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00:00:45Good evening and welcome to the Great Indian Kamil Show.
00:00:54Thank you, guys.
00:00:57Hi.
00:00:58Hello.
00:00:59Hello?
00:00:59Where are you?
00:01:01What do you know?
00:01:04I've been locked in two or three times.
00:01:07I'm not opening the door.
00:01:09Hey!
00:01:09Hello?
00:01:13Hey!
00:01:18Hello?
00:01:21Who closed the door?
00:01:22Who closed the door?
00:01:25Is there anyone?
00:01:26No.
00:01:29No.
00:01:30You didn't give them a guy?
00:01:32There's a cup of Netflix that I'll give you a guy.
00:01:35You mean when you take a cup plate?
00:01:36It's the old man. Let's leave.
00:01:40Tell me about the time, I'm going to call it.
00:01:41Yeah, do it. Take your phone.
00:01:44So, you, though, jeez.
00:01:46So, you, though, jeez.
00:01:48The ring is going.
00:01:50Hmm.
00:01:55You cut my phone?
00:01:56I said, I'll take it.
00:02:01Where did you go?
00:02:02Siddhu ji, we'll take some commentary or show commentary.
00:02:04So, we'll start your show.
00:02:06Hey, you, Siddhu ji, right?
00:02:07We'll take two things in a day.
00:02:10Lily, Lily, Silly.
00:02:12You please go back, sir, and take care of my cafe.
00:02:14And, Chilly.
00:02:15In front of me, Tao ji, I have to kill him.
00:02:17Okay?
00:02:20I'll kill him.
00:02:21I'll kill him.
00:02:21I'll kill him.
00:02:24I'll kill him.
00:02:25I'll kill him.
00:02:27I'll kill him.
00:02:29I'll kill him.
00:02:30I'll kill him.
00:02:33Please go.
00:02:34Okay, Cap.
00:02:35Sayo, Nara.
00:02:47Anurag Basu-san is there.
00:02:48Guys.
00:02:53Wow.
00:02:59Nara, turn on.
00:03:02Nara.
00:03:03Nara.
00:03:04What are you eating?
00:03:05Burger.
00:03:06Burger?
00:03:07You've got more money.
00:03:09You've got a burger.
00:03:11I'm a director.
00:03:12I'm eating burger.
00:03:13You're eating a burger.
00:03:14You're eating a burger.
00:03:16Where are you eating?
00:03:17Nara, where are the rest of the cast of the film?
00:03:19You're just wandering around?
00:03:20I'm wandering around.
00:03:21You're shopping hopping.
00:03:22Where are you?
00:03:22I see.
00:03:32Welcome, Nara.
00:03:37Welcome, Nara.
00:03:39Welcome, Nara.
00:03:41Welcome, Tpower.
00:03:52Do you want to go shopping?
00:03:53Yeah.
00:03:54I think that the idea of a lady in the airport would have given a lady.
00:03:57What did you all do shopping for?
00:03:59She was looking at CCTV camera.
00:04:02Why was CCTV camera?
00:04:03Today, there is no one in our house.
00:04:09Naughty girl.
00:04:11Ouch.
00:04:13She's also seen Ali in the film. She hasn't seen it.
00:04:22Welcome now, bro.
00:04:27Is this your shopping or their shopping?
00:04:28This is Lilia.
00:04:30Lilia?
00:04:31A little.
00:04:32I don't know one thing.
00:04:33This is your shopping.
00:04:35Do you put all the money in the budget?
00:04:37Yes.
00:04:38Who is the producer of the film?
00:04:39Yes.
00:04:40Then, you will wear your clothes in the film.
00:04:48I feel like the whole cast is not showing you.
00:04:50Some people are missing.
00:04:51Yes.
00:04:53Oh, oh.
00:04:55Oh, man, you have so expensive spa.
00:05:02I have a large price of the store.
00:05:04We will sell both the other.
00:05:07You will buy me the other.
00:05:08I will buy you the other.
00:05:09No, no.
00:05:10No.
00:05:11One, thank you for your time.
00:05:12And your sister.
00:05:14Thank you for your time.
00:05:16Thank you for your time.
00:05:17How are you, Antem?
00:05:18Very good.
00:05:19Very good.
00:05:20Thank you for your time.
00:05:20Let's get out of here, let's get out of here for our blood from StarTalks.
00:05:27Sir, sir, sir.
00:05:41Okay. Thank you. Thank you.
00:05:43Are you going to shoot us?
00:05:47I'll just drop it.
00:05:48Are you going to shoot us?
00:05:52Don't leave this at all.
00:05:55Adi, Adi, Adi, Adi, Adi.
00:06:01Hello, hi, hi, hi.
00:06:04One second.
00:06:05What is Adi, Adi?
00:06:07I'll take it all from me.
00:06:08Adi, Adi, Adi.
00:06:12Let's get out of here with Adi.
00:06:15I'll take it all from you.
00:06:16I'll take it all from you.
00:06:17I'll take it all from Somalia.
00:06:18I'll take it all from you.
00:06:18Somalia?
00:06:19Go inside and take care of the cafe.
00:06:24Come.
00:06:25Come.
00:06:26Come.
00:06:27Come.
00:06:30Come.
00:06:33Come.
00:06:34Come.
00:06:37Come.
00:06:37They came together with four girls, and they came together with four more.
00:06:40I don't know who they did, but they get such fan following.
00:06:45But I've seen that they don't get to do films.
00:06:48Because if they get to do films,
00:06:50then there are 900 films of Unpum sirs.
00:06:56Aditya, when you come to our show,
00:06:58there are many girls who want to date.
00:07:01How difficult is it to take a date?
00:07:03For shooting?
00:07:07There are so many distractions, so a man is a little...
00:07:10I'm free now.
00:07:11So, there are dates for next one to two months.
00:07:14Wow.
00:07:15For shooting.
00:07:19So, friends, I'll tell you a nice thing.
00:07:21You've noticed that in the future,
00:07:24Aditya has worked with Katerina,
00:07:27and she got married.
00:07:30They worked with Alia, and she got married.
00:07:33Oh, that's true.
00:07:34They worked with Shobita,
00:07:35and she got married.
00:07:37Oh, shit.
00:07:39Sara.
00:07:40After that, Sara.
00:07:42Ah.
00:07:45I'm going to ask you, Radha,
00:07:46now you're filming with them.
00:07:48After that, which film is coming from you?
00:07:50Okay.
00:07:51I want to tell you this,
00:07:52I'm sorry, I always wanted to ask you to be married with Ranveer.
00:07:55I haven't married with Ranveer.
00:08:01I haven't married.
00:08:05Wow.
00:08:06with Vikrant's work, with Vicky's work, with Vicky's work,
00:08:12so actually, you can't do anything.
00:08:14Actually, you can't do anything.
00:08:18Well done.
00:08:19Well done, Sarav.
00:08:21Good, wow. How you put on it.
00:08:23But it's true.
00:08:25Anurag Dada, you have to think,
00:08:27as many people in the film,
00:08:29there are so many people in the promotion.
00:08:30A lot of people in the promotion.
00:08:33So, Dada, this is the love for all the films.
00:08:36Do you love for the film?
00:08:40Dada, if you're a director,
00:08:41you can answer them in four words,
00:08:43then how do you make the episode?
00:08:47Fatima, this is our show for the first time.
00:08:49What is that, Fatima?
00:08:50It's true.
00:08:51Oh, oh, oh, oh.
00:08:52She's a great actress.
00:08:55She was riding in the jungle.
00:08:57She was riding in the jungle.
00:08:57She was riding in the jungle.
00:08:58She was riding in the jungle.
00:09:00She was also riding in the show.
00:09:01She was riding in the jungle.
00:09:02After today,
00:09:03you will do a new film
00:09:04that your dream is full.
00:09:07It's full.
00:09:08And you don't need to do anything.
00:09:09It's finished.
00:09:10Done.
00:09:11Retire.
00:09:12Give money.
00:09:13Just.
00:09:15This is the last show.
00:09:16You have to get money for retirement.
00:09:17Give it to the end.
00:09:18The end.
00:09:19I have done a few things in the film.
00:09:21I have done a few things in the film.
00:09:22It's the end of TDS.
00:09:24It's the end of TDS.
00:09:27I know.
00:09:28I'm a young man.
00:09:30I've been to a young man.
00:09:30This film is coming from Kamal's.
00:09:31There are also very big films.
00:09:33One is Aditya.
00:09:34One is Karthikaran.
00:09:36One is Ranbir.
00:09:37One is Amir Khan.
00:09:38One is Amir Khan.
00:09:39They're getting my date.
00:09:40I'm not getting the date.
00:09:40I'm not getting the script.
00:09:46I'm not getting the script.
00:09:48I'm not asking myself.
00:09:49I'm not asking myself.
00:09:49I'm asking myself to sit and work.
00:09:52You have lost a good weight loss.
00:09:54You're looking really nice.
00:09:55Yeah, you're looking very nice.
00:09:58That's right.
00:09:59You give me a compliment for me.
00:10:01I'll do everything you have.
00:10:05But I was busy in my movie.
00:10:08So that's why.
00:10:08No, that's right.
00:10:13Life in a Metro was my favorite film.
00:10:15After making a movie a year after 18 years,
00:10:18The movie had been waiting for an 80s.
00:10:20You were waiting for a movie in Mumbai.
00:10:21I was waiting for a movie to finish.
00:10:24I've been waiting for a movie.
00:10:25I've been filming for 18 years.
00:10:26My first time in my mind,
00:10:27I had no answer to this.
00:10:28Why did you make it?
00:10:29Because I didn't make it.
00:10:30My first time,
00:10:31when I started to make it in my mind,
00:10:32I started to think about it.
00:10:33I had no more stories.
00:10:34I had no idea on my mind.
00:10:35I had no idea.
00:10:37The world has changed, stories have changed, new stories, new aspirations, so now I felt that it was a good
00:10:44time to make it.
00:10:45You miss it, Arifan?
00:10:46I miss him very much.
00:10:47We all miss it, Arifan.
00:10:49Arifan, Kamal Thayar.
00:10:54In this film, there was only Konkana that was in the last metro, but also in this metro.
00:11:01Konkana, this is your Bengali connection, or you have made a pass of Metro?
00:11:05You have made a pass of Metro.
00:11:07Because after 8 years, Metro 3 will come, I'll be the older couple.
00:11:12And our photo will look at it.
00:11:18I think you will be a hero as a hero.
00:11:21Which way you are going to reverse.
00:11:24Kheri, you remember the story?
00:11:26Yes.
00:11:27Kheri and Neena are sleeping in the fridge in the night.
00:11:29In the fridge?
00:11:31In the fridge?
00:11:31I think you are sleeping in the fridge.
00:11:36Khenji is the same.
00:11:37I don't know, who are you eating from the pehadoes?
00:11:41I'm going to clear it to you today.
00:11:43I don't see people as young people.
00:11:45I didn't see it.
00:11:55When I was 27, I was 65 years old.
00:11:59Then I was 65, 66, 77, 65, 65.
00:12:04So, people would know how I was young.
00:12:06Now, I've got all my hair.
00:12:08Now, I feel like I'm young.
00:12:09And you always feel handsome.
00:12:11What a joke.
00:12:12Love you.
00:12:13Love you.
00:12:16Sara has said in some interviews,
00:12:19that they haven't done this film.
00:12:21This film has done it.
00:12:23Okay.
00:12:24So, what do you think about these thoughts?
00:12:28What are you doing in Bhojan?
00:12:33Think about it.
00:12:35Yoga.
00:12:37Prathna.
00:12:39Truth.
00:12:40That's it.
00:12:41Very good.
00:12:42Jai Saram.
00:12:43Jai Saram, Jai, Jai.
00:12:45Jai, Jai, Jai.
00:12:45Arshana Ji, we want to know,
00:12:47give some tips that you enjoy 4 films?
00:12:50No...
00:12:50Arshana.
00:12:52Saffir and you can sign the same...
00:12:54so you should tell me how to sign a film in the film.
00:12:57He's signing his left, right and centre.
00:13:00You please stay away, huh?
00:13:05Dadah, you're captain, you're director of this film.
00:13:08You're such a beautiful star.
00:13:09You'll tell us, who's with whom?
00:13:13Sara's Adi.
00:13:14Okay.
00:13:15Fatima's Ali.
00:13:17Okay.
00:13:18Pankaj.
00:13:19Yes, Pankaj.
00:13:24And she's also the name of Pankaj.
00:13:26She's also the name of Pankaj.
00:13:28Oh, dear.
00:13:33Listen, Miss Braganza is feeling very jealous now.
00:13:36I'm here, I'm here.
00:13:39Come here?
00:13:40No.
00:13:43Look, it's different, it's different.
00:13:46What do you mean?
00:13:50As we all talked about Unpump-sar,
00:13:51we were talking about this film.
00:13:52When we were in the industry,
00:13:55they played a role in the military.
00:13:56Now, all the young people are playing.
00:13:59In the sea, the forest was on the forest, Kher Saab.
00:14:01In Vijay 69, they were on the cycle.
00:14:04In this film, you can think about it.
00:14:05When I can go on the forest,
00:14:06I can go on the cycle,
00:14:07then I don't want to do romance.
00:14:09Why am I running on the road?
00:14:10Yeah.
00:14:11I'm running on the road.
00:14:12Scooter.
00:14:13Scooter.
00:14:13Oh, my God.
00:14:14Scooter.
00:14:15I don't have to go on the scooter.
00:14:17What?
00:14:17No.
00:14:18I don't know.
00:14:19I don't know, I don't know.
00:14:20I don't want to go on the road.
00:14:23And I sat behind.
00:14:24He sat behind.
00:14:25My scooter was on the road.
00:14:28Seriously?
00:14:30But the road?
00:14:31I had a very long time
00:14:32in Hayash Ji's film,
00:14:34there was a road on the road.
00:14:35There was a race between me and Amir Khan.
00:14:37Oh, my God.
00:14:38And Tinu Verma was the fight director.
00:14:40So, they didn't tell me that they were going to do something.
00:14:43They gave me a horse on the road.
00:14:48Oh, my God.
00:14:49Oh, my God.
00:14:50Oh, my God.
00:14:50And this is your problem.
00:14:51You're talking about the road.
00:14:57And I had to go on the road.
00:15:00So, the horse went on the road,
00:15:03and I knew what to do with the water.
00:15:07Seriously?
00:15:08Neena Ji,
00:15:09we noticed a big thing.
00:15:11In the past few films,
00:15:12you can see Anpam Sir and Neena Ji.
00:15:14They are working together.
00:15:15Kagas 2,
00:15:17Shiv Shasri Balboa,
00:15:18Unchaii and Metro Indian.
00:15:20So, this is a joke
00:15:22that you will be able to save your money.
00:15:25Hey.
00:15:26No, I'm joking.
00:15:28And I will tell you one thing.
00:15:30You are so many, Neena Ji.
00:15:32Today, Sidhu came out of any situation.
00:15:34That day, I was watching you on Instagram.
00:15:36He was watching you on Instagram.
00:15:37He said,
00:15:37He said,
00:15:38You are dead,
00:15:38then I am also killed.
00:15:40Yeah.
00:15:41He said,
00:15:41Viv Richards,
00:15:42how did he kill you?
00:15:42He said,
00:15:46How did he kill you?
00:15:48Neena Ji,
00:15:48I would like to give you a compliment.
00:15:50You are also going to reverse.
00:15:51Touch wood, Baba.
00:15:52Don't look at it.
00:15:53Touch wood, touch wood.
00:15:54No, you are not looking at it.
00:15:54Khair, sit with you.
00:15:55You can look at it.
00:15:59No, you are not looking at it.
00:15:59Pankaj,
00:16:00like you are filming today with Konkana.
00:16:02I am very happy.
00:16:03Because Pankaj,
00:16:04we are such a great actor.
00:16:06But in the film,
00:16:06we have seen
00:16:07that he is running,
00:16:07throwing balls,
00:16:09giving jokes.
00:16:10You are still a crisis.
00:16:12Yes, absolutely.
00:16:15You feel like you are more retake
00:16:17in the romance.
00:16:18You were doing romance first.
00:16:20You were laughing.
00:16:20You were laughing at it.
00:16:22You were laughing at it.
00:16:23In this story,
00:16:25the romance is a crisis romance.
00:16:29It is a routine romance.
00:16:31It is difficult to do.
00:16:31Okay.
00:16:32Yes, it is a bit different.
00:16:34But in different romance,
00:16:36it is a bit different.
00:16:36I have done romance once again,
00:16:39and I have done it as a queen.
00:16:40Yes.
00:16:46I am from Bihar.
00:16:48In Bihar,
00:16:48it is a bit different from the romance.
00:16:51It is a bit different from the romance.
00:16:53It is a bit different from the romance.
00:16:56But they have
00:16:57shot very good in the song.
00:17:00Seriously,
00:17:01I am appreciatingly saying that.
00:17:03You have shot very good in your two shots.
00:17:05At the last moment,
00:17:06Dad said that
00:17:07he was going to close the door.
00:17:09He said,
00:17:09I will kill you one time.
00:17:10Yes.
00:17:11So we will kill you.
00:17:11He is so subtle.
00:17:12He killed you.
00:17:12He did not show me.
00:17:14It is a little.
00:17:15Dad,
00:17:16have you ever shot your eyes?
00:17:17Have you ever shot your eyes?
00:17:18Yes, you have shot your eyes, sir.
00:17:19Who do you?
00:17:21In school and college,
00:17:22there are a lot of.
00:17:22Oh my God, really?
00:17:24You have shot your eyes?
00:17:27What did they kill you?
00:17:33Yes, sir.
00:17:38I want to see you.
00:17:43Oh!
00:17:47I want to see you.
00:17:50It's just that the romance has been done?
00:17:51Yes, the romance that I feel like I should do it.
00:17:54Let's go.
00:17:54No, I have married the last romance with him.
00:17:57Before that?
00:17:59Thank God, the last one.
00:18:00But the stage of romance are the same.
00:18:03Yes, that's right.
00:18:04I won't reach this until now.
00:18:05Yes, you.
00:18:07Yes.
00:18:14She's so funny.
00:18:29Yes.
00:18:33Yes.
00:18:35Yes.
00:18:50Hi, hi!
00:18:55That's so much!
00:19:00Assalamualaikum!
00:19:02Assalamualaikum!
00:19:03Will you talk a little bit about it?
00:19:05First, talk about Punkajji.
00:19:08Yes, do it.
00:19:09Don't do it.
00:19:10Do you know that dance?
00:19:13What else?
00:19:14The rest of the world will never have seen a dance in their lives.
00:19:17Oh!
00:19:19One Punkajji,
00:19:21who has seen their whole life only in London dance.
00:19:26London dance.
00:19:28And now, you're watching it.
00:19:32How does it feel, Punkajji?
00:19:35Very good.
00:19:37Tell me, continue, or stop the girl's life.
00:19:40The petrol will be finished.
00:19:42The dance is closed.
00:19:43Thank you, thank you.
00:19:45Very good.
00:19:48What a matter!
00:19:50What a matter!
00:19:51After 17 years,
00:19:52what a man is also made.
00:19:53Yes.
00:19:54What beautiful people are in the metro.
00:19:56Yes, yes, yes.
00:19:57And one of us who come to the metro,
00:19:59people are sitting in the house like a goat.
00:20:05But whoever is the great Jory.
00:20:07Jory.
00:20:08Jory.
00:20:09You're behind the Jory.
00:20:09Yes, yes, yes.
00:20:10So I've also brought my Jory with me.
00:20:15Jory.
00:20:17Jory.
00:20:19Jory.
00:20:21Jory.
00:20:23Jory.
00:20:23Jory.
00:20:25Jory.
00:20:28I've been...
00:20:32Jory.
00:20:47Jory.
00:20:47Jory.
00:20:49Jory.
00:20:50It's not a disease that we have to go to the bed.
00:20:53Okay.
00:20:54Oh!
00:20:58So, because of the disease, we take it to the bed.
00:21:02Guess what I mean?
00:21:04My name is Jigar.
00:21:07Listen to Bagdad's figure.
00:21:09Hey, Guess what I mean?
00:21:10We have to go to the house.
00:21:12When we open the eyes, look at how beautiful people are.
00:21:15Put them on their eyes and make them more beautiful.
00:21:18Guess what I mean?
00:21:19Guess what I mean?
00:21:22Guess what I mean?
00:21:23Up-up, up-up, kukukkuu!
00:21:33Oh My God!
00:21:40Oh My God!
00:21:45Hello?
00:21:45Oh My God!
00:21:46This will not seem to be a little bit of a bed.
00:21:54What are so many people doing in our bedroom?
00:22:00No, no, they are not in our bedroom.
00:22:04What are we doing in their bedroom?
00:22:08No, no, we are not in their bedroom.
00:22:11Remember these couples.
00:22:12Remember these couples.
00:22:13They are a little bit of a girl.
00:22:17A little bit of a girl.
00:22:20Remember these couples.
00:22:22Then they do two couples.
00:22:24They do comedy.
00:22:30And the girl who...
00:22:35...is a little bit.
00:22:43They do comedy.
00:22:47They do comedy.
00:22:47Listen to me.
00:22:49What do you do here?
00:22:50What do you want to do?
00:22:51I am very sad.
00:22:54My husband has been two years old.
00:22:56Until now, there is nothing in our bedroom.
00:22:59I am very sad.
00:23:13I am very sad.
00:23:17I am very sad.
00:23:19I am very sad.
00:23:21...yes I am not too.
00:23:22I am very sad from my friends.
00:23:28Oh, oh, oh, oh.
00:23:30Who's the Kusur?
00:23:34Anurag Dada.
00:23:35Yes.
00:23:36I gave him a glass of water.
00:23:39Okay.
00:23:40I drank water and drank it.
00:23:42He said, you do it,
00:23:43you do it after drinking water.
00:23:46Then he went to the kitchen and drank a glass.
00:23:54Come on.
00:23:55You should have to drink a glass, right?
00:23:56No, absolutely.
00:23:57If you drink a glass,
00:23:58then they won't come to the glass.
00:24:00You know the glass of water?
00:24:03The poor little little little little little.
00:24:06I don't know.
00:24:17This was the little little little little.
00:24:19Stop.
00:24:21Tell me one thing.
00:24:22Tell me one thing.
00:24:22Tell me one thing.
00:24:23Tell me one thing.
00:24:25You never saw a picture with your boyfriend.
00:24:29I never saw a picture with your boyfriend.
00:24:31Remember, you're a black bearer.
00:24:35You're a popcorn.
00:24:37You're a kid.
00:24:39You're a kid.
00:24:39But you haven't eaten a couple of hours.
00:24:43I never saw a picture with your boyfriend.
00:24:45It's not our sights.
00:24:47We don't go out.
00:24:49My boyfriend would come home.
00:24:51Huh?
00:24:54And then we were sitting with each other.
00:24:56Anurag Ji's murder film,
00:24:58Imeran Ashmi,
00:24:59we were sitting with him.
00:25:00Oh.
00:25:00Oh, oh, oh.
00:25:02Have you seen a murder picture?
00:25:05I have seen that with all my boyfriends.
00:25:12All boyfriends means how many boyfriends are you?
00:25:16No, my mother said that if you have a boyfriend and a cheeseburger,
00:25:19it will look like a look.
00:25:22I can't tell.
00:25:23You know a murder picture, you know everything.
00:25:26Why do you do romance with me?
00:25:27Why do you do romance?
00:25:28Because I don't like your style.
00:25:31What?
00:25:33You are a green flag.
00:25:38And I don't like green flags.
00:25:40Oh, my God.
00:25:42I want a red flag.
00:25:46I like romance romance.
00:25:48I like romance romance.
00:25:50I like roadside Romeo.
00:25:52I like love love.
00:25:54I like love love.
00:25:55I like love love.
00:25:56I like love love.
00:25:58I love it.
00:26:02I want love love.
00:26:04I like love love.
00:26:25Yes.
00:26:27I'm going to teach you.
00:26:28I'll teach you.
00:26:30I'll teach you.
00:26:30How is it?
00:26:32Please, teach me to my husband.
00:26:35I'll give you a feel.
00:26:36I'll give you a budget.
00:26:38Everyone say, shhh.
00:26:40I can do it.
00:26:43It's a whole feel.
00:26:50I'm crying.
00:26:56It's a little bit.
00:26:58I forgot.
00:26:59But there is something like this.
00:27:06This is...
00:27:20I'll teach you.
00:27:22I'll teach you.
00:27:23I'll teach you.
00:27:25What I taught you?
00:27:26I taught you.
00:27:28What?
00:27:28It's not.
00:27:29It's just happened.
00:27:30It's not.
00:27:32It's happened.
00:27:33It's happened.
00:27:34How did it happen?
00:27:34It's happened.
00:27:35It's happened.
00:27:35It's happened.
00:27:37It's happened.
00:27:45It's happened.
00:27:50Thank you, thank you.
00:27:55I'm not sure that Ali is a good guy.
00:27:57He was buying intelligence secrets.
00:27:58And he didn't even know his wife.
00:28:00In real life, you would have to hide something from the rich.
00:28:03Or you would have to hide something from the rich.
00:28:08No, I wouldn't have to hide anything.
00:28:10I didn't have to hide anything.
00:28:12I didn't have to hide anything.
00:28:13We were joking about that.
00:28:14Ali is a very loving person.
00:28:18As Ali is a father,
00:28:20Nina is also a mother.
00:28:24And this is such a cool mother.
00:28:26We have seen them in the social media.
00:28:28And we have seen her singing to the kids.
00:28:32We have heard Nina.
00:28:33You have told me to call her baby.
00:28:35You have to call me a mother.
00:28:36Nina is also a mother.
00:28:37Are you afraid of the romantic role?
00:28:39No, I feel very young.
00:28:42So, I don't want...
00:28:43Nani sounds very old.
00:28:46So, I want to still feel young.
00:28:49So, I want to still feel young.
00:28:50I don't want to feel young.
00:28:50No, I don't want to feel young.
00:28:53No, I don't want to feel young.
00:28:55But Nina is a good song.
00:28:57So, she feels good.
00:29:00Kiran is a very bad song.
00:29:02Sorry, Kiran.
00:29:04You have to go to the house?
00:29:04No, I'm sorry.
00:29:06So, when Sikandar was a little.
00:29:08He was in the hospital.
00:29:09So, Kiran had a heart,
00:29:11and he said,
00:29:11I will listen to his son.
00:29:13So, he would listen to his son.
00:29:15He would listen to his son.
00:29:16He would say,
00:29:17Mom, don't.
00:29:18Mom, don't.
00:29:21Seriously.
00:29:22And also, I am teaching her...
00:29:24He is with a child.
00:29:26So, he will listen to his son.
00:29:27I will listen to his son.
00:29:28And he will learn to listen to his son.
00:29:30He will listen to his son.
00:29:31You know, all those things which...
00:29:33...Masaba would not know now.
00:29:34So, if I will be alive, I will teach everything.
00:29:38God bless you.
00:29:39What are you doing? Nice.
00:29:42You will come here with this episode.
00:29:44What are you doing?
00:29:45Yeah.
00:29:46If I talk about Pankaj brother,
00:29:48he is a big man with the ground.
00:29:51He is so close to the ground,
00:29:52that his hands are still close to the ground.
00:29:54Oh, God.
00:29:58When you leave your family
00:30:00to the Metro City, Mumbai,
00:30:02what kind of things are you missing?
00:30:05I miss many things.
00:30:07I was missing a few years ago.
00:30:09I was coming from the first village,
00:30:10and I had two lines in my mind
00:30:12and put it in my mind.
00:30:13My mother lives in my village.
00:30:14She doesn't like her.
00:30:16I'm missing my mother.
00:30:18I'm missing my mother.
00:30:20She won't be missing my mother.
00:30:22What about you?
00:30:24So,
00:30:27the village,
00:30:28the trees, the trees, the trees, the trees,
00:30:29the trees, the trees, the trees, the trees,
00:30:31the trees, the trees, the trees, the trees,
00:30:33the trees, the trees, the trees.
00:30:33I miss them.
00:30:36So, Pankaj brother,
00:30:37when you go to the village,
00:30:38as you have told us,
00:30:39you will get to the village,
00:30:41you will feel happy that you are
00:30:43an actor,
00:30:43you are so popular.
00:30:44Yes.
00:30:46What do you talk about?
00:30:47Because the people are not in this field,
00:30:48their curiosity is different.
00:30:50Yes.
00:30:51What are you asking?
00:30:51What are you asking, Pankaj brother?
00:30:53I asked a few years ago,
00:30:55a man in the village,
00:30:57that you have seen women,
00:30:59a male or female,
00:31:00a female,
00:31:01what is happening?
00:31:02Oh my God!
00:31:03Yes.
00:31:04I said,
00:31:05brother,
00:31:05there is nothing like this.
00:31:06I said,
00:31:07in the truth,
00:31:08you have to take it.
00:31:09Oh my God!
00:31:10I said,
00:31:12brother,
00:31:12you don't know how it is,
00:31:14how it is,
00:31:15or how it is.
00:31:16So,
00:31:17there are many questions.
00:31:22There are many questions,
00:31:24there are many questions,
00:31:24There are many questions,
00:31:25You are talking about the village,
00:31:26when I was in Delhi,
00:31:29I was so angry,
00:31:30I was so angry,
00:31:30we were living in the Karol,
00:31:32so the ladies came,
00:31:33and asked them,
00:31:35Raveena,
00:31:35what is the affair?
00:31:38They asked them,
00:31:39and then,
00:31:40they said,
00:31:42auntie,
00:31:42they said,
00:31:43this is my Tillu,
00:31:45and they didn't do anything,
00:31:47because they did the affair,
00:31:48they made the affair,
00:31:48and they made it,
00:31:49I made it,
00:31:51I made it,
00:31:51but the one who did not get it,
00:31:52they made the affair,
00:31:53they made it,
00:31:54I used to get so angry.
00:31:56Me,
00:31:57my friends,
00:31:57I was asking,
00:31:58these actors,
00:31:59and they are acting,
00:32:01there are cameras,
00:32:01there are cameras on the shooting,
00:32:03so what do you do?
00:32:05What do you do?
00:32:06What are your work?
00:32:07My father,
00:32:08was a disaster of innocence,
00:32:10so they went in the train,
00:32:12and they went to train,
00:32:12and he said,
00:32:13their friends,
00:32:14They told me that I am the father of Anupam Kheer.
00:32:18They told me, if he is a father, then what are you doing in the train?
00:32:22They used to call me at 2.30am.
00:32:25This is Malotra.
00:32:27Malotra said to him, tell me that you are the only one.
00:32:31Call me, call me, call me.
00:32:32I'm sleeping, I'm talking.
00:32:34No, you talk.
00:32:35Who are you talking about?
00:32:37Anupam, how do we know?
00:32:39Oh God!
00:32:40Oh God!
00:32:42Listen to the dialogue.
00:32:43Then I'm at 2.30am.
00:32:44I've heard that you've listened to me.
00:32:46You've listened to me.
00:32:48You've listened to me.
00:32:50You've listened to me.
00:32:51You've listened to me.
00:32:53You've listened to me.
00:32:53You've listened to me.
00:32:53Okay, Anupam.
00:32:55You're the father of Anupam.
00:32:55Okay.
00:32:57You've been in Bender, right?
00:32:59Kulaba actually.
00:33:00Kulaba?
00:33:00Kulaba.
00:33:01Yes.
00:33:01So, you're going to Naya Gam or Wapi type.
00:33:04You're going to miss.
00:33:06What difference do you think?
00:33:07I mean, in that Bombay,
00:33:08Kulaba,
00:33:10Bendra.
00:33:11Now, Kulaba.
00:33:11The roads are a little big.
00:33:12Bendra is a little small.
00:33:14But I travel quite a bit in train.
00:33:16I was traveling in train.
00:33:18My first job was in Sakinaka.
00:33:20Okay.
00:33:21So, I've been in Bombay a lot.
00:33:23A lot of Bombay?
00:33:24Yes.
00:33:24I want to add some progress about Fatima.
00:33:27You've seen all the films of Fatima.
00:33:29They don't stay with their friends.
00:33:32They leave their friends.
00:33:33They leave their friends.
00:33:35They leave their friends.
00:33:35They start an affair.
00:33:36They leave their friends.
00:33:36They leave their friends.
00:33:38They leave their friends.
00:33:41They leave their friends.
00:33:41Have you ever said to me,
00:33:43I'll take care of them?
00:33:44Do you think I can leave someone?
00:33:47Have you ever seen Kundalini?
00:33:49Why are you in the films like this?
00:33:50No, I don't know.
00:33:52I don't know why.
00:33:53Everything's fine in this film.
00:33:55They'll know.
00:33:56They'll know.
00:33:56They'll know.
00:33:56They'll know.
00:34:04They'll know.
00:34:05I don't know if they'll know.
00:34:05You don't have an boyfriend.
00:34:06What's your mind?
00:34:07You're like someone.
00:34:08I don't know.
00:34:11Oh, no.
00:34:12No, no, no.
00:34:12I'm married.
00:34:13I don't understand.
00:34:14No, don't understand.
00:34:15That's my second film is
00:34:16You're like someone.
00:34:17With Madhavan.
00:34:18There's a little different chemistry.
00:34:20There's a different relation.
00:34:21Oh, wow.
00:34:22You're going somewhere else.
00:34:23I'm not going to go.
00:34:27So, do you leave your mouth?
00:34:30Why are you so big?
00:34:31I thought you were so big.
00:34:32I'm so big.
00:34:34No, I'm so big.
00:34:34No, you're so big. I asked you.
00:34:36So, you're going to Netflix?
00:34:37Yes, I'm going to Netflix.
00:34:38That's why you're going to do this.
00:34:44Konkana, you've always made meaningful cinema.
00:34:46You've never thought of a chiffon,
00:34:48a sardier,
00:34:49a sardier,
00:34:49a hero.
00:34:54You've never thought of it.
00:34:55You've never thought of it.
00:34:57You've never thought of it.
00:34:58You've never thought of it.
00:34:59You've never thought of it.
00:35:00You've never thought of it.
00:35:00Look, we give you indoor hauls.
00:35:02Look, Pankaj,
00:35:03I've always told you,
00:35:03I've always been in romance.
00:35:05Today,
00:35:06I'll give you a beautiful smile.
00:35:10Oh!
00:35:11Pankaj,
00:35:11and look,
00:35:12you've also got a big fan of Kishorda.
00:35:17Okay.
00:35:18Yes, Pankaj,
00:35:19you've always enjoyed it.
00:35:20You've always said that
00:35:21I've never liked the smile to leave it.
00:35:24I've never thought of it.
00:35:25I got a very goodTa liya.
00:35:26Pankaj,
00:35:32There's nothing to take.
00:35:40I'm not going to take.
00:35:42romantic
00:35:42GANET
00:35:43KE AGE
00:35:43ABHINAH
00:35:44KERENG
00:35:44OR
00:35:44PARSHY
00:35:45GAYAK
00:35:46GAYAK
00:35:46GYOD
00:35:46SABRADUSTTI
00:35:47SE
00:35:47THAKKE
00:35:48SE GAYAK
00:35:48BENE
00:35:48HUN
00:35:48THANDAWARD
00:35:52KONKANAN
00:35:53CHI B
00:35:53ZHORDAR
00:35:53DAL
00:35:54DAL
00:35:54DAL
00:35:54DAL
00:35:54DAL
00:35:54DAL
00:35:54DAL
00:35:54DAL
00:35:55DAL
00:35:58DAL
00:36:06DAL
00:36:07DAL
00:36:07DAL
00:36:07DAL
00:36:08DAL
00:36:09Your love is your pleasure
00:36:10My love is my love
00:36:13No one will never be with us
00:36:28The night is a nice night
00:36:33The night is a nice night
00:36:34The night is which I love
00:36:41The night tears
00:36:42The night is a nice night
00:36:45The night is the nightdenial
00:36:50is the night The anore
00:36:51bars The night are
00:36:54funny The child has
00:36:59women The love of
00:37:00my heart The door is
00:37:02over
00:37:19Thank you for the lovely song.
00:37:21So good, you sing so well.
00:37:30I love you, I love you, I love you.
00:37:42Dad, you give people a check and give them a check.
00:37:48It's a bank.
00:37:50It's a bank.
00:37:50It's a bank.
00:37:52You know, you give them a check and you give them a sign.
00:37:55You give them a sign.
00:37:55What did you bring and what did you bring?
00:37:58A man wrote so big philosophy that he didn't pay money.
00:38:01He didn't hear that.
00:38:04Dad makes food good.
00:38:05You know, everyone?
00:38:06Yes.
00:38:07Did you eat all of them?
00:38:07Yes.
00:38:09He makes food good and dance.
00:38:12I saw his dance yesterday.
00:38:14He's such a good dancer.
00:38:16No, no.
00:38:16Yesterday he was another level.
00:38:18Yes, yes.
00:38:18Then I'm going to sing a carpentry.
00:38:20Do you have a pen to do it?
00:38:22Sir, what is it?
00:38:23The people who come to the film line,
00:38:24have a plan to be ready.
00:38:26Yes.
00:38:26If something happens,
00:38:27he will do it, he will do it,
00:38:28he will do it,
00:38:28he will do it.
00:38:29That's why I learned everything.
00:38:31Make-up artist's card also.
00:38:32Yes.
00:38:34It's true.
00:38:35It's true.
00:38:39I also knew cooking in the hotel.
00:38:41Yes.
00:38:42Wow.
00:38:42I used to massage.
00:38:45No, no.
00:38:45I'm not joking.
00:38:46They're doing shock.
00:38:48No, no, no.
00:38:48I swear, I'm not joking.
00:38:50Seriously?
00:38:50After doing the course of national school and drama,
00:38:53suddenly, my formal education,
00:38:55based on the first standard of training,
00:38:57was finished.
00:38:58I sat there,
00:38:59I had a place on Bengali market.
00:39:00What did I do?
00:39:01So, I said,
00:39:02I had to do something.
00:39:02So, I studied the ad.
00:39:03That's why I studied the following,
00:39:03I taught massage at Oberoi hotel.
00:39:06Wow.
00:39:07I studied massage.
00:39:07I studied massage taught three months.
00:39:09Wow.
00:39:10And, two months I had been doing massage,
00:39:12I also had been doing massage.
00:39:13Humpour shooting,
00:39:14Amit and everyone had been sitting.
00:39:16Yes.
00:39:16I studied all the massage.
00:39:18Then, when I was during the massage of Shilpa Shirodogar,
00:39:20my mother of Shilpa Shirodogar,
00:39:21the massage of both Shilpa Shirodogar,
00:39:22I did spray underneath all the days of Danny and Danny,
00:39:24so, the lights went on.
00:39:26Oh, my mother.
00:39:26So, her mother of Shilpa Shirodogar was sitting here,
00:39:27Oh, Anupam,
00:39:29Oh, Anupam!
00:39:49When I was struggling, I was assisting a photographer.
00:39:54And I was shooting a wedding, so people would go to photos and give auditions for the people's wedding.
00:40:00Because the money is very important.
00:40:01And no job is small.
00:40:03No, no job is small.
00:40:03And I also get to learn a lot from that.
00:40:06You didn't even know the story.
00:40:08Wow.
00:40:09Now someone's wedding, tell me, I'll just give money.
00:40:13This is Sara's, right?
00:40:15Yes.
00:40:15This is Sara's, right?
00:40:16Yes.
00:40:17You'll get the discount for both of them.
00:40:20Okay.
00:40:21Thank you, Bilal.
00:40:22Yes.
00:40:24We have promised a promise to our friends, every fan will grow our family.
00:40:30So we're calling a superfan in every episode.
00:40:34Who are doing a bit of a bit of a bit of a bit of a superfan.
00:40:35For example, today, we are coming here.
00:40:39This is a cop that controls traffic in Metro City.
00:40:45I'll show you how to do this.
00:40:46Please have a look.
00:43:18Thank you so much.
00:48:08Why?
00:48:11You can see it in one second.
00:48:14How will you see it in one second?
00:48:16In WhatsApp, send me a message and send me a message in one second.
00:48:18I send you a message in one second.
00:48:24Brother!
00:48:26Why do you do these things?
00:48:28I do these things.
00:48:30Because it's my dopamine release.
00:48:42One, two, three.
00:48:46One, two, three.
00:48:53Hey!
00:48:54Hey, don't do it, it's a bad thing, isn't it?
00:49:01It's like your dopamine release, when Archana Ji is laughing.
00:49:06It's not your dopamine, it's your check release.
00:49:12Brother, what do you want to do?
00:49:16Now, this is a comedy program, I'll show you dance here.
00:49:20So, I've been doing stand-up.
00:49:21I've been doing stand-up in a metro.
00:49:30Brother, do you know that his film is not made in the train in the metro?
00:49:34It's made in the metro city.
00:49:38You wanted to tell first, right?
00:49:41You wanted to ask first.
00:49:47Do not do anything, do not do that.
00:49:48Do not do anything.
00:49:49I want to ask you to do something here.
00:49:57I want you to do something here.
00:50:18Remember that whoever doesn't kiss his house, doesn't close his house.
00:50:25You don't have to worry about it. I want to be ready.
00:50:28Okay.
00:50:30I will listen to you guys.
00:50:32Yes, dad.
00:50:33The first thing I want to listen to you is Ali Fajal Ji.
00:50:37Ali, come here.
00:50:39Here, come here.
00:50:44You are going to eat meat, you are going to listen to them.
00:50:47I am going to eat meat.
00:50:52I am going to eat meat.
00:50:54I am going to eat meat.
00:50:55I am going to eat meat.
00:50:56So, there is a joke about Kolkata.
00:50:58Yes.
00:51:05On Kolkata, on the Hauda Bridge, there is a peacock dance.
00:51:10Peacock.
00:51:11So, what will you say about it?
00:51:15What will you say about it?
00:51:16They will say...
00:51:18...
00:51:19...
00:51:19...
00:51:20...
00:51:21...
00:51:21...
00:51:23...
00:51:25...
00:51:26...
00:51:27...
00:51:53...
00:52:01...
00:52:03...
00:52:05...
00:52:06...
00:52:11...
00:52:12...
00:52:13...
00:52:14...
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