- 14 minutes ago
In the middle of a crowded city the paths of two strangers, a man and a woman, collide. This accidental, chance occurrence sets in motion a chain of events that sees the two strangers embark on a night of adventure and connection that challenges their sep
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Short filmTranscript
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00:03:10Please can you come outside, so we can talk?
00:03:25Now listen to me.
00:03:28There are three ways that we're gonna solve this.
00:03:31By hook, by crook, or my way.
00:03:36What's it gonna be?
00:03:38It'll be my way.
00:03:45Sergeant Palermo.
00:03:47That is what you taught me in the negotiation course, right?
00:03:51Disappointing.
00:03:53Why is he still in there?
00:03:57He's not easy.
00:03:58Just one?
00:04:00Unsure.
00:04:02But there is the megaphone if you insist on handling this.
00:04:05Did I ask for a megaphone?
00:04:07Get it out of my face.
00:04:10Why don't you go and shave yours?
00:04:14Stop fucking about.
00:04:20This is Detective Sergeant Eugenio Palermo.
00:04:23Who is in there?
00:04:29Look.
00:04:30The item I have in this hand is an instant camera.
00:04:33And this is a photo album.
00:04:35This is my collection of kidnappers.
00:04:37People like you who didn't want to call it quits.
00:04:39Yes.
00:04:40He's the most recent one.
00:04:42Sergio Santos.
00:04:43I wanted to order it by date and by nationality.
00:04:47But then I rather decided on alphabetical order.
00:04:52What's your last name?
00:04:54What's your last name?
00:05:39What's my last name?
00:06:52Where are they going to be taking me now?
00:08:32The Bastion.
00:08:40Cheers.
00:08:52Congratulations, dammit.
00:08:55You really deserve it.
00:09:23my friend Natalia Dominguez. Hello. Curator of the Connection Latina Art Gallery.
00:09:30Sebastian Castillo, hi. Thank you. Congrats. To the first of many. I really do hope so. I'm sure
00:09:38of it. You are very talented. Thanks a lot. Cristina Massa, my pleasure. The pleasure is
00:09:44mine. Well, let me introduce you to my girlfriend, Leonora Duque. Despite the fact that she's an
00:09:52extraordinary beautiful woman. She's also the best dentist in the whole city. Seriously? Of
00:09:58course. Oh. I wonder if I can make an appointment with the most beautiful dentist in town. Really? I
00:10:07haven't seen a dentist for ages. Well, if you really want to, I guess I can make some time
00:10:13for you on Friday, if that suits you, because I have plenty of time open that day. Very
00:10:19good. So let's say Friday morning, or maybe mid-morning, around half past ten. 11? Good.
00:10:26And give me your number so I can phone. Okay. Hold it there, Sebastian. You already have
00:10:30your share. Well, to Sebastian. Well, then. To Sebastian. To Sebastian. Sebastian? Who is it?
00:10:46Uh, the hospital. If you guys will excuse me. Hello? When did that happen? Okay. Yes, I will. Thank you.
00:11:25I'll see you.
00:11:27I'll see you.
00:11:46You okay?
00:11:50Sebastian is in the hospital.
00:11:52What happened?
00:11:53I don't know.
00:11:56Excuse me.
00:11:58I'm sorry, but I'm gonna have to leave.
00:12:01Everyone, I'm really sorry about this, but I have to leave.
00:12:04Thanks for coming.
00:12:05I would like to invite everyone to my house this Saturday.
00:12:09Everyone's invited, okay?
00:12:10Sorry, I have to leave.
00:12:12I'm really sorry.
00:12:14Sorry.
00:12:16See you Saturday.
00:12:18I hope he's okay.
00:12:20So do I.
00:12:23Bye.
00:12:23Bye.
00:12:34Sabath?
00:12:39Okay.
00:12:41What happened?
00:12:48Are you really still taking that shit?
00:12:52Gala, you have to help.
00:12:57You know me the best.
00:13:03Where's Christina?
00:13:07She left with Damien Souton.
00:13:11Damn him.
00:13:15I didn't know.
00:13:19I need to stay in your apartment, Gala.
00:13:23I don't feel safe in mine.
00:13:29Sabath, it's been a while since.
00:13:32I don't think...
00:13:33What is it, Gala?
00:13:36Well, I don't think you're okay.
00:13:38Hmm?
00:13:40I think you need medical care.
00:13:45I don't think you're okay.
00:13:46I don't think you're okay.
00:13:54Look who's talking.
00:14:02You know what?
00:14:04Stay at my place.
00:14:07And I'm being very serious.
00:14:09You can stay there for as long as you want.
00:14:12You can even come over today.
00:14:14Okay?
00:14:15Okay?
00:14:16Thanks.
00:14:20I'm going to go to the front desk quickly.
00:14:22Okay?
00:14:23Okay.
00:14:24Calm down and rest in the meantime.
00:15:04Where have you been?
00:15:07At the hospital.
00:15:11Galo arrived about an hour ago.
00:15:14I went to get a hot dog.
00:15:16Your breath doesn't smell like a hot dog.
00:15:21Go to sleep, precious.
00:15:23How dare you leave Galo alone in the hospital?
00:15:27Do you have the faintest idea of what he's going through?
00:15:33It was my night.
00:15:42Is this your first time?
00:15:44Worries about the safety of the residents of our country are rising.
00:15:47New crimes being reported every day for...
00:15:49Is this the first time you've seen a dentist?
00:15:52At an alarming rate.
00:15:53The local authorities are claiming to do everything in their power to control it.
00:15:57No.
00:15:57But residents say they are skeptical.
00:16:01There are statistics showing that a significant part of the population have been victim of crime, including robbery to kidnapping.
00:16:10Respondents say they are feeling more unsafe now than a few years ago.
00:16:15Where's your mom?
00:16:16She went on a trip to visit my grandmother.
00:16:19For our residents, staying alive has become a matter of luck.
00:16:24And next up will be Soraya Villarrealis leading us off to the crime scene.
00:16:31I'm here to report that some shocking events have already taken place this morning at the Las Chupulas Mall at
00:16:36Las Palos Grandes.
00:16:38It tragically came to an end when the captor was fatally shot down by authorities after already having shot...
00:16:44One of the hostages in her foot before the police could get to her.
00:16:47To me!
00:16:48If you don't want to give me that money, I'm out of here!
00:16:56Special Sergeant Eugenia Palermo, who's considered one of the country's legendary negotiators and detectives,
00:17:02who already has a lot of experience in this field, spoke about the situation.
00:17:07Can you please...
00:17:07As you all already know, we're facing a new wave of crime in the country.
00:17:11And for the time being, we classify it as terrorism.
00:17:15Nonetheless, I am pleased with such a diligent response from our police force before a much more unfortunate event took
00:17:21place.
00:17:22Even if it means it ends with the criminal's death eventually.
00:17:25Who was he?
00:17:26Besides who he was!
00:17:27Can you tell us how you stay calm in situations as tense as these?
00:17:32Usually I only lose my patience when...
00:17:35There has been any catastrophic physical harm to the hostages.
00:17:38What were his demands?
00:17:38What did he demand?
00:17:39Did he demand any money?
00:17:41Sebastian?
00:17:42That was our scene reporter, Soraya Villarealis, reporting directly from the scene.
00:17:47I loved your stage play.
00:17:49I loved the performance, the entire play.
00:17:51Serious?
00:17:52Yes, especially how you brought us from such a state of happiness into such...
00:17:56a tragic end.
00:17:57Really?
00:17:58Hmm.
00:17:58That's good.
00:17:59Fantastic.
00:18:02Well, let's get to the point.
00:18:04Let's see what's going on in your mouth.
00:18:07I warn you, I haven't seen a dentist in a very long time.
00:18:10Why is that?
00:18:10What's the reason?
00:18:11It's very bad.
00:18:12But I do brush my teeth every day.
00:18:15That's great.
00:18:18Okay, you can open up.
00:18:20Let me have a look.
00:18:22Huh?
00:18:23Mm-hmm.
00:18:25I heard you plan on being in another play.
00:18:28Uh-huh.
00:18:28Is that right?
00:18:30Did you tell Charlie?
00:18:32Uh-huh.
00:18:32I'm sure he'll support you and that he'll want to produce again?
00:18:36Uh-huh.
00:18:38He likes you.
00:18:39Uh-huh.
00:18:41Nothing here, right?
00:18:44Mm-hmm.
00:18:49Your girlfriend?
00:18:50Uh-huh.
00:18:52She's cute?
00:18:54Uh-huh.
00:18:56Are you in love?
00:18:59Uh-huh.
00:19:01Deeply in love?
00:19:05Uh-huh.
00:19:07Uh-huh.
00:19:10I really like your breath, you know.
00:19:12Do you know that they say the breath is the perfume of the soul?
00:19:17Uh-huh.
00:19:19Uh-huh.
00:19:21Uh-huh.
00:19:22Uh-huh.
00:19:22Uh-huh.
00:19:22So?
00:19:24You don't wear any gloves?
00:19:27Mm-hmm.
00:19:29No need for that today.
00:19:31No?
00:19:33All right, tell me what happened the other day.
00:19:35The other day?
00:19:37Yes.
00:19:38Just relax.
00:19:39Something happened.
00:19:40You had to leave the theater earlier because someone had phoned you or something.
00:19:43Oh, yeah, it was my one friend who had a problem.
00:19:47Open your mouth.
00:19:48Is he okay?
00:19:49Uh-huh.
00:19:51That's good.
00:19:58Do you like sex, Sebastian?
00:20:04Do you?
00:20:08Because I love it.
00:20:12What's going on here, Leonora?
00:20:16Sebastian, come on.
00:20:19You're an actor.
00:20:21You're supposed to know how to improvise.
00:20:27This isn't right.
00:20:28Why isn't it?
00:20:30I'm the girlfriend of the one that pays you.
00:20:33Is that why?
00:20:36You're my friend's girlfriend.
00:20:39Oh, okay, tell me.
00:20:41Have you ever been with someone as gorgeous as I am?
00:20:45Hmm?
00:20:47Tell me.
00:20:50Leonora, Leonora, we can't.
00:20:52Shh, shh, shh, shh.
00:20:54Over here, we don't think.
00:20:57And we don't talk.
00:21:01We just feel.
00:21:05Okay.
00:21:05Let's leave.
00:21:45Did it hurt?
00:22:17I mean, I can really talk about this stuff for hours, but I do think that it's more important
00:22:22to do it that way around for the sake of efficiency.
00:22:28Listen, I'll be very honest with you.
00:22:30That's when you interviewed the previous one, otherwise...
00:22:32But then what about the photo session?
00:22:34Then you get Christina.
00:22:35Okay.
00:22:44Christina.
00:23:10Hector is going to be staging another play at the Municipal Theatre.
00:23:13He wants to take some photos.
00:23:15Of course.
00:23:16I want some empanadas.
00:23:51What are you watching?
00:23:56What do you see?
00:24:03A policeman that's chasing a black man.
00:24:08Look closer.
00:24:12I don't get it.
00:24:16They're both policemen.
00:24:19Come again?
00:24:21They're both policemen.
00:24:24You'd say that he's busy being chased, but the black guy is also a policeman.
00:24:30The Director wants us to take part, to be deductive, and to put an end to prejudice.
00:24:40Carlos Wallace.
00:24:44Pleasure.
00:24:45Hello, Vidal.
00:24:47I am Sebastian's roommate right now.
00:24:51I would like to see your designs.
00:24:57Okay.
00:24:58I'd have to see what's left first.
00:25:00Most of them are gone.
00:25:01What do you mean by that?
00:25:08Wait.
00:25:11You're a...the...
00:25:12Carla was.
00:25:14My goodness, it's a pleasure.
00:25:16Carla, it's a really big, great pleasure.
00:25:19Wow.
00:25:19We already introduced ourselves.
00:25:21Yeah, sure.
00:25:23I'm sorry.
00:25:24Apologies.
00:25:32Look who it is.
00:25:34Demian Souto.
00:25:35How are you, buddy?
00:25:36Fine.
00:25:36What's up?
00:25:38Sebastian Castillo.
00:25:39The Chad, right?
00:25:40How's London?
00:25:41London is the shit, bro.
00:25:43It's going smoothly.
00:25:44I've just finished an exhibition.
00:25:45Uh-huh.
00:25:46Well, I mean, it was more like a fucking installation.
00:25:48Oh.
00:25:49Okay.
00:25:51How is it?
00:25:53It's a bit dry.
00:25:55Mmm.
00:25:57Delicious.
00:25:58Food is an art that must be appreciated through your palate.
00:26:02I think it's a bit dry.
00:26:05Mmm.
00:26:11She's charming, huh?
00:26:14Look, so, what's your installation about?
00:26:19It's about...
00:26:21It's a proposal following the golden rules and guidelines of anti-globalization.
00:26:26I have people of all ages going up and down some escalators.
00:26:29It's a very social strata.
00:26:31With a notice over their heads reading, don't stay the same within this system.
00:26:40That's great.
00:26:44Won't you show it here?
00:26:45Mm-hmm.
00:26:47Perhaps I'll showcase it at Conexion Latina.
00:26:52The gallery.
00:26:53You know it?
00:26:55No.
00:26:56I've heard about it, but I haven't seen it.
00:26:58No.
00:26:59You should.
00:26:59It's good.
00:27:01And...
00:27:02They even invite different Latin American artists every month to display their work.
00:27:06It's really cool.
00:27:08That's great.
00:27:09Damn, by the way, I'm gonna be looking for some actors.
00:27:13Maybe I'll let you know about it for when the casting process starts.
00:27:17I mean, it is a process.
00:27:18You have to cast.
00:27:20I must respect the criteria.
00:27:23You do fit one of the strata I'm looking for.
00:27:27Don't know.
00:27:29Maybe you're interested?
00:27:33Are you?
00:27:40Cool.
00:27:41Sebastian.
00:27:45We have to talk, huh?
00:27:50Would you excuse me?
00:27:52Sure.
00:27:52I'll be back.
00:28:17Galo?
00:28:18Empanadas?
00:28:22I'll be back.
00:28:23I'll be back.
00:28:27I'll be back.
00:28:37I'll be back.
00:28:39And I'll be back.
00:28:43Why?
00:28:47Listen to me.
00:28:49I didn't come here to talk to a child, okay?
00:28:52So answer me.
00:29:03What did she say?
00:29:07What did I do to you to make you hate me like this?
00:29:11Hate?
00:29:13What do you mean, Charlie?
00:29:15What is it then, Sebastian?
00:29:18Is this the first time you've seen the dentist?
00:29:23No.
00:29:26The dentist is my girlfriend.
00:29:29If you want to see inside of the office, I know where you can.
00:29:33I've done it before.
00:29:35Oh, yes?
00:29:38Despite everything I've done for you.
00:29:42Huh?
00:29:45Just calm down, Charlie.
00:29:49Calm down.
00:29:50What was it then?
00:29:52What was it?
00:30:00It was her.
00:30:03Are you telling me to my face that Leonora is a slut?
00:30:06No, but let me just explain...
00:30:08Explain what?
00:30:10Nothing happened, Charlie.
00:30:12You're telling me nothing happened?
00:30:13Do you even know what nothing means?
00:30:15Just listen to me.
00:30:16Fuck listening to you.
00:30:21You know what you can go and do?
00:30:23You can go and fuck yourself.
00:30:27I'm going to do the best I can to make your life impossible.
00:30:31I'm going to make you disappear from the acting scene.
00:30:34You better get it into your head right now.
00:30:39Best believe I'm going to try my best to sink your career.
00:30:44Best believe I'm going to try my best to sleep.
00:30:45I'm going to try my best.
00:30:45You better get it into your head right now.
00:30:46You better get it into your life.
00:31:11I don't care if I'm going to try my best.
00:31:11When I'm passing
00:31:17through sad moments
00:31:22I'm going to the sky
00:31:26in search of strength
00:31:29because I know that it exists
00:31:34in a form of things
00:31:39that are invisible
00:31:43in a form of everything
00:31:49that is good
00:31:51in the wind that sopa
00:31:59in the rain
00:32:01in the clouds
00:32:04in the sky
00:32:06in the sky
00:32:07in the sky
00:32:17You haven't paid me, Sergio
00:32:20Santos
00:32:22I'm sorry, Coyote
00:32:24I promise I'll pay you
00:32:30I know you will pay me
00:32:35Momo
00:32:37Yes, boss
00:32:41Fire
00:32:47You wanna fuck me up the ass, right?
00:32:51No!
00:32:54Because if that's what you wanna do
00:32:57you just have to tell me
00:32:59and I'll grease it up
00:33:02No, Coyote, I mean I...
00:33:05Look, all I need is a payment plan
00:33:08Nothing else?
00:33:10Nothing else?
00:33:11A payment plan
00:33:13My life has become a mess
00:33:15It sucks
00:33:16My girlfriend's pregnant
00:33:19You see?
00:33:22The money?
00:33:23The money?
00:33:29Oh my god, that hurts so much
00:33:32Okay, I had the money, okay?
00:33:33I had the fucking money
00:33:35You had the money?
00:33:38I do
00:33:39I do have the money
00:33:40The thing is that I don't have it here on me
00:33:42I don't have it on me right now
00:33:43Yes, I quickly became aware of that
00:33:46Sergio Santos
00:33:48Look, Coyote, just give me a week
00:33:51I promise I'll pay you next week, okay?
00:33:55You have two days, do you understand?
00:33:59That means 48 hours
00:34:02Is that not enough for you, Sergio Santos?
00:34:05No, no, no, no, no, no, no
00:34:10If you don't
00:34:13That mark that I made on your forehead
00:34:15Will be the only thing left
00:34:18If you don't pay
00:34:20The only thing that will be left
00:34:23Will be the memory of your existence
00:34:32It has been a pleasure getting to do business with you, Sergio Santos
00:34:57So are we gonna throw a party or what?
00:35:00Indeed
00:35:03What's up, Momo?
00:35:05You okay?
00:35:08I'm glad you called
00:35:10I'm gonna celebrate the success of my new play
00:35:15That's good
00:35:17What's with that sissy blouse of yours?
00:35:19Heh
00:35:24Didn't have time to change
00:35:27You were freaking me out
00:35:31What about my candy?
00:35:35Momo, give the kiddies candy
00:35:37For the party
00:35:55Thanks
00:35:56You can put it on my tab
00:36:05What's up, Coyote?
00:36:07You know me
00:36:10Do I?
00:36:12Of course
00:36:13I'm one of your best customers
00:36:16Yes, but my patience has a limit
00:36:21Don't worry, I'll call you after the party and we'll fix it
00:36:25Of course you'll call me after the party
00:36:30Unless you really want to join the cane club
00:36:37Cane club
00:36:38Cane club?
00:36:39It's a new method that I learned in the slums in Rio
00:36:43Whenever you see someone
00:36:46With a round mark on their forehead
00:36:50That's because they owe the coyote some money
00:36:55Now get out of here
00:36:58I have to go and feed some pigeons
00:37:01I have to go and feed some pigeons
00:37:09I have to go and feed some pigeons
00:37:28Thanks
00:37:29Thanks
00:37:30Thanks a lot
00:37:37Just do it again please
00:37:43Again?
00:37:45Yes, but no gum this time
00:37:58You have something that I don't
00:38:01A clock
00:38:04That doesn't mean I don't care about time
00:38:07I don't have a clock
00:38:11Because I don't have the money to buy one
00:38:17Time
00:38:17However I have
00:38:19Something that you do not have
00:38:24Time
00:38:27But that doesn't mean that you stop caring about time
00:38:33It's just because you don't know how to organize it
00:38:40I'll tell you one thing
00:38:45Sitting there watching my performance
00:38:48Is the best way to waste your time
00:38:53Go to a park
00:38:56Visit a museum
00:38:59Read a good book
00:39:02Go and watch a good movie
00:39:07Enjoy your time
00:39:14And how do you feel?
00:39:16Carla
00:39:17I'm speechless
00:39:19I have no idea how to thank you for this
00:39:22I didn't do anything
00:39:24I just gave you a push
00:39:26Thanking me is more than enough
00:39:28Then I'm happy
00:39:30Okay
00:39:32Thank you
00:39:34Really thank you
00:39:35For having faith in me
00:39:40Hey
00:39:41Where is Sebastian?
00:39:43I'm not sure where he is
00:39:46But today is your day
00:39:48Do me a favor and just enjoy the moment
00:39:52I'm so incredibly proud of you
00:40:01To be in need
00:40:01If you leave
00:40:02If you are not even interested, please
00:40:05To be in need
00:40:05To be in need
00:40:20To be out of my way
00:40:21You should go to my arm
00:40:21I knew that
00:40:23How do you see
00:41:12Hello. I'm about to close in a few minutes. How can I help you?
00:41:20How can I help?
00:41:22Thirty-three.
00:41:24Pardon?
00:41:27There's 33 bills.
00:41:29Oh, yes. Yes, there's 33.
00:41:35So this work must cost $33 at least.
00:41:39$33,000.
00:41:41Oh, yes.
00:41:43The artist is very popular.
00:41:46What's his name?
00:41:49Vicente Matteo.
00:41:52Don't know him.
00:41:56Sebastian Castillo?
00:42:03Do I know you?
00:42:04No. Well, unless you remember everyone who sees your performances.
00:42:12You mean, my only performance? A one-time actor? That was a year ago.
00:42:20I loved it.
00:42:23Remember me?
00:42:28No.
00:42:30We met each other one night after the show. Charlie Kovacs introduced us.
00:42:35Charlie.
00:42:38Sorry, I don't remember.
00:42:40It doesn't matter.
00:42:42Are you working on something new?
00:42:48What's this piece called?
00:42:50This one?
00:42:51Hmm?
00:42:52It's Poetic Alchemy.
00:42:54The artist suggests that everything can be transformed into poetry.
00:42:59Even money.
00:43:03In the United States, there are 12 federal agencies that are authorized to mint money,
00:43:08and each one uses a particular mark.
00:43:11So if you look closely, there is one letter printed on the left of each one of these bills.
00:43:25F.
00:43:28Correct.
00:43:30Each agency is assigned a letter somewhere between A to L,
00:43:34and when the artist noticed that they were there,
00:43:37he developed a program to make anagrams out of them.
00:43:41Anagrams?
00:43:43When you reorganize the letters of the exact same word to compose another new word.
00:43:48Mm-hmm.
00:43:50So he used the words that were thrown out by his program,
00:43:56and he wrote a poem.
00:44:02His work has been very successful in all of Latin America.
00:44:06In fact, the Treasury Department has just requested another big one from him.
00:44:10Really?
00:44:10Mm-hmm.
00:44:12The Treasury Department?
00:44:13Mm-hmm.
00:44:14I don't know what he's going to do, but I know he's going to use millions.
00:44:24Exactly how much are we talking about?
00:44:27Two million, if I'm not mistaken.
00:44:30We are providing him with a space in the back of the gallery,
00:44:33so that he can work undisturbed.
00:44:36Mm-hmm.
00:44:38And when does he start?
00:44:40Next Monday.
00:44:43Are you always here?
00:44:45Mm-hmm.
00:44:46All day long.
00:44:49Don't you have a card?
00:44:51Your cell phone details?
00:44:52Maybe?
00:44:53Sure.
00:44:54Give me a second.
00:44:55Sure.
00:44:58I think someone came to get you.
00:45:22Togalo.
00:45:23Togalo.
00:45:25Yes, I'll have someone.
00:45:27Togalo?
00:45:27Yeah?
00:45:28Phone call.
00:45:33Hello.
00:45:39Yeah, it's me.
00:45:46When does it happen?
00:45:49No, no, no.
00:45:50No, no, no.
00:45:51No, I'm on my way.
00:45:54No, no, no.
00:46:04And now?
00:46:06Galo, he's in hospital.
00:46:08What happened?
00:46:10What's wrong?
00:46:11He didn't want to tell me.
00:46:13Excuse me, your attention, please.
00:46:18excuse me so unfortunately I have to leave what happened girl oh he's in the hospital but I don't
00:46:27know what happened but on on Friday I'm gonna be throwing a party at my house at 9 30 I
00:46:32will see
00:46:33you there okay on Friday yes of course and I'll see you Friday 11 see you see you should I
00:46:40come
00:46:40know my love you're mine you already have me my love hello Sebas what happened
00:47:07Sebas I'm really sorry about this you know
00:47:11Gallo can you please tell me what the fuck is going on
00:47:18sorry doctor hmm Sebas do you remember the poetry reading I conducted two weeks ago
00:47:33tell me you remember Christina mentioned it but I don't remember Gallo can you tell me what happened
00:47:41what did Christina tell you Gallo I can't remember just tell me what happened
00:47:58I was standing on the stage I was busy reading one of my poems
00:48:05I heard some footsteps and I I looked up and I saw
00:48:16a body that was was walking towards me
00:48:22she was the most beautiful woman that I have ever seen in my entire life the thing is that we
00:48:33started
00:48:33talking and we talked about the arts about life about death about Italy and suddenly she said she said
00:48:49fuck that hurts
00:48:50fuck that hurts
00:48:57calm down calm down are you okay almost done please continue please continue yeah what happened then
00:49:13she said
00:49:17well then she said Roma
00:49:28I know this sounds totally crazy but everything changed then I felt like she was speaking backwards and saying
00:49:37I'm more
00:49:44love
00:49:49are you saying you fell in love with a woman
00:49:54you are gay
00:49:58he's gay
00:49:59and
00:50:08well Gallo
00:50:10all I can say is
00:50:13then you should go out with her
00:50:15right
00:50:17so you forget about Marcello
00:50:18once and for all
00:50:19he's been dead for two years
00:50:27Gallo what you have
00:50:29that's a wound
00:50:32he's fixing it
00:50:33but the wound here
00:50:35this one here
00:50:37is deeper
00:50:38and it's killing you
00:50:40and you don't get that
00:50:41calm down gentlemen
00:50:50doctor
00:50:52do you maybe have a little bit of anesthesia left for him
00:50:59of course
00:51:11look
00:51:14first you're going to respect Marcello's memory okay
00:51:20besides being with her isn't that easy
00:51:27the only thing I could do was just think of her
00:51:32I can't explain it
00:51:37up until this very day
00:51:41I've been waiting
00:51:42it feels like I've been standing next to the road
00:51:45just waiting for the traffic lights to change
00:51:47I felt like time had been moving so fast
00:51:51that I was feeling unbearably panicked
00:51:55I was afraid of dying and afraid of living
00:52:01when I got to the other side
00:52:03she was there
00:52:05in front of me
00:52:08she was talking to me but
00:52:10I didn't hear anything
00:52:13I couldn't even breathe
00:52:15my hands were sweating
00:52:17my hands were sweating and my legs were busy shaking
00:52:18my throat's never been so dry
00:52:22I took a deep breath and then I said
00:52:24I love you
00:52:27first she smiled at me and then she said
00:52:31I love you
00:52:34but you can't have me
00:52:35you can never have me
00:52:40about three seconds later
00:52:42there was a car that stopped next to us
00:52:45and then she got in
00:52:47and she
00:52:49just left
00:52:51well I'm leaving now
00:52:52okay
00:52:53what
00:52:55but wait Sabas
00:52:56the doctor hasn't finished with me yet
00:52:58are you done doctor
00:53:00no not yet
00:53:02but it's closed right
00:53:07I mean you're done suturing right
00:53:09no I'm not
00:53:11and he's not allowed to go home yet
00:53:14and you should really be patient
00:53:16you know
00:53:19you know what doctor
00:53:20let's do this
00:53:22okay tell me
00:53:22if anything happens you call me
00:53:24of course
00:53:25great
00:53:28Sabas
00:53:30will you leave
00:53:31yes I will
00:53:32it's better
00:53:35Sabas
00:53:37why don't you just stay a bit
00:53:39he's about to finish
00:53:40I can't
00:53:41they're waiting for me
00:53:41I must shop for the party
00:53:44well Sebastian
00:53:45how will I get back to my place
00:53:46taxi
00:53:48you go over
00:53:49the street and you get a taxi
00:53:52okay
00:53:53everything will be paid
00:53:54see you later
00:53:57good night doctor
00:53:59good evening
00:54:07did he really just leave
00:54:09calm down
00:54:39and after that
00:54:40That is when they told me, you'll feel this for about six hours.
00:54:47What do you think about it?
00:54:48I really don't know.
00:54:49Well, she was just here earlier.
00:54:51I don't know, maybe she's busy doing something.
00:54:52I mean, what on earth could she be doing?
00:54:57Well, you know, Shakespeare, the question then was to be.
00:55:01Now the only question is to have or not to have.
00:55:04I think you're misunderstanding.
00:55:16Sebas, how are you?
00:55:19Good.
00:55:20Okay.
00:55:21What do you want?
00:55:22There's white and red.
00:55:25Do you have any WAC?
00:55:28What's that?
00:55:30Wheat and Coke.
00:55:33My preference.
00:55:36Can we talk?
00:55:39Okay.
00:55:42Let's go.
00:56:10Sabas, are you okay?
00:56:17Do I look fine?
00:56:25Sabas, don't worry.
00:56:27It'll...
00:56:28It'll all be fine.
00:56:30It'll all be fine.
00:56:32I have nothing.
00:56:35I had to sell the car.
00:56:37I made a mess of the apartment.
00:56:39My brother's money is gone.
00:56:41I have so much debt everywhere that everybody is after me.
00:56:53I'm sorry.
00:56:57It's okay.
00:57:01I need to borrow money.
00:57:03Okay.
00:57:05And how much do you need?
00:57:1480,000.
00:57:20You have some balls.
00:57:23Coyote, right?
00:57:26Yes.
00:57:28Yes.
00:57:29Can't believe you need that much.
00:57:30I know where to find the money.
00:57:33You just need to help me get it, that's all.
00:57:35Wait, what are you talking about?
00:57:39I don't know, Gallo.
00:57:43I fucked it up.
00:57:45Turns out that all the snow that I bought from Coyote to resell again ended up in my fucking nose.
00:57:51So...
00:57:51What are you going to do, rob a bank?
00:57:54No, no.
00:57:55There's this gallery.
00:57:57Oh, that's great.
00:57:58You're going to steal a work of art.
00:58:00Can you listen to me?
00:58:02Of course.
00:58:03Tell me.
00:58:08There's an artist.
00:58:09He works in that gallery.
00:58:11He makes different works with different types of bills.
00:58:16Soon he'll be using millions.
00:58:19How's that?
00:58:20It doesn't matter, but the money arrives on Monday.
00:58:24So, what are you going to do?
00:58:26There's some woman I know that works there.
00:58:29She's probably going to receive the money and then she'll put it in a safe or something.
00:58:33And she spends most of her time on her own there.
00:58:36How do you know that?
00:58:37Because I know.
00:58:39Are you going to go armed?
00:58:41Only to scare them.
00:58:42How can you say it like that?
00:58:44Only to scare them?
00:58:45Where would you even get it?
00:58:47From people I know.
00:58:48Oh, really?
00:58:49Why don't you ask those people to help you rob that fucking gallery?
00:58:52Why are you trying to involve me?
00:58:54Because you're my friend.
00:58:57Sebastian, I'm not a criminal.
00:59:00I love you, but not that much.
00:59:10Now you're someone.
00:59:14Huh?
00:59:18You think you did that on your own?
00:59:21Last year you were on the other side and today you're in heaven?
00:59:24Huh?
00:59:26Who helped you when you were homeless?
00:59:28Huh?
00:59:29In whose house did you live?
00:59:31Who paid your hospital bills when you cut your fucking veins apart?
00:59:35And who helped you overcome Marcelo's death?
00:59:39You owe me big time.
00:59:41You're an ungrateful son of a bitch.
00:59:44Because the only thing I'm asking of you is that you will just trust me in the same way
00:59:48that I trusted you.
00:59:50That's the only thing I'm asking of you.
00:59:52Are you going to keep snapping at me in my own house?
00:59:55There's a party out there.
00:59:57Sit down.
00:59:59Do you want to have a calm chat?
01:00:01Then sit down.
01:00:03Listen, if you want to talk like two adults, then just sit down.
01:00:07Stop the shouting and sit down.
01:00:11Maybe, maybe you should take a deep breath and sit down.
01:00:35I know.
01:00:37Yeah, I know.
01:00:38Shh.
01:00:39I promise you it's all going to be okay.
01:00:41Okay?
01:00:42Okay.
01:00:44I know.
01:00:47Okay.
01:00:48Okay.
01:01:00Oh, my God.
01:01:04Sebastian.
01:01:07I'll help you.
01:01:08But please, I don't want you to get the wrong idea about this.
01:01:12Pay close attention to what you're asking of me.
01:01:21Hold up.
01:01:22Oh, fuck.
01:01:22What do you want me to do?
01:01:23My house is full of people.
01:01:26We'll talk about this tomorrow.
01:01:29Carlo, not tomorrow.
01:01:31This is happening Monday.
01:01:33Sebastian.
01:01:35Give me a break.
01:01:40Don't stay here alone.
01:01:43Come with me.
01:01:59Oh, my God.
01:02:12What a mess.
01:02:16Oh, my God.
01:02:20You have it, I need it.
01:03:00Hello. How are you?
01:03:06Come, Daddy.
01:03:10Please don't be afraid.
01:03:12A coyote isn't hungry tonight.
01:03:16Come.
01:03:33How are you feeling?
01:03:40I think that you feel speechless.
01:03:44Congrats.
01:03:46Congrats.
01:03:51How are you doing?
01:03:54Does it still hurt?
01:04:00A shame.
01:04:02Who would do something like that to you?
01:04:08Well, now that all of us are more relaxed,
01:04:12we can talk.
01:04:15Right, Momo.
01:04:22Listen, Gallo.
01:04:26I would like to ask you a favor.
01:04:29May I?
01:04:34I don't know if you are aware, but Sebastian only has two days left to live.
01:04:43Yes, well, that's shitty.
01:04:47Right?
01:04:49Whatever.
01:04:50I will tell you that I've developed a fondness for him,
01:04:54even after all he's done to me.
01:04:57That is why I'm asking you to help him.
01:05:00Bring home the bacon.
01:05:06Do you even wonder what's crossing through this boy's mind,
01:05:12knowing that
01:05:14at the very most he has 48 hours left to live?
01:05:18Shit.
01:05:19That must be hard.
01:05:21Right?
01:05:24Hard.
01:05:28Help him, Gallo.
01:05:29Help him.
01:05:33Or else...
01:05:34you could fall too.
01:05:36What?
01:05:39That's the way.
01:05:40Because I say so.
01:05:42He doesn't pay and you fall.
01:05:45But why?
01:05:47Well, Gallo,
01:05:48if you want,
01:05:49we stay up all night,
01:05:51talking more shit.
01:05:53We can.
01:05:56but
01:05:56time will not forgive.
01:06:00Neither do I.
01:06:08Guys,
01:06:11I don't like magic.
01:06:13I really don't.
01:06:15So then,
01:06:18I don't want any tricks.
01:06:21Okay?
01:06:27let's go.
01:06:32I want any tricks on the floor.
01:06:54Hello.
01:06:58Natalia.
01:06:59Yes.
01:07:00How can I help you?
01:07:03It's Sebastian Castillo.
01:07:20Sebastian.
01:07:21Stop it.
01:07:21Hey, stop it.
01:07:23Cut it out.
01:07:24That's enough now.
01:07:25Stop.
01:07:25Stop it.
01:07:26Stop.
01:07:27Stop.
01:07:37Stop it.
01:07:39Hello.
01:07:40How are you?
01:07:41What a surprise.
01:07:43I wasn't expecting you.
01:07:45Come in.
01:07:46Please, come inside.
01:07:48If I may.
01:07:50Please.
01:07:52Are you good?
01:07:53Fine.
01:07:53Very well.
01:07:56We would have welcomed you in a much better way.
01:07:59I mean, technically, we are closed down today.
01:08:02We are organizing the new exhibition.
01:08:05Yeah.
01:08:05Being staged here tomorrow.
01:08:07Sorry.
01:08:08Natalia Dominguez.
01:08:09Max Rodin.
01:08:10Pleasure.
01:08:10Same.
01:08:11Oh.
01:08:12Just look at your forehead.
01:08:14What on earth happened?
01:08:15Just look at you, Sebastian.
01:08:16Have you seen a doctor yet?
01:08:17Madam, madam.
01:08:18Please, please.
01:08:18Can you just give me the key?
01:08:20Which key?
01:08:20Just give me the key to the door.
01:08:22What do you mean, give me the key?
01:08:23I'm warning you, let go of me.
01:08:24Madam, please, just calm down.
01:08:24What is this about?
01:08:27Sebastian.
01:08:27Sebastian, just wait, Sebastian.
01:08:29What are you doing?
01:08:31Where are the cameras?
01:08:33Cameras?
01:08:34I'm asking you where the cameras are.
01:08:36But which cameras?
01:08:38You better tell me where the cameras are.
01:08:39Put it down.
01:08:40Where are the fucking cameras?
01:08:42Shh, shh, shh, madam.
01:08:43Put it down.
01:08:44There are no cameras in the cellar.
01:08:45Sebastian, listen to me, okay?
01:08:46You don't need to do this.
01:08:47There's another way.
01:08:48Sebastian, you don't have to.
01:08:48Where are the cameras?
01:08:49Put it down.
01:08:50Please, let me.
01:08:51Shut up, Natalia.
01:08:54Sebastian, put down the shotgun.
01:08:56Where is the money?
01:08:57What money?
01:08:59I asked you where the money is.
01:09:01In the bank.
01:09:03Have you gone crazy?
01:09:12Careful, it's loaded and cocked.
01:09:15What?
01:09:16Watch where you point that thing.
01:09:20Sebastian.
01:09:22Please tell me, oh!
01:09:23Shut the fuck up, you bitch!
01:09:26Be quiet.
01:09:30I am under so much pressure.
01:09:43Tie her up.
01:09:47I am under so much pressure.
01:09:48Then give me the robes.
01:10:03Tie her up.
01:10:05And hide her there.
01:10:10Tie her up.
01:10:11Tie her up.
01:10:14Drop the gun, Sebastian.
01:10:18What?
01:10:21Put down the gun, Sebastian.
01:10:30You first.
01:10:32Put down the shotgun, Sebastian. Put it down.
01:10:40You first.
01:10:58Give it to me.
01:11:20Move.
01:11:23Let's go.
01:11:51Let's go.
01:12:03Do you believe in God?
01:12:06Huh?
01:12:07Do you believe?
01:12:11I used to believe.
01:12:14Not anymore.
01:12:16Not that I don't believe.
01:12:19I believe in everything.
01:12:20You know what that's like.
01:12:24Like for example.
01:12:26Now I believe in you, Vicente.
01:12:29In you.
01:12:32You're a potential guard.
01:12:35The briefcase.
01:12:37Take it.
01:12:42Now open it.
01:12:53Give it here.
01:12:55Do not turn around.
01:12:58Overhead.
01:13:13I don't know.
01:13:13I just need to give it to him.
01:13:17I don't know.
01:13:18I can't do it yet.
01:13:23He's dead.
01:13:24He's dead.
01:13:25I can't do it.
01:13:26Here's the fort center.
01:13:27It's終wy he Opinion.
01:13:30You killed her.
01:13:34She was no longer breathing when I tied her up.
01:13:39You broke her neck, Sebastian.
01:13:45Now you're going to listen to me. You killed her, you animal. Are you listening to me? You killed her!
01:13:49Are you listening? You killed her for no reason. She wasn't to blame for this.
01:13:53Do you understand what you have done, you animal? You killed an innocent lady, you animal!
01:14:24You killed an innocent girl.
01:14:27So you killed her?
01:14:28Oh, yeah.
01:14:43Oh, yes.
01:14:45I did.
01:14:48You killed her?
01:14:49Oh, yeah.
01:15:06There are three ways that we're gonna solve this.
01:15:08Oh my god, we're all gonna die.
01:15:09Shut your mouth.
01:15:10My hook, my crook, or my way.
01:15:14What's going on?
01:15:15What's it gonna be?
01:15:18They're gonna kill us.
01:15:20What is happening?
01:15:21We'll die.
01:15:22Vicente, tell me.
01:15:24There are some reporters talking to the policemen.
01:15:28The media's here.
01:15:33Stop fucking about.
01:15:36And the car, boss?
01:15:38Leave it as his trench.
01:15:44This is Detective Sergeant Eugenio Palermo.
01:15:53The reporter is a cop.
01:16:07I already told you.
01:16:09Don't come any closer to me.
01:16:10You better back off.
01:16:12I told you I was gonna shoot her.
01:16:13You see, I told you.
01:16:14Now her blood's on your hands.
01:16:16Listen, Vic.
01:16:17If you don't wanna give me the money, I'll...
01:16:20Usually, I only lose my patience when there has been any catastrophic physical harm to the hostages.
01:16:29Shoot him in the foot.
01:16:33Wasn't the gun empty?
01:16:36There's still one in the chamber.
01:16:38Shoot him in the foot.
01:16:40Fuck, please don't shoot me.
01:16:41Please don't shoot me.
01:16:42Don't shoot me.
01:16:43Don't shoot me.
01:16:43Please don't shoot me.
01:16:45Please don't shoot me.
01:16:46I'm begging you, please don't shoot me.
01:16:49Shoot him, Vicente.
01:16:51Don't fucking shoot me.
01:16:53Fucking shoot him!
01:17:12Thank you for that.
01:17:43Thank you for that.
01:18:01You guys have this side covered.
01:18:03We've got the right side.
01:18:06Check the hostages.
01:18:39I'm testing you.
01:18:43This is shocking.
01:18:45What do you think I'm seeing you?
01:19:46You don't speak, because you are no one's son.
01:19:52You are the grammar of no object.
01:19:56The positioning of translucence in my visual edges.
01:20:12I notice when you try to look, as if you're not, as well as when you think that you're not.
01:20:18You are.
01:20:21A silent specter blackest night.
01:20:24When you pass by, you shiver.
01:20:27When you don't pass by, my bare soul hurts.
01:20:31You are the only one's.
01:20:44You are the only one's.
01:21:09I don't know.
01:21:31I don't know.
01:22:02I don't know.
01:22:58I don't know.
01:23:07I don't know.
01:23:31I don't know.
01:24:15I don't know.
01:24:35I don't know.
01:25:01I don't know.
01:25:03I don't know.
01:25:05I don't know.
01:25:09I don't know.
01:25:27I don't know.
01:25:39I don't know.
01:26:08I don't know.
01:26:14I don't know.
01:26:24I don't know.
01:26:28I don't know.
01:26:38I don't know.
01:26:43I don't know.
01:26:55I don't know.
01:26:55I don't know.
01:27:00I don't know.
01:27:04I don't know.
01:27:10I don't know.
01:27:12I don't know.
01:27:16I don't know.
01:27:21I don't know.
01:27:23I don't know.
01:27:27I don't know.
01:27:30I don't know.
01:27:36I don't know.
01:27:46I don't know.
01:28:00I don't know.
01:28:03I don't know.
01:28:08I don't know.
01:28:13I don't know.
01:28:18I don't know.
01:28:23I don't know.
01:28:28I don't know.
01:28:33I don't know.
01:28:38I don't know.
01:28:40I don't know.
01:28:42I don't know.
01:28:43Oh, oh.
01:28:48You're a rayon of the sun.
01:28:53You're a rayon of the sun.
01:29:02Yeah.
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