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In Other Words, I Love You Full Ep #englishsub
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Short filmTranscript
00:00:02I've always described the world in words.
00:00:05People, moments, places.
00:00:08But in that moment, I forgot them all.
00:00:12Be careful.
00:00:13We're talking about the king of Ashton's.
00:00:15He's cool.
00:00:16I don't find bullies attractive.
00:00:18Good morning!
00:00:19He's lonely and kind of pathetic.
00:00:22Breathe the room before opening your mouth.
00:00:24American.
00:00:26She said you'd be moving in today.
00:00:28There's been some kind of misunderstanding.
00:00:30I'm not staying here.
00:00:32You must stay.
00:00:35I heard you stay to the whole thing for attention.
00:00:39Charles.
00:00:40We need to talk.
00:00:41If you don't do anything about it,
00:00:44it's only going to get worse.
00:00:46You're lying to everyone, including her.
00:00:50You didn't have to come.
00:00:52Don't tell me what I have to do.
00:01:03I've always described the world in words.
00:01:06People, moments, places.
00:01:09All through metaphors and margins.
00:01:12You okay?
00:01:13Like my mom.
00:01:15Self-made, stubborn, and never wrong.
00:01:18Almost there.
00:01:19You excited for your first day?
00:01:20She calls this a fresh start.
00:01:22I call it terrifying.
00:01:30You've got this.
00:01:32Just for yourself.
00:01:34That's kind of the problem.
00:01:36I'm stuck in space.
00:01:45Got a day dream running through my brain every day.
00:01:52Heaven in my dead now.
00:01:55World to war about all the day anyway.
00:02:01I wanna take it down.
00:02:03Okay.
00:02:06Morning, class.
00:02:08And you're not seated because?
00:02:11I don't have a seat.
00:02:14Ah, a new transfer.
00:02:16Alice Keaton, right?
00:02:18Let's see.
00:02:22There's a spot.
00:02:23Next to Charles.
00:02:25Charles' case, Sherry.
00:02:26Seriously?
00:02:27A charity case sitting next to Charles?
00:02:29God.
00:02:30Why is she?
00:02:31Quiet.
00:02:33Charles.
00:02:36I've always had words for everything.
00:02:39But in that moment,
00:02:43I forgot them all.
00:02:53Charles, move your things.
00:02:56I'd rather not.
00:02:58She'll be a distraction.
00:02:59From what?
00:03:00Sleeping.
00:03:02From everything.
00:03:03If anything, Charles,
00:03:04Miss Keaton will be a positive influence on you.
00:03:06She was top of her class at her previous school.
00:03:10With all due respect, sir,
00:03:12her previous school was American.
00:03:15I highly doubt that.
00:03:18What?
00:03:18That's enough.
00:03:20She can sit here.
00:03:21It's fine.
00:03:24Back to Goldie.
00:03:27You got it.
00:03:28I'm Sherry Vaughn.
00:03:29Alice Keaton.
00:03:30It's very important that we look at the United States.
00:03:33What do you think about their experience of the time?
00:03:39Wait.
00:03:40You sat next to Charles?
00:03:42She didn't.
00:03:42You totally shut her down.
00:03:44Oh, I knew it.
00:03:45Don't take it personally.
00:03:46He's impossible.
00:03:47Can everyone stop acting like the goal is getting into his pants?
00:03:51What?
00:03:52He's hot.
00:03:53Everyone kind of is.
00:03:56I...
00:03:56I've seen Connor.
00:03:58He's not my type.
00:03:59You're joking.
00:04:00I don't find bullies attractive.
00:04:02Hey!
00:04:03Be careful.
00:04:04You're talking about the king of Ashford.
00:04:06The what?
00:04:07His family basically own the school.
00:04:10And the town.
00:04:11Maybe even the country.
00:04:12Yeah.
00:04:13Everyone's tried to get close.
00:04:14No one can get past his ego.
00:04:16You're not the first to get iced.
00:04:18Okay.
00:04:18First of all, I wasn't iced.
00:04:21It's more like a mutual decision.
00:04:23And second, I think he's arrogant, cold, thinks he's untouchable.
00:04:28But if you really look at Charles, he just seems isolated, like he's faking it all.
00:04:33Honestly, I just think he's lonely and kind of pathetic.
00:04:40What?
00:04:40No.
00:04:42No, go on.
00:04:48You were saying I'm lonely and pathetic.
00:04:55Next time, read the room before opening your mouth, American.
00:05:03We're not in Kansas anymore, Alice.
00:05:22Hey, how was your first day?
00:05:24Uh, good.
00:05:25Anything exciting happen?
00:05:26Not really.
00:05:27Super uneventful.
00:05:30Really?
00:05:31How's your new job?
00:05:32Yeah.
00:05:33Alright.
00:05:34Get this?
00:05:34They said we can stay in the servants' wing.
00:05:36Seriously?
00:05:37Hmm.
00:05:38Apparently the young master won't mind the company.
00:05:40The young master.
00:05:44This is your boss's house.
00:05:46Yeah.
00:05:47Isn't that incredible?
00:05:48I mean, I wouldn't call it a house.
00:05:51It's a museum with better landscaping.
00:05:59Wait here.
00:06:00I'll talk to the butler.
00:06:06Wow.
00:06:07Rich people.
00:06:09You've topped yourselves again.
00:06:13Stephen King.
00:06:16First edition.
00:06:26I'm breaking and entering now.
00:06:28How American of you.
00:06:31I...
00:06:40You've been paying rent here in my head.
00:06:44Try to fight it off.
00:06:51You can get up now.
00:06:53I...
00:06:54I'm trying.
00:06:56Wait!
00:06:58Are you serious?
00:06:59Well, you said you were trying.
00:07:03What is wrong with you?
00:07:05Funny.
00:07:05I was about to ask you the same thing.
00:07:08What are you doing in my house?
00:07:11You...
00:07:11Wait.
00:07:13Your house?
00:07:14My house.
00:07:16My house.
00:07:16My library.
00:07:17And now, apparently, my unwanted guest.
00:07:22Ah, Master Charles.
00:07:23You must be Miss Alice, Anne's daughter.
00:07:26She said you'd be moving in today.
00:07:28She what?
00:07:29There...
00:07:29There's been some kind of misunderstanding.
00:07:31You see, I'm not actually moving in.
00:07:34Is that so?
00:07:35Yeah.
00:07:36I'm not staying here.
00:07:37Like, at all.
00:07:38That's a shame.
00:07:39Your mother seemed quite pleased with the arrangement.
00:07:41Well, I just don't think it's appropriate.
00:07:44Well, if you're sure, then absolutely not.
00:07:48Come on, Alice.
00:07:51You must stay.
00:07:54It'll be fun.
00:07:57My dear classmate.
00:08:00I'm dead.
00:08:02Like mentally, socially, and actually dead.
00:08:12Just trying to figure out how exactly my life went off the rails.
00:08:17Get it together, Alice Keaton.
00:08:19You've been through hell.
00:08:20I wish I'd never find someone to make my head spin around.
00:08:23Actually, no.
00:08:26This is hell.
00:08:30Hi.
00:08:31Good morning.
00:08:38Wow.
00:08:46So, is that Miss Keaton?
00:08:49Well, f***ing doesn't know.
00:08:50That's often closed for months.
00:08:52She's going to be late.
00:08:58Okay.
00:08:59How long is this thing going to take?
00:09:01Maybe I'll just walk?
00:09:04Five miles to school.
00:09:07Okay.
00:09:08If I sprint, maybe I'll make it before first period.
00:09:12Or die of exhaustion on the way.
00:09:17Or die of exhaustion on the way.
00:09:20Wh-
00:09:21What are you doing here?
00:09:22Didn't you already leave?
00:09:26Wait.
00:09:27Did you come back for me?
00:09:30Relax.
00:09:32I forgot my textbook.
00:09:34Don't flatter yourself.
00:09:36Wait!
00:09:39Since you're already here, maybe you could be a decent person and give me a ride?
00:09:47No.
00:09:48Seriously?
00:09:49Your car is huge.
00:09:51Yeah.
00:09:53And I'm not a fan of sharing.
00:09:56Says the guy who forced me to live in his house?
00:10:03Unbelievable!
00:10:13Asher Institute, please.
00:10:19Who needs that entitled brat anyway?
00:10:22Sir, you called the cab.
00:10:24Why not just give Miss Keaton a lift?
00:10:31Why not just give Miss Keaton a lift?
00:10:33And have the whole school go crazy.
00:10:35She's new.
00:10:37Everybody's already talking.
00:10:39So you're worried about her?
00:10:40You're overthinking.
00:10:42I just don't like drama.
00:10:49Asshole.
00:10:50Asshole.
00:10:51Who?
00:10:53Morning, Klaus.
00:10:55Back to Golding.
00:10:57Remind me what he's saying through Lord of the Flies.
00:11:04Mr. Kenwood.
00:11:06Care to share what you found so amusing?
00:11:08Not particularly.
00:11:10Oh, I insist.
00:11:12You seem very entertained by Golding.
00:11:14I'm not entertained by Golding, sir.
00:11:17On the contrary.
00:11:19I think his ending is...
00:11:21weak.
00:11:23Wait, wait.
00:11:24You actually read it?
00:11:25Quiet.
00:11:28That's an interesting take.
00:11:29Explain.
00:11:32He had the setup for something brutal.
00:11:34Something honest.
00:11:36But in the end, he backed out.
00:11:38He could have left the boys on the island.
00:11:40Forced them to confront the collapse of vulnerability.
00:11:43Let them choose survival.
00:11:44Or death.
00:11:46But instead, he gave them a rescue boat.
00:11:49Slapped a happily ever after on a book about savagery.
00:11:55It's a waste.
00:11:57Don't you think?
00:11:58I'm delightfully surprised, Charles.
00:12:00Didn't think you had such strong literary opinions.
00:12:03I'm always a model student, sir.
00:12:04Let's not get ahead of ourselves.
00:12:08So, a critique of Golding's mercy.
00:12:12Anyone disagree?
00:12:28I think Golding knew exactly what he was doing by ending the book that way.
00:12:32It's not mercy, it's irony.
00:12:35How so?
00:12:38The rescue isn't a happy ending.
00:12:40You don't just walk back into society and forget you're a monster.
00:12:44Golding didn't save them, he left us with the discomfort of pretending they could be saved.
00:12:48That's an interesting take, Miss Keaton.
00:12:50You still think it's a harsh critique?
00:12:52In some ways, but not harsh enough.
00:12:56Yes, it's a critique of toxic masculinity, but still, Golding sympathized with them.
00:13:02And the civilized world? Toxic, violent, he didn't call that out nearly as much.
00:13:07So yeah, I don't think Golding pushed far enough, but I think it's unfair to call it a happy ending.
00:13:15Thank you, Miss Keaton. Well said.
00:13:19Anyone else?
00:13:22Both opinions are valid.
00:13:24Okay, that's kind of epic.
00:13:26And let's not forget, Golding faced major backlash when he first published the book.
00:13:30Good literature will always divide opinions.
00:13:35What's happening to me?
00:13:42Okay, what is going on? Why is everyone staring at me?
00:13:46Well, you're new and apparently had a thing with Charles.
00:13:50A what now?
00:13:51You two are in the middle of the most epic feud at your scene in years.
00:13:55We're not even fighting.
00:13:56Well, according to everyone, you confessed your love on day one, got rejected, begged to sit next to him, got
00:14:03rejected again.
00:14:04And today in class, you broke down crying about not believing in happy endings and stormed out in tears.
00:14:12You were there, Sherry. That is not what happened.
00:14:16Doesn't matter.
00:14:17People believe what they want to believe.
00:14:19And they want Charles to be flawless, untouchable.
00:14:23Wow.
00:14:24Is misogyny like a rich kid thing or just a British specialty?
00:14:27Honestly, both.
00:14:30But seriously, Alice, some people already see you as a threat.
00:14:41Okay, loaded.
00:14:43Looks like the new girl's in for a rough first semester.
00:15:01Hello?
00:15:03Hello?
00:15:06Is somebody out there?
00:15:08Oh, come on!
00:15:09Come on!
00:15:22Fine.
00:15:38Seriously?
00:15:41Oh, shit.
00:15:47What the hell?
00:15:49Anne, I thought you were having dinner with Alice.
00:15:52She hasn't come home.
00:15:53Her phone is off.
00:15:54Maybe you've seen her this evening?
00:15:59Yikes.
00:16:00Looks like the new girl's in for a rough first semester.
00:16:08Shit.
00:16:14Alice!
00:16:15Alice!
00:16:16Alice!
00:16:16Mr Pelton, Charles Kenwood here.
00:16:18I was wondering if I could get the timetable for Alice Keaton.
00:16:21She hasn't come home.
00:16:22I'll have a sent over.
00:16:24Check the common room in the library.
00:16:26I'll take the rest.
00:16:30Alice!
00:16:43Come on, Alice.
00:16:46Close your eyes and jump.
00:16:48It's fine.
00:16:50You're fine.
00:17:00I've been there.
00:17:00Oh, I'm here.
00:17:02Yeah.
00:17:07Why?
00:17:17Do you see it?
00:17:23What...
00:17:24Do you see it?
00:17:26What are you doing here?
00:17:28No, you are here.
00:17:39first. You're welcome. I didn't say thank you. I figured saving your life might turn me basic
00:17:46manners. Someone just dumped swamp water on me. Excuse me if I'm not feeling very polite. You
00:17:51smell like a biology experiment. Wow. You should try falling out of a window into someone's arms
00:17:58and getting insulted for it. Wouldn't recommend it. You're heavier than you look. I hope you pull
00:18:04your shoulder. Are you okay? No, but I will be. Someone did this on purpose. What do you think,
00:18:18golden boy? Don't worry, I can handle it. You shouldn't have to. I'm sorry.
00:18:39Did you just apologize to me? Don't get used to it. I wouldn't dream of it.
00:18:46Alice? Over here. Oh my god. You okay? Why are you drenched? Yeah, I just took a weird
00:18:59shower. Taff exploded. Come on. Let's go you home.
00:19:14Alice Keaton, right? I heard she staged the whole thing for attention.
00:19:43I know how this place works. If you don't do anything about it, it's only going to get
00:19:48worse. I'll look into it. Charles. Good on you. How many here would speak up?
00:20:01I can't believe someone actually locked you in. That's insane. Where the hell was the school
00:20:06when this was happening? They're busy protecting their golden boys and trust funds. Well, for what
00:20:11it's worth, I heard Charles looked pretty freaked out when he ran out last night. Please, he
00:20:17just didn't want a lawsuit.
00:20:35Being a scholarship student has its perks, like saving a fortune on tuition and getting
00:20:42into schools that normally wouldn't even let you pass the gates. Hey, we miss you in Paris.
00:20:49Though there are enough Americans to remind us of you. But sometimes, being here means
00:20:54standing behind. And watching Ashford elites go on a two-week enrichment program you can never
00:20:59afford. Have fun. Bring me something overpriced and unnecessary. The trip cost $25,000. The trip
00:21:12is $30,000 in pounds, which translates to Mom's salary for half a year. So yeah, I didn't
00:21:18go.
00:21:40What are you doing here? Do you not believe in shirts? Do you not believe in dignity? It's
00:21:45comfortable. You look like a rejected Ewok. This, this is not even your kitchen. And this
00:21:51is not even your house. And yet, you're here, dressed like this. Just don't, look, go away.
00:21:57Hard not to, when you're walking around dressed like that. What do you guys call it? Um, buzzkill?
00:22:04Cock block.
00:22:06You're insufferable.
00:22:07You're the one cosplaying at breakfast.
00:22:09You know what? I don't get it. Why didn't you go on that tour? I thought rich people live
00:22:13for that kind of thing.
00:22:14Why do you think?
00:22:21How would I go? I could practically recite the itinerary in my sleep. Florence, walk in
00:22:28the great footsteps of Dante, Michelangelo, Da Vinci and Titian. Or Tiziana, if you want
00:22:34to sound extra pretentious. Then Venice, because everybody loves a good canal and getting lost
00:22:40in the most confusing city on earth. Next stop, Napoli. Marvel at Pompeii. Pretend you're
00:22:46shocked. Ancient people had plumbing. The final stop, Harry. The ultimate city of romance.
00:22:54And, naturally, Woody Allen's favourite city outside of New York.
00:23:01That's word for word. I told you. I've done this tour so many times I could run it.
00:23:07Okay, but still, it's Europe. Most people would kill for that chance.
00:23:11Most people haven't had their phones stolen in Paris. Twice. Also, I hate the accommodations.
00:23:18Aren't they all five-star hotels? Standard rooms in five-star hotels? No thank you.
00:23:25Wow. Some were born in Rome, huh?
00:23:27Well, that's unfortunate. It's a very chaotic city.
00:23:30One word of advice? Shut up.
00:23:32That's two words.
00:23:35You're weird. You're loud. You're annoying. You're in my kitchen.
00:23:38You have three other kitchens. And I prefer this one. Just for today.
00:23:43Come back when you've got a shirt on. Come back with normal clothes on.
00:23:46You didn't have to come. Don't tell me what I have to do.
00:23:57That's Charles. Roads are flooded. Staff won't make it tonight. Will you be alright sorting dinner?
00:24:05I've got it sorted.
00:24:19Jesus, what are you doing? Relax. I'm here to make a deal.
00:24:25What deal? You nearly gave me a heart attack.
00:24:31You'll survive.
00:24:33I'm not selling my body.
00:24:39I'm not selling my body.
00:24:44Wow. I am deeply offended. That thought disgusts me.
00:24:50Then what are you doing?
00:24:52The staff's off tonight. I'm buying dinner.
00:24:58Did you seriously think I'd spend £100 on...
00:25:00No, I...
00:25:01Jesus.
00:25:03Wait. You think I'm not worth £100?
00:25:08I'm not spending £100 to snort Chewbacca.
00:25:11You know what? Dinner's cancelled.
00:25:16Are you sure about that?
00:25:19I present to you. Meatball spaghetti, stir-fried veggies and french fries.
00:25:24You're welcome.
00:25:25Interesting combo.
00:25:27Well, I know we're not in Italy or France, but this'll do.
00:25:31It's...
00:25:32Good.
00:25:39Was that a compliment?
00:25:41Although...
00:25:42I am obliged to inform you.
00:25:44Meatball spaghetti isn't Italian.
00:25:46It's American.
00:25:47And french fries, likely born in South America.
00:25:50You should read more.
00:25:53Put it down.
00:25:55I paid for it.
00:25:56You really just have to win every argument, don't you?
00:25:58To be fair, you make it very easy.
00:26:02It's only easy because it costs £200.
00:26:06You know, if you'd ask for more, I probably would have given it to you.
00:26:08I'll make sure of that.
00:26:09I know.
00:26:24Hey Alice, it's fine.
00:26:26You're fine.
00:26:27You're fine.
00:26:32You're fine.
00:26:34911, what's with your emergency?
00:26:41911, what's with your emergency?
00:26:42911, what's with your emergency?
00:26:42It's my dad.
00:26:43He needs help.
00:26:44He just had a stroke.
00:26:45Okay, miss.
00:26:46Hurricane's constant traffic.
00:26:47Shut down.
00:26:48We'll get to you as soon as we can.
00:26:49Right?
00:26:49He's not well.
00:26:51I understand.
00:26:52Can you confirm your address?
00:26:54Dad.
00:26:55Dad.
00:26:56Yes, I'm right here.
00:26:57All right.
00:26:59My daughter.
00:27:00Please stay with me, Dad.
00:27:02Please.
00:27:07No.
00:27:09Please wake up.
00:27:14Dad, please.
00:27:16Please don't leave me.
00:27:17Please wake up.
00:27:23Bye!
00:27:27No...
00:27:42No, no, no.
00:27:49you what are you doing here
00:27:54you were crying loudly kind of hard to ignore right sorry for the night wait
00:28:06no snarky come back not tonight i'm too tired if you're here to argue knock yourself out
00:28:14you were calling for your dad right hurricane hit new york power went down traffic froze
00:28:23dad had a stroke but he couldn't get help in time
00:28:29i sat there with a candle while he laid there peaceful like he was asleep
00:28:40but he wasn't
00:28:45so that's why you and your mom moved here this used to be our hometown
00:28:51after dad left we had nowhere else to go
00:29:00what are you doing
00:29:05come on
00:29:22wait i thought the peril was out
00:29:24it is we have our own generator wow rich people houses her just for tonight
00:29:32i'll allow it
00:29:34allow what
00:29:35you can call this place your house so enjoy it
00:29:39stephen king's first edition alan gisberg's handwritten letters
00:29:43jane austen's notes
00:29:49this is your home alice keaton
00:29:59careful almost sounded sweet
00:30:02don't push it
00:30:03okay then
00:30:07i have one request
00:30:13what is it
00:30:21are you ever going to make a move
00:30:23wait
00:30:23give me a second i'm thinking
00:30:26you had one wish
00:30:27anything in the world
00:30:29and in the middle of a thunderstorm inside a literal mansion
00:30:33you chose chess
00:30:35yeah
00:30:36got a problem
00:30:37it's just so cool like spies or genius villains in movies
00:30:42it's literally a board game
00:30:44says the guy who owns a custom set
00:30:47wait does the knight go diagonally
00:30:50for the tenth time
00:30:51it moves in an l shape
00:30:54one
00:30:54two
00:30:55two
00:30:56then turn
00:30:58there
00:30:59happy
00:31:00ecstatic
00:31:03no
00:31:04that's suicide
00:31:05or a brilliant long-term sacrifice
00:31:07you are playing jackass at a chess board
00:31:09still beating you in sarcasm
00:31:10you literally haven't won any past arguments
00:31:13golding disagrees
00:31:14it's going to be a long night
00:31:16oh my
00:31:17no
00:31:17why what's going to do that
00:31:18you can't do that
00:31:20can i do that as well
00:31:21can i not do that as well
00:31:22can i not do that
00:31:25there we go
00:31:25wrong
00:31:25tried to pull you in close
00:31:27as we're locked on your phone
00:31:29all yourself up
00:31:31cause i'm moving on
00:31:32oh you're
00:31:34showing up at my door
00:31:38holding your heart there
00:31:40inside your hands
00:31:41maybe
00:31:42he's not so awful after all
00:31:52and
00:31:53who are you
00:31:59what are you doing here
00:32:00well your parents said you were still at home
00:32:02thank god you skipped that boring grand tour
00:32:05who needs italy and france again right
00:32:07when did you get back
00:32:09last night
00:32:10from zurich
00:32:11you didn't answer my messages
00:32:14i missed you
00:32:15anyway
00:32:16thought i'd come surprise you
00:32:18apparently
00:32:19i'm transferring to ashford
00:32:21your parents were so thrilled
00:32:23they didn't tell me about this
00:32:24i wanted to deliver the happy news myself
00:32:26they said it'd be lovely for us to
00:32:28reconnect
00:32:30you know
00:32:30considering the engagement
00:32:32and all
00:32:34engagement
00:32:35oh
00:32:36did no one tell you
00:32:38he's promised
00:32:39old money stuff
00:32:41very retro
00:32:42i didn't agree to that
00:32:43you didn't have to
00:32:44it's never up to us
00:32:47where did you find this little
00:32:49toy
00:32:49serena
00:32:50i can hear you you know
00:32:52oh
00:32:53an american
00:32:54how
00:32:56refreshing
00:33:00goodbye
00:33:01wait
00:33:18where are you going
00:33:19you still owe me breakfast
00:33:21you only paid for dinner
00:33:23i have homework
00:33:24goodbye
00:33:28your little toy has quite the temper
00:33:30serena can you please just stop
00:33:32what
00:33:40that's
00:33:40that's her
00:33:41that's the one from kenwood's house
00:33:43was she like the maid or something
00:34:01oh my god what's wrong with people
00:34:03they're saying you live with charles
00:34:06oh and serena
00:34:07what about her
00:34:08apparently she told everyone you were caught sneaking into his room
00:34:12of course she did
00:34:13of course she did
00:34:25careful alice
00:34:27you're starting to look desperate
00:34:29you're starting to look desperate
00:34:30i can't help me about my ass
00:34:42i know it's 1066
00:34:43yeah
00:34:44come to the music room
00:34:45urgent
00:34:47wait
00:34:47i just remembered i need to check something
00:34:49you guys go ahead
00:34:50yeah okay
00:34:56help
00:34:57help
00:34:58is someone there
00:34:59seriously
00:35:01this is getting old
00:35:14wait music room what
00:35:19james was anybody in here earlier just miss serena said she was waiting
00:35:23for you sir sir it's raining
00:35:40you're fine you're not that girl again
00:35:51wait can you remind me one more time okay rooks moving straight lines yeah bishops move diagonally
00:35:59a knife the knife's the weird one
00:36:08rooks straight lines move to ships diagonally
00:36:14hello
00:36:34the text okay you hurt i i'm okay i i saw the text and i thought i didn't see the
00:36:44message
00:36:45serena took my phone i didn't know i'm sorry
00:36:48i'm okay you're gonna catch a cold
00:36:52you're freezing you didn't have to come
00:36:56don't tell me what i have to do
00:37:22that wasn't a mistake if that's what you're about to say
00:37:25i wasn't going to
00:37:40i'm really bad at this you know
00:37:43what kissing
00:37:44hiding feelings
00:37:46i don't know
00:38:07dump those ewok pyjamas
00:38:09oh you wish
00:38:13seriously it's a cock block
00:38:15you kissed me that's basically consent to everything
00:38:26dangerous words keaton i might hold you to that
00:38:40you'll be working in pairs on your comparative essays
00:38:43the list is on the board
00:38:46one two three four
00:38:49paper planes
00:38:51are you okay
00:38:52fly me to outer space
00:38:56that's where i'll see your face
00:39:01and have you with me
00:39:06it may seem dark
00:39:10but you always like my spark
00:39:21you're welcome
00:39:26they're either enemies or secretly married
00:39:30honestly
00:39:31brave
00:39:34i was sure i'd never find someone to make my head spin around
00:39:38no one's ever gonna be the thing i need
00:39:40they all just let me down
00:39:42but baby
00:39:43you saved me
00:39:45till i'm brand new
00:39:48everything's so different now
00:39:52so the night goes in an l shape right
00:39:55why is that the only one you remember
00:39:58because it's weird
00:39:59and i like weird
00:40:09check
00:40:15you're cheating
00:40:16i'm winning
00:40:17there's a difference
00:40:19you are very distracting
00:40:20and you like it
00:40:23i will be there for a young day
00:40:26i'll be there for your darkest days
00:40:31i'll hold you in my arms
00:40:33charles
00:40:35we need to talk
00:40:43i expected poor judgment
00:40:46but this in my house
00:40:48it isn't what it looks like
00:40:49no
00:40:51kissing a servant's daughter
00:40:53in the family library
00:40:54enlighten me then charles
00:40:56we came back tonight
00:40:57after speaking with serena
00:40:59imagine our surprise
00:41:00walking in on
00:41:02this
00:41:02she isn't just
00:41:03you have no right
00:41:05to barge in
00:41:06on my property
00:41:10i care about her
00:41:12i'm not ashamed
00:41:13that's enough
00:41:17why do you care
00:41:18we're protecting our son's future
00:41:20and our name
00:41:23you think this protects me
00:41:24we think
00:41:25she does not belong
00:41:27in your world
00:41:31then maybe i don't either
00:41:35you're ready to give up everything
00:41:36for a girl you barely know
00:41:41yes
00:41:42then
00:41:43are you sure
00:41:45she's ready
00:41:52i'm asking you
00:41:53do you think she's ready
00:41:55to lose everything
00:41:56regardless of how little
00:41:57that is
00:41:58just to be with you
00:42:00what are you talking about
00:42:01you left us no choice son
00:42:03you shouldn't disobey your father
00:42:08pelton
00:42:08it's frederick kenwood
00:42:10ah
00:42:11mr kenwood
00:42:12how can i help
00:42:13if a scholarship student
00:42:15were to violate our behavioural code
00:42:18in a public setting
00:42:19with photographic evidence
00:42:21would that warrant a review
00:42:23yes sir
00:42:27so
00:42:28answer me again
00:42:30do you think she's ready
00:42:32to lose everything
00:42:33just to be with you
00:42:45charles
00:42:46what happened
00:42:47did your parents say something
00:42:48are they mad
00:42:48is everything okay
00:42:50pack your things
00:42:53you can't stay here anymore
00:42:55what
00:42:57my parents fired your mother
00:42:59she's leaving
00:43:00so you
00:43:01wait what why
00:43:02is it because of us
00:43:04we can fix this
00:43:05i'll get a job
00:43:06stop stop it
00:43:06you don't get it
00:43:08if i don't walk away from this
00:43:10they'll cut me off
00:43:11okay
00:43:12no card
00:43:14no trust
00:43:15no support
00:43:16nothing
00:43:17then
00:43:19then we'll figure it out
00:43:20we don't need all that
00:43:23do you think
00:43:23do you really think i'm going to live like that
00:43:28so that's what this was
00:43:30just fun until it got inconvenient
00:43:34what did they promise you
00:43:38nothing
00:43:41they just reminded me
00:43:43of what's
00:43:43real
00:43:47charles i'm not stupid
00:43:49you don't just turn into a cold stranger
00:43:52because of one conversation
00:43:53what did they threaten you with
00:44:00what did they threaten you with
00:44:02this is the difference between me and you
00:44:04what
00:44:05you think you know me
00:44:06or what i have
00:44:08you don't
00:44:10alice
00:44:10you're still lying
00:44:12i'm not
00:44:12alice
00:44:13look around you
00:44:14this mansion you thought was a museum
00:44:17it's my house
00:44:20my world
00:44:21i was bored into this
00:44:23i am not choosing between this
00:44:28and something i picked up for a moment of fun
00:44:34don't do this charles
00:44:35you don't mean it
00:44:37it was fine
00:44:38but with you
00:44:41you don't compare to what i own
00:44:44i'll survive the loss
00:44:48right
00:44:51i should have known
00:44:54guys like you don't end up with girls like me
00:44:59you play with them then you throw them away
00:45:03go to sleep alice
00:45:26this fall is a little
00:45:34but i find that's the place to test myself
00:45:46oops
00:46:00oops
00:46:03oh sorry
00:46:05didn't see you there
00:46:06then again nobody does
00:46:08move please
00:46:11try begging
00:46:18you know what keep it
00:46:24poor thing
00:46:26so dramatic
00:46:28don't
00:46:29excuse me
00:46:31i warned you
00:46:32walk away serena
00:46:54last week's group assignments were mostly forgettable
00:46:58but one pair surprised me
00:47:00in a good way
00:47:02charles kenwood
00:47:03and alice keaton
00:47:05would you mind giving us a short summary
00:47:07she loves the sound of her own voice
00:47:10better have it
00:47:11i couldn't stay
00:47:11i couldn't wait
00:47:13i thought that you should know that i would have
00:47:17can hang around
00:47:19our essay explored what happens when two fundamentally different voices meet
00:47:23like logic and chaos
00:47:25or silence and noise
00:47:28different worlds
00:47:29different rules
00:47:32at first glance they clash
00:47:34but what makes the story interesting is what happens next
00:47:38confusion
00:47:39curiosity
00:47:40but in the end some stories aren't about staying
00:47:43and yes there is no such thing as a happy ending
00:48:00is she still talking about the essay
00:48:05miss keaton
00:48:08dramatic as always
00:48:09all right
00:48:10thank you alice
00:48:12that was
00:48:13later
00:48:15are you okay
00:48:16a reminder
00:48:17that good literature
00:48:19always stirs something
00:48:23hello
00:48:24hi here's alice keaton
00:48:26this is we're more press
00:48:27we've been following your work
00:48:28we'd like to offer you a long term publishing contract
00:48:30name your price
00:48:31we'll
00:48:32we'll make it work
00:48:33sorry what
00:48:44that's
00:48:44that's
00:48:45kind of
00:48:45insane
00:48:46who's behind this
00:48:48your sponsor wishes to remain anonymous
00:48:50can
00:48:52can i meet them
00:48:54i want to
00:48:55please
00:48:57or at least tell me a name
00:49:03sorry they wish to stay in office
00:49:05so they're only interested in work not the person
00:49:07i'd really like to meet them
00:49:08i'm sorry but keep them
00:49:09they were very good
00:49:10i think the most generous offer we've ever given is a new writer
00:49:14i see
00:49:15congratulations again
00:49:20you got the interview
00:49:22it's just an interview i haven't gotten in yet
00:49:24still
00:49:24alice keaton at oxford
00:49:27that's iconic
00:49:36you okay
00:49:38yeah
00:49:40i'm so excited
00:49:41i'm so excited
00:49:54it's done mr kenwood
00:49:55miss keaton signed the contract
00:49:58good
00:49:59it's a generous deal
00:50:00you sure you don't want it to know
00:50:03no
00:50:05no
00:50:05no it's better if i stay out of her life
00:50:08i will be for you babe
00:50:12i'll be there in your darkest days
00:50:17congratulations alice keaton
00:50:19go live the life
00:50:21go live the life you were always meant to
00:50:27your engagement and announcement should align perfectly with the foundation gala
00:50:32and the browns already offered to host the london reception
00:50:38it's all coming together beautifully
00:50:43i've lost my appetite
00:50:48i'll go check on him
00:50:54what's your problem charles
00:51:00disengagement
00:51:00disengagement
00:51:01it's not happening
00:51:02it's not up to you
00:51:03you know that
00:51:04serena we're not doing this
00:51:07you've changed
00:51:08you've changed
00:51:11or maybe i finally just stopped pretending
00:51:21you
00:51:21you
00:51:27you
00:51:27you
00:51:27you
00:51:27you
00:51:27you
00:51:27you
00:51:27you
00:51:42Tarls
00:51:43you're the sponsor
00:51:44you've been funding allthis keaton the whole time
00:51:49so
00:51:50you know everyone including her
00:51:53I protected her
00:51:56her. You loved her. Still do. Let it go, Serena. There's no point.
00:52:15I need a favour. Find out when the Oxford interview is.
00:52:20Make sure Alice Keaton won't show up.
00:52:27Anything? No?
00:52:30She's not answering. The interview's almost over.
00:52:33Well, shouldn't just not show up. Something's wrong.
00:52:37Where's Alice? When was the last time you heard from her?
00:52:41Last night. She said she was prepping all evening.
00:52:47James, track someone for me.
00:52:51Wait, where are you going?
00:53:00Chill, okay? It won't hurt you.
00:53:03Yeah, we're just supposed to keep you away from the interview. That's it.
00:53:14Shit! Come back!
00:53:44I remember how I met, didn't need a second guess.
00:53:55Hey, hey, hey, Alice, Alice, hey, hey, hey, stay with me, stay with me, stay with me,
00:53:59Alice, Alice.
00:54:07You're awake.
00:54:09Where, where am I?
00:54:11A local clinic.
00:54:12Passerby brought you in.
00:54:15Passerby?
00:54:16He found you on the side of the road.
00:54:18He had to leave, he didn't leave a name.
00:54:22Oh.
00:54:24The interview, what time is it?
00:54:26Easy, it's okay.
00:54:27Someone already contacted the university and sent in your writing samples.
00:54:32They've rescheduled your interview for tomorrow.
00:54:34Wait, what?
00:54:34Who?
00:54:35No idea, but it's all taken care of.
00:54:41What did you say?
00:54:43Nothing.
00:54:44I just...
00:54:46had a dream.
00:54:58I got him!
00:55:02Oh, I knew it.
00:55:05Too bad Charles isn't here to watch you crush it.
00:55:08He's not here.
00:55:09Oh, you didn't know?
00:55:12Know what?
00:55:13He left.
00:55:15A few days ago, yeah, everyone doesn't really know where he went.
00:55:18Honestly, Ashford's been quieter without him.
00:55:21It's probably for the best.
00:55:22Come on.
00:55:28Alice?
00:55:32The summer I met Charles Kenwood was loud.
00:55:37Chaotic.
00:55:38Unexpected.
00:55:41And with his absence...
00:55:43Come on!
00:55:43With me.
00:55:45It ended quietly.
00:55:47With the feeling of your eyes on me.
00:55:49Like summers always do.
00:55:51With something from a fantasy.
00:55:52Did you feel it from across the room?
00:55:57Did you feel a little enchanted?
00:56:00Yeah.
00:56:03And joining us today, the decade's most unexpected literary phenomenon, Alice Keaton.
00:56:10Thank you for having me.
00:56:11Now, your words moved millions.
00:56:14They say your stories feel real, especially the ones about love.
00:56:20Which brings us to the most obvious question.
00:56:22How's your dating life like these days?
00:56:24No comment.
00:56:25A little bird told me that the past four years has been just writing and working.
00:56:31Not even a single date.
00:56:32Let me guess a bird named Sherry.
00:56:34She caught me.
00:56:35Still no comment.
00:56:36Alright, alright.
00:56:37No matter what you say, you write love like someone who's lived it.
00:56:43If you're so real.
00:56:44Because once, I did.
00:56:46With someone who felt like chaos and clarity.
00:56:49And no one ever quite matched the light after that.
00:56:52And let's give it up for Alice Keaton one more time.
00:57:07Congratulations, Alice.
00:57:08The numbers just came in.
00:57:09You broke your own record.
00:57:13That's incredible.
00:57:14We're thinking celebration, press, photos, maybe tonight.
00:57:18Actually, there's something I'd rather do.
00:57:22I'd like to meet with the person who believed in me first.
00:57:26My sponsor.
00:57:28You're sure?
00:57:29Yeah.
00:57:30Just once.
00:57:32Tonight, 7pm.
00:57:43Good evening.
00:57:48Good evening.
00:57:52May I sit?
00:58:03Good evening.
00:58:05Hi.
00:58:07You look well?
00:58:11And you look like you just stepped out of a GQ cover.
00:58:14You always did.
00:58:16You were expecting someone else.
00:58:19I was hoping, but I guess I always knew.
00:58:25I didn't come here to confuse you or to reopen anything.
00:58:31I just wanted to say congratulations.
00:58:35Oh, thank you.
00:58:39I didn't know you were still reading.
00:58:41You were rich enough not to do so.
00:58:44Always.
00:58:46Either way, your sponsorship started my career, so...
00:58:50No.
00:58:51No, you earned everything.
00:58:56Every word.
00:58:57Every page.
00:59:00Every reader.
00:59:02That's what I came to say.
00:59:07It was good to see you again, I hope.
00:59:10Charles.
00:59:12Can you just...
00:59:14Wait a little longer.
00:59:23I think I knew it was you.
00:59:26There was one email.
00:59:28You said something.
00:59:30It felt familiar.
00:59:31Really?
00:59:32Kind of had that rich asshole with a conscience energy.
00:59:36Very on brand.
00:59:38I should have anonymized my grammar.
00:59:40Too late.
00:59:40Your semicolon usage gave you away.
00:59:43Still the only girl I know who flirts through punctuation.
00:59:46Still the only guy I know who uses wilds unironically.
00:59:52You've changed.
00:59:55But...
00:59:56Not really.
00:59:58You haven't changed.
01:00:01But maybe you've grown into who you really were.
01:00:06Anyway, I wanted to say thank you.
01:00:12And...
01:00:13Thanks for being here tonight.
01:00:15You didn't have to come.
01:00:17Don't tell me what I have to do.
01:00:22You didn't have to come.
01:00:24Don't tell me what I have to do.
01:00:46If you could go back, if you had the chance to do it all again, would you do anything differently?
01:00:57No.
01:01:02No.
01:01:07I see.
01:01:11I know my answer now.
01:01:13I didn't have the power back then.
01:01:15Not enough to protect you.
01:01:17I couldn't watch you get crushed because of me.
01:01:20Because of my name.
01:01:22My family.
01:01:25I didn't want to be the reason you lost everything.
01:01:28So you just disappeared.
01:01:30Without a word.
01:01:34If you had the chance to see the world.
01:01:36Without me weighing you down.
01:01:38If you still chose me after that.
01:01:44You keep saying you wanted to give me a choice.
01:01:47But you made a choice for me.
01:01:51Did it ever cross your mind that maybe...
01:01:56I would have chosen you anyway?
01:02:03I didn't think I was the smart choice.
01:02:06You weren't.
01:02:09But I never claimed to be that smart.
01:02:20This is me.
01:02:22Right.
01:02:30I'm still mad at you, you know.
01:02:34I'm still in love with you, you know.
01:02:43Do you want to come in for a bit?
01:02:48You're asking your ex, who you haven't seen in four years,
01:02:52to come into your hotel at approximately 11 p.m.
01:02:57You were right.
01:02:59You never were that smart.
01:03:01You don't have to come.
01:03:02Don't tell me what I have to do.
01:03:04It's almost like you say.
01:03:09The last thing is better to go.
01:03:19Stop quoting yourself.
01:03:20I recycle.
01:03:21It saves energy.
01:03:24This feels wildly irresponsible.
01:03:26You sound like a disclaimer.
01:03:27You're the one who once called romance a distraction.
01:03:30I said that.
01:03:31Yeah, before calling Wuthering Heights overrated.
01:03:34Still is.
01:03:36You're lucky you're a good kisser.
01:03:41That is cute to me.
01:03:43Don't you dare quote poetry.
01:03:45I wasn't going to.
01:03:46I forgot all of it the day you left.
01:03:49Then shut up.
01:03:51And prove it.
01:03:58I still can't believe this is happening.
01:04:00I told you that you're the worst enemies or secretly married.
01:04:03And I told you they're both.
01:04:31I vow to always tell you the truth.
01:04:35Except for when you ask how your cooking was.
01:04:37Then I lie.
01:04:39Respectfully.
01:04:41I vow to keep choosing you.
01:04:44Loudly.
01:04:46Quietly.
01:04:47Always.
01:04:49Even when you forget to do the laundry.
01:04:53Is he actually good at this?
01:04:55I mean, he did beat over at Sarkis.
01:05:01I vow to argue with you at least twice a week.
01:05:03Especially over Shakespeare.
01:05:06I vow to write you in your every story.
01:05:09Even when I say I didn't.
01:05:11It will always be a part of my life.
01:05:14If she quotes Austen in this toast, I'm out.
01:05:17No, you're not.
01:05:17You're going to cry harder.
01:05:20All the rest of my life.
01:05:24All the rest of my life.
01:05:41I can't believe you picked Paris.
01:05:44Such a cliche honeymoon destination.
01:05:48Guard your phone.
01:05:49Relax.
01:05:50Just don't dress like a walking inheritance and you'll be fine.
01:05:56You are not wearing that on our honeymoon.
01:05:59Please, Alice, go change.
01:06:02Don't tell me what I have to do.
01:06:07No.
01:06:09No, no, no, no.
01:06:10That is not an invitation.
01:06:11Do not take off these clothes.
01:06:13Overruled.
01:06:14You look much better without them.
01:06:21To the ones who loved in silence, in chaos, in chapters,
01:06:26you will find your way home.
01:06:32Sometimes I want to be on my own.
01:06:35But I don't want to die alone.
01:06:37No.
01:07:02It's up to us to make sure that we can gain
01:07:06what's been passed through these books.
01:07:08Help us develop, learn, and grow.
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