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The Comeback S03E02 (2026) [Full Movie] [Official Release]Full EP - Full
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00:01you've arrived at your destination yes we have still don't know why she took me on the freeway
00:07hello valerie cherish id please sure to see brandon wallach to see brandon wallach yeah
00:14thanks yeah okay patience in five four ready going in to see brandon wallach the new head
00:21of the studio about a possible new multi-cam more than possible val it's a definite offer
00:27did you get me on camera patience yeah okay billy nothing's definite yet okay because still not
00:35comfortable with the whole ai writing thing not entirely sure it's even legal okay please do not
00:41bring up the legality of ai so not sexy don't be a lawyer vow yes okay yeah you're gonna have
00:48to
00:48address it okay because much as i'd like to star in a sitcom again have to be okay with my
00:55union
00:59hello hello hello oh no one's here no no no no i'm here i'm here hello brandon hello valerie
01:06cherish we all know who you are valerie thank you so much we were all just so thrilled to have
01:11you in
01:11here last oh well this is my manager a producing partner billy stanton tom brown right no billy
01:18stanton no uh pal tom brown is the designer i'm wearing oh that cute skirt uh well first of all
01:24apologies for the zoom uh we're just scattered all over the world and we just think this would be an
01:29easier way for the whole team to focus in this way right oh sure yeah so there's a whole team
01:34oh yeah
01:35yeah they're all here guys just just pin yourselves pin pin pin pin yourselves for valerie okay don't say i
01:39didn't
01:40know you valerie hello everyone absolutely everyone question is there anyone not on this zoom
01:47that's great that's great okay guys just don't pin yourselves and come back as you're needed all right
01:52valerie hi ridley mcintosh head of marketing and sales really is my my right hand woman person when
01:58brandon left youtube to become the president of new net his very first call was to marketing and he
02:03was passionate how can we make free programming people have bought enough apps couldn't agree more
02:09ridley yeah you know i was on that wonderful show mrs hat you know mrs hat a few seasons ago
02:17you know
02:17part-time gardener solved crimes her husband was an ex-police chief
02:23yeah anyway it was on epics right of course people had enough apps yes you know so yeah um ridler
02:31i hear
02:31yeah okay what's exciting is we have come up with a way to mitigate the cost of content
02:36with breaks in the programming to advertise product commercials exactly valerie everything old is new
02:43again and here at new net we're we're just we're totally embracing that hey i am arbor elliot head of
02:49programming and content and i love sitcoms well then i love you arbor valerie egypt o'connor new net
02:57research and development hello egypt our latest research has shown us that viewers want to
03:01break from the complicated confusing storylines of all these dark streaming shows yeah it's like
03:06wait a minute the doctor is a spy and a zombie like what that's so arbor and when people want
03:11to laugh
03:12a moody single camera comedy isn't much of a fun break we want to make affordable comfortable
03:17wonderful television with a trusted comedy star named valerie cherish who me you have a unique
03:25recognizability across three different television platforms you do sitcom having starred in i'm it
03:30and room and board reality tv two seasons of the comeback and premium prestige cable your emmy
03:36winning best supporting actress turn is mallory in seeing red wow and mrs hat the traitors come on
03:45yeah well great to be picked for a traitor and terrible to be sent home second episode so yeah
03:52really disappointing but the meme trust me he's a faithful i know that for a fact
03:57how well i just i i feel like he's a faithful as am i you know don't you wish you
04:05knew who the
04:05traitors were i do stressful stressful stressful and it was stressful from 90s tv right up to the hot
04:18meme of today valerie cherish and we decided we want to make a show around her and that's what we've
04:25done
04:25around not so not the wife of the lead it is all about this funny complicated single woman of a
04:32certain age funny check complicated check single uh don't tell my husband wow okay um and uh woman
04:42of a certain age so what what's the age you're certain of 60 well that's a tv 60 which is
04:48really 50
04:4850 50 well if i could turn back time that's my share
04:56anyway yeah this all just is thrilling okay um my manager and i producing partner uh yeah and i
05:05just have one concern sure anything anything yeah
05:15okay um just one concern and that is um well look it would be great if we could talk about
05:23the ai of
05:23it all now everybody uh say thank you to to valerie thank you and we'll recoup on this later thank
05:29you
05:31what it's over what happened why did you bring up ai because you didn't yeah so not sexy
05:40hey hey hey hey hey hey just to finish what um you okay yeah i thought you were in new
05:47york yeah no no
05:48no no just down the hall in my office um that's okay um uh right about why i just ended
05:58the zoom
05:58Yeah, I shouldn't have mentioned the AI.
06:00It's not sexy.
06:02Yeah, just I'm worried about the no writers.
06:06Of course we have writers.
06:07We have to have writers.
06:08You have writers.
06:09There are writers.
06:10Okay, there are writers.
06:12We have a husband and wife team, Josh and Mary Abrams.
06:15They're going to be our head writers alongside Alice's, our AI program.
06:20And, yeah, Josh and Mary have got a deal with NoNet, so you'll love them.
06:24And they have a deal, so they're good.
06:26They're great.
06:26That's great.
06:26Okay, yeah, and one's a woman, which is really great because the show's about a woman.
06:31They could fetch four women in a dog park, so they know women.
06:35And dogs.
06:37And the Writers Guild is fine with this?
06:40We are within the Writers Guild agreement?
06:41Yeah.
06:42So are we in the Valerie Cherish business?
06:45Well, let me think about it.
06:48How quick can I say yes?
06:49Yes!
06:50Well, great.
06:51Right, but we have to go over to the deal points.
06:53Valerie and I will need to be executive producers.
06:55Yeah, we'll, we'll, we'll, we'll, so that's a yes?
06:58That's a yes.
06:59Oh, my God.
07:00Oh, my God.
07:00Oh, before I go, we've been kind of off the record about the whole AI thing.
07:04You know, just keep people, you know, on a need-to-know basis.
07:06So I'm curious, how did you hear about it, Valerie?
07:12Oh, oh, well, I, um, heard, how did I?
07:17I don't, yeah, I don't know.
07:18I just heard, I don't, I don't know how.
07:21That's all right, that's okay, it's good, just, just, uh.
07:23Okay, here's the thing, in our business, AI, uh, well, it has bad branding, right?
07:29Yeah.
07:29Yeah, and so we're looking at these first six episodes as a proof of concept, and when
07:34we see that the show works, we're going to go wide with the, with the whole AI information,
07:38along with a likely pickup of a few more episodes, but, but till then, it's, it's a secret, you
07:44know?
07:44Secret, yeah, good.
07:45Smart.
07:46Not that I'm concerned about any of this.
07:48AI is, is really extraordinary.
07:50After all, it picked you.
07:53It picked me, it did?
07:54Oh, well, I feel like I'm in good hands.
07:56You think?
07:57Sure.
07:59That's great, okay, and thank you so much for coming all the way in from your office.
08:03Just down the hall.
08:05Right, means a lot, so.
08:07Bye, thank you.
08:11Executive producers, finally, this is so exciting.
08:14It is exciting, yeah.
08:16You could have told me there were writers, though, Billy, than I could have had the meeting
08:19last week, you know, that's why I was so worried.
08:21Now I look difficult.
08:23I didn't know about the writers, okay?
08:24Well, then how'd you know about the secret?
08:27I'm sleeping with one of the execs.
08:28Yeah, the one on the top left.
08:30I don't remember who that was.
08:32Do you think the Zoom is still on?
08:33Time to go.
08:34Yeah.
08:38I'm home.
08:39I know, I was tracking you.
08:41Oh.
08:43How's your meeting?
08:44Oh, it was great.
08:45They've got writers.
08:47Writers Guild is good with it, so I'm not a traitor.
08:49I have the exciting news as well.
08:51You found your Rolex?
08:52I knew it wasn't the movers.
08:54No, it was the movers.
08:55Okay.
08:56Well, I just wish we had these cameras sooner.
08:58Okay, what's your exciting news?
09:00Oh, my Soilos membership card came.
09:03I got the app.
09:04Let's go across the street for dinner.
09:06What, tonight?
09:06Yeah.
09:07Aren't you already eating?
09:08Yeah, but who cares?
09:10Look, they have an opening at 7 or 9.30.
09:149.30?
09:15Come on, are we in Spain?
09:16What's that, man?
09:17That's right.
09:18I'm going to take a shower and then change.
09:20I'm going to wear my new glasses.
09:26This is a hip crowd.
09:28Kind of young.
09:30Yeah.
09:31Young is cool.
09:32It's a good vibe.
09:34Look at that view.
09:37Well, that's the same view we have from our place.
09:39No, it's a little different.
09:40We can't see Century City.
09:43Well, it's the same view with a membership fee.
09:47That's good.
09:48I'm going to have one more of these crackers.
09:50All right.
09:51Because, you know, I love a cracker with a view.
09:56It's really good.
09:57I know.
09:58You like those flatbreads, yeah.
10:00Used to get them at Trader Joe's in Brentwood.
10:02You don't get these anymore.
10:03Well, where is there at Trader Joe's here?
10:06Everywhere.
10:06Did we leave room for dessert?
10:09He did.
10:09I have a show.
10:12Cool glasses.
10:17I want the chocolate cake and the check, please.
10:20Wonderful.
10:22You were so right about these bigger glasses, Val.
10:24So good.
10:26Yeah.
10:26That oversized thing is what's happening now.
10:29Yeah.
10:29No.
10:30I am what's happening now.
10:33Hey, Greg, over here.
10:35Oh, motherfucker.
10:36What happened?
10:37I just saw Greg.
10:38Greg?
10:39Yeah, from the old fern.
10:41No, I know who Greg is.
10:42Why is he here?
10:42He's not cool enough to be here.
10:45Oh, hi.
10:45Um, we can't stay.
10:47Well, I thought you wanted chocolate cake.
10:48No, I can't be here.
10:50He can't see me.
10:51Mark, you didn't do anything wrong.
10:53Do you want the cake to go?
10:55No.
10:56Yes.
10:57Yeah.
10:59Mark, I'm going to say it again.
11:00You told a joke at work at a time when jokes were illegal.
11:04No one cares now.
11:05Um, okay, okay, let's go, let's go.
11:07Come on, I don't want to be here.
11:08Yeah, I get that.
11:10Get my jacket.
11:11It's okay.
11:14Go, he's looking the other way.
11:16Phil!
11:18Valerie?
11:19Hi.
11:20Hi.
11:21Well, that's Sharon Case, casting director.
11:23She does all the sitcoms.
11:24She's with Jane Fonda.
11:26So, you want to meet Jane Fonda?
11:27No, no, I want to go.
11:28Well, I can't be rude.
11:31I'll be right back.
11:35Hi, Sharon Dahl.
11:36Hi, Valerie.
11:37Great to see you.
11:38Oh, you too.
11:39Do you know Jane Fonda?
11:40Hi.
11:41Hi.
11:42Valerie, Sharon.
11:43Nice to meet you, Valerie.
11:44So, how do you two know each other?
11:45Did Sharon cast you in something?
11:48Um, we were walking buddies.
11:51You know, we walk around the neighborhood together.
11:54Oh, I love walking.
11:57It's my favorite exercise.
11:59My husband, Mark, and I walked over here tonight.
12:03Yeah, we live just right there in Sierra Towers.
12:06Beautiful.
12:09Would it be okay if I got you for my socials?
12:13Sure.
12:14Great.
12:14Then don't worry.
12:15I don't do anything political.
12:17Why not?
12:18Well, where do you start?
12:20You know, is how I feel.
12:22It's overwhelming.
12:23You know.
12:24It's okay?
12:26Sure.
12:26Okay.
12:28Well, look who I just ran into.
12:31Miss Jane Fonda.
12:33Vote.
12:36Funny.
12:37Yeah.
12:38Ah, thank you.
12:39It was very nice to meet you.
12:41Really nice to finally meet you.
12:44Okay.
12:44All right.
12:45Val?
12:46Huh?
12:47Oh!
12:48Oh, God.
12:49Are you okay?
12:50I just looked on my napkin.
12:51Okay.
12:53I'm okay.
12:54Um, yes.
12:56So stupid and so me.
12:57What?
12:58Uh, I heard about your new net show.
13:01Oh, already?
13:02It just happened today.
13:04Yeah, well, it's really exciting.
13:05Yeah, well, you know, nothing extraordinary about it.
13:08Well, you're executive producing, right?
13:11Yes.
13:11Yeah, I am.
13:12Yeah.
13:13Well, I would love it if you would consider me.
13:15I mean, sitcoms aren't my favorite.
13:17Well, and you're the best.
13:19Yeah.
13:20So, uh, keep me in mind.
13:22It'd really be great to be working again.
13:24Well, you are top of mind.
13:25Yeah.
13:26And I'm sure this time it'll be different.
13:30Just because on, uh, room and board.
13:32Remember, I wanted Tom Selleck, and you said not interested.
13:36And just so you know, he did call me back, and he would have done it.
13:40So.
13:41Ah.
13:42Yeah.
13:42Well, um, I'm sorry.
13:44My bad.
13:46I'm sure it'll be different this time.
13:48No.
13:49Oh, okay.
13:50That's my husband.
13:51Oh.
13:51Okay.
13:52Your knee is bleeding tall.
13:54Yeah.
13:56I was stuck talking to Greg, because you had to go and see Jane Fonda.
14:01All right.
14:01Well, what did he say?
14:02Nice to see you.
14:03It's pathetic.
14:05Pathetic?
14:05Mark, it probably was nice to see you.
14:08All right?
14:08You two were friends.
14:09Yeah, well, we're friends.
14:11Why didn't he have a conversation instead of sending that partner email letting me go?
14:14And I'm just standing there.
14:17And then the waiter comes over and hands me this fucking doggy bag, and Greg looks at me like I
14:21can't afford to waste food.
14:23Oh, Mark, it's not possible he thought that.
14:26Okay?
14:27That was your golden parachute.
14:29Yeah, well, I was humiliated.
14:31Okay.
14:33Well, did you mention finance dues?
14:36No, I didn't mention finance dues.
14:38It hasn't sold.
14:39Not yet.
14:40Where are you going?
14:41I'm going into the kitchen to eat this fucking cake.
14:45Okay.
14:47Oh, and this is L.A.
14:48Please don't ask me to walk anywhere again.
14:51Oh, I won't.
14:53Well, look what I'm buying at Trader Joe's.
14:56It's mine and my husband's absolute favorite.
14:59Green olive flats, Italian lingual crackers.
15:04Yeah, you can edit that out, right?
15:06Yeah, okay.
15:07So I'm just a little bit confused, though.
15:08Is this for Trader Joe's or is this for the Italian lingual crackers?
15:14It's a potential collab for both.
15:15That's the beauty, right?
15:17Yeah, sure.
15:18Yeah.
15:18Just going to get more of these.
15:19Okay, I'm going to go get a neti pot.
15:21Okay.
15:22I'm going to check out.
15:25I'm not buying you another neti pot.
15:32Val?
15:34What?
15:35What?
15:36Jane!
15:37Jane!
15:38Oh!
15:39Good to see you.
15:40Jane.
15:43So are you working here now?
15:45Oh, no.
15:45I just stole a tropical shirt and started scanning shit, you know, for fun.
15:48Oh.
15:49Yeah, I work here now.
15:51And I have you to thank for that.
15:52Me?
15:53Yeah.
15:53When I left you in New York that time.
15:55Oh, did you find everything you were looking for today?
15:58On your shopping list.
15:59We're supposed to ask that up top.
16:00Oh, I sure did.
16:03I felt so bad that I still owed you money back then.
16:07I just said to myself, get a fucking real job, you know?
16:11Yeah.
16:11It wasn't just you.
16:13It was everyone.
16:13I owed everyone money.
16:15Running around, making my documentaries, begging people to care about the things that I cared about.
16:19Right.
16:20Like the inevitable dangers of big tech or climate change impacting water resources for the Navajo nation.
16:25Right.
16:27Or the fun of me starting a new chapter, you know?
16:32Shame nothing happened with our dog, right?
16:34Still got that great footage, you know?
16:36It just so wasn't working.
16:37Yeah.
16:39And then the fires happened.
16:41Right.
16:41All that craziness.
16:42Yeah.
16:42Just, I thought about you guys.
16:44Oh, yeah.
16:45Well, we almost had to evacuate.
16:48So, yeah.
16:50Your house is good?
16:51No, our whole canyon burned because we didn't pay off the right fire department.
16:54Uh-huh.
16:54So, once I got the horses to safety in Montana, I just said, you know what?
16:58I'm done.
16:59I transferred to this Trader Joe's out of the fire zone.
17:02I got an apartment nearby.
17:03I walked to work.
17:04Getting your steps in.
17:06And I even found a really great girlfriend that lives in my building.
17:11It's one-stop shopping.
17:12Good for you, right?
17:14And since I've paid everyone back, my life is just so simple now.
17:19Do you have bags?
17:20I do.
17:21Yeah.
17:22I didn't bring them, so I have to buy some.
17:24Oh, no, you don't.
17:26Oh, really?
17:29Oh.
17:31That's nice.
17:32So, who are you?
17:34Starring in a new show.
17:36A multicam.
17:37Oh.
17:39Oh, okay.
17:40Yeah.
17:40Okay.
17:41Oh, it's 103.61.
17:44Yeah.
17:44Okay.
17:46I'm actually really happy for you.
17:47That's, I think it's going to be a huge success.
17:49Yeah.
17:49I mean, that's really what people want, right?
17:51Uh-huh.
17:52Nothing challenging.
17:53Well.
17:54Nothing they don't want to know about.
17:56Well.
17:57Just comfort food.
17:59Nothing new.
18:01Well, this one's kind of new.
18:03So, you're telling me that it's not like the sitcoms of the 70s, 80s, 90s?
18:09Well, it's not.
18:10Okay.
18:13It's written by AI.
18:15Maybe the first show to do it.
18:18But don't tell anyone, because that's a secret.
18:21Now, wouldn't that make a good doc?
18:25Ready, Jane?
18:26Ready.
18:27Well, I'm happy to report the script is good.
18:30So funny.
18:31AI is funny.
18:34Well, first of all, Jane, shh, it's a secret, right?
18:37And yes, so funny, laughed out loud twice.
18:41Also, found a few typos.
18:44So, you know what that says to me?
18:45Writers.
18:46How's that?
18:48That's the name of the show.
18:49How's that?
18:50Yeah.
18:51Yeah, and it's my character, Beth's catchphrase.
18:53How's that?
18:55Yeah, she runs a cute, charming old New England B&B with the help of her hunk nephew, Beau.
19:01So, Beth and Beau, B&B.
19:04Cute, huh?
19:05How's that?
19:06Such a good hook.
19:07You know?
19:08You can say it's so many different ways, right?
19:11How's that?
19:13How's that?
19:14How's that?
19:15Right?
19:16Oh, so good.
19:18Oh, there's Billy.
19:19Yeah.
19:20Okay, he's got his power skirt on.
19:23Not judging.
19:24Looks good.
19:25Yeah.
19:26Aren't you hot?
19:27Yeah, but it's a whole look.
19:29Uh-huh.
19:29Yeah.
19:30Hi, Jane.
19:30So glad you're doing this.
19:31And I'm sure we'll figure out who's paying you.
19:34Okay, come on.
19:34Let's go back.
19:35Let's go this way.
19:36Yeah.
19:36Ready for our first production meeting, executive producer?
19:39Yes, I am.
19:41It's so fun to get a seat at the big kids' table, right?
19:43See how the donuts get made.
19:45Oh, Val.
19:46Yeah.
19:47I got us these hats.
19:49Thought it'd be fun to wear them in as a bit.
19:51Oh, no, no, no.
19:52Not a good bit, Billy.
19:53Executive producer?
19:54No.
19:55Don't want the showrunners to think I'm trying to run the show, right?
19:59Not good.
19:59Okay, fine.
20:00So not a bit.
20:01But patience, at least can you get a photo of us?
20:03Yeah.
20:03Yeah.
20:04Okay.
20:04Stand here.
20:06I'll stand here.
20:07Quick pic.
20:08Okay.
20:09Got it.
20:10Oh, my God.
20:11What is it?
20:13This is good.
20:14Yeah.
20:15Those are the showrunners.
20:17Yeah, this is right there.
20:18Did you see that?
20:20Not a good first impression, Billy.
20:22Okay.
20:27Oh, look, Valerie.
20:29Billy's the executive producer.
20:31I'm going to take a picture.
20:32Valerie!
20:32Oh, jeez.
20:33Careful.
20:34My purse.
20:35Thank you so much for this.
20:37I'm really just so grateful to be working.
20:40My psychic told me I would.
20:42I should have believed them.
20:44Excuse me.
20:44Dollar got a save.
20:45Oh, yeah.
20:45Go, go, go, go, go.
20:46I'm going to send you out the casting links.
20:48I'm providing.
20:48Hi, Barry.
20:49Josh.
20:50Valerie Cherish.
20:51Here, take the dollar.
20:52Yeah.
20:53Take this lady.
20:55Take her.
20:56Oh, dog.
20:56Um, just to say, first episode, so wonderful.
21:01Oh, yeah.
21:01Laughed out loud twice.
21:03Right?
21:04Yeah, just love the whole B&B world.
21:07The premise isn't ours.
21:08Okay.
21:09What's with the cameras?
21:11If they all know about the A9, why did we have to sign an NDA?
21:15Oh, no.
21:15They signed, too.
21:17Yeah.
21:17Everyone.
21:20We are so excited to be working with Valerie.
21:24When Mary and I wrote the episode of Fetch for Delia, played so beautifully by Judith Light.
21:29Yeah.
21:29When she has to put her beloved cop-a-poo down, and she comes home alone to the empty house.
21:34I was so blown away by how much online love we got from women of a certain age.
21:42You know, felt seen.
21:43Yeah.
21:44Maybe for the first time.
21:46And I'm just honored to have the opportunity to be the voice of another vibrant and vital woman of a
21:52certain age, such as yourself.
21:55For all those ladies online to love.
21:56So, which two jokes you said you left out loud twice?
22:00Okay.
22:01Spoken like a true writer.
22:02You know, which I was so relieved, right?
22:06That you, because I could tell, because there were some typos.
22:09There should not be any typos.
22:10Well, let me get my script.
22:12Did you put jokes in?
22:13Just a couple.
22:15They're right there.
22:15Great.
22:16Keep teaching it.
22:17Coming back.
22:19Please.
22:20Okay, yeah, I'll find it, because I have it.
22:22I have it dog-eared.
22:23After our last show, please never say dog anything to us.
22:29Okay.
22:30I won't.
22:31All right.
22:32Oh, yeah, this is it.
22:35Well, if she's moving in, the B&B will stand for Bimbo and Breakfast.
22:39That wasn't us.
22:41That was Al.
22:42Oh, Al.
22:43Is there a third writer?
22:45No, we call AI Al.
22:47Short for Alicist.
22:48Because ain't nobody got time for that.
22:50Oh.
22:51Cute.
22:52Yeah.
22:53That's so Al for Alicist.
22:55So clever, right?
22:57That's a great cover, right?
22:58There's a third writer named Al, right?
23:00Works remotely, never comes in, which is believable, right?
23:03Because writers are weird.
23:05Not you guys, but, you know, keeps it a secret.
23:09Because you can just say, let's send it to Al for a joke, right?
23:13In front of the cast, crew.
23:15Such a great story.
23:16So you're a writer now?
23:17No, I'm just trying to be helpful.
23:20This is too much talking.
23:21I agree.
23:21Yeah.
23:23That's what's going to be so great, you know, about Jimmy Burroughs directing, right?
23:27Because he says, just enough.
23:29He passed on this.
23:30Jimmy passed?
23:31When?
23:32His agent texted me.
23:34Oh, okay.
23:35Well, yeah, I have a personal relationship with Jimmy.
23:38You know, he did my last sitcom.
23:40So, yeah, agents say no to everything, right?
23:43If it were up to his agent, Jimmy wouldn't have done cheers.
23:46All right, or Will and Grace, or Frasier, or Frasier.
23:50We have to go.
23:50Yeah.
23:50We have kids.
23:52Okay.
23:52Should we do it?
23:53Yeah, we should get started.
23:55What does that mean, we have kids?
23:59Yes?
24:01Valerie Cherish to see Jimmy.
24:03I called ahead.
24:04Hold on, please.
24:05Yeah.
24:05What did he say on the phone?
24:07He never spoke with him.
24:08He just left a message with the housekeeper that I was on the way.
24:11Come in.
24:12He's not by the pool.
24:13Okay, yeah.
24:14Thanks, Jen.
24:15Cool.
24:16Okay, go, go, go.
24:17You can stay here.
24:19No, no.
24:20No, Jane.
24:21No, you've got to stay back.
24:23I said Valerie Cherish to see Jimmy.
24:25He's not Valerie Cherish in her camera caravan.
24:28Yeah.
24:28Besides, she said he was at the pool, so, you know, what if he swims naked?
24:32Right?
24:32Not nice.
24:33Can't do it.
24:34No consent.
24:35It's closing.
24:35You've got to get on the other side of that.
24:37No.
24:38Remember, I have to be at Trader Joe's.
24:40Those are IPs in case you have to move the car, okay?
24:54You guys have enough sunblock on?
24:57Oops.
24:59Jimmy.
25:01Hi, Val.
25:02Hi.
25:03I think you wore the wrong shoes for a home invasion.
25:06And if you puncture a sprinkler line, I don't know you.
25:09Okay.
25:09Well, look at you.
25:11King of the world.
25:12King of this Bel Air rental.
25:14Our new house isn't finished yet.
25:15Three years and counting.
25:17Well, this is a rental.
25:19This house and those kids.
25:22Hi, Valerie Cherish.
25:25Sit down.
25:27Okay.
25:27Kind of hug first.
25:28Oh, yeah.
25:29Oh, yeah.
25:30Would you like some lemonade or water?
25:32Oh, no.
25:33Don't want to be a bother.
25:34Well, you came all this way to see me.
25:36I'd like to give you something besides a polite no thank you.
25:39Oh, no.
25:39Well, not that far.
25:41And, you know, I just needed to check that no, it's from your agent, you know, and maybe
25:46you didn't read it yet.
25:47Oh, no, no.
25:48I read it.
25:48I read it because you were the lead sweetheart.
25:50Oh.
25:51You were so good in that Pauly G. heroin series.
25:54You really surprised me.
25:56Well, thank you.
25:57Yeah.
25:58But, you know, that was a dramedy, right?
25:59Dramedies are easy.
26:00This is comedy, and comedy needs Jimmy.
26:02This one doesn't.
26:03Well?
26:04Look, it's a good part for you.
26:06New heart meets faulty towers, but with a woman.
26:10Yeah.
26:10You'll be great.
26:12I've done a million of these.
26:14There's nothing new in it for me.
26:19Oh, the gate's opening.
26:20Go, go, go.
26:21Oh, she's coming.
26:22She's coming.
26:23Go, go, go, go.
26:23It's her.
26:24Go, go, go.
26:27Oh, boy.
26:29Okay.
26:30No, she's okay.
26:31All right, look at it.
26:31She doesn't even have grass team.
26:36How did you get Jimmy to say yes?
26:39Oh, just talk to him, you know.
26:42First he said no, but then I told him how important this one was to me.
26:47Did you tell him it was AI?
26:48I did, yeah.
26:49But, Jane, it's a secret.
26:51Why is it a secret?
26:52Why can't people know about it?
26:54Bad branding.
26:55You know, everybody everywhere is worrying about AI, right?
26:59I, for one, am excited to let go and see what AI is all about.
27:06Turn right now.
27:08It said turn.
27:10It, it.
27:11Yeah.
27:12That's all right.
27:12Mr.
27:13Jane, last time I didn't listen to it and I saved five minutes, okay?
27:16I know better.
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