- 2 days ago
Doctor Who (2005) S02E11
Doctor Who is a British science fiction television series broadcast by the BBC since 1963. The series, created by Sydney Newman, C. E. Webber and Donald Wilson, follows the adventures of the Doctor, an extraterrestrial being from a humanoid species known as Time Lords. The Doctor travels through space and time using a time travelling spaceship called the TARDIS, which has an exterior that resembles a British police box. The Doctor encounters various civilisations, which he seeks to protect by outwitting foes and solving crises. The Doctor usually travels with a companion.
Doctor Who is a British science fiction television series broadcast by the BBC since 1963. The series, created by Sydney Newman, C. E. Webber and Donald Wilson, follows the adventures of the Doctor, an extraterrestrial being from a humanoid species known as Time Lords. The Doctor travels through space and time using a time travelling spaceship called the TARDIS, which has an exterior that resembles a British police box. The Doctor encounters various civilisations, which he seeks to protect by outwitting foes and solving crises. The Doctor usually travels with a companion.
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TVTranscript
00:00Can't you feel it, Trish?
00:03Can't feel anything?
00:07Boys! Get indoors!
00:09Get inside! Get them inside!
00:12What's up with you? You ain't done nothing wrong.
00:13It's happening again!
00:41They're not safe. They're in the garden.
00:44That's what it likes. It likes it when they're playing.
00:47Get them in, I'm begging you.
01:03I've got my beady eyes on them. Come on. Come on.
01:10No!
01:11Tom?
01:13What are you?
01:15Where's he gone?
01:16What do you want about, children?
01:39Whoa!
01:42Oh, look.
01:46Oh!
01:48Hey!
01:50Hey!
01:51Hey!
01:52Hey!
01:54Hey!
02:01Oh, my God.
02:41So, near future, yeah?
02:44I had a passing fancy. I mean, it didn't pass. It stopped.
02:5030th Olympiad.
02:51No way. Why didn't I think of this? That's great.
02:56It only seems like yesterday a few naked Greek blokes were tossing a discus about,
03:00wrestling with each other in the sand and the crowd stood around the bank.
03:04No, wait a minute. That was Club Med.
03:08Just in time for the opening doodah ceremony tonight.
03:10I thought you'd like that. Last one they had on Monday was dynamite.
03:13Wembley, 1948. I loved it so much I went back and watched it all over again.
03:16I thought I'd carry a torch. Wembley, chap. What was it?
03:22My legs like pipe cleaners, but strong as a whipping.
03:25And in those days, everyone had a tea party to go to.
03:28Do you remember those little cakes with the crunchy ball bearings on top?
03:31You should really look at this.
03:32You know those things?
03:34Nobody else in this entire galaxy has ever even bothered to make edible ball bearings.
03:39Genius.
03:41What's taking them, do you think?
03:47Searching children for a thoroughly ordinary street like this.
03:52Why is it so cold?
03:55Is that reducing the temperature?
03:58It says we're working this week.
04:02Why would a person do something like this?
04:06What makes you think it's a person?
04:10Whatever it is, it's got the whole streets go to death.
04:16Doctor, what...
04:48There you go.
04:50Fifth today.
04:51That's not natural, is it?
04:53Don't know what happened.
04:54I had its service less than a month ago.
04:56No, don't even try and explain it, mate.
04:58All the cars were doing it.
04:59And you know what?
05:00It's bonkers.
05:02Bonkers.
05:03Come on then, pal.
05:04I'll help you shift it.
05:06Quick while you're on your way.
05:08Happy are you, mate.
05:12I don't know.
05:15Do you want a hand?
05:17No, I will, I love.
05:19Well, you're not.
05:21You're tougher than Ella, honest.
05:22First time.
05:27Oh!
05:31Is this happening a lot?
05:32Cheers, mate.
05:35I've been doing it all week.
05:36Since those children started going missing.
05:40Yeah.
05:41I suppose so.
05:43Hmm
05:45Pickles
05:51What's your game?
05:54Mate, um
05:56It's nice and that is
05:57Quite good at squash, reasonable
06:01I'm being facetious, aren't I?
06:05There's no call for it
06:06Every car cuts out
06:08Council are going nuts
06:10I mean, they've given this street the works
06:12Renamed it
06:12I've been tarmacking every pot hole
06:15Look at that
06:16Beauty, isn't it?
06:17Yep
06:18And all this is because that Olympic torch
06:20Comes right by the end of this close
06:22Just down there
06:24Everything's got to be perfect, ain't it?
06:27Only it ain't
06:28It takes them when they're playing
06:30What takes them?
06:31Danny, Jane, Dale
06:34Snatched in the blink of an eye
06:36I'm a police officer
06:38That's what I am
06:38I've got a badge
06:39And a police car
06:41You don't have to get
06:42I can prove it
06:43Just hold on
06:44We've had plenty of coppers poking around here
06:46And you don't look or sound like any of us
06:48See, look, I've got a colleague
06:49Lewis
06:49Well, she looks less like a couple than you do
06:51Training, new recruit
06:53Like that or hairdressing
06:54So, voila
06:56What are you going to do?
06:58The police have knocked on every door
07:00No clues, no leads, nothing
07:03Kids run off sometimes, all right?
07:05That's what they do
07:06I saw it with me own eyes
07:08Dale Hicks in your garden
07:10Playing with your tummy
07:12And then
07:13Right in front of me
07:15Like he was never there
07:17There's no need to look any further than this street
07:20It's right here amongst us
07:23Why don't we?
07:23Why don't we start with him?
07:25There's been all sorts like him in this street
07:27Day and night
07:29Fixing things up for the Olympics
07:30Yeah, it's taken an awful long time about it
07:32I'm of the opinion that all we've got to do
07:34Yeah, but wouldn't you just say that's slander?
07:36I don't care what it is
07:37I think we need to just
07:38I want an apology off her
07:39Stop picking on him
07:41Yeah, stop picking on me
07:43And stop pretending to be blind
07:45It's evil
07:46I don't believe in evil
07:48Oh, no, you just believe in tarmac
07:49Cause we've sat loads of kidnapped kiddies in there
07:51Yeah, yeah, that's not what she's saying
07:53Will you stop danging up on me?
07:54Feeling guilty, are we?
07:56Fingers on lips
08:08In the last six days
08:10Three of your children have been stolen
08:13Snatched out of thin air, right?
08:18Yeah
08:18Can I
08:22Look around you
08:23This was a safe street till it came
08:27It's not a person
08:29I'll say it if no one else will
08:32Maybe you'll cop us
08:34Maybe you'll not
08:35I don't care who you are
08:38Can you please help us?
09:04You smell it?
09:08What's it remind you of?
09:11Sort of metal
09:12Mm-hmm
09:13Oh
09:17Danny Edwards cycled in one end but never came out of the other
09:21Whoa, there it goes again
09:24Look at the hairs on the back of my manly hairy hand
09:26And there's that smell
09:29It's like a, um, burnt fuse plug or something
09:33There's a residual energy in the spots where the kids vanished
09:37Whatever it was, it used an awful lot of power to do this
09:51You have to come down sometime, Chloe
09:53I'm busy, Mum
09:57Put it in here
09:58Must have used up half a rainforest
10:01That's Dale
10:05Why did you draw him so sad?
10:07I didn't draw him like that
10:12Dale made himself sad
10:15So I'm gonna draw my friend
10:17That's what he needs
10:18More friends
10:24Have you seen the TV?
10:27Look, this is true you are
10:28The torch is getting close
10:30They'll pass right by our street
10:33And tonight they'll light the Olympic flame in the stadium
10:36And the whole world will be looking at our city
10:39I mean, doesn't that make you feel part of something?
10:44Sweetheart
10:47Chloe
10:48I'm busy, Mum
10:58You're tired, Chloe
11:01I heard you calling out again last night
11:03It's fine
11:05Nightmares?
11:06I'm drawing
11:09Whatever they are
11:11They're just dreams, you do know that
11:15They can't hurt you
11:17I'm busy
11:18Unless you want me to draw you
11:22Mum
11:24If you want to stay cooped up in here, fine
11:27I'll leave you to it
11:33Oh, you're a beautiful boy
11:36Thanks
11:36I'm experimenting with backcoming
11:38Oh
11:39Thanks for fun, aren't you?
11:44What?
11:46What?
11:46No, I'm not really a cat person
11:50Once you've been threatened by one and a nun's wimple
11:52It kind of takes the joy out of it
11:55Come here, Mum
11:58What do you want to go in there for?
12:01What do you want to go in there for?
12:09What do you want to go in there for?
12:14What do you want to go in there for?
12:26Ion residue, blimey
12:29That takes some doing
12:30Just to snatch a living organism out of space-time
12:33This baby is just like, I'm having some of that
12:35I'm impressed
12:36It's a cat's been transported
12:38It can harness huge reserves of ionic power
12:40We need to find a source of that power
12:44Find a source and you will find
12:46Whatever it's taken to stealing children and fluffy animals
12:50See what you can see?
12:51Eatin' peeled, Lewis
12:55I've given you friends and you still mum
12:58Mum, mum, mum
13:00You're lucky
13:01You're all together
13:03You don't know what it is to be alone
13:05If you did, you'd be thanking me
13:14No!
13:21No!
13:44Are you just quietly trapped?
13:48You're trapped
13:56I don't know.
14:40I can tell you you just killed it.
14:48It wouldn't have a living.
14:50It's animated by energy.
14:52It's the energy that's snatching people.
14:53That is so dinky.
14:55The go-anywhere creature.
14:56Fits in your pocket.
14:58Makes friends and presents the boss.
14:59Breaks the ice at parties.
15:02Oh, I know.
15:04Here we go.
15:04Let's have a look.
15:08Get out of here.
15:09What's it say?
15:18It is.
15:20It's graphite.
15:22Basically the same material as an HP pencil.
15:26I was attacked by a pencil scribble.
15:29Scribble creature?
15:30Bored into being with ionic energy.
15:33Whenever we're dealing with it can create things as well as take them.
15:37But why make a scribble creature?
15:40Maybe it was a mistake.
15:41I mean, you scribble over something when you want to get rid of it.
15:44Like a, um, like a drawing.
15:46Like a, a child's drawing.
15:53You said it was in the street?
15:55Probably.
15:55The girl?
15:56Of course!
15:57What girl?
15:58Something about her gave me the creeps.
16:00Even her own mum looks scared of her.
16:03Are you deducting?
16:05I think I am.
16:07Copper, Sarge.
16:08Permission to follow up, Sarge.
16:25Hello, I'm the doctor and this is Rose.
16:28Can we see your daughter?
16:29No, you can't.
16:31Okay, bye.
16:35Why?
16:36Why do you want to see Chloe?
16:38Well, there's some interesting stuff going on in the street
16:40and I just thought, well, we thought that she might like to give us a hand.
16:45Sorry to bother you.
16:46Yeah, sorry.
16:47We'll let you get on with things.
16:50On your own.
16:51Bye again.
16:53Wait!
16:58Can you help her?
17:01Yes, I can.
17:03The torchbearer is running up towards the mouth, which I can tell you...
17:07She stays in her room most of the time.
17:10I try talking to her, but it's like trying to speak to a brick wall.
17:16She gives me nothing.
17:17I just ask to be left alone.
17:20What about Chloe's dad?
17:23Chloe's dad died a year ago.
17:26I'm sorry.
17:28You wouldn't be if you'd known him.
17:30Well, let's go and say hi.
17:33I should check on her first.
17:35She might be asleep.
17:37Why are you afraid of her, Trish?
17:42I want you to know, before you see her, that she's really a great kid.
17:45I'm sure she is.
17:48She's never been in trouble at school.
17:51You should see her report from last year.
17:53Amazing Bees.
17:57Can I use your loo?
18:04She's in the choir.
18:07She's seen her in an old place, or many wrong women in the club.
18:10You know.
18:12I want you to know these things before you see her, Doctor.
18:16Because right now, she's not herself.
18:17She's not.
18:19She's not.
18:29She's not.
18:34She's not.
18:36Oh!
19:35All right, there.
19:42I'm the doctor.
19:45I'm Chloe Webber.
19:46How are you doing, Chloe Webber?
19:48I'm busy. I'm making something.
19:51Aren't I, Mum?
19:53And like I said, she's not been sleeping.
19:55But you've been drawing, though.
19:58Oh, I'm rubbish.
20:00Stick made above my limit.
20:02You can do this, though.
20:04You do that.
20:07They don't stop moaning.
20:09Chloe.
20:10I tried to help them, but they don't stop moaning.
20:14Who don't?
20:15We can be together.
20:17Sweetheart.
20:18Don't touch me, Mum.
20:38Hmm.
20:58i'm busy doctor come on chloe don't be a spoiled sport what's a big project
21:06i'm dying to know what are you making up there
21:10doctor
21:14i'm going to hurt you
21:19look at it no tar what the hell was that drawing face of the man what face best not what
21:27have you
21:27been drawing i drew him yesterday who dad your dad but he's long gone chloe with all the lovely
21:37things in the world why him i dream about him staring at me i thought we were putting him
21:43behind us what's the matter with you we need to stay together yes we do no not you us we
21:54need to
21:54stay together and then i'll be all right
21:59trish the drawings have you seen what chloe's drawings can do who gave you permission to come
22:04into her room get out of my house tell us about the drawings chloe i don't want to hear any
22:09more
22:09of this but that drawing of a dad i heard a voice he spoke he's dead and these they're kids
22:15pictures
22:15now get out chloe has a power and i don't know how but she used it to take danny edwards
22:21dale hicks
22:22she's using it to snatch the kids get out have you seen those drawings move i haven't seen anything
22:28yes you have out the corner of your eye no and you dismissed it because what choice do you have
22:33when
22:33you see something you can't possibly explain you dismiss it right and if anyone mentions it you get
22:37angry so it's never spoken of ever again she's a child and you're terrified of her but there's no
22:43one to turn to because who's going to believe the things you see out the corner of your eye no
22:46one
22:47except me who are you i'm help
23:08those pictures they're alive she's drawing people and they end up in her pictures
23:13ionic energy chloe's harnessing it to steal those kids and place them in some kind of holding pen
23:17made up of ionic power and what about the dad from hell in her wardrobe how many times do i
23:22have to
23:22tell you he's dead well he's got a merry land voice for a dead work if living things can become
23:30drawings
23:30then maybe drawings can become living things chloe's real dad is dead but not the one who visits her in
23:39nightmares that dad seems very real that's the dad she's drawn and he's a heartbeat away from crashing
23:45into this world she always got the worst of it when he was alive doctor how can a 12 year
23:51old girl be
23:52doing any of this let's find out
24:16nice one
24:22nice one
24:35now we can talk
24:37i want chloe
24:40make her up i want chloe
24:44who are you i want my family what have you done to my little girl doctor what is it
24:50i'm speaking to you i'm speaking to you the entity that is using this human child
24:58i request parley in compliance with the shadow proclamation
25:01i don't care about shutters or policies so what do you care about i want my friends
25:11you're lonely i don't know you're lonely i know identify yourself
25:15i don't run with many i travel with my brothers and sisters we take an endless journey a thousand of
25:23your
25:24lifetimes but now i am alone i hate it it's not bad i hate it name yourself
25:32you're not the way you don't know that you're a soul of course
25:35you're a soul of course
25:36your eyes soul of course
25:38your eyes soul of course
25:39our journey began in the deep realms when we were a family
25:43What's that?
25:44The Isola's mother, drifting in deep space.
25:48See, she jettisons millions of fledgling spores.
25:51Her children.
25:53The Isola's are empathic beings of intense emotion.
25:56When they're cast off from their mother, their empathic link, their need for each other is what sustains them.
26:02They need to be together.
26:04They cannot be alone.
26:06Our journey is long.
26:08The Isola's children travel each inside a pod.
26:10They ride the heat and energy of solar tides.
26:14And it takes thousands and thousands of years for them to grow up.
26:19Thousands of years just floating through space.
26:22All things. Don't they go mad with boredom?
26:26We play.
26:29You play?
26:31While they travel, they play games.
26:33They use their ionic power to literally create make-believe worlds in which to play.
26:39In flight entertainment.
26:41Helps keep them happy.
26:43While they're happy, they can feed off each other's love.
26:47And I'll take their last.
26:52Why did you come to Earth?
26:54We were too close.
26:59That's a solar flare from your sun.
27:02Would have made a tidal wave of solar energy that scattered the ice on this pod.
27:07Only I felt like my brothers and sisters are left out there.
27:12And I cannot reach them.
27:15So alone.
27:17Your pod crashed.
27:18Where is it?
27:19My word was John V.
27:22And I was John's girl who went up.
27:29She was like me, a love.
27:32She is me, and I love her.
27:36You empathized with her.
27:39You wanted to be with her because she was alone like you.
27:42I want my family. It's not fair.
27:45I understand. You want to make a family.
27:48But you can't stay in this child. It's wrong.
27:52You can't steal any more friends for yourself.
27:55I am alone.
27:57Chloe, I'm coming to hurt you.
28:01I'm coming.
28:03Trish, how do you karma?
28:04What?
28:05When she has nightmares, what do you do?
28:07What do you do?
28:08I sing to her.
28:09Start singing.
28:11Chloe, I'm coming.
28:14Oh, it's in the old country.
28:18Chloe.
28:19Chloe.
28:20She's...
28:20Chloe.
28:23Chloe.
28:26Chloe.
28:30Chloe.
28:31Your life must be.
28:35I came to her because she was lonely.
28:39Chloe, I'm so glad.
28:45Chloe usually got the brunt of his temper when he'd had a drink.
28:49The day he crashed the car, I thought we were free.
28:52I thought it was over.
28:54Did you talk to her about it?
28:55I didn't want to.
28:59But maybe that's why Chloe feels so alone.
29:02Because she has all these terrible dreams about her dad, but she can't talk to you about him.
29:10And it won't stop.
29:14And it won't stop, will it, Doctor?
29:15Just keep pulling kids in.
29:18It's desperate to be loved.
29:21It's used to a pretty big family.
29:23How big?
29:26Say, around four billion.
29:29The day in and out of central London.
29:32It is remarkable.
29:34The queue started a week ago for those desperate enough to be inside.
29:39And there are lots of them.
29:40We're expecting a capacity crowd of 80,000 for this evening's opening ceremony.
29:46I have to say there's been...
29:48We need that pod.
29:49It crashed.
29:50Why didn't it be destroyed?
29:51Well, it's been sucking in all the heat it can.
29:53Hopefully that should keep it in a fit state to launch.
29:56It must be close.
29:56It should have a weak energy signature the TARDIS can trace.
29:59Once we find it, then we can stop the Isolus.
30:04She's running a temperature.
30:07I can't get me to that now, Kirsty.
30:11Yes, we've got a doctor.
30:14We can scan for the same trace that I picked up from the scribble creature.
30:21I just need to widen the field a bit.
30:37You knew the Isolus was lonely before it told you.
30:40How?
30:41You know what it's like to travel a long way on your own.
30:43Give me this dynamagnetic, um, thing in your left hand.
30:48Sounds like you're on his side.
30:49I sympathise, that's all.
30:51The Isolus has caused a lot of pain for these people.
30:54It's a child.
30:55That's why I went to Chloe.
30:56You're two lonely, mixed-up kids.
30:58Feels to me like a temper tantrum because it can't go its own way.
31:02It's scared.
31:03Come on, you were a kid once, binary dot.
31:05Yes, and I know what kids can be like.
31:07Right, little...
31:09terrors.
31:16Gum.
31:18Oh, I've got cousins.
31:20Kids can't have it all their own way.
31:21That's part of being a family.
31:22And what about trying to understand them?
31:25Easy for you to say.
31:26You don't have kids.
31:27I was a dad once.
31:30What did she say?
31:33I think we're there.
31:35Fear, loneliness, they're the big ones, Rose.
31:38Some of the most terrible acts ever committed to been inspired by them.
31:41We're not dealing with something that wants to conquer or destroy.
31:45There's a lot of things you need to get across this universe.
31:48Warp drive, wormhole refractors.
31:51You know anything you need, most of all?
31:53You need a hand to hold.
31:58No, no, I'm going to.
32:02It's the pod!
32:03It is in the street!
32:05Everything's coming up, Doctor.
32:14Okay.
32:16It's about two inches across, dull grey, like a gull's egg, very light.
32:19So these pods, they travel from sun to sun using heat, yeah?
32:23So it's not all about love and stuff.
32:25Doesn't the pod just need heat?
32:30Doctor.
32:34Doctor!
32:40It's okay, let's take it all the pencils off her.
32:49Leave me alone!
32:51I want to be with Clown Webber.
32:53I love Clown Webber.
32:55Bring him back now.
32:56No!
32:58Don't you realise what you've done?
33:01He was the only one who could help you.
33:02Now bring him back!
33:03Leave me alone!
33:05I love Clown Webber!
33:11No!
33:15Anna.
33:19Doctor, if you can hear me, I'm going to get you out of there.
33:22I'll find the pod.
33:23I'll find the pod.
33:24Don't leave her alone, no matter what.
33:27The Dodge Bearer getting even closer to the Olympic Stadium, heading down the ground, or turning east along the about.
33:35Heat.
33:37Heat.
33:37They travel on heat.
33:39Look at this finish.
33:41Smooth as a baby's bottom, not a bump or a lump.
33:46Cal, was there anything in the street in the last few days giving off a lot of heat?
33:50I mean, you could eat your dinner off this beautiful.
33:54So you tell me why the other one's got a lump in it, when I gave it the same love
33:58and craftsmanship as I did this one.
34:01Well, when you've worked it out, put it in a big book about tarmacking.
34:04But before you do that, think back six days.
34:08Six days?
34:10When I was laying this the first time round.
34:13What?
34:14Well, that's when I filled in this pothole for the first time.
34:17Six days ago?
34:18Yeah.
34:20Hot fresh tar.
34:22Blended to a secret cancel recipe.
34:25Look, and don't keep it in the van.
34:29Hey, that's the cancel van.
34:31Ow!
34:34Whoa!
34:34Wait, wait a minute.
34:35You just removed the cancel axe from a cancel van.
34:38Put it back.
34:39No, don't wait.
34:40Let's go back to the van.
34:41That's my van.
34:42Give me the axe.
34:42Wait!
34:43No!
34:44No!
34:46Stop!
34:47You just took a cancel axe from a cancel van, and now you're digging up a cancel road!
34:53I'm reporting you to the cancel!
34:55Oh!
34:56Oh!
34:58Oh!
35:00Oh!
35:00The one for the hardest thing in the street.
35:02Your tar!
35:04What is it?
35:05It's a spaceship!
35:07Not a cancel spaceship, I'm afraid.
35:09Join us.
35:10Welcome.
35:11We're live on BBC News 24th.
35:13The opening ceremony of the London Olympics of 2012.
35:17Well underway athletes all over the world.
35:20They're dreaming in the stadium right now.
35:23They all have their dreams.
35:24They've all put in years and hard work.
35:28I've found it!
35:30I don't know what to do with it, but maybe the ice airless will just hop on board.
35:35Hang on, I told you not to leave her.
35:38My God!
35:39Er, what's going on here?
35:41I don't care if you've got Snow White and the Seven Dwarfs buried under there.
35:45You don't go dig it!
35:45Shut up and look!
35:46The crowd has vanished.
35:49Er, erm...
35:50They're gone.
35:51Everyone has gone.
35:52Thousands of people have just gone.
35:55Er...
35:55Right in front of my eyes.
35:58Erm...
35:59It's impossible.
36:00Bob, can we join you in the box?
36:04Bob!
36:07Not you too, Bob.
36:08The stadium won't be enough.
36:11The Isolus has four billion brothers and sisters.
36:16Over 80,000 spectators and 13,000...
36:22Not enough!
36:23Er...
36:24They're gone.
36:25They're gone.
36:26All of those people.
36:29Erm...
36:30It is a terrible, terrible turn of events.
36:33You won't be alone, Chloe forever.
36:36We are all of them.
36:38And they will never feel alone.
36:40Ever again!
36:44Chloe!
36:45Chloe is froze!
36:47Open the door!
36:51We found your ship!
36:52We can send you home, Chloe!
36:54Open up!
36:56Right, stand back.
36:58I'm coming to hurt you!
37:05I'm coming!
37:07Coming to hurt you, Chloe!
37:11I'm coming!
37:12Coming to hurt you, Chloe!
37:15I'm coming to hurt you, Chloe!
37:19I'm coming to hurt you!
37:20I'm coming to hurt you!
37:22I'm coming to hurt you!
37:23I'm coming to hurt you!
37:23You can stop, Chloe, but...
37:25I will let him out.
37:26We will let him out.
37:28Together.
37:29And cannot be alone.
37:31It's not fair.
37:34I've got your pod!
37:35The pod is dead.
37:36It only needs hints.
37:38It needs more than eight.
37:39What, then?
37:40I'm not being funny or nothing.
37:42Like, that picture just moved.
37:45And that one!
37:51She didn't draw that, he did.
37:55He's a born head doctor.
37:57Still on its way, I suppose it's...
38:00It's much more than a torch now.
38:02It's a beacon.
38:03It's a beacon of hope and fortitude and courage.
38:06And it's a beacon of love.
38:09Love.
38:10So let's have a look from the helicopter.
38:13There we go.
38:14The torch bearer...
38:15I know how to charge up the pod.
38:17Pass the day to Kelly Holmes close.
38:35Sorry, you left the watch with you.
38:36No, I've got to get closer.
38:37No way!
38:38I can save this from Kapanen!
38:40Chloe!
38:42I'm coming to hurt you!
38:45Chloe!
38:47I'm coming!
38:49Chloe!
38:51I'm coming!
38:54Chloe!
38:55You felt it, didn't you?
38:58Chloe!
38:59Chloe!
39:01Chloe!
39:05Chloe!
39:06Chloe!
39:07Chloe!
39:09Chloe!
39:21Chloe!
39:24Chloe!
39:25Chloe!
39:25Chloe!
39:26Chloe!
39:29Chloe!
39:33Goodbye, Chloe Webber
39:35I love you
39:46Mom?
39:48Over here
39:50Mommy!
39:52Mommy!
40:00What was it you did?
40:02Mom!
40:03Mom!
40:05Mom!
40:17Mommy!
40:19Jane!
40:25Don't do it
40:27He's back there
40:31I don't know who you are
40:33Or what you did
40:34But thank you darling
40:37And thank that man for me too
40:42Where is he?
40:43He should be here
40:45Once
40:48All the drawings have come to life
40:53That means all of it
40:55No!
40:56No!
41:08Get up!
41:09I can't!
41:10They're going to stop!
41:11They're going to bring them
41:12And they're going to stop on me
41:21Chloe
41:23Chloe
41:40I'm coming to her in
41:43Chloe
41:45I'm coming
41:46I can't
41:47I'm coming
41:49Mommy!
41:50Chloe
41:51I'm with you Chloe
41:53You're not alone
41:55You'll never be alone again
41:57It's you
41:59Chloe sing
42:01Chloe
42:04Chloe
42:05Chloe
42:07Chloe
42:09I'm coming to her
42:11Like him
42:16Chloe
42:17Chloe
42:19Chloe
42:21Chloe
42:22Chloe
42:22judging
42:34Chloe
42:35Kukubara, love, kukubara gay, your life must be.
42:46Maybe he's gone somewhere.
42:52He's going to hold his hand now.
43:01Just look at this.
43:03It's utterly incredible scenes at the Olympic Stadium.
43:0780,000 athletes and spectators, they've disappeared, they've come back, they've returned, they've reappeared.
43:14It's quite incredible.
43:16Bob, this will certainly...
43:1880,000 people, so where's the doctor?
43:20I need him.
43:22The torchbearer seems to be in a bit of trouble.
43:26We did see a flash of lightning earlier that seemed to strike him.
43:29Maybe he's injured, but he's definitely in trouble.
43:34This means that the Olympic Dream is dead.
43:42There's a mystery man, he's picked up the flame, we've no idea who he is.
43:48He's carrying the flame, yes, he's carrying the flame, and no-one wants to stop him.
43:54It's more than a flame now, Bob, it's more than heat and light, it's hope, and it's courage, and it's
43:59love.
44:22Go on.
44:23Join your brothers and sisters.
44:26Don't be waiting.
44:58Cake?
45:06Top banana!
45:13I can't stress this enough.
45:15Ball bearings you can eat.
45:17Masterpiece!
45:21Oh, I've lost you.
45:24It's not a night like this.
45:26This is a night where lost things are being found.
45:29Come on.
45:30What now?
45:32Go on and go to the games, what we can call.
45:35Go on, give us a clue.
45:37Which events do we dwell in?
45:40I will tell you this.
45:42Papua New Guinea surprised everyone in the shop, Pop.
45:46Really?
45:47You're joking, aren't you?
45:50Doctor, are you serious or are you joking?
45:52Wait and see.
45:57You know what?
45:58They keep on trying to spet us up, but they never ever will.
46:03Never say never ever.
46:06It will always be okay, you and me.
46:11Don't you reckon, Doctor?
46:15Something in the air, something coming.
46:18What?
46:21A storm's approaching.
46:32This is the story of war on Earth.
46:35The valiant child who will die in battle moments of his soul.
46:41Said I was going to die in battle.
46:43And alive.
46:45Welcome to Torchwood.
46:48Woke up one morning and there they all were.
46:51Ghosts everywhere.
46:52Do I'm the enemy?
46:54Does that mean I'm the prisoner?
46:55Oh, yes.
46:57Why?
46:57Where are you taking that?
46:59If it's alien, it's us.
47:01We've got a problem down here.
47:02Yvonne, can you hear me?
47:04We sent that thing back into hell.
47:06The Doctor lording it over us, assuming alien authority over the rights of man.
47:10They're bleeding through the fault lines.
47:13Walking from their world, across the void and into yours.
47:18You can't stop us, Doctor.
47:20This world is colliding with another.
47:21Positions!
47:23Who are they?
47:26Cybermen.
47:27Let's go!
47:32And that's when it all ended.
47:35This is the last story I'll ever tell.
47:41This is the last story I'll ever tell.
47:41This is the last story I'll ever tell.
47:44This is the last story I'll ever tell.
47:44This is the last story I'll ever tell.
47:44This is the last story I'll ever tell.
47:45This is the last story I'll ever tell.
47:46This is the last story I'll ever tell.
47:47This is the last story I'll ever tell.
47:48This is the last story I'll ever tell.
47:49This is the last story I'll ever tell.
47:49This is the last story I'll ever tell.
47:49This is the last story I'll ever tell.
47:49This is the last story I'll ever tell.
47:51This is the last story I'll ever tell.
47:51This is the last story I'll ever tell.
47:52You
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