well, Deepak brother.
00:39:39Why are you cut off your hair?
00:39:40What is your hair?
00:39:41You can cut off your hair.
00:39:44You can cut off your hair.
00:39:47You cut off your hair.
00:39:48You cut off your hair.
00:39:49This is a little ritual.
00:39:51one time,
00:39:51I feel like,
00:39:52I'm staying in the workplace,
00:39:54some feelings,
00:39:55all the things you have to adopt.
00:39:57So,
00:39:58if you are in one,
00:39:58then,
00:39:59I feel like,
00:40:00I feel like,
00:40:00from the last set,
00:40:00from the last set,
00:40:01from the next set.
00:40:03You are in this hope,
00:40:04that you will always come from here.
00:40:08You know,
00:40:09Sanjay brother,
00:40:10with his love,
00:40:12I think,
00:40:13that they will have a 15th film, maybe 14th or 15th film in the 7th film.
00:40:16So,
00:40:17did they open their office in their house or are you still in their office?
00:40:23They don't know where they live.
00:40:25Where do you call them?
00:40:26I'm in Lonavela, I'm in Banares.
00:40:28Where do you study?
00:40:30When shooting happens, yes.
00:40:32Sanjay is a poor man.
00:40:33What's the matter?
00:40:34Look, he's a poor man. Basically, he's a poor man.
00:40:37He'll get some vegetables in his car.
00:40:39He's sitting behind him in his car.
00:40:45He's a poor man.
00:40:49He's a poor man.
00:40:50He's a poor man.
00:40:51He's a poor man.
00:40:52And he's a poor man.
00:40:55He's a poor man.
00:40:56Why are you looking at this?
00:40:57What's your life?
00:40:59There are books in life.
00:41:01People love brothers and poor people.
00:41:06What's the matter?
00:41:07It's a good thing.
00:41:08You should keep your books.
00:41:09You should keep the books.
00:41:10You should keep them among the ladies.
00:41:12And that was a film from David.
00:41:12You had done so much business.
00:41:14He's like this.
00:41:14He's an actor.
00:41:15You have to talk a little,
00:41:18you shouldn't even hear.
00:41:20You should keep them on the line.
00:41:20It's one of my adilkar.
00:41:23It's a Guru Ji.
00:41:24He's just fell into a bed.
00:41:27But God.
00:41:30You're still on the enemy.
00:41:30Now, you're still on the team.
00:41:31I have a lot of people who live in a different kind of life.
00:41:36Our country is like this.
00:41:38Hindu, Muslims, Sikhs are all.
00:41:40And our film is also like this.
00:41:43This is the Guru's philosophy.
00:41:45First, Allah, the light, the power of God.
00:41:48One, the light, the power of God.
00:41:49One, the light, the power of God.
00:41:50One, the power of God.
00:41:51This is the biggest thing, Guru.
00:42:07This is the largest music on Gadget eco chor offense.
00:42:08And half, three, four, five, five.
00:42:11This is got technology red, I think it is.
00:42:13And one, the value of God.
00:42:21The light, the power of God.
00:42:27the energy, the power of God.
00:42:30Did you see the spiritual?
00:42:33Sidhu sahab, you have proved that if a person can take good food...
00:42:40and if he can exercise time-to-time, he also shows the effect of this age.
00:42:46You will not know. Sidhu sahab, you will not believe that.
00:42:50What will you show in this age?
00:42:52What will you show up?
00:42:53What will you show up?
00:42:56You will not know.
00:42:57Everyone is talking about it and talking about it.
00:43:00Son of Sardar is also the two. Sidhu sahab, you have twins.
00:43:04He is twins.
00:43:11Sidhu sahab, you have twins.
00:43:16Listen, you don't have a son of Sardar, two.
00:43:21You, Ajay Devganji's film is coming in the theater.
00:43:24Yes, yes.
00:43:24It's a film?
00:43:25Yes.
00:43:26I have to ask you to ask about it.
00:43:28I have to ask you to ask you to ask you to ask me.
00:43:33Take this back to you.
00:43:42What are you doing?
00:43:43What are you doing?
00:43:43It's not happening.
00:43:46Come on, come on.
00:43:48Come on, come on.
00:43:49Come on.
00:43:49Come on.
00:43:57Come on.
00:43:58Hey, Baba.
00:43:59How things are going to take a napkin, I know?
00:44:04Yes, we are being a man.
00:44:05That great people are sitting.
00:44:07Sorry Baba, I had wrong with you.
00:44:09Ajay говорит,
00:44:11a father got a wrongсти.
00:44:14He asked you for your wife.
00:44:16He asked you for your excuse.
00:44:17I said it's a good gift.
00:44:27Hey Baba!
00:44:27I have put a new skirt to the other.
00:44:30This is the father's name.
00:44:39Now, my father is so good.
00:44:42He's also coming from his hand.
00:44:44What?
00:44:44The skirt of his father, to take a look and to wear.
00:44:51Sir, this is a nice, nice and warm.
00:44:54This is a parking lot in the back of the airport.
00:45:01Oh
00:45:26I like the girl.
00:45:27Yes, son.
00:45:29Ronald.
00:45:30Yes.
00:45:31You know, I'm very happy that
00:45:33I have a great relationship with my daughter and my daughter.
00:45:37I used to play a lot with my daughter.
00:45:40I used to play a lot with my daughter.
00:45:41I used to play a lot with my daughter.
00:45:42I used to play a lot with my daughter.
00:45:44It's so big that I don't know about your daughter and my daughter.
00:45:49I have to do such things.
00:45:50Everything will come to Netflix.
00:45:54Sorry.
00:45:55I didn't know about it.
00:45:59It's a cobra.
00:46:01No, son, it's a cobra.
00:46:08It's a cobra.
00:46:20No, son, it's a cobra.
00:46:23Now, can you excuse? I want to speak to them.
00:46:30What a film.
00:46:33There is comedy, romance, action, tragedy, jealousy.
00:46:38Where is jealousy?
00:46:39Where is jealousy?
00:46:40We have jealousy.
00:46:42We have made a film from Punjab.
00:46:45We have not bought our film.
00:46:50You are right, Baba.
00:46:52You have made a film from Punjab.
00:46:54We have not bought a film from Punjab.
00:46:56We have not bought it from this reason.
00:46:59You can see wherever you go.
00:47:01You have to laugh.
00:47:03You have to ask for a film.
00:47:05You have to ask for forgiveness.
00:47:08Baba, Baba, if you have someone to eat my idli,
00:47:10I will buy it from the dough.
00:47:12From the dough.
00:47:16It becomes a lot of hinder to eat.
00:47:18That's why I am sorry.
00:47:19Ajay Sahib, so much so much for her to eat her.
00:47:22She wants to marry her too.
00:47:24So that she wants to drink water on the water in the morning.
00:47:30And then she gets to eat the food.
00:47:33Where is the food?
00:47:36There is nothing truth.
00:47:38I want to marry with her.
00:47:40I want to be a girl.
00:47:42I want to be a girl.
00:47:43Maybe you are forgetting.
00:47:45I am not a little girl.
00:47:48Now I am a young man.
00:47:53My son has grown up.
00:47:55Yes, Baba.
00:47:57Love you, my children.
00:47:59Love you, Baba.
00:48:04Ajay Sahib,
00:48:06Baba,
00:48:07when the kids are growing up,
00:48:09I don't know.
00:48:11The story is,
00:48:13that he was sitting on the chair,
00:48:15and he was shaking his hands.
00:48:18Baba, that was our daughter's child.
00:48:23Everybody is saying,
00:48:24Baba, you are taking my money.
00:48:27Don't cry, my child.
00:48:30Don't cry.
00:48:31Don't cry.
00:48:32Why do you have tension?
00:48:34I am your father.
00:48:35Tell me what you will eat.
00:48:37I will ask you to ask you to ask me.
00:48:39Baba, ask me a hazelnut caramel macchiato.
00:48:43What did you say?
00:48:46Hazelnut caramel macchiato.
00:48:48You were born in Tanzania?
00:48:54They have made a film on Punjab,
00:48:57which is a Punjabi dish.
00:48:59Okay Baba,
00:49:00I will ask you to ask me.
00:49:02Yes, Kapil.
00:49:03For this,
00:49:04I will ask you to ask me.
00:49:04Okay.
00:49:04And for me,
00:49:05a hazelnut caramel macchiato.
00:49:11Wow, Baba, wow.
00:49:13Wow.
00:49:14When I was listening to Punjab,
00:49:15I was asking you to ask yourself,
00:49:16I was asking you to ask yourself.
00:49:18Punjabi people also live in the village.
00:49:20I asked you to ask for Canada.
00:49:23I asked you to ask for Canada.
00:49:24Now, I'm going to drink my mother's mouth
00:49:25or my father's mouth.
00:49:26I'm going to sit on you.
00:49:27You get to ask me to helpória.
00:49:29Now you come to play the game.
00:49:31You can go to the game.
00:49:33You will find it.
00:49:35I will find a good day
00:49:37that you will play the game.
00:49:37You will play a game.
00:49:39You will play a game.
00:49:51You will play it.
00:49:53You will play a game.
00:49:53You will play the game.
00:49:56Obe!
00:49:57I called you!
00:49:59Baba Ji!
00:50:18My Baba Ji!
00:50:20Baba Ji!
00:50:25What's that, then?
00:50:28subtitle
00:50:29There's a single son of a leader.
00:50:31HeФ Leah the Son of a leader and a son of a son of a son of a son of
00:50:33a son of a son.
00:50:36His son and son of a son of his son would be called a cuss,
00:50:39and his son of a son would be called a Judas and a cow,
00:50:43These are pre门 grades, Baba Ji, but please do what you have to do with the job.
00:50:46Oh yes!
00:50:47Let me introduce her – Don't forgive.
00:50:49You are Brother, there is Satan!
00:50:52Where is you, Brother?
00:50:54If you are in power, come on ahead!
00:50:56I guess wouldn't come.
00:50:57I will call it to him.
00:50:58I'll call him a way to call it.
00:51:00What?
00:51:00The fuck came up and the gate opened a phone in the car.
00:51:03The door is shut up.
00:51:05It's done, and he would call it, Papa.
00:51:11I've have come.
00:51:11He's done, Papa.
00:51:13See?
00:51:14I've called it to say and he's done.
00:51:17Oh, come on, Papa.
00:51:20Come on, Papa.
00:51:21Come, nothing.
00:51:22There's no one here.
00:51:23Yes, Baba Ji.
00:51:25One time, I called the Sourj that I give to you,
00:51:27I also called the Bollie because it was closed.
00:51:31I said to him,
00:51:32I was standing up and standing up,
00:51:34and I said to him,
00:51:35Oh, Sourj De Putr.
00:51:38Baba Ji, with due respect,
00:51:41that was not the Sourj that you said.
00:51:44That's why it came to you, Baba Ji.
00:51:47That's why I came.
00:52:07With due respect, Baba Ji,
00:52:09I didn't say that, Baba Ji.
00:52:10It's like a science.
00:52:12I was born and that's what I was born.
00:52:15Look, I respect science very much, because we have been drinking the blood of science.
00:52:21I respect science very much, but you would also say that what do you think about science
00:52:26from what to do with science?
00:52:29What do you have?
00:52:31With due respect, Baba Ji.
00:52:33What do you think, Baba Ji?
00:52:35It is very tired.
00:52:36Yeah.
00:52:39Okay.
00:52:40In this time, I have given you the freedom to wear a skirt.
00:52:43And you can't think about it.
00:52:51You guys have come here.
00:52:53First of all, the film is coming.
00:52:55Ajay Devganar Ji, I know that you have produced this film.
00:52:58I will tell you a way to tell you, how do you pay money in the film?
00:53:02How do you pay the shooting?
00:53:03If you have a shooting, start at 11 o'clock.
00:53:06Then you will pay your money.
00:53:08Oh!
00:53:09That's a great idea, Baba Ji.
00:53:11I've said that you have to do one thing.
00:53:13You keep shooting at 4 o'clock.
00:53:15Breakfast, lunch will pay for both of you.
00:53:17If you want to do it, I say that you will pay for the shooting at 11 o'clock.
00:53:21Then you will pay for breakfast, lunch, dinner.
00:53:23I say that you don't pay for shooting at 3 o'clock.
00:53:28You will pay for all of your money.
00:53:30That's it.
00:53:31That's it.
00:53:31Is it?
00:53:32Yeah.
00:53:32Then the answer is the 7th day to the shooting at 11 o'clock.
00:53:34Take to keep killing it at the front.
00:53:37Which will pay the time to eat?
00:53:39Do you pay for lunch in the evening?
00:53:40I say if you don't pay attention to pay for lunch.
00:53:44If you're paying for a money in the evening then keep us by spending value in the evening.
00:53:48I don't know what I'm saying.
00:53:50Just, just, what are you doing?
00:53:52Just do it.
00:53:53Just do it.
00:53:54Look, there are two days of money.
00:53:56One of the producers has paid so much money.
00:54:02Which film was?
00:54:03That film.
00:54:05Which film was it?
00:54:07That film was it?
00:54:08Come on.
00:54:10No, no, Sidhuji. Wrong. Wrong.
00:54:14I know, this is Shahan Shah.
00:54:16Shahan Shah?
00:54:17No.
00:54:17Shahan Shah, Baba Ji. Give up, Baba Ji. Give up.
00:54:19That film was closed.
00:54:21It was closed.
00:54:21It wasn't closed.
00:54:24It wasn't closed.
00:54:25It was closed.
00:54:27It was closed.
00:54:29Ajeeb, Ajeeb.
00:54:30I'm doing a job.
00:54:30I'm doing a job.
00:54:32I'm doing a job.
00:54:33I'm doing a job.
00:54:33You guys guess which picture is?
00:54:35Yeah, sure.
00:54:36I'm doing a job.
00:54:37I'm doing a job.
00:54:38Ready, ready, ready.
00:54:39I'll give you a hint.
00:54:41This film is Ajee Devgan Ji.
00:54:42Okay.
00:54:45Ata maaji, Satkali, Singham.
00:54:47No, no.
00:54:48One minute.
00:54:49If this is Ata maaji, Satkali, Singham.
00:54:51If this is Ata maaji, Satkali, then who is this?
00:54:52Give up.
00:54:53Give up?
00:54:54Give up.
00:54:54Give up.
00:54:54It's a dream.
00:54:56One minute.
00:54:57How can this dream happen?
00:54:59I'm thinking, where am I hiding?
00:55:26Give up.
00:55:28Give up.
00:55:28Give up.
00:55:29Give up.
00:55:31Okay.
00:55:32Yeah.
00:55:32I'm sitting at home.
00:55:33I don't know.
00:55:34I'm in tension.
00:55:35When will I go?
00:55:36When will I go?
00:55:37When will I go?
00:55:38I'll do something.
00:55:39Okay?
00:55:40Okay.
00:55:44Ata maaji, Satkali, Singham.
00:55:47No.
00:55:48Abu Ji, what have you kept a few times?
00:55:50I'll tell you once again.
00:55:52This is Ata maaji Satkali.
00:55:54This is Singham.
00:55:56This is Singham.
00:55:57No.
00:55:58No.
00:55:59Aditi, when will you go?
00:56:00No.
00:56:02Give up.
00:56:02Give up.
00:56:03Give up?
00:56:03Give up.
00:56:04Himmatwala.
00:56:06What?
00:56:06How are you doing?
00:56:07This director is thinking, why did I make it?
00:56:16Babu Ji.
00:56:17Look, Deepak Ji.
00:56:18What are you doing?
00:56:18I'm doing it.
00:56:19You also made a film, right?
00:56:22Come on, Babu Ji.
00:56:23One, one, one.
00:56:24Come on.
00:56:24Come on.
00:56:26Okay, Babu Ji.
00:56:27Okay.
00:56:28Ready, Babu Ji.
00:56:29Ready.
00:56:34This is Drishyam.
00:56:37When will you go now?
00:56:40Himmatwala.
00:56:42Give up.
00:56:42Give up.
00:56:44Ata maaji, Satkali, Singham.
00:56:46Ata maaji.
00:56:50Yes.
00:56:58Ata maaji.
00:57:01Ata maaji.
00:57:03Oh-oh.
00:57:07Ata maaji.
00:57:08Gagaji.
00:57:11Oh-oh.
00:57:15Oh-oh.
00:57:15I will give you a stand for this performance.
00:57:19Absolutely brilliant!
00:57:21Absolutely outstanding!
00:57:24Come on, Guru!
00:57:26Hey, Krishna! Thank you, Sramil!
00:57:29Let's go!
00:57:30Promotion!
00:57:33Come on, come on!
00:57:34Come on, come on!
00:57:35Come on, come on, come on!
00:57:37Come on, come on, come on!
00:57:38Come on, come on!
00:57:42Come on, come on!
00:57:43Once again, you've got to be strong,
00:57:43Son of Sardar,
00:57:45for your whole team.
00:57:49Ajay, before you guys go,
00:57:50it was so much fun having you all over here.
00:57:53But Ajay, this time, you just didn't laugh.
00:57:56You made us laugh!
00:57:57Really!
00:58:00So that means,
00:58:01you're learning something from our show.
00:58:04But how did you enjoy the show?
00:58:06It's always fun coming here.
00:58:07I mean, I feel so comfortable that,
00:58:09you know, I can be free and
00:58:12love the way the whole thing is.
00:58:14Thank you, thank you.
00:58:14This guy is getting funnier and funnier.
00:58:16Yeah, absolutely.
00:58:17Yeah, yeah.
00:58:17But, actually, Ajay sir,
00:58:18he's on the front foot.
00:58:20What's the matter?
00:58:22And it's so fun,
00:58:23you're all outside of Kamal.
00:58:25When we're talking about it,
00:58:28you think about it when you see them
00:58:30you're all outside.
00:58:30You're all outside.
00:58:32So, all the best wishes
00:58:33Ajay sir and all the team.
00:58:36And, friends,
00:58:37we'll see you next time.
00:58:38We'll see you next time.
00:58:41We'll see you next time.
00:58:41We'll see you next time.
00:58:41We'll see you next time.
00:58:41The Great Indian Couple Show.
00:58:43Every fan of our family.
00:58:45Only on Netflix.
00:58:46Good night.
00:58:47Shabba Khair.
00:58:49Shubratri.
00:59:04I'm very young.
00:59:05I don't look 31.
00:59:06But, I am 31.
00:59:11Awful channel.
00:59:11Like, in my childhood,
00:59:13you're all about to eat this.
00:59:14You don't do your lunch.
00:59:16It's a good news.
00:59:16I got a lot of friends.
00:59:18I'm very young.
00:59:19I don't look 31,
00:59:19I got a baby.
00:59:19But who'd say,
00:59:19like a traumatic character?
00:59:19I don't want to have that.
00:59:19Where are you?
00:59:21You're checking.
00:59:22You're checking.
00:59:23No, don't leave it alone.
00:59:24We don't leave Salman Khan.
00:59:25You're coming.
00:59:26Raj has interviewed one of our country,
00:59:30who didn't have a great nation.
00:59:31We will talk about Rajshavani.
00:59:34When you talk about it,
00:59:36you will have to be the king of thousands of crores.
00:59:39How did you approach it?
00:59:40I walked in London.
00:59:42And it was me.
00:59:43We talked about 2-3 hours.
00:59:44And after that we thought,
00:59:45let's do it.
00:59:46And then we did it.
00:59:50The beat that you're on,
00:59:52is it like this?
00:59:53Is it like this?
00:59:53Or is it like this?
00:59:54I'm not so expert
00:59:55that I can tell the male and female.
00:59:59Saurabh Bhai,
00:59:59you don't have any questions
01:00:00that you're scared.
01:00:02Although,
01:00:02there are also 60 people
01:00:03who can do it.
01:00:05How do you do this question?
01:00:07I've got on camera.
01:00:09I know,
01:00:09no one will kill me.
01:00:11And when I cut the camera,
01:00:12I'll cut the camera.
01:00:20Go Aheb,
01:00:31The trop Ecuador,
01:00:32I cannot clean the water.
01:00:32And I need a parent!
01:00:32Go Aheb!
01:00:33You.
01:00:40It's Johnny.
01:00:40What?
01:00:47How do I introduce life?
01:00:48Go Aheb,
01:00:49did it.
01:00:49Go Aheb.
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