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Young Sherlock S01E07 (2026) [Full Movie] [Full Storyline]Full EP - Full
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Short filmTranscript
00:03It's not your fault, Sherlock. It's not your fault.
00:30Find me Sherlock, and find me.
00:35Ones for sorrow, twos for joy,
00:41Threes for a girl, and fours for a boy,
00:51Fives for silver, six for gold,
00:58To fall, to fall.
00:59No, no, no, no, no, no, no, no.
01:02Find me Sherlock, find me.
01:05Let us, let us.
01:09Let us.
01:10Tom.
01:12Tom.
01:17You're all right. I got you.
01:21You ain't no getting shot, eh?
01:23That was a terribly stupid thing to do.
01:26Here, let's get you up.
01:27No, no, no, no, sure.
01:28Sure, she, she directs his ship right further.
01:30We have to stop her.
01:32I'm not leaving you, don't you?
01:33Sherlock!
01:35Oh, he's bleeding.
01:36I think that has something to do with the bullet in his head.
01:38Yes.
01:39I'm sorry to be a burden, brother dear.
01:40No burden, brother dear.
01:41Come on, let's get him off.
01:43If she gets to my father, we may never find Beatrix.
01:46Go.
01:46You have a fucking...
01:47Go, James, go!
01:49Now, you listen to me, we are going to get this fixed up.
01:52Are you crying?
01:53No.
01:55Why not?
01:56One, two, three, up!
02:02He's been shot.
02:03Oh, my poor boy!
02:05We have to find our hospital.
02:06A dash of roping would be greatly appreciated.
02:18This way.
02:19Why?
02:20How do you know?
02:20Because only one hospital is still open.
02:22Sadly, it's where the gunfire is coming from.
02:33Right, put him down.
02:35Take him, take him, take him.
02:37Get him.
02:38Oh, my God!
02:39I need to kill him!
02:41Oh!
02:44Oh!
02:47Oh!
02:48Oh!
02:54Hey!
02:55Hey!
02:55Hey!
02:56What are you doing?
02:57Give me that.
02:57I'm stopping you from shooting the other head.
02:59Why?
02:59Because that's Sherlock's father!
03:03That's his father!
03:04I didn't know.
03:05Easy!
03:06Easy!
03:06Ah!
03:09Whoa!
03:10I'll be taken there.
03:12Thank you kindly.
03:16Up we go!
03:17Over the top!
03:21Right in the back!
03:22Where are we going?
03:23I'm afraid we're going to have to go the long way round, fella.
03:26All aboard!
03:27Off we go!
03:29You may be in my way, James.
03:30But I have no wish to see you dead.
03:32Am I the fair of everyone, huh?
03:34Because you shot Sherlock!
03:36Not intentional.
03:37Oh, right.
03:38It wasn't intentional.
03:38I suppose that makes it okay, then.
03:40I'll be sure to tell him.
03:43How is he?
03:44He's alive.
03:45You'll be glad to hear.
03:48His brother's looking after him.
03:50Is Sherlock looking for his father?
03:52Yes.
03:53Where are you going?
03:54To find Sherlock.
03:55He's looking for Silas.
03:57I'm looking for Silas.
03:58And Sherlock has a rather stubborn habit of finding people.
04:00And there's only one hospital still open in Paris.
04:03That's where my crotch will take him.
04:06Come in.
04:07Hey, let me go!
04:08Let me go!
04:11Let me go!
04:34You had no choice.
04:36There'll be more of them.
04:38We need to go.
04:45James!
04:46We need to go!
05:10James!
05:12James!
05:13We need to go!
05:14James!
05:16James!
05:19Ah!
05:20Jim!
05:21Oh!
05:21Oh!
05:23Oh!
05:26Mr…
05:27Mr…
05:28Mr…
05:29Dr…
05:30Je vous en prie,
05:31on a tiré sur mon fils.
05:33Look around you, madam.
05:35Everything is broken.
05:36Yes, yes, but I beg you.
05:38Come on, I used to make my life bloody impossible.
05:41And I, if you do not care.
05:47It's gold, it's gold.
05:49Take it for the revolution, yes.
05:52But you have to...
05:53You have to take care of yourself immediately.
05:57Please, please.
05:58Please, please.
05:59Here, here.
06:01Let me see.
06:03Inferno.
06:05Prepare for a surgical operation.
06:07Please, please.
06:09Please, please.
06:10Please, please.
06:11Please, please.
06:11Please, please.
06:11Let me do my work.
06:20He's stubborn as a mule.
06:21Yes, he is.
06:22He'll be up and drowning.
06:23I spoke mad in no time.
06:24You watch.
06:48I suppose no news is good news.
06:50Absolutely.
06:52I think you're a good news.
07:10Absolutely.
07:11You're a good news.
07:11Merci pour tout, Monsieur.
07:17Darling.
07:41Oh.
07:51Come on, Shero. Fight.
08:09Mother.
08:14My darling boy, Sherlock.
08:18Oh, there he is, my little brother, luckiest Englishman alive.
08:24How can I get you some water?
08:28Ah, he's too stubborn to die.
08:31James, where on earth have you been? Are you alright?
08:35Are you alright?
08:41I'm fine.
08:43James.
08:44I'm fine.
08:46I'm fine.
08:47You're still lazing about, I see.
08:50Up you get.
08:52What?
08:52There's work to be done.
08:53Oh, I'm only messing, Mrs. Holmes.
08:57It's good to see you.
09:01Did you stop her?
09:05I did.
09:08And I brought her here.
09:10Now don't piss your bedpan.
09:13She's on out.
09:19Hello, Sherlock.
09:20What on earth are you doing here?
09:22I need to speak with you.
09:23An inch to the left, my brother would be dead.
09:25I wasn't aiming at him.
09:27I was aiming at your father.
09:29Ah, well that is understandable.
09:31I've tried to shoot him twice myself and missed both times.
09:34James, why is she here?
09:37Because I think you need to hear what she has to say.
09:43My name is Xiaowei.
09:46I come from the village of Tai'an in Gansu.
09:50High in the hills.
09:54This is the effect of what the scientists in Oxford were working on.
09:59What you saw in that tunnel.
10:02They first tested on my village.
10:06On my parents.
10:09There is a mineral deep beneath my people's lands.
10:13Professor Malik found a way to transform that mineral into a creeping death.
10:17And turn it into a weapon.
10:20The program was paid for by your government and run by Becephalus Hodge.
10:24But Professor Malik betrayed him.
10:26Sold it at the highest bidder.
10:28A private buyer.
10:31My fault.
10:34Yes.
10:39I'm so profoundly sorry.
10:43It's not your pity I need, but your help.
10:46To ensure this can never happen again to anyone.
10:49Anywhere.
10:50You want to stop our father.
10:52And you want to find him.
10:53Yes.
10:54I propose we combine our talents.
10:56Double our chances of tracking him down.
10:59Yes.
11:00But on one condition.
11:03We have to find out where Beatrice is from Silas.
11:06So you cannot touch him until we have that information.
11:09And after that?
11:11Oh, after that you can do whatever you like to him.
11:13And provided my sons don't have any objection, of course.
11:16Given the circumstances, I do not intend to stand in your way.
11:20I find it difficult to condemn him to death so readily.
11:25What if that's what it takes to find Beatrice?
11:28That's what it takes.
11:29He's still in Paris.
11:32Or at least the man who works for him is.
11:34His name is...
11:37At the demonstration the buyers were told to follow the usual channels at the two corners.
11:42For those of you who wish to place an order, it's only fitting that we should meet at the famous
11:46two corners.
11:47Two corners?
11:50An intersection?
11:51Doesn't exactly narrow it down, Sherlock.
12:03Matchboxes.
12:05What do you mean darling?
12:06On the table where father was set, they've been matchboxes.
12:10With a design on the front of two corners.
12:15Is there an address in it?
12:20I wasn't close enough to get a good look.
12:23I can't be sure.
12:25Well, this is as good a place as I need to start.
12:28I'll get going.
12:31I'll go with him.
12:34Well, I'd be delighted to have your company.
12:42Hello.
12:43Hello.
12:43You're going to make you so rich.
12:49Yes, I'm not ready.
12:59It's no juice.
13:02Excuse me.
13:04Have you got some juice?
13:06No.
13:07No.
13:09It's impossible.
13:11Impossible is a word.
13:12Only found in the dictionary of fools.
13:17That's what Silas said.
13:19Why that quote?
13:20Maybe it means something.
13:22Originally, who said it?
13:25Napoleon Bonaparte.
13:28Napoleon.
13:29Uh-huh.
13:38It's Napoleon's hat.
13:41Famous white corner.
13:42It has two corners.
13:44Leg l'olive.
13:44What?
13:46The eagle and the olive on the outskirts of Paris.
13:48It's a restaurant where Napoleon supposedly left his hat behind him.
13:52It's only fitting that we should meet at the famous two corners where you can contact Mr. Esart Kashgar.
13:59Tu es genial.
14:00You have no idea.
14:05I fear that I may have unwittingly set this all in motion.
14:09Why do you say that?
14:09About a year ago, father asked me what I was working on.
14:13Yes.
14:14Now, I told him that I was working for Hodge, but if memory serves, his ears did prick up.
14:19I didn't know any details at the time, but I told him that I was working for the government.
14:22It was secret.
14:25He obviously set about making his own inquiries.
14:28The only person who can be blamed for what has happened is your father.
14:32Oh, let's let Mycroft torture himself, mother.
14:36At least for a while.
14:41Righto.
14:43Where are you going?
14:44I need to get a message to London and warn them that father has the weapon.
14:49Another nail in the coffin of what remains of my career.
14:54Try not to die in my absence, would you?
14:57Reasonable request, mother?
14:59Thank you, darling.
15:03No sign of Esart.
15:13You can ask me, you know.
15:16What you've been wanting to ask since you shot that soldier.
15:21You're not nearly as mysterious as you assume.
15:29When you killed for the first time, how did you feel?
15:36A great weight on my chest, pressing harder every day so I can hardly breathe.
15:43And now I live with it.
15:47And now I live with it.
15:49Strange.
15:52I don't feel any of that.
15:54I don't feel any of that.
16:04I don't feel any of that.
16:21The face of the face
16:24and the Olive.
16:25Where he meets his potential customers.
16:27And tomorrow he is meeting a man called the Duke de Mont.
16:30Still no sign of silence?
16:32No, I'm afraid not, Mrs. Holmes.
16:35So we will need to lure him out of the shadows.
16:37But how, darling?
16:40By posing as customers.
16:45Please don't mind your stitches.
16:47I am all right.
16:52This is what we are going to do.
16:58Bonjour.
17:13Sorry, madame, it's occupied. I'm expecting something.
17:15Yes, yes, madame Dormand.
17:19Mother will explain the Duke never attends meetings.
17:22That's his wife's duty.
17:23Enchanté.
17:24What if he recognizes you?
17:26Well then we're sunk.
17:31Meanwhile, the actual buyer
17:33will be redirected by the Eagle and Olive's newest waiter to me.
17:38Excusez-moi monsieur, the Duke Dormand.
17:41Cecil Fillemont. I'll give him the sales pitch.
17:43Then, the Duke will duly hand over his money,
17:47which James will deliver to my mother,
17:49allowing us to finance stage two of the operation.
17:58What is stage two of the operation?
18:00I'm so glad you asked.
18:03I have something for you.
18:05You will ask to meet the bigwig himself.
18:08Excuse me, madame.
18:10It's seven hours of the morning.
18:12Unable to resist so intriguing an offer,
18:15Silas will then agree to meet with the madame.
18:17Well then, a little bit of music to get into it.
18:19I don't know, I have something like
18:21Talking about my generation.
18:26Keep moving.
18:27Well, it's not exactly like that.
18:29I'm going to put my breath in.
18:31Bonjour.
18:32And voila.
18:34Now tell us where Beatrice is.
18:35Yeah.
18:36That's it.
18:38What could possibly go wrong?
18:40The key to being successful confidence men...
18:42And women?
18:44The key to being successful confidence men and women
18:47is confidence.
18:51I love the eye patch.
18:56Welcome.
19:03Excuse me, Monsieur.
19:06Excuse me, Monsieur.
19:07The Duke Delmont.
19:11Cecil Fillemont.
19:15So...
19:17Where is Mr. Cascali?
19:19I do hope you understand, Duke.
19:21The unexpected events of our demonstration
19:24have forced us to change our plans.
19:26My instructions were to hand the money
19:29only to Mr. Cascali himself.
19:31I don't deal with the monkey.
19:33Only with the grinder of the organ.
19:35Speaking as a monkey,
19:37I concur.
19:39More common sense is what is needed
19:40in this topsy-turvy world of ours.
19:42But, if that is your instinct,
19:44you will have to come back another day.
19:46Understood?
19:47Understood.
19:47Then I shall take your advice.
19:51It would be remiss of me
19:53not to inform you
19:54that the incident in the tunnels
19:56has only, in fact,
19:57proven the potency of our product.
20:00We're selling out fast.
20:04If you delay,
20:05you would risk missing out altogether.
20:12Have a good day, sir.
20:17Allow me!
20:18You're welcome.
20:20I'm coming out of the city.
20:22You are leaving.
20:24Come look at my boss.
20:26You're welcome.
20:26Come look at my boss.
20:27Look at me, buddy.
20:28It's a good day.
20:30Or, I'm sorry?
20:32I'm sorry.
20:33I'm sorry.
20:37I'm sorry.
20:46Burgundy, 57.
20:47Some people say that I'm 62, but for me, if I wanted that much oak, I would eat a tree.
20:56So, tell me what you think of my proposal.
20:59You introduce me to your boss, and in return, I furnish you with a finder's fee.
21:09Voila.
21:13You carry your money in a plant pot.
21:21Mr. Holmes is in the back.
21:25Perhaps Mr. Holmes could come here?
21:27You will be able to talk to him more freely and privately.
21:34If you wish to meet him, there it is.
21:38Mr. Holmes is in the back.
21:51Mr. Holmes?
21:55I do not see Monsieur Silas Holmes.
21:59if you please
22:03monsieur
22:09so
22:12we both know you're not the duke's wife
22:16who are you really madame
22:20do you doubt my monies
22:24pardon
22:25do you doubt the value of my money
22:26do you believe it's real
22:28it looks real
22:31you are correct I am not
22:33madame dormant and I do
22:35apologize for the deception
22:36but now that I have your attention
22:39I should like to inform you
22:41that I am working on behalf of
22:43a very prominent British
22:45investor who wishes to make
22:47a significant purchase
22:49from Mr Silas Holmes
22:50and if you play your part
22:53in arranging this
22:55I can assure you that the money in that pot
22:57is merely the tip
22:59of the iceberg
23:01purely for your own pockets
23:03you understand
23:04so as I see it
23:06you have two options
23:09you can either continue to insult me
23:11and let this golden opportunity
23:13slip through your fingers
23:15or you can simply introduce me to Mr Silas Holmes
23:21and this is taking too long
23:26patrona haber gönder
23:30baron acil görüşmemiz gerekiyor
23:32Esad
23:36come back here
23:37tomorrow
23:38at the same time
23:39and I will have an answer for you madame
23:41thank you sir
23:42I am much obliged
24:05he is sending a telegram to Silas
24:29I'll go ahead
24:30of course it is
24:30all destruction
24:32how about this time
24:33we don't do one of your clever little scams
24:35or pickpocket dances
24:38just let me try something
24:45bonjour messieurs
24:45bonjour messieurs
24:46qu'est-ce pour vous ?
24:47cet homme-ci Ă©tait ici
24:48il est Ă quelques instants
24:51je vous vois ce qu'il a envoyé
24:54euh... bon monsieur
25:00pour votre Ă©pargne
25:04vous préférez que le règles soit trop bon ?
25:09monsieur ? non ?
25:16bon garçon
25:21qu'est-ce que c'est ?
25:27mrs. Holmes
25:28your husband's in Constantinople
25:39i need to see the ambassador
25:42my crofthouse
25:44the point is ambassador
25:46I now know who sabotaged our government's secret weapons program
25:50and indeed I know who stole the weapon
25:53yes, yes, well go on
25:55regretfully sir
25:59it was my father
26:01Silas Holmes
26:04you certain of this ?
26:05I'm afraid so sir
26:07and it appears that the government's interests are now aligned with my own
26:11we must find my father
26:13and bring him to justice
26:14yes
26:14well
26:16quite
26:17quite
26:17quite
26:19I shall wire the foreign secretary immediately
26:21yes sir
26:22please wait here
26:23will do
26:33shit
26:34oh
26:35oh
26:35oh
26:47oh
26:48oh
26:52what
26:54Apologies for the wait.
26:55Not at all, sir.
26:57I have a reply from the Foreign Secretary.
26:59He informs me that you are in disgrace, and in fact no longer work for Her Majesty's government.
27:04Yes, well, it's a little more nuanced than that.
27:06There is, however, a path to redemption, if you are prepared to walk it.
27:13Now listen, carefully.
27:22Train leaves in an hour.
27:33It's not your injury that makes you weak.
27:36It's your insistence that your body is unchanged.
27:40My body has changed.
27:41It's changed because you shot me in the stomach.
27:45The details, are you relevant?
27:48Not to me.
27:52You think strength is something physical.
27:56It's body mass, and muscle, and reach.
28:03All of which you have over me, and yet I've bested you in every encounter.
28:08Why?
28:11Because the real strength comes from here.
28:16And here.
28:19Oh.
28:22James.
28:23Mother.
28:24You found him.
28:26I did.
28:29But he found his own a tire.
28:33Mother.
28:34Well, you met with success?
28:36I was.
28:38The British government has offered her full support in helping to bring fathers to justice.
28:43Excellent.
28:45So this is what it's come to.
28:47It would certainly seem that way.
28:49Wonderful.
28:50Right, then.
28:52Constantinople.
29:07Where are we going, exactly?
29:09To meet a friend of mine.
29:14Where are we going, exactly?
29:18To meet a friend of mine.
29:30Where?
29:31Sherlock.
29:33Show her the photo.
29:43Have you seen this man?
29:45No.
29:45No.
29:46No.
29:50No.
29:51No.
29:52No.
29:55No.
29:57Listen Vicky, I'll let them open up.
29:59What's up?
30:03That small child is going to find our father, is he?
30:05The lowly status of the street urchin is what makes them the most useful of allies.
30:10They can go anywhere. They are invisible. They're irregulars.
30:39Sir, they are looking for you.
30:51I'm sorry.
30:56I can't wait for you.
31:24They have found your father.
31:28He knows you're here with me.
31:29How?
31:30It seems our three telegraph works both ways.
31:35He wants to see you alone.
31:38Well, darling, I have to come with you.
31:40He was quite specific.
31:42If you want to see your sister, you come alone.
31:47Very well.
31:52Sherlock.
31:54Good luck.
32:08Do you know why magic is so beguiling, Sherlock?
32:18No.
32:19When something seems to defy rational explanation,
32:28wonder, the impossible made possible.
32:46Is she still alive?
32:47Please sit.
32:48I'd rather not.
32:50But you did back in England, solving all this, finding me here.
32:54So clever.
32:56I'm proud of you, my son.
32:57It's not natural for a father to leave his boy for dead now, is it?
33:01Sherlock, what are you talking about?
33:03In the tunnel.
33:04I was shot.
33:06You ran.
33:08I ran because that crazy woman was trying to kill me.
33:12I was the one under attack, remember?
33:15You really think I'd want any harm to come to you?
33:23Harm.
33:26You've done nothing but harm.
33:29Look at me.
33:30You broke my heart.
33:32You broke my mother's heart.
33:34And only God knows what you've done with my sister.
33:36So I ask you politely, please, tell me.
33:40Is my sister still alive?
33:48Beatrice is fine.
33:51I made sure she was looked after.
33:57Where is she?
33:59I still love you, you know.
34:01I'm still the man who raised you.
34:03You're a monster.
34:04Oh, Sherlock.
34:07Don't be so simple.
34:09Were all of us capable of good and evil, even if it helps to call it that,
34:14you included, whether you realize it or not?
34:16Tea?
34:17No.
34:18I acted in my best interests.
34:23Of course I did.
34:24But I also acted in yours.
34:27You think you would have become the man you have had you not been tested in the fire?
34:31I can't listen to this.
34:32And yet you can't leave, can you?
34:34I can't leave.
34:35Because you won't tell me where my sister is.
34:38Where is she?
34:41She's here.
34:43In Constantinople.
34:44With me.
34:46You can see her tomorrow if you like, but...
34:52I request something in return.
34:56So that's his price?
34:58That's his price.
35:00Sure.
35:01She wants me dead, and if she kills me, well, then you'll never find Beatrice.
35:06Our futures are intertwined.
35:10Bring Juan tomorrow, the square, same time, and I'll give you your sister.
35:15Well, then, the choice is not choice at all.
35:18You really find it that easy?
35:20Condemning someone to death?
35:21You all sure are nothing.
35:23No, I don't find it easy, but if it was my sister, then I wouldn't have the slightest breath of
35:27hesitation.
35:27I don't think you should, either.
35:30Am I interrupting?
35:32Not at all.
35:34No cracks in the novel hat.
35:37Good night, sweet prince.
35:40And flights of angels sing thee to thy rest.
35:53I'm pleased for you.
35:55That your journey ends well.
35:57That you're your sister.
36:03Afterwards, your father is mine to do with, as I see fit.
36:07I realize this is hard for you, but we had an agreement.
36:10I want what's mine.
36:12And you shall have it.
36:14You have my word.
36:20The porter and the princess.
36:29Scout.
36:32Never made it to the illustrious position of porter.
36:34And I was never a princess.
36:37Only shall we.
36:50How do you feel?
36:51How am I supposed to feel?
36:52How do you want to feel?
36:53However I'm supposed to.
36:58You are a work in progress, Sherlock.
37:30I think there's new mother from here.
37:45He's there.
37:45He's there.
37:46There he is.
37:50She's not with him.
37:51Let me talk to him.
37:52I don't trust him.
37:53I'll be fine, mother.
37:54You wait with Michael.
38:12Silence.
38:14Why do you call me father?
38:17I can't see my sister.
38:20Do you know this city was built to rival the majesty of Rome?
38:25It had the most sophisticated defense fortifications in antiquity.
38:30It has survived foreign empires, brutal wars, disease.
38:38Just about anything human history could throw at it.
38:43This city has endured.
38:47A lovely lecture. Is it finished?
38:52She doesn't exactly look ready to surrender, Shirley.
38:55She is.
38:57She just doesn't know it yet.
39:00What are they talking about?
39:06You, I expect.
39:11Now, as you can see, I'm ready to deliver.
39:16So, where's my sister?
39:18Go, go, go, go, go.
39:22Go, go, go, go, go, go, go, go, go, go, go.
39:26What do you want me to do, do you want me to do, do you want me to move me
39:27out of your house?
39:41Be?
39:43Be?
39:44Oh, mother!
39:47Be?
39:51My daughter.
39:55Your move, not lie.
39:57I've missed you.
40:01Silas, son.
40:05You know what troubled me the most about killing that soldier?
40:09I might have got a dance for him.
40:12Move.
40:21Let me see your face.
40:23Sherlock!
40:30I find myself not a loss for words, which will be a first.
40:37What's the matter, Mother?
40:39It's not her.
40:41Mother.
40:45Silas.
40:46Trust me.
40:48It's not Beatrice.
40:51How about him, princess?
40:52Thank you, James.
40:54Oh, no, my daughter!
41:09Come on!
41:12Finder!
41:16I knew you'd betray me, Sherlock.
41:18Are you not my son, after all?
41:24Hello, Mother.
41:28Me?
41:30Me?
41:39Sherlock.
41:41Mycroft.
41:43Close your hands.
41:47If you'd be so kind.
41:51You too, brother, dear.
41:59Isn't this nice?
42:01You too, brother, you too, brother, you too, you too, you too, you too, you too, you too, you too,
42:01you too, you too, you too, you too, you too, you too, you too, you too, you too, you too,
42:01you too, you too, you too, you too, you too, you too, you too, you too, you too, you too,
42:01you too, you too, you too, you too, you too, you too, you too, you too, you too, you too,
42:02you too, you too, you too, you too, you too, you too, you too, you too, you too, you too,
42:02you too, you too, you too, you too, you too, you too, you too, you too, you too, you too,
42:04you too, you too, you too, you too, you too, you too, you too, you too, you too, you too,
42:04you too, you too, you too, you
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