- 5 minutes ago
Young Sherlock S01E07 (2026) [Full Movie] [Long Version]Full EP - Full
Category
🎥
Short filmTranscript
00:03It's not your fault, Sherlock. It's not your fault.
00:31Thank you, Sherlock.
00:36One's for sorrow, two's for joy, three's for a girl and four's for a boy, five's for silver, six's for
00:55gold.
00:58What's that for, Sherlock?
01:00No, no, no, no, no, no, no, no.
01:02Find me, Sherlock. Find me, Sherlock.
01:06That's right! That's right!
01:09That's right! Shut up!
01:12Shut up!
01:17John, you're all right.
01:19You're all right. I got you.
01:22I know I'm getting shot, eh?
01:24That was a terribly stupid thing to do.
01:26Here, let's get you up.
01:27No, no, no, Shuan.
01:29Shuan, she tried to shoot my father.
01:31And we have to stop her.
01:32I'm not leaving you, don't you?
01:33Shut up!
01:35Oh, he's bleeding.
01:37I think that has something to do with the bullet in his abdomen.
01:39Yes. I'm sorry to be a burden, brother, dear.
01:41No burden, brother, dear.
01:42Come on, let's get him off.
01:43Wait, wait, wait.
01:44If she gets to my father, we may never find Beatrice.
01:46Go.
01:47You have a...
01:48Go, James, go!
01:50Now, you listen to me.
01:51We are going to get this fixed up.
01:53Are you crying?
01:54No.
01:55Why not?
01:57One, two, three...
02:02You've been shot.
02:04Oh, my poor boy.
02:05We...
02:05We have to find a hospital.
02:07A dash of opium would be greatly appreciated.
02:18This way.
02:20Why?
02:20How do you know?
02:21There's only one hospital still open.
02:23Sadly, it's where the gunfire is coming from.
02:24No.
02:25There's only one hospital, man.
02:28What if...
02:33Family!
02:35Put him down.
02:36There's only one hospital.
02:39I see.
02:40Oh!
02:43Oh!
02:44Oh!
02:46Oh!
02:47Oh!
02:48Oh!
02:50I see them, Jimmy!
02:53I see him.
02:54I see them.
02:54I see them.
02:54Yes!
02:54Hey! Hey! Hey!
02:56What are you doing?
02:57Give me that! I'm stopping you from shooting that man!
03:00Why? Because that Sherlock's fire!
03:03That is fire!
03:05I didn't know.
03:06Is it? Is it?
03:09Ah! Whoa!
03:11I'll be taking that.
03:13Thanking you kindly.
03:17Up we go! Over the top!
03:19Okay!
03:22Right in the back!
03:23Where are we going?
03:24I'm afraid we're gonna have to go the long way round, brother.
03:27All aboard!
03:27Off we go!
03:29You may be in my way, James.
03:31But I have no wish to see you dead.
03:33Am I in a favor, huh?
03:35Because you shot Sherlock!
03:37Not intentional.
03:38Oh, right. It wasn't intentional. I suppose that makes it okay, then.
03:40I'll be sure to tell him.
03:43How is he?
03:45He's alive.
03:46You'll be glad to hear.
03:48His brother's looking after him.
03:51Is Sherlock looking for his father?
03:52Yes.
03:54Where are you going?
03:55To find Sherlock.
03:56He's looking for Silas.
03:57I'm looking for Silas.
03:58And Sherlock has a rather stubborn habit of finding people.
04:01There's only one hospital still open in Paris.
04:03That's where Mycroft will take him.
04:07Come in.
04:07Hey!
04:08No, no, no!
04:09No!
04:10No!
04:21No!
04:23No!
04:25No!
04:26No!
04:26No!
04:28No!
04:30No!
04:30No!
04:31No!
04:35You had no choice.
04:37There'll be more of them.
04:39We need to go.
04:46James!
04:47We need to go!
04:48No!
05:24Oh, my hand on my wound.
05:27Monsieur. Monsieur. Doctor.
05:31Je vous en prie. On a tiré sur mon fils.
05:34Regardez autour de vous, madame.
05:35Tout pareil est blessé par mal.
05:36Oui, oui, mais je vous en supplie.
05:39Oh, come on, wish to make my life bloody impossible.
05:41Oh, my God.
05:42Et moi, si vous me le soignez pas.
05:47C'est de l'or, c'est de l'or.
05:50Prenez-les pour la révolution.
05:52Oui, mais vous devez vous, vous devez vous en couper immédiatement par pitié.
05:58Monsieur, s'il vous plaît.
05:59Vite, vite.
06:00Monsieur, ici, ici.
06:01Laissez-moi voir.
06:04Infirmière.
06:06Préparez-vous pour une opération chirurgicale.
06:08Allez, il faut partir, s'il vous plaît.
06:10Vous pouvez pas rester.
06:13Laissez-moi faire mon travail.
06:14Monsieur, Monsieur.
06:15Monsieur.
06:16Monsieur.
06:20He's stubborn as a mule.
06:22Yes, he's up and drowning.
06:24Il a spoke mad in no time.
06:25You watch.atique.
06:49I suppose no news is good news.
06:51Absolutely.
07:06How are you going?
07:08Well, I've done my best, but I'm going to fight now.
07:12Thank you for everything, sir.
07:14Thank you, sir.
07:18Darling.
07:52Come on, Sherlock.
07:53Fight.
08:10Mother.
08:14My darling boy.
08:16Sherlock.
08:19Oh, there he is.
08:20He lost you.
08:21My little brother.
08:22Luckiest Englishman alive.
08:24Can I get you some water?
08:26Yes, yes.
08:29Ah, he's too stubborn to die.
08:32James, where on earth have you been?
08:34Are you all right?
08:36Are you all right?
08:42I'm fine.
08:44James.
08:45I'm fine.
08:47I'm fine.
08:48You're still lazing about.
08:50I see.
08:51Up you get.
08:52What?
08:53There's work to be done.
08:54Oh, I'm only messy, Mrs. Holmes.
08:57It's good to see you.
09:02Did you stop her?
09:06I did.
09:09And I brought her here.
09:11Now, don't piss your bedpan.
09:13She's on out.
09:19Hello, Sherlock.
09:20What on earth are you doing here?
09:23I need to speak with you.
09:24An inch to the left, my brother would be dead.
09:26I wasn't aiming at him.
09:27I was aiming at your father.
09:29Ah!
09:30Well, that is understandable.
09:31I've tried to shoot him twice myself and missed both times.
09:35James.
09:36Why is she here?
09:38Because I think you need to hear what she has to say.
09:43My name is Xiaowei.
09:46I come from the village of Tai'an and Gansu.
09:51High in the hills.
09:55This is the effect of what the scientists in Oxford were working on.
10:00What you saw in that tunnel.
10:02They first tested on my village.
10:07On my parents.
10:10There is a mineral deep beneath my people's lands.
10:13Professor Malik found a way to transform that mineral into a creeping death.
10:18And turn it into a weapon.
10:20The program was paid for by your government and run by Becephalus Hodge.
10:25But Professor Malik betrayed him.
10:27Sold it to the highest bidder.
10:29A private buyer.
10:32My father?
10:34Yes.
10:40I am so profoundly sorry.
10:44It's not your pity I need, but your help.
10:47To ensure this can never happen again to anyone.
10:50Anywhere.
10:51You want to stop our father.
10:53And you want to find him.
10:54Yes.
10:55I propose we combine our talents.
10:57Double our chances of tracking him down.
10:59Yes.
11:01But on one condition.
11:03We have to find out where Beatrice is from Silas.
11:07So you cannot touch him until we have that information.
11:10And after that?
11:11You can do whatever you like to him.
11:14And provided my sons don't have any objection, of course.
11:17Given the circumstances, I do not intend to stand in your way.
11:20I find it difficult to condemn him to death so readily.
11:26But if that's what it takes to find Beatrice, that's what it takes.
11:30He's still in Paris.
11:32Or at least the man who works for him is.
11:34His name is Esad Kashkali.
11:38At the demonstration, the buyers were told to follow the usual channels at the two corners.
11:43For those of you who wish to place an order, it's only fitting that we should meet at the famous
11:47two corners.
11:48Two corners?
11:51An intersection?
11:52Doesn't exactly narrow it down, Sherlock.
12:04Matchboxes.
12:06What do you mean, darling?
12:07On the table where Father was sat, they were matchboxes.
12:11With a design on the front of two corners.
12:16Is there an address in it?
12:21I wasn't close enough to get a good look.
12:24I can't be sure.
12:25Well, this is as good a place as I need to start.
12:29I'll get going.
12:32I'll go with him.
12:35Well, I'd be delighted to have your company.
12:43Hello.
12:44You're going to make you immensely rich.
12:50I'm not ready.
12:56I'm not ready.
13:00Snow dress.
13:03Excusez-moi.
13:05Avez-vous, vous se trouve cette amour?
13:07Non.
13:08Non, désolé, mon chou.
13:09Ah!
13:11Impossible.
13:12Impossible is a word.
13:13Only found in the dictionary of fools.
13:17That's what Silas said.
13:19Why that quote?
13:21Maybe it means something.
13:23Originally, who said it?
13:25Napoleon Bonaparte.
13:28Napoleon.
13:30Uh-huh.
13:32Napoleon.
13:32Uh-huh.
13:39It's Napoleon's hat.
13:41Famous bicon.
13:43It has two corners.
13:44Leg l'olive.
13:45What?
13:47The eagle and the olive on the outskirts of Paris.
13:49It's a restaurant where Napoleon supposedly left his hat behind him.
13:52It's only fitting that we should meet at the famous two corners where you can contact Mr. Essa Kashka.
14:00Tu es genial.
14:01You have no idea.
14:06I fear that I may have unwittingly set this all in motion.
14:09Why do you say that?
14:10About a year ago, father asked me what I was working on.
14:14Yes.
14:15Now, I told him that I was working for Hodge, but if memory serves, his ears did prick up.
14:20I didn't know any details at the time, but I told him that I was working for the government.
14:23It was secret.
14:26He obviously set about making his own inquiries.
14:28The only person who can be blamed for what has happened is your father.
14:33Oh, let's let Mycroft torture himself, mother.
14:37At least for a while.
14:42Righto.
14:44Where are you going?
14:45I need to get a message to London, warn them that father has the weapon.
14:49Another nail in the coffin of what remains of my career.
14:54Try not to die in my absence, would you?
14:56Hmm.
14:57Reasonable request, mother.
14:59Thank you, darling.
15:04No sign of this ad.
15:14You can ask me, you know.
15:16What you've been wanting to ask since you shot that soldier.
15:22You're not nearly as mysterious as you assume.
15:30When you killed for the first time, how did you feel?
15:37A great weight on my chest, pressing harder every day so I can hardly breathe.
15:44And now I live with it.
15:45And now I live with it.
15:49Strange.
15:53I don't feel any of that.
15:57there.
16:05Doesee,
16:12there.
16:16There.
16:21As said Kashkali has a regular table at a brasserie called the Eagle Palace.
16:24and the olive.
16:25Where he meets his potential customers.
16:27And tomorrow he is meeting a man called the Duke de Mont.
16:30Still no sign of silence?
16:32No, I'm afraid not.
16:34This is also.
16:36So we will need to lure him out of the shadows.
16:38But how, darling?
16:40By posing as customers.
16:46Please don't mind your stitches.
16:48I am all right.
16:53This is what we are going to do.
17:12Bonjour.
17:14Sorry, madame, it's occupied.
17:15I'm expecting so.
17:17Yes, me.
17:18Madame Dormant.
17:20Mother will explain the Duke never attends meetings.
17:22That's his wife's duty.
17:24Enchanté.
17:25What if he recognizes you with him with Sunk?
17:31Meanwhile, the actual buyer will be redirected
17:36by the Eagle and Olive's newest waiter to me.
17:39Excusez-moi, monsieur.
17:40Le Duke Dormant.
17:42Cecile Fillemont.
17:43I'll give him the sales pitch.
17:44Then the Duke will duly hand over his money.
17:48Which James will deliver to my mother,
17:50allowing us to finance stage two of the operation.
17:59What is stage two of the operation?
18:01I'm so glad you asked.
18:03I have something for you.
18:06You will ask to meet the bigwig himself.
18:09Excuse me, madame.
18:12Unable to resist so intriguing an offer,
18:15Silas will then agree to meet with the madame.
18:18A little bit of music to get in front.
18:20I don't know, something like...
18:22Talking about my ch-ch-ch-ch generation.
18:26Keep moving.
18:27Well, it's not exactly like that.
18:30I took my toothbrush.
18:32Bonjour.
18:33And voila.
18:34You know, tell us where Beatrice is.
18:36Yeah.
18:37That's it.
18:38What could possibly go wrong?
18:40The key to being successful confidence men.
18:43And women.
18:44The key to being successful confidence men and women is confidence.
18:52I love the eye patch.
18:57Hello.
19:01Hello.
19:03Hello.
19:04Hello, sir.
19:06Excuse me, sir.
19:08The Duke Dormont.
19:11Cecil Fillemont.
19:15So.
19:18Where is Mr. Cosgarly?
19:20I do hope you understand, Duke,
19:22the unexpected events of our demonstration have forced us to change our plans.
19:27My instructions were to hand the money only to Mr. Cosgarly himself.
19:32I don't deal with the monkey.
19:34Only with the grinder of the organ.
19:36Speaking as a monkey,
19:38I concur.
19:39More common sense is what is needed in this topsy-turvy world of ours.
19:42But, if that is your instinct,
19:45you will have to come back another day, understood?
19:48Understood.
19:49Then I shall take your advice.
19:52It would be remiss of me not to inform you that the incident in the tunnels
19:57has only in fact proven the potency of our product.
20:00We're selling out fast.
20:02The real, monsieur.
20:03It's usually an absolute loop.
20:05If you delay,
20:06you would risk missing out altogether.
20:13Have a good day, sir.
20:15Let's go.
20:17Move, move!
20:18No, no, no!
20:21I'm not.
20:21I'm only left!
20:22No, no, no!
20:23I'm not!
20:23Do you want me to leave a place?
20:24No I can't wait.
20:26Go!
20:26Go, go!
20:27Come, go!
20:28Look at you!
20:29Do you want me to love me?
20:30It's not fair to you?
20:31Amor, I'm not!
20:33I'm not, I'm not!
20:42Permettez.
20:46Burgundy 57.
20:48Some people say that you had a 62,
20:50but for me, if I wanted that much oak,
20:53I would eat a tree.
20:56So, tell me what you think of my proposal.
21:00You introduce me to your boss
21:02and in return, I furnish you with a finder's fee.
21:10Voila.
21:14You carry your money in a plant pot.
21:22Mr. Holmes is in the bank.
21:26Perhaps Mr. Holmes could come here?
21:28You will be able to talk to him more freely and private.
21:35If you wish to meet him.
21:37There it is.
21:49It's in here.
21:51Merci.
21:55I do not see Monsieur Silas Holmes.
22:00If you please.
22:03Monsieur.
22:09So.
22:13We both know you are not the Duke's wife.
22:17Who are you really, Madame?
22:21Do you doubt my monies?
22:25Pardon?
22:25Do you doubt the value of my money?
22:27Do you believe it's real?
22:29It looks real.
22:32You are correct.
22:33I am not Madame Dormand.
22:35And I do apologize for the deception.
22:38But now that I have your attention,
22:40I should like to inform you that I am working on behalf of a very prominent British investor,
22:46who wishes to make a significant purchase from Mr. Silas Holmes.
22:51And if you play your part in arranging this, I can assure you that the money in that pot is
22:59merely the tip of the iceberg.
23:02Purely for your own pockets, you understand.
23:05So, as I see it, you have two options.
23:10You can either continue to insult me and let this golden opportunity slip through your fingers,
23:16or you can simply introduce me to Mr. Silas Holmes.
23:22This is taking too long.
23:27I will give you an answer to the patron.
23:29I will give you an answer to the patron.
23:31Baron, we need to meet with a quick quick.
23:33Yes, sir.
23:37Come back here tomorrow at the same time.
23:40And I will have an answer for you, Madame.
23:42Thank you, sir.
23:43I am much obliged.
24:06He's sending a telegram to Silas.
24:22He's sending a telegram to Silas.
24:30I will go ahead.
24:31Of course, a distraction.
24:31No, no, no.
24:32All distraction.
24:33How about this time we don't do one of your clever little scams, or pickpocket dances?
24:39Just let me try something.
24:45Good morning, sir.
24:46Good morning, sir.
24:47Good morning, sir.
24:47What do I do for you?
24:48Good morning, sir.
24:49This man was here, and he had some time.
24:52I will see what he sent them.
24:55Well, sir.
24:59Good morning, sir.
25:01Good morning, sir.
25:05Would you prefer that the ring will be at the moment?
25:08Sir?
25:10Sir?
25:11No?
25:16Well, sir.
25:21What's going on?
25:27Mrs. Holmes, your husband's in Constantinople.
25:40I need to see the Ambassador, Mycroft Hodes.
25:46The point is, Ambassador, I now know who sabotaged our government's secret weapons program, and
25:51indeed I know who stole the weapon.
25:54Yes, yes, well go on.
25:56Regretfully, sir, it was my father, Silas Holmes.
26:04Are you certain of this?
26:06I'm afraid so, sir.
26:08And it appears the government's interests are now aligned with my own.
26:11We must find my father and bring him to justice.
26:15Yes, well, quite.
26:18Quite.
26:20I shall wire the Foreign Secretary immediately.
26:22Yes, sir.
26:23Please wait here.
26:24Will do.
26:33Ah.
26:55Apologies for the wait.
26:56Not at all, sir.
26:57I have a reply from the Foreign Secretary.
27:00He informs me that you are in disgrace,
27:02and in fact no longer work for Her Majesty's Guard.
27:05Yes, well, it's a little more nuanced than that.
27:07There is, however, a path to redemption,
27:10if you are prepared to walk it.
27:13Now listen, carefully.
27:23Train leaves in an hour.
27:34It's not your injury that makes you weak.
27:36It's your insistence that your body is unchanged.
27:40My body has changed.
27:42It's changed because you shot me in the stomach.
27:46The details, are you relevant?
27:49Not to me.
27:52You think strength is something physical.
27:56It's body mass,
27:58and muscle,
28:00and reach.
28:04All of which you have over me,
28:05and yet I've bested you in every encounter.
28:09Why?
28:12Because the real strength comes from here.
28:16and here.
28:20Oh.
28:23James.
28:24Mother.
28:25You found him.
28:27I did.
28:30Well, he found his own attire.
28:34Mother.
28:35Well, you met with success?
28:37I was.
28:38The British government
28:39has offered her full support
28:41in helping to bring fathers to justice.
28:44Excellent.
28:46So, this is what it's come to.
28:47So, this is what it's come to.
28:48It would certainly seem that way.
28:50Wonderful.
28:51Right, then.
28:53Constantinople.
29:08Where are we going, exactly?
29:09To meet a friend of mine.
29:17Mrs. Emine, she has agreed to help us.
29:21Welcome to my city.
29:31What?
29:32Sherlock!
29:33Show her the photo.
29:43Have you seen this man?
29:46No.
29:47Yeah.
30:03That small child is going to find our father, is he?
30:06The lowly status of the street urchin is what makes them the most useful of allies.
30:11They can go anywhere.
30:12They are invisible.
30:14They're irregulars.
30:40Sir, they are looking for you.
30:52Sir, I'm sorry for you.
30:54I'm sorry for you, Burak.
30:57I'm sorry for you.
31:25They have found your father.
31:28He knows you're here with me.
31:30How?
31:31It seems our street telegraph works both ways.
31:36He wants to see you alone.
31:39Well, darling, I have to come with you.
31:41He was quite specific.
31:43If you want to see your sister, you come alone.
31:48Very well.
31:53Sherlock.
31:55Good luck.
32:10Is he Burak?
32:11Oh, yeah.
32:14Do you know why magic is so beguiling, Sherlock?
32:19No.
32:20When something seems to defy rational explanation,
32:28wonder.
32:30The impossible.
32:33The impossible.
32:38The impossible.
32:46Is she still alive?
32:48Please sit.
32:49I'd rather not.
32:51What you did back in England, solving all this, finding me here.
32:55So clever.
32:57I'm proud of you, my son.
32:59Not natural for a father to leave his boy for dead now, is it?
33:02Sherlock, what are you talking about?
33:03In the tunnel.
33:04I was shot.
33:07You ran.
33:09I ran because that crazy woman was trying to kill me.
33:13I was the one under attack, remember?
33:16You really think I'd want any harm to come to you?
33:24Harm.
33:27You've done nothing but harm.
33:30Look at me.
33:31You broke my heart.
33:33You broke my mother's heart.
33:34And only God knows what you've done with my sister.
33:36So I ask you politely, please, tell me, is my sister still alive?
33:49Beatrice is fine.
33:51I made sure she was looked after.
33:57Where is she?
34:00I still love you, you know.
34:02I'm still the man who raised you.
34:04You're a monster.
34:05Oh, Sherlock.
34:07Don't be so simple.
34:10Were all of us capable of good and evil, even if it helps to call it that,
34:15you included, whether you realize it or not?
34:17Tea?
34:17No.
34:19I acted in my best interests.
34:24Of course I did.
34:25But I also acted in yours.
34:28You think you would have become the man you have had you not been tested in the fire?
34:32I can't listen to this.
34:32And yet you can't leave, can you?
34:35I can't leave.
34:36Because you won't tell me where my sister is.
34:39Where is she?
34:42She's here.
34:44In Constantinople.
34:45With me.
34:47You can see her tomorrow if you like, but I request something in return.
35:01She wants me dead and if she kills me, well then you'll never find Beatrice.
35:10She wants me dead and I'll give you your sister.
35:16Well then, the choice is not choice at all.
35:19You really find it that easy?
35:21Condemning someone to death?
35:22Condemning someone to death?
35:22You owe she earned nothing.
35:24No, I don't find it easy, but if it was my sister then I wouldn't have the slightest breath
35:27of hesitation.
35:29I don't think you should either.
35:31Am I interrupting?
35:33Am I interrupting?
35:33Not at all.
35:35Not at all.
35:37Good night, sweet prince.
35:41And flights of angels sing thee to thy rest.
35:54I'm pleased for you that your journey ends well, that you're your sister.
36:04Afterwards, your father is mine to do with as I see fit.
36:08I realize this is hard for you, but we had an agreement.
36:11I want what's mine.
36:12And you shall have it.
36:14You have my word.
36:21The porter and the princess.
36:30Scout.
36:33Never made it to the illustrious position of porter.
36:35And I was never a princess, only shall we?
36:50How do you feel?
36:51How am I supposed to feel?
36:53How do you want to feel?
36:53However I'm supposed to.
36:58You are a work in progress, Sherlock.
37:08You are a work in progress, Sherlock.
37:21You are a work in progress, Sherlock.
37:24You are a work in progress.
37:28You are a work in progress, Sherlock.
37:30You are a work in progress, Sherlock.
37:31I thought it was a good day.
37:31I think just me and mother from here.
37:45He's there
37:46There he is
37:50She's not with him
37:51Let me talk to him
37:53I don't trust him
37:54I'll be fine mother
37:55You wait with Marcroft
38:12Silas
38:13Why do you call me father?
38:17I can't see my sister
38:20Do you know this city was built to rival the majesty of Rome
38:25It had the most sophisticated defense fortifications
38:30In antiquity
38:31It has survived foreign empires
38:33Brutal wars
38:35Disease
38:39Just about anything human history could throw at it
38:43This city has endured
38:47A lovely lecture
38:49Is it finished?
38:52She doesn't exactly look ready to surrender Shirley
38:55She is
38:58She just doesn't know it yet
39:01What are they talking about?
39:07You
39:07I expect
39:10Now
39:12As you can see
39:13I'm ready to deliver
39:15So
39:18Where's my sister?
39:41Bee?
39:43Bee!
39:45Oh mother
39:45Sir!
39:52My darling.
39:55Your move, my boy.
39:57I've missed you.
40:02Silas.
40:03Son.
40:05You know what troubled me the most about killing that soldier?
40:10I might have got a taste for it.
40:12Move.
40:21Let me see your face.
40:23Sheila!
40:31I find myself up and lost for words.
40:34Which would be a first?
40:37What's the matter, Mother?
40:40It's not her.
40:42Mother.
40:46Silas.
40:47Trust me.
40:49It's not Beatrice.
40:52Have at him, Princess.
40:53Thank you, James.
41:01You're not my daughter.
41:03God!
41:10Matt!
41:13Find her!
41:15Lady, lady.
41:16You!
41:16I knew you'd betray me Sherlock are you not my son after all
41:24Hello mother
41:29B
41:39Sherlock
41:42Mycroft
41:44Where's your hands?
41:47If you'd be so kind
41:52Me too brother dear
42:00Isn't this nice
Comments