- 14 hours ago
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00:15¡Suscríbete al canal!
00:30No, no, no, no, no, no.
00:30Money's been tight, so I called in a favor from an old friend.
00:35This belongs to Pierre Cadeau, and it's yours if you want it.
00:40Wow, that's so generous.
00:42I mentioned your name, and he said, no problem.
00:44And also to send his love to Zio Lorenzo.
00:49Uncle Lorenzo.
00:51He worked for the company for many years.
00:53He charmed the pants of everyone in the fashion industry, literally.
01:00Oh, this is...
01:03Scary.
01:05Exciting.
01:07¿Cómo se puede mover en?
01:08¿Cómo se puede mover?
01:10¡No!
01:11¡No!
01:12¡No!
01:19¿Cómo estoy haciendo esto?
01:21No he sido una fit modela.
01:22¡You're perfecto!
01:23Ok.
01:24Pierre Cordeaux está listo para Zoom.
01:25¡He has news!
01:25¡Go, go, go!
01:27¡Bye!
01:29Sorry, guy.
01:33There's our fairy godfather.
01:35What did you call me?
01:36Bonjour, Pierre.
01:37Thank you again for this gift.
01:38It's changed everything.
01:40You said you had some news.
01:41Any luck on Paris Fashion Week?
01:43Despite all the cloaks I wear,
01:46I'm not a wizard.
01:47It's impossible to get an unknown designer
01:50into Paris Fashion Week,
01:52especially when he's being sued
01:54by his own mother.
01:55You said you had good news?
01:57I found you a much more suitable event.
02:00Venice Fashion Week.
02:02Venice has a fashion week?
02:04It's more for emerging designers.
02:07Well, then that's perfect.
02:08An Italian newcomer making a splash in Venice, literally.
02:12You'll sink or swim.
02:14Either way, prepare to show in two weeks.
02:17What?
02:17That's no possible.
02:19Oh, my darling boy.
02:21Fashion is all about making the impossible possible.
02:25Bonne chance, mes amis.
02:34Chez Pascal, we're very excited to share our ideas with you
02:38for the launch of your absinthe, Le Rêve Vert.
02:40To celebrate, we'll be throwing a decadent party
02:43in the style of La Belle Époque.
02:45There'll be con-con dancers
02:47as well as waiters in period costumes.
02:50And no absinthe party is complete
02:52without a visit from the green fairy herself.
02:55Nice touch.
02:56When guests arrive,
02:57we'll greet them with a shot of Le Rêve Vert,
02:59served on sugar cubes.
03:01But just a splash,
03:02we can't have anyone going mad.
03:04That's just a myth, right?
03:07Is it really hallucinogen?
03:09No, it's real.
03:10Absinthe was banned for almost a century in France.
03:13It was the molly of the Belle Époque.
03:15What do you know about molly?
03:19It's a strong drink,
03:20but I assure you, Le Rêve Vert is nothing like molly.
03:24It will not make you lose your mind.
03:26During the Belle Époque,
03:27regulations weren't strict.
03:29We weren't there, so who can say?
03:31I wish I had been there.
03:34La Belle Époque wasn't about restriction.
03:36It was about experimentation,
03:38about progress in art, in technology,
03:40in science, in everything.
03:42It was the birth of cinema.
03:43It was the birth of La Tour Eiffel.
03:45And the epicenter of it all was Maxime's.
03:47So I'm very, very glad
03:49you were able to book the venue for the event.
03:52We did?
03:55Oh, yeah, we did, of course.
03:57Bien sûr.
04:06Luc, why is Pascal's party at Maxime's?
04:08I thought you were booking Laurel's club.
04:10I mean, it's a perfect fit for the party.
04:12And you could use the business.
04:13I called to reserve the space,
04:15but I was told it isn't available.
04:16We even offered to change the date,
04:18but they said no.
04:19Should we ask again?
04:21No.
04:22No.
04:23Too late anyway.
04:25Emily, are you free tonight?
04:27I'm feeling nostalgic,
04:28and I would love to show you my Belle Époque Paris.
04:31Aw, that sounds lovely.
04:33Marcello's busy working tonight,
04:34so count me in.
04:36An artist working late into the night,
04:38it is just like the Belle Époque,
04:40without all the syphilis and the smells.
04:43Do you know about the great stink of 1880?
04:46What?
04:47Ew, no.
04:48The city was unbearable.
04:51I can't wait to tell you all about it.
04:53Hello?
04:54Have fun.
04:59Yes, I can have a marketing plan ready by tomorrow,
05:02but if they get two weeks for the line,
05:03can I please just at least get two days to prep the rollout?
05:09Okay, thank you.
05:12Oh.
05:13Sounded intense.
05:15Who was that?
05:16Nico?
05:17He's pretty freaked out.
05:18Can you maybe try to cut him, like, a little slack?
05:21Money's really tight right now.
05:23He's worried about money, really?
05:25Yeah.
05:26Oh, do you not know that when he left JVMA,
05:29it violated his trust, so he's locked out of that.
05:32He cashed in some stocks that his grandfather gave him,
05:35so he's basically betting his whole inheritance
05:37on Marcello's business.
05:39Wow, I had no idea.
05:41It's going to be fine.
05:42He knows what he's doing,
05:43but I feel like I need to start contributing more,
05:46you know?
05:46I mean, if I nail this audition tomorrow,
05:48I can cover his rent.
05:49Do you have an audition?
05:50For what?
05:52Did I not tell you?
05:53So, these movie producers saw me at Crazy Horse,
05:56and they want me to read for Satine
05:59in an animated Moulin Rouge.
06:01Oh, my God, I love that movie.
06:02You're being amazing, Satine.
06:04Aw, thanks.
06:05Okay, how do I say break a leg in French?
06:08The French version is merred.
06:10Okay, well then.
06:12Merred.
06:13I'll take it.
06:14I need all the merred I can get.
06:16I'll take it.
06:46Yeah.
06:52You're missing.
06:55You asked me, I got the air,
06:56I got the air, but...
06:58I was very happy that you called me.
07:03I'm also happy.
07:04I'm happy to see you.
07:08And you were where all these times?
07:10In the South, especially.
07:13Paris works very well,
07:14but nothing at the same time.
07:16I'm happy to see you.
07:20I'm happy to see you.
07:20I found a little thing.
07:24That's the date of the opening.
07:26You were doing the photo, I think?
07:27Yes.
07:28I was placed, I was put on the timer,
07:30I was built on the flyer,
07:31I was all done.
07:32You were incredible.
07:35You were always looking for it.
07:38You were always looking for it.
07:39We were in fusion at the time,
07:40we couldn't separate each other.
07:42We could not separate each other.
07:43I suppose that it was our best time.
07:44¿Qué?
07:47¿Quién sabe que el mejor va a venir?
07:52¡Suscríbete a lo que quieras!
08:28¡Suscríbete a lo que quieras!
08:29So, this was my neighborhood when I first moved in Paris.
08:32I wanted to be in the world of Toulouse-Lautrec,
08:35where the artists I read about used to paint, write and drink
08:39and screw their brains out until sunrise.
08:42I fancied myself quite the painter.
08:45Well, that doesn't surprise me at all.
08:47You have an artist soul.
08:50Come on.
08:53So this is Le Bateau Lavois.
08:56Matisse, Cocteau, Modigliani, they all gathered here.
09:00Oh, and Picasso too. Wow.
09:02I would have killed to be among them.
09:04But I was more like him.
09:07Selling my works by day and painting new ones at night.
09:10You really were an artist.
09:12How romantic.
09:13It was a brutal existence.
09:15No money, no sleep.
09:18Just me and my art.
09:22I was never happier.
09:25Oh.
09:25Do you still have any of your paintings?
09:27No.
09:29I sold a few.
09:31The rest I used as firewood when I realized I had no talent.
09:35Oh.
09:36What did you used to paint?
09:37Oh, my speciality was portraits.
09:42Oh, cool.
09:43Self-portraits.
09:45New self-portraits, to be precise.
09:49Oh.
09:49I wish you could have seen them.
09:51I got a striking figure in my youth.
09:53Oh.
09:54My loss.
10:00Okay, final absinthe.
10:02Merci, merci.
10:03This is my last one.
10:06Anymore and I'll start hallucinating.
10:09Are you feeling it too?
10:10I am feeling a little tipsy.
10:13Oh.
10:15Oh, and maybe I am hallucinating.
10:19Gabrielle!
10:20Gabrielle!
10:20No way!
10:22You have to answer!
10:27Hi, Gabrielle.
10:28How are you?
10:28Where are you?
10:29Are you still on the yacht?
10:31I'm actually in Amsterdam.
10:33The yacht is in dry dock for repair.
10:35So we're moving to Edderton's summer home in Monaco.
10:38Hmm, sounds fancy.
10:40It is, but I didn't call to brag.
10:43Listen, I live in such a rush that I forgot some of my knives.
10:48I'll be passing through Paris tomorrow, but I don't have much time in between trains,
10:52so I was wondering if you would be willing to come to the train station and bring them to me.
10:58I know it's a big ask.
11:01Uh, what time?
11:02I'll be there at one o'clock for about an hour.
11:04We could have a quick lunch if you'd like.
11:07It would be nice to see you.
11:09Um, yeah, yeah, I think I could do that.
11:12Oh, thank you, Emily.
11:13Honestly, you're a lifesaver.
11:14Um, listen, I'll shoot you a picture so you know what to look for
11:18and make sure the Guardian knows to let you in.
11:20Okay, I'll see you tomorrow at Le Tremblue, uh, Gare de Lyon at 1 p.m.
11:25Okay, yeah, um, yeah, I'll see you tomorrow.
11:29Bye.
11:31Just in case you were wondering, you were not hallucinating,
11:35that call was very real.
11:37It definitely was.
11:57Nicolà, this is my sister, Livia.
11:59Ciao, Livia.
12:00Nice to meet you.
12:01So you're the one behind this.
12:03This was my decision.
12:05Did Mama send you?
12:06She doesn't know I'm here.
12:08Don't agree with what she's doing, but...
12:10But?
12:11I don't know what you're doing.
12:13You never designed anything in your life,
12:15and suddenly you're doing a whole collection.
12:17If I may, your brother is very talented.
12:21Clearly, it runs in the family.
12:24Why don't you take a look at the line?
12:26We'd love to get an outside opinion.
12:28Good idea.
12:29I'd love to know what you think, hmm?
12:38They're beautiful.
12:40Really well constructed.
12:43But, Marcello, why do you want to tear a familiar part of this?
12:47It's not even that different from our own brand.
12:50You just put a colorful horse on it.
12:52You're not seeing the whole picture.
12:54Neither are you.
12:56Please stop this before it's too late.
13:01Excuse me.
13:10Aw, hey you.
13:12What's up?
13:12Emily, I need you to cancel Venice.
13:14What?
13:15What do you mean?
13:16We have to shut everything down.
13:18What's going on?
13:19It was a huge mistake.
13:21I'm not a designer.
13:23Of course you are.
13:24Just because you keep saying it doesn't mean it's true.
13:26We've wasted so much money.
13:28I can't show this collection.
13:30I never should have listened.
13:33Wait.
13:34What happened?
13:35Where is this coming from?
13:36My sister came here to see the line.
13:38And she said it's not good enough.
13:41And she's right.
13:42She's right.
13:43I'm going to humiliate myself.
13:45That's not true, okay?
13:46Don't let her get into your head.
13:48The line is great.
13:49Emily, stop.
13:49She's right.
13:51It's boring crap.
13:53No, it's not.
13:54Maybe we can add some accessories to liven it up.
13:57I said stop.
13:59You always want to fix everything.
14:02But there are some things you can't fix.
14:07Just stop.
14:09Please.
14:12Okay.
14:13Um, let me see what I can do.
14:32Emily.
14:40¡Gracias!
15:04I had to do it.
15:06I had gotten everything I thought I wanted and I was miserable.
15:11So, I decided to do the exact opposite.
15:13Instead of stability and routine, I...
15:15I ran for the unknown.
15:18He just woke me up.
15:21I don't know, I...
15:23I'm talking too much.
15:25How have you been?
15:26Oh, um, I'm fine.
15:28Yeah, the usual.
15:32Marcello and I are back together.
15:34How are you guys doing?
15:35We don't have to talk about it if...
15:37No, no, no, it's okay.
15:38Um, we're good.
15:40Well, he's starting a fashion company.
15:42He's actually designing the line himself.
15:44I didn't know he was a designer.
15:46Well, he wasn't.
15:48But then we lost the one that we had,
15:49and I saw his sketches, which were incredible.
15:51So, I insisted that he take over.
15:55And we're supposed to show at Fashion Week,
15:57but now he wants to trash the entire collection.
16:00So...
16:00Well, I missed so much.
16:03It all happened so fast.
16:05You know, maybe a little too fast.
16:07Maybe I shouldn't have pushed him to do it.
16:14Can I ask you something?
16:15Of course.
16:17Did I push you for the Michelin star?
16:21The Michelin star was my dream.
16:23But you were miserable.
16:25And you ran halfway across the world to escape from it.
16:29And...
16:29I don't know.
16:32Maybe from me.
16:36Emily, all I can tell you is that you supported me.
16:39Yeah.
16:39You had faith in me.
16:41Probably more than I ever deserved.
16:43And that's a good thing.
16:45I just don't think that's how Marcello feels.
16:48He's so upset, and I feel like it's my fault.
16:53Although...
16:55Maybe that could be because of the lawsuit.
16:57Because on top of everything else, his mom is suing him.
16:59That's terrible.
17:00And his business partner, Nico.
17:02Oh, um, Mendy's boyfriend.
17:03You remember him?
17:04The billionaire?
17:04Well, no.
17:05Not anymore.
17:06It's a really long story.
17:09You know what I forgot a dramatic Paris can get?
17:17This restaurant is so gorgeous.
17:19We should have had our Belle Epoque party here.
17:21It's Art Nouveau, right?
17:23You know what?
17:24I believe it is.
17:26Look at you.
17:27You're such a cultured Parisian now.
17:29There was a time where you didn't even know which floor you were on.
17:32Oh, God.
17:32Remember when that was my biggest problem?
17:35Oh.
17:36I feel like that was my Belle Epoque.
17:40Everything was so new and exciting.
17:43Like a fantasy.
17:45Now it all just feels...
17:48So difficult.
17:50And real.
17:52We tend to romanticize the past.
17:54Things were pretty hard back then, too.
17:57You didn't know what you were doing at work.
17:59Mm.
18:00You were kissing people that had girlfriends.
18:03Which I didn't know.
18:04And they were kissing back, by the way.
18:06That's very true.
18:07But not only that.
18:08There were secrets and pacts and fake Michelin inspectors.
18:13And also good memories like sex on the roof.
18:17Now who's romanticizing the vibe?
18:21You know, when I left for the yacht, I thought my best days were behind me.
18:29But no, I'm excited for the future.
18:31Wherever it brings me, I...
18:35I think you should be, too.
18:39Never knew I could feel like this.
18:47Like I've never seen the sky before.
18:54I wanna vanish inside your kiss.
19:02Every day I love you more and more.
19:08Listen to my heart.
19:11Can you hear it sing?
19:16Telling me to give you everything.
19:23Seasons may change.
19:26Winter to spring.
19:29Thank you for meeting me.
19:31It was good to see you.
19:34Give Marcello some time.
19:36You two are good together.
19:39What makes you say that?
19:42Because I saw the two of you in Rome.
19:45When were you in Rome?
19:49After you decided to leave Paris, I had this crazy idea to follow you.
19:55And...
19:56I saw you with them.
19:58Why didn't you ever tell me?
19:59Because you looked...
20:02Happy.
20:06And that's all I ever wanted for you.
20:10It's all I ever wanted for you, too.
20:15For both of us.
20:20You know they didn't start calling Hitler a belly puck until after it had passed.
20:25Nobody knows if they're living their golden age.
20:27Maybe we're leaving ours now.
20:34Just send me a postcard, okay?
20:37A real one.
20:39With a stamp.
20:52No more.
20:54Bye.
20:55I'm here by your side.
20:57Stone clouds may gather.
21:01And stars may collide.
21:04Oh!
21:04Oh my God!
21:05Gabrielle, your knives!
21:08Wait!
21:11Gabrielle!
21:12Gabrielle!
21:16Your knives!
21:18Thank you.
21:19Thank my god!
21:24I am not here.
21:26Put in my head.
21:32I made them.
21:40You're a good friend.
21:42Suddenly the world seems such a perfect place
21:50Hey, where is everyone?
21:52I sent them home.
21:55Did you cancel the show in Venice?
21:58Not yet.
21:59Are you sure that's what you want to do?
22:02It's what needs to be done.
22:06You know, sometimes when things don't work out,
22:08it helps to look at it from a different perspective.
22:11Do the opposite.
22:13Like if I'm thinking black, I run towards white.
22:16What?
22:17Black is white, up is down.
22:20Something like that, yeah.
22:23All I can think of is how I'm disappointing everyone.
22:27Well then think of the opposite.
22:30Listen, I don't need you to be a designer
22:34or a titan of industry
22:37or anything other than
22:39the wonderful man that you are.
22:47Whenever you decide, I'm with you.
22:56Finalement ?
22:58Finalement !
22:59Finalement, Maman, je m'ai appelée.
23:00Il y a à peine une heure.
23:01Mais je t'ai dit que c'était urgent.
23:05Moi aussi, je suis ravie de te voir.
23:06¿Qué es esta urgencia?
23:09¿Has visto tu maravilloso?
23:11Sí, justamente, yo vi el viernes.
23:12Él había un poco tomado de distancia,
23:14pero nos hemos conectado.
23:17Ah, maravilloso.
23:18¿Puedes conectarte conmigo también?
23:20¿Para explicar por qué sus crianciers
23:22se comprenen a mí?
23:23¿Para no?
23:24¡Para no!
23:25¡Para no!
23:26¡Para no!
23:26¡Para no!
23:28¡Para no!
23:29¡Para no!
23:29¡Para no!
23:30¡Para no!
23:31¡Para no!
23:32¡Para no!
23:34¡Para no!
23:36¡Para no!
23:37¡Apasuaré para el mar with us!
23:39¡Para no!
23:41¡Para no!
23:42¡Para no!
23:44¡Para no!
23:44¡Para no!
23:47¡Gvalorando!
23:48¡Cara la voluntad de este tipo!
23:49¡Ero y no!
23:51¡Copotamara!
24:17¡Suscríbete al canal!
24:37¡Suscríbete al canal!
25:04¡Suscríbete al canal!
25:07¡Suscríbete al canal!
25:10¡Suscríbete al canal!
25:12¡Suscríbete al canal!
25:15¡Suscríbete al canal!
25:21¡Suscríbete al canal!
25:23¡Suscríbete al canal!
25:34¡Suscríbete al canal!
25:47¡Suscríbete al canal!
26:00¡Suscríbete al canal!
26:03Emilie, ¿can you take a photo of me with my masterpiece, please?
26:06Oh, of course, yeah.
26:08Okay, let's see.
26:10Uh, oh, you know what, here, you want to just hold this?
26:13Okay.
26:14Um, just a little, a little higher.
26:16Tilt it to the left.
26:17Yeah, up, up, up.
26:19Perfect.
26:24Hello.
26:26May I join you?
26:27Uh, sure.
26:29But no dancing tonight.
26:30Deal.
26:31I can't do the tank in any way.
26:37You all right?
26:39It's so stupid.
26:41Try me.
26:43Well, I guess I have to tell somebody.
26:46I booked the role of Satine in Moulin Rouge.
26:48It's an animated movie musical.
26:51Well, congratulations.
26:52That's great, isn't it?
26:54It is.
26:56I mean, I could use the cash,
26:58because I was really excited to tell Nico
26:59that I could cover the rent for a while.
27:01But?
27:02But they just sent me the script
27:04and some sketches,
27:05and the full title is Moulin Rat.
27:09I'm a rat.
27:10Hold on, hold on, hold on.
27:12That can't be the right translation.
27:14I mean, what's French for rat?
27:16It's fucking rat.
27:17What?
27:17I'm rat-teen.
27:20Who's rat-teen?
27:21A cartoon rat prostitute.
27:24No, see, this is why I didn't want to tell Nico.
27:25This is so humiliating.
27:27Who cares?
27:28Cash that check.
27:29That rat sex worker would.
27:32Honestly, yeah.
27:35Yeah.
27:35That's what?
27:35Oh, you're right, mate.
27:37What's so funny?
27:39I, um, I, I, I, I booked a job.
27:44I'm rat-teen.
27:45That's great.
27:47Wait, who?
27:49A rat prostitute in a top hat.
27:52No, no, no, it's, it's Moulin Rouge with rats.
27:56Ah, I get it.
27:59Funny.
27:59No, no, no, it's not that funny,
28:01but the salary's great,
28:02and rent is on me.
28:05That's amazing.
28:07Yeah.
28:11Mm.
28:13I'm gonna go grab another drink.
28:18Congrats.
28:28Emily.
28:30Did Laurent check-in?
28:32I didn't see him yet,
28:33but I was only at the check-in for the first hour, so.
28:35Oh, I think he just walked in.
28:39Laurent.
28:43Laurent.
28:45My chérie.
28:49You lied to me.
28:51I know about the loan.
28:53I can explain.
28:54I need to pay off some debts in St. Tropez.
28:56I don't care why you did it.
28:58You took advantage of my mother.
29:01I'm so done with you.
29:03Sylvie, please.
29:04I want a divorce.
29:12No, it must be ready, it must be ready, it must be ready, I don't want to hear the reasons,
29:15okay?
29:15Hey, Chiaro.
29:16Dai, ciao, ciao, ciao, ciao, ciao.
29:17Hey, what's going on?
29:18Oh, Emily, I'm sorry about earlier.
29:21You've been so supportive during this.
29:22It's been so difficult, and...
29:25I need to tell you something.
29:27I love you.
29:27You're cancelling the line.
29:29Cancelling?
29:30What?
29:31No, say your thing again.
29:33I love you, Emily.
29:35I love that you believe in my crazy dream even when I don't.
29:38I love that you won't let me give up.
29:41I love you, too.
29:43And like I told you before, none of this business stuff matters to me.
29:47I hope that's not true.
29:50Go.
29:55What is all of this?
29:57I took your advice about thinking differently, and I'm doing the opposite.
30:01The paleo is bright and loud, that's what the collection should be.
30:04Not a colorful pony on neutral fabrics, but a neutral pony on big, bold, colorful designs.
30:09But who were you on the phone to before?
30:12I thought you were so upset.
30:13Oh, that was my textile supplier, and I wasn't angry.
30:17I was excited.
30:20If we are going to make it to Venice, we don't have much time.
30:25We're going to Venice?
30:30We're going to Venice!
30:51We're going to Venice!
31:04We're going to Venice!
31:33¡Suscríbete al canal!
32:04¡Suscríbete al canal!
32:33¡Suscríbete al canal!
33:33¡Suscríbete al canal!
33:58¡Suscríbete al canal!
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