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00:00:20I voto emir, i voto suspirando
00:00:30Passo le notti interi, senza sogno
00:00:38E mi visito, io contemplarlo
00:00:47Le passo di la notte, sino al giorno
00:00:57I voto emir, i voto suspirando
00:01:07Passo le notti interi, senza sogno
00:01:16E mi visito, io contemplarlo
00:01:25Le passo di la notte, sino al giorno
00:01:34Vediamo un fogo suora, che io dormirei
00:01:40Pagimu nabikiu, stafritu fuori
00:01:50Pagimu nabikiu, stafritu fuori
00:01:56Pagimu nabikiu, stafritu fuori
00:02:06Pagimu nabikiu, stafritu fuori
00:02:13Pagimu nabikiu, stafritu fuori
00:02:22Pagimu nabikiu, stafritu fuori
00:02:34We don't think that we sense it's all.
00:03:17Mr. Maria, I've kept everything just as it was, but nothing ever stays the same you have
00:04:03I've kept everything just as it was, but nothing ever stays the same you have to do
00:04:09She always spoke of you, and how it was important that you would come back someday to this house.
00:04:44You dirty old rascal, how the holy hell did they ever let you back here, you know.
00:04:51Oh, by the way, that's a very dangerous game to play.
00:04:54I mean that.
00:04:55Guys have been killed for doing that.
00:04:57So don't joke around, or next time you'll end up in the family morgue.
00:05:01That'd be part of cruel, especially for the ladies, huh?
00:05:03Tell me, what was your average in Paris?
00:05:05Come on, how many?
00:05:06Probably two a day, eh?
00:05:08I've heard the French are eliminating adultery.
00:05:10They refuse to get married at all.
00:05:11And if they do, the husband will be given a maid to help out in case the dear wife gets
00:05:15a headache.
00:05:15Is that true?
00:05:16You've become just as pernicious as an old rake.
00:05:18Well, I always liked a little bit of variety, and I was born horny.
00:05:23I have no control over it.
00:05:25Well, let's have a look at you.
00:05:26You have the mark of the international traveler.
00:05:28You wear it well.
00:05:29Do I really?
00:05:30As a matter of fact, I've managed to do a little jet setting, too.
00:05:3325 lure days in Turkey.
00:05:35Of course, it doesn't have the same charms as Paris.
00:05:38Well, well.
00:05:39So you've come back to blow your horn and bang it around.
00:05:43No, no.
00:05:44I have no match for the competition here.
00:05:45Don't worry.
00:05:46It's only for a week or two.
00:05:47I should go before the end of the month.
00:05:49I'm selling the horse.
00:05:51You've done well.
00:05:52I see you're done well.
00:05:53In short, modestly my success is also.
00:05:56And not only in the trade.
00:05:58Ah, yes?
00:05:59Yes.
00:06:01You see, I don't know that I have a vocation of the scapolo.
00:06:04But I don't know that I have a cornudo.
00:06:06That cornudo can't even go without vocation.
00:06:09But today, the probability are in the increase.
00:06:12Oh, mon cher, la femme.
00:06:14O è santa?
00:06:15O è puttana?
00:06:17È nel nostro giro di santa.
00:06:18Io conosco solo la Santa Agata.
00:06:20Beh, allora fammi un po' l'elenco delle vecchie amiche.
00:06:24Quelle puttana, eh?
00:06:24Le sante lasciamole perdere.
00:06:26Dunque, Rosa, Rosetta, Rosina, sono riuscito ad andarci a letto solo dopo che si sono sposate.
00:06:32Sì, perché prima si erano rifiutate per una questione di onestà.
00:06:35Con la D'Amico invece non ci sono riuscito perché si è sposata in Sud America con un'allavatora di
00:06:40bovine.
00:06:42Una produzione da conne scatola.
00:06:45Rito Favazza invece l'ho perso un po' di vista, ma mi risulta che ha sposato come marito un fenomeno,
00:06:51sai, un potente completo.
00:06:53Ma non è che è un fenomeno perché è impotente, ma perché è impotente con sette figli.
00:06:58Invece, Mariella Lorusso non la vedo da molto tempo, ma so che non ha affatto un marrimone molto fortunato.
00:07:03Dicono che ha capito un marito un poco cornudo.
00:07:06Mi stai a sentire?
00:07:07Ah, sì, sì.
00:07:09È a Caterina, vuoi dire?
00:07:11Beh, che è rimasta vedova, lo sai, no?
00:07:13Sì.
00:07:13Sì.
00:07:15Senti, ma non mi dirai che sei tornato qui apposta per lei?
00:07:19Diciamo che non me la sono mai dimenticata.
00:07:23E allora?
00:07:24Allora, vedi Caterina, è una che non saprei se mettere o no nell'elenco.
00:07:29Ma tu la frequenti?
00:07:31Sì, sì, ci ho provato, ma niente da fare.
00:07:34È l'unica sconfittata della mia carriera.
00:07:36E d'altronde a Napoleone, che era Napoleone un perso, ma tra l'oppa.
00:07:39E ci ho provato a marito vivo e a marito morto, sai, mica solo io.
00:07:42Ma, riena a fare.
00:07:44Allora è una santa.
00:07:46Eccomano, sono sicuro che a letto farà maragola.
00:07:52Comunque, se non è una santa o una furba, che è più probabile, mi piacerebbe incontrarla per caso.
00:07:58Ah, è per questo non è che te devo preoccupare.
00:08:01Tu dammi un giorno di tempo che te lo organizzo io apposta.
00:08:03Un incontro per caso.
00:08:05M dice, legittuale, eh?
00:08:07E qui in Catania, sono sicuro che in Catania, è subito edging us out.
00:08:11Ora, è un shock.
00:08:12Ma che è un po' di diritto, in una crisi, se si avessero avessero avessero avessero avessero avessero avessero avessero
00:08:23avessero avessero avessero avessero.
00:08:35The two of us went into the dining room, and she stood there, waiting to see what I would say.
00:08:39Only, what the hell could I say to her?
00:08:41She loved it.
00:08:42She thinks she's getting in style.
00:08:44On Sunday, the moving vans came.
00:08:46And the next morning, they got their son registered in school.
00:08:48Really?
00:08:49Oh, I must tell you.
00:08:52Well, Danny is rather pitiful.
00:08:54His poor mind is vague.
00:08:56He gets mixed up.
00:08:57Well, this pretty girl is asking for information.
00:08:59You know, perfectly ordinary sort of routine questions.
00:09:02So she asks him what the child's name is, and he says, Claire.
00:09:05Odd name.
00:09:06Sex, she says, enormous.
00:09:15I'm losing, unfortunately.
00:09:17Don't worry, it's against the law.
00:09:44What is it?
00:09:47Captain.
00:09:49Luisa, do you know Giuseppe Lagana?
00:09:51No, but I certainly did know your mother.
00:09:54Sit down, please.
00:09:58It's over 15 years, isn't it?
00:10:00It's a lot more.
00:10:02Well, it's like being a witness to an historic meeting.
00:10:05When I write my memoirs, I can say I was there.
00:10:08Notice I'm going to the bar discreetly.
00:10:14Well, I imagine I look different.
00:10:18As a matter of fact, no.
00:10:20You've changed a lot, you know this.
00:10:22Well, yes.
00:10:23Why shouldn't I?
00:10:24They used to take their toll.
00:10:25What can we do?
00:10:27You were merely pretty.
00:10:29Now you're stupendous.
00:10:33People are looking at us, do you notice?
00:10:34Do you really care?
00:10:37Oh, maybe.
00:10:38I know who the gossips are.
00:10:40They're all here fishing.
00:10:41And a girl should consider her honor.
00:10:44We're all a little absurd with our sense of honor, aren't we?
00:10:48I was joking.
00:10:50Are you staying through the summer?
00:10:54Well, that depends, I guess, on you.
00:10:57Louisa, wait.
00:10:58What for?
00:11:00I just want to look at you without anyone around, that's all.
00:11:04Well, go ahead then.
00:11:05But hurry before any of our friends comes and notices us.
00:11:09Why, they'd think I was flirting while my husband's in Milan for four whole days.
00:11:12Time is up.
00:11:14I see.
00:11:15No, I don't.
00:11:16I want you.
00:11:17You must know that.
00:11:18I...
00:11:18You're mad.
00:11:20You mustn't say that anymore.
00:11:24You haven't taken your vitamin C.
00:11:27You're a love.
00:11:28But this kind of conversation is offensive, mere sentimental muck.
00:11:32Forced to hear it from my husband, and that's certainly ample.
00:11:35And you must admit that you've got no right to assume that I choose to sacrifice his trust in me.
00:11:40I know that, but I'm...
00:11:41It makes me unhappy you're so cold and cruel to me, and yet I still adore you.
00:11:45And you flouted as if it were nothing.
00:11:47Many times I thought of you being all alone, and...
00:11:51If I could come and talk.
00:11:52I like to talk, you know.
00:11:54Nothing ever important, but...
00:11:55Not a chance.
00:11:57I know your reputation.
00:11:59And when actually measured, who cares?
00:12:03Only this is there to say to you.
00:12:05So long, it's been nice, and in case I see you at the bar.
00:12:09And let's just say...
00:12:10Louisa, meet me tomorrow at 6.45.
00:12:23Alfredo?
00:12:24You break a blood vessel or something.
00:12:30Well, I had the impression you were rather a timid, sir.
00:12:34You seem so years ago.
00:12:36Soon as you walked in the room.
00:12:38I don't know, it seems like...
00:12:39It wasn't by accident.
00:12:41I was looking for you.
00:12:47How good is your memory?
00:12:49Don't worry, I don't forget a thing.
00:12:522-1-6-8-9-0-7.
00:12:56Here I am again.
00:12:58Sorry about that.
00:13:00Am I too soon?
00:13:01Oh, I think we've said it all.
00:13:03You can stay.
00:13:04I'll bet.
00:13:05Giuseppe, you're quite a character.
00:13:07They said so at the bar.
00:13:09It seems you have the status of a celebrity here at Catania.
00:13:12That you live in Paris.
00:13:13Only this I already knew.
00:13:15That you were the first to more platonic, that is, of Catarina.
00:13:18But no one ever told me that.
00:13:20Louisa.
00:13:20I said platonic.
00:13:22I have a good arm.
00:13:24I'll call you.
00:13:24I hope so.
00:13:26Well, Louisa.
00:13:27It was very pleasant.
00:13:28I hope I'll see you again.
00:13:30You will, darling.
00:13:30Whenever you decide.
00:13:32Au revoir.
00:13:35He's death for a woman.
00:13:38Affectionate, intelligent, handsome.
00:13:40What more is there?
00:13:41And a bachelor?
00:13:43I don't know.
00:13:44Oh, you're being sly.
00:13:46But that's not important, is it?
00:13:53You forgot it, I know.
00:13:552-1-6-8-0-9-7.
00:14:00Merci.
00:14:05Pronto.
00:14:06Catalina, it's Giuseppe.
00:14:09Well, hello.
00:14:10Didn't you think I'd call?
00:14:13Why not?
00:14:14You said you would.
00:14:15How are you?
00:14:17Well, thank you.
00:14:19A little tired.
00:14:21You know, since I saw you last night, I haven't been able to think about anything else.
00:14:27I...
00:14:28I know.
00:14:30That's how I feel.
00:14:31Are you alone now?
00:14:35Yes.
00:14:36Can I come over?
00:14:38No, not here, no.
00:14:40Where then?
00:14:41Well, I don't know.
00:14:45Can you come tomorrow?
00:14:47Are you coffee?
00:14:48Not bad.
00:14:49I have lunch appointment.
00:14:51Can I come at two?
00:14:52At two.
00:15:18You've got an admirer.
00:15:20You've been hiding things.
00:15:22I pray.
00:15:23It's okay.
00:15:31It's a very special friend your mama grew up with.
00:15:35Giuseppe and I went to school together.
00:15:37He was very important to me, almost like a beau.
00:15:41Does that mean something special to receive roses from someone, mama?
00:15:45Well, yes and no.
00:15:47Depends on the roses.
00:15:49Depends on the woman.
00:15:50Depends on the person who sends them.
00:15:52And your aunt doesn't appreciate dirty nails.
00:15:54I don't feel like going there.
00:15:55I'll end up hating some of the vacations if I'm forced to spend them there all the time.
00:16:05Oh, come on.
00:16:09She's very anxious to see you.
00:16:11It's not the whole summer.
00:16:12It's only a few days.
00:16:14Trade your big red rose for a smile.
00:16:21Isn't the man saying to a woman that he loves her when he sends her some flowers?
00:16:26Well, I know it says something.
00:16:28I suppose he's just saying...
00:16:30There's a car.
00:16:31Go ahead.
00:16:31Now, don't keep them waiting.
00:16:32Hurry up.
00:16:36Hey.
00:16:38And I've got to stay there all next week or what?
00:16:41Listen, you stay out of trouble.
00:16:43And Sunday I'll phone.
00:16:44I'll talk to your aunt and tell her you to come back early Tuesday morning.
00:16:49Ciao, Bella.
00:17:18You just about ran into my daughter.
00:17:20Well, they've got to meet her later.
00:17:26I didn't thank you for the roses.
00:17:28They were lovely.
00:17:39Well, you have something to drink?
00:17:42All right.
00:17:47We are doing nothing wrong.
00:17:49You haven't any reason to worry.
00:18:00We are doing nothing wrong.
00:18:28We are doing nothing wrong.
00:19:02You see, that's my point.
00:19:04To choose, not to get entangled.
00:19:06The entire world's full of women.
00:19:07Why?
00:19:08For us to enjoy life a la carte.
00:19:12Oh, well.
00:19:14Tell me.
00:19:15Tell me the truth.
00:19:16What is it you expect to find here?
00:19:18Who knows?
00:19:22It's the feeling you could find looking back.
00:19:25I don't know.
00:19:28That old tree in a park.
00:19:30A book I read.
00:19:31Sudden memory.
00:19:34For a minute I'm there before I know it goes.
00:19:38Mysticism.
00:19:39Go away.
00:19:40You're in love.
00:19:41You're trapped.
00:19:41I knew it would happen.
00:19:42The object is to stop on this danger.
00:19:44Yes.
00:19:45The sound of pride.
00:19:47Did you hear that?
00:19:48His sense of pride is abused.
00:19:50Even pools have pride.
00:19:52I've got a little hair right up inside this nostril.
00:19:54It bothers me.
00:19:55Fine, can you?
00:19:57No, no, no.
00:19:58Not that one.
00:19:58This one has been itching for a whole hour.
00:20:02Ah, that's better.
00:20:06Ah, to get up in a fine morning.
00:20:08To begin to prepare.
00:20:09For the intoxicating task of choosing between all the flowers in my meadow.
00:20:13And I'm happy because I have the freedom of choice.
00:20:16You, you plan to trade it for one old-fashioned perennial.
00:20:19That's a bad job.
00:20:20I know.
00:20:21It's not funny to you because you know I'm right.
00:20:23Although you won't admit it.
00:20:25But to break a date like that.
00:20:27I came up with those two for tonight and you're spoiling it.
00:20:29Now, where is there any harm in spending a few innocent hours with a pair of strippers from Hamburg?
00:20:33No complications, no responsibilities.
00:20:38Very relaxing time.
00:20:40But it's not for me.
00:20:42You can come or not, I don't care.
00:20:43I'll just have to squire both of them around by myself.
00:20:46But don't let that influence your decision.
00:20:47All right, I'll come then.
00:20:50Since I'm all busy and eating.
00:20:51You must be joking.
00:20:52I could easily handle both and you know it.
00:20:54Nobody has equaled my past record for epic womanizing that I know of.
00:20:57I'm far out front.
00:21:00No, I mean, that's enough.
00:21:02Come tonight if you can.
00:21:04You'll be doing me a favor, all right?
00:21:05Don't worry, I'll meet you about 11.
00:21:07I have a sneaky suspicion that you're going to forget.
00:21:10I won't forget.
00:21:11No, no, no.
00:21:12I was referring to women.
00:21:13You should look at things the way I do.
00:21:15A man's freedom is a gift not to be taken lightly.
00:21:19And that's something the youth of today understands.
00:21:21You got a lot of girls?
00:21:22I got four kids.
00:21:24What's so funny?
00:21:26He doesn't change anything.
00:21:27He's an exception, that's all.
00:21:29He's a little rabbit, this one.
00:21:34You're not a fool.
00:21:36The point is, you should try a new tactic, darling.
00:21:44Why bother?
00:21:45I'm not important to him.
00:21:46It's stupid to expect anything more.
00:21:51What's the point in tactics?
00:21:58We grew up together.
00:21:59After all, I went to school with Giuseppe.
00:22:01I knew his best friend.
00:22:05It seems so pointless to play games.
00:22:07I'm sure that's what he's doing, love.
00:22:09If you forget your pride.
00:22:10It's not pride at all, Louisa.
00:22:14We always have to start right back at zero.
00:22:19Mind as a child.
00:22:21Love, we start all over again each time.
00:22:25You're not making sense, darling.
00:22:27To jump to conclusions is silly.
00:22:29I know it's true, he could tell a thought.
00:22:31But it's hardly a tragedy.
00:22:33Who's making it a tragedy?
00:22:38Uh...
00:22:39Except I'm so mad at myself.
00:22:42I know you feel dreadful.
00:22:44You only.
00:22:46Come on, the truth now.
00:22:48Listen.
00:22:49I know I'm a bit of a Todd, to put it nicely.
00:22:53Or you could say I have a penchant for wickedness.
00:22:55But fun is fun, I say.
00:22:57When you're going to fall, then you're going to fall, darling.
00:23:00Of course, it may be injurious to your pride.
00:23:03But you get used to it.
00:23:04And you'll forget it.
00:23:12Well, you're lucky.
00:23:14There's a spider in my room!
00:23:16I really mean it.
00:23:17It's a spider.
00:23:18A what?
00:23:18I thought it went out of the closet.
00:23:20Ooh.
00:23:21I wonder if he gets...
00:23:22Yes, all right.
00:23:22I'll be right there.
00:23:24Don't.
00:23:24I'm not going to stay.
00:23:25Ciao, Louisa.
00:23:26And don't worry, love.
00:23:28Auntie Cassandra says tomorrow he'll telephone.
00:23:31Ciao.
00:23:32That's your mind, do you?
00:23:32Ciao.
00:23:34All right, where'd our spider go?
00:23:36It's a big lie!
00:23:38It's a big lie!
00:23:39What did you say that for?
00:23:41I wanted her to leave and I thought that would help.
00:23:46I know she bores you, but then you don't understand her.
00:23:51Mama, tell me, do you still get flowers from that man?
00:23:55Get into your bed.
00:23:56Go ahead.
00:23:57Do you hear me?
00:23:58Uh-huh.
00:24:00No, he hasn't sent me anymore.
00:24:03All right.
00:24:05Come with me.
00:24:06Ciao.
00:24:09It doesn't matter.
00:24:10I'll come over there.
00:24:12No, don't worry.
00:24:14No one will see me.
00:24:15I'll be careful.
00:24:16You've got to trust me.
00:24:19Because I want to show you something.
00:24:23Why not?
00:24:25I know, but don't worry.
00:24:28I want you to see it.
00:24:31It's fine.
00:24:35Exquisite.
00:24:37But this is priceless, I can't.
00:24:47It belonged to my mother.
00:24:51I want you to worry.
00:24:52I want you to see it.
00:24:53Please.
00:24:58It's wonderful.
00:25:21Are you with the girl all this time?
00:25:25I was with Alfredo.
00:25:27Alfred will be John.
00:25:29Ah.
00:25:30With two girls, then.
00:25:35But I realized you're what I was looking for, Catalina.
00:25:44And I think about those years without you.
00:25:49All empty, useless, meaningless.
00:25:54I go to others and try to find you.
00:26:02I remember a girl.
00:26:04And she used to pray for this, you know?
00:26:07Forgot to make Giuseppe hers.
00:26:09Did she?
00:26:10And now you're mine.
00:26:12Mine.
00:26:14Mine.
00:26:16And you're mine.
00:26:22I love you.
00:26:24I love you.
00:26:26I love you.
00:26:31Goodie, goodie.
00:26:32No school today, Mama.
00:26:34Why not?
00:26:35Because you forgot to set your alarm and it's after nine.
00:26:41Oh, God.
00:26:42What have I done?
00:26:43Mama Mia.
00:26:44I overslept.
00:26:47Did he give that to you?
00:26:49Ah.
00:26:50Who, darling?
00:26:50That man.
00:26:51I mean, the one that likes you, did he?
00:26:59Did you see him again?
00:27:03And in Paris, people think mostly of money.
00:27:07A desperate pace.
00:27:09A peculiar way of living.
00:27:12One learns to adjust to it.
00:27:15Yet the tourist, after seeing the tour Eiffel in the Arc de Triomphe, is sure he knows
00:27:20old Paris.
00:27:22Yes, but I heard the girls are a lot prettier.
00:27:25Really, are they?
00:27:27I know.
00:27:29They're often plain there.
00:27:31Here, they're all pretty.
00:27:33Ah, and the French can be so gallant.
00:27:35You've managed to emulate that, I noticed.
00:27:37How come you took down a picture of your father?
00:27:40Ah.
00:27:41We've got it in the other room.
00:27:42It's a lot better suited for a desk than hanging against a wall.
00:27:45Mom, we're going in my room.
00:27:46Ciao.
00:27:52Mama Mia.
00:27:55There's a mine.
00:27:56There's a lot better than that.
00:27:58And she's no dope.
00:28:00I like her.
00:28:01Very important, you like her.
00:28:03That and more.
00:28:04I bet I've adored her anyway.
00:28:06I thought it was my idea.
00:28:08And she was the one to run to the rescue.
00:28:12It was a silly idea.
00:28:14She really adored Antonio.
00:28:17Maybe I had no right to take it down.
00:28:20I think she probably understands what you wanted.
00:28:23And she loved him.
00:28:26And then...
00:28:27Last time.
00:28:29Ah.
00:28:30Jonas, senor.
00:28:31Yeah.
00:28:32The power of love can change the weather, I see.
00:28:34It's too early to tell.
00:28:35Well, let's hope to perfect.
00:28:36Why not, senora?
00:28:42I suddenly realized something.
00:28:44It's not so terribly important what others think.
00:28:48You have a daughter, and what concern for her?
00:28:51She could have misunderstood.
00:28:53That's what I was afraid of.
00:28:54If the others aren't important, they mean nothing.
00:28:57Nothing, nothing.
00:29:20It was in there.
00:29:31No one realized that we've been left alone.
00:29:34I was here in the dark, looking out the window.
00:29:39And then I saw you come in.
00:29:40One of the things that I do.
00:29:41He he he spelled.
00:30:10I see.
00:30:10And then I...
00:30:18Mom, is it okay if I go for a swim?
00:30:20Go ahead, as long as you're not late.
00:30:23Do you mind?
00:30:24Of course not.
00:30:25Ciao.
00:30:26You know, I think she likes treating you as a father.
00:30:32I hope that doesn't terrify you.
00:30:34No.
00:30:39You going to sleep here?
00:30:43You really want me to stay?
00:30:45Yes, I want you to.
00:30:48Good night, Christine.
00:31:13How are you doing?
00:31:14How are you doing it?
00:31:22Mamma mia, che rumore
00:31:25Ragazze, abbassate il volume
00:31:28Arriba, arriva
00:31:31I'll go make some coffee
00:31:34No, stay here, come bella
00:31:37If they get on your nerves
00:31:42That's so loud, I thought
00:32:05I can't smell for something
00:32:07Eww, sing with phlebiido
00:32:09I'm setting it up
00:32:11Listen to it
00:32:12Oh wait, I thought I'd be back
00:32:20Giri, may I have a time, Lord?
00:32:22Oh
00:32:45You want the banana?
00:32:56Oh, you've done the floor
00:33:19Oh
00:33:20Oh
00:33:22Oh
00:33:51Why are you carrying that basil around?
00:33:54Aphrodisiac
00:33:56My condolences
00:33:57No, it's not for me
00:33:59It's for the others, the dear souls
00:34:01What souls, male or female?
00:34:03My boy, aside from you and me
00:34:04There isn't a worthy cock on the walk
00:34:06They pass from adolescence directly into senility
00:34:09They're all hopelessly entounted
00:34:11Female, the female
00:34:12Now I feel it's our duty to help them
00:34:16And what about you?
00:34:18Are you fighting the boredom?
00:34:20Deeply in love
00:34:22Deeply
00:34:22Naturally
00:34:24Of course, for a cynic, it must be a bore
00:34:27Yeah
00:34:28You seem down
00:34:29You're way off the mark
00:34:30I'm in an excellent mood
00:34:32It's not exactly euphoric, I would say
00:34:34I wonder why
00:34:36Your lover's a widow
00:34:37Therefore, no infidelity
00:34:38No crime of passion
00:34:39A perfect setup, you know
00:34:40I mean that
00:34:41And to think that you live there
00:34:43And with the blessing of a rather hot-blooded daughter
00:34:46Graziella
00:34:46Yes
00:34:47But
00:34:49I only suggested that her interests were unusually mature
00:34:52I didn't call her a putain
00:34:53I think it's better if we just change the subject, Alfredo
00:35:00She's a charming girl
00:35:01Who says she's not?
00:35:03No, you've got to get yourself out of that situation
00:35:05Please, I'm worried about you
00:35:07No, let me explain
00:35:08You're living dangerously
00:35:09You don't consider the possibilities
00:35:11How do you mean?
00:35:14I'll make it plainer
00:35:16No man is a cuckold
00:35:17As long as he's not married, true?
00:35:19But a lover leaves an opening for a husband
00:35:21So your status is fragile
00:35:22Unless you marry Catalina
00:35:24Let's say you do
00:35:25But then she could choose to be untrue
00:35:27When they're inclined to
00:35:28So it doesn't make sense to entertain the thought
00:35:30Therefore, while you remain as her lover
00:35:32Cuckold
00:35:32Yet when she sleeps with him
00:35:34She's being true to you
00:35:35And even though you're single
00:35:36You suffer as a true cuckold
00:35:38You see, it's all hopeless
00:35:39Because two cuckolds coexisting
00:35:41In the same household
00:35:42You can't have
00:35:42So all this leads to a fight
00:35:44Each for the other under arrest
00:35:45Either way, you lose
00:35:49That has to be Piridello
00:36:08Why are you being rude?
00:36:10Didn't you hear me call?
00:36:11It did not apply to me
00:36:14And when I read
00:36:15I'm usually concentrating
00:36:27What is that?
00:36:28Nothing
00:36:34What are you reading?
00:36:36Nothing
00:36:45How long has your mother been gone?
00:36:46Long time
00:36:48Long time
00:37:16Totem
00:37:17Long time
00:37:17God
00:37:17I'm fine
00:37:18I'm fine
00:37:43For the most
00:37:45más
00:37:45Few
00:38:09I don't know what you're saying, you know, women are entitled to respect and courtesy.
00:38:15But I don't mean by that that I intend to give up my seat on a crowded bus.
00:38:18They're no more entitled to sit than we are.
00:38:20Let's say she's a nun.
00:38:22Ah.
00:38:24She's a fat nun.
00:38:25Then I don't mind.
00:38:26If you can't stand, then you shouldn't take a bus.
00:38:28And I'm including the old and the pregnant, for they should have bothered to plan things a little bit better.
00:38:32What about the routine we go through?
00:38:33Please, senora, sit down, so forth.
00:38:36It's a yadak and stupid, right?
00:38:37A woman makes love.
00:38:39And it's a known fact that most find pleasure as we do, no?
00:38:41Fine, but what's the point of this farce?
00:38:43You call a woman up, candy, flowers.
00:38:45She meets you at two o'clock in the morning, and then you get less than a half hour together.
00:38:48It's a waste of time, no?
00:38:50If they want to call, let them call.
00:38:52I'm here and they know it.
00:38:54Oh, of course, they call me every day, because I got them spoiled.
00:38:57Pronto, joyeux de la femme.
00:38:59Pronto, Alfredo, it's Louisa.
00:39:01Oh, ciao, darling, are you all right?
00:39:04What do you mean, I'm fine?
00:39:05I couldn't.
00:39:06Besides, you told me you were willing to wait until Thursday or Friday.
00:39:09What's the matter with you, man?
00:39:10What's happening to you?
00:39:11Listen, have you...
00:39:12That's right, it's impossible.
00:39:13No, I told you yesterday when you called, I thought we had a little understanding, my pet,
00:39:17that you tried to be just a teeny-weeny bit more patient.
00:39:20Please listen, I never called you, Alfredo.
00:39:22And if we have an understanding...
00:39:24It's that you were going to repair my pewter pot for me.
00:39:27Do you remember?
00:39:29Yes, I know.
00:39:30Only I can't tonight.
00:39:31But, no, tomorrow I'm going home.
00:39:33You want to play the proper jackass, huh?
00:39:35Well, there are those who appreciate it, but I'm immune.
00:39:38I can make it.
00:39:40I'll come over later.
00:39:42I just got through saying I'm immune.
00:39:45Don't be a fool.
00:39:46Your heart can take it.
00:39:48I'm sure it's not broken.
00:39:50Now, don't cry.
00:39:51Please, my pet, don't cry.
00:39:53You know what that does to me.
00:39:54I'm going to get very angry in a moment.
00:39:56Calm yourself.
00:39:57All X level is to bamboo.
00:39:59Vanessa's catch, so big sop sop.
00:40:03I know you do.
00:40:05All right, I'll be there after midnight, though.
00:40:08She's going insane, I tell you.
00:40:10She's going mad.
00:40:14Giuseppe.
00:40:16Wake up.
00:40:17Here's your coffee.
00:40:19Hey, wake up, you.
00:40:34Hey, I said to wake you before I left.
00:40:38See you after, man.
00:40:39Ciao.
00:41:48You look so comfortable there.
00:42:19I bet I could sleep a whole week.
00:46:26I see.
00:46:27I see.
00:46:28Why did she leave you?
00:46:28I don't know.
00:46:29About three, I suppose.
00:46:53You tired?
00:46:55No.
00:48:06You men, look at the mess we got to clean up.
00:48:11Want some help?
00:48:13No.
00:48:16What do you say?
00:48:17No more untidy?
00:48:19No more untidy?
00:48:19Everyone I know.
00:48:21That's not true.
00:48:23I'm not.
00:48:23Oh, yes, you are.
00:48:26Come here.
00:48:27No.
00:48:32Hand me that magazine, will you?
00:48:38Here.
00:48:40Sit down a while.
00:48:42I got too much to do.
00:48:45Why don't you rest?
00:48:48I'll meet you both when it's over, huh?
00:49:11I'll meet you both when it's over, huh?
00:49:15Don't bother.
00:49:16I'll just take a taxi home.
00:49:18I don't mind.
00:49:19I'll bet he's got a date.
00:49:21If I were you, darling, I would get suspicious about now.
00:49:24You're on my waiting list for an appointment.
00:49:27Ciao.
00:49:28I could catch him in the dark.
00:49:30Yeah, it's so easy to have.
00:49:32Yeah, it's so easy to have.
00:49:32You, uh, let me have one.
00:49:33Oh, what have we here?
00:49:35Hey, I think you've got something caught under your nose, Orlando.
00:49:38Is that a mustache?
00:49:40It's my first dash.
00:49:44There's no point in, in your making it so painfully blatant.
00:49:48When you kiss a woman, she must feel the mere hint of hair, not a rose garden.
00:49:52My lips are free, see, but your lips are denied completely their right to the joys of the sun.
00:49:58The pulp, it must be bare.
00:50:00Yes, sir.
00:50:01My wife says the same thing.
00:50:03I knew that heaven was so complicated, I'm shaving it off.
00:50:07Yeah, yeah, get rid of it. Shave it all off, it's better.
00:50:09Yes, sir.
00:50:10Thank you, sir.
00:50:12Another marriage saying.
00:50:21He's someone you should know.
00:50:23Born and raised in Catania.
00:50:25And one of the most famous fornicators in Europe.
00:50:27that was honed for many years in Paris.
00:50:30Montmartre, Spigal, the Latin Quarter.
00:50:33They named it the Latin Quarter because there you find the greatest Latin lovers of the world.
00:50:38And that's where they're noted for their bravura, you know.
00:50:41And you can guess what that one's noted for.
00:50:44Sit down, Giuseppe.
00:50:46Enjoying this informal assembly of time wasters here.
00:50:49Giuseppe, Turi.
00:50:52Now, you see, we are gathered here spontaneously to exchange perspectives, to talk of, uh...
00:50:56If I'm...
00:50:57No, no, no, no, no, no.
00:50:58Actually, we aren't talking of women.
00:51:00Ah.
00:51:00No, it's psychology this time.
00:51:01Oh.
00:51:02Yes, the psychology of women.
00:51:03Very intriguing.
00:51:04Well, it is.
00:51:05You make love to one, and then afterwards she sees you in the street, you know.
00:51:08She never even notices you.
00:51:12Look, look.
00:51:13Oh, that one.
00:51:14Oh, don't turn around.
00:51:16She'll know what I'm talking about.
00:51:17She had an attack the 24th time.
00:51:20What?
00:51:21The 24th time.
00:51:23Ah, Vincent.
00:51:24Nothing serious.
00:51:25A slight case of overstimulation.
00:51:26Now she passes without the slightest recognition.
00:51:30Female, I hate thee.
00:51:34And Shakespeare said it so well.
00:51:36Honorable villain.
00:51:37Damned it.
00:51:38Saint.
00:51:38Insidious.
00:51:39Perfidious.
00:51:40That one was worth six.
00:51:42A very improper remark.
00:51:43Someone could hear you.
00:51:44And take offense.
00:51:45Or worse.
00:51:48It may be offensive, but she's married to a very small man.
00:51:51Now, you see, risks are no problem for suave seducer.
00:51:55A man gets old when he doesn't want to take them.
00:52:00He laughs instead, whose loins are dead.
00:52:03Never a season.
00:52:05Giuseppe, you are being followed.
00:52:08No, no.
00:52:08Don't turn around.
00:52:09It's Graciela.
00:52:12A cornucopia of child.
00:52:14Mediocrity is going to spoil that.
00:52:17Why?
00:52:18Because my friend she'll end up married to a waiter.
00:52:22And listen, what is going on?
00:52:25Is she spying on you?
00:52:26Or is it the other way around?
00:52:29Excuse me.
00:52:32What did I say?
00:52:33Did I say anything?
00:52:35I didn't say anything at all.
00:52:43You do love it.
00:52:46Don't turn around.北,
00:52:53sony. It's
00:52:54time to come. It's
00:52:55time to come. All right,
00:52:58Charlie, oh, I've
00:53:00got to take your life.
00:53:00Because I got a lot to study don't let me take you home don't you yes, but only as far
00:53:05as you do
00:53:06See you later
00:53:06Bye
00:53:29Is that your boyfriend? Oh nobody's bad how would you say
00:53:36Is it just a friend or the one that yeah, that's the one but I haven't known him for very
00:53:40long
00:53:42Were you planning to come here together?
00:53:44He did ask that's true, but I said no I told him things weren't like they will before before what?
00:53:56Let's go up do you want to
00:54:00Hey wait
00:54:02I was having ice cream with baby bumping me just happy
00:54:05Me really over the problem beethoven
00:54:18It's sad how we get so lost
00:54:24Go on
00:54:27Because it's only by luck that you learn to love you understand that
00:54:36I'm lucky
00:54:36I'm lucky
00:54:37All the same
00:54:39Knowing I could have missed that is frightening
00:54:42Our meeting
00:54:43You looked and you said poor little ragdoll and that was the first thing you said
00:54:49And you might never have said it
00:54:53I've forgotten
00:54:56I've forgotten
00:54:56You have a good memory
00:55:01Catch me please
00:56:39It's nothing.
00:56:40Shh.
00:56:44It was only a window, that's all.
00:56:48Your mother.
00:57:03Get out of this house.
00:57:05Catalina, let me explain.
00:57:07Nothing to blame.
00:57:08Get out of this house, I said.
00:57:10But nothing's happened.
00:57:11We haven't done what you think.
00:57:14Fine.
00:57:16Fine.
00:57:17Of course it was all a game, just kid stuff.
00:57:19I mean hell, if you did nothing, if you never took your pants down.
00:57:22Listen to me.
00:57:25I'm not trying to excuse myself.
00:57:27I only know I love you.
00:57:29And you and I have got to remain the same.
00:57:35But this is evil.
00:57:37What you've done is evil.
00:57:39But why?
00:57:41Why, Graciela?
00:57:44My God, what's happening to me?
00:57:47What's happening?
00:57:49You've done this to a child, my own blood.
00:57:52Yet that meant very little, I imagine.
00:57:54Oh God, how can I?
00:57:57I trusted you.
00:57:58All right, calm down.
00:58:00At least try it.
00:58:03We'll get nowhere if you go on like this.
00:58:05I offered to love you and it seemed right.
00:58:08All I, all I had.
00:58:11I didn't hold back.
00:58:14It was too much to keep inside.
00:58:16So much love for you.
00:58:20And yet I know it hasn't gone.
00:58:22Only it's confused so.
00:58:25With loathing you and the sick feel of nausea.
00:58:28But I know it's here inside me.
00:58:31Because you can't expect love to go away in a second.
00:58:34It dies slowly.
00:58:40It takes a while.
00:58:42And when it dies,
00:58:44whatever happens, I know.
00:58:46I'll feel only empty inside.
00:58:49Just empty death.
00:58:51All right, I promise to go away from here.
00:58:53Just empty.
00:58:54But...
00:58:55Please, I beg you.
00:58:57Forgive me, Gatini.
00:59:00You've got to forgive me.
00:59:02No, it's not that easy.
00:59:04No, that doesn't solve a thing.
00:59:05You can't get off that easy.
00:59:07My God, can't you keep it under control any longer?
00:59:10You bang it up there and you imagine everything's all right again?
00:59:13I love you just the same.
00:59:14You love an object, God damn it.
00:59:15You had the love of a woman.
00:59:16Only it seems to have meant nothing.
00:59:19Meant nothing.
00:59:20It's all the same to you, isn't it?
00:59:23I'm only where you put it.
00:59:26Whenever it gets cold, huh?
00:59:30Being in love for you is using that.
00:59:32Only you don't understand.
00:59:34Whatever the hell it's for, love doesn't mean that.
00:59:36No, my dear sir.
00:59:37Get that into your head.
00:59:39No, that's not all there is.
00:59:41No.
00:59:42No, it's more.
00:59:44I thought you realized that you knew what it means.
00:59:48But...
00:59:50I couldn't have invented it all.
00:59:52You made a choice, so did I.
00:59:53Because I needed you.
00:59:55I needed you.
00:59:56Oh, I...
00:59:59I know, of course.
01:00:01For the modern man, the word fidelity is out of use.
01:00:04But I trusted you entirely.
01:00:06And that's the one thing you ignored.
01:00:08You canceled everything.
01:00:10Just like that.
01:00:12But what's the use?
01:00:14What does it matter anymore?
01:00:15I'll get over this somehow.
01:00:17I'm old enough to take care of myself.
01:00:20But Gratella, no.
01:00:22Gratella, no.
01:00:25You see, I don't worry about me.
01:00:27But she...
01:00:28She's only a baby.
01:00:30She's got the right to be young a little while longer.
01:00:33You have to spoil that too.
01:00:35Another woman, that's easy, all right.
01:00:37I know, I understand.
01:00:39You took my daughter, though.
01:00:40How am I to forget that?
01:00:41A mere child, can't you see that?
01:00:43Only a small child.
01:00:45I mean, is there a reason that your body demands the body of a baby?
01:00:49Because it's ever kept me in the same shape.
01:00:51They suffer inside.
01:00:53Their minds, their hearts are open.
01:00:55Do you know what that means?
01:00:57She doesn't know what these things are.
01:00:59She's incapable of that.
01:01:00She's incapable.
01:01:01That's enough.
01:01:01She's only a baby, can't you understand?
01:01:03There's time for her to learn.
01:01:05There's time for her to understand.
01:01:06There's time.
01:01:08There's time.
01:01:26There's time for her to listen to her.
01:01:39Here's the day.
01:01:39Here's the day.
01:01:45Get dressed.
01:01:46You're going away.
01:01:48You don't want me to go to school?
01:01:50That's right.
01:01:51Not today.
01:01:52Where am I going?
01:01:53I'll stay with your aunt.
01:01:55I'll stay with your aunt.
01:01:55OK.
01:01:55Wait a minute, Jane?
01:01:56At least until I find you a decent boarding school.
01:01:59I'm going to pee my pants.
01:02:04I'm not going away to any school.
01:02:07You're being nasty, that's all.
01:02:13I promise that I'll be good, Mama, but if I have to go away...
01:02:16Graciela.
01:02:18I don't think you realize.
01:02:23I don't think you know what you've done to her.
01:02:25I do, and I'm very sorry about it.
01:02:34I no longer feel I can count on this.
01:02:36Then you'll have to count on Giuseppe.
01:02:40Giuseppe has nothing to do with it.
01:02:42We're not speaking of Giuseppe.
01:02:43Giuseppe won't be coming back, you won't be seeing Giuseppe at all.
01:02:45Understand?
01:02:46You and I were talking about what happened last night.
01:02:48What you've done and what you've done to me.
01:02:50Do you have any idea?
01:02:52You're hurting me.
01:02:54Mama.
01:03:15Let's talk, huh?
01:03:17Let's talk a bit.
01:03:25I don't want to kill you.
01:03:28I don't want to kill you.
01:03:29I don't want to kill you.
01:03:30But what happened is very serious.
01:03:35Very serious.
01:03:38I don't want to kill you.
01:03:43You're hurting me.
01:03:45You're hurting me.
01:03:47I don't want to kill you.
01:03:54You're hurting me.
01:03:58If there were a lot of you, Giuseppe.
01:04:03I don't want to kill you.
01:04:06Adesso mi difenderò e difenderò anche te
01:04:11A costo di soffrire
01:04:13A costo di rimanere sola come un cane
01:04:17A costo di mandarti via
01:04:19Giuseppe non permetterà che tu mi mandi via
01:04:33Giuseppe farà tutto quello che dico io
01:04:35Non è vero, se tu mi farai delle cattiverie lui mi difenderà
01:04:41Graziella
01:04:42Ho fame, posso farmi un caffellatte o no?
01:04:49Graziella
01:04:52Lui non ti deve difendere da me
01:04:54Sarò io che ti difenderò da lui
01:04:57Mamma, perché non mi dici la verità?
01:05:02Ma cosa intendi per la verità?
01:05:06A me sembra che hai ragione essere arrabbiata con me e con Giuseppe
01:05:10Per quello che abbiamo fatto
01:05:12Ma se adesso ti promettiamo di non farlo più
01:05:25Graziella, ascolta
01:05:27Ascolta, amore
01:05:29Io non sono arrabbiata
01:05:31Sono addolorata
01:05:33E non solo per quello che pensi tu
01:05:36Io
01:05:38Vedi, io devo ragionare per te
01:05:41Anche a costa di sembrarti cattiva
01:05:44Mamma, senti
01:05:45Io
01:05:45Ti giuro
01:05:47Ti giuro che sono mentita
01:05:48Che non ti voglio più far soffrire
01:05:50Che
01:05:52Tutto può tornare come prima, mamma
01:05:59Cosa intendi dire come prima?
01:06:02Cioè
01:06:03No
01:06:04Come prima
01:06:06Quando
01:06:07Quando
01:06:08Non era successo niente
01:06:19Nothing to remain but the memory?
01:06:25No, it isn't as simple as that
01:06:29It happened, that's all, must be accepted
01:06:32It's that simple
01:06:33No
01:06:34Not when there's suffering and agony
01:06:39I think he should come back here right away
01:06:41Come back here?
01:06:43What do you mean by that?
01:06:44Do you mean that he should stay here?
01:06:46I promise you nothing will happen
01:06:48Please don't make me leave here or you wish you hadn't
01:06:52Touch with each other
01:06:54It's very easy to get letters to a friend
01:06:57We'll see each other
01:07:00You won't force me into anything
01:07:02Sending me away is going to help, mamma
01:07:05I thought you could be trusted alone again
01:07:13You can trust us
01:07:16I mean it
01:07:18I do, I swear I do
01:07:25If you mean it
01:07:27If you mean it, darling
01:07:31Don't ever let me down
01:07:34E lui?
01:07:45E lui?
01:07:49Lui deciderà come vuole
01:07:54Vuoi un caffè?
01:07:59No
01:08:02No, grazie
01:08:04Graziella non è innamorata di me
01:08:06Era un gioco per lei
01:08:07E sono caduto in basso
01:08:08Ma sapendo quello che c'è stato fra di noi
01:08:11Credi veramente che questo abbia l'importanza che gli dai tu
01:08:13Un gioco
01:08:15Not to me
01:08:16No, gioco
01:08:18I only know that I'm in love with you
01:08:20You're everything to me
01:08:21But you're now suggesting something that is utterly stupid
01:08:23Stupid, stupid
01:08:24If we have to go on this way
01:08:26On Graziella's terms
01:08:27Then let's forget everything
01:08:28It's pointless
01:08:29It can only destroy you
01:08:30And destroy her
01:08:31And destroy me
01:08:31You're shouting, Giuseppe
01:08:34You ought to have seen your face just now
01:08:36But this is no solution
01:08:37To me it makes no sense, Caterina
01:08:39Fine, go ahead
01:08:40Let's talk of sense
01:08:41You've no more brains than a peacock
01:08:42Do you think I wanted this?
01:08:45Not at all
01:08:46I don't believe it at all
01:08:48But it'll be worse without you
01:08:49She'll suffer even more
01:08:51This I know
01:08:53This I know
01:08:54And so we just forget about us
01:08:57Is that it?
01:08:58Sure
01:08:59It's your own way
01:09:00You can write the book
01:09:02We have nothing left anymore
01:09:06Don't be silly
01:09:07I know that Mama knows that I see you here
01:09:09I don't believe
01:09:10It's very true
01:09:11It's just that she realized
01:09:12What she'd rather not say
01:09:14I tell you
01:09:14She does know
01:09:15And I don't care
01:09:16Why don't you care?
01:09:22Because I feel my mother's a perfect knucklehead
01:09:24You shouldn't talk like that
01:09:25Then you still love my mother?
01:09:27Yes
01:09:28Even more
01:09:31And me
01:09:31Do you love me more than her?
01:09:33It's not the same thing
01:09:35I decided
01:09:36I don't want you to love anyone else
01:09:38You gotta love only me
01:09:40Better wait till you know what it means
01:10:09Do you know what it means?
01:10:33It was the time when the newspaper had sent me to Korea.
01:10:37It remained a year.
01:10:40But what I made of the most interesting is a report in Africa.
01:10:52Sulla Guinea.
01:10:55Si can also talk, no?
01:10:56Come no?
01:10:58Why don't you tell me what you've done yesterday?
01:11:00It's all fun.
01:11:02Unfortunately, everything has become more fun than being here.
01:11:05And even if you enjoy it, I don't say anything.
01:11:08I don't focus on what she says.
01:11:15Excuse me, Giuseppe.
01:11:17I was serious.
01:11:18I was joking.
01:11:23Andiamo al cinema, vuoi?
01:11:26No, ho da fare.
01:11:28E anche tu, non sarebbe male che studiassi un po'.
01:11:31No, non è il caso che per ruolo del buon papà, sai.
01:11:33Perché non dice tranquillamente anche lei che vai fuori a divertirti?
01:11:37Quando torni?
01:11:38Ci telefoniamo.
01:11:43Stupida!
01:11:46No, cioè sì, voglio dire, ho capito che c'è dell'attenzione.
01:11:51Ma sa com'è Caterina?
01:11:53E poi, magari con ragione, ma non è che Caterina si fidi molto di me per delle confessioni serie.
01:12:02E io invece mi fido di lei, Luisa.
01:12:07Ho bisogno di una cortesia.
01:12:12Occorre che qualcuno che non sia io le parli.
01:12:16Stia tranquillo, caro, che ci darà una mano.
01:12:20Ecco, tra me e Caterina non può più andare avanti così.
01:12:27Ah.
01:12:28La situazione per me è diventata insostenibile, ma ormai non mi interessa più.
01:12:33Bravo, così bisogna fare.
01:12:35Fregarsene.
01:12:38È che le cose si sono complicate.
01:12:42Troppo.
01:12:44E per quanto ci abbia pensato su, mi creda, non mi resta che chiudere.
01:12:52Ma vede, Luisa, vede, è proprio questo che Caterina, se si rifiuta di capire, lei pensa che non l'ami
01:13:02più.
01:13:04Ma benedetto Giuseppe, ma perché non se ne è rimasto a Parigi?
01:13:08In ogni modo io sono dalla sua parte.
01:13:11A Caterina posso cercare di parlare io, ma...
01:13:15A chi sa lei chi è che lo fa?
01:13:19Senti, Giuseppe, io non so niente, non ci capisco niente, non ci voglio capire niente, e alla fine non me
01:13:23ne frega niente.
01:13:24E non te ne deve fregare niente.
01:13:25E poi, scusa, non è bello che devo sapere le cose dagli altri.
01:13:28Lasciami in pace, eh?
01:13:29I'm no prude, you know.
01:13:30I mean debauchery in triangles, quadrangles, orgies, I've done it all, but...
01:13:34But you're playing with a baby, with a child.
01:13:36You're being loving to them both, it's immoral, immoral.
01:13:40Absolutely wanton and depraved.
01:13:41Now you listen, you...
01:13:42I know what I've done.
01:13:43You might not understand me, but I didn't expect you to.
01:13:46You don't have to.
01:13:47Only please don't judge me either.
01:13:48I will answer for what I did.
01:13:50All your indignation is only worth is talk.
01:13:53You're in that playboy provincial morality.
01:13:54You, you're joking.
01:13:57What?
01:13:59Okay.
01:14:07Yes, I know.
01:14:09I'm going out of my mind, I tell you.
01:14:11I can't take it.
01:14:13I know, of course, the simplest thing to do is to go away.
01:14:16I haven't got that kind of courage.
01:14:17But what I, what I frankly haven't gotten into my head yet, I, no matter how hard I try, I
01:14:23can't understand how you, for someone as innately intelligent as you, how could you ever get entangled in a situation
01:14:31of this kind?
01:15:00I don't understand it either.
01:15:08I don't know.
01:15:12I don't know.
01:15:13Yeah, they look good, but I'm not going to do.
01:16:32I don't care what you do, but I will not see her in agony.
01:16:37Graciela, no, not her.
01:16:39I don't believe she is.
01:16:40She's a young girl, after all.
01:16:42They suffer no more.
01:16:44Forget about this bit of dramatics.
01:16:46How do you know?
01:16:47They're not tough inside.
01:16:48They suffer and horribly.
01:16:50As a matter of fact, she's hardly a child anymore.
01:16:52Thanks.
01:16:52Thanks again.
01:16:53What do you want from me?
01:16:54Just to go on fighting?
01:16:55I want you to continue to see her.
01:16:57Call her and ask her if she's all right.
01:16:59Don't let her think you don't want to see her.
01:17:01Don't always neglect her.
01:17:02You're the one I miss.
01:17:06I don't want to talk about her.
01:17:11There's nothing more.
01:17:13What would you do with the pieces?
01:17:15A woman demoralized, without the respect of her own child.
01:17:21I deserve it.
01:17:22I admit that.
01:17:24It's all your imagination.
01:17:25I'm certain of that.
01:17:26Why worry?
01:17:26I've lost her.
01:17:27But you're wrong to feel that.
01:17:29No, Giuseppe.
01:17:30Don't you think I know?
01:17:32I don't know how I'm going to regain it.
01:17:34But yet all this is proof to mean much more than that.
01:17:37I know no one's as guilty as I because I deluded myself.
01:17:40But you're wrong, wrong, wrong.
01:17:42You're not responsible, not in any way.
01:17:44You're saying that isn't going to help me.
01:17:47Spare me your charitable manner.
01:17:49Why should you make my excuses?
01:17:53Listen, Giuseppe.
01:17:54I only ask you to do this.
01:17:56Be nice to Graziella.
01:17:58That's all.
01:17:58Be nice to her.
01:18:00You don't sacrifice anything.
01:18:01You owe her that much.
01:18:03Even if it's a lie.
01:18:04Don't let her feel you want to avoid her.
01:18:06You've got to make her feel that she matters to you,
01:18:08that she means something to you.
01:18:09Please.
01:18:10To me, that's useless, hopeless.
01:18:12To put an end to it would be sure in the simplest way.
01:18:15Can't we be honest?
01:18:17God, how you talk.
01:18:19Could you explain yourself better?
01:18:21Oh, I see you're being honest, because it suits you.
01:18:24It's got to end sometime.
01:18:25You ended it.
01:18:26I got my notice by messenger.
01:18:28You imagine by sending Louisa you can ease and soften my pain.
01:18:31That's amusing.
01:18:33And happily, we end the story.
01:18:35Well, it was nice.
01:18:36Pity it's ended.
01:18:37Bravo.
01:18:38Molto bravo.
01:18:39The man offers condolences a dozen roses.
01:18:41And on he goes.
01:18:43So that's why we're here.
01:18:45You told me to meet you.
01:18:47But you didn't make that clear.
01:18:50I thought you came to talk about Graziella.
01:18:52Forgive me.
01:18:56You told me to take a VIH planet.
01:18:58Beep.
01:19:04Beep.
01:19:07Beep.
01:19:17Beep.
01:19:19Beep.
01:19:19Beep.
01:19:19Beep.
01:19:19Beep.
01:19:20Beep.
01:19:47Can't you swim?
01:19:48The baby.
01:19:51Are you waiting for Graciela?
01:19:53I feel more like reading.
01:19:56You're not afraid of me, are you?
01:19:58You're being funny.
01:20:00I wouldn't like to feel I'm boring.
01:20:05Where's Graciela?
01:20:07It's too early.
01:20:09And if she sees the two of us alone?
01:20:11Why should it matter to Graciela if we're alone here?
01:20:14You and I know that. Yes, I know the whole thing.
01:20:18Why are you saying this? What are you hinting at?
01:20:21Watch now what you say, because I'm onto your game.
01:20:25Graciela tells me all.
01:20:27It's juicy, lurid fact.
01:20:30If you let me use your cabin,
01:20:33I might let you buy me ice cream and candy.
01:20:39You go crazy.
01:20:41You're gonna eat anything.
01:20:42I'll take you...
01:20:42Give me anything, honey.
01:20:44Give me anything, honey.
01:20:48Give me anything.
01:21:00Let me get you...
01:21:03Give me anything.
01:21:04Give me anything, buddy.
01:21:05You're gone bats, huh?
01:21:06Why didn't you tell you were my friend?
01:21:07Giuseppe doesn't care about you.
01:21:08He can't.
01:21:09He doesn't mean anything to you.
01:21:11What did you do it for?
01:21:14I've been hoping to test this guy,
01:21:15but that can't affect you.
01:21:16He was fun, but frankly,
01:21:18good old-fashioned.
01:21:18Anyway, he was your mother's lover before
01:21:20and you didn't seem to care about that.
01:21:22You don't know anything about it.
01:21:24Giuseppe loves me alone.
01:21:25Giuseppe loves me.
01:21:28He's mine.
01:21:32She really made a scene.
01:21:34Really belted it to Hong Kong.
01:21:36Giuseppe's mine.
01:21:37I don't want to hurt her anymore.
01:21:39Don't worry.
01:21:40She'll get over it.
01:21:43Who do you care anyway?
01:21:44It's about time she grew up.
01:22:03I don't want to hurt her.
01:22:30Graciela.
01:22:32Graciela.
01:22:33Graciela.
01:22:33Graciela, what happened?
01:22:34What is it?
01:22:35Why are you crying? Tell me.
01:22:38Come on, please, tell me. What is it?
01:22:43Tell me.
01:22:44I can't say anything, Mama.
01:22:48What do you mean? Try.
01:22:54Come on.
01:22:55Don't be afraid to tell me.
01:22:57I don't want to see you like this. Please, don't.
01:22:59Don't cry, Graciela.
01:23:02She was there.
01:23:03I stood in front of his house.
01:23:09Who?
01:23:12Rosita.
01:23:15Rosita.
01:23:23I want him to love me and her.
01:23:28I want him to love you.
01:23:30I want him to love you.
01:23:32I want him to love you.
01:23:33I want him to love you.
01:23:33And even me.
01:23:34You are great.
01:23:35You are great.
01:23:38You are great.
01:23:40You are not going to treat me like that.
01:23:42You are great.
01:23:46You are great.
01:23:48You are great.
01:23:53No, don't cry.
01:24:00You are great.
01:24:01You are great.
01:24:03You are great.
01:24:12You are great.
01:24:17You are great.
01:24:21I want to change.
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