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Igra sudbine 1735 epizoda (30/3/2026)
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00:00I don't know what the hell is going to do in the public.
00:15I don't know what the hell is going to do in the public.
00:19I think that Alexa won't allow that.
00:23Alexa is a serious business man,
00:25but she can't hold all the ends in his hands.
00:27Do you know what the hell is going to do?
00:29What?
00:30We always see who is such a man.
00:37What is this?
00:40This is a real chance to talk without a delay.
00:45Wait, did you buy the whole place?
00:49It's not necessary if we could talk about it.
00:53Because it's always a problem.
00:56I decided to solve all the problems.
00:59I understand, Ivana. It's not easy,
01:00but you have to find out good for it.
01:03I don't know what else.
01:05How will she accept it?
01:07She will accept it.
01:09Olga is strong.
01:10She is much stronger than what you think.
01:13Ivana, it will be a support.
01:16Don't trust me.
01:16Don't trust me.
01:20Good day, good home.
01:22Where are you, mother?
01:23Where are you, brother?
01:26Hello, son.
01:28You remember that you have a house
01:29and a mother in the house, right?
01:32What's that, mother?
01:35What do I need to do?
01:37To get up with the eyes and get up with happiness?
01:38No, I don't need to.
01:39I'm just saying.
01:44What do you think I'm going to do?
01:49Why are you crying?
01:51What do you think?
01:52I'm just saying,
01:53I'm going to go to the city's office to find him.
01:54Do you want to find him?
01:55No, what do you think?
01:56Do you think he's going to find him?
01:57Where you sent him?
01:58He's going to find him.
01:59What do you think?
02:00Where I'm going to find him.
02:01I'm not going to find him.
02:02I'm not a lie.
02:05That's why you wanted him to find him.
02:07Okay.
02:11Let me give him.
02:12What do I want to give him?
02:14I'll give him you.
02:15That's our relationship,
02:17the picanceries, the pain, all that,
02:19that's clear.
02:20I mean, that's it.
02:22That's it, right?
02:23Well, that's not it.
02:23You'll be a gift, of course.
02:25But that's not the whole conversation
02:27that we had.
02:27We had one more final part of the conversation.
02:31Yes, but we didn't have any details about it.
02:33The final part of the conversation
02:34of your wishes.
02:35Now, I can.
02:36I can.
02:38I can.
02:39I can.
02:39Now, I'm just like that one.
02:41You're right.
02:42That's why.
02:43That's why.
02:44That's the ...
02:46that's that.
02:48bright eyes.
02:51That's the color of my eyes.
02:52That's the image of my life.
02:55That's the image of my life.
03:04That's the image of my life.
03:06Stop to filozofiar.
03:09Don't stop me neither your Don Ju-Ju-Ju-Ju.
03:13Be what you want.
03:15But it's called memory.
03:19I won't call anyone anymore,
03:22my born-born son.
03:26The eternal death.
03:29What do you do, Nešice?
03:36What do you want?
03:40You needed me,
03:41but not to drink.
03:43You needed me to drink.
03:45Not only for our night game,
03:47but for something else.
03:49But I really have...
03:50I have a daughter-in-born son.
03:52And I have a daughter-in-born son.
03:53And I have a daughter-in-born son-in-born son.
03:56I have a daughter-in-born son.
03:57And I don't get to the stage.
04:02I don't understand that.
04:03Why not believe me?
04:05You heard about that sentence
04:08that man is holding a speech,
04:09and is running for a gun?
04:12The woman must be announced
04:15that you didn't represent
04:17as a police officer
04:18for a murder.
04:21I promise?
04:23That's not true.
04:24I know that it is not true,
04:27but let it be true.
04:29You understand?
04:30That's not true.
04:31And you have to be present
04:33and to confirm the whole story.
04:35And Mali Relja
04:36must say
04:37that this thing
04:37sounds like a police officer
04:39and not knowing
04:40that they will be a police officer.
04:42Okay?
04:43You need me
04:44right now.
04:44I am to ask...
04:45should I revaluate?
04:50Because...
05:02you have to be an office
05:05and to answer
05:07and you have to ask...
05:08it is not clear.
05:11And you have to be able
05:13to find this to you.
05:13I'm sorry...
05:14And everything is unknown, apart from my life.
05:25Like love in the war, there is no rules.
05:34You have one life, only one chance,
05:38To become my one, because the star will be mine.
05:47I play with me, like a joy,
05:52Someone who will want, someone who will not.
05:57Like in the summer, the world is all over,
06:01And we are our hearts.
06:05So you should be there.
06:11Oh!
06:12Oh!
06:18Oh!
06:45I don't understand Vito Mira.
06:46I don't know what it should mean.
06:49It should mean Vito Mira.
07:16I don't know what it should mean.
07:33I don't know what it should mean.
07:47I don't know what it should mean.
07:54I don't know what it should mean.
08:23I don't know what it should mean.
08:26What are you doing now?
08:28I don't know.
08:29I don't know what I can sit here with my hands.
08:31I don't know what I can do.
08:33I don't know what I can do.
08:33I don't know what I can do.
08:34I can't do it.
08:37I can't do it.
08:38I can't do it.
08:39I'm sorry.
08:40This is another thing.
08:41I'm going to do it.
08:42I can't do it.
08:44I can't do it.
08:47I'm not going to do it.
08:52I don't know what it should be.
08:55You're really right.
08:56You're really right.
08:57He sat there, ended in a car,
09:01the phone was activated.
09:03What if he's not here?
09:05No, no, no.
09:07You're right.
09:08If he doesn't get in front,
09:11I'll get in front of him.
09:12Okay, that's it.
09:14I pray, Milena, if someone asks you, if anything you know, just move me and tell me again.
09:19Of course, of course.
09:20Let's go.
09:23No one says anything to me while we don't know anything.
09:26Okay?
09:27Let's go.
09:52I want to go.
09:57I'm sorry.
09:59I want to go.
10:01I want to go.
10:01I don't want to go to the hospital.
10:02You seem to be sure you're waiting for a long time when I'm staying.
10:07I don't know what to do.
10:08The gun of a gun on the police.
10:12It's really serious, really serious.
10:17I don't know what to say.
10:22I know what you have.
10:25Let me tell you,
10:27how did you do all the work with Gagljan and Miren?
10:34I don't know what to say.
10:40Listen carefully.
10:43Neither the lawyer nor the judge will not have any love for you when they see your dossier.
10:53What is the problem with your dossier?
10:56Why?
10:58It's a different type of Russian novel.
11:09I don't know.
11:10I'm really scared of you.
11:14But it would not be bad if you are even scared of yourself.
11:18That would be good for you.
11:21Because I want to be a very unpleasant opponent and a very pleasant partner.
11:35You don't need to be a partner, you know?
11:40Maybe you should be thinking about everything again.
11:43And what?
11:44Well, I can provide you...
11:53...some variant that would be your help.
12:15Go ahead.
12:23What is it? Did you see someone else?
12:28No, I just...
12:30...I was...
12:32...I was in a wheelchair.
12:34Okay.
12:34You don't need to go to the job.
12:36I don't know, I didn't even have a friend.
12:37I'm going to go to the bathroom.
12:39I will go to the bathroom.
12:39And what is the bathroom?
12:41You need to go to the bathroom, to the water, to the water, to the water, to the water.
12:45You'll hold it somewhere, you know?
12:47You need to get to the bathroom for a while.
12:50You know?
12:50You don't have to let go to the bathroom.
12:51You don't have to go to the bathroom.
12:52You don't have to go to the bathroom.
12:52I don't care.
12:52Okay.
12:55What was with Vitomira?
13:01Vitomira changed a little way, son.
13:07He told me that I won't wait for our physical contact
13:15until after listening, but I would have to do it again.
13:25You need to take care of yourself.
13:27Don't care. Don't care.
13:35So, you were sleeping with Vitomir.
13:44I'm sorry.
13:49I'm sorry.
13:50I'm sorry.
13:51I'm sorry.
14:20I'm sorry.
14:21I don't have it.
14:22Who is it?
14:28It's very clear, very clear.
14:33You're stupid than what I expected.
14:38I don't want to stop it.
14:41I don't want to.
14:46I don't want to stop it.
14:47That's your answer.
14:47I'm sure you're looking at some American film.
14:55Do you think you can imagine what's all waiting for you?
15:00I don't know what's going on.
15:02I'm here.
15:04We didn't understand it.
15:06We didn't understand it.
15:11You didn't understand it.
15:13You didn't understand it.
15:13Your next fight will be something completely different than you've experienced before.
15:19It will be a little revelation.
15:23Yes?
15:24How about that?
15:28There's a team, some police,
15:31that will make you,
15:34night,
15:36angry,
15:38and tomorrow,
15:39angry,
15:40if you understand what I want to tell you.
15:44Daniela.
15:50I won't help you
15:52any hundred people.
15:55No one will help you.
15:57The dogs are in the caravan and go.
16:02Yes.
16:05I've decided and took it.
16:07Petrovich!
16:12Take the gentleman and throw him to my place.
16:36I've had a gun to take a minute.
16:37Let's try and run away.
16:39I can't wait for the city.
16:40I have to do it.
16:41I've had a chance to get out.
16:44I'm sorry for the last few hours.
16:44I can't wait for the last few minutes.
16:44I, what's going on?
16:45I feel like I'm disheartened.
16:49Go start to be crying.
16:50I can't wait for the last few minutes.
16:52Go start to be crying.
16:52I can't wait for the last few minutes.
16:52There's no one to be using it.
16:53You have to be using it.
16:54You've got to find out what you want,
16:57I want yourils.
16:57No, no, no, no.
16:58What are you doing?
16:59I'm so upset.
17:00What are you doing?
17:01I'm so upset.
17:06I'm so upset.
17:06Come on, now.
17:12I've just done this.
17:15To have something else that you want to say.
17:21Let's go.
17:24And listen to me now.
17:25It's okay.
17:27Vitumer will go to the firm.
17:30You need to think about it.
17:32He will say everything against him.
17:39And you will become the new director of HR.
17:43Do you understand that?
17:49That's why it would have to be
17:51The current moment of weakness and regret
17:57You will never forget.
18:01Go.
18:06Go.
18:10Go.
18:13Go.
18:17Go.
18:20When you're back,
18:21you're welcome.
18:23Come on.
18:24What?
18:27Kashi?
18:52Tell me, Petrović, tell me.
18:54What's up, Vukasina?
18:55Where are you? Where are you?
18:57I can't go.
18:58Go and sit.
19:04We have a problem.
19:06What problem?
19:08Mila is gone.
19:10Can I ask you?
19:11Yes, no one sees it and we don't know where.
19:15Wait, what's gone?
19:17It's so nice, it's gone.
19:19I told you that you don't call me on the phone and no one sees it.
19:21No, he's gone somewhere with his team.
19:24I don't care about it.
19:25It's not. It's not sure.
19:29When did he have?
19:30Well, more than one day.
19:33Look, Kaja, he's a young man.
19:37He's a reasonable, honest, honest and honest.
19:40He'll be coming up very quickly.
19:42He won't be coming up.
19:43Well, he'll come up.
19:44I have to tell you something.
19:46I tell you.
19:48I'm afraid of his life.
20:06Okay, look.
20:09He'll be coming up.
20:10You can get away from me.
20:12What the hell?
20:13Do you see him in the back?
20:14You'll be coming up.
20:16Do you see him in the back?
20:17Oh, I know.
20:18shpice is…
20:20I don't tolerate the truth of the explanation
20:22when I tell you come here, come here, come here, come here, come here, come here.
20:27Yes.
20:28I'll go ahead.
20:32I'll not go to your partner Max.
20:35I know.
20:37You don't want to repeat it.
20:39You don't put yourself like a mouse.
20:43I'll go to the village.
20:45That's right, he won't be back again.
20:49Excuse me, you'll give me some ice cream and two fingers.
20:53No, no, no. You won't drink enough.
20:56For him you can only drink milk.
21:02Man, you need a quick head.
21:07We have a problem.
21:10Okay, tell me what is the thing.
21:16Arelia and Daniel are together.
21:36Do you think you'll be able to get a lot of people to do this?
21:40I don't know, but I hope, I hope that you'll be able to use more of those who will be
21:46able to use it.
21:47God, I'll be tired today.
21:52Good morning.
21:54Good morning.
21:54Good morning.
21:55Is Alex here?
21:56I'm going to ask you, please.
21:56Have you had to go?
21:57Yes, I'm Milena Pisarov.
22:01I'm not even going to be able to meet him with Alex.
22:03I don't understand, are you going to go to the director or are you not going to go to?
22:07I want to see if Mile is coming here.
22:13And if you can ask Alex if Mile is coming here...
22:16You want to ask the director if Mile is coming here?
22:19Mile, Mile...
22:21Mile Kupus!
22:23That's right, yes.
22:25What?
22:26What happened?
22:28Can we go back to him again?
22:31No, it's better to ask you,
22:32and not to say that I'm coming here.
22:35But why?
22:36I mean, you know, you're complicated.
22:39How?
22:40Are you still there?
22:42No, I didn't tell you.
22:43What did you do here?
22:45Mile?
22:46Okay.
22:54What are you talking about?
22:59Why are you talking about this?
23:01Well, the children, after...
23:03At the end, they went to a meeting with the police.
23:06They were killed.
23:09In a meeting with the police?
23:10Mm-hmm.
23:11It's a good deal.
23:12It's a good deal.
23:13Okay.
23:15And many people work around it.
23:17It's nothing.
23:17I didn't...
23:18I didn't want you to get them.
23:20I didn't want you to...
23:21I didn't want you to do it.
23:22But...
23:23We didn't get us in contact.
23:26With the police.
23:27With the police.
23:28In the police.
23:29And we asked him if he was a little bit.
23:32If he was a little bit.
23:33Well, he didn't do anything.
23:34Okay.
23:35I was asking him if he was a little bit.
23:37What did he need?
23:38He said that he needed someone to look for his daughter.
23:42No problem, I will find someone who will do it.
23:45Well, you won't find anyone, it will be you.
23:48Me?
23:50You?
23:51You?
23:51You?
23:52Wait, wait.
23:52You have been drinking two times?
23:53No, but I'm talking about another job, I'm not a home help.
24:00I'm not interested in what you think and what do you know.
24:02If I tell you that you do what you do, then you do what you do.
24:05Your job, to care about the Derellians, of the Aslan, that you will be here for anything you need.
24:15Food, food, delivery, care, everything.
24:20I am.
24:22Come on now, you can go.
24:23Let's go.
24:42Tell me, Kajo, why would you be afraid for him?
24:46Did he make some nonsense?
24:48Well, I didn't think about it until now, but when I sat a little and thought, I think it was.
24:57What happened?
25:01Mile Vukashina had a situation with a criminal.
25:07Tell me exactly what happened.
25:09What happened?
25:10For a moment, he defended my trust.
25:16He made a deal with that type.
25:19He broke a little, if you ask me, and it escalated a lot more than it was needed.
25:25And it was needed, in any case, to cut the story.
25:30I think that Mile is now in the problem.
25:36And I think that he is related to the whole situation and that type.
25:40Okay.
25:41Okay.
25:41Okay.
25:42I mean, this is just a question.
25:46That's a question.
25:47Here is my question.
25:50Here is your question.
25:53Why did you go to the last time?
25:55This is your question.
25:58I don't know.
26:01He was a kid.
26:02He was there.
26:03He was a kid.
26:06He was a young kid.
26:06The type is called Relja, and he opened it to me.
26:12Of course, I had to do it, and I didn't want to give him a sign.
26:17Is that this?
26:18Yes, yes, that's that type.
26:20Where do you know for him? Where is his photograph?
26:23It's a strange thing.
26:25Tell me, you're sure he's on it.
26:28Certainly?
26:42Director, the lady was looking for you.
26:44The lady?
26:46Okay, it's not a matter of fact. I'm not looking for you.
26:48I'm looking for you because of Mileta.
26:52Is Milena all right?
26:54Yes, it's not all right.
26:57I'm working with Mileta, and that's why I'm here.
27:00Okay.
27:03I know it's been a while, but I'm really sad because of all the things I took you,
27:08and because of everything I took you, and because of everything I took you,
27:09and that I'm going to throw you on the magic of you.
27:11What is she saying?
27:13Well, this is not time or time to talk about such things.
27:16I know it's not time or time, but I'm stupid, I'm not sure.
27:21It's not time or time.
27:23What do you think of it?
27:26Mila is not a while, he's not a day, he's not a day,
27:30he is 못 because he is a man in the Detex .
27:40If he is detto to resist, he may bring back to Glenda II.
27:40Well, please tell me how do you know whoashing it?
27:42Where your photographs are?
27:45Yes, he's a crime.
27:48He was injured in just one action in Belgrade yesterday.
27:51How injured?
27:52Yes.
27:52Because of what?
27:54Because of a gun swap from bullets,
27:56and the injuries, the police officers, the police officers,
28:01and don't care about anything.
28:02Mile certainly wasn't there before him.
28:05How do you know?
28:06I was there before. I was there.
28:09Okay, where is Mile then?
28:11If he says he has no connection with Mile's death,
28:15I will know that today.
28:17We will try and solve it.
28:21Okay, Lukashine, just ask me,
28:23what am I doing now? How to find him?
28:25I don't know anything.
28:26Kaj, Kaj, calm down.
28:27I'd like to go to the house now.
28:30Let's calm down.
28:31I'm going to bring Greg from the room.
28:35I'll ask him here.
28:37If he has any connection with Mile,
28:39I'm not going to know.
28:40Okay, just know that I have a bad feeling.
28:43No, don't worry.
28:44In this dangerous situation,
28:46I'm going to try to find him.
28:49I pray for anything to know,
28:50it's just me.
28:51It's true.
28:55Let's see.
29:01Let's see.
29:02Hey, let's get me out of the room.
29:05Let's see.
29:07Let's see.
29:09Let's see.
29:09Let's see.
29:11Let's see.
29:24Let's see.
29:25Let's see.
29:27Let's see.
29:59Let's see.
29:59Let's see.
30:00Let's see.
30:28Let's see.
30:30Let's see.
30:37Let's see.
30:41Let's see.
30:42Let's see.
31:09Let's see.
31:17Let's see.
31:23What's up wind and wind and wind balance is
31:44Mido, what happened?
31:56Milena, sorry, I really don't know where Mila is, I expect her to be here today.
31:59So, if she's coming, I'll show her again.
32:01Thank you, thank you, the best.
32:03I really had a lot of work, so...
32:05Of course, I understand.
32:08Thank you, thank you.
32:10See you soon.
32:12See you soon.
32:15I'll wait for you later in the interview,
32:17and then we'll finish the interview.
32:19I understand.
32:22What was this?
32:24It's magic!
32:26What is this, a series?
32:30It's better to never know what it is.
32:32What do you think?
32:33Do you know, is it something like a black man looking at the table?
32:36Or is it some rituals?
32:38I don't know who knows.
32:41Who knows what it is?
33:02I don't know who knows what it is.
33:04Let me give you back to you, man.
33:05What is this?
33:05I can do that.
33:05Let me give you back to you afterwards.
33:10No, no, no.
33:11No, no, no, no.
33:11I'm just a big time.
33:11I'm just an idiot.
33:11Let me do it.
33:17What is it?
33:19Everything. It's nothing. It's a strange situation.
33:25Really?
33:26What?
33:27Well, we play a police officer and a criminal officer,
33:31and we know that I will kill you for a few days.
33:34Yes. You're right, but...
33:40You're right now.
33:41You're right now.
33:44I have to ask you a few questions.
33:50Maybe you'll try.
33:54What do you have with Miletus Kupus?
33:58Miletus?
34:01Miletus Pisarov. I call him Kupus. You talked to him before.
34:05Oh, that, Miletus. I know him.
34:10I'm going to visit him as soon as we go from here.
34:14As soon as I find the devil,
34:16because he escaped somewhere when he died and what he did.
34:22Can you tell me what happened to him?
34:25Well, he's going to kill me before everyone.
34:27Let's go.
34:28This is a frayery,
34:30let's say frayery, frayery.
34:33Why won't you tell me when I'm here?
34:36Just calm down, friend.
34:38We're not friends.
34:40We're the next time,
34:41and if you see me,
34:42it won't be good.
34:44Let's go, bro.
34:45One.
34:46One.
34:47One.
34:48One.
34:49One.
34:50One.
34:50One.
34:51One.
34:56One, two.
34:59Two.
35:01Two.
35:03Two.
35:04One.
35:06Two.
35:15It was very bad to end with him.
35:18But his happiness is because he is a woman and a half.
35:22And I like to lie with a woman in his bed.
35:28You know, sex is without a mess.
35:33How do you feel?
35:35How do you feel?
35:37How do you feel?
35:38I am now on the beach.
35:41How do you feel?
35:42Thank you, thank you.
35:44But I don't expect it to be so nice to meet him when we go and find him.
35:53What do you think?
35:54What ritual was created when there was such chaos?
35:58Why do you have so much interest?
36:01Do you want to be like a woman?
36:05No, no, look.
36:07We are wrong with the institution.
36:22I don't know.
36:22We really have to talk about it.
36:24I don't know if there is more sense that every time when you open the fridge,
36:27it will be chaos after you.
36:31Do you listen to me?
36:32What do you think of me?
36:34I don't know.
36:38I don't know.
36:51What do you think of me?
36:56What do you think of me?
37:04I don't know.
37:05Well, I'm sorry.
37:07We are going to work on the floor.
37:19Once again you get involved.
37:22But we are going to help you.
37:25Great.
37:26We are going to be a bit too.
37:28I don't know when I need to leave the hook.
37:29I know when I don't know.
37:31I don't see myself.
37:32I thought I was going to turn him into all of that, so...
37:34Okay, maybe he's going to get out of K.A., but he doesn't want to get out.
37:38No, it's not.
37:39What?
37:40Well, let's not do that. Let's focus on you.
37:44Hi, baby!
37:59Bye.
38:06Grkljen me je poslao, da ti prenesem poroku.
38:19Okay, I think we've heard enough,
38:22and all that he said,
38:25we can end with this saga.
38:28I can freely say
38:30that all this is...
38:32...
38:34...
38:43...
38:46...
38:47...
38:47...
38:47...
38:47I don't know how to talk about it.
38:55I know your voice.
39:11You can't do this anymore.
39:15I can't do this anymore.
39:18I can't do it.
39:21I can't do it.
39:34You made it.
39:37You made it, you made it.
39:39I'm sorry, Gala, I'm warning you!
39:43Don't go to the edge of the profession!
39:45You're talking about the borders, you're talking about the profession!
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