- 7 hours ago
If It's Tuesday It's Murder S01E01 (2026)
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00:19This isn't what it looks like.
00:30Okay, maybe it is.
00:35Um, I'm sorry to say there's no ramp.
00:37There were some last-minute cancellations, so I'm very sorry,
00:39but they stuck me with this bus. It's a mess.
00:41Of course. That's fine.
00:42Because we just love traveling by bus, don't we, Mama?
00:45Things can only get better.
00:46Look, son, you need to stop complaining so much.
00:49When your father and I took this trip...
00:51...we got four flat tires.
00:53Go sit with your grandma. You're not going to abuse our...
00:56Mama, our hairspray really stinks.
00:57Get on.
00:57This is absolute torture. I hate the bus.
01:00I hate this trip. I hate everything.
01:01Enrique Balmaceda, is that your name?
01:04Laura Moncada.
01:05Okay.
01:10Uh, is the wheelchair getting on the bus by itself?
01:16Our 15-minute delay may not seem like a lot,
01:19but the delays usually add a fast.
01:20The Badajoz detour I'm trying to show you will easily save us three minutes.
01:23Look, we chose to travel by bus because flight punctuality is becoming increasingly rare.
01:27And especially because the probability of surviving a plane crash is, in fact, practically non-existent.
01:31I've been driving this route for more than 20 years.
01:3320 years?
01:34And just how old are you?
01:36At what age are the bus drivers supposed to retire?
01:38Sweetie, could you please not bother the bus driver?
01:39Isn't there a maximum number of hours?
01:40Listen to me. I'm asking you nicely.
01:41Tell me, how are your reflexes?
01:42Sweetie, you need to sit down, please, and to stop bothering him.
01:44I'm not bothering him. I'm just asking questions.
01:47We're missing someone, Paco, but we can't wait any longer.
01:56Stop! Wait!
01:57I guess that's him.
01:58Hold the bus, please!
01:59Fabio Torres?
02:00Yes. Here.
02:01We've been waiting for you for a while.
02:03My apologies. Traffic was so bad.
02:04I also tried calling your cell, but it didn't go through.
02:06Sorry, my phone died. I'll give you my new number. What's your name?
02:09Oh, I'm Christina.
02:10Christina, that's great. Nice to meet you.
02:12Welcome, sir.
02:13Sorry, everyone.
02:15Well, it looks like this little adventure suddenly got 60% more interesting,
02:18if you know what I mean.
02:22Hey, Paco, give me the microphone, please.
02:28Hello? Hello? You hear me, right?
02:31Hello, everyone. How are you?
02:32My name's Christina, and I'd like to welcome you on behalf of Prometeo Villages.
02:36Well, some of you are probably thinking, who is this woman, right?
02:39Because you all booked this trip with my husband.
02:40Well, not my husband, but my ex-husband, because he's now my ex.
02:44Because that's life, and there are no hard feelings. No hard feelings.
02:46Life brings you together, life separates you, then back together, and now you're split up.
02:49Sometimes life's a bitch. Sometimes that bitch is 25 years old and could be your daughter.
02:53That's okay. That's a story for another day. But I digress.
02:56Anyway, welcome aboard.
02:57This trip's gonna be... unforgettable.
03:00You guys are lucky, because I had a boyfriend from Lisbon who showed me all the little hidden gems throughout
03:04the city.
03:05When I say hidden gems, what do I mean?
03:07Bars, of course. I can see that we're just about to pull over.
03:10We're gonna make a small stop to pick up another traveler who will be joining our little expedition.
03:14Okay, group?
03:14We're here. It'll be quick. In the meantime, we'll cover it. Thank you.
03:22Fernando Paredes, welcome to the group.
03:24Bom dia.
03:24Bom dia.
03:25Thanks for picking me up here.
03:27Well, we weren't gonna make you drive to Madrid when we were passing right through Badajoz.
03:31Uh, is that your only bag?
03:33Yes, that's all I have.
03:34Perfect.
03:36Uh, Mr. Torres?
03:38Uh, Fabio?
03:40Fabio!
03:41Excuse me.
03:42Sorry?
03:42Can we put your suitcase in the compartment below?
03:45My suitcase?
03:46It's for safety reasons.
03:48Thank you so much.
03:49Paco, do you mind?
03:51Careful with it, okay?
03:52There are fragile items inside.
03:54Thank you, Paco.
03:58Hello, Fabio.
04:00Hmm?
04:00My name is Fernando Paredes.
04:03Nice to meet you.
04:04Nice to meet you, too.
04:08Okay, group.
04:09We now only have two short hours left until we're there.
04:11Okay?
04:12The rest of the journey is easy peasy.
04:14Since I've already bored you to death with the history of Lisbon,
04:16now I'll bore you to death with my own stories about Lisbon.
04:19FYI, my stories are suitable for all audiences.
04:22Everyone and their mother came here to take refuge from the fires
04:25and ended up running into the Tahoe and the Atlantic.
04:27Unfortunately, they drowned.
04:29The man on the horse is Joseph I.
04:31He was the king here during the terrible earthquake.
04:33And when I say here, in fact, he wasn't here at all.
04:35Since it happened on All Saints Day, he wasn't in Lisbon.
04:38Let's go, group.
04:39What do you think of the square?
04:41Commerce Square, ladies and gentlemen, is just like Madrid's Puerta El Sol.
04:51Excuse me, miss, would you take my picture?
04:53Yes, of course.
04:56Where's the ocean, please?
04:58That's the Tahoe.
05:00Huh?
05:02It looks like the ocean.
05:04I'm from the Canary Islands, you know.
05:06Oh, this brings me so much peace.
05:08When I see water, I always feel like nothing bad could happen.
05:12Well, centuries ago, the water here killed people by the hundreds.
05:14There was a tsunami.
05:16Sometimes when you're searching for peace, life has other plans.
05:21Ready?
05:22Say cheese.
05:26That's good.
05:32I got the ocean.
05:34Yep.
05:40You should be careful.
05:42You wouldn't want your trip to end so soon, would you?
05:50Okay, sweetie, tell me why you don't want to. I know you don't like change, but...
05:53I won't get off here.
05:55Our destination is Hotel Avalade and not Commerce Square.
05:57Daniel, the group is waiting for us. We have to get off the bus now, okay?
05:59I don't care. We're five minutes away from the hotel.
06:01This stop makes no sense at all.
06:02Don't you realize how much you're gonna love this square? It's full of history.
06:05Something is wrong.
06:11No, no, I want to know. I'm at five minutes away. I need 11 quarters.
06:17Take the paint with the dress, eh?
06:20It has to be with a hotel available in Lisboa.
06:27Omar, what? Are you talking serious?
06:30I'm not going to talk to my clients. It's not a lie. Let's go.
06:34This is a joke, right?
06:35I'd rather die and stay there.
06:37The pictures are misleading.
06:42It's run down. I bet it's dangerous.
06:44Calm down, sweetie.
06:45I don't like it.
06:47This building has served as a wartime hospital, a pilgrimage hostel, a prison, an opium den, and even an exclusive
06:56brothel,
06:57whose entire clientele was the aristocracy of the 18th century, which in fact is essentially what saved it during the
07:03terrible earthquake of 1755.
07:06All the churches ended up in ruins, but thankfully the brothels stood strong.
07:11The hill over there saved us from the tsunami that came afterwards.
07:15While this is all very interesting, this isn't the luxury hotel I paid for.
07:20But it's charming, don't you think? We're getting a taste of the real Lisbon.
07:23The real or the run-down Lisbon.
07:25And of course, the real Lisbon has to be located right under a bridge.
07:30I won't be able to sleep a wink.
07:31What are you talking about, Mama? You take sleeping pills.
07:33However, what's not okay is that you moved us from a four-star hotel to this hole in the wall.
07:37You're right. I'll calculate the difference and I'll issue a refund as soon as possible.
07:40But I'm sure you'll feel more than at home here, isn't that right?
07:43No, because my home isn't falling to pieces.
07:45Does anyone want to see their room?
07:52Our personnel will gladly help you with your luggage.
08:26No, no, no, no, Lisbon. I don't want you trying to cook anything.
08:29Please, I'm begging you.
08:30Wait. Yes. The whole freezer.
08:33Listen to me. The freezer is full of food and Tupperwares.
08:36Okay? Everything's labeled.
08:37So, for example, for today, today, today we're Monday.
08:40And that one's already in the fridge for you.
08:42So you just grab the container labeled Monday's dinner.
08:44No, just listen, okay? I'm explaining because I know you.
08:46And if I don't, you'll just end up eating everything at once.
08:50What?
08:51Kung-Chin?
08:53Kung-Chin?
08:54Kung-Chin?
08:55Kung-Chin.
08:55Oh, she's fine.
08:57You know how she is.
08:58She's just really happy she was able to leave the island.
09:01Kung-Chin! Hurry up in the bathroom!
09:04Oh, she's so annoying. She's so slow.
09:06Alicia, I need to go, darling, because we have plans to go sightseeing.
09:09You know?
09:11Yes, give the kids a big hug and kiss for me, okay?
09:13Yes, I love you, I love you.
09:15Okay, bye, darling. Yes, okay, okay, bye.
09:28I am here.
09:37Done. Done.
09:39The paintings and the notebooks.
09:42That's great.
09:46Can you please grab those, David?
09:50Where does this go?
09:51We have to change all the paintings.
09:54Okay.
10:14Are you happy?
10:16Very happy.
10:17Are you happy?
10:28Where does this go?
10:30True.
10:31No!
10:34Yes, sir.
10:34No!
10:34No!
10:36No!
10:46Oh, shit.
10:55Is this yours?
10:56Yes. They mixed up our suitcases.
10:59Seems they did.
11:15Okay, group, it's story time.
11:16Here we have St. George's Castle, and it was built in the 5th century by the Visigoths.
11:21It was then that Portugal and Lisbon started to emerge.
11:23I can't hear you!
11:24Sorry! From then until the 16th century, this was the place of residence of the king and queen.
11:29As you can see, they didn't exactly have a hard life.
11:32The morning views from here are spectacular, which is saying a lot.
11:35Afterwards, Afonso became the first king. Why?
11:37Because he said, I came here, I conquered.
11:39Who am I going to put in charge? None other than me.
11:42Logically, I choose myself.
11:43Everyone, look at this statue. It's the statue of King Afonso Enrique.
11:47I'm sorry. I couldn't thank you before for saving my life.
11:51I was startled by it all.
11:52Oh, you don't need to thank me.
11:57But if you really want to die, please choose a city that's not quite so sad.
12:01Why do you think it's sad here?
12:03On the contrary, I feel happy here.
12:05It's luminous, don't you think?
12:07That's because of the sun reflecting off the estuary and also the seven hills.
12:11Ah.
12:12You might find it luminous, but there are many shadows.
12:19Well, I only see light.
12:21If I could live here, I'd feel privileged.
12:24Light is always somewhat deceiving.
12:27And this city is as well.
12:30No one is ever completely happy here in Lisbon.
12:34Are you serious?
12:37Well, I think that cities are defined by those who live there.
12:40Huh.
12:41If you bring the light, then there's light.
12:45You're probably right.
12:49Now, if you'll excuse me.
12:51Of course.
12:55Don't you want to go on the castle tour?
12:56No.
12:57But it was on the schedule, sweetie.
12:59Papa always says I should change my routines.
13:01So Papa made me do it?
13:02Okay, then.
13:02We don't have to visit the castle.
13:03No.
13:03What do you mean, we don't have to visit the castle?
13:05I'm an adult, and I have a cell phone with me.
13:07So?
13:07So I can take a walk by myself.
13:09Well.
13:09And you two can be by yourselves also, and reconnect with each other again, because that
13:14so-called quality time becomes scarce when you have kids.
13:19Yeah, that's why I booked a group tour for all of us, so he could skip out the second
13:22we got here.
13:24Sounds like a plan.
13:25Enjoy your walk, okay?
13:25Sounds like a plan.
13:27Okay, so then we'll meet back here in exactly 45 minutes.
13:30But, sweetie.
13:48Oh, dear.
13:51Oh, dear.
14:10Oh, dear.
14:53Oh, dear.
14:55Oh, dear.
14:56Oh, dear.
14:57Oh, dear.
14:58What a coincidence.
15:00What are you all doing here?
15:01If I hear about one more statue, I'll jump off the top of the castle.
15:05Well, I went looking for the restrooms, but I must have wandered off too far.
15:09But St. George's Castle does have restrooms.
15:11You must have seen them. They are right by the exit.
15:17Okay, so Mr. Paredes ended up here because his bladder's the size of a walnut?
15:21What about you guys?
15:25It's a head!
15:28How does a person end up like that?
15:31Well, I don't know if you can call someone a person if, in fact, they've murdered 70 people.
15:35That number has been debated.
15:37That's true. The historian Annabella Notaria estimates that Diogo Alves only murdered 20 people.
15:42How interesting. It turns out that the worst serial killer in Portugal was, in fact, Spanish.
15:48And also, in the entryway, they talk about the execution of the Tavaroff family.
15:52And over here, there's a room where you can watch a video that explains how they really killed Archbishop Martino.
15:58Poor thing.
15:59Five tourists quietly duck out from their group tour and run into each other.
16:02At the Museum of Crime.
16:04Strange coincidence for sure.
16:06Weird. I'd say it's weird.
16:08But why? The five of us are fans of crime stories.
16:11I admire the famous five.
16:13The book series about the adventures of those five kids.
16:15I read them when I was little.
16:17I agree with this young lady. I ended up here by accident.
16:21By accident or by coincidence?
16:24I'm fairly sure it's a sign.
16:29It's late. I'm sure they're looking for us.
16:31Yes.
16:32Hey, even though we changed hotels, dinner's still included, right?
16:34I don't know, ma'am.
16:38Aren't you coming?
16:39My bladder, you know.
16:41Our little chat was distracting, although not enough.
16:44Go on without me.
16:49The restroom is this way.
16:50Let's just go.
16:53Goodbye.
16:56Hi.
17:09Oh, no.
18:20First time in Lisbon?
18:24Why did you choose Lisbon? Don't young people prefer London or Paris?
18:29Are you looking for someone here?
18:31Um, you know, Christina and the kitchen lady are actually your age.
18:36You should try hitting on them instead. You'll have more luck.
18:40We should have all gone there, you know? The museum was amazing.
18:42Yeah. However, we're a small tour group and we should stick together to bond, okay?
18:46When everyone goes their own way, that can cause problems sometimes.
18:49And I planned everything for this group tour down to the very last detail.
18:51Christina?
18:52Yes?
18:52Where's the gluten-free food?
18:54Gluten-free?
18:56Uh...
18:57Excuse me, is this supposed to be fish?
18:59Gluten-free.
19:01Mm-hmm.
19:07Everything's going well.
19:09No need to worry.
19:10Everything's fine.
19:22Fernando?
19:24Yes.
19:24This is yours, right?
19:25Oh, yes.
19:26Obrigado.
19:27Well, the famous five have to help each other. It's not the same as saving your life, but at least
19:31I did something.
19:33Good night.
19:34Good night.
19:40Oh, yes, yes, yes, yes.
19:45No way, girl. There's no way I'm going out to the best nightclub in Lisbon smelling like fried food. No
19:50fucking way.
19:51Oh, well, just have one drink and that's all, okay?
19:53What's wrong with you? This is your last week as a single lady.
19:56We're going out. We're going to have fun. I'm going to drink the most of this. Come on, let's go
19:58and party!
20:30I'm going to have fun.
20:34Okay.
20:42Oh, come on, let's go.
22:31Oh, no, you dumb girl.
22:33Come on, let me do it.
22:35Stand up.
22:36Yeah, I'm going to be sick.
22:38Would you get up, Patria?
22:45Oh, you have to hold on to me.
22:48Oh, shit, I think I'm going to puke.
22:52Oh, no.
22:59You must be sleeping.
23:00The tour starts in half an hour, no matter what.
23:02I'm going upstairs to grab a jacket.
23:04I'll tell him we're leaving and get him out of bed.
23:06Thank you very much, Fabio.
23:07I need to go upstairs as well.
23:10I'm going, too.
23:10Where are you going?
23:11No, you're not going anywhere.
23:12No, sweetie, you can't leave.
23:13But I said no.
23:14They're leaving.
23:15It's okay.
23:15We'll wait.
23:23I'm coming with you.
23:24I have to get something in my room.
23:27The more, the merrier, as they say.
23:36Why did you come to Lisbon?
23:39You don't look like the type of person who signs up for a package vacation.
23:42I could say the same thing about you.
23:44I just needed a change of scenery.
23:46That's all.
23:48Hello?
23:50This is his room?
23:51Yeah.
24:00This is weird.
24:03Well, looks like he's not here.
24:06We should go.
24:07Wait.
24:07I should check inside.
24:10What are you doing?
24:11I was a locksmith in 2012.
24:13It's just like riding a bike.
24:14You never really forget.
24:15And...
24:17It's always useful.
24:21Good morning, sir.
24:22Room service.
24:26Well, it doesn't look like he slept here.
24:29This is all a bit strange.
24:39Don't touch anything.
24:41Don't worry, Agent Scully.
24:56Well, there are two options.
24:58Either he went out partying yesterday.
25:00Or he's lying dead in the bathtub.
25:02What?
25:26This way.
25:26This way.
25:53Which one of you found the body?
25:58We found it at nine this morning.
26:00We didn't touch anything.
26:06Is it true no one had seen him since dinner?
26:11You two were the only ones here?
26:14How'd you get in?
26:17Tell us.
26:18It was a heart attack, right?
26:19Hmm?
26:20I'm sure the autopsy will determine the cause of death, right?
26:29Middle-aged man who was overweight.
26:32Alcoholic.
26:33A prescription bottle for heart medicine.
26:36It's obvious.
26:38Did you check his tongue?
26:39It turns purple when someone has been strangled.
26:41Strangled?
26:42My God, these kids are the strangest things.
26:43Daniel, get out of there.
26:44Please, come here.
26:45Come on.
26:45There are too many people in here, right?
26:47We might also be contaminating the scene.
26:52Everyone get out, please.
26:53Yes, of course.
26:56Now, do you understand what I'm saying?
26:58This hotel is cursed.
26:59There's enough gluten to dry up a swamp.
27:01And of course, now they find a dead body.
27:03I bet it's because of the fish they served last night.
27:05This is some bachelorette getaway.
27:07It serves you right for wanting to get hitched.
27:10Don't get me started.
27:11Is the trip going to be canceled?
27:12I guess they'll refund us everything, right?
27:14Canceled?
27:15Death is but a small part of life.
27:17You must take advantage of what Fernando can no longer do.
27:20You must enjoy Lisbon.
27:21Do it for Fernando.
27:22I'm going to go home to Madrid, mama.
27:24The hell you're going home.
27:30This only camera of the auto can work and we've already verified.
27:33There's no one in the night.
27:37If there's no murder, there's no paperwork.
27:50It's weird, don't you think?
27:52Who comes to this beautiful city and doesn't even take one photo?
27:55I'm talking about Fernando.
27:56His suitcase was way too small for a seven-day stay in Lisbon.
27:59This could be a very important detail that helps solve his murder.
28:02Yeah.
28:02The camera didn't record anyone going into his room.
28:06And the police say he died of a heart attack.
28:09The police also didn't notice the mark he had on his body, right?
28:14I'm sure you saw what I saw.
28:16Could have been an electrical burn.
28:18If that is the case, Fernando did not die of a heart attack.
28:21How did he die?
28:22He died by electrocution.
28:32So, is there a fire safety route we should all know about?
28:36Not for you, there isn't.
28:38If the hotel caught fire, you would probably be one of the first victims.
28:43There are way too many stairs.
28:44And in case of fire, elevators are not recommended.
28:47On top of that, you would not be able to count on your family's help.
28:51Your son seems to have a bad back, and your daughter and grandson apparently don't like you enough
28:55and wouldn't volunteer to carry you during an emergency.
29:02You're such a little jerk!
29:04Excuse me.
29:05Excuse me.
29:06I need a list of all your guests and personnel who worked this week at the hotel.
29:09It'd be best if we started to rule out any possible suspects before investigating the murder.
29:14A murder?
29:15Ha!
29:15What murder?
29:16Daniel, there you are.
29:18Excuse him.
29:19He can get a little confused.
29:20Okay, come on.
29:21Alicia wants to talk to you.
29:22Do we already have a new theory?
29:24Go inside.
29:25Have you been investigating?
29:28Okay, earlier, we were just making things up.
29:31Okay?
29:32Get it?
29:35You cannot let the cat out of the bag in front of just anyone.
29:38That would be difficult.
29:40To let it out of the bag, you would have to catch it first.
29:42And cats, they are extremely fast.
29:45I get it.
29:45You don't want me to talk to anyone about the murder.
29:47I don't know.
29:48What murder?
29:48Uh, hey there.
29:49Does anyone see me here holding the door open or what?
29:52Alicia.
29:53What's this?
29:53Is this a club meeting?
29:55Can I come in?
29:55But thanks.
29:57This isn't a club, you know.
29:59Can someone tell me what the hell is going on?
30:01Well, Danny's running around saying Fernando's death was a murder.
30:04And what's this about a club?
30:05But I do not need to be in any club.
30:07Are you talking about murder again?
30:08How could that even be?
30:09That man was so kind.
30:10Who would want to kill him?
30:12My thoughts exactly.
30:13Which means there was no murder.
30:22But we both agree that he was electrocuted, right?
30:24No.
30:25We agreed that he died from electrocution.
30:26And there's a difference between electrocution and murder.
30:29Poor thing.
30:30What is going on?
30:31Do you see that man?
30:32I saw him last night too.
30:34I think he was looking around for junk to sell.
30:43Alicia.
30:44What did I say?
30:45Where is she going?
30:47Alicia.
30:56Alicia.
30:57What's going on?
30:58We have to find this guy quickly.
30:59Maybe he found a hairdryer last night.
31:01A hairdryer?
31:02Yeah.
31:03A hairdryer.
31:05What hairdryer?
31:06I don't know.
31:07A hairdryer?
31:07A hairdryer.
31:09A hairdryer.
31:10But what kind?
31:12Hairdryer.
31:18No, no, no, no.
31:19Hey, take it easy.
31:20Take it easy.
31:20Take it easy.
31:21No.
31:22No.
31:22No.
31:24You speak Portuguese?
31:26Well, kind of, yeah.
31:27We're looking for a hairdryer that was in the trash.
31:29So take it easy.
31:30Take it easy.
31:30The dryer doesn't work.
31:32It's burned.
31:33It doesn't work.
31:35Do you want money?
31:36Wait.
31:38Wait.
31:39Do you want me?
31:41Five euros.
31:42That's good.
31:43You give me, my man, and the dryer.
31:45Take it easy, Daniel.
31:46It's okay, Danny.
31:47Take it easy.
31:48Okay, okay.
31:49It's okay.
31:50Calm down, calm down.
31:50Look at me.
31:51Look at me.
31:51It's okay.
31:52They're 50 for the dryer.
31:54What?
31:54Seriously?
31:55I mean, he almost killed the kid.
31:56Matar?
31:59What are you doing?
32:01Ah!
32:05Apple has been discharged.
32:07This is a night very dangerous.
32:1250.
32:1350?
32:13I don't have more cash.
32:15Come on, give it to him.
32:16Would you give it to him?
32:20What a great thief.
32:21Seriously.
32:21Five euros for the kid and 50 for a hairdryer?
32:24Jeez.
32:24But it's not a hairdryer.
32:27That's our murder weapon.
32:48It's okay, Danny.
32:49It's over.
32:50Calm down.
32:50Wow, you were really brave back there.
32:53Just breathe.
32:56Tenha cuidado.
32:57Não sai à noite.
32:59Why shouldn't I go out at night?
33:01Why is that?
33:02Não me manco guarda ao tel.
33:04I want her man?
33:06Let go.
33:10Não é só problemas.
33:13E ainda deixe tudo para pagar.
33:17That's what we need.
33:32I must have stopped my nail.
33:35Is all this really necessary?
33:37They do this all the time in the movies.
33:40Okay, apparently all the rooms had a hairdryer in them.
33:43Except in Fernando's room where there wasn't one.
33:45Someone threw it out the window.
33:47They threw it out to make the murder look like a natural death.
33:50And that's how they tricked the police.
34:19Okay, come on.
34:26Oh, come on.
34:27There are thousands of ways you could and got it burned.
34:29Look at the cord. It's too short.
34:31Well, maybe they thought to bring an extension cord.
34:34Oh, Fernando.
34:35I really can't stop thinking about that poor man.
34:38He was one of the famous five.
34:40What famous five?
34:41An excess of empathy can cloud judgment and deductive reasoning.
34:44You would be a terrible policewoman.
34:47What are you talking about?
34:48Now, we should recapture what we have.
34:50So what do we have so far?
34:51What do we have?
34:52Yes, we have things. We have clues.
34:55Well, we have a victim who spoke Portuguese and liked history.
35:00We also have a murder weapon.
35:05We have a security camera that didn't record anyone going into his room.
35:12And we have a wooden music box.
35:17Yeah, I heard it too.
35:19What does the music box have to do with this?
35:21Just wait a minute.
35:25Look.
35:26I don't know if you can call someone a person if, in fact, they've murdered 70 people.
35:30That number has been debated.
35:31That's true.
35:32The historian Annabella Batario estimates that Diogo Alves only...
35:35Oh, excuse me.
35:38There's also that one-armed man.
35:40What one-armed man are you talking about?
35:42The one the homeless guy mentioned.
35:43He said a one-armed man was watching the hotel.
35:46He said that he saw a shadow in the alleyway last night.
35:50Maybe someone from our group.
35:52Or hotel staff.
35:54That guy smelled of liquor.
35:55He's not a reliable witness.
35:57Reliable or not, what he told me has me scared half to death.
36:01Okay, fine.
36:02Let's just say he was telling the truth, okay?
36:05We have a murder, a victim, and a murder weapon.
36:07Let's also not forget that we're not detectives.
36:10We're just tourists.
36:11And yesterday, there were around 15 people in this hotel.
36:14Yes, you're right, Fabio.
36:16We're not detectives.
36:17And that's why we have an advantage.
36:19The killer won't suspect any one of us.
36:21If this was a murder, anyone could be the killer.
36:25It could even be one of us.
36:27Whoever it was, it must have been someone who knew him and was waiting for the right moment.
36:32I don't know, Pura.
36:34The hotel staff looks suspicious.
36:35But the rest of the group seems to be normal people, no?
36:38It's obvious that everyone in this hotel is hiding something.
36:41But there's no us here.
36:43Of course there is.
36:44This group is an us for six days, whether you like it or not.
36:48We're going to share this hotel, visit museums, and moreover,
36:51the four of us are dying to know what really happened.
36:55The only thing we have to do is answer two questions.
36:58Who was Fernando?
37:00And why did he die?
37:02If you find the motive, you'll find the killer.
37:05They're usually one and the same.
37:11Maybe Fernando was killed for something he did.
37:16Or for something he knew.
37:21Or for something he had.
37:22Or for something he had.
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