(Italian: Seddok, l’erede di Satana)
Atom Age Vampire (1960) is an Italian science‑fiction horror film directed by Anton Giulio Majano. Despite its sensational American title, the film contains no actual vampires. Instead, it follows a scientist whose experiments with radiation‑based serums transform him into a monstrous killer.
The story centers on Jeanette, a nightclub dancer who becomes disfigured in a car accident. Dr. Alberto Levin, obsessed with restoring her beauty, uses an experimental serum called Derma 28 to heal her. When the serum runs out, he begins murdering women to obtain the biological material needed to continue the treatment. Eventually, he injects himself with an unstable earlier formula, Derma 25, which mutates him into the creature misleadingly marketed as the “vampire.”
Film Details
Original Title: Seddok, l’erede di Satana
US Title: Atom Age Vampire
Year: 1960 (Italy), 1963 (US release)
Genre: Horror / Science Fiction
Director: Anton Giulio Majano
Screenplay: Gino De Santis, Alberto Bevilacqua, Anton Giulio Majano
Story by: Piero Monviso
Producer: Elio Ippolito Mellino
Starring: Alberto Lupo, Susanne Loret, Sergio Fantoni
Cinematography: Aldo Giordani
Editing: Gabriele Varriale
Music: Armando Trovajoli
Production Company: Lion’s Films
Release Date: August 16, 1960 (Italy)
Running Time: 105 minutes (Italy), 87 minutes (US), 72 minutes (common DVD cut)
Country: Italy
Box Office: ₤90 million (Italy)
#AtomAgeVampire #Seddok #1960sHorror #ItalianHorror #SciFiHorror #CultCinema #PublicDomainHorror #SusanneLoret #AlbertoLupo #RadiationHorror
Atom Age Vampire (1960) is an Italian science‑fiction horror film directed by Anton Giulio Majano. Despite its sensational American title, the film contains no actual vampires. Instead, it follows a scientist whose experiments with radiation‑based serums transform him into a monstrous killer.
The story centers on Jeanette, a nightclub dancer who becomes disfigured in a car accident. Dr. Alberto Levin, obsessed with restoring her beauty, uses an experimental serum called Derma 28 to heal her. When the serum runs out, he begins murdering women to obtain the biological material needed to continue the treatment. Eventually, he injects himself with an unstable earlier formula, Derma 25, which mutates him into the creature misleadingly marketed as the “vampire.”
Film Details
Original Title: Seddok, l’erede di Satana
US Title: Atom Age Vampire
Year: 1960 (Italy), 1963 (US release)
Genre: Horror / Science Fiction
Director: Anton Giulio Majano
Screenplay: Gino De Santis, Alberto Bevilacqua, Anton Giulio Majano
Story by: Piero Monviso
Producer: Elio Ippolito Mellino
Starring: Alberto Lupo, Susanne Loret, Sergio Fantoni
Cinematography: Aldo Giordani
Editing: Gabriele Varriale
Music: Armando Trovajoli
Production Company: Lion’s Films
Release Date: August 16, 1960 (Italy)
Running Time: 105 minutes (Italy), 87 minutes (US), 72 minutes (common DVD cut)
Country: Italy
Box Office: ₤90 million (Italy)
#AtomAgeVampire #Seddok #1960sHorror #ItalianHorror #SciFiHorror #CultCinema #PublicDomainHorror #SusanneLoret #AlbertoLupo #RadiationHorror
Category
🎥
Short filmTranscript
00:00:00¶¶
00:00:30Oh, my God.
00:01:00Oh, my God.
00:01:30Go put some clothes on.
00:01:32I won't be a minute.
00:01:38Try to get it through your head, Jeanette.
00:01:40I only came in to tell you goodbye.
00:01:44Goodbye?
00:01:46Pierre!
00:01:47It's all over.
00:01:50You had your choice.
00:01:52Either me or the so-called profession you're working at.
00:01:55You're still working, so that means I'm through.
00:01:58Oh, please don't treat me like this.
00:02:00You know your ship is about to sail.
00:02:02Better for us.
00:02:03It's easier if I go away.
00:02:04Easier to what?
00:02:05To suffer even more than we both have already?
00:02:07You know we belong to each other, Pierre.
00:02:09Oh, please, Jeanette.
00:02:11Let's end it now.
00:02:11No!
00:02:16Pierre!
00:02:17There's a mother people out there.
00:02:18They want you to do another number.
00:02:19I won't do another number.
00:02:20I'm fed up with this job.
00:02:49There's a mother people out there.
00:03:10Miss Morino, you haven't eaten anything today either.
00:03:14I thought you might like a nice cup of tea.
00:03:16It's been almost three months, hasn't it?
00:03:18Yes, more or less.
00:03:19And in a few more days now?
00:03:23I could read the truth.
00:03:25In the eyes of Professor Moray, there isn't a bit of hope for me, mutilated, dispigued.
00:03:33Forever.
00:03:34You might as well be prepared for the worst.
00:03:36But it won't make any difference to someone who really loves you.
00:03:40I don't want to be pitied by anyone, especially by him.
00:03:44Don't leave me alone.
00:03:51At least drink a cup of tea.
00:03:52Leave me alone!
00:03:55Dear.
00:03:59She has no family here.
00:04:01Not even friends close enough to worry about her.
00:04:03The newspapers made that clear.
00:04:05Go to her.
00:04:06Does anyone know you in that clinic?
00:04:08No one.
00:04:08And no one must know that Jeanette Morino is coming here.
00:04:11No one will know.
00:04:12I have complete faith in you, as always.
00:04:15And I know that I shall succeed.
00:04:17You're going to need me.
00:04:18I'll be here, Albert.
00:04:48I'll be here.
00:04:53I'll be here.
00:04:56I'll be here, Albert.
00:04:56Oh, no, no!
00:05:28No!
00:05:30You mustn't give up all hope yet.
00:05:33Who are you?
00:05:37Don't ask me questions.
00:05:39There isn't time.
00:05:41I'm an assistant to a great scientist
00:05:43who has come to hear of your case
00:05:44and wants to know more about you.
00:05:46He wants to give you treatment.
00:05:48What's the use of treatment?
00:05:50What's the use?
00:05:52You have to believe me.
00:05:53We have discovered a new therapy together.
00:05:55And it's miraculous.
00:05:57I guarantee it.
00:06:04Hello, Leroy.
00:06:05Hi.
00:06:06Now, don't tell me you're here because you want to interview me.
00:06:08You don't think so?
00:06:09Well, then I won't tell you that.
00:06:11Did you read about that girl?
00:06:12What do you mean?
00:06:12Oh, come on.
00:06:13What about this for a big headline?
00:06:15Jeanette Moreno, happy and beautiful as ever.
00:06:17Think of the mad publicity for your clinic here.
00:06:19Sure, but that's one headline you are never going to see in print.
00:06:21Why not?
00:06:22Doctor, we're waiting for your round.
00:06:24It's your service.
00:06:24So long, Leroy.
00:06:25See you on.
00:06:27No secrecy is necessary.
00:06:30And I mean absolutely.
00:06:34Not a word to a soul.
00:06:36This is the only hope you have.
00:06:38Keep that in mind.
00:06:40Always.
00:06:42You will drop out of sight for a short time.
00:06:45Three or four weeks at the very most.
00:06:47And when you reappear, everything will be as it was before.
00:06:51As if you had awakened from a horrible dream.
00:06:56Don't you believe me?
00:06:59Well, then do just as you wish.
00:07:04I have never been to see you.
00:07:09But we'll be expecting you.
00:07:18Now don't disappoint me.
00:07:23I am not being immodest when I speak of a whole new era in the field of biology and therapy.
00:07:28The destructive and degenerative effect of atomic explosions have driven scientists more than ever before into research involving methods and
00:07:37processes of regeneration, rebuilding abnormal or totally destroyed cells.
00:07:43It is completely successful in correcting abnormal cell growth as well as in restoring cells which have been destroyed.
00:07:50Just as good often grows out of evil, Derma 28 has grown out of Derma 25, the serum which provoked
00:07:56and accelerated abnormal development of cells.
00:07:59When I finally succeeded in stabilizing its effect, I produced the anti-cancer vaccine which for years had been the
00:08:05major goal of the most important scientific research.
00:08:10Repeated experiments using Derma 28 on specimens deformed by injections of Derma 25 prove its miraculous efficiency beyond a doubt.
00:08:18A single injection of Derma 28.
00:08:24Monique, what are you doing?
00:08:26Don't you realize? Oh, you must be completely insane.
00:08:28Yes, it's the Derma 25 serum that we've been injecting in so many of those poor little animals.
00:08:32Transforming them into monsters. You're aware of its effects.
00:08:35Look at that.
00:08:37Come on. You'll have to be exposed to treatment at once in the radiation chamber.
00:08:40No. Give me an injection of Derma 28.
00:08:43But you know it's never been tried on human beings. I wouldn't have the courage.
00:08:45That's just why I did it. To force you to have the courage.
00:08:48No. Let's wait for that girl Jeanette Moreno.
00:08:50No. I want to share this honor with you.
00:08:52I've never been as near to you before as I am at this moment.
00:08:55And you will always remember it.
00:08:58We don't need you.
00:09:00Sasha, don't be troubled about me.
00:09:03When it's all over, you can bring me some roses.
00:09:06Leave us now.
00:09:11Quickly. Every second we have is precious.
00:09:13Every drop of Derma 28 represents months of work and anxiety.
00:09:17And when the day comes when we can prepare it as rapidly as we do Derma 25...
00:09:20Give me your arm.
00:09:24Yes. There is no doubt. There is not the slightest doubt any longer.
00:09:29You see? It removes every trace of the generation of self structure.
00:09:35This is the day that comes but once in a lifetime.
00:09:40That is our lifetime.
00:09:41That is our lifetime.
00:09:43That's right.
00:09:45I shall always remember everything you've done for me.
00:09:50Tell me that in some other way.
00:09:51Tell it to Monique, not your assistant.
00:09:55We'll celebrate this evening.
00:09:56No.
00:09:57Let's both stay home.
00:09:59Together.
00:10:00With our records.
00:10:05One moment.
00:10:06One moment.
00:10:24Why do you look at me that way?
00:10:25For a moment there, you seem to be performing some sacred ritual.
00:10:31Yes.
00:10:32It was a ritual.
00:10:34Come.
00:10:52Is this Professor Levins?
00:10:53Yes.
00:11:11So you've come to us.
00:11:13I'm happy to see you.
00:11:16And your luggage?
00:11:17In the check room at the station, as you instructed.
00:11:20Where's the ticket?
00:11:21Here it is.
00:11:27Are you sure that no one knows you've come here?
00:11:30Positive.
00:11:31Go and pick up her luggage.
00:11:35Let's go into the study.
00:11:37Professor Levins will join us in a moment.
00:11:41But this isn't like a clinic.
00:11:43No, it's not a clinic.
00:11:45It's the place where Dr. Levins studies and does his work.
00:11:47With me to help him.
00:11:49Come now.
00:11:50Let's go.
00:11:52Let's go.
00:12:00Let's go.
00:12:01Let's go.
00:12:04Show me your face.
00:12:12Show me your face.
00:12:17How?
00:12:34There's no doubt of it.
00:12:37Yes, she's disfigured forever.
00:12:40As if by a cancer that's beyond control, like leprosy.
00:12:44There's no one who can help me now.
00:12:47No one.
00:12:48Let me go away, please.
00:12:58I give you my word that I will restore your faith.
00:13:01Restore all your beauty.
00:13:03You're worse than all the others.
00:13:04Because you wanted to save me.
00:13:08Don't talk like that.
00:13:09Now pull yourself together.
00:13:11We have succeeded in discovering a great secret.
00:13:14The secret of spontaneous reproduction of living cells.
00:13:17It's the secret of life itself.
00:13:19The secret of life and also of death.
00:13:23Just now I deliberately spoke of cancer.
00:13:25Of cells which proliferate unexpectedly at the expense of the organism until they have destroyed it.
00:13:29Well, with this remarkable discovery, we have succeeded in creating spontaneous reproduction of cells.
00:13:34Yes, we can rebuild cells which have been destroyed.
00:13:37We have tamed the monster which once devoured us and made it serve our own ends.
00:13:42You must be now.
00:13:44It's a miracle.
00:13:45And you will be the first person in the world to benefit from it.
00:13:47I shall perform this miracle.
00:13:50No, I've never believed in miracles.
00:13:52I've even forgotten how to pray.
00:13:54Oh, please let me go now.
00:13:56Rather than go on, I'd prefer.
00:14:07You'd prefer to kill yourself.
00:14:13If you've given up all hope, why didn't you do it before this?
00:14:17You're condemned for the rest of your life.
00:14:18And you know it.
00:14:19She knows.
00:14:20They all told you that.
00:14:22All right.
00:14:23Let me kill myself.
00:14:25Right now.
00:14:29If you really are so desperate, take your own life if you want to.
00:14:35Yes.
00:14:36I'll give this back to you.
00:14:37But only on that day when you look me in the face and tell me that I failed you.
00:14:41Do you understand, Jeanette?
00:14:43But until that day comes...
00:14:46Will you try?
00:14:49No, no.
00:14:50I beg of you.
00:14:56She's fainted.
00:15:00I've had a room prepared.
00:15:02Oh, I'll bear.
00:15:04And now we must take her upstairs.
00:15:07She's a beautiful human specimen.
00:15:11Beautiful?
00:15:15Didn't you hear about it?
00:15:16No, I didn't hear anything about the accident.
00:15:18I was at sea.
00:15:19We had just sailed.
00:15:20But...
00:15:22Do you mean today she had all her belongings collected from the hotel tour and had them delivered here at
00:15:26the clinic?
00:15:27It's all beyond me.
00:15:29She told us she was going back to that apartment hotel where she lived.
00:15:32The same hotel tour.
00:15:34Jeanette must still be in town.
00:15:36Oh, it might mean that she's gone away.
00:15:40There can only be one explanation.
00:15:42As a nurse, I'll have to betray a secret.
00:15:45Jeanette Moreno didn't want you to see her again as she is.
00:15:53Asha!
00:16:02Asha!
00:16:03Asha!
00:16:04You let the generator go out!
00:16:10You drunkard!
00:16:11I'll kick you!
00:16:34I'm sorry you don't want you to see her again!
00:16:34I'm not stukard!
00:16:36I'm sorry I'm sorry, my name is all right.
00:16:38I'm sorry.
00:16:38I won't get the generator, but she's my exeter fixation?
00:16:38Take it to you won't be wrong!
00:16:39It will be wrong.
00:16:44I'll be fine and I lost.
00:16:44I'm fine and I'll have a lasting pursuit of this move.
00:16:47I missed the commercial!
00:16:47It's like you watching...
00:18:36Thank you very much, Mr. Trevon.
00:18:38Shall I add some soda?
00:18:51I won't be long.
00:18:54Arlette, where are you going?
00:18:55I'll be back.
00:18:57It does seem impossible for a person to disappear overnight, as it were, without leaving a trace.
00:19:02Here, give me another one.
00:19:04You heard him.
00:19:06But he won't help anything.
00:19:07Two scotches, right away.
00:19:09What a pride it's done to Jeanette.
00:19:25First, the derma must be applied through an incision.
00:19:28Scalpel.
00:19:32Swap.
00:19:38Clamp.
00:19:45Derma.
00:20:01Nothing.
00:20:02It has no effect.
00:20:04What can we do?
00:20:06Derma injection.
00:20:26Nothing.
00:20:29Still no result.
00:20:32Ah, what a binge.
00:20:35Good night, darling.
00:20:36Good night.
00:20:37Yeah, let's go home.
00:20:38I'm tired.
00:20:39So long.
00:20:42Pierre, you're still here?
00:20:46I'll help you home.
00:20:48Is it too late?
00:20:51Yeah, it's much too late.
00:20:58Let me give you a lift in my car.
00:21:05Not a drop of the serum left.
00:21:07Five injections without any effect at all.
00:21:09And I know I was not mistaken.
00:21:11They took effect on you.
00:21:12Because then you applied it immediately.
00:21:13In the case of cells that are destroyed,
00:21:15you will have to make continuous application.
00:21:17Yes, perhaps you're correct.
00:21:18But it will take months to prepare serum enough.
00:21:21Let's send her away.
00:21:22We'll find another subject when we've a new supply of derma 28.
00:21:25And let her go around telling everyone what we did to her?
00:21:27We'll have to kill her.
00:21:29And besides, what if the derma 28 should have some unusual effect on her?
00:21:33Don't forget we derived it from derma 25.
00:21:35I can't bear to think of her becoming a...
00:21:37A monster, is that it?
00:21:40You worry too much about her.
00:21:44Let me just go, Jane.
00:21:45I'm staring at other metaphors.
00:21:46Look down.
00:21:51Jeanette!
00:21:54Jeanette!
00:21:56Jeanette!
00:21:57Jeanette Maire, sees飾.
00:21:59Jeanette Maire, sees飾.
00:22:04Jeanette Maire, sees飾.
00:22:15You shouldn't have been pessimistic.
00:22:17I never had a moment's doubt.
00:22:18Bring me something to drink, please.
00:22:21I'll be.
00:22:21If you don't mind.
00:22:54Here we are.
00:22:56Let's drink a toast to our victory.
00:23:01First, take her upstairs.
00:23:18I'll be.
00:23:33Look there.
00:23:35And the state of shock is completely over.
00:23:37There can't be any more doubt of it.
00:23:38We've won.
00:23:40Doesn't it please you?
00:23:42Yes.
00:23:44But right at the moment, all I'm able to feel is sheer exhaustion.
00:23:48It's as if I were afraid.
00:23:52Of what?
00:23:53Will there be after effects now?
00:23:55Will the regeneration of cells continue as it should?
00:23:58I'm sure it will.
00:24:03Have I slept too long?
00:24:08You.
00:24:09Yes, Jeanette.
00:24:09It's Professor Levin.
00:24:11The man who has...
00:24:12Give me your hand.
00:24:23No.
00:24:27I'm sorry.
00:24:28No.
00:24:54I owe you more than my life itself.
00:24:57Jeanette!
00:25:02Get back in bed now.
00:25:04You have suffered great physical shock with all this.
00:25:08You've recovered, yes, but we must wait a bit.
00:25:13We must be certain what the results are.
00:25:18Absolutely sure.
00:25:21Don't doubt it, Jeanette.
00:25:24The miracle has happened to you.
00:25:29And you will remain with us until we are sure that we can proclaim it to the entire world.
00:25:52Another one?
00:25:54Another one.
00:25:56Don't you feel happy?
00:25:58Don't you want to laugh and sing for joy?
00:26:06And Monique, I wonder why she hasn't returned.
00:26:10I suppose she has an experiment she's working on.
00:26:14Anyway, isn't it better like this?
00:26:17We are seldom without Monique.
00:26:30No.
00:26:33All of it.
00:26:53What do you want here?
00:27:00Do you remember how you embraced me when you first saw that you were cured?
00:27:05What was then gratitude has already become love.
00:27:08You shouldn't believe that.
00:27:09If I loved you, I would surely tell you.
00:27:15I'll tell you, you love me.
00:27:18You weren't able to see clearly inside your heart.
00:27:21And you're still too upset by everything that has happened in your life.
00:27:25But you love me.
00:27:27You must know you love me.
00:27:29I have snatched you away from desperation and from death.
00:27:32It is I who restored your beauty.
00:27:34It is I who need you.
00:27:36I'll never be able to live without you.
00:27:47Albert.
00:27:48No, Jeanette.
00:27:51You are nothing if not mine.
00:27:54You belong to me.
00:28:06Wait a moment.
00:28:07I had almost forgotten.
00:28:09Excuse me one moment.
00:28:13Albert.
00:28:15Tell me what it is.
00:28:17Nothing.
00:28:18Nothing at all.
00:28:19Something rather urgent which I have forgotten to tell Monique.
00:28:24Monique.
00:28:26Monique.
00:28:27Monique.
00:28:27Monique.
00:28:28Monique.
00:28:28Monique.
00:28:29Monique.
00:28:33Monique.
00:28:35I don't know my face.
00:28:37It is just on my face.
00:28:39We are on fire.
00:28:39Sit down here a moment.
00:28:42You will be alright.
00:28:49Monique.
00:28:51I don't understand.
00:28:53Albert.
00:28:55Oh.
00:28:57What is wrong with me?
00:28:58I am here, Jeanette.
00:29:02Just relax.
00:29:03Just relax.
00:29:04You're very tired.
00:29:07Now she will sleep soundly for several hours.
00:29:09Time is pressing.
00:29:11Move her to the laboratory at once.
00:29:14It must be a success.
00:29:16It must be, understand?
00:29:17Don't count any longer on me.
00:29:19Monique!
00:29:21She means more to you now than just an experiment.
00:29:23Monique!
00:29:24I cannot do it without you.
00:29:28Then I'll make a condition.
00:29:29You know what it is.
00:29:30Yes, never see her again.
00:29:32I give you my word, believe me.
00:29:39I give you my word.
00:29:39Sasha, help us carry her to the laboratory.
00:29:53I've prepared everything, but what's to be done?
00:29:55Ah, if there were only a single drop of it still left.
00:29:58But there isn't any.
00:29:59I refuse to give up now.
00:30:01We'll try radiation.
00:30:04Have you gone mad?
00:30:06Yes, yes, I know it's madness.
00:30:07But I'm willing to take any risk for her.
00:30:09You know very well it's useless.
00:30:10Her scar tissue is forming again.
00:30:12And radioactive treatment is effective only against Derma 25.
00:30:15Jeanette.
00:30:19She mustn't suffer like this.
00:30:23But there's always surgery.
00:30:24An insertion.
00:30:25You're out of your mind.
00:30:26That's it.
00:30:27It's the only possible solution.
00:30:28I'll transplant directly from another human being those glands which produce Derma 28.
00:30:32From another woman.
00:30:33A young one.
00:30:34Albert, you must be insane.
00:30:36You've gone mad over her.
00:30:37I gave you my solemn word.
00:30:38Now I know that I can't trust you.
00:30:40How will you ever accomplish it?
00:30:41By murdering the first woman that passes.
00:30:43And if the afterpacks are no different, you'll kill another woman and another.
00:30:46But I refuse to be your accomplice.
00:30:47And if they ask for the truth, I'll tell, I'll tell, do you hear?
00:30:50Monique, come back here.
00:30:58Monique.
00:31:00Monique.
00:31:03Listen to me, Monique.
00:31:04Stop it.
00:31:05We've already said enough for each other.
00:31:06She's lying down there alone.
00:31:08It's not possible to save her.
00:31:10What can we do?
00:31:11But I am still here and so are you.
00:31:12What do you want of me?
00:31:14Sacrifice myself for her?
00:31:15You're impossible.
00:31:22Yes, it's true.
00:31:25I'm infatuated with her.
00:31:26But it will pass.
00:31:30Pass away.
00:31:31It's not love, really.
00:31:31It's a sentimental complex.
00:31:33It's only a compulsion, if you like.
00:31:34I want to dominate the girl, to possess her creatively.
00:31:37You will have to help me in this also.
00:31:39Help me overcome this infatuation.
00:31:41Struggle along with me as you always have done before.
00:31:47Can't you manage to convince yourself she will remain like this?
00:31:51Like this?
00:31:55Like this?
00:31:58She has nothing to do with the two of us.
00:32:03I promise we will send her far away.
00:32:05Far away.
00:32:08I will forget her.
00:32:10We will start all over again.
00:32:12And be successful.
00:32:13Please try to be the same intelligent woman you've always been.
00:32:17You know, I would kill a thousand times before I would admit defeat.
00:32:27Please be reasonable.
00:32:41You know that we are bound together forever.
00:32:50Forever and ever.
00:33:08Police Commissioner Bouchard.
00:33:10Professor Levin, aren't you?
00:33:11Have we met before?
00:33:12No, but your name is so well known.
00:33:14And your photographs, your television interviews.
00:33:16Submit me, Boupé pathologist.
00:33:19Marais, my assistant.
00:33:20I'm sorry we have to disturb you personally this way.
00:33:23You did telephone us, didn't you?
00:33:24I'm all alone here at the moment.
00:33:26Shall we go inside?
00:33:27Good.
00:33:28Chief, I'm out of cigarettes.
00:33:29Do you mind if I...
00:33:29Yes.
00:33:30Can't you go half an hour without smoking?
00:33:42What is it, Sasha?
00:33:46Why did you come in without knocking on my door?
00:33:52Did Professor Levin send you?
00:33:57I have a splitting headache.
00:34:00Oh, yes.
00:34:02The champagne.
00:34:04Where is Monique?
00:34:16What do you mean, Sasha?
00:34:19What's happened to Monique?
00:34:24No.
00:34:25No, it's not true.
00:34:27I don't believe it.
00:34:28It's not possible.
00:34:30Monique.
00:34:32Monique.
00:34:36Paralysis of the heart.
00:34:37It's quite obvious.
00:34:38Uh-huh.
00:34:39And she showed no symptoms.
00:34:40No warning beforehand?
00:34:41Oh, yes.
00:34:42I've kept her under special care for almost two years.
00:34:46I'll make out the certificate at once.
00:34:48Without an autopsy?
00:34:49An autopsy.
00:34:51I've already confirmed the diagnosis given by Dr. Levin.
00:34:54And out of consideration.
00:34:55No, no.
00:34:57If it's usual practice.
00:34:58Inspector, if the decision lies within my jurisdiction, I say no autopsy.
00:35:03Oh, no.
00:35:03If one isn't necessary.
00:35:04Absolutely not.
00:35:09She was from Cherbourg.
00:35:12Monique Riviere.
00:35:13You will find her identity card and papers in her room.
00:35:16She suffered from dizzy spells and palpitation.
00:35:19I should show you something.
00:35:23Ah, here it is.
00:35:27This is her most recent electrocardiogram.
00:35:30I kept it where she wouldn't find it.
00:35:32Better show this thing to our pathologist.
00:35:34For me, it's Chinese.
00:35:37You know, Professor, I'd say I know you intimately.
00:35:42Oh, does that amaze you?
00:35:43Well, it doesn't take a long white beard to be a scientist and a famous one.
00:35:47But I know your articles, I've read your interviews,
00:35:49and I saw you on television when you returned from Japan.
00:35:52Oh, by the way, these strange-looking bottles, are they from...
00:35:56Yes, Hiroshima.
00:35:57A process of deformative fusion of bottles, glasses, and ceramics near each other.
00:36:01The people of Hiroshima sell them as souvenirs.
00:36:04Well, anyway, it's a rather shocking sight.
00:36:07And did you remain a long time there?
00:36:09Sit down, please.
00:36:10For eight months.
00:36:12At the Japanese Institute for Radiological Research.
00:36:15Oh, how interesting.
00:36:17Please.
00:36:18Uh, thank you.
00:36:20I gave up smoking.
00:36:22Then you've had a close look at those poor creatures.
00:36:25Certainly.
00:36:26And from then on, I've devoted my life to such research.
00:36:29What research exactly?
00:36:31Are you acquainted with the field of genetic mutations?
00:36:34Yes, vaguely speaking.
00:36:36Frogs that, after the atomic explosion, produce frogs with two heads.
00:36:40Exactly.
00:36:41Suppose that mutations could be made permanent or not, as we please.
00:36:45Imagine if this were so, what extraordinary developments it could lead to.
00:36:50What you mean is exploit the horror by extracting its advantages.
00:36:53The bad, which justifies the good.
00:36:55Is that it?
00:36:57More or less, I suppose.
00:37:00During your television interview, you showed some photos that were most interesting.
00:37:04Oh, yes.
00:37:05They're in this album.
00:37:11May I?
00:37:12Please do.
00:37:20Poor wretched people.
00:37:25And the psychological consequences in these victims?
00:37:28That's the most intelligent question.
00:37:31Well, the relationship between body and soul has not yet been established.
00:37:35Hmm.
00:37:36A problem we can let go by, I think.
00:37:38Or am I wrong?
00:37:44Well then, doctor.
00:37:46I've made out the certificate.
00:37:48Paralysis of the heart.
00:37:57Hey.
00:37:57What's that?
00:38:03She's dead.
00:38:07Stop!
00:38:08Stop!
00:38:09Let's go to the police!
00:38:32Ah, today I'm glad to be alive.
00:38:35Thank you for making me so happy.
00:38:38I didn't want you to get the impression that you're a prisoner there.
00:38:41On my account, through necessity of keeping everything a secret.
00:38:45What are you looking at?
00:38:47The water.
00:38:48The water?
00:38:50Yes, I'm sorry.
00:38:51Isn't there any music?
00:38:52Charnet.
00:38:54You're so distant.
00:38:56Oh, Albert.
00:38:57Please don't make me explain.
00:39:00All right.
00:39:01No explanation.
00:39:02Someone should suppose that the escape from the zoo would lead to tragedy.
00:39:05But who, if not a wild beast with the most ferocious instinct...
00:39:09I wanted to hear some music.
00:39:10...that killed a poor girl with such savage fury.
00:39:12There is no doubt that the girl...
00:39:13Albert!
00:39:14...was a victim of a gorilla which escaped.
00:39:17What is it?
00:39:17I feel cold suddenly and my face is burning like the other night.
00:39:21The night, Monique.
00:39:22Don't get excited.
00:39:23We are going back home.
00:39:24I wonder what it is.
00:39:25Put them on now.
00:39:26Your glasses.
00:39:28Your glasses.
00:39:49The night is upstairs in her room.
00:39:50She won't wake up for several hours.
00:39:52But I want you to watch outside her door...
00:39:53And don't move from there till you see me.
00:39:55Put this stuff somewhere else.
00:40:00I must save her at any cost.
00:40:03I give my life to save her.
00:40:04There's always one way.
00:40:06Insertion.
00:40:07Transplant the glance of another woman.
00:40:08The young one.
00:40:09What more do you want me to do?
00:40:11Sacrifice myself for her.
00:40:12Yes.
00:40:13Another one like Monique.
00:40:14I just see after effects are the same.
00:40:18Another and another until I save her once and for all.
00:40:22But I don't have the courage.
00:40:23I don't want to kill again.
00:40:25Everyone knows you.
00:40:26Your article.
00:40:27Your interviews on television.
00:40:28Yes, I know.
00:40:29I know.
00:40:30But who, if not a wild beast...
00:40:32with the most ferocious instinct...
00:40:34could have killed a poor girl...
00:40:35with such savage fury?
00:40:38Yes.
00:40:39Turbo 25.
00:40:41Exactly.
00:40:41Turbo 25.
00:40:43Can create a monster.
00:40:46A monster who doesn't fear killing.
00:40:48Who doesn't suffer and is killed.
00:41:14A monster who doesn't ц fees...
00:41:15or maybe a musician.
00:41:20And someone getsByv...
00:41:23able to kill.
00:41:24A monster who doesn't know...
00:41:25Uncle Pinkin in theало.
00:41:27Can second you do an epidemic...
00:41:28I have purchased your favoritejäpik...
00:41:29I have no idea this.
00:41:31That's how to do it.
00:42:44Young lady.
00:42:45Huh?
00:42:46Hey, it's late.
00:42:48Come here.
00:42:49I'll give you anything you ask.
00:42:50All right.
00:42:51You really gave me a turn.
00:42:53What are we playing?
00:42:54Hide and seek?
00:42:55Ah!
00:42:57Ah!
00:42:59Ah!
00:43:00Ah!
00:43:01Ah!
00:43:01Ah!
00:43:25Ah!
00:43:27Ah!
00:43:28Ah!
00:43:29Ah!
00:43:30Ah!
00:43:33Ah!
00:43:34Ah!
00:43:36Ah!
00:43:40Ah!
00:43:42Ah!
00:43:42Ah!
00:43:43Ah!
00:43:43Ah!
00:43:43Ah!
00:43:43Ah!
00:43:43Ah!
00:43:43Ah!
00:43:51Ah!
00:44:15Let's go.
00:44:36you see are you convinced now oh but think
00:44:43and without this obsession for your looking glass I know you're thinking of
00:44:54yesterday I'm still upset myself you're afraid the cure will not be permanent
00:44:57but you're mistaken now it's only a question of cell growth I've already
00:45:03solved this problem we must allow the cells we've regenerated to achieve
00:45:08lasting stability nourish them artificially for a time and especially
00:45:14with a transplant yes it must be done and it must be done more than once why
00:45:22are you staring at me I told you I'm tired and upset I spent the whole night
00:45:26working in the laboratory so you could wake up as you are a few very few no one
00:45:37hopes no more than I do you could never understand what it has cost me to make
00:45:49you realize how deeply I love you Janette no leave me alone I'll be
00:45:54please go I must get dressed now we can see each other later out in the garden
00:46:08very well then
00:46:38hello yes lieutenant Mourney is still on board the Garon he's now in Cape Town I
00:46:43have a communication for him it's very urgent that I reach him could you
00:46:46possibly forward a letter certainly by airmail he has a stopover on the return
00:46:50voyage please don't matter I haven't any more cigarettes and you know I only
00:47:10smoke this kind please go and buy me some while you're at it would you mail this
00:47:21letter and get something for yourself oh no please take it do take it you will
00:47:29remember to mail the letter won't you thank you yeah my darling nothing is changed between us at
00:47:44least not for me and I need you desperately Pierre I'm afraid thank you Sasha you did
00:47:50very well yes yes I know I can rely on you at any time this letter of her no no
00:47:56no I
00:47:57won't say a word but don't you permit her to be out of your sight when I'm not
00:48:00around and disconnect the telephone the way I showed you
00:48:04Sasha this evening I have to do some work around here and I don't want to be
00:48:08disturbed at all unless I call you myself you understand run along
00:48:42hi Marilla hi girls how are you doing this evening oh I'm gonna smoke one more cigarette and call it
00:48:48a night well we'll be back and walk home with you fine
00:49:17I told you they'd be here hey you what are you two doing around here what do you suspect get
00:49:22on home now aren't you afraid you'll meet the gorilla
00:49:26I'd rather meet him than some men I know
00:50:01you
00:50:08you
00:50:08you
00:50:09me
00:50:09me
00:51:29Come on, hurry. Get the bar set up.
00:51:32Arlene, why must you always be late?
00:51:33I'm all ready to go.
00:51:35Well, look who's here.
00:51:36Here.
00:51:39Oh, it's been ages.
00:51:41How are you?
00:51:43Don't tell me you've been pining for me.
00:51:45Well, I have, if you want to know.
00:51:47Hi, Yvonne.
00:51:48Am I wrong or are you getting fatter?
00:51:50It's becoming, isn't it?
00:51:52Hey, good evening.
00:51:53How are you?
00:51:54A carton of cigarettes if you play me something.
00:51:57But only for me here.
00:51:58Let's get with it, boys. We've got a paying customer.
00:52:01Sit down here.
00:52:16It reminds me of her, doesn't it?
00:52:29That's Pierre Mornit's ship.
00:52:31And a doctor today.
00:52:35Where's the key to the front gate?
00:52:37I'm not.
00:52:39Idiot!
00:52:40Oh!
00:52:41Oh!
00:52:41Hurry!
00:52:42Come with me!
00:52:49Hey, ladies!
00:52:51Look at that clothes!
00:52:52Come aboard!
00:52:53No, thanks!
00:52:54I'd rather wait down here!
00:53:05Pierre!
00:53:10I can't believe it!
00:53:13Jeanette!
00:53:16Jeanette!
00:53:18Jeanette!
00:53:24We've recovered.
00:53:26Why didn't they tell me at the clinic when I looked for you?
00:53:28But they told me you'd always be disfigured.
00:53:31Didn't you ever want to see me?
00:53:32It was the truth, Pierre, the truth, I swear!
00:53:40Didn't you know I looked everywhere for you?
00:53:44Jeanette, where have you been?
00:53:45You can let me know.
00:53:45Where are you staying?
00:53:46What happened to you?
00:53:47Didn't you receive my letter?
00:53:49What letter?
00:53:50Oh, Pierre, take me away!
00:53:52I'm so frightened!
00:53:53Of what?
00:53:53Tell me!
00:53:59There's a man in the water there!
00:54:00I heard a flag!
00:54:01There he is!
00:54:02Lieutenant Bordy!
00:54:03Lieutenant Bordy!
00:54:04Lieutenant Bordy!
00:54:05Lieutenant Bordy!
00:54:28And you're positive that she's the same person?
00:54:31There's no doubt about it.
00:54:32And this one showing the scars was given to me at the clinic that sent her way disfigured forever.
00:54:36Yes, yes.
00:54:37The photographs are of the same girl, I agree.
00:54:40But I was referring to the person you met tonight.
00:54:43On the waterfront.
00:54:44You don't think that...
00:54:45Oh, no, Commissioner!
00:54:46It was she in front of me!
00:54:50But in the dark, with the fog and all.
00:54:53But I know her.
00:54:54I couldn't possibly be mistaken.
00:54:56There's no Jeanette Morino listed with the Bureau of Missing Persons.
00:54:59But she's not a missing person.
00:55:01She's here.
00:55:02I've seen her.
00:55:03She has no relatives in town, even if she'd been kidnapped.
00:55:06Listen, you know, I want to believe you.
00:55:07I remember the auto accident from which Jeanette Morino barely escaped with her life.
00:55:12But this story of a recovery is impossible.
00:55:15Yet she's cured.
00:55:15Perfectly normal.
00:55:16It's her same fate.
00:55:18But who would be likely to hide such a miracle as that?
00:55:21Whoever it was who tried to kill me.
00:55:22For what reason?
00:55:25An hour ago in Rue Dorme,
00:55:27Police Sergeant Brundelle recovered her stolen automobile.
00:55:30This is the license number.
00:55:31You want to rejuvenate me?
00:55:33How long has it been since I bothered about stolen cars?
00:55:35The same automobile a short time before,
00:55:38just about the same moment the assault occurred,
00:55:40was stopped for speeding on the Esplanade,
00:55:41where it passes the waterfront by Patrolman Cholin.
00:55:44Inside, as well as the driver,
00:55:45there was an unconscious woman and a doctor
00:55:46taking her to the hospital.
00:55:48You see?
00:55:48Check the hospital.
00:55:50I've already telephoned.
00:55:51There's no record of her.
00:55:52Maybe he was taking her to a private clinic.
00:55:53The name of the doctor.
00:55:56Well, Cholin didn't bother to ask him that under the circumstances.
00:55:58It could have been a doctor who commandeered the first automobile he found.
00:56:01Or a clever criminal who would say anything
00:56:04to avoid identifying either himself or the woman.
00:56:07Jeanette.
00:56:10Perhaps.
00:56:11But there happens to be a real doctor
00:56:13who might give us some information about this miraculous recovery.
00:56:19Will you let me come with you?
00:56:20Yes, but on one condition, however, that...
00:56:22No.
00:56:23I'll tell you in the car.
00:56:35Ah.
00:56:36Good evening, Professor Levin.
00:56:38Please excuse us if we're...
00:56:40Oh.
00:56:41This is Police Sergeant Duran.
00:56:44Marie, I think you already know.
00:56:45Excuse the interruption if we're disturbing you at this hour,
00:56:48but passing in front of your villa, I thought,
00:56:50why don't I leave it up to you, Professor Levin,
00:56:52to clarify a scientific problem we have?
00:56:54You were so extremely kind to me when we met each other that time before,
00:56:57in those unfortunate circumstances.
00:56:59Oh, yes.
00:57:00My poor assistant had passed away.
00:57:03Monique Riviere.
00:57:05You may go, Sacha.
00:57:13Sacha.
00:57:14He's a strange one.
00:57:15He's my factotum.
00:57:16He cares for the garden more than anything.
00:57:18Mm-hmm.
00:57:18A mute.
00:57:19The soul of fidelity, an expert with flowers.
00:57:22The classic one to suspect in a mystery story,
00:57:24if there were anything to suspect him of.
00:57:26May I offer you a drink, Inspector?
00:57:28Yes, yes.
00:57:28Let's be comfortable.
00:57:30We must try to make it easy for Professor Levin
00:57:33to forget that we're policemen.
00:57:35Did you notice these bottles?
00:57:37He got them as a souvenir of Hiroshima.
00:57:40Interesting, aren't they, Duran?
00:57:45You don't have to blow smoke under my nose.
00:57:47Excuse me.
00:57:57Here you are.
00:58:02If you please.
00:58:03If you please.
00:58:08Now then, Inspector.
00:58:10Ah, I'll make it brief.
00:58:11Look here, Professor.
00:58:12Have you been following an eclair-soir?
00:58:14All that Tommy Rot about Sadoc, the monster?
00:58:17Not so, please.
00:58:18Tommy Rot is the right word for it.
00:58:20Cheap, sensational journalism.
00:58:21Chief?
00:58:23All right, go out and smoke.
00:58:24If you don't mind, that is.
00:58:26But I...
00:58:26I still don't comprehend.
00:58:29The time before, I asked you a question which you were kind enough to say was intelligent.
00:58:33About the psychological reaction of the victims of an atomic explosion.
00:58:37Well then, perhaps my own supposition will be an absurd one.
00:58:41But think of the ships that arrive here from Japan.
00:58:43And this, uh, Sadoc.
00:58:46Is it possible that he's one of those?
00:58:47I see.
00:58:49You've been impressed by the recurring factor in these cases of the wound from the throat to the sternum.
00:58:54The obsession of a vindictive minded man who has been poisoned or disfigured forever by atomic radiation.
00:58:59One might even say a vampire of the atom age who wants to recover.
00:59:04Exactly.
00:59:04What do you say?
00:59:05The hypothesis is melodramatic, but not to be excluded.
00:59:13You just said the hypothesis is melodramatic, but the fact that you don't exclude it altogether puts me, how shall
00:59:19I say, more at peace with my own conscience.
00:59:21We mustn't let our feet get too far off the ground.
00:59:23Chief, the photograph.
00:59:25Ah, right.
00:59:27Excuse me, I had another purpose in coming here to see you.
00:59:31Look here.
00:59:32Examine these two photos.
00:59:34Do you believe that a woman reduced to such a state as this might recover altogether?
00:59:40What I mean is without any scar, without a trace.
00:59:46I should say not.
00:59:48This state of disfiguration is permanent.
00:59:52Nevertheless, Professor, I...
00:59:53Let me do the talking, Durant.
00:59:56Nevertheless, there is someone who swears that he's seen this woman the way she was.
01:00:01That's impossible.
01:00:02And if there did exist a cure, I don't know, a process we never heard of.
01:00:05Any man who had discovered one would be a celebrity.
01:00:08Mm-hmm.
01:00:08And I assure you, I'd be the first to envy him.
01:00:11Mm, I imagine so.
01:00:13All right, then.
01:00:13And this other photo, which was submitted to me as proof of her actual recovery, must have been taken at
01:00:18some time prior to her accident.
01:00:24It is.
01:00:25The signature was not dated.
01:00:28Ah, right.
01:00:28It wasn't.
01:00:29And besides, even if it had been, it could easily have been faked.
01:00:32Professor, I'm ready to swear that the...
01:00:33Durant.
01:00:36We've been disturbing you long enough.
01:00:38We're most grateful, Professor.
01:00:39I'll accompany you.
01:00:41Murray?
01:00:42Ah, we're leaving.
01:00:44Durant.
01:00:58Professor, you must feel rather lonely here.
01:01:01It's such a big house.
01:01:03Don't you have a new assistant?
01:01:04You think it's so simple to find one?
01:01:06And moreover, I'm enjoying a period of repose right now.
01:01:09I merely study for relaxation.
01:01:11You know, Professor, what I envy you is your gardener, Sasha.
01:01:14Really? A bit difficult to believe that.
01:01:16No, it's just that I'm a flower gardener on my days off.
01:01:18Imagine, Inspector, he even works at night.
01:01:20Maybe he's expecting a frost.
01:01:21I know what you mean.
01:01:23You're dying to have a look inside that greenhouse.
01:01:25But I don't think at this hour...
01:01:27No, no, no, no, no, indeed.
01:01:28Sasha would be delighted to have you look in.
01:01:31I'll wait for you in the car.
01:01:33What for?
01:01:33Why don't you come too, Durant?
01:01:35This way.
01:01:39This is Sasha's kingdom.
01:01:41There are his plants.
01:01:43There are his roses.
01:01:45Sasha, you're honored.
01:01:46These gentlemen have come to admire your beautiful greenhouse.
01:01:49It's really beautiful, too.
01:01:51Well, you ought to know.
01:01:54Flowers.
01:01:55Nothing else of any interest.
01:01:57Sasha's always busy with them.
01:01:58He doesn't even have time to read mystery stories.
01:02:00Yes, and no wonder.
01:02:03Well, good night, Professor.
01:02:04And excuse us again.
01:02:06Sasha, accompany the gentlemen to the gate.
01:02:10You're around, aren't you coming?
01:02:15Good night, Professor.
01:02:17Good night, sir.
01:02:44Jeanette.
01:02:45What is the purpose of this autopsy?
01:02:47Now, Doctor.
01:02:48I've already arranged for the body to be exhumed.
01:02:51And I must ask you to proceed without any further argument.
01:02:53Very well, sir.
01:02:54Good morning.
01:02:55Good morning.
01:02:57Garage.
01:02:58I want my car at the door in ten minutes.
01:03:00Good morning, Doctor.
01:03:02Hmm.
01:03:04You want a cigarette, Chief?
01:03:09Listen, Marais.
01:03:10I've just had an idea.
01:03:12I want you to keep that villa of Professor Levin under observation.
01:03:16Why do you think that's...
01:03:18Well...
01:03:18Hi, Chief.
01:03:19You want a good lesson, huh?
01:03:23Sasha!
01:03:23What are you doing?
01:03:24What are you doing?
01:03:32What are you doing?
01:03:32What are you doing?
01:03:33What are you doing?
01:03:34What are you doing?
01:03:34What are you doing?
01:03:34What are you doing?
01:03:36Dacia.
01:03:44Dacia.
01:03:45Dacia.
01:03:49Dacia.
01:03:50Duna.
01:03:53What are you shouting for?
01:03:56What's wrong with you?
01:03:57No.
01:03:57Let go of me, I want to get out of here.
01:03:59I'm afraid.
01:04:00Of me?
01:04:00Of the man to whom you owe everything, and who loves you.
01:04:03You're not telling the truth.
01:04:04You want to go back to Pierre.
01:04:04But I'm going to save you now in spite of yourself.
01:04:07Yes, I want to go to Pierre. I don't care if I'm scarred for life.
01:04:10Because I know now that he will love me anyway.
01:04:12You think so? Well, your scars are already returning.
01:04:15Embryonic still and all but invisible.
01:04:17But if this action is not arrested almost immediately,
01:04:20you will turn into just what you were before.
01:04:22Yes, the thing will get worse.
01:04:24It will devour you bit by bit.
01:04:26It will transform you into an animal like a monster
01:04:28under the very eyes of your Pierre.
01:04:30I don't want to stay here anymore. I don't want to.
01:04:33Listen.
01:04:36I give you my word of honor.
01:04:37It will only take a few days.
01:04:40Perhaps only one day to make the final application.
01:04:43And then you'll be cured forever.
01:04:45Free to go where you please and with whom you please.
01:04:47If you're ungrateful enough to leave me for a man
01:04:49who has done nothing for you, you deserve nothing else.
01:04:52But until you're cured, don't try anymore to run away.
01:04:56Don't try to see anyone.
01:04:59Will you promise this?
01:05:01Look here.
01:05:04I'll even give this back to you.
01:05:06You have no more reason to kill yourself.
01:05:16What is it?
01:05:19Who?
01:05:21The police?
01:05:23Inspector?
01:05:24Pierre?
01:05:28Who's here?
01:05:29Who's here?
01:05:33Who's here?
01:05:34Here.
01:05:35Oh, oh, oh.
01:05:37Sasha.
01:05:43Let her go.
01:05:47Yes.
01:05:48Run to him.
01:05:49Let him see you like this.
01:05:51Go away with him as you are.
01:05:54Remember I gave you my word and I shall keep it it will be your decision then
01:06:01In the meantime
01:06:02You will help me to finish it
01:06:05It is not our bear who is speaking now, but professor Levin I
01:06:09Have to win you see this is all I'm asking of you
01:06:35You wanted to see me sergeant I'm sorry to disturb you why be sorry at all disturbances are part of
01:06:41your profession
01:06:44I'm not really a policeman. Oh, no
01:06:47Then please explain why you dare pass yourself off as a policeman and for what reason the commission and my
01:06:51fault
01:06:52I was so anxious to learn more about your research that I asked permission to come with him
01:06:55But on the other hand coming here so late at night and not having time to explain down
01:07:02What should you have said that you had a personal interest in the case of that unfortunate young lady?
01:07:08What is her name again? I yes, Janette Morino
01:07:12You know you were not very convincing as a policeman
01:07:16Yes, I guess I wasn't you're right professor
01:07:19It's true the photo of Jeanette with the signature was really taken before the accident
01:07:27But I know I've seen her I know it was she she Jeanette
01:07:31Yesterday in front of me beautiful as before
01:07:41And if they hadn't attacked me right then you were attacked yes and from behind
01:07:46Because I know there's some mystery concerning Jeanette and I was about to learn it
01:07:50You love her that is evident. I wonder if you had parted with her sentimentally. I mean before you were
01:07:56actually separated
01:07:56How did you know that I'm also a psychiatrist don't forget it?
01:08:03You are now suffering from an obsession to find her again. You're capable of seeing her and every woman you
01:08:07run into
01:08:09And perhaps yesterday on that very same pier where often before Jeanette was waiting after a long voyage. No, it
01:08:14was no hallucination
01:08:17And how can you explain the attack on me well, maybe an attempted robbery?
01:08:24Yes, it wouldn't be the first time on the waterfront see and
01:08:29Perhaps the night was foggy perhaps you'd also been drinking a bit
01:08:37No, I wasn't drinking
01:08:41No, I wasn't drinking
01:08:41It was she all right
01:08:44Will you please tell me what you wanted me to do for you
01:08:47Please help me to convince the police tell them that this miraculous recovery is possible
01:08:52They'll go on looking for and for a woman not a phantom that's to be excluded
01:08:57Then you advise me to give up every hope
01:09:00In your position
01:09:02I would say yes
01:09:05No, I love her too much for that
01:09:13An entirely different woman
01:09:16Yes, a woman who is no longer yours
01:09:19Doesn't love you anymore. This is what I'm excluding. I see there's absolutely nothing I can do
01:09:24For you
01:09:27I'm very sorry
01:09:29Thank you. No, no, there's no need to thank me. Why should you?
01:09:33sasha
01:09:38Accompany the gentleman
01:09:40I hope I see you again, sir. Goodbye, mister
01:09:43No, why bother to give me your name?
01:09:46I don't think there'll be any further occasion to see each other
01:10:00You
01:10:02You
01:10:04I
01:10:05I
01:10:05I
01:10:06I
01:10:10I
01:10:11I
01:10:13I
01:10:23I
01:10:29You could hear his voice.
01:10:30All you had to do was open the door, and you didn't do it.
01:10:32I didn't do it because...
01:10:34You didn't do it.
01:10:35I was sure that I could rely on you.
01:10:37Now wait for me here.
01:10:38If I leave you alone, it's because I have to do still once more what no other man ever did
01:10:43for the woman he loved.
01:10:45Tomorrow there'll be nothing here.
01:10:46Oh, if I could only tell you the truth.
01:10:49What do you mean, the truth?
01:10:54You must wait for me.
01:11:05I'll be back in a couple of hours.
01:11:10Follow him.
01:11:11Step on him.
01:11:15Very good.
01:11:17In his automobile.
01:11:19Have you arranged for reinforcements?
01:11:21Take all precautions.
01:11:23Exactly where is he at the moment?
01:11:41Let's take a seat.
01:11:45Is this seat occupied?
01:12:10You all right?
01:12:11Watch yourself now, Buster.
01:12:13Let's not start on your bed, huh?
01:12:16You all right?
01:12:20May I have a light, please?
01:12:36Even if you don't live in the world.
01:12:38Oh風?
01:12:56You all right?
01:13:21Oh
01:13:27Go to the police!
01:13:57Yes.
01:14:00Another woman.
01:14:02In the Waterfront neighborhood again, but is the woman dead?
01:14:06Hmm, that's a blessing.
01:14:09Yes.
01:14:11Yes, naturally. A little arm throughout the zone and declare an emergency.
01:14:48Professor Levin?
01:14:48He sat through the whole film and then he went out.
01:14:51Gerard's telling him. We're waiting here for further instructions.
01:14:53I told you, Chief.
01:14:54Were you both inside the whole time?
01:14:55Why? We both took turns.
01:14:56He didn't move once.
01:14:57That one.
01:14:58Let's go in.
01:14:59Sir Roy.
01:15:01Well, what are you up to?
01:15:02I'll complain with you now, Chief.
01:15:04If you won't let me chase Sedok, then I'll chase you.
01:15:06As you can see, it's your fault.
01:15:08Well, from now on, you mind your own business, get me?
01:15:10That's your orders, Chief.
01:15:28Where was he sitting?
01:15:29He never moved once.
01:15:30Where was he sitting, I asked you?
01:15:31Right here, Inspector. In this row here.
01:15:37This one. He was sitting in this seat.
01:15:38And you never let him out of your sight, huh?
01:15:40Well, I slipped outside for a minute to buy some cigarettes.
01:15:43But I never let him out of sight.
01:15:46And who was there sitting next to you?
01:15:48If what I think is true, you'll be back in a beaten uniform.
01:15:51That reminds me. What was he wearing?
01:15:54Yes, what did he have on?
01:15:55You could see that he was wearing a camel's hair coat, Inspector.
01:15:58Yeah.
01:15:59Less like opening a phone book for the name Smith.
01:16:02He sat here, you say?
01:16:03Right here, sir.
01:16:04Where were you two sitting?
01:16:05We were back there.
01:16:06That's right.
01:16:20Inspector Headquarters told me I would probably find you here.
01:16:23The autopsy I did on Monique Riviere.
01:16:26Incredible.
01:16:28I'll never be able to forgive myself.
01:16:30You mean like the others?
01:16:33And this stuff, what do you think it is?
01:16:38It's blood, there's no doubt about that.
01:16:43I don't know if it's human or...
01:16:44And what else do you think it might be?
01:16:47Have it examined right away.
01:16:49The rest of you come with me.
01:17:14The rest of you come with me.
01:17:16I felt it this evening.
01:17:18I'm not what I was before.
01:17:19I'm not the same.
01:17:21I have to tell her.
01:17:23It's finished.
01:17:24I failed.
01:17:25But I don't want to lose her.
01:17:32Jeanette.
01:17:33Please forgive me.
01:17:35It's too late now to make any difference
01:17:37and there's nothing more I can do to help you.
01:17:38There's no hope of your recovery.
01:17:41You will remain as you...
01:17:44No.
01:17:45It's impossible.
01:17:46The treatments have taken effect at last.
01:17:49We are saved.
01:17:50Do you hear me?
01:17:51Saved, I say.
01:17:52Come, get up now, Jeanette.
01:17:53We must leave here immediately.
01:17:54I don't believe you.
01:17:55But you're completely cured and it's forever.
01:17:58It was I who did it.
01:18:00Just when I began to think that...
01:18:02Come on, get dressed.
01:18:04Don't lose any more time.
01:18:05We must get away from this place as soon as possible.
01:18:06Get away?
01:18:07Yes, at once, I said.
01:18:08No.
01:18:09Have you lost your mind, Jeanette?
01:18:10Those policemen suspect me by this time.
01:18:11The police were here.
01:18:12Don't ask me to explain it to you.
01:18:14I don't want to.
01:18:15Hurry up now.
01:18:16I'll hurry, but I'm not leaving with you.
01:18:18Jeanette.
01:18:19You made me a promise and this is the decision I've made.
01:18:21You, Jeanette.
01:18:23I want to disbind you here.
01:18:25I've even killed for you.
01:18:28I've...
01:18:31I've begged you.
01:18:32I've unleashed a horrible force within me that I can no longer control.
01:18:37You alone can help me stop it.
01:18:39Tell me that you will never abandon me now.
01:18:41No!
01:18:43Look again.
01:18:44You begin to understand now.
01:18:47Tell me you belong to me, that you will run away with me.
01:18:50It is my only hope of salvation.
01:18:52Then you will see again the man you came to for help and who loves you so much.
01:18:56It all depends on you.
01:18:57No, it's horrible.
01:18:58Jeanette.
01:18:59Let go of me.
01:19:04Move the trigger and murder the man who condemned himself for you.
01:19:08Have that much courage at least because in a moment or two you will go mad.
01:19:11Mad with horror you don't know.
01:19:13No!
01:19:15That's right.
01:19:16Don't look at me.
01:19:17It's better that you don't look at me.
01:19:19But believe me when I say you can still save me if you would say to me...
01:19:23No!
01:19:23I can't do it!
01:19:25No?
01:19:25No!
01:19:26No!
01:19:27You say no.
01:19:28Well then get dressed.
01:19:30I'll give you one minute and no more.
01:19:33You are coming with me whether you want to or not.
01:19:38I don't know what will become of us.
01:19:40It doesn't matter anymore.
01:19:42But you will never see your care again.
01:19:46You are mine.
01:19:47Mine!
01:19:48I'll kill you first.
01:19:50Now get dressed.
01:20:00Albert.
01:20:02Have you no pity.
01:20:07That's what I ask of you.
01:20:10I!
01:20:11No!
01:20:12Help!
01:20:15Help!
01:20:18Help!
01:20:20Help!
01:20:21Help!
01:20:22Help!
01:20:22Help!
01:20:24Let me go!
01:20:26No one will leave you!
01:20:27Let me go!
01:20:28No one will take you from me!
01:20:30Let me go!
01:20:39Get away with me.
01:20:42Get away with me.
01:20:47No!
01:20:47No!
01:20:49Help!
01:20:53Help!
01:21:08Dad!
01:21:09Dad!
01:21:11Dad!
01:21:11Oh, my God!
01:21:22Yes!
01:21:25Yes!
01:21:26No!
01:21:28No!
01:21:29No!
01:21:31No!
01:22:03Sam!
01:22:20Sam!
01:22:22Sam!
01:22:23Sam!
01:22:26Sam!
01:22:26Sam!
01:22:26No!
01:22:28No!
01:22:35No!
01:22:36Oh, no! No!
01:22:38No!
01:22:41No!
01:23:10Oh, no!
01:23:11Serser!
01:23:14Serser!
01:23:15Serser, the time!
01:23:16You must... I'm living, Serser!
01:23:20Janet!
01:23:20Janet!
01:23:22We are tired as we did before.
01:23:25Serser!
01:23:39In fact watch out Levin look there fire a volley through the window pain
01:23:48Come out with your hands up
01:23:54Don't come back
01:24:06Don't come back
01:24:07Don't come back
01:24:24Don't come back
01:24:46Don't come back
01:24:48Don't come back
01:24:54Don't come back
01:24:55Don't come back
01:24:58Don't come back
01:24:58Don't come back
01:25:04Don't come back
01:25:11Take that man out of here.
01:25:20Well, come on.
01:25:21Give me a light.
01:25:38Give me a light.
01:26:06Give me a light.
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