Skip to playerSkip to main content
Triplove Drama
  • 6 hours ago
Nobody Knows Anything [Full Movie] [Full Story]Full EP - Full
Transcript
00:00:27Satsang with Mooji
00:00:30How to explain them things that nobody knows
00:00:35People these days they play and act like you know
00:00:38But nobody, not even you, woman
00:00:40Nobody knows, nobody knows
00:00:43Who are you to tell me what's true and what's not?
00:00:45What's happening now, what you got?
00:00:48This here, real life, I'm a jukebox
00:00:50Dinner on the block and got the blocks unlocked
00:00:51Stop, don't wanna hear another word
00:00:54Show me the money or your gifts to burn
00:00:56The second is when I promise you the world
00:00:58I'll make you a star more like Magma Earl
00:01:00Holler back when the contract's right
00:01:02You better best believe I'm looking out for mine
00:01:04I'm feeding on steak and wine
00:01:07Struggles of a naughty face often times
00:01:09Cause nobody knows what the future holds
00:01:11Nobody knows anything till it goes
00:01:13It takes off to the next level of the game
00:01:15Until then you don't know a damn thing
00:01:17Sometimes in life there's questions nobody knows
00:01:22I need to grab them in the first minute
00:01:28Behind these walls lay the broken dreams of men
00:01:31Who are now confined
00:01:32Nah, too depressing
00:01:35Fade in, on a tree-lined street
00:01:38Two good-looking, attractive guys
00:01:40Are good-looking, attractive?
00:01:43That's the same thing
00:01:44Why not tall, unshort guys?
00:01:49Nah
00:01:52Give them something they've never seen before
00:01:55Edgy
00:01:56Ow
00:01:57Different
00:01:59Ow
00:02:02It's the action-packed true story of how
00:02:07The search for the American dream goes dangerously awry
00:02:12I have one dream on rye with a pickle to go
00:02:14Hmm
00:02:15Not bad
00:02:17Gotta grab them in the first minute
00:02:20Hmm
00:02:20Maybe a little sex
00:02:24Meh
00:02:25Too obvious
00:02:31Cosmo says red is the power color for women
00:02:34But it makes me look like a fire truck
00:02:37Hollywood
00:02:40That's me
00:02:40Sarah Wilder
00:02:42I just graduated from film school
00:02:44And now I'm in the real world
00:02:45Well, LA
00:02:47Which may be real or unreal
00:02:49Depending on who you are
00:02:50Fortunately, I know a real person
00:02:53My Uncle Lou
00:02:54Who was once a big-time Hollywood writer
00:02:59Yeah, it's open
00:03:00Yeah
00:03:00So, uh, how did I, how did I do yesterday?
00:03:03Oh, good, good
00:03:04Oh, Phil, I'll talk to you later
00:03:06Bye
00:03:09So?
00:03:13Sarah Wilder
00:03:14Your niece
00:03:15I know that
00:03:15Sit down
00:03:19For me
00:03:21Oh, how nice
00:03:24So, uh, what made you want to get into the movie business?
00:03:27Why'd you pick a profession with dignity?
00:03:29Like begging
00:03:30Oh, okay, Uncle Lou
00:03:31You're just like Mom
00:03:32You think the movie business is populated with terrible people?
00:03:34No, no, no, no, no, no
00:03:35Believe me, believe me
00:03:36I'm not like your mother
00:03:37But, uh, in this instance, she's right
00:03:39The world is full of terrible people
00:03:40Why not the movie business?
00:03:42So, uh, speaking of which, how is your mother?
00:03:47And that lummox she married?
00:03:49She and Dad are great
00:03:50They're doing the Florida thing, you know
00:03:51Get a condo on the beach
00:03:52And play golf
00:03:53And tennis
00:03:54So what's this movie about that you want to make?
00:03:56Jimmy
00:03:57Cousin Jimmy
00:03:58On your father's side?
00:04:00The same
00:04:00But why?
00:04:02He's a bum
00:04:03I know him
00:04:04And like my film teacher always said
00:04:05Film what you know
00:04:08Uh-huh
00:04:09So this story is all about Jimmy's problems, huh?
00:04:13What audience is gonna sit down and watch a movie about a schmuck like that?
00:04:18I don't know
00:04:20He's a sweet guy
00:04:21And I think I want to explore the why of it all
00:04:26The why of it all?
00:04:28Uh-huh
00:04:30You know, I don't understand the movies they're making today
00:04:33Did you, uh, did you see something about Mary?
00:04:35Laugh my ass off
00:04:36Could I make a movie like that?
00:04:37Never
00:04:38Never in a million years
00:04:40I want to tell you something
00:04:42I still know a lot of people in this town
00:04:46I called in a lot of favors
00:04:50I don't know why I'm doing this
00:04:53But I, uh, set up some pitch meetings for you
00:04:56All right?
00:04:56Now stay focused
00:04:57And remember
00:04:58Nobody knows anything
00:05:02Today I have my first pitch meeting at a big studio
00:05:07Hello
00:05:08Oh, I can't talk right now
00:05:10No, I'm meeting Connor Fulton at 9.30
00:05:12I'll talk to you later
00:05:16Hello
00:05:24Wait, wait, wait, all right
00:05:25Hold on, Connor is talking now, okay?
00:05:27All right, now listen
00:05:28You are five million dollars over budget
00:05:30Hold on one second
00:05:31Miss Winston
00:05:32Wilder
00:05:33That's right, hold on, okay
00:05:34Listen, you're five million dollars over budget
00:05:36So either we're gonna stop paying you
00:05:37Or we stop beating the cast and the crew
00:05:39It's your decision
00:05:42So
00:05:43You're new in town
00:05:45And you got a story to do
00:05:46Tell
00:05:48Well, nobody ever said that Connor Fulton didn't give new talent a break
00:05:52Ain't that right?
00:05:55See?
00:05:57Everyone knows
00:05:58That's George, he's my assistant
00:05:59He's my eyes and my ears
00:06:01You can see the big picture
00:06:03Hi
00:06:07So shoot
00:06:07I got a ten o'clock's coming in early
00:06:09You got five minutes
00:06:10Any good story can be told in five minutes
00:06:11Ain't that right?
00:06:14See?
00:06:16Give me your best shot
00:06:18It's the action-packed true story of how the search for the American dream goes ominously awry
00:06:24Kind of like a modern James Dean
00:06:33But during his quest for the American dream
00:06:36Jimmy committed armed robbery
00:06:37A felony
00:06:38But he's my cousin
00:06:40I mean, I sat next to him at the kids table at every holiday dinner
00:06:43But what made him do it?
00:06:47Here's the twist
00:06:49You see, I shot interviews of every family member and eyewitnesses to the actual crime
00:06:55For a historic docudrama
00:06:58Kind of like Reds but without the communists
00:07:00And we'll cut back to them ever so often for background and to help uncover Jimmy's motivations
00:07:07The diet pills are working
00:07:08Oh, thank you!
00:07:09Are those canned?
00:07:10Oh, of course they're canned
00:07:11Are you nervous, Beatrice?
00:07:12No, I'm very relaxed
00:07:14You're gonna be wonderful, Uncle Sid
00:07:15You're gonna be brilliant
00:07:16I like that apathetic thing you got going on
00:07:18And it's all about glamour over here, isn't it?
00:07:20Oh, how do I look?
00:07:21Wonderful
00:07:21Good, I looked right in there?
00:07:23Absolutely, you looked really good
00:07:24It's all about cleverness
00:07:26Roll sound
00:07:28Should I wait for like action?
00:07:31Wait until I say dysfunction
00:07:33Dysfunction
00:07:34Okay, okay, good
00:07:35What do you want me to talk about?
00:07:37Tell me about my cousin Jimmy and Uncle Sid
00:07:39You look marvelous
00:07:42Oh
00:07:44Jimmy is our son
00:07:46We love him
00:07:47He's a very good boy
00:07:50A very good boy
00:07:51You know what rotten is?
00:07:53He's rotten, rotten of the car
00:07:54Oh, but he's a very good boy, you know
00:07:58Thank God he's got my genes
00:08:00You know he takes after my side of the family
00:08:03Your side of the family
00:08:04Your side of the family's crazy
00:08:07You know, all this bad stuff with Jimmy
00:08:10It's your fault
00:08:12My fault?
00:08:14I oughta sue you
00:08:15I oughta sue you and your family, you know that?
00:08:17For what?
00:08:18Because when I married you they passed you off as sane
00:08:22You're fucking crazy
00:08:24This is good
00:08:26This is good
00:08:30You used fucking properly
00:08:33I have a mother and a father too
00:08:35Most people do
00:08:35That's very identifiable
00:08:37Mmm
00:08:41I'm a basket case until my second day
00:08:43You wanna know what he does at the grocery store?
00:08:47Jesus Christ, he's gonna bring up the candy bin thing again
00:08:50He steals little pieces of candy from the candy bin at the grocery store
00:08:55Jimmy must have seen him do it
00:08:58Like father, like son
00:09:00You know, Jimmy used to be a very sweet boy
00:09:03My husband here corrupted him
00:09:06Okay, so maybe Jimmy didn't grow up in the best environment
00:09:10But it's not like he was so different than any other kid
00:09:13I can't do homework because they told me to do homework
00:09:15I can't work under these conditions
00:09:19Right, but there was always a constant in Jimmy's life
00:09:21His love, no, no, his obsession for Miranda
00:09:25Even when they were kids
00:09:26Miranda, I love you
00:09:30Best thing that ever happened to Jimmy was Miranda
00:09:33But even when they were kids, it wasn't always roses
00:09:35I told you, Jimmy, get the fuck out of here!
00:09:38I'm serious!
00:09:40By the time they got married, she'd been kicking him out for years
00:09:42Just leave!
00:09:45See, things haven't changed much
00:09:47But unfortunately, every time Jimmy and Miranda fought
00:09:50He'd always go to his best friend for solace
00:09:52For understanding
00:09:54Unfortunately, his best friend is Virus
00:09:56His partner in crime, so to speak
00:09:58A rocket scientist, Virus isn't
00:10:00But Jimmy still considered him a friend
00:10:02Don't even ask me why
00:10:05Conor, darling, the love of my life, the vein of my existence
00:10:08Great baby!
00:10:10George, see any good movies lately?
00:10:13So good to see
00:10:14How are you doing?
00:10:15What brings you to the salt mines?
00:10:17It's about Bruce Conor, dear, who else?
00:10:19Listen, I just saw those dailies, marvelous
00:10:21Huh?
00:10:22That fight inside, what is that? Is that a volcano?
00:10:25Of course
00:10:25That's incredible, that's incredible, that's incredible
00:10:27Did I say that was incredible?
00:10:29I said that, I said that
00:10:31I'm so happy you're happy
00:10:32Happy? Happy?
00:10:34I am ecstatic here, alright
00:10:35I'm delirious, I'm about to lose control of my bladder
00:10:40I have something else you can piss on then.
00:10:44I hope you don't mind looking at the list of requests Bruce has.
00:10:48What is it?
00:10:49Whoa, whoa, whoa, whoa, whoa, whoa, whoa.
00:10:50Hasana in his trailer.
00:10:52Wet, not dry.
00:10:53Wet, not dry.
00:10:54Not dry, George.
00:10:55Remind me.
00:10:56What's his new stand-in at $4,000?
00:10:58Don't you think Bruce's brother would be perfect?
00:11:00Okay, where's his driver at $3,000?
00:11:02His nephew.
00:11:03Personal trainer, $2,000.
00:11:04His cousin.
00:11:05Coincidentally.
00:11:07You're killing me here.
00:11:08This is $14,000 a week.
00:11:10Why don't we just rent his whole family?
00:11:11You are, Conor, darling.
00:11:13You're renting the whole goddamn family.
00:11:15He's honest.
00:11:16He's honest.
00:11:17It's an $80 million movie.
00:11:18They'll need lots of asses in those seats to see profits.
00:11:21Bruce can put them there.
00:11:23Ciao, George.
00:11:25Love what you're wearing.
00:11:29Thank you, Craig.
00:11:31Hey, listen, you take care, all right?
00:11:32Tell Bruce I'll see him at the fight.
00:11:33I will.
00:11:34Bye-bye, Bobby.
00:11:36Is this a fucking business or what?
00:11:41Would they run General Electric like this?
00:11:43No.
00:11:43No, you're damn right they wouldn't.
00:11:44Give me Jack Brown.
00:11:45I'm sorry about this.
00:11:47They said he went to an early lunch.
00:11:50Christ.
00:11:50It's 10.45 in the morning.
00:11:54Give me the other producer on his film.
00:11:56Bruce's film.
00:11:56Whatever his name is.
00:11:57I don't know.
00:11:57Call him.
00:12:00It is a crazy business.
00:12:02It is crazy.
00:12:03I tell you that.
00:12:04Stars that make $14 million a picture and then they nickel and dime you for every perk they
00:12:09can think of.
00:12:11Producers go to a 10.45 lunch.
00:12:13Shit.
00:12:14I mean, most producers don't even come in until 11 o'clock, huh?
00:12:17Am I right?
00:12:18What?
00:12:18Rich Schwartz on two.
00:12:24Connor Fulton here.
00:12:26I want you to measure Bruce's trailer for a sauna and then I want you to tell him every
00:12:31day that it is being specially made.
00:12:33I want you to tell him we're having trouble getting a green card for his French chef.
00:12:37I want you to bullshit him about his stand-in.
00:12:39I want you to bullshit him about his driver.
00:12:41I want you to bullshit him about his trainer.
00:12:42Tell him, tell him, teamsters.
00:12:45Tell him, tell him we're having a problem with the teamsters.
00:12:47They want their men in place and if he has a problem with that then his family's going
00:12:50to be sleeping with the fishes, okay?
00:12:52And then you tell him to go to hell.
00:13:03Where were we?
00:13:07What Jimmy and Virus needed was a direction, a goal.
00:13:11Get a job, get a job.
00:13:12Why don't you get a job?
00:13:13I'd like to get a job.
00:13:13Why don't you get a job?
00:13:14I can't.
00:13:16See?
00:13:17Because she told me to and then if I get a job it's because she told me to and I
00:13:20can't
00:13:20work under those conditions.
00:13:22Remember, when Jimmy was a kid, he didn't like taking orders.
00:13:25He's no different now.
00:13:26Hey, fellas, let's go, huh?
00:13:28We got a house to paint.
00:13:30Rapido, rapido.
00:13:32For the daylight.
00:13:33You like some guy clapping at you?
00:13:35Come on, have some self-respect.
00:13:37You got to be your own boss.
00:13:38I am my own boss and I've got self-respect.
00:13:40No, what you got, some guy telling you what to do.
00:13:43Nobody tells me what to do.
00:13:46Look, I'm going to take off.
00:13:47Think about what I said.
00:13:48I thought you were coming over to help me paint.
00:13:50No.
00:13:51I thought I was coming over while you paint.
00:13:53I don't paint.
00:13:54I'm not a painter.
00:13:56Anyway, I got to go pick up my check.
00:13:58Disability.
00:14:00Think about what I said.
00:14:01When I said they needed a gold,
00:14:03I really meant they needed money
00:14:05because all they were capable of doing
00:14:07was painting houses.
00:14:09All the fixtures you see are original.
00:14:12They were installed when the house was first built in 1946.
00:14:17Now, nine years ago,
00:14:19the owner of the house, Mississippi Blue Smoke Jones,
00:14:21had all of the fixtures removed,
00:14:23sent back to Germany,
00:14:24where they were originally manufactured in 1928.
00:14:29The Mississippi Blue Smoke Jones,
00:14:31a harmonica play?
00:14:32Yes.
00:14:34Wow.
00:14:37Nice house, Blue Smoke.
00:14:40How do you know Blue Smoke?
00:14:41I don't.
00:14:42I know Bob Kim.
00:14:43Not done yet!
00:14:44All of the fixtures were cleaned,
00:14:46restored, updated
00:14:47by the grandson of the original manufacturer,
00:14:51Minster Van der Klieger.
00:14:53Now, if that name rings a bell,
00:14:55it should,
00:14:56because we still use Klieg lights
00:14:58today.
00:14:58This way.
00:15:02Does he know we're here to paint?
00:15:04As you can see,
00:15:07as you can see,
00:15:08the kitchen has been updated as well.
00:15:09The technology of tomorrow
00:15:11with the hardwood floors of yesterday.
00:15:14I think that's pretty cool.
00:15:16Speaking of cool,
00:15:17nicely done,
00:15:18this refrigerator
00:15:19has the shell of its mother model,
00:15:22the Freeze Captain 627,
00:15:24with the entrails
00:15:25of the Captain Frost
00:15:27Master Whiz fridge.
00:15:31a lovely piece of machinery.
00:15:33Ha, ha, ha, ha, ha.
00:15:34Ha.
00:15:35I believe this is yours.
00:15:38Take a look at this.
00:15:39Is this beautiful?
00:15:40Look at this,
00:15:41with the trees
00:15:42and the sun.
00:15:43Look at this view.
00:15:44if this view
00:15:46were a lady,
00:15:47I would lay her down
00:15:48right here,
00:15:49right now,
00:15:50and give her the love.
00:15:52Oh, my God.
00:15:54Oh, my God.
00:15:57Oh, God.
00:15:59I am so God damn tired
00:16:02of showing houses
00:16:02all day long.
00:16:04You couldn't give
00:16:05this piece of shit away.
00:16:06This, this shit,
00:16:07it's, it's been on the market
00:16:08for six years now.
00:16:11Oh, God.
00:16:13Oh, God.
00:16:14Did you ever lie in bed
00:16:15at night
00:16:16and you look up
00:16:16at the ceiling
00:16:17and you realize,
00:16:18you know,
00:16:18I, I came to the fork
00:16:19in the road,
00:16:20I veered left.
00:16:20You know you should
00:16:21veer right,
00:16:22you know it,
00:16:22but, but it's too late.
00:16:24It's too late.
00:16:25I shit where I sleep.
00:16:27Oh, God.
00:16:28I wish I had
00:16:29a bad porch.
00:16:33It's too late.
00:16:36You guys,
00:16:37you, you seem like
00:16:38nice guys, really.
00:16:40You, and you're young.
00:16:41You should get away.
00:16:42Run away now
00:16:43because I feel
00:16:44one coming on,
00:16:45okay?
00:16:47I, I, I really need
00:16:48to be alone.
00:16:50Oh, God.
00:16:56Oh.
00:16:57Oh.
00:16:58Oh, God.
00:17:00Wow.
00:17:01Can you believe that?
00:17:02Oh.
00:17:03Blue Smoke's house
00:17:04has been on the market
00:17:04for six years.
00:17:05It's beautiful.
00:17:07Wait, wait, wait, wait,
00:17:08wait, wait, wait, wait.
00:17:09Two guys,
00:17:11strike that,
00:17:11two morons
00:17:13who can't paint
00:17:14and they're talking
00:17:15about some musician.
00:17:17I'm,
00:17:17I thought this was
00:17:19about an armed robbery.
00:17:21It is.
00:17:22So?
00:17:23Where is it?
00:17:24I mean,
00:17:25how far are we
00:17:25into the picture now?
00:17:27Ten minutes,
00:17:28maybe?
00:17:29Oh, God.
00:17:30Ten minutes?
00:17:31Ten minutes is a lifetime.
00:17:32See?
00:17:33George knows.
00:17:34In Indiana Jones,
00:17:35he has already been chased
00:17:36by a boulder by now,
00:17:38okay?
00:17:38In Jaws,
00:17:39we've seen a girl
00:17:39get naked,
00:17:40make out with some guy,
00:17:41hop in the water
00:17:41and get eaten by a shark.
00:17:43That's the goal.
00:17:44That's what the audience
00:17:44is waiting for.
00:17:45Why are you making them wait?
00:17:48I wanted to build up
00:17:50the motivation
00:17:50to their committing
00:17:52the robbery.
00:17:53Wrong answer.
00:17:56My dear,
00:17:56you must be visual.
00:17:57You have to show this.
00:17:58You gotta show some guns,
00:18:00some violence,
00:18:00a little blood.
00:18:02I don't know.
00:18:02Wait, um,
00:18:04they, they,
00:18:04let's say they,
00:18:05they,
00:18:07they witness a robbery.
00:18:10They witness a robbery
00:18:11and that inspires them.
00:18:12That's good, isn't it?
00:18:13That's good.
00:18:14That's good.
00:18:15Try that.
00:18:16You want me to change
00:18:17what I have?
00:18:18Change what actually happened.
00:18:19Change the truth.
00:18:23The truth?
00:18:25What do you think
00:18:25this is?
00:18:26Church?
00:18:26The, yes.
00:18:27Yes.
00:18:28Change the truth,
00:18:29add the bit about the robbery
00:18:30and then, uh,
00:18:32continue.
00:18:34Okay.
00:18:35Um,
00:18:36let's see.
00:18:37Uh,
00:18:38as Uncle Lou said,
00:18:39nobody knows anything,
00:18:40so I might as well
00:18:41give it a try.
00:18:42Why can't Miranda
00:18:42just be nice to me?
00:18:44You guys need a dialogue,
00:18:45man.
00:18:46Is that it, fellas?
00:18:47Yeah.
00:18:48All right.
00:18:49Uh, let's see.
00:18:50Pepsi, Pepsi,
00:18:51fruit pie,
00:18:52fruit pie.
00:18:53265.
00:18:54We got two.
00:18:55We got
00:18:5750,
00:18:5861,
00:18:5962,
00:19:0063,
00:19:0264,
00:19:032,
00:19:0464.
00:19:072,
00:19:0864.
00:19:0964.
00:19:15All right.
00:19:15Man, fine.
00:19:19Miranda's just
00:19:19complicated, you know?
00:19:20You guys,
00:19:21we need to talk more,
00:19:22because she's like,
00:19:22let's stay calm,
00:19:23we just want the cash.
00:19:24Let's go, let's go,
00:19:24move it.
00:19:25All right, you two,
00:19:25spread out.
00:19:26Spread out.
00:19:26See some money out of you two.
00:19:27Come on, come on,
00:19:28I'm not fooling around here.
00:19:29Let's open the pot.
00:19:30See some cash.
00:19:31Man, I got nothing.
00:19:33I'm finished with that dish.
00:19:34Totally tap.
00:19:35Give me the change.
00:19:38Get the hands up.
00:19:39Clean, that's it.
00:19:39Let's go.
00:19:48How hairy was that?
00:19:51How about shit?
00:19:52Did you about shit?
00:19:52How about shit?
00:19:54Did you see me?
00:19:55I froze.
00:19:56I was just kidding.
00:19:57Hey, man.
00:19:59You're really cool.
00:20:00Yeah, it's because I don't give a shit.
00:20:01It happens every other week.
00:20:02I'm not going to get my ass shot up
00:20:04for, you know, 200 bucks
00:20:05that's not even mine.
00:20:07You were really cool.
00:20:08I should have put a cap in their ass.
00:20:10That's what I should have did.
00:20:11But I don't have a, uh, gun.
00:20:17Hey.
00:20:18Yeah, yeah, go ahead.
00:20:19You sure?
00:20:19You sure?
00:20:22Thanks a lot.
00:20:23Sure.
00:20:25Jimmy needed to feel worthy
00:20:27in Miranda's eyes
00:20:28to prove himself to her
00:20:30on his own terms.
00:20:32But he didn't know how.
00:20:34Witnessing the robbery
00:20:35was both shocking
00:20:36and exciting to them.
00:20:37A total adrenaline rush.
00:20:39To Jimmy and Virus,
00:20:40this was all the inspiration
00:20:41they needed.
00:20:42If you had to give a description
00:20:43of the cops right now,
00:20:44what would you tell them?
00:20:45I'd say there were two of them.
00:20:46Uh-huh.
00:20:48And that they were bigger than us
00:20:49and white.
00:20:51Hey, you don't catch guys like that.
00:20:53You know?
00:20:54They knew exactly
00:20:55what they were doing.
00:20:56They were professionals.
00:20:56You heard the cashier.
00:20:57That shit happens all the time.
00:20:58I like this much better now.
00:21:00I like it.
00:21:01This is good.
00:21:04Go on.
00:21:05Jimmy moved in with Virus.
00:21:06The wheels were now in motion
00:21:07that would lead them
00:21:08to their eventual destiny.
00:21:10Come on, get the door open.
00:21:13The phone's ringing.
00:21:14Hello?
00:21:15Oh, no, hey, Miranda.
00:21:16How are you?
00:21:17No, actually,
00:21:18we just walked in.
00:21:19It's Miranda.
00:21:20Really?
00:21:21No, that's...
00:21:21Yeah.
00:21:23No, I will.
00:21:24Yeah, that's sweet.
00:21:25I will.
00:21:26Absolutely, I will.
00:21:27Uh-huh.
00:21:30You look like Joe Perry
00:21:31from Aerosmith right now
00:21:32in that light.
00:21:32It's weird.
00:21:33Your nose is...
00:21:34Huh?
00:21:35What are you saying?
00:21:36No, that...
00:21:36Oh, okay, cool.
00:21:38Absolutely.
00:21:39I will.
00:21:40Yeah, he's right here.
00:21:41Hold on one second.
00:21:42She wants to talk to you.
00:21:43Now, to Jimmy,
00:21:44his life may have been crap,
00:21:46but the one thing
00:21:47he did have was Miranda.
00:21:50Actually, he didn't,
00:21:51but that's Jimmy.
00:21:52Hello.
00:21:53Yeah, no,
00:21:54just me and Virus.
00:21:56Hey, how'd you know
00:21:57I was here anyway?
00:21:59No?
00:22:00Just, no.
00:22:01No.
00:22:03Now, see,
00:22:03I think you do want
00:22:04to fight about it.
00:22:05As a matter of fact,
00:22:05I think you want nothing more
00:22:07than to fight about it.
00:22:08Hang on a second there, Puddin.
00:22:09You're the one
00:22:10who asked me to...
00:22:12Puds.
00:22:12I even asked a psychiatrist
00:22:14why Miranda would call.
00:22:16It's called separation anxiety.
00:22:18You see,
00:22:18Jimmy was obsessed with Miranda,
00:22:20yet she was rejecting him.
00:22:22Quite often,
00:22:22when people are away,
00:22:23this sort of thing happens.
00:22:24Yeah, yeah, yeah,
00:22:25that's exactly what happened to me
00:22:26when I was on a stakeout
00:22:27for two months.
00:22:29Day in and day out,
00:22:30my wife and I,
00:22:31well, we were separated
00:22:32for some time.
00:22:33And, well,
00:22:34we had arguments,
00:22:35and, you know,
00:22:37separation is very painful
00:22:38and stressful.
00:22:39Oh, it's terrible.
00:22:41He was not on a stakeout.
00:22:42He's disturbed.
00:22:44He thinks he's Joe Mannix
00:22:45from the television show.
00:22:46You were not on a stakeout.
00:22:48Yeah, I tried to call her
00:22:49from every discreet telephone
00:22:50I could find,
00:22:51but there just wasn't
00:22:52any telephones around.
00:22:53I was desperate,
00:22:54desperate to talk to her.
00:22:55I even had my secretary, Peggy.
00:22:57You remember Peggy.
00:22:58Peggy, I said,
00:22:59you've got to get in touch with her,
00:23:00but nothing, nothing.
00:23:02You're not a private eye,
00:23:03Mr. O'Hanion.
00:23:04You're...
00:23:04Wait, wait a minute.
00:23:05What do you mean, Shrinko?
00:23:06Of course I'm a private eye.
00:23:08Joe Mannix,
00:23:09what are you talking about?
00:23:10I went undercover
00:23:11with my contacts
00:23:12at the police force,
00:23:12Lieutenant Tobias.
00:23:13Remember Lieutenant Tobias?
00:23:15Yes.
00:23:15Yeah, well,
00:23:16I was out of pocket
00:23:16for six months with that.
00:23:18You did not go undercover.
00:23:19Your name is not Joe Mannix,
00:23:20Mr. O'Hanion.
00:23:21It's Cricor O'Hanion.
00:23:22You live in Fresno
00:23:23and you make cheap white wine.
00:23:24Wait, wait, wait.
00:23:26You said it was going
00:23:27to be like Reds.
00:23:29What part does Warren Beatty play?
00:23:33No, he's not in it,
00:23:36but I'm using eyewitnesses
00:23:38like in the movie Reds.
00:23:42You get me Warren Beatty
00:23:43as an eyewitness.
00:23:44We got a movie.
00:23:50You have any other casting
00:23:51in place?
00:23:51You talk to George.
00:23:52George, he's my eyes
00:23:53and my ears.
00:23:56Is he coming back?
00:24:05How did you put a blind guy
00:24:06in the movie business?
00:24:07It's an advantage.
00:24:08First of all,
00:24:09nobody reads scripts anymore.
00:24:10They get these kids
00:24:12from UCLA to do that.
00:24:13Secondly,
00:24:14if he can't see,
00:24:15there's a little chance
00:24:16to take his boss's job.
00:24:19though, uh,
00:24:21on the other hand,
00:24:23if he was also deaf,
00:24:24his chances could improve.
00:24:26Does everyone have a yes man?
00:24:29Some have no men.
00:24:31Most have
00:24:32and we'll get back to you, man.
00:24:33Here.
00:24:34Let me give you
00:24:35this guy's number.
00:24:36I used to know him.
00:24:38He's okay.
00:24:38I gave him his first shot.
00:24:40You just call him,
00:24:41all right?
00:24:43Lou Bracken.
00:24:44Is he still alive?
00:24:46He called you,
00:24:47didn't he?
00:24:49Hmm.
00:24:51Comes from Cuba.
00:24:53I can make my whole movie
00:24:54for the price
00:24:55of five of those.
00:24:56Is that legal?
00:24:58Cuba Gooding.
00:25:00told me the money, baby.
00:25:05So, uh,
00:25:07where were we?
00:25:08Let's see.
00:25:09Your cousin Jimmy?
00:25:10Jimmy was spending
00:25:11his days watching TV
00:25:12and bemoaning Miranda.
00:25:14You're right.
00:25:15Should be separate, you know?
00:25:17I'm better off
00:25:17out of that house
00:25:18than still living
00:25:19with that emotional
00:25:19carnival freak.
00:25:20She's a sideshow.
00:25:22It's a really nice house, though.
00:25:27An idiot.
00:25:28I still dig.
00:25:30Check it out.
00:25:31Turn it out.
00:25:32Try it.
00:25:33After being convicted
00:25:34of the grisly murder
00:25:36of his 69-year-old grandmother,
00:25:38Sally Gag.
00:25:40McClintock's peach.
00:25:42They can't be beat.
00:25:43You'll say that's me.
00:25:45The best darn peach
00:25:46I could ever eat.
00:25:47So we jump in the fridge,
00:25:48but we do encourage you
00:25:49to try one.
00:25:51McClintock's peach.
00:25:51Once they saw the commercial,
00:25:53they decided to target
00:25:54McClintock's.
00:25:55Okay, this is Karen,
00:25:57all right?
00:25:57She's a friend of mine.
00:25:58Karen used to work
00:25:59at McClintock's.
00:26:00Why she quit,
00:26:00that's not important either.
00:26:02Okay.
00:26:02All right?
00:26:03Here's the candy.
00:26:04Karen says they deposit
00:26:05the money to the bank
00:26:06every Monday afternoon.
00:26:07No.
00:26:08Yeah.
00:26:08So I figure we go in there
00:26:09on a Monday morning,
00:26:10that's a week's worth
00:26:11of business in that register.
00:26:12How hard can this be?
00:26:13Register full of cash,
00:26:14no security.
00:26:15I figure we walk in,
00:26:16grab the money,
00:26:16walk out,
00:26:17just like those guys did.
00:26:18Coffee Karen figures
00:26:19almost $50,000.
00:26:20Even as Jimmy and Virus
00:26:22plotted the robbery,
00:26:23it seemed that their feelings
00:26:24against McClintock's
00:26:25had found some public support.
00:26:26How dare the McClintock's
00:26:28invoked God to sell their peaches.
00:26:31They are the most self-righteous,
00:26:33pretentious con artists
00:26:34this town has ever seen.
00:26:35I could spit on them.
00:26:37McClintock's peaches
00:26:39smakujÄ… jak moje mamy.
00:26:41Zupełnie tak samo.
00:26:42These eyewitnesses,
00:26:44you shot them already, right?
00:26:46Oh, yeah.
00:26:47In the can.
00:26:47And there's a lot more
00:26:49than what you've heard.
00:26:50Mm-hmm.
00:26:52So, uh,
00:26:55who do you see
00:26:56as the peach expert?
00:26:58Oh, the real peach expert himself.
00:27:01The real one
00:27:01I already shot in the film.
00:27:04Okay, let's get this straight.
00:27:06Everyone,
00:27:06I don't care who they are,
00:27:08wants to get their hands
00:27:09on some of these peaches,
00:27:10especially if they've ever
00:27:11tasted McClintock's peach.
00:27:13I mean everyone, okay?
00:27:16Huh.
00:27:16Oh, merci beaucoup.
00:27:20Euro trash.
00:27:22Sunscreen?
00:27:23Oh.
00:27:25I think,
00:27:26I think perhaps
00:27:28you should think younger.
00:27:30Maybe
00:27:32Ben Stiller
00:27:34as the peach expert.
00:27:38Whatever happened
00:27:40to authenticity?
00:27:42Authenticity
00:27:43is for CNN.
00:27:44Ben Stiller
00:27:45is for movies.
00:27:47Cheers.
00:27:48Maybe you're right.
00:27:57Well, think about it.
00:27:59Okay?
00:28:00Think about Ben.
00:28:02Okay, get this straight.
00:28:03Everybody,
00:28:04I don't care who it is,
00:28:05wants to get their hands
00:28:06on some of those peaches
00:28:07if they've ever tasted
00:28:08McClintock peach, okay?
00:28:11Okay?
00:28:11Ben Stiller.
00:28:12Hmm?
00:28:14Okay, get this straight.
00:28:16Everybody,
00:28:17I don't care who it is,
00:28:18wants to get their hands
00:28:19on some of those peaches
00:28:20if they've ever tasted
00:28:21McClintock peach, okay?
00:28:24Ben Stiller.
00:28:25Okay, get this straight.
00:28:26Everybody,
00:28:27I don't care who it is,
00:28:28wants to get their hands
00:28:29on some of those peaches
00:28:30if they've ever tasted
00:28:31McClintock peach, okay?
00:28:33Much better.
00:28:34Now continue.
00:28:35Well,
00:28:37the seat for Robbie McClintock
00:28:39was planted,
00:28:40but Jimmy was torn,
00:28:43confused.
00:28:44Just between his unrequited
00:28:46love for Miranda
00:28:47and the adrenaline rush
00:28:49from the robbery,
00:28:51Jimmy was an emotional,
00:28:53vulnerable,
00:28:56incredibly hurt boy.
00:28:58He was riding
00:28:59a manic depressive
00:29:00roller coaster,
00:29:01get very deep,
00:29:05deep lows,
00:29:08and manic,
00:29:10sexy highs.
00:29:13Very manic highs.
00:29:15Excuse me.
00:29:16I'm just gonna put this
00:29:17over here.
00:29:19Virus wasn't any help.
00:29:21He was always testing Jimmy
00:29:22with ridiculous,
00:29:23hypothetical questions.
00:29:25You were their camp counselor.
00:29:26I certainly was,
00:29:28and I'm here to say
00:29:29that these boys
00:29:29were not evil or vicious.
00:29:31Oh, they weren't geniuses,
00:29:33to be sure.
00:29:33But they had convictions,
00:29:35they had values.
00:29:36Hey, I got one for you.
00:29:38If you had to blow some guy,
00:29:39who would it be?
00:29:40Excuse me?
00:29:41Say you had to blow some guy,
00:29:42who would you pick?
00:29:43I don't have to blow some guy.
00:29:45Yeah, I know you don't have to,
00:29:46but if you did,
00:29:47who would it be?
00:29:48I try not to entertain
00:29:49that thought,
00:29:50and I don't think it's healthy
00:29:50when you do it.
00:29:51Come on,
00:29:52entertain me for a second.
00:29:53They got a gun to your head.
00:29:57Well, if they got a gun to my head,
00:29:59odds are I'll be blowing one of them.
00:30:01You're missing my point.
00:30:02Your point?
00:30:02I didn't realize there was a point.
00:30:04Forget about it, all right?
00:30:05No, all right,
00:30:06who are they,
00:30:06friends of yours?
00:30:07No.
00:30:08This doesn't make any sense.
00:30:09I don't know, look,
00:30:10they're just guys, all right?
00:30:11They're like bored frat guys
00:30:13that are out on a drinking bin,
00:30:14just looking for something to do,
00:30:15and somebody gave them a gun.
00:30:17I give up.
00:30:18Who do I want to blow?
00:30:19I don't know.
00:30:20See, neither do I.
00:30:21You see,
00:30:23that was an essential part
00:30:24of the relationship,
00:30:24the conflict between
00:30:26fantasy and reality.
00:30:28Yeah, well,
00:30:30blowjobs are great,
00:30:31but not between two guys.
00:30:33This isn't about sex.
00:30:34That's not the point.
00:30:35Wrong.
00:30:37That is the point.
00:30:39Sex.
00:30:41You gotta have sex.
00:30:44Real sex.
00:30:46Sexy sex.
00:30:48What sex?
00:30:49Between a guy and a gal.
00:30:52Real sex?
00:30:54Yeah, like Baywatch.
00:30:59Baywatch.
00:31:00That's it.
00:31:02Make it all happen at the beach.
00:31:05The whole picture.
00:31:07You reshoot all the witnesses
00:31:08at the beach.
00:31:10You change the robbery
00:31:11to the beach.
00:31:13Then you make Miranda
00:31:14a sexy, sexy lifeguard.
00:31:18And you send it to me
00:31:19sealed with a kiss
00:31:21and I'll get back to you.
00:31:24All you wanted was sex,
00:31:26sex, sex.
00:31:28Really?
00:31:29Ooh, that's three sexes.
00:31:31I always knew he was ambitious.
00:31:33This is very discouraging.
00:31:34Why, come on,
00:31:35you ready to give up already?
00:31:36Huh?
00:31:37I thought you were a toughie.
00:31:38I thought you had crust like me.
00:31:40That's what I always liked about you.
00:31:41Well, it's just not exactly
00:31:42what I expected.
00:31:43What did you expect?
00:31:44Somebody,
00:31:45the first time you meet them,
00:31:46they're gonna give you money
00:31:47to make you a fukaku little movie?
00:31:48Huh?
00:31:50Come here.
00:31:51Come here.
00:31:53Come on.
00:31:54Look,
00:31:55this is a tough town.
00:31:56What are you doing?
00:31:58Sweetheart,
00:31:58sit down.
00:31:59Sit down.
00:32:05It just seems like
00:32:07everyone wants to make
00:32:08a different movie
00:32:08than the one that I want to make.
00:32:11So what?
00:32:12That's the town.
00:32:13Everybody is a critic.
00:32:15They go to screens
00:32:16and they say,
00:32:17why wasn't so-and-so
00:32:19in that part?
00:32:19Why can't the ending
00:32:20be different?
00:32:21Come here.
00:32:23I'm gonna set you up
00:32:24with Gus Schnuck,
00:32:25the king of schlock.
00:32:26He's not quite right
00:32:27for your picture,
00:32:28but he's not a critic.
00:32:29He wouldn't even pretend
00:32:30to know good from bad.
00:32:31Come on in.
00:32:32Come on in.
00:32:33What do you mean
00:32:34you never heard
00:32:34of a topless toga?
00:32:36What difference does it make?
00:32:37That woman's knockers
00:32:38are so big
00:32:39you couldn't cover them anyway.
00:32:41Hiya, Judge.
00:32:42Look, Harry,
00:32:43I'm sorry.
00:32:44We're gonna have to talk
00:32:44about this later.
00:32:45I got a meeting now.
00:32:47Yeah, okay, bye.
00:32:48Have a seat, please.
00:32:50Sit down.
00:32:51Meet my assistant.
00:32:52Oh, babe.
00:32:52He started
00:32:53one of my worst pictures.
00:32:55Fuck you.
00:32:56You watch your mouth,
00:32:57you little shit.
00:32:58The picture was terrible,
00:33:00but it made a fortune.
00:33:01He thinks he should
00:33:01get all the money.
00:33:02I'm a star.
00:33:04I'm a star.
00:33:05Shut up.
00:33:06That's a beautiful bird.
00:33:08So, pick up where you left off.
00:33:10You're making this movie now
00:33:12about an armed robbery,
00:33:13the American Dream,
00:33:14your cousin Jimmy.
00:33:15Around that time,
00:33:16almost everyone was talking
00:33:17about McClintock's peach.
00:33:19Peaches are good for you.
00:33:20They're healthy.
00:33:21Go to any health food store,
00:33:22they'll tell you.
00:33:23Peaches are number one.
00:33:24And these,
00:33:25kissed by God.
00:33:26I hate peaches.
00:33:28Not just McClintock's peaches,
00:33:29but all peaches.
00:33:30After all,
00:33:32if there weren't any peaches,
00:33:34Dwayne Allman would be alive today.
00:33:35The whole town had a fruit syndrome
00:33:38that infected everyone,
00:33:41particularly Jimmy and Virus.
00:33:43You could say that Virus caught a Virus.
00:33:50Excuse me, young lady.
00:33:52Is the owner in?
00:33:53Oh, good Lord,
00:33:56broke the mold with you two.
00:33:59Well, I'll just put in
00:34:01a French blow,
00:34:03and
00:34:06a couple motherfuckers for you.
00:34:12Miranda was in earlier.
00:34:14Huh.
00:34:15Why don't you just quit
00:34:16your fussing and marry that girl?
00:34:19I did.
00:34:21Oh.
00:34:23And you?
00:34:24You ought to get yourself a steady,
00:34:27because you're going to catch something
00:34:29that won't wash off.
00:34:31You don't want to grow old alone.
00:34:34No, ma'am.
00:34:36335.
00:34:46When I lost Walter,
00:34:48my life went into a tailspin'.
00:34:51I really do miss that man.
00:34:53You know,
00:34:54we did such good business here
00:34:56before McClintock's opened.
00:34:57You can't compete with that
00:35:00God-kissed peach.
00:35:02Hi.
00:35:03McClintock's.
00:35:04Well,
00:35:05McClintock's is really the
00:35:07lifeblood of this town.
00:35:08You know,
00:35:09in large part,
00:35:10that's because of these peaches.
00:35:12These are some of the best peaches
00:35:13in the world.
00:35:14They're really kind of
00:35:15God-kissed, you know?
00:35:17Listen,
00:35:18they pumped the revenue
00:35:19right into this city.
00:35:21Did you get that?
00:35:22You see,
00:35:23the thing is,
00:35:24every city,
00:35:25every major city
00:35:25has that one special attraction.
00:35:27You know,
00:35:28New York has the Statue of Liberty
00:35:29and San Antonio has the,
00:35:31you know,
00:35:32the Alamo.
00:35:32We have peaches.
00:35:35Now,
00:35:35this peach,
00:35:37did you get that?
00:35:38Are we in front of you?
00:35:39This peach
00:35:40was eaten by
00:35:41President Ronald Reagan.
00:35:45He came to this city
00:35:46just for the peaches.
00:35:49Actually,
00:35:50well,
00:35:50I think,
00:35:51actually,
00:35:52he was lost,
00:35:52but the point is that
00:35:54he took one bite
00:35:55of that peach
00:35:57and,
00:35:58well,
00:35:58he had to leave,
00:35:59but I was fortunate
00:36:00because I grabbed that peach
00:36:01before he left,
00:36:03and
00:36:04it's a little rotted now,
00:36:06you can probably see,
00:36:06but
00:36:07those are his actual
00:36:08teeth marks.
00:36:11I'm pretty sure
00:36:12they were his real teeth.
00:36:13Uh,
00:36:14excuse me,
00:36:14Sarah,
00:36:15who do you see
00:36:16as a peach expert?
00:36:17Ben Stiller.
00:36:18What are you,
00:36:19a casting director?
00:36:20That's exactly
00:36:21who I saw.
00:36:22Really?
00:36:23Go on.
00:36:24Ben Stiller.
00:36:25Ben Stiller.
00:36:27Not you,
00:36:27you dummy.
00:36:28Her.
00:36:29Please.
00:36:30Fuck you.
00:36:31I'm a star.
00:36:32Ben Stiller.
00:36:33I'm warning you,
00:36:33you're right on the edge.
00:36:35You're gonna get it.
00:36:36I'm sorry.
00:36:37Please,
00:36:37go ahead.
00:36:39As I was saying,
00:36:40by now,
00:36:41Jimmy and Virus
00:36:42had zeroed in
00:36:42on McClintocks,
00:36:43but they were still
00:36:44afraid of getting caught.
00:36:45I feel really good
00:36:46about the plan.
00:36:48I really,
00:36:49you know,
00:36:49feel good about
00:36:50the whole thing,
00:36:50but I also feel like
00:36:51we're gonna get caught.
00:36:52No,
00:36:52do not do that.
00:36:54Do not do that.
00:36:55Look,
00:36:55I feel like...
00:36:56I'm serious.
00:36:57Don't think that way.
00:36:58Look,
00:36:58I'm just saying...
00:37:01No!
00:37:01I know.
00:37:02You really don't get it,
00:37:03do you?
00:37:03Listen up,
00:37:04Skeeter,
00:37:04I'm gonna tell you once.
00:37:06If you think it,
00:37:07it will happen.
00:37:08Well,
00:37:08now,
00:37:08this Jimmy,
00:37:09could he go psycho
00:37:09like De Niro did
00:37:10at the end of Taxi Driver?
00:37:12You know,
00:37:12I mean,
00:37:13that's something I could sell.
00:37:14Uh,
00:37:14no.
00:37:15But he could.
00:37:16But he didn't.
00:37:16But you're writing it,
00:37:17so he could.
00:37:18But it's a true story,
00:37:19so he didn't.
00:37:19Didn't.
00:37:20Watch it.
00:37:21Watch it.
00:37:22Fuck you.
00:37:22Fuck me.
00:37:23Fuck you.
00:37:24You teach him one bad word
00:37:26and he goes nuts.
00:37:27Now,
00:37:27what about music?
00:37:28This virus,
00:37:29he could be a musician,
00:37:30you know?
00:37:30Kids love music.
00:37:31I mean,
00:37:32soundtracks can put a movie
00:37:33in the black
00:37:33even if it's a turkey,
00:37:35you know?
00:37:35Turkey!
00:37:36I got the music in me.
00:37:39I can feel it.
00:37:40I just gotta find it.
00:37:42We all do.
00:37:44No,
00:37:44we all don't.
00:37:46What you're feeling,
00:37:47you see,
00:37:47there's a euphoria
00:37:48that comes along
00:37:49with believing
00:37:49your own bullshit.
00:37:50That's what you're feeling,
00:37:51not the music in you.
00:37:53Well,
00:37:54we mock
00:37:55what we don't understand.
00:37:58You see,
00:37:59because
00:38:00the music,
00:38:01she's my lady.
00:38:02She's my muse.
00:38:06But she's got
00:38:06a whole lot of mean
00:38:08up under that skirt of hers.
00:38:10She taunts me,
00:38:12sits at the end of the bar,
00:38:13and just before we lock,
00:38:14she's gone.
00:38:16She's like a cold cup of coffee.
00:38:19It's sweet,
00:38:20sweet music.
00:38:22Jimmy and Virus
00:38:23had meticulously planned
00:38:24the robbery
00:38:25with detail and precision,
00:38:26asking all the tough questions.
00:38:28What does a professional
00:38:29robbery need for a robbery?
00:38:31You need a car
00:38:31and you need guns,
00:38:32that's about it.
00:38:32Mayonnaise?
00:38:33I can get a car,
00:38:34but what about guns?
00:38:35Pepsi?
00:38:35Please.
00:38:36I get guns.
00:38:37You can get guns.
00:38:39I get guns.
00:38:40You can get a car?
00:38:41I'll get guns.
00:38:43You can get a car.
00:38:44I can get guns.
00:38:46Then we got a car
00:38:46and we got guns.
00:38:47Sandwich?
00:38:50Car,
00:38:51guns,
00:38:53masks.
00:38:54Masks.
00:38:56And she's like,
00:38:57oh, I had trouble parking.
00:38:58It's like,
00:38:58there's hella parking outside.
00:39:01This is your idea
00:39:02for getting a car?
00:39:04What's your problem?
00:39:04I can rent a car
00:39:05and get guns,
00:39:06all right?
00:39:07Can you get guns,
00:39:07thank you?
00:39:10Don't talk about guns.
00:39:11You know,
00:39:12you got guns.
00:39:13Sorry.
00:39:14I have to be sorry.
00:39:17Don't talk about guns.
00:39:18You know,
00:39:19it's like,
00:39:19I mean,
00:39:20I would have to eat
00:39:20when we do sometimes.
00:39:22You see,
00:39:22because she's a liar.
00:39:23Because some people lie.
00:39:24And she said,
00:39:25first,
00:39:25you remember when she was gone,
00:39:27she said she had dirty weed?
00:39:28She,
00:39:29bitch was in Hawaii.
00:39:30I know she was
00:39:31because she came back
00:39:32with a fan
00:39:33and she was not
00:39:34taking cigarette breaks.
00:39:35She was smoking weed.
00:39:36Because I know
00:39:37what weed smells like.
00:39:38We,
00:39:38no,
00:39:39that's not the point.
00:39:40Weed smells like
00:39:42you know,
00:39:43weed,
00:39:43it's kind of like,
00:39:44kind of like sour apple
00:39:45and it's also kind of like
00:39:47butter.
00:39:48It's kind of like butter
00:39:49and pine.
00:39:50You know,
00:39:51like pine,
00:39:51no,
00:39:52not pine,
00:39:52pine.
00:39:53The point is,
00:39:54you don't smoke weed
00:39:55at work.
00:39:56You can smoke weed
00:39:56anywhere.
00:39:57You don't smoke,
00:39:58you smoke it on your time.
00:39:59You don't smoke weed
00:39:59on my time.
00:40:00You don't smoke weed.
00:40:02Oh,
00:40:02I'm sorry.
00:40:03I'm sorry.
00:40:04I'm sorry.
00:40:04I'll call you back.
00:40:07I'm sorry.
00:40:08Can I help you?
00:40:08Uh, yes.
00:40:09Good afternoon.
00:40:10Uh,
00:40:11we were quite taken
00:40:12with the Cap'n Amonti
00:40:13we saw outside.
00:40:14Is that considered
00:40:15a midsize?
00:40:25I know how it felt.
00:40:27Of course you do.
00:40:33Which car?
00:40:34Driver's license.
00:40:35Yes,
00:40:36not on me.
00:40:38You're gonna rent a car.
00:40:40It's so funny to me.
00:40:42How's that funny?
00:40:44We can't rent.
00:40:45We don't have money to rent.
00:40:46You don't need money to rent.
00:40:48You pay when you return.
00:40:49What if we don't get money?
00:40:51Then we don't return.
00:40:52That's what they got insurance for.
00:40:54Insurance is bullshit.
00:40:56Good hands,
00:40:56hand job.
00:40:57Reach around,
00:40:58bullshit.
00:41:00I still don't see
00:41:01how renting is funny.
00:41:02Well, it's not funny.
00:41:03It's cheating.
00:41:05Funny and cheating
00:41:05are synonyms.
00:41:07Whatever.
00:41:07Whatever.
00:41:08Good response.
00:41:09I guess you win.
00:41:11I'll just get Miranda's car.
00:41:13She's pissed at you.
00:41:14We need a car.
00:41:16Why don't they steal a car?
00:41:17I mean,
00:41:17all they do is talk.
00:41:19Not enough action.
00:41:20Too much talk.
00:41:21Talk or talk?
00:41:22I warned you.
00:41:23You shut up now.
00:41:25Look,
00:41:25where's the action?
00:41:26The car chases,
00:41:27the broads,
00:41:28the...
00:41:28The IRS!
00:41:29I told you never,
00:41:31never to mention that.
00:41:33The IRS!
00:41:33The IRS!
00:41:35All right,
00:41:35that's it.
00:41:36Now I'm gonna get you.
00:41:41Miss me!
00:41:42Miss me!
00:41:42Parrot's got his number.
00:41:45The Parrot picture
00:41:46made him big money.
00:41:48So he's afraid
00:41:49the Parrot's gonna
00:41:50ride him out to the IRS,
00:41:51but he can't kill him
00:41:52because he needs him
00:41:53for the sequel.
00:41:54Is everybody
00:41:55in this town nuts?
00:41:5690%.
00:41:57Hmm.
00:41:59I got a new strategy for us.
00:42:02This lady
00:42:03gave me my last job, right?
00:42:04She's now
00:42:05a big executive in networks.
00:42:07I don't know.
00:42:09Maybe
00:42:09this could work
00:42:10as a movie
00:42:11of the weak docudrama.
00:42:13Hmm?
00:42:14Darling,
00:42:14I can't make it
00:42:15a moment before nine.
00:42:16Okay.
00:42:19Go on.
00:42:20Jimmy and Byrus
00:42:21only days away
00:42:22from the robbery.
00:42:22It was clear
00:42:23there was only one thing
00:42:24they could do
00:42:24to stop them.
00:42:26Themselves.
00:42:27Stop right there.
00:42:29Do you have
00:42:30any stars attached?
00:42:32No.
00:42:33Then you're going
00:42:34to need a strong
00:42:35female lead.
00:42:37This woman,
00:42:38is she more than
00:42:38just a run-of-the-mill
00:42:39wife, girlfriend,
00:42:40mistress,
00:42:41hooker with a heart of gold?
00:42:42You want a chick flick?
00:42:43I'll give you
00:42:44a chick flick.
00:42:45Oh,
00:42:45she's strong,
00:42:46all right.
00:42:46And there's a lot more
00:42:48where that came from.
00:42:49I told you, Jimmy,
00:42:50get the fuck out of here!
00:42:52I'm serious!
00:42:53Get out!
00:42:55So she's strong.
00:42:57What about love?
00:42:59Is she in love?
00:43:00Oh,
00:43:01there's love.
00:43:02I got robbed
00:43:03the other day.
00:43:04Good!
00:43:04You deserve it!
00:43:05Now just get out!
00:43:06No, you're right.
00:43:07I promise.
00:43:07I'm going to change puddin'.
00:43:08I promise.
00:43:09Wait,
00:43:09what did you just call me?
00:43:10Puddin'.
00:43:11Puddin'?
00:43:12No, no, no.
00:43:13You don't have the right
00:43:13to call me puddin'.
00:43:14No more puddin'.
00:43:16Okay?
00:43:16It used to be cute.
00:43:17It's not cute anymore,
00:43:18Jimmy.
00:43:19What's not cute about puddin'?
00:43:21Puddin'?
00:43:21That's cute.
00:43:22Puddin'?
00:43:23Shut up!
00:43:25All right,
00:43:26look,
00:43:26Jimmy,
00:43:27I can't take this anymore,
00:43:28okay?
00:43:28It's been like a year,
00:43:29right?
00:43:30You watch videos all night,
00:43:32you sleep all day,
00:43:32then you hang out with virus.
00:43:33I need more,
00:43:34you know that?
00:43:35So just leave me be,
00:43:36okay?
00:43:37Okay.
00:43:37Do us both a favor,
00:43:38just get out of my life.
00:43:43I need to borrow the car.
00:43:46What?
00:43:47I need to borrow the car.
00:43:49Well,
00:43:50no,
00:43:50you can't,
00:43:51you can't borrow my car.
00:43:53Your car?
00:43:53Yeah,
00:43:54my car.
00:43:55The car.
00:43:57You're so fucking gangly.
00:43:59Oh,
00:44:00you are so beautiful.
00:44:02Oh,
00:44:02Jesus Christ.
00:44:04What are you doing?
00:44:05Get away.
00:44:06I've missed you so much.
00:44:07I don't give a fuck.
00:44:08There's,
00:44:08I have somebody over here,
00:44:10you can't come in.
00:44:10Don't,
00:44:11don't touch me.
00:44:12Makes me want to puke when you touch me.
00:44:15Get the fuck off me.
00:44:25They're star-crossed lovers,
00:44:27and they're sex.
00:44:33I have.
00:44:46So,
00:44:47can I get those guns now?
00:44:55I hope Jennifer told you I don't deal in any of that Saturday night special nonsense.
00:44:59I've got clean,
00:45:01out of state,
00:45:04barely been used product,
00:45:07high resale value.
00:45:10Now,
00:45:11yeah,
00:45:12they might seem a little big,
00:45:14but they're not.
00:45:16You show me some patients,
00:45:17I get you a Smith and Wesson 38.
00:45:20Basically,
00:45:20snub,
00:45:21no service revolvers,
00:45:22get the job done.
00:45:2338s are not as big as these.
00:45:28Yeah.
00:45:30Hello,
00:45:31ladies.
00:45:39You laughing at me,
00:45:40huh?
00:45:41Huh?
00:45:41You laughing at me?
00:45:41What am I,
00:45:42a clown?
00:45:42Do I amuse you?
00:45:43I'm funny now,
00:45:44huh?
00:45:44You must be laughing at me,
00:45:45I don't see anybody else around here.
00:45:46You're mixing your movies,
00:45:47dipshit.
00:45:49What?
00:45:49You're mixing your movies.
00:45:52No,
00:45:52I'm not.
00:45:53How the fuck do I amuse you,
00:45:55huh?
00:45:55That's Joe Pesci.
00:45:57Joe Pesci wouldn't impact the driver.
00:45:59That's what I'm saying,
00:45:59you're mixing your movies.
00:46:01No,
00:46:02I'm not.
00:46:03Whatever.
00:46:04Whatever.
00:46:05Good response,
00:46:06I guess you win.
00:46:07You know,
00:46:09Jennifer said you'd have
00:46:1032 revolvers or something.
00:46:13What?
00:46:14Jennifer told me earlier
00:46:15that you have
00:46:1732 revolvers.
00:46:17Jennifer told me
00:46:18that you have 32 revolvers.
00:46:19Jennifer told me
00:46:20that you have 32 revolvers.
00:46:21But guess what,
00:46:22assface,
00:46:22I'm doing you a favor.
00:46:24I could get rid of these guns
00:46:25for at least $300 a piece
00:46:27tonight.
00:46:30You know what?
00:46:31I'll take those.
00:46:32Yeah,
00:46:32yeah,
00:46:33you will.
00:46:33$600 bucks,
00:46:34first of the month.
00:46:34Don't mind me coming
00:46:35looking for you.
00:46:35Kiss.
00:46:37Great.
00:46:38I'm keeping the jacket.
00:46:39You're going to keep
00:46:40the jacket,
00:46:41great.
00:46:41Go on,
00:46:42get out of here.
00:46:43I've got work to do.
00:46:46So,
00:46:47we have sex,
00:46:49love,
00:46:50a felony,
00:46:52and guns.
00:46:55I love guns.
00:46:58But I'm not sure
00:46:59I buy the bit about
00:47:00getting the guns
00:47:01from the girlfriend.
00:47:03Oh,
00:47:04well,
00:47:04I interviewed
00:47:05a gun expert.
00:47:09I'm all ears.
00:47:11Tell me more.
00:47:12You should buy
00:47:13from a licensed dealer
00:47:14like me.
00:47:16But you can get guns anyway.
00:47:18You want to feel one?
00:47:21Well,
00:47:22you don't have
00:47:23cold steel relaxing
00:47:24against the fleshy part
00:47:26of your finger.
00:47:28And you just ain't lying.
00:47:29It's hard
00:47:31and shiny
00:47:32and has beautiful girls.
00:47:34And it won't yell
00:47:35at you when you're bad
00:47:36and it won't spank you
00:47:38for talking back.
00:47:40No.
00:47:41And it's your friend.
00:47:42Your best friend.
00:47:45You want a horn?
00:47:49You know,
00:47:50guns
00:47:50are what made
00:47:51this country great.
00:47:53Don't you agree?
00:47:56Come on.
00:47:58I'd rather not.
00:47:59I don't believe in guns.
00:48:02Well, you know,
00:48:03you don't know
00:48:03what it's like
00:48:04until you touch
00:48:05the love shaft
00:48:07of Mr. Smith
00:48:08and Mr. West.
00:48:10Actually,
00:48:11being a girl,
00:48:12it's all right
00:48:12for me not to be
00:48:13into guns.
00:48:14What do you mean
00:48:15being a girl?
00:48:16That's all the more
00:48:17reason you need one.
00:48:18All these crazies
00:48:19in the streets.
00:48:20You want to be raped?
00:48:21No.
00:48:22You carry a gun
00:48:24and you hold it
00:48:25in your arms
00:48:26and you suck
00:48:26on the barrel
00:48:27like it's your
00:48:28mama's TV.
00:48:30I really don't
00:48:31want to do this.
00:48:32Watch out!
00:48:34Oh.
00:48:38That must have been heaven.
00:48:41What?
00:48:43Feeling the gun
00:48:44and actually
00:48:45having it go
00:48:46off
00:48:47in your hand.
00:48:50Well,
00:48:51actually,
00:48:51it scared me to death.
00:48:55you mean
00:48:56you don't
00:48:56like guns.
00:49:03Does
00:49:04that mean
00:49:05you don't
00:49:05want me to continue?
00:49:10Eight.
00:49:11Did I mention
00:49:12I saw Ben Stiller
00:49:12as the peach expert?
00:49:14Love you too,
00:49:15darling.
00:49:16Bye.
00:49:22Maybe we should go
00:49:22the indie route.
00:49:24You can't get a studio
00:49:25picture made these days
00:49:26without big stars.
00:49:27Yet,
00:49:27that has nothing to do
00:49:28with whether the film
00:49:29makes money or loses money.
00:49:30It's all about keeping your job.
00:49:31What do you mean?
00:49:32Well,
00:49:33let's say,
00:49:34you got a terrific screen,
00:49:35right?
00:49:35But you put
00:49:36two morons,
00:49:37Jimmy and Virus,
00:49:38in it, right?
00:49:38No studio's going to go
00:49:39for that.
00:49:40Why?
00:49:40Because the film
00:49:41loses money,
00:49:41then the executive
00:49:43who gave it to Green Light
00:49:44is going to lose
00:49:44his job.
00:49:45On the other hand,
00:49:46you get Tom Hanks
00:49:47or whoever else
00:49:48is the flavor to money.
00:49:49Then,
00:49:49the film tanks
00:49:50is Tom Hanks' fault.
00:49:51Or,
00:49:52even better yet,
00:49:52the director.
00:49:54I've got Ben Stiller.
00:49:55Oh.
00:49:57Very nice.
00:49:57That's good.
00:49:58That's a start.
00:49:59So,
00:49:59what do I do?
00:50:00Hold on.
00:50:03Yeah.
00:50:05Oh,
00:50:05Phil,
00:50:06yeah,
00:50:06look,
00:50:06I got my,
00:50:07I,
00:50:07no,
00:50:08no,
00:50:08no,
00:50:08I know we got this.
00:50:10Uh,
00:50:11Phil,
00:50:11hold on for a second,
00:50:12okay?
00:50:13Listen,
00:50:14this is a long shot.
00:50:15Yeah,
00:50:15I'll call you right back.
00:50:16Just stay where you are.
00:50:17Don't move,
00:50:18okay?
00:50:18Bye.
00:50:22I don't know why
00:50:23I didn't think about this before.
00:50:25That's my bookie.
00:50:26He's got a network.
00:50:27He puts money
00:50:27in a lot of independent movies.
00:50:29Your bookie?
00:50:30Uh-huh.
00:50:30Well,
00:50:30he books for,
00:50:31for all the writers.
00:50:32A good friend of mine
00:50:33couldn't pay him,
00:50:34right?
00:50:35So he gave him his script.
00:50:36The picture became
00:50:36a huge hit.
00:50:37The guy is now
00:50:38hooked on movies.
00:50:41Hi.
00:50:42I'm Sarah Wilder.
00:50:43I'm here to see
00:50:44Phil Phillips.
00:50:46Hey,
00:50:47Phil,
00:50:47I'm Miss Sarah Wilder
00:50:48here to see you.
00:50:50Send them in.
00:50:51Go ahead.
00:51:00Sarah Wilder.
00:51:01Any friend of Lou's
00:51:02is a friend of mine.
00:51:03Actually,
00:51:03I'm his niece.
00:51:03I know that.
00:51:04So Lou told me
00:51:05a little bit
00:51:05about this picture.
00:51:07Are there any
00:51:07cars in it?
00:51:08Yes.
00:51:11Yeah,
00:51:12you did.
00:51:16You know,
00:51:17Blue Smoke
00:51:17played with
00:51:17Groovegrass Boys.
00:51:18Really?
00:51:19I mean,
00:51:19he could have.
00:51:21He could have made
00:51:23somebody's got the music
00:51:24in him.
00:51:26Not anymore.
00:51:28Let's see him.
00:51:30Just drive.
00:51:31I'm doing stuff
00:51:32over here
00:51:33you couldn't even
00:51:33comprehend.
00:51:34Beretta 9mm?
00:51:37This makes it official.
00:51:38Oh, yeah.
00:51:39We're crooks.
00:51:40That's cool.
00:51:4345, lucky.
00:51:45That's an expensive gun.
00:51:47Only two things
00:51:48nicer than an expensive gun.
00:51:49That'd be your Swiss watch
00:51:50and your pretty girl.
00:51:51What's that pretty girl's name?
00:51:52Is it pretty?
00:51:53Is it pretty?
00:51:54Yeah, Jolly.
00:51:55Yeah, Jolly.
00:51:56Down the ditch, Jolly.
00:51:57Jolly, Jolly.
00:51:57Down the ditch.
00:51:57Now, Jolly.
00:51:58Ow.
00:52:01That never happens again.
00:52:04Never.
00:52:08We live and die
00:52:09by the risk of the heist.
00:52:10What?
00:52:11We live and die
00:52:11by the risk of the heist.
00:52:12What does that mean?
00:52:14Right now,
00:52:16nothing.
00:52:18How'd they get this car?
00:52:20It was Miranda's car.
00:52:21Jimmy's wife.
00:52:23They didn't steal it
00:52:24or jack it?
00:52:25No.
00:52:26Let me get this straight.
00:52:28They're planning a robbery
00:52:29and they're gonna use a car
00:52:30that belongs to his wife?
00:52:32What are they, idiots?
00:52:33They aren't the two
00:52:34brightest guys in the world.
00:52:37Hero.
00:52:37Okay.
00:52:38Good one.
00:52:39We get in there
00:52:40and there's a dumb guy
00:52:40who wants to be a hero.
00:52:42Okay, how done with talking?
00:52:43All right,
00:52:43everything's going as planned,
00:52:45right?
00:52:45All right.
00:52:45Smooth as silk,
00:52:46just like clockwork.
00:52:47All of a sudden,
00:52:48some guy hops up
00:52:48off the floor
00:52:49and figures,
00:52:50hey, this is a good time
00:52:50to get in the newspapers.
00:52:52I'll foil this robbery.
00:52:53I'm a hero.
00:52:54I'm a hero.
00:52:54React!
00:52:55Oh, yeah.
00:52:56Oh, yeah.
00:52:57Yeah.
00:52:57All right,
00:52:57you better just dial it down,
00:52:59all right?
00:52:59Just dial it down,
00:53:00numb nuts,
00:53:01before Mr. Thundermaker
00:53:02starts shitting some bullets.
00:53:11Don't worry,
00:53:12pick another one.
00:53:13Okay.
00:53:14This is going great.
00:53:15You're doing well.
00:53:17Pregnant woman's water poops.
00:53:19Pops.
00:53:20Pregnant woman's water poops.
00:53:22Pops.
00:53:24Oh, my God!
00:53:26I'm having my baby!
00:53:28I'm having my baby!
00:53:30Blanket of napalm.
00:53:41Morons.
00:53:42This picture's about
00:53:43two morons.
00:53:44Jimmy and Virus
00:53:45had practiced
00:53:46and rehearsed
00:53:47the robbery for days.
00:53:48It was the hardest
00:53:49work they'd done
00:53:50since, well,
00:53:51ever.
00:53:51And there was
00:53:52no turning back.
00:53:53This was it.
00:53:54Their moment of truth.
00:53:55We just parked the car.
00:53:56We walked the block,
00:53:57the location.
00:53:57We walked slow.
00:53:58We're just two guys walking.
00:53:59What if we see cops?
00:54:00It doesn't matter.
00:54:00We're just two guys walking.
00:54:01We're just two guys
00:54:02that happen to be walking.
00:54:03We determine the area's secure.
00:54:04Then we move forward.
00:54:05We're at the entrance.
00:54:06We pull out the guns.
00:54:06We run in.
00:54:07We grab the money.
00:54:07We run out.
00:54:08How long are we going to be there?
00:54:09Two minutes.
00:54:09Two minutes tops.
00:54:10Not two and a half.
00:54:11Not three.
00:54:11Two minutes.
00:54:13Let's try one.
00:54:14We're Cali yet.
00:54:15We're Cali yet.
00:54:16We're Cali yet.
00:54:17We're Cali yet.
00:54:19We're Cali yet.
00:54:20Oh, yeah!
00:54:21My styles are wild
00:54:22like we go night
00:54:23on a Saturday night.
00:54:24I keep them in twilight positions
00:54:29You ready?
00:54:31Candy from a baby.
00:54:32Honey, Mark.
00:54:33Get set.
00:54:35Go.
00:54:40What's the name of this store, please?
00:54:45McClintock's Grocery.
00:54:48Or here.
00:54:49They've just done some remodels.
00:54:50It's nice.
00:54:52It's not necessary.
00:54:53All right, listen up, people.
00:54:55This is a robbery.
00:54:57We don't want any trouble.
00:54:59So if you want to be stupid,
00:55:00let's do it now
00:55:02and get it over with.
00:55:05Look,
00:55:05nobody plays tough guy but me.
00:55:07All right?
00:55:08We have a gun
00:55:09and we got a car.
00:55:11Okay?
00:55:12So we live and die
00:55:12by the risk of the highest.
00:55:13Hey, fellas.
00:55:15There's no need
00:55:16for all the shouting.
00:55:17If you're here for the peaches,
00:55:19I'm sure we can work something out.
00:55:22I think I'm speaking for the group
00:55:24when I say nobody here
00:55:25wants to take a bullet.
00:55:27I know I don't.
00:55:28Hey, you need to do some shopping?
00:55:31Great time.
00:55:34Look, he's cool.
00:55:35Let's go, huh?
00:55:35Just like we planned.
00:55:36Look, wipe that curly Joe smile
00:55:38off your stupid melon
00:55:39and just open the register.
00:55:40Now, you don't have to take that, Lawrence.
00:55:42Shut up!
00:55:43You apron-wearing
00:55:44fake-toothed pie-bacorn
00:55:46Hey, hey, hey, no!
00:55:47Whoa, whoa, whoa, whoa, come on!
00:55:48You don't have to be mean.
00:55:49They'll do what we say.
00:55:50We got guns.
00:55:51Back off,
00:55:52you beanpole-ichabod-cream motherfucker!
00:55:55I don't remember rehearsing this part.
00:55:57This whole thing was your idea,
00:55:58so if I don't meet your expectations
00:55:59of what a professional grocery store
00:56:00robber should be,
00:56:01I'd like to take this time
00:56:02to apologize
00:56:03in front of all the fine folks
00:56:04here at McClintock's.
00:56:06Hey, everybody!
00:56:07Beaches on me!
00:56:12Hey, uh, well,
00:56:15we're a little behind,
00:56:16but we're still professionals.
00:56:18We deserve better than this.
00:56:20No, you don't.
00:56:21But you know what does?
00:56:23This cow!
00:56:24This cow deserves better than this!
00:56:27You and your big McClintock's market!
00:56:29I got raw meat,
00:56:31and I am crazy,
00:56:32so let's make with that
00:56:33cash and coin, Colonel Tom.
00:56:34I'd do it, he ain't right!
00:56:35Come on, all of it.
00:56:36Safe to it!
00:56:37You want to pitch in
00:56:38and help out with this?
00:56:39All right, now, see,
00:56:39this is why I wanted you
00:56:41to go to the bankers.
00:56:42There's no time for that, dear, now.
00:56:44These fellas seem to be in a hurry.
00:56:45You had to watch the dog, dear.
00:56:46Let's all pitch in.
00:56:47Come on, please, come on!
00:56:49There's a few more dollars
00:56:50we're going to save
00:56:51to give to the church,
00:56:52but you might as well
00:56:53take the whole thing.
00:56:55Thank you, ma'am.
00:56:59Take us home!
00:57:00Clean, that's it!
00:57:02Let's go!
00:57:04Not now!
00:57:07Thanks a lot.
00:57:07Appreciate it.
00:57:09Morons!
00:57:10These are the two dumbest guys
00:57:11I ever heard of.
00:57:12It appeared that Jimmy and Virus
00:57:14had actually pulled off
00:57:15a successful robbery
00:57:16without getting caught.
00:57:17Anything to do with McClintock's
00:57:19was a big story in town.
00:57:21So, tell us!
00:57:22Were you at the robbery or not?
00:57:25Yeah.
00:57:27Yeah, I was there, okay?
00:57:29Is that what you want to hear?
00:57:30I was there in the store
00:57:31when the three guys burst in
00:57:33wearing ski masks,
00:57:34pointing guns and shouting, okay?
00:57:36We were there and, uh,
00:57:37I didn't see a lot.
00:57:39Do you see a lot?
00:57:40No, I didn't really see a lot.
00:57:42No.
00:57:43Well, I thought they were
00:57:44after the missus at first.
00:57:45I didn't know what was going on.
00:57:46My first thought, of course,
00:57:48was the peaches.
00:57:49And then I thought the missus
00:57:50because you never know
00:57:51what two men like this
00:57:53desperate are going to do
00:57:54with a beautiful young woman
00:57:55like this.
00:57:55He didn't get a good, uh,
00:57:57see him, you know,
00:57:58a good, uh, eyeball of him,
00:57:59if you will, you know,
00:58:00on account of, uh...
00:58:02Circumstances.
00:58:03Circumstances.
00:58:04Yeah.
00:58:05Who might get in the eye,
00:58:06you know?
00:58:07Let's talk turkey.
00:58:08I'm a freak.
00:58:09Well, I remember them.
00:58:10I remember that day
00:58:11was really a bad day for me
00:58:12because I was here
00:58:13by myself
00:58:16because somebody else
00:58:18wasn't here with me,
00:58:19so it was all different.
00:58:21So I remember that day
00:58:21was really distinctly...
00:58:23I'd stick the peaches
00:58:24up my ass
00:58:25and it would do something, sir.
00:58:27Yeah.
00:58:28That's for that.
00:58:28I'd have a whole crate
00:58:29up my rectal vault
00:58:30if I meant that I didn't
00:58:32have this frickin' eye!
00:58:35Okay, I stole five peaches.
00:58:37Is that it?
00:58:38Is that what you want to hear?
00:58:39I stole five peaches, all right?
00:58:41What did you want me to do?
00:58:42They were rolling around
00:58:43the floor like a bunch of alleys.
00:58:44What was I supposed to do?
00:58:45Everybody was taking them.
00:58:48The Samoan took three.
00:58:51Yeah, there was a Samoan.
00:58:53Yeah, I'm pretty sure.
00:58:55Or a really big Filipino.
00:58:57Phil!
00:58:58One ball!
00:58:58One, two!
00:58:59Excuse me.
00:59:01Mm-hmm.
00:59:02Jack!
00:59:03Yeah?
00:59:04Mm-hmm.
00:59:05Mm-hmm.
00:59:06Mm-hmm.
00:59:07Big Sky Jim in the fourth.
00:59:09Mm-hmm.
00:59:10Something fishy.
00:59:12Okay.
00:59:13No more action in the fourth!
00:59:16Excuse me.
00:59:18Anyway, the initial 48 hours
00:59:19after the robbery were crucial.
00:59:21How Jimmy and Virus would act
00:59:23would either mean a successful getaway
00:59:25or prison.
00:59:27Do what?
00:59:28Yeah.
00:59:29Bean-pulled,
00:59:30Ichabod, Crane,
00:59:32motherfucker.
00:59:35Yeah, I wanted to talk to you about that
00:59:39because we should definitely discuss that.
00:59:40Yeah.
00:59:41Because I got really swept up in the moment
00:59:45and I'm not proud of it,
00:59:47but the guy in that store
00:59:49standing on that counter
00:59:51and just shouting, berating you
00:59:55and the guy sitting on this counter
00:59:58talking to you
01:00:01are two different guys.
01:00:04Where's the fella done all the hollering?
01:00:06Love to have a little chinwag with him.
01:00:11Well, he asked me to tell you that he's sorry
01:00:14and that he won't be coming around here anymore.
01:00:15I know that much.
01:00:18That you can...
01:00:20And he also asked me
01:00:25to give you this.
01:00:28A little bit of that.
01:00:30That's what he was...
01:00:37You should tell him thank you.
01:00:40I definitely will.
01:00:42And I would also like to take you out
01:00:45to dinner or something like that, you know?
01:00:48I can't even believe
01:00:49we're having this conversation.
01:00:51Look me in the eye and tell me.
01:00:54I've never, ever slept with Miranda.
01:00:58I don't believe you.
01:01:00I give up.
01:01:02You give up because you know I'm right.
01:01:04Do you honestly think
01:01:06that if I'd ever had sex with her,
01:01:07even before we met,
01:01:08I wouldn't have brought it up?
01:01:14That sucks.
01:01:15Let's talk about something else.
01:01:17No.
01:01:17Don't.
01:01:18Not mine.
01:01:19Just stop it.
01:01:20Just put it out of your mind.
01:01:22And think about Kennedy
01:01:23taking a bullet to the back of the head.
01:01:25It's science.
01:01:26Valid science.
01:01:27It's been proven.
01:01:28You're a dick.
01:01:28I'm a dick.
01:01:29You're a dick.
01:01:30Then you're my balls.
01:01:31Sunshine.
01:01:33Sunshine.
01:01:33Quick and ashtray.
01:01:37Sean Connery.
01:01:38Why Sean Connery?
01:01:40It's the only answer.
01:01:41How do you figure?
01:01:43Okay.
01:01:47You're out at some abandoned warehouse, right?
01:01:49These guys got a gun to your head
01:01:51because you've got to blow one of them.
01:01:53Bring me Sean Connery.
01:01:55Then, before you begin the actual blow,
01:01:58you look up at Sean like,
01:01:59okay, Sean,
01:02:00I'm going to give you the signal.
01:02:02We drop these guys
01:02:03and get the hell out of here.
01:02:05It's foolproof.
01:02:07Yeah.
01:02:08Uh,
01:02:09what if Sean's not with you?
01:02:14At least you're blowing one of the grapes, huh?
01:02:16This is a fucked up conversation.
01:02:18Hey, Phil!
01:02:19Somebody here to see you!
01:02:21Who?
01:02:22Frankie C!
01:02:23Frankie C!
01:02:24Jesus Christ, send him back!
01:02:26Frankie,
01:02:27you son of a bitch!
01:02:28Wait up your door!
01:02:29That was a great...
01:02:32Say hello to Sarah.
01:02:34I was just leaving.
01:02:34No, no.
01:02:35You stay.
01:02:38She's telling me about this movie.
01:02:39She's got this movie idea.
01:02:40You know, she's Lou's niece.
01:02:42You remember Lou?
01:02:42Nice guy.
01:02:43Yeah, yeah, nice guy.
01:02:44Anyway, she's telling me this story
01:02:45about her idiot cousin.
01:02:46Uh-huh.
01:02:47Go ahead.
01:02:47Tell him.
01:02:48They just knocked off a peach store.
01:02:51Actually, it's a grocery store
01:02:52that specialized in peaches.
01:02:54Whatever, whatever.
01:02:55Go ahead.
01:03:01You can't tell me you don't think about getting caught.
01:03:05What are you doing?
01:03:06I asked you not to do that.
01:03:08You can't tell me you don't think about it.
01:03:10Oh, that's great.
01:03:10Thanks a lot.
01:03:11You jinxed us.
01:03:12That's...
01:03:13Man, sorry.
01:03:14Get off him.
01:03:15Don't...
01:03:15Don't touch me.
01:03:24Where are you going?
01:03:25I'm leaving.
01:03:26You tainted the roof.
01:03:27Now I can never come up here again.
01:03:29And I paid my rent.
01:03:31We're not jinxed.
01:03:34Turn to the right.
01:03:40When I first heard Jimmy was involved,
01:03:44I didn't want to believe it.
01:03:46I don't even know what you guys are doing here
01:03:48because Jimmy and I are completely done.
01:03:50We were totally separated,
01:03:51so I don't really have anything to tell you.
01:03:54Yeah.
01:04:00Okay, wait, wait, wait, wait, wait.
01:04:01So you're going to send those pictures to the cops?
01:04:04Yeah, Jimmy's going to love this.
01:04:06What, are you kidding me?
01:04:07The cops are looking all over for me, right?
01:04:09So by sending them pictures,
01:04:10it shows I'm not scared.
01:04:12It's the risk of the hunt, baby.
01:04:14Do not baby me.
01:04:15Are you insane?
01:04:16They see the photos with me and you,
01:04:19and they're going to put two and two together.
01:04:20It's me, the actor.
01:04:22That's right.
01:04:22I don't even know you.
01:04:23That's right you don't know me.
01:04:25Why are you advertising our affiliation?
01:04:29Patty, Patty, sweet, innocent Patty.
01:04:32Look, I want you to know
01:04:33that no matter what happens to me,
01:04:35I'm not going to forget about you.
01:04:37Where are you from?
01:04:39What are you not understanding?
01:04:40They see the photos with me on your lap.
01:04:43God, I know this is tough for you.
01:04:45Oh, God.
01:04:46You know, but I need you to stand tall
01:04:48and be strong and know
01:04:49that no matter what happens, all right,
01:04:51when a tear runs down your face,
01:04:52it's not a tear.
01:04:53Okay, it's me just saying I love you.
01:04:55Do you understand what I'm saying?
01:04:57Okay, yeah, I think I get it now.
01:04:58Great.
01:04:59Okay, well, I got to run.
01:05:02Pretty face.
01:05:18Hello?
01:05:19Yes, who am I speaking with, please?
01:05:21Well, hello, Officer Sturgis.
01:05:23This is Dick Tangle,
01:05:24and I need you to do me a favor if you could.
01:05:26Come and find me, you fat, donut-eating wife,
01:05:28beating, sad excuse for a cop.
01:05:3010-4, 10-4, 10-4.
01:05:34Take off the glasses.
01:05:43Uh, excuse me, uh, but this guy, uh, Cyrus.
01:05:48Virus.
01:05:48His name's Virus.
01:05:49Yeah, Virus Cyrus.
01:05:51Yeah, yeah.
01:05:51You say he went to the cops?
01:05:52Morons.
01:05:53I told you.
01:05:54Well, not exactly.
01:05:55Everyone had their own opinion on that.
01:05:57Feats of courage combined with nobility of purpose.
01:06:01That's what these boys are about.
01:06:03You.
01:06:04You.
01:06:04They don't sit there in judgment,
01:06:07judging other people's idiosyncrasies.
01:06:09They're confident.
01:06:10You.
01:06:11What do you do?
01:06:11You ask questions.
01:06:13They don't ask questions.
01:06:14They give answers.
01:06:15They do something.
01:06:16You would do well to be more like them.
01:06:19That boy just wasn't right in the head.
01:06:21He used to come in here all the time
01:06:24and just be, you know, handling the breads.
01:06:28Of course, when he was little,
01:06:30he sure did fall down a lot when his daddy was home.
01:06:33Virus.
01:06:35I don't know him.
01:06:36So what do you think motivated him to rob McClintock's?
01:06:40I said I know him.
01:06:41I'm not his mama.
01:06:43You know, Virus and I have this really special connection
01:06:45that Jimmy just, he can't understand it.
01:06:50You know what I mean?
01:06:50He's so lost.
01:06:54You know, this place wouldn't be so depressing
01:06:56if you guys just chose a different color scheme.
01:06:59Maybe get away from your pastels
01:07:01because a dark color in a dark place,
01:07:03that equals, equals dark.
01:07:07You guys need to get brighter.
01:07:12Your yellows, burst of orange, your blues.
01:07:15Make a man's day go quicker.
01:07:17You know, Truman,
01:07:18I'd be willing to sit down with your commanding officer
01:07:20and discuss it with him
01:07:21if you think it would help move things along a bit.
01:07:22Whatever.
01:07:23Whatever, good response.
01:07:24I guess you win, right?
01:07:43Got your letter.
01:07:46See you, Matt Truman.
01:07:48Oh, asshole, you got us caught.
01:07:50You got us caught.
01:07:51You jinxed us.
01:07:52As your attorney,
01:07:54I should tell you that this is my first case
01:07:56and I'm at a loss for words.
01:07:58I have no idea what to do
01:08:01and that worries me.
01:08:03Is everybody in this picture an idiot?
01:08:05I was just trying to tell the story like how it happened.
01:08:07Nobody could be that stupid.
01:08:09Well, you had to know him,
01:08:10especially Jimmy.
01:08:11That's his nature.
01:08:12You see, they're very good people.
01:08:14They just got in trouble for the wrong reasons.
01:08:16And that's the point I want to make in the film.
01:08:19If this goes to trial,
01:08:21we'll need to create some doubt.
01:08:22We need people to speak on your behalf
01:08:24and no one's willing to do that.
01:08:26Oh, there's going to be somebody.
01:08:28They're wonder, they're menschers.
01:08:30You know what a mensch is?
01:08:31That's what those boys are.
01:08:32You would do well to be more like them.
01:08:35You're boring.
01:08:36You, they're on the roof.
01:08:37What?
01:08:38What are you saying?
01:08:39You're on the roof.
01:08:40We need you to come down now.
01:08:43What?
01:08:44Are you my three o'clock?
01:08:45I'm sorry.
01:08:45I think it's my three o'clock.
01:08:46Are you the Goodmans?
01:08:48Yes, we're the Goodmans.
01:08:49I'm Sarah.
01:08:50This is my husband, Lester.
01:08:52Now, please, come down off the roof.
01:08:55I'm sorry.
01:08:56That's my three o'clock.
01:08:57Okay, I'll be there in a jiffy, okay?
01:09:00See, either you got it or you don't got it.
01:09:04And this kid virus, he sure don't got it.
01:09:07You know, Jimmy pretty much did the whole thing to impress me.
01:09:10I mean, he's just sort of driven by his love for me.
01:09:14And he's so gangly, you know?
01:09:16It's like a little thin, I don't know, anyway.
01:09:20McClintocks are well-respected in the community,
01:09:23and you two have pissed off that community.
01:09:26Those God-kissed peaches put this city on the map.
01:09:30They said, let's have everything in the safe.
01:09:32Well, I handed it to them.
01:09:34They were out the door, and I wanted to say,
01:09:36I let you down.
01:09:37I didn't give you everything I had in the safe.
01:09:39And I was going to run after them,
01:09:41and the missus said, no, they made their bed,
01:09:44let them lie in it.
01:09:45No, we added that to the insurance.
01:09:50Gentlemen, I've gone over your case almost three times.
01:09:54And I'm sorry to say, but I don't see any loopholes.
01:09:57There's no way around this evidence.
01:09:59You're going to be in here for a while.
01:10:01Either you were born with the gift or you're not.
01:10:04I hate to break it to you.
01:10:05You were born without the gift.
01:10:08Oh, Sinner Man, can't you hear me say?
01:10:16Oh, God.
01:10:18Oh.
01:10:20So you're jealous?
01:10:21Yeah.
01:10:21You're jealous because I unleashed the music in me.
01:10:25Kill me.
01:10:27Somebody, anybody.
01:10:28Please kill me.
01:10:31All right, lights out.
01:10:34Me too.
01:10:36Oh, and whose bright idea was it
01:10:40to send those photographs to the police?
01:10:45They knew you were mocking them.
01:10:48Yes.
01:10:50I know virus.
01:10:52Yes, we slept together.
01:10:54I got it lit.
01:10:55Great.
01:10:55And yes, that may be me in the picture with him.
01:10:59But the money I was counting is my money.
01:11:01Money I busted my ass.
01:11:02Quit it!
01:11:03The money I busted my ass to get.
01:11:06I'm not going to bullshit you.
01:11:07Quit it!
01:11:08I'm sorry.
01:11:09You're not sorry.
01:11:10You always fucking keep at me and at me.
01:11:12You're picking at me.
01:11:13I wanted to touch you.
01:11:15Just shut up, you fucking retard.
01:11:17I'm not retarded.
01:11:18Look, I'm not.
01:11:19You are retarded.
01:11:20No, I'm not.
01:11:21You are retarded.
01:11:22I've got some schooling.
01:11:25I've got some schooling.
01:11:27Don't lose hope, fellas.
01:11:28Because listen, from what I've heard,
01:11:31there's a judge in the Fifth Circuit Court
01:11:33who can maybe get you a lighter sentence.
01:11:34Maybe as little as eight years.
01:11:39Jimmy and virus tried to make the best of their incarceration.
01:11:42They started a congenial con policy
01:11:45and tried to meet at least one new felon a day.
01:11:47With this new approach, they met arsonists,
01:11:49armed robbers, and even some interesting murderers.
01:11:53Are you Harold Jag?
01:11:55Who wants to know?
01:11:57My name's Jimmy.
01:11:59Oh, yeah, you and your buddy Rob McClintock's.
01:12:02Yeah.
01:12:04That took balls.
01:12:06Yeah.
01:12:08Say, Harold, uh,
01:12:11I wonder if I ask you a question.
01:12:13No.
01:12:14I didn't kill my grandma.
01:12:17I know I talked a lot about it.
01:12:18I even write about it in my journal,
01:12:20but that's because that's what I am.
01:12:22A writer, not a killer.
01:12:25Now that I'm in here, I can write all I want.
01:12:29Past the time, I do a bit of reading, too.
01:12:32I read.
01:12:33I'm a reader.
01:12:38I'm a reader.
01:12:40Harold Smith.
01:12:45Uh, what kind of stuff you read?
01:12:47You know, I like to read a lot of books about, you know,
01:12:50leadership and free thinking.
01:12:52They taught me to realize it's what I am, you know?
01:12:55Yeah, I do know.
01:12:56Yeah?
01:12:57I mean, it's your life.
01:12:57You want to live it on your terms, right?
01:12:59Yeah, I think of myself as a sure thinker, you know,
01:13:02a leader, you know?
01:13:05My grandma, though, man,
01:13:06she was always telling me what to do, you know?
01:13:07I hated that.
01:13:08I don't like people telling me what to do.
01:13:10I'm the same way.
01:13:11Finally, I meet somebody who gets it.
01:13:13Yeah, because I'm a leader, not a follower.
01:13:15I don't follow.
01:13:15I don't follow.
01:13:16I lead.
01:13:18I'm the same way.
01:13:19Did I kill my grandma?
01:13:22No.
01:13:23No, I didn't kill her, man.
01:13:25Oh, man, but sometimes she just wouldn't let up, you know?
01:13:28She'd follow me around the house like a parrot on my shoulder,
01:13:31you know, into my ear every five minutes, you know?
01:13:34Don't forget to dot your I's.
01:13:36Don't forget to cross your T's, you know?
01:13:38She'd jump on a vein and suck it dry,
01:13:40you know what I'm saying?
01:13:41Over and over.
01:13:44Tomato dumplings, man.
01:13:47Why would it...
01:13:48Why would any woman get up in the morning
01:13:50and decide that I like tomato dumplings?
01:13:53What's up with that?
01:13:54I never even knew what one was
01:13:55until it showed up on my plate, huh?
01:13:57What kind of sick game is she playing, huh?
01:14:00Oh, I didn't kill her.
01:14:01You know what?
01:14:02Whoever did kill her, man,
01:14:03they were right on, man.
01:14:05This journal?
01:14:07This journal's my escape.
01:14:08This journal's my way out, huh?
01:14:10The only way to keep my head clear
01:14:12is to write short stories
01:14:13about corking up her mouth hole, huh?
01:14:24What are you working on now?
01:14:26Oh, it's a short story about my brother's wife.
01:14:28It's called You and Your Goddamn Pies.
01:14:31Okay, I'm gonna step off for a minute.
01:14:34What?
01:14:35I gotta keep going.
01:14:36Uh, Harold, I want you to have a very nice day.
01:14:38It's supposed to rain.
01:14:39Yeah.
01:14:40Hey.
01:14:42You know, Hitler was a leader.
01:14:46Okay.
01:14:47Are we rolling?
01:14:49Okay, uh...
01:14:50Hey, Jimmy!
01:14:51Jimmy!
01:14:53Pay attention!
01:14:54Okay, I want to ask you a question.
01:14:56What?
01:14:57What were you thinking?
01:15:00What are you...
01:15:01Look, you know,
01:15:03we weren't waiting around for any handouts,
01:15:05if that's what you mean.
01:15:06You know, we saw what we wanted,
01:15:07and we went out and took it.
01:15:08That's what makes America, America.
01:15:11You see something you want,
01:15:12and you figure out how to get it.
01:15:14And I did what I did.
01:15:16I didn't like people telling me what to do.
01:15:19Hey, Jimmy!
01:15:20Break's over!
01:15:21You've got a prison to paint.
01:15:22Let's go!
01:15:24Well, you know...
01:15:26Looking back on it now,
01:15:27I suppose...
01:15:29I suppose I'd do some things differently.
01:15:33You know, I don't even know if I'd do it again.
01:15:54What do you want?
01:15:57Well, I wanted to see you.
01:15:59And I figured you'd want to see me, too.
01:16:00Why would I want to see you?
01:16:04Because, you know,
01:16:05he told me to get my shit together,
01:16:06and I have.
01:16:07You've been here five months.
01:16:09You're in jail.
01:16:09I don't call that getting your shit together.
01:16:14I'm a professional.
01:16:16And I wrote you a poem.
01:16:20Oh, no, don't...
01:16:20You're not going to read it, are you?
01:16:21Jimmy, Jimmy...
01:16:22You have sunk to new depths, Jimmy.
01:16:25Jimmy, do you read that?
01:16:26We are both going to be so embarrassed, okay?
01:16:30No, we won't.
01:16:31Yes, I will.
01:16:32So, if you want to give me something,
01:16:33just make me a license plate or something.
01:16:37My Miranda.
01:16:39My Jimmy Cookie.
01:16:43Poor sweet thing.
01:16:45I've put you through so much.
01:16:47I want nothing more than just to feel your touch.
01:16:50Okay, please don't do this, Jimmy.
01:16:52Jimmy, please.
01:16:52When I'm thinking of you and my heart is breaking,
01:16:56they tell me to shut up,
01:16:58get back to raking.
01:17:00Oh, God.
01:17:03So, for the state,
01:17:04in my filth, I've wallowed.
01:17:06And for you, my love,
01:17:08my pride,
01:17:10I've swallowed.
01:17:12Okay, that's just darling.
01:17:14I think this can't be true.
01:17:16I shouldn't be here.
01:17:18I should be at home.
01:17:20Protecting you.
01:17:23But I'm not.
01:17:26Oh, my God.
01:17:27I've got to get out of here.
01:17:28Card.
01:17:29Thanks for listening and making the long drive.
01:17:31I really appreciate it.
01:17:33Careful on the drive home.
01:17:34People are nuts out there.
01:17:43I love you.
01:17:45I love you.
01:17:47This summer, Virus comes over,
01:17:48and he's, like, helping me paint the kitchen, right?
01:17:50And, um,
01:17:52Jimmy gets in his head
01:17:53that, uh,
01:17:54I want to sleep with Virus,
01:17:55which would fucking kill Virus, right?
01:17:57I mean, he...
01:17:58He's just so pathetic.
01:18:04Hey, Virus?
01:18:07Virus?
01:18:08Can you help me out here?
01:18:09There's, uh,
01:18:10something I'm not clear on.
01:18:11Let's hear it.
01:18:12Was that me
01:18:13that was always thinking about us getting caught?
01:18:15Or was I
01:18:16the one who said,
01:18:17if you think it,
01:18:17it'll happen?
01:18:19See, because, uh,
01:18:20I remember hearing it,
01:18:21I just don't remember
01:18:23if that was me saying it to you
01:18:24or you saying it to me.
01:18:26Oh, right.
01:18:26Right.
01:18:27Now I remember.
01:18:28Right.
01:18:28Right.
01:18:29I was the one who said,
01:18:30nothing exists,
01:18:31thinking makes it so.
01:18:33You were the one
01:18:34who kept willing us to get caught.
01:18:36That's right.
01:18:38Now I got it.
01:18:39Right.
01:18:39And did we get caught?
01:18:41I forget.
01:18:44Sure.
01:18:45Sure we did.
01:18:46Right.
01:18:47We're raking
01:18:47because we have to,
01:18:49not because we enjoy it.
01:18:51Right.
01:18:52We're in prison right now.
01:18:54That's right.
01:18:55So,
01:18:55I was right
01:18:56and you
01:18:58got us caught.
01:18:59Right?
01:19:00That's right.
01:19:01Okay.
01:19:02Right.
01:19:04Hey, Virus,
01:19:05do me a favor,
01:19:06would you?
01:19:06Do not think about us
01:19:08dying a slow,
01:19:08painful death
01:19:09in prison,
01:19:10okay?
01:19:11And above all,
01:19:12don't think about
01:19:13what's in your
01:19:13heart of hearts.
01:19:15Your heart of hearts.
01:19:16Because that's for us
01:19:17getting caught,
01:19:18Liz.
01:19:19Admit it,
01:19:19Rockstar,
01:19:20you got us caught.
01:19:24Yeah,
01:19:24I guess so.
01:19:27Oh,
01:19:27what's that,
01:19:28son?
01:19:28I,
01:19:29I can't hear you.
01:19:30What are you,
01:19:30deaf,
01:19:31son?
01:19:31No,
01:19:32I'm not deaf.
01:19:33I was just thinking
01:19:35about fucking Miranda.
01:19:37You asshole.
01:19:39I'm kidding.
01:19:39I'm kidding.
01:19:40I'm kidding.
01:19:41I'm kidding.
01:19:46The only thing
01:19:47that kept Jimmy going
01:19:48was blaming Virus
01:19:49for jinxing them
01:19:50and to get out
01:19:51by any means possible,
01:19:53escape if necessary.
01:19:54Just a couple of cons.
01:19:56I'm sweeping.
01:19:57Don't want no trouble here,
01:19:58boss,
01:19:58because I'm just a sweeper.
01:20:00Look at all the trash.
01:20:02You ready?
01:20:04I'm ready.
01:20:04I'm going to mark.
01:20:09Get set.
01:20:12Go.
01:20:32You're...
01:20:33And you said it wasn't electrified?
01:20:38I was kidding. I was kidding.
01:20:50I'm not gonna bullshit you. I don't have the time.
01:20:53And if you fucking touch me and you don't have the film,
01:20:57but if you need some, I can hook you up.
01:21:01Not good film, though. It's a really cheap film.
01:21:04Yeah. Take it from a retard.
01:21:06Cheap. He knows about film quality.
01:21:07I do. I'm a savant.
01:21:11There you go. Make a wish.
01:21:18Nah, I still got the fucking eye.
01:21:20Yeah, I was there. I'm really glad those guys Rob McClintock's.
01:21:24As far as I'm concerned, those boys did a service to the community.
01:21:27Those boys are heroes.
01:21:30Jimmy and Virus' big day finally arrived.
01:21:32Their first meeting in front of the parole board.
01:21:35Well, I hope you've learned a few things while you're in here in the last six months.
01:21:40Absolutely. Sure do.
01:21:42Alright, I'll take that as a yes.
01:21:45Yes. Okay.
01:21:47And since neither of you actually use any live ammo, I suppose we have no choice but to reluctantly return
01:21:57you to society.
01:22:00We, uh, never intended to harm anyone.
01:22:04We respect that and appreciate your honesty.
01:22:07Now once you go through that door to the outside, I don't want to see you back in here again.
01:22:13Not while I'm here.
01:22:15And I'm going to be here.
01:22:17Alright, that's all.
01:22:19Get up.
01:22:22Goodbye.
01:22:31What if they can't find Sean Connery?
01:22:33Then it's considered a forfeit.
01:22:35Come on, that doesn't make any sense.
01:22:37And I'd pick Churchill, you know?
01:22:40Everybody picks some guy they know they can't get.
01:22:42That's cheating.
01:22:44You're making up these rules as you go along, I think.
01:22:47That's your opinion.
01:22:48Come on.
01:22:49You're making up the rules.
01:22:50Opinion?
01:22:52I got you a little something-something.
01:22:53What?
01:22:55Thanks.
01:22:56Wow!
01:22:57A Mississippi Blue Smoker Lodica.
01:23:00Yeah.
01:23:01But these are commemoratives.
01:23:02They only made a million of these.
01:23:04I was able to track one down.
01:23:06Wow.
01:23:07I'm going to head in.
01:23:08Uh, let her know I'm home.
01:23:10Show her this.
01:23:12Oh, she's going to love that.
01:23:13I got a feeling she is.
01:23:16I'll get that.
01:23:17Alright.
01:23:17Take care.
01:23:35This is the right thing?
01:23:36You be strong.
01:23:38See ya, man.
01:23:39Yeah.
01:23:39Seriously, it's been fun.
01:23:40Had a blast.
01:23:41Right back at ya.
01:23:44Take it easy.
01:23:45Me too.
01:23:46You know we'll do it again.
01:23:55Good luck.
01:23:55Thanks.
01:24:23I told you, Jimmy, get the fuck out of here!
01:24:26I'm serious!
01:24:28Get out!
01:24:44Oh, I'm just going to look over here.
01:24:52I like it.
01:24:57So, that's how it got me.
01:24:58It might not be the best film in the world, but it's my first film and I got it made.
01:25:03I love Frankie and Phil for giving me a chance, and of course, my Uncle Lou.
01:25:08So if you're someone like me who wants to make a movie, find an Uncle Lou.
01:25:12Or better yet, find a bookie who has an auto repair shop who loves the movie.
01:25:18Uncle Lou!
01:25:20We did it!
01:25:22Sweetheart, we did it.
01:25:24I'm going!
01:25:26Remember, nobody knows.
01:25:33You're killing me here, Phil.
01:25:35No, Lou, you're like a bank.
01:25:36You always pay off.
01:25:37Ha, ha, ha, ha.
01:25:39You're killing me, you know that?
01:25:40You're busting my balls.
01:25:41Get a good count.
01:25:41Get a good count.
01:25:42Yeah, I got the big wish cover, don't worry, but I'll take it.
01:25:44Oh, it's all right.
01:25:45I love you anyway.
01:25:46You, yeah.
01:25:46Don't touch.
01:25:49I think you might be sure.
01:25:50It's all day.
01:25:50It's all day.
01:25:52It's all day.
01:26:06Oh, sure.
01:26:06How to explain the things that nobody knows.
01:26:11People these days, they play and act like you know.
01:26:15But nobody, not even you, woman.
01:26:18Nobody knows.
01:26:19Nobody knows.
01:26:20Sometimes in life there's questions nobody knows.
01:26:29People these days, they play and act like you know.
01:26:32But nobody, not even you, woman.
01:26:35Nobody knows.
01:26:36Nobody knows.
01:26:44People these days, they play and act like you know.
01:26:50Come back and Kate.
01:26:51Bye-bye.
Comments

Recommended

The hidden King #billionaire - Full Movie
Poly Flicks Drama
1 day ago
Whispers of fate's [Full Movie] [Watch Free Online]Full EP - Full
Triplove Drama
6 minutes ago
The Summer I Turned Bad [Full Movie] [Full Storyline]Full EP - Full
Triplove Drama
41 minutes ago
El Sucio Secreto de mi Hermanastro - Doblado [Full Movie] [Full Storyline]Full EP - Full
Triplove Drama
1 hour ago
The Walk (2015) Watch HD [Full Movie] [Full Version]Full EP - Full
Triplove Drama
3 hours ago
Married in a Rush Fell Hard [Full Movie] [English Subs]Full EP - Full
Triplove Drama
3 hours ago
Capitulo 531 [Full Movie] [Ranked]Full EP - Full
Triplove Drama
3 hours ago
The Bride You Should’ve Chosen [Full Movie] [Trending]Full EP - Full
Triplove Drama
3 hours ago
Vecchia America (ITA) HD [Full Movie] [Ranked]Full EP - Full
Triplove Drama
5 hours ago
The Accidental Betrayal [Full Movie] [Full Story]Full EP - Full
Triplove Drama
6 hours ago
Honey, Guess Who’s the REAL BOSS [Full Movie] [Full Version]Full EP - Full
Triplove Drama
6 hours ago
LA REINA DEL FLOW 3 ｜ CAPÍTULO 65 #FINAL [Full Movie] [Trending Drama]Full EP - Full
Triplove Drama
7 hours ago
My Parents, The Undercover Billionaires (DUBBED) [Full Movie] [Full Version]Full EP - Full
Triplove Drama
8 hours ago
Seven Years Stolen from a Genius [Full Movie] [Recommended]Full EP - Full
Triplove Drama
8 hours ago
The first time I feel love Full movie [Full Movie] [Watch Free Online]Full EP - Full
Triplove Drama
8 hours ago
One Kid Three Dad Zero Clues [Full Movie] [New Drama]Full EP - Full
Triplove Drama
8 hours ago
Blue Skies S01E07 [Full Movie] [Ranked]Full EP - Full
Triplove Drama
9 hours ago
Seeking Persephone S01E02 (2026) [Full Movie] [Recommended]Full EP - Full
Triplove Drama
9 hours ago
O Verdadeiro Amor - Full Movie [Full Movie] [Full Storyline]Full EP - Full
Triplove Drama
13 hours ago
Sorry, My Mercy Expired Last Life - all episodes [Full Movie] [Full Version]Full EP - Full
Triplove Drama
16 hours ago
Three Wives One Rising Lord [Full Movie] [New Drama]Full EP - Full
Triplove Drama
2 hours ago
My Husband Keeps Secrets From Me Full Movie [Full Movie] [Full Episodes]Full EP - Full
Triplove Drama
5 hours ago
Mafia's Tender Torture [Full Movie] [Full Version]Full EP - Full
Triplove Drama
8 hours ago
Baby Wants Her Hockey Daddy [Full Movie] [Watch Free Online]Full EP - Full
Triplove Drama
9 hours ago
Did Defoe turn down Tottenham for Woking?
beinsports-hk
35 minutes ago