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00:32:11It's not really bad.
00:32:18Estírate.
00:32:20Sí, Sebastián. Estírate.
00:32:50Todos al centro.
00:32:57Quiero ver el primer acto.
00:33:06Creo que Mikael sigue enojado.
00:33:09Creo que Mikael sigue enojado porque me salí de tiempo.
00:33:13Hombre, no creo.
00:33:15Pero sí deberías ponerte las pilas con los tiempos de la música.
00:33:28Bueno, ¿y vamos a ir a decirle en la noche o qué?
00:33:31Me vas a matar, Arsenio.
00:33:34Pedí prestado al salón de ensayos para ir a practicar.
00:33:38Deberías venir conmigo.
00:33:40¿Vas a ir solo?
00:33:43Si me acompañas, no.
00:33:46No, no, gracias.
00:33:49Te veo después.
00:33:50Te veo.
00:33:54Te amo.
00:34:03Hola.
00:34:04Hola.
00:34:05¿Te encargo un americano, por favor?
00:34:07Sí, cómo no.
00:34:08Gracias.
00:34:25Hola.
00:34:26¿Cómo estás?
00:34:27Qué raro huirte fuera de la compañía.
00:34:30¿Cómo estás?
00:34:31No tan bien como tú se hace.
00:34:34Siéntate más aquí.
00:34:35Te doy un café.
00:34:37¿Ya lo pediste?
00:34:38Este es.
00:34:42Muchas gracias.
00:34:48Azúcar.
00:34:49No, no, no.
00:34:50Yo lo tomo amargo.
00:34:57¿Qué?
00:34:59Recordaste a San Sebastián.
00:35:01¿Sabes quién fue?
00:35:03No.
00:35:04Fue un mártir.
00:35:05Jesús que peleó por su fe contra Maximiano, el emperador.
00:35:11Y lo condenaron a muerte.
00:35:13¿Por qué me dices eso?
00:35:15Te veo en una de esas representaciones renacentistas.
00:35:22No sé por qué.
00:35:27Sabes, cuando yo viví en Italia, siempre iba en el Museo del Vaticano.
00:35:34Iba a ver una pintura específica.
00:35:38Esa pintura era de San Sebastián.
00:35:42Y ahí lo están acribillando.
00:35:45Sus verdugos que eran unos arqueosos.
00:35:49Lo extraño de la pintura es que...
00:35:52Él está sobre un tronco.
00:35:56Y el tronco está elevado.
00:35:58Por encima de los verdugos.
00:36:01¿Sabes qué simboliza?
00:36:03No.
00:36:06Simboliza...
00:36:07Que él está en otro plano.
00:36:11Es como si estuviera entre el cielo y la tierra.
00:36:15Como tú.
00:36:22Ojalá.
00:36:35Estamos adelante.
00:36:39Ojalá.
00:36:44Ojalá.
00:36:57Oh, my God.
00:37:20Los veo en el ensayo.
00:37:30¿Y cómo vas?
00:37:32¿Mal?
00:37:35Todo mal.
00:37:39Es como si todos estos años hubieran valido para una chamba.
00:37:42Eso déjalo para mí.
00:37:44Tú por lo menos ya sabes lo que es.
00:37:46Si vas a hacer algo, tienes que hacerlo ya.
00:37:49No sé qué hacer.
00:37:53Ojalá Sebastián no fuera bailarín.
00:37:54¿Para ti qué es más importante?
00:37:57¿Tu amor por Sebastián?
00:38:00¿O tu carrera?
00:38:12Te amo.
00:38:15¿Y yo a ti?
00:38:20Prométeme que vamos a seguir juntos, pase lo que pase.
00:38:23Te lo prometo.
00:38:25No, júramelo.
00:38:28¿Sí?
00:38:29Te lo juro.
00:38:31No sé.
00:38:32No.
00:38:34No.
00:38:43No.
00:38:46No.
00:38:47No.
00:38:49No.
00:38:50No.
00:39:27¿Por qué tan pensativo?
00:39:33¿Estás sordo?
00:39:41Micael se va hasta las ocho.
00:39:48¿Y si vamos?
00:39:52¿Para qué?
00:39:54Ahora que ya no soy el primer bailarín, la compañía necesita una.
00:40:00¿Crees que yo podría hacerlo?
00:40:03¿Realmente lo quieres?
00:40:05Lo que más deseo.
00:40:08Entonces tienes que enfocarte.
00:40:11Si no, tu príncipe azul te va a ganar el lugar.
00:40:13¿Y qué hago?
00:40:16Es un secreto a voces que la debilidad de Micael son los jovencitos.
00:40:31¿Aquí es?
00:40:48¿Por qué?
00:40:48All right.
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