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Young Sherlock S01E07 (2026) [Full Movie] [Free Online HD]Full EP - Full
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00:03It's not your fault, Sherlock. It's not your fault.
00:31Thank you, Sherlock.
00:36One's for sorrow, two's for joy, three's for a girl and four's for a boy, five's for silver, six's for
00:55gold.
01:17And you're all right. You're all right. I got you. Come here, I'm getting shot, eh? That was a terribly
01:25stupid thing to do!
01:26Here, let's get you up.
01:27No, no, no, Shuan.
01:29Shuan, she tried to shoot my father.
01:31We have to stop her.
01:32I'm not leaving you, don't you?
01:33Shut up!
01:35Oh, he's bleeding.
01:37I think that has something to do with the bullet in his abdomen.
01:39Yes.
01:39I'm sorry to be a burden, brother, dear.
01:41No burden, brother, dear.
01:42Come on, let's get him off.
01:43Oh, no, wait, wait, wait.
01:44If she gets to my father, we may never find Beatrice.
01:46Go.
01:47You have a...
01:48Go, James, go!
01:50Now, you listen to me, we are going to get this fixed up.
01:53Are you crying?
01:54No.
01:55Why not?
01:57One, two, three.
02:02He's been shot.
02:04Oh, my poor boy.
02:06We have to find a hospital.
02:07Their dash of opium would be greatly appreciated.
02:18This way.
02:20Why?
02:20How do you know?
02:21There's only one hospital still open.
02:23Sadly, it's where the gunfire is coming from.
02:25There's only one hospital still open.
02:30What?
02:34There's only one hospital still open.
02:40There's only one hospital still open.
02:54Hey! Hey! Hey!
02:56What are you doing?
02:57Give me that! I'm stopping you from shooting that man!
03:00Why? Because that Sherlock's fire!
03:03That is fire!
03:05I didn't know.
03:06Easy, easy!
03:10Whoa! I'll be taking that.
03:13Thanking you kindly.
03:17Up we go! Over the top!
03:22Right in the back!
03:23Where are we going?
03:24I'm afraid we're going to have to go the long way round, brother.
03:27All aboard!
03:27Off we go!
03:29You may be in my way, James.
03:31But I have no wish to see you dead.
03:33Am I in a favor, huh?
03:35Because you shot Sherlock!
03:37Not intentional.
03:38Oh, right. It wasn't intentional. I suppose that makes it okay, then.
03:40I'll be sure to tell him.
03:43How is he?
03:45He's alive.
03:46You'll be glad to hear.
03:48His brother's looking after him.
03:51Is Sherlock looking for his father?
03:52Yes.
03:54Where are you going?
03:55To find Sherlock.
03:56He's looking for Silas.
03:57I'm looking for Silas.
03:58And Sherlock has a rather stubborn habit of finding people.
04:01There's only one hospital still open in Paris.
04:03That's where Mycroft will take him.
04:07Come in.
04:07Hey!
04:08No, no, no!
04:09No!
04:10No!
04:21No!
04:23No!
04:25No!
04:26No!
04:26No!
04:28No!
04:30No!
04:35You had no choice.
04:37There'll be more of them.
04:39We need to go.
04:46James!
04:47We need to go!
04:48No!
05:24Oh, my hand on my wound.
05:27Monsieur. Monsieur. Doctor.
05:31Je vous en prie. On a tiré sur mon fils.
05:34Regardez autour de vous, madame.
05:35Tout pareil est blessé par mal.
05:36Oui, oui, mais je vous en supplie.
05:39Oh, come on, wish to make my life bloody impossible.
05:41Oh, my God.
05:42Et moi, si vous me le soignez pas.
05:47C'est de l'or, c'est de l'or.
05:50Prenez-les pour la révolution.
05:52Oui, mais vous devez vous, vous devez vous en couper immédiatement par pitié.
05:58Monsieur, s'il vous plaît.
05:59Vite, vite.
06:00Monsieur, ici, ici.
06:01Laissez-moi voir.
06:04Infirmière.
06:06Préparez-vous pour une opération chirurgicale.
06:08Allez, il faut partir, s'il vous plaît.
06:10Vous pouvez pas rester.
06:13Laissez-moi faire mon travail.
06:14Monsieur.
06:15Monsieur.
06:16Monsieur.
06:21He's stubborn as a mule.
06:22Yes, he is, he'll be up and drowning.
06:23I spoke mad in no time.
06:25You watch.
06:26Oh.
06:49I suppose no news is good news.
06:51Absolutely.
07:06How are you going?
07:09I've done my best, but I'm going to fight now.
07:12Thank you, sir.
07:14Thank you, sir.
07:18Darling.
07:52Come and shut up.
07:53Fight.
08:10Mother.
08:14My darling boy.
08:16Sherlock.
08:19Oh, there he is.
08:20He lost you.
08:21My little brother.
08:22Luckiest Englishman alive.
08:24Can I get you some water?
08:26Yes.
08:26Yes.
08:29Ah, he's too stubborn to die.
08:31James, where on earth have you been?
08:34Are you all right?
08:36Are you all right?
08:42I'm fine.
08:44James.
08:45I'm fine.
08:47I'm fine.
08:48I'm fine.
08:49You're still lazing about, I see.
08:51Up you get.
08:52What?
08:53There's work to be done.
08:54Oh, I'm only missing Mrs. Holmes.
08:57It's good to see you.
09:02Did you?
09:03Stop her.
09:06I did.
09:09And I brought her here.
09:11Now don't piss your bedpan.
09:14She's on out.
09:19Hello, Sherlock.
09:20What on earth are you doing here?
09:23I need to speak with you.
09:24An inch to the left.
09:25My brother would be dead.
09:26I wasn't aiming at him.
09:27I was aiming at your father.
09:29Ah!
09:30Well that is understandable.
09:31I've tried to shoot him twice myself.
09:33Missed both times.
09:35James.
09:36Why is she here?
09:38Because I think you need to hear what she has to say.
09:44My name is Xiaowei.
09:47I come from the village of Tai'an in Gansu.
09:51High in the hills.
09:55This is the effect of what the scientists in Oxford were working on.
09:59What you saw in that tunnel.
10:02They first tested on my village.
10:07On my parents.
10:10There is a mineral deep beneath my people's lands.
10:13Professor Malik found a way to transform that mineral into a creeping death.
10:18And turn it into a weapon.
10:20The program was paid for by your government and run by Becephalus Hodge.
10:25But Professor Malik betrayed him.
10:27Sold it to the highest bidder.
10:28A private buyer.
10:31My father.
10:34Yes.
10:39I am so profoundly sorry.
10:44It's not your pity I need, but your help.
10:46To ensure this can never happen again to anyone.
10:50Anywhere.
10:50You want to stop our father.
10:53And you want to find him.
10:54Yes.
10:55I propose we combine our talents.
10:57Double our chances of tracking him down.
10:59Yes.
11:01But on one condition.
11:03We have to find out where Beatrice is from Silas.
11:07So you cannot touch him until we have that information.
11:10And after that?
11:11All after that you can do whatever you like to him.
11:14And provided my sons don't have any objection, of course.
11:17Given the circumstances, I do not intend to stand in your way.
11:20I find it difficult to condemn him to death so readily.
11:26But if that's what it takes to find Beatrice, that's what it takes.
11:30He's still in Paris.
11:32Or at least the man who works for him is.
11:35His name is...
11:36Asad...
11:37Cascali.
11:38At the demonstration, the buyers were told to follow the usual channels at the two corners.
11:43For those of you who wish to place an order, it's only fitting that we should meet at the famous
11:47two corners.
11:48Two corners?
11:51An intersection?
11:52Doesn't exactly narrow it down, Sherlock.
12:04Matchboxes.
12:06What do you mean, darling?
12:07On the table where Father was sat, they were matchboxes.
12:11With a design on the front of two corners.
12:16Is there any dress in it?
12:21I wasn't close enough to get a good look.
12:24I can't be sure.
12:25Well, this is as good a place as I need to start.
12:29I'll get going.
12:32I'll go with him.
12:34Well, I'll be delighted to have your company.
12:42Hello.
12:43To make you so rich.
12:47I'll make you so rich.
12:50Yes, I'm not ready.
12:59It's an old dress.
13:02Excuse me.
13:04Have you found this one?
13:07No.
13:09Sorry, my mouth.
13:10It's impossible.
13:12Impossible is a word.
13:13Only found in the dictionary of fools.
13:17That's what Silas said.
13:19Why that quote.
13:21Maybe it means something.
13:23Originally, who said it?
13:25Napoleon Bonaparte.
13:28Napoleon.
13:30Mm-hmm.
13:38It's Napoleon's hat.
13:41Famous bicorn.
13:43It has two corners.
13:44Leg l'olive.
13:45What?
13:47The eagle and the olive on the outskirts of Paris.
13:49It's a restaurant where Napoleon supposedly left his hat behind him.
13:53It's only fitting that we should meet at the famous two corners
13:55where you can contact Mr. Esser Cascade.
14:00Tu es genial.
14:01You have no idea.
14:05I fear that I may have unwittingly set this all in motion.
14:09Why do you say that?
14:10About a year ago,
14:12Father asked me what I was working on.
14:14Yes.
14:15Now, I told him that I was working for Hodge,
14:17but if memory serves, his ears did prick up.
14:20I didn't know any details at the time,
14:21but I told him that I was working for the government.
14:23It was secret.
14:26He obviously set about making his own inquiries.
14:29The only person who can be blamed for what has happened is your father.
14:33Oh, let's let Mycroft torture himself, Mother.
14:37At least for a while.
14:42Righto.
14:44Where are you going?
14:45I need to get a message to London,
14:47warn them that Father has the weapon.
14:49Another nail in the coffin of what remains of my career.
14:54Try not to die in my absence, would you?
14:57Reasonable request, Mother?
14:59Thank you, darling.
15:04No sign of Esser.
15:14You can ask me, you know.
15:16What you've been wanting to ask since you shot that soldier.
15:22You're not nearly as mysterious as you assume.
15:30When you killed for the first time,
15:35how did you feel?
15:37A great weight on my chest, pressing harder every day so I can hardly breathe.
15:44And now I live with it.
15:49Strange.
15:53I don't feel any of that.
16:05I don't feel any of that.
16:21As said, Kashkali has a regular table at a brasserie called The Eagle and the Olive.
16:25Where he meets his potential customers.
16:27And tomorrow he is meeting a man called the Duke de Mont.
16:30But there's still no sign of silence.
16:32No, I'm afraid not.
16:34This is also.
16:35So we will need to lure him out of the shadows.
16:38But how, darling?
16:40By posing as customers.
16:46I'm all right.
16:47I'm all right.
16:48I'm all right.
16:49I'm all right.
16:53This is what we are going to do.
17:12Hello.
17:14Sorry, madame.
17:15It's occupied.
17:15I'm expecting so.
17:17Yes.
17:18Oui.
17:19Madame Dormant.
17:20Mother will explain the Duke never attends meetings.
17:22That's his wife's duty.
17:24Enchantée.
17:24What if he recognizes you with them with Sunk?
17:31Meanwhile, the actual buyer will be redirected by The Eagle and Olive's newest waiter to me.
17:39Excusez-moi, monsieur.
17:40Le Duke de Mont.
17:42Cecil Fillimont.
17:43I'll give him the sales pitch.
17:44Then, the Duke will duly hand over his money,
17:48which James will deliver to my mother, allowing us to finance stage two of the operation.
17:58I'm so glad you asked.
18:03I have something for you.
18:06You will ask to meet the bigwig himself.
18:09Excuse me, madame.
18:12What is stage two of the operation?
18:15I'm so glad you asked.
18:16I have something for you.
18:18You will ask to meet the bigwig himself.
18:20Excuse me, madame.
18:24What's the next generation?
18:26Keep moving.
18:28Wait, it's a better episode.
18:30I'll put me on my breath.
18:32Bye.
18:33And here, tell us where Beatrice is.
18:36Yeah.
18:37That's it?
18:38What could possibly go wrong?
18:40the key to being successful confidence men and women the key to being successful confidence men
18:47and women is confidence I love the eyepatch thank you
19:18so where is mr. Cosgarly I do hope you understand Duke the unexpected events of our demonstration
19:24have forced us to change our plans my instructions were to hand the money only to mr. Cosgarly himself
19:31I don't deal with the monkey only with the grinder of the organ speaking as a monkey I concur more
19:39common sense is what is needed in this topsy-turvy world of ours but if that is your instinct you
19:45will have to come back another day understood understood then I shall take your advice
19:52is it be remiss of me not to inform you that the incident in the tunnels has only in fact
19:58proven the potency of our product we're selling out fast
20:04if you delay you would risk missing out altogether
20:13have a good day sir
20:30permit your
20:31I'm sorry. I said that I'm sorry.
20:42Permit.
20:47Burgundy, 57.
20:48Some people say that you had a 62, but for me, if I wanted that much oak, I would eat
20:53a tree.
20:56So, tell me what you think of my proposal.
21:00You introduce me to your boss, and in return, I furnish you with a finder's fee.
21:10Voilà.
21:14You carry your money in a plant pot.
21:22Mr. Holmes is in the back.
21:26Perhaps Mr. Holmes could come here?
21:28You will be able to talk to him more freely and private.
21:35If you wish to meet him, there it is.
21:49It's in here.
21:51Merci.
21:55I do not see Monsieur Silas Holmes.
21:59If you please.
22:04Monsieur.
22:10So...
22:13We both know you are not the Duke's wife.
22:17Who are you really, Madame?
22:21Do you doubt my monies?
22:25Pardon?
22:26Do you doubt the value of my money?
22:27Do you believe it's real?
22:29It looks real.
22:32You are correct.
22:33I am not Madame Dormand, and I do apologize for the deception.
22:38But now that I have your attention, I should like to inform you that I am working on behalf of
22:44a very prominent British investor
22:46who wishes to make a significant purchase from Mr. Silas Holmes.
22:51And if you play your part in arranging this, I can assure you that the money in that pot is
22:59merely the tip of the iceberg.
23:02Purely for your own pockets, you understand.
23:05So, as I see it, you have two options.
23:10You can either continue to insult me and let this golden opportunity slip through your fingers,
23:16or you can simply introduce me to Mr. Silas Holmes.
23:22This is taking too long.
23:40And I will have an answer for you, Madame.
23:42Thank you, sir. I am much obliged.
23:47Thank you, sir. I am much obliged.
24:06He is sending a telegram to Silas.
24:12He is sending a telegram to Silas.
24:30You must call me.
24:30I will go ahead. Cause the distinction.
24:31Nope. No, no, no. No, no. No distraction.
24:33How about this time we don't do one of your clever little scams, or pickpocket dances?
24:39Just let me try something.
24:45Bonjour, Monsieur.
24:46Bonjour, Monsieur. Que puis-je prouve?
24:48Cet homme-ci a datisi et les ila quelques-unsons.
24:52I want to see what he has sent you.
24:55For you, sir?
25:01For your pain.
25:05Would you prefer that the rest of the room?
25:09Of course, no?
25:16Come on.
25:21What's that?
25:28Mrs Holmes, your husband's in Constantinople.
25:34Pardon me?
25:41I need to see the ambassador. Mycroft Holmes.
25:45The point is, Ambassador, I now know who sabotaged our government's secret weapons program, and indeed I know who stole
25:52the weapon.
25:54Yes, yes. Well, go on.
25:56Regretfully, sir, it was my father, Silas Holmes.
26:04Are you certain of this?
26:06I'm afraid so, sir.
26:08And it appears the government's interests are now aligned with my own.
26:11We must find my father and bring him to justice.
26:14Yes.
26:15Yes?
26:17Well, quite, quite, quite.
26:20I shall wire the foreign secretary immediately.
26:22Yes, sir.
26:23Please wait here.
26:24Will do.
26:30I've been on my side of the car.
26:34Jesus cam-
26:35Oh.ford
26:41You
26:42canproduce people at his disposal. I'm
26:53sorry, James. Arshed
26:54for a cold. Ah. You're
26:54Apologies for the wait.
26:56Not at all, sir.
26:57I have a reply from the Foreign Secretary.
27:00He informs me that you are in disgrace,
27:02and in fact no longer work for Her Majesty's Guard.
27:05Yes, well, it's a little more nuanced than that.
27:07There is, however, a path to redemption,
27:10if you are prepared to walk it.
27:13Now listen, carefully.
27:23The train leaves in an hour.
27:34It's not your injury that makes you weak.
27:37It's your insistence that your body is unchanged.
27:40My body has changed.
27:42It's changed because you shot me in the stomach.
27:46The details are irrelevant.
27:49Not to me.
27:52You think strength is something physical.
27:56It's body mass,
27:59and muscle,
28:01and reach.
28:03All of which you have over me,
28:05and yet I've bested you in every encounter.
28:09Why?
28:12Because the real strength comes from here.
28:16And here.
28:20Oh.
28:23James.
28:24Mother.
28:25You found him.
28:27I did.
28:30Well, he found his own attire.
28:34Mother.
28:35Well, you met with success?
28:37I was.
28:37The British government
28:39has offered her full support
28:41in helping to bring fathers to justice.
28:44Excellent.
28:45So this is what it's come to.
28:48It would certainly seem that way.
28:50Wonderful.
28:51Right, then.
28:53Constantinople.
29:08Where are we going, exactly?
29:09To meet a friend of mine.
29:12Barba.
29:14Barba.
29:15Barba.
29:16Barba.
29:17Mrs. Emine.
29:18She has agreed to help us.
29:20Welcome to my city.
29:22Come on.
29:32Sherlock.
29:33Show her the photo.
29:43Have you seen this man?
29:46No.
29:47No.
30:00That small child is going to find our father, is he?
30:06The lowly status of the street urchin
30:08is what makes them the most useful of allies.
30:11They can go anywhere.
30:12They are invisible.
30:14They are irregulars.
30:25They are irregulars.
30:28They are irregulars.
30:40They are irregulars.
30:41They are irregulars.
30:42They are looking for you.
30:52I'm going to thank you, Burak.
30:57I'm going to wait for you.
31:25They have found your father.
31:28He knows you're here with me.
31:30How?
31:31It seems our street telegraph works both ways.
31:36He wants to see you.
31:38Alone.
31:39Well, darling, I have to come with you.
31:41He was quite specific.
31:43If you want to see your sister, you come alone.
31:48Very well.
31:53Sherlock.
31:55Good luck.
32:11Do you know why magic is so beguiling, Sherlock?
32:18No.
32:20When something seems to defy rational explanation, wonder.
32:29Wow.
32:31The impossible.
32:33The impossible.
32:46Is she still alive?
32:48Please sit.
32:49Please sit.
32:49I'd rather not.
32:51What you did back in England, solving all this, finding me here, so clever.
32:57I'm proud of you, my son.
32:58It's not natural for a father to leave his boy for dead now, is it?
33:02Sherlock, what are you talking about?
33:03In the tunnel.
33:04I was shot.
33:07I ran.
33:09I ran.
33:10I ran because that crazy woman was trying to kill me.
33:13I was the one under attack, remember?
33:16You really think I'd want any harm to come to you?
33:23Harm.
33:27You've done nothing but harm.
33:29Well, look at me, you broke my heart, you broke my mother's heart, and only God knows
33:35what you've done with my sister, so I ask you politely, please, tell me, is my sister
33:42still alive?
33:49Beatrice is fine.
33:51I made sure she was looked after.
33:57Where is she?
34:00I still love you, you know.
34:02I'm still the man who raised you.
34:04You're a monster.
34:05Oh, Sherlock.
34:07Don't be so simple.
34:10We're all of us capable of good and evil, even if it helps to call it that.
34:14You included, whether you realize it or not.
34:17Tea?
34:17No.
34:19I acted in my best interest.
34:24Of course I did, but I also acted in yours.
34:28You think you would have become the man you have had you not been tested in the fire?
34:31I can't listen to this.
34:32And yet you can't leave, can you?
34:35I can't leave because you won't tell me where my sister is.
34:39Where is she?
34:42She's here.
34:44In Constantinople.
34:45With me.
34:46You can see her tomorrow if you like, but...
34:52I request something in return.
34:56So that's his price?
35:01Sure.
35:02She wants me dead.
35:03And if she kills me, well then you'll never find Beatrice.
35:07Our futures are intertwined.
35:10Bring Juan tomorrow, the square, same time, and I'll give you your sister.
35:16Well then, the choice is not choice at all.
35:19You really find it that easy?
35:21Condemning someone to death?
35:22You owe Juan nothing.
35:24No, I don't find it easy, but if it was my sister, then I wouldn't have the slightest
35:27breath.
35:27Of hesitation.
35:29I don't think you should either.
35:31Am I interrupting?
35:33Not at all.
35:35No cracks in a noble hat.
35:37Good night, sweet prince.
35:41And flights of angels sing thee to thy rest.
35:43Yes.
35:54I'm pleased for you.
35:56That your journey ends well.
35:58That you're your sister.
36:04Afterwards, your father is mine to do with, as I see fit.
36:08I realize this is hard for you, but we had an agreement.
36:11I want what's mine.
36:12And you shall have it.
36:14You have my word.
36:21The porter and the princess.
36:30Scout.
36:33Never made it to the illustrious position of porter.
36:35And I was never a princess.
36:37Only shall we?
36:50How do you feel?
36:51How am I supposed to feel?
36:53How do you want to feel?
36:53However I'm supposed to.
36:59You are a work in progress, Sherlock.
37:31I think it's just me and mother from here.
37:45Lisa, there he is.
37:50She's not with him.
37:52Let me talk to him.
37:53I don't trust him.
37:54I'll be fine, mother.
37:55You wait with Mycroft.
38:12Silas?
38:14Why do you call me father?
38:17I can't see my sister.
38:21Do you know this city was built to rival the majesty of Rome?
38:25It had the most sophisticated defense fortifications in antiquity.
38:31It has survived foreign empires, brutal wars, disease.
38:39Just about anything human history could throw at it.
38:43This city has endured.
38:47A lovely lecture.
38:49Is it finished?
38:53She doesn't exactly look ready to surrender, Shirley.
38:56She is.
38:58She just doesn't know it yet.
39:01What are they talking about?
39:07You, I expect.
39:11Now, as you can see, I'm ready to deliver.
39:17So, where's my sister?
39:41Bee?
39:44Bee?
39:45Oh, mother!
39:46Bee?
39:47Oh, mother!
39:48Bee?
39:49Bee?
39:49Oh, mother!
39:49No!
39:50No!
39:52My darling.
39:55Your move, my boy.
39:57I've missed you.
40:02Silas.
40:03Son.
40:05You know what troubled me the more
40:07still killing that soldier?
40:10I might have got a taste for it.
40:13Move.
40:21Let me see your face.
40:23Sherlock!
40:31I find myself up and lost for words.
40:34Which would be a first?
40:37What's the matter, Mother?
40:40It's not her.
40:42Mother.
40:46Silas.
40:47Trust me.
40:48It's not Beatrice.
40:51How about him, Princess?
40:53Thank you, James.
41:01You're not my daughter!
41:10Smart!
41:13Finder!
41:14You!
41:15You!
41:16I knew you'd betray me, Sherlock.
41:20Are you not my son after all?
41:24Hello, Mother.
41:29Bea?
41:30Bea?
41:39Sherlock.
41:42Mycroft.
41:44Close your hands.
41:47If you'd be so kind.
41:51You too, brother dear.
42:00Isn't this nice?
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