- 1 day ago
Young Sherlock S01E07 (2026) [Full Movie] [Watch Free Online]Full EP - Full
Category
🎥
Short filmTranscript
00:03It's not your fault, Sherlock. It's not your fault.
00:30Find me Sherlock, and find me.
00:35Ones for sorrow, twos for joy,
00:41Threes for a girl, and fours for a boy,
00:51Fives for silver, six for gold,
00:58to fall.
00:59No, no, no, no, no, no, no, no!
01:02Find me Sherlock, and find me.
01:05Let her! Let her!
01:08Let her!
01:10Come on!
01:12Come on!
01:18You're all right. I've got you.
01:21I know I'm getting shot, eh?
01:23That's a terribly stupid thing to do.
01:26Here, let's get you up.
01:26No, no, no, Shuan.
01:28Yes, Shuan, she directs his ship right further.
01:30We have to stop her.
01:32I'm not leaving you, don't you?
01:33Sherlock!
01:34Oh, he's bleeding.
01:36I think that has something to do with the bullet in his head.
01:38Yes.
01:39I'm sorry to be a burden, brother, dear.
01:40No burden, brother, dear.
01:41Come on, let's get him off.
01:42What?
01:43If she gets to my father, we may never find Beatrix.
01:46Go.
01:46You have a...
01:47Go, James, go!
01:49Now, you listen to me, we are going to get this fixed stack.
01:52Are you crying?
01:53No.
01:55Why not?
01:56One, two, three.
02:02He's been shot.
02:03Oh, my poor boy.
02:05We have to find a hospital.
02:07A dash of open would be greatly appreciated.
02:18This way.
02:19Why?
02:20How do you know?
02:20Because only one hospital is still open.
02:22Sadly, it's where the gunfire has come from.
02:33Right.
02:34Put him down.
02:35Take him.
02:36Take him.
02:36Take him.
02:37Take him.
02:37Oh, my God.
02:39Oh, my God.
02:39I see him.
02:40I see him.
02:40One, two, three.
02:44Oh, my God.
02:46Oh, my God.
02:46Oh, my God.
02:48Oh, my God.
02:49Oh, my God.
02:49Oh, my God.
02:50Oh, my God.
02:55What are you doing?
02:57Give me that.
02:57I'm stopping you from shooting that night.
02:59Why?
02:59Because that's Sherlock's fighter.
03:03That's his fighter.
03:04I didn't know.
03:05Is he?
03:06Is he?
03:09Oh, I'll be taken there.
03:12Thank you kindly.
03:16Off we go.
03:17Over the top.
03:21Right in the back.
03:22Where are we going?
03:23I'm afraid we're going to have to go the long way round, fella.
03:26All aboard.
03:27Off we go.
03:29You may be in my way, James, but I have no wish to see you dead.
03:32Am I the fair, everyone, huh?
03:34Because you shot Sherlock.
03:36Not intentional.
03:37Oh, right.
03:38It wasn't intentional.
03:38I suppose that makes it okay, then.
03:40I'll be sure to tell him.
03:43How is he?
03:44He's alive.
03:45You'll be glad to hear.
03:48His brother's looking after him.
03:50Is Sherlock looking for his father?
03:52Yes.
03:53Where are you going?
03:54To find Sherlock.
03:55He's looking for Silas.
03:57I'm looking for Silas.
03:58And Sherlock has a rather stubborn habit of finding people.
04:00There's only one hospital still open in Paris.
04:03That's where my croft will take him.
04:06Come in.
04:07Hey, the professor!
04:08The professor!
04:34You had no choice.
04:36There'll be more of them.
04:38We need to go.
04:45James!
04:46We need to go!
05:08This is...
05:10We need to remind you of this!
05:27Oh, come on, you should make my life bloody impossible to get around there.
05:42And I'll take care of you if you don't take care of it.
05:47It's hard, it's hard.
05:49Take it for the revolution, yes.
05:52But you must take care of it immediately, by the way.
05:57Sir, please?
05:58Please, please.
05:59Sir, here, here.
06:01Let me see.
06:03Inferniere, prepare the station for a psychological operation.
06:07I'm with you.
06:09Well, come up.
06:11Let him work.
06:12Let him work.
06:12I'm with you.
06:13No, no, no, no.
06:14Sir, no, no.
06:15Sir...
06:15Sir, no.
06:19He's...
06:20He's stubborn as a mule.
06:21Yes, he is. He'll be up and drowning. I spoke mad in no time. You watch.
06:48I suppose no news is good news.
06:50Absolutely.
07:05How are you going?
07:07Well, I've done my best, but...
07:10It's time to fight now.
07:12Thank you, sir, sir.
07:13Thank you, sir.
07:17Darling.
07:28Ah.
07:35Hey.
07:38Bye bye.
07:51Come on, Sharo.
07:52Fight.
08:13My darling boy, Sherlock.
08:17Oh, there he is, my little brother, luckiest Englishman alive.
08:23Oh, can I get you some water?
08:26Ah, he's too stubborn to die.
08:31James, where on earth have you been?
08:33Are you all right?
08:35Are you all right?
08:41I'm fine.
08:43James.
08:44I'm fine.
08:46I'm fine.
08:47You're still lazing about, I see.
08:50Up you get.
08:51What?
08:52There's work to be done.
08:53Oh, I'm only messing, Mrs. Horns.
08:57It's good to see you.
09:01Did you stop her?
09:05I did.
09:09And I brought her here.
09:10Now, don't piss your bedpan.
09:13She's on out.
09:19Hello, Sherlock.
09:20What on earth are you doing here?
09:22I need to speak with you.
09:23An inch to the left, my brother would be dead.
09:25I wasn't aiming at him.
09:27I was aiming at your father.
09:28Ah, well, that is understandable.
09:31I've tried to shoot him twice myself and missed both times.
09:34James.
09:34James, why is she here?
09:37Because I think you need to hear what she has to say.
09:43My name is Xiaowei.
09:46I come from the village of Taian and Gansu.
09:50High in the hills.
09:54This is the effect of what the scientists in Oxford were working on.
09:59What you saw in that tunnel.
10:01They first tested on my village.
10:06On my parents.
10:10There's a mineral deep beneath my people's lands.
10:13Professor Malik found a way to transform that mineral into a creeping death.
10:17And turn it into a weapon.
10:20The program was paid for by your government and run by Becephalus Hodge.
10:24But Professor Malik betrayed him.
10:26Sold it at the highest bidder.
10:28A private buyer.
10:31My fault.
10:34Yes.
10:39I'm so profoundly sorry.
10:43It's not your pity I need, but your help.
10:46To ensure this can never happen again to anyone.
10:49Anywhere.
10:50You want to stop our father.
10:52And you want to find him.
10:53Yes.
10:54I propose we combine our talents.
10:56Double our chances of tracking him down.
10:59Yes.
11:00But on one condition.
11:03We have to find out where Beatrice is from Silas.
11:06So you cannot touch him until we have that information.
11:09And after that?
11:11Oh, after that you can do whatever you like to him.
11:13And provided my sons don't have any objection, of course.
11:16Given the circumstances, I do not intend to stand in your way.
11:20I find it difficult to condemn him to death so readily.
11:25But if that's what it takes to find Beatrice, that's what it takes.
11:30He's still in Paris.
11:32Or at least the man who works for him is.
11:34His name is...
11:35Esad Kashkali.
11:37At the demonstration, the buyers were told to follow the usual channels at the Two Corners.
11:42For those of you who wish to place an order, it's only fitting that we should meet at the famous
11:46Two Corners.
11:47Two Corners?
11:50An intersection?
11:51Doesn't exactly narrow it down, Sherlock.
12:03Matchboxes.
12:05What do you mean, darling?
12:06On the table where Father was sat, they were matchboxes.
12:10With a design on the front of Two Corners.
12:15Is there an address in it?
12:20I wasn't close enough to get a good look.
12:23I can't be sure.
12:25Well, this is as good a place as I need to start.
12:28I'll get going.
12:31I'll go with him.
12:34Well, I'd be delighted to have your company.
12:42Hello, hello.
12:43You could make a lot of rich.
12:49I'll get it.
12:56Yeah.
12:59It's laudous.
13:02Excusez-moi.
13:04Avez-vous, vous se trouve, cet endroit?
13:07Non.
13:08Désolé, mon chou.
13:09Ah!
13:10It's impossible.
13:11Impossible is a word.
13:12Only found in the dictionary of fools.
13:17That's what Silas said.
13:19Why that quote?
13:20Maybe it means something.
13:22Originally, who said it?
13:25Napoléon Bonaparte.
13:28Napoléon.
13:29Uh-huh.
13:38Napoléon's hat.
13:41Famous boy corner.
13:42It has two corners.
13:44Leg les olives.
13:45What?
13:46The Eagle and the Olive on the outskirts of Paris.
13:48It's a restaurant where Napoléon supposedly left his hat behind him.
13:52It's only fitting that we should meet at the famous Two Corners
13:55where you can contact Mr. Esad Gashka.
14:00You have no idea.
14:05I fear that I may have unwittingly set this all in motion.
14:09Why do you say that?
14:10About a year ago, Father asked me what I was working on.
14:13Yes.
14:14Now, I told him that I was working for Hodge, but if memory serves, his ears did prick up.
14:19I didn't know any details at the time, but I told him that I was working for the government.
14:22It was secret.
14:25He obviously set about making his own inquiries.
14:28The only person who can be blamed for what has happened is your father.
14:32Oh, let's let Mycroft torture himself, Mother.
14:36At least for a while.
14:41Righto.
14:43Where are you going?
14:44I need to get a message to London and warn them that Father has the weapon.
14:49Another nail in the coffin of what remains of my career.
14:54Try not to die in my absence, would you?
14:57Reasonable request, Mother?
14:59Thank you, darling.
15:03No sign of Esad.
15:13You can ask me, you know.
15:16What you've been wanting to ask since you shot that soldier.
15:21You're not nearly as mysterious as you assume.
15:29When you killed for the first time.
15:34How did you feel?
15:36A great weight on my chest, pressing harder every day so I can hardly breathe.
15:43And now I live with it.
15:49Strange.
15:52I don't feel any of that.
16:20I said Kashkali has a regular table at a brasserie called the Eagle and the Olive.
16:25Where he meets his potential customers.
16:27And tomorrow he is meeting a man called the Duke de Mont.
16:29There's still no sign of silence.
16:31No, I'm afraid not.
16:33This is also.
16:35So we will need to lure him out of the shadows.
16:37But how, darling?
16:40By posing as customers.
16:45Please don't mind your stitches.
16:47I am all right.
16:47I am all right.
16:59I am all right.
17:18Madame Dormand.
17:19Mother will explain the Duke never attends meetings.
17:22That's his wife's duty.
17:23Enchanté.
17:24What if he recognizes you with him, I think?
17:31Meanwhile, the actual buyer will be redirected by the Eagle and Olive's newest waiter to me.
17:38Excusez-moi, monsieur.
17:39Le Duke Dormand.
17:41Cecil Fillimont.
17:42I'll give him the sales pitch.
17:44Then, the Duke will duly hand over his money.
17:47Which James will deliver to my mother, allowing us to finance stage two of the operation.
17:58What is stage two of the operation?
18:01I'm so glad you asked.
18:03I have something for you.
18:05You will ask to meet the bigwig himself.
18:08Excuse me, madame.
18:10Il est sept heures du matin.
18:12Unable to resist so intriguing an offer, Silas will then agree to meet with them a day.
18:17Well, then, a little bit of music to get in front.
18:19I don't know, I have something like...
18:21Talking about my...
18:24Generation.
18:26Keep moving.
18:27Well, it's not exactly that.
18:29I'll give up my breath.
18:31Bonjour.
18:32And voilà .
18:34Now tell us where Beatrice is.
18:35Yeah.
18:36That's it.
18:38What could possibly go wrong?
18:40The key to being successful, confidence men...
18:42And women.
18:44The key to being successful, confidence men and women is confidence.
18:51Love the eyepatch.
18:56Bonjour.
19:06Excusez-moi, monsieur, le Duc d'Aumont.
19:11Cecil Fillimont.
19:15So.
19:18Where is Mr. Cosgalli?
19:19I do hope you understand, Duke.
19:21The unexpected events of our demonstration have forced us to change our plans.
19:26My instructions were to hand the money only to Mr. Cosgalli himself.
19:31I don't deal with the monkey.
19:33Only with the grinder of the organ.
19:35Speaking as a monkey, I concur.
19:38More common sense is what is needed in this topsy-turvy world of ours.
19:42But, if that is your instinct, you will have to come back another day.
19:46Understood?
19:47Understood.
19:48Then I shall take your advice.
19:51It would be remiss of me not to inform you that the incident in the tunnels has only, in fact,
19:57proven the potency of our product.
20:00We're selling out fast.
20:01La vera, monsieur.
20:03It's usually an absolute no.
20:04If you delay, you would risk missing out altogether.
20:12Have a good day, sir.
20:18I'm going to get out of here.
20:22I'm going to get out of here.
20:22I'm going to get out of here.
20:24Go look at your captain.
20:27Look at that.
20:28It's a ghost.
20:29It's a ghost.
20:30It's a ghost.
20:32I'm sorry.
20:42Permettez.
20:46Burgundy 57.
20:47Some people say that I'm 62, but for me, if I wanted that much oak, I would eat a tree.
20:56So, tell me what you think of my proposal.
20:59You introduce me to your boss, and in return, I furnish you with a finder's fee.
21:09Voila.
21:13You carry your money in a plant pot.
21:21Mr. Holmes is in the back.
21:25Perhaps Mr. Holmes could come here?
21:27You will be able to talk to him more freely, in private.
21:34If you wish to meet him, there it is.
21:37You are here.
21:55I do not see Mr. Silas Holmes.
21:59If you please.
22:03Monsieur.
22:12So, we both know you're not the Duke's wife.
22:16Who are you really, madame?
22:20Do you doubt my monies?
22:24Pardon?
22:25Do you doubt the value of my money?
22:27Do you believe it's real?
22:29It looks real.
22:31You are correct. I am not madame Dormand.
22:34And I do apologize for the deception.
22:37But now that I have your attention,
22:39I should like to inform you that I am working on behalf of a very prominent British investor
22:46who wishes to make a significant purchase from Mr. Silas Holmes.
22:51And if you play your part in arranging this,
22:55I can assure you that the money in that pot is merely the tip of the iceberg.
23:01Purely for your own pockets, you understand.
23:04So, as I see it, you have two options.
23:09You can either continue to insult me and let this golden opportunity slip through your fingers,
23:15or you can simply introduce me to Mr. Silas Holmes.
23:21And this is taking too long.
23:26Patrona haber gönder.
23:30Baron, acil görüşmemiz gerekiyor.
23:33Esad.
23:36Come back here tomorrow at the same time,
23:39and I will have an answer for you, madame.
23:41Thank you, sir. I am much obliged.
24:05Who's sending a telegram to Silas?
24:29I'll go ahead. Of course it is.
24:30Oh, shit. All destruction.
24:32How about this time we don't do one of your clever little scams?
24:35Or pickpocket dances?
24:37I'll go ahead. Of course it is.
24:38Just let me try something.
24:45Bonjour, monsieur.
24:46Bonjour, monsieur.
24:46Qu'est-ce pour vous?
24:47Cet homme-ci était ici il y a quelques instants.
24:51Je vais vous voir ce qu'il a envoyé.
24:55Bonjour, monsieur.
25:00Pour votre épingle.
25:04Vous préférez que le règne soit trop moins?
25:08Monsieur?
25:10Monsieur?
25:15Bonjour.
25:18Qu'est-ce que c'est?
25:27This is Holmes.
25:29Your husband's in Constantinople.
25:40I need to see the ambassador.
25:43My croft host.
25:45The point is, ambassador, I now know who sabotaged our government's secret weapons program.
25:50And indeed, I know who stole the weapon.
25:53Yes, yes. Well, go on.
25:55Regretfully, sir.
25:59It was my father.
26:01Silas Holmes.
26:04Are you certain of those?
26:05I'm afraid so, sir.
26:07And it appears that the government's interests are now aligned with my own.
26:11We must find my father and bring him to justice.
26:14Yes.
26:16Well, quite.
26:17Quite.
26:19I shall wire the foreign secretary immediately.
26:21Yes, sir.
26:22Please wait here.
26:23Will do.
26:34Oh.
26:54Apologies for the wait.
26:55Not at all, sir.
26:57I have a reply from the foreign secretary.
26:59He informs me that you are in disgrace, and in fact no longer work for Her Majesty's government.
27:04Yes, well, it's a little more nuanced than that.
27:06There is, however, a path to redemption, if you are prepared to walk it.
27:12Hm.
27:13Now listen.
27:14Carefully.
27:22Train leaves in an hour.
27:33It's not your injury that makes you weak.
27:36It's your insistence that your body is unchanged.
27:40My body has changed.
27:41It's changed because you shot me in the stomach.
27:45The details, are you relevant?
27:48Not to me.
27:52You think strength is something physical.
27:55It's body mass.
27:57And muscle.
28:00And reach.
28:03All of which you have over me, and yet I've bested you in every encounter.
28:08Why?
28:11Because real strength comes from here.
28:16And here.
28:19Oh.
28:22James.
28:23Mother.
28:24You found him.
28:26I did.
28:29But he found his own a tire.
28:33Mother.
28:34Have you met with success?
28:36I was.
28:38The British government has offered her full support in helping to bring fathers to justice.
28:43Excellent.
28:45So this is what it's come to.
28:47It would certainly seem that way.
28:49Wonderful.
28:50Right then.
28:52Constantinople.
29:07Where are we going, exactly?
29:09To meet a friend of mine.
29:14Where are we going, exactly?
29:17This is Emine.
29:18She has agreed to help us.
29:20Welcome to my city.
29:30Where?
29:31Sherlock.
29:33Show her the photo.
29:42Have you seen this man?
29:45No.
29:45No, no.
29:50No.
29:55Auntie.
29:56Good for sure, Becky.
29:57I'll open up now.
29:59It's up.
30:03that small child is going to find our father is he the lowly status of the street urchin
30:07is what makes them the most useful of allies they can go anywhere they are invisible they're
30:40so they are looking for you
30:50thank you
30:53thanks
30:53thank you
31:24They have found your father.
31:28He knows you're here with me.
31:29How?
31:30It seems our three telegraph works both ways.
31:35He wants to see you alone.
31:38Well, darling, I have to come with you.
31:40He was quite specific.
31:42If you want to see your sister, you come alone.
31:47Very well.
31:52Sherlock.
31:54Good luck.
32:14Do you know why magic is so beguiling, Sherlock?
32:17No.
32:19When something seems to defy rational explanation, wonder.
32:30The impossible made possible.
32:45Is she still alive?
32:47Please sit.
32:48I'd rather not.
32:50What you did back in England, solving all this, finding me here, so clever.
32:56I'm proud of you, my son.
32:57It's not natural for a father to leave his boy for dead now, is it?
33:01Sherlock, what are you talking about?
33:03In the tunnel.
33:04I was shot.
33:06You ran.
33:08I ran.
33:09I ran because that crazy woman was trying to kill me.
33:12I was the one under attack, remember?
33:15You really think I'd want any harm to come to you.
33:23Harm.
33:26You've done nothing but harm.
33:28Harm.
33:29Look at me.
33:30You broke my heart, you broke my mother's heart, and only God knows what you've done with
33:35my sister, so I ask you politely, please, tell me, is my sister still alive?
33:48Beatrice is fine.
33:51I made sure she was looked after.
33:57Where is she?
33:59I still love you, you know?
34:01I'm still the man who raised you.
34:03You're a monster.
34:04Oh, Sherlock.
34:06Don't be so simple.
34:09We're all of us capable of good and evil, even if it helps to call it that.
34:14You included, whether you realize it or not.
34:16Tea?
34:17No.
34:18I acted in my best interest.
34:23Of course I did, but I also acted in yours.
34:27You think you would have become the man you have had you not been tested in the fire?
34:31I can't listen to this.
34:32And yet you can't leave, can you?
34:34I can't leave, because you won't tell me where my sister is.
34:38Where is she?
34:41She's here.
34:43In Constantinople.
34:44With me.
34:46You can see her tomorrow if you like, but I request something in return.
34:56So that's his price?
34:57Hmm?
34:59That's his price.
35:01Sure.
35:01She wants me dead, and if she kills me, well then you'll never find Beatrice.
35:06Our futures are intertwined.
35:10Bring Juan tomorrow, the square, same time, and I'll give you your sister.
35:16Well then, the choice is not choice at all.
35:18You really find it that easy?
35:20Condemning someone to death?
35:21You all should earn nothing.
35:23No, I don't find it easy, but if it was my sister then I wouldn't have the slightest breath of
35:27hesitation.
35:28I don't think you should either.
35:31Am I interrupting?
35:32Not at all.
35:34No cracks in a novel hat?
35:37Good night, sweet prince.
35:40And flights of angels sing thee to thy rest.
35:53I'm pleased for you, that your journey ends well, that you're your sister.
36:03Afterwards your father is mine to do with, as I see fit.
36:07I realize this is hard for you, but we had an agreement.
36:10I want what's mine.
36:12And you shall have it.
36:14You have my word.
36:20The porter and the princess.
36:29The scout.
36:32Never made it to the illustrious position of porter.
36:35And I was never princess, only shall we.
36:50How do you feel?
36:51How am I supposed to feel?
36:52How do you want to feel?
36:53However I'm supposed to.
36:59You are a work in progress, Sherlock.
37:30I think there's me another from here.
37:37I think there's a reason to know.
37:45I don't trust you.
37:45He's there.
37:45There he is.
37:50She's not with him.
37:51Let me talk to you.
37:52I don't trust him.
37:53I'll be fine, mother.
37:54You wait with Michael.
38:12I can't see my sister.
38:20Do you know this city was built to rival the majesty of Rome?
38:25It had the most sophisticated defense fortifications in antiquity.
38:30It has survived foreign empires, brutal wars, disease.
38:39Just about anything human history could throw at it.
38:43This city has endured.
38:47A lovely lecture. Is it finished?
38:52She doesn't exactly look ready to surrender, Shirley.
38:55She is.
38:57She just doesn't know it yet.
39:01What are they talking about?
39:06You, I expect her.
39:10Now, as you can see, I'm ready to deliver.
39:16So, where's my sister?
39:18Yes!
39:41Bee?
39:43Bee? Oh, mother!
39:48No!
39:51My dog.
39:55Your move, Macaulay.
39:57I've missed you.
40:01Silas.
40:02Son.
40:05You know what troubled me the most about killing that soldier?
40:09I might have got a dance for him.
40:12Move!
40:21Let me see your face.
40:23Sherlock!
40:30I find myself not lost for words, which would be a first.
40:37What's the matter, mother?
40:39It's not her.
40:41Mother.
40:45Silas.
40:46Trust me.
40:48It's not Beatrice.
40:51How about him, princess?
40:52Thank you, James.
40:54No!
41:01No!
41:02No!
41:02No!
41:02No!
41:03No!
41:03No!
41:04No!
41:05No!
41:07No!
41:09No!
41:12Find her!
41:14Well, you think?
41:15You!
41:16I knew you were betraying me, Sherlock.
41:19Are you not my son after all?
41:24Hello, mother.
41:29Bee...
41:30Bee.
41:39Shalok
41:41Mycroft
41:43Raise your hands
41:47If you'd be so kind
41:51You too, brother dear
41:59Isn't this nice?
Comments