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00:00:1992 bend, take three, mark.
00:00:24The back of my burlap looks good.
00:00:26Oh, yeah.
00:00:27With the hood, okay.
00:00:29C-90E, take three, mark.
00:00:33Action camera.
00:00:35And here I come.
00:00:40Now!
00:00:42C-90N, take one, mark.
00:00:46I turn, give me your line.
00:00:48But how will we keep pace?
00:00:50I'll pogo just as slow as I can go.
00:00:53And you're right on it.
00:00:55You're right on it.
00:00:56Mind the wet felt scraps, dear pogo man.
00:00:57Let's do it again.
00:00:58Action.
00:01:08This is all my fault.
00:01:30Welcome to Mount Lukens.
00:01:32It's the highest peak in L.A. County.
00:01:35You can look it up if you want, but it's the truth.
00:01:40It's the trailhead over there.
00:01:43Let's get it.
00:01:44You've been here before?
00:01:45No.
00:01:45Brutal.
00:01:49It's just miles and miles, straight up a mountain.
00:01:51No shade.
00:01:52Nowhere to hide.
00:01:54Just you and that mountain.
00:01:59When we did this hike all those years ago, we made a ton of mistakes.
00:02:03Mistake number one, we got way too late of a start.
00:02:06We're going up the mountain.
00:02:08Everyone else is coming down the mountain.
00:02:10Mistake number two, we didn't bring enough food or water.
00:02:13Where's your water?
00:02:14I didn't bring any.
00:02:16That's a rookie mistake.
00:02:17It's like you're not even listening to my story.
00:02:18You've got to ration your water on a hike like this.
00:02:30Yeah.
00:02:31This is it.
00:02:32Tommy, this is the spot.
00:02:33What happened here?
00:02:34When we were at our lowest point, we heard this noise off in the distance.
00:02:38This boing, boing, like a spring.
00:02:41It felt like a fever dream.
00:02:42What was it?
00:02:43It was a man on a pogo stick.
00:02:46A man was riding a pogo stick down this mountain.
00:02:49Craziest thing I've ever seen in my entire life.
00:02:52This pogo guy, he bounced right down here, then took a left, and then he was out of our
00:02:57sight forever.
00:02:58But that absurd moment, it bonded us for life.
00:03:01Like, we felt like after that, we could get through anything together.
00:03:06Should we keep going?
00:03:09No.
00:03:09I've showed you what I want to.
00:03:12So we became obsessed with this pogo man, right?
00:03:14Like, who was he?
00:03:15What was the story?
00:03:17And they all wanted to make a movie about it.
00:03:19But, I don't know, for me, it just never felt right.
00:03:21So I refused.
00:03:22Why?
00:03:23Because it was this incredible, surreal moment we experienced.
00:03:26And how could I do that justice?
00:03:29Until now.
00:03:30I wrote it.
00:03:32I'm going to bring this group back together to make it.
00:03:34What happened to them?
00:03:35I thought you said you were all bonded for life.
00:03:38Yeah.
00:03:39I mean, we were.
00:03:40But then, I don't know, other stuff happened.
00:03:43They're kind of toxic people.
00:03:45Let's take a moment here and catch everyone up to speed.
00:03:48This is Micah.
00:03:50At this point, we had just met.
00:03:52I answered his online ad looking for someone to shoot behind-the-scenes footage of his short film out in
00:03:57the desert.
00:03:58He lied in the ad.
00:04:00There was a lot more to the job than that.
00:04:04Never stop filming.
00:04:07And he was about to lie to everyone else.
00:04:10Micah had three inseparable friends from film school.
00:04:13Maggie, Scott, and Alice.
00:04:16Micah felt they were on the verge of making it big together.
00:04:20Micah and Maggie were the writers of the group.
00:04:22They also worked in front of and behind the camera.
00:04:26And their relationship on set grew into something much more intimate.
00:04:31Scott and Alice were the directors.
00:04:33Whenever they worked together as a team, they managed to balance out each other's idiosyncrasies.
00:04:45Scott, did you pass out?
00:04:48Micah thought he had found his collaborators for life.
00:04:51Especially after their otherworldly encounter with the Pogo Man up on the mountain.
00:04:56But Alice and Scott had an ugly professional falling out after graduating.
00:05:00He moved to Brooklyn to find his own way.
00:05:02And she took a corporate job back home in Minnesota.
00:05:06And Maggie landed a lucrative book deal soon after that.
00:05:10Micah didn't take her solo success very well.
00:05:13So she ended things and moved to Chicago.
00:05:16He was left alone in LA with no friends, no prospects, and a stack of unproduced scripts.
00:05:23As far as I could tell, he'd never actually finished anything.
00:05:28Reunion.
00:05:29Reunion?
00:05:30Who doesn't love a reunion?
00:05:31If I can frame this whole thing around a reunion in which we also make a movie, that's going to
00:05:36help break the ice.
00:05:38Micah, this is so exciting.
00:05:40I booked my flight the second I got your email.
00:05:42We all need a reunion, right?
00:05:44I mean, a reunion and a movie.
00:05:46It's genius.
00:05:47I know other people may have lost faith in you.
00:05:49But not me, man.
00:05:50Have you been talking to Maggie about me?
00:05:52She's sort of hard to get a hold of.
00:05:53But I'm constantly shouting around on socials.
00:05:56Here, let me check this out.
00:05:58See this?
00:05:59What is that?
00:06:00Pull it back.
00:06:01This is your email.
00:06:02It's going to be worth a lot of money one day, like an original Tarantino script.
00:06:06You framed it.
00:06:07Yeah, man.
00:06:08That's great.
00:06:09So when are you flying in?
00:06:10I know you might be a little concerned that I haven't directed much lately, but...
00:06:13I'm not concerned at all.
00:06:14I've been picking up a lot of tips.
00:06:16Like, I was working as a PA on this dog food commercial.
00:06:19You're working as a PA again?
00:06:22Don't tell Alice.
00:06:24Is there someone there with you?
00:06:26No, it's just me.
00:06:28Still want to make a movie, huh, Micah?
00:06:30And it's a reunion.
00:06:30You were always so adamant about not wanting to.
00:06:32What made you finally decide to write it?
00:06:34Just needed some distance, I guess.
00:06:36It's just odd.
00:06:37So I got the script right here, and I got some notes.
00:06:39Should we just dive in?
00:06:40Do you want me to direct it?
00:06:41Like old times?
00:06:42Actually, I thought this would be a good one for Scott.
00:06:44I do have unlimited PTO.
00:06:46I can also take time off, and that's what I'm doing.
00:06:49What's really hot right now is this behind-the-scenes stuff.
00:06:52So I was thinking, we shoot a ton of footage of us making the movie, and then we package that.
00:06:57That sounds awesome.
00:06:57I'm on it.
00:06:59On what?
00:06:59Scott.
00:07:01Can I ask you why you want him to direct this?
00:07:03Well, you don't really do film anymore, so I didn't think you'd want to.
00:07:06All right.
00:07:07Well, when Scott falls apart, I'll be ready to step in and take over.
00:07:10It's not going to happen.
00:07:11You aren't up to something, are you?
00:07:14No.
00:07:15Why would you ask that?
00:07:17Is May not joining this call?
00:07:19Welcome back to the show, Books on Record with Jesus Castaneda.
00:07:24I am Jesus Castaneda, and I'm sitting here with Maggie Novak, author of the critically acclaimed
00:07:312018 novel, Between Yesterday and Tomorrow, a novel that has been described as glowing with
00:07:38self-confidence and wild confusion.
00:07:41Maggie Novak, the next great American millennial voice.
00:07:46Welcome to the show.
00:07:47Thanks for having me.
00:07:48Maggie, your first novel was a huge hit, but this was published almost four years ago.
00:07:53Did the unexpected success of this first book contribute to the delay in the publication
00:07:57of your second novel?
00:07:58Well, I'm a methodical writer.
00:08:00So the deal that I got was for three books, and I've been dipping into the subsequent
00:08:05ones at the same time.
00:08:06So three more books are coming out in the next few months?
00:08:09Is that right?
00:08:10Well, that's a question for my agent.
00:08:13Hmm.
00:08:14Are you ready to jump into the allegations surrounding your first book?
00:08:18If we must.
00:08:20Did you or did you not plagiarize a large portion of your first novel from your former colleague,
00:08:27Olivia Breck?
00:08:27The truth is, is that there might be some superficial similarities between her novel
00:08:33and mine, but that's truly a function of the fact that we had shared interests as friends.
00:08:38Maggie, your novel was a New York Times bestseller.
00:08:41It got Oprah's stamp of approval.
00:08:45Okay.
00:08:46And yet, Olivia's novel was never published.
00:08:50Well, that's the way it goes sometimes.
00:08:51It's a brutal business.
00:08:52You know that.
00:08:54So just so we're clear here, you're denying these allegations of plagiarism.
00:08:58Yes.
00:08:59Unequivocally.
00:09:00And I've denied them every time.
00:09:01I find it curious that you've yet to release your second book, and yet, here we are, discussing
00:09:06allegations of plagiarism about a book that may not even be yours at all.
00:09:09I didn't agree to this.
00:09:10We're done.
00:09:11No, you did agree to it.
00:09:12Well, I'm disagreeing to it now.
00:09:15Well, that's clearly not how it works.
00:09:17There's also not, there's no exit over there.
00:09:19Please, Maggie, if you wouldn't mind.
00:09:21Maggie.
00:09:23Okay, well, close with self-confidence and wild confusion is right.
00:09:28Micah, I honestly didn't think I would ever call this number.
00:09:31I got your message, and I'm just going to be up front with you.
00:09:34I wasn't planning on responding, and I think a reunion is a terrible idea.
00:09:39But I don't really want to get into it, and I really need to get away for a while, so
00:09:43I'll
00:09:44do the movie.
00:09:45But only if you promise to be on your best behavior.
00:09:52She's in.
00:09:54We're all set.
00:09:55Why didn't you answer when she called?
00:09:57Well, I thought it'd be better for you to catch that on camera.
00:10:00Did you call her back?
00:10:03It's going straight to voicemail.
00:10:04Why didn't you tell me sooner?
00:10:07Do you think that's her?
00:10:10Micah, it's Scott.
00:10:11I need help with my bags.
00:10:13Scott, it's 11 p.m.
00:10:15You live in New York.
00:10:16Bring it in.
00:10:19It feels so good to hug you again, but I'm not getting enough effort on your part.
00:10:23Come on.
00:10:23Bring it in.
00:10:24Really.
00:10:26Wow.
00:10:27That was a good squeeze.
00:10:28Grab a bag.
00:10:30You didn't think to give me a heads up here?
00:10:32Hey, look.
00:10:33Reunion, baby.
00:10:35What is all this stuff?
00:10:37Don't worry about it.
00:10:37Come on.
00:10:44What is this?
00:10:46What, you're filming already?
00:10:47Yeah, the behind-the-scenes access is sort of all-inclusive.
00:10:50I don't make the rules.
00:10:52He kind of looks like Gabe.
00:10:53I don't see it.
00:10:54Look at his cheekbones.
00:10:56What's your name?
00:10:57Tommy.
00:10:58Tommy, you know you look like Gabe's, like, long-lost twin.
00:11:00Can I call you Gabe?
00:11:01You shouldn't address me at all.
00:11:02So how'd you two meet?
00:11:04Scott, stop talking to Tommy.
00:11:06All right, fine.
00:11:07Gabe.
00:11:09So I got some delivery.
00:11:10I hope you guys like noodles.
00:11:14We're going out into the desert, and it's a reunion.
00:11:17And I just flew here from New York.
00:11:19And turbulence, it puts your whole life into perspective.
00:11:21Why aren't you eating?
00:11:23I'm gonna.
00:11:24All right.
00:11:25Let's go shot list.
00:11:29I mean...
00:11:54I don't even know where this stuff came from.
00:11:57Gotta get this.
00:12:02Oh!
00:12:02Oh!
00:12:03Camera meets camera!
00:12:05Come on out.
00:12:05Micah, get out here.
00:12:06Come on.
00:12:06What is all this stuff?
00:12:07Don't worry about it.
00:12:08Don't worry about it.
00:12:08Look, I started an LLC just for the shoot.
00:12:10Check it out.
00:12:10I got a company credit card.
00:12:11So I think I can just write all this stuff off.
00:12:14There's no money in any of this.
00:12:16Yet.
00:12:16We haven't made the movie yet.
00:12:17Yeah.
00:12:18Look, we have an opportunity to make something great, okay?
00:12:20I took your script, and I'm making it more surprising, more entertaining, more intriguing.
00:12:26So when people walk out of the premiere, they're gonna say,
00:12:29Oh my God.
00:12:29I didn't see that coming.
00:12:31That was amazing.
00:12:32I loved it.
00:12:32And I can't stop thinking about it.
00:12:34And then we're gonna realize that we made some true art together.
00:12:38And we made something that really matters.
00:12:39How much is this microphone?
00:12:41Don't worry about it.
00:12:41We don't have the resources for any of this, Scott.
00:12:43Look, I'm gonna show you an example.
00:12:44You have the pogo man riding a pogo stick.
00:12:47But he's implied.
00:12:48Like, he's not even there.
00:12:50We're cheating that?
00:12:50No.
00:12:51The pogo is the star, Micah.
00:12:54And we're gonna ride that star all the way to Sundance.
00:12:59Oh my God.
00:13:00Hmm?
00:13:04I don't think I can do this.
00:13:06You wanna try it?
00:13:07I don't think I can do this.
00:13:09Come on.
00:13:10What's the matter?
00:13:10Oh.
00:13:11Is it Maggie?
00:13:12Nothing.
00:13:12Are you kidding me?
00:13:13Just because you were crappy to her, doesn't mean she still doesn't care about me and Alice.
00:13:20Right.
00:13:21Because you and Alice are just great.
00:13:24Yeah.
00:13:25Huh.
00:13:26Well, you know, it's interesting because you talk about what happened with Maggie and I.
00:13:30Like, I don't know.
00:13:32Like, you and Alice didn't go through the exact same thing.
00:13:37Look, we're out of coffee.
00:13:38I'll brew some more.
00:13:39You know what?
00:13:40Why don't we just go to the desert right now?
00:13:59Well, if you're strong of mind or if you're strong of faith, then you can say today is not the
00:14:05day, demon.
00:14:06Today is not the day.
00:14:09The world is an overwhelming place if we let it be.
00:14:14So strap in because for the next 90 minutes I'm going to build you up.
00:14:19I'm going to center you.
00:14:20Where did you find this?
00:14:21I'm going to hold you and then I'm going to throw you to the fire to fend yourself.
00:14:25I thought you found it.
00:14:26But dear listeners, fear is...
00:14:29I don't know.
00:14:30I don't know who this guy is.
00:14:32I had a Santasaurus when I was a kid.
00:14:35There's another one over here.
00:14:37Wow, you can go inside the thing.
00:14:41What a weird dude.
00:14:42He doesn't look too happy.
00:14:45So what's the windiest you've ever seen it here?
00:14:48Well, it gets really windy because of all the windmills.
00:14:52Yeah, it's windy.
00:14:53That's why they put the windmills here.
00:14:56No, the windmills create the wind.
00:14:59No, they don't.
00:15:00It's...
00:15:01The windmills are here because of the wind.
00:15:03But why would the windmills...
00:15:04Why else would the windmills be here?
00:15:06This is not a chicken-and-the-egg situation, okay?
00:15:07It's definitely a chicken-and-the-egg situation.
00:15:09They're not fans.
00:15:11They're windmills.
00:15:12They capture the wind.
00:15:13And they push...
00:15:14They push it out.
00:15:15They create it.
00:15:15No, they don't.
00:15:16They capture the wind.
00:15:18You're just messing with me.
00:15:20I know you're just messing with me.
00:15:21No, it's a windy spot because there are thousands of windmills here.
00:15:24It doesn't mill wind into being.
00:15:29I think we're gonna have to agree to disagree on this one.
00:15:32Up the hill.
00:15:33Let's see how close we can get to that big one.
00:15:43Hey!
00:15:44Woo!
00:15:46Come take a look at this!
00:15:47Get this shot!
00:15:49Yeah!
00:15:52Looking good!
00:15:58Oh, there's the sign over there.
00:16:00Palm Desert.
00:16:01Palm Desert.
00:16:02Palm Desert.
00:16:03This is actually where we're gonna be.
00:16:05Right in here.
00:16:07I like how all the houses look the same.
00:16:10They really like their garages here.
00:16:13They do.
00:16:14Wow, they really like their garages.
00:16:17Just a giant golf course in the middle of the desert.
00:16:21Do you play golf?
00:16:23No.
00:16:25This changes things.
00:16:26This does change things.
00:16:29This is the futuristic dystopia that the script needed.
00:16:33That's what this is.
00:16:34This?
00:16:36This is it.
00:16:38Wow.
00:16:39What is that?
00:16:48What is that?
00:16:49I got here early.
00:16:50At the pool.
00:17:01Looks like she's relaxing.
00:17:03We should let her be.
00:17:04Scott!
00:17:04Maggie!
00:17:06God, you startled me.
00:17:07Have you seen all the shout-outs I've posted online?
00:17:09Every time I see your name, I blast it out to thousands of followers.
00:17:12Hundreds.
00:17:13You know, Scott, I've been so busy recently that I must have missed it.
00:17:16Oh, that's fine.
00:17:16You know, they stay up there after I post them.
00:17:19Are you hiding from me?
00:17:20No.
00:17:21It kind of looks like you are.
00:17:22Yeah?
00:17:23It kind of looks like your hair is blonde.
00:17:24It's new.
00:17:25Do you like it?
00:17:25I love it.
00:17:26Blonde Maggie.
00:17:27You know, I'm taking a mental note of it.
00:17:28You know I never liked blonde hair.
00:17:30I must have forgotten that.
00:17:31I'm cooked.
00:17:32Let's go.
00:17:33All right.
00:17:35Oh, that's fine.
00:17:37We'll get in later.
00:17:40Welcome to the house.
00:17:41Let's go.
00:17:43Let me show you some things.
00:17:46So it's actually a pretty roomy house.
00:17:48You'll see.
00:17:48Enough room for us all to move around.
00:17:51Here you go.
00:17:55And here we are.
00:17:56This is it.
00:17:57It's a little beige, but it's all right.
00:18:00Oh, fuck!
00:18:02Watch that step.
00:18:05Camera right?
00:18:06Yeah.
00:18:06About my leg.
00:18:08All right.
00:18:08So this is where you'll be editing.
00:18:11Sounds good.
00:18:12At night, we can review the footage, make sure we have what we need, anything we need to get.
00:18:15Got it.
00:18:16This couch pulls out.
00:18:18It's a fairly uncomfortable bed, but, you know, you're in it to win it.
00:18:23This is your zone.
00:18:24This is the Tommy area, no one else is allowed in, and we'll make sure that's known.
00:18:32There wasn't much happening yet, so I gave myself a tour.
00:18:37It was strange.
00:18:39Micah's parents' house felt curated and abandoned all at once, like an unpopular Airbnb.
00:18:46Any time I saw someone walk into this bathroom, they'd immediately walk right out.
00:18:56Micah, you are not a cool-looking kid.
00:18:58Well, well, I don't know.
00:19:00Scott.
00:19:00That's all right.
00:19:01That won't happen again.
00:19:02Maggie, you gotta let me read a little excerpt.
00:19:05Come on.
00:19:05Just a taste.
00:19:06No, the book's not finished yet.
00:19:08I bet it's even better than the first.
00:19:09You know, book of the year or bust, right?
00:19:11You know, we should probably get Alice from the airport.
00:19:14I can't go.
00:19:15I got a lot to do.
00:19:16I got a shot list.
00:19:17And now I got to fix that vase.
00:19:19There's no fixing that vase.
00:19:21I can fix that.
00:19:21I can fix anything with a little work.
00:19:23Micah, you go to the airport.
00:19:25I'll stay.
00:19:26You two go catch up.
00:19:43We were centered together.
00:19:45And that's when I felt it.
00:19:47This movement in my pants.
00:19:49Now, we've been married 20 years, and the passion is still there.
00:19:53But this was different.
00:19:55I could feel the passion swelling, pressing up hard behind the zipper.
00:20:01This was something that needed to be addressed.
00:20:03I think my male listeners know exactly what I'm talking about.
00:20:07So we rushed home.
00:20:08We burst through the door.
00:20:10And within minutes, we were nude.
00:20:12Now, as she ushered me into her deep and sturdy vagina.
00:20:22Hold on.
00:20:22Hold on.
00:20:22I got a text from her.
00:20:23She says, I'm at the fountain.
00:20:25Fountain?
00:20:26What fountain?
00:20:27Well, there's got to be a fountain if she says she's at it.
00:20:30She says, I'm at the fountain.
00:20:31It's more efficient here.
00:20:33What does that mean?
00:20:34Well, she's standing next to a fountain.
00:20:37I don't know.
00:20:37So she's not here.
00:20:38Why would she be at the fountain?
00:20:40Why wouldn't she just be right here?
00:20:41She says it's efficient.
00:20:43Okay?
00:20:43She says, I'm at the fountain.
00:20:44This is more efficient.
00:20:45Efficient?
00:20:46That's what she said.
00:20:47I don't see a fountain anywhere.
00:20:49I don't think there's a fountain here.
00:20:50There's got to be.
00:20:51I'm sure we can find it.
00:20:53She always does this.
00:20:53She should just be at the terminal.
00:21:00Just so you know, I've got this virtual conference happening tomorrow.
00:21:02It's like an industry-wide thing.
00:21:04They invited me to be on a panel.
00:21:06It's only a couple of hours.
00:21:07But I'm going to need a quiet room with a desk and ideally, like, a really nice-looking background.
00:21:15Like something straight out of Crate and Barrel.
00:21:16That shouldn't be an issue, right?
00:21:18I don't know.
00:21:20Scott's pretty deep into rewrites right now.
00:21:22What?
00:21:23You're letting Scott rewrite?
00:21:25Yeah.
00:21:25Well, I mean, it's still my script.
00:21:27Scott's just adding his own flourishes.
00:21:29All right.
00:21:30That's very unlike you, Micah.
00:21:31It's not true.
00:21:32I'm collaborative.
00:21:33Maggie, what was Micah's line?
00:21:34What did he used to say?
00:21:36This is my script.
00:21:38These are my words.
00:21:39This is my script.
00:21:40These are my words.
00:21:42These are my words.
00:21:43Ha, ha, ha.
00:22:00How would you want to bet that Scott doesn't even say hi to me?
00:22:09I was extremely productive while you were going.
00:22:11I got halfway through our prop list and I prepped dinner.
00:22:14And the best part of all, check it out.
00:22:17Huh?
00:22:18Good as new.
00:22:19What happened?
00:22:20Oh, you know, production issues.
00:22:22You know, it happens on every shoot.
00:22:23Come on inside.
00:22:24Let me show you more.
00:22:31I thought there were more towels.
00:22:32You're good with just one?
00:22:34I'm one person.
00:22:34One towel's fine.
00:22:36Why haven't I seen the script yet?
00:22:37It's not like it's just you.
00:22:38I haven't either.
00:22:40You know I haven't forgiven you yet, right?
00:22:42Come on.
00:22:43You're living in the past.
00:22:44I'm a new, better Micah.
00:22:46And you're not just saying that because there's a camera filming you?
00:22:49It's going to be a blast working together again.
00:22:51No pressure.
00:22:51It's just for fun.
00:22:54Does Scott know that?
00:22:57All right, dinner's up.
00:23:02Hope that's gluten-free lasagna.
00:23:04Oh, part of it is.
00:23:06I forget which side, though.
00:23:09I still can't believe you're not related to Gabe.
00:23:12Oh, my God.
00:23:13He does look like Gabe.
00:23:14You just want to see Gabe and Tommy.
00:23:16He's all Tommy.
00:23:17Well, that sounds like something someone who doesn't want us to know this is secretly Gabe would say.
00:23:34This is a toast, but it is also a reminder.
00:23:37Tomorrow we're going to be in the desert.
00:23:39It's going to be hot, so we all need to stay hydrated.
00:23:42Yes, Mr. Director.
00:23:44I think we know how to handle ourselves in the desert.
00:23:47Isn't that what we learned on that hike?
00:23:48What we learned is that when your back is against the wall, you lay down and die.
00:23:52Just a little overheated.
00:23:53We should have left you behind.
00:23:54We could have died because of your actions.
00:23:56Positive headspace.
00:23:58I need you all to stay in a positive headspace for the duration of the shoot.
00:24:02I wasn't being serious.
00:24:03Yeah, just no talk about leaving other people for dead, okay?
00:24:06What I find so fascinating about that hike was that it's probably the worst day of my life, but at
00:24:11the same time, it felt really exciting.
00:24:14Like, we could get through anything together.
00:24:16Is that the message of the movie?
00:24:18It's a work in progress.
00:24:20Let's not talk about the movie tonight.
00:24:21Tonight, let's stay hydrated.
00:24:23Tomorrow, let's dive in fresh.
00:24:26How about we get this thing started?
00:24:28Hydration.
00:24:29Slow down.
00:24:30Slow down.
00:24:31That's expensive.
00:24:32I got it from a work thing.
00:24:34You can't get that unless you know a guy.
00:24:36But if I did find it, what kind of price point would I be looking at?
00:24:39I'm saying you'd never find it.
00:24:40I find it.
00:24:41No.
00:24:43So I've decided not to drink for the duration of the shoot, but I can still play Other Side of
00:24:50the Room.
00:24:53Hot play, hot play, hot play.
00:24:57Okay, here we go, here we go.
00:24:59Good, good, good.
00:25:00Ladies and babies, the game is Other Side of the Room and the rules are simple.
00:25:04Get to the Other Side of the Room.
00:25:07We better be playing with questions.
00:25:09Question rule granted.
00:25:10Any others?
00:25:11Paddle points in play.
00:25:12Paddle points in play.
00:25:14Tommy, give us a countdown from six and a half.
00:25:16What number comes next?
00:25:18Six and a half, six, five and three quarters.
00:25:20Hey, hey, manipulative math.
00:25:22One, two, three, down, freeze.
00:25:25And that's how the game began.
00:25:28A game that apparently had started years ago, back in film school.
00:25:32Ready?
00:25:36Oh, shit.
00:25:37It didn't seem like anyone was in a rush to get to the Other Side of the Room and win.
00:25:41Aww.
00:25:46Three plus two.
00:25:47Three plus two, bye.
00:25:48Instead, the game broke down into challenges and tasks and the occasional dance break.
00:26:00What was Micah thinking?
00:26:04If he was having any second thoughts about his plan, he didn't show them now.
00:26:12He even convinced me to have a few too many beers.
00:26:24Eventually, the game spilled out of the house and turned into second dinner.
00:26:34It was amazing to see.
00:26:36Micah had reconstructed what he lost all those years ago.
00:26:41And I was here to help him tear it down again.
00:26:48I better go back and explain before we go any further.
00:27:00I don't know.
00:27:04I don't know.
00:27:19So your Pogoman script is a fake?
00:27:21I mean, yeah, it's irrelevant, though.
00:27:23We're never going to make it anyway.
00:27:25It's going to be far more entertaining for an audience to swatch the whole thing gloriously.
00:27:31Don't you think that's kind of cruel?
00:27:34Man, I'm sick and tired of doing things the right way.
00:27:40Micah was setting up his closest friends for failure.
00:27:46It may have been my own masochistic side rearing its ugly head.
00:27:50But by this point, I was fully committed to capturing it all.
00:27:53Go.
00:27:58Okay, bedtime.
00:28:00Call is 7 a.m. sharp.
00:28:02I needed this.
00:28:03I think we all did.
00:28:05Here, here.
00:28:05Thanks for getting us all back together, Micah.
00:28:07My pleasure.
00:28:08I think I'll go to bed as well.
00:28:20I think I'll go to bed.
00:28:44Wheel's up in 10.
00:28:46Ugh, I brushed my teeth three times this morning, and all I smell is garlic.
00:28:50You wanted to prove that they tasted just as good raw?
00:28:55How much did I eat?
00:28:56I don't know, like five, six clothes.
00:29:00Hope you didn't do anything that stupid, too.
00:29:04Morning.
00:29:14That's Scott's bag over there.
00:29:16He's sleeping on the patio.
00:29:18Let's go make a movie.
00:29:20Yeah!
00:29:22Yeah!
00:29:39Everyone good?
00:29:42Okay.
00:29:43Maggie.
00:29:44All right.
00:29:46Everybody listen up.
00:29:47This script, this is out.
00:29:50This script is in.
00:29:52Don't worry about it.
00:29:53It's a lot less dialogue.
00:29:54The story sort of takes place in an alternate reality, possibly the future, but it's not as
00:29:59important as the mood.
00:30:00Micah and Maggie are about to meet long-lost Oracle Alice in the desert.
00:30:04At this point, there's only been faint hints of the Pogo Man.
00:30:07I haven't felt this focused in years.
00:30:09Uh, I thought this was a short.
00:30:10We have 10 hours of daylight, and we have 17 hours of content to capture.
00:30:14It's go time!
00:30:17Why aren't you more excited, Micah?
00:30:20I'm driving.
00:30:24I'm not sure who's gonna hold that, but we'll get to that.
00:30:27Okay, do I have everything that I need?
00:30:29I think I do.
00:30:31Good, good, good.
00:30:32All right, so, I got my lovs.
00:30:35Everyone's got their lovs, right?
00:30:36Everyone's got their lovs?
00:30:37Yeah.
00:30:37Everyone's got their lovs.
00:30:38Yep.
00:30:38I got the mixer on my belt.
00:30:40I'm gonna roll the camera when we're ready.
00:30:42Leave the bounce.
00:30:43I don't want to fake any light today.
00:30:45I'm on camera, handheld, lean and mean.
00:30:47That's how we roll today.
00:30:48You're not even gonna be in this anymore?
00:30:50I am gonna be in it.
00:30:51I am the director and DP and Pogo Man, but there's no Pogo today.
00:30:57Like I already told you, today's all about setting the mood.
00:30:59Wait, why would you play the Pogo Man and not yourself?
00:31:02You were with us when it happened.
00:31:03Maggie, I'm directing.
00:31:04You're taking direction.
00:31:05It's a valid question.
00:31:07What are we even doing here?
00:31:08Here, just put this on.
00:31:10Nice.
00:31:11It's burlap, Alice.
00:31:12Burlap it up.
00:31:12Come on.
00:31:13All right, let's head out.
00:31:14This is like a...
00:31:15Come on, let's head out.
00:31:15Let's frame this puppy.
00:31:17I'll be right there.
00:31:36Who are the Cactus Senate?
00:31:37They're the ones that sent the Pogo Man into exile.
00:31:40You are the ones that found his Camp of Pogo followers and convinced him to take his spot
00:31:45on the rightful throne.
00:31:46After a space battle.
00:31:48It's a moon battle.
00:31:49So Palm Desert's like this dystopian society out here?
00:31:52Yeah.
00:31:53La Palm Stentierre is the place that Micah and Maggie escaped from with the help of Oracle
00:31:57Alice to find hope and love.
00:31:59Of course.
00:31:59But these trails up here, we gotta do something to be able to frame out all these hikers over
00:32:04here.
00:32:05What is this?
00:32:06And we gotta find a way to be able to frame out all these houses and these stores over
00:32:10here.
00:32:10I thought you said it was in the middle of nowhere, Micah.
00:32:12It is.
00:32:13This is a huge problem.
00:32:14I need to get somewhere with better reception.
00:32:16No, you need to get somewhere with less reception.
00:32:18Yeah, you were supposed to be off for this, Alice.
00:32:20I can take time off, but I can't be offline.
00:32:22No, you have to be offline for this.
00:32:24Look, I have too much at stake here, okay?
00:32:26What are you even talking about?
00:32:28Look, I'm talking about true art.
00:32:29And I'm talking about something that matters here.
00:32:31This is arts and crafts.
00:32:33Like, you didn't even do any planning.
00:32:35It's called pre-production.
00:32:35When you look at the script, everything is on the page.
00:32:39And the vision is in my head, Alice.
00:32:41I can do this.
00:32:43We can actually do this.
00:32:45Totally.
00:32:45Makes sense to me.
00:32:46I'm with you.
00:32:47Look, why don't you just go to the top of the hill up here and see if you can get
00:32:49some
00:32:49better reception.
00:32:50Take your call and get the shot.
00:32:51I will do that.
00:32:51All right?
00:32:52And then just stay in character, and then I'll cue you.
00:32:54Cool, thanks.
00:32:55Hey, don't worry about it.
00:32:56You're doing great.
00:32:57I hope you two are ready to get emotional.
00:33:10No, no, wait, wait.
00:33:11No, it's from me, not from me.
00:33:15Just do it in the order of the script, okay?
00:33:17The order matters.
00:33:18Back to one.
00:33:18Back to one.
00:33:19This is horrible.
00:33:21Shit.
00:33:22Alice, stay in character.
00:33:26Yeah, good, good, good.
00:33:27I think I'm going to go take a walk.
00:33:28Oh, come on.
00:33:29We got like a half a good take.
00:33:30We got this.
00:33:31Wait, no, wait.
00:33:32No, I was pressing pause.
00:33:34We don't have anything yet.
00:33:35I'm filming.
00:33:35I need to get back to the house now.
00:33:38I need my Zoom background.
00:33:39I just, I need you somewhere with reception.
00:33:44Let's just go.
00:33:45Now.
00:33:59Where are you going?
00:34:00Get back here.
00:34:01Come on.
00:34:02Let's keep going.
00:34:05Maggie, Maggie, stop.
00:34:07No, I don't want this.
00:34:08It's not good for us.
00:34:09I disagree.
00:34:10We were drunk, and that's all it was.
00:34:13I was barely drunk by the end of it.
00:34:15No, see, with us, it's the same thing every time.
00:34:19I feel used.
00:34:20Oh, no, you don't.
00:34:22This is exactly why I didn't want to come.
00:34:26When?
00:34:26Last night?
00:34:29Why is he filming this?
00:34:31This isn't part of the movie.
00:34:32I have no idea.
00:34:35Wait, Tommy, come on.
00:34:36This is serious.
00:34:37Maggie.
00:34:39Sorry.
00:34:40I didn't know.
00:34:42I didn't know.
00:34:47I didn't know.
00:34:48I didn't know.
00:34:48I didn't know.
00:34:48I didn't know.
00:34:49I didn't know.
00:34:51I didn't know.
00:34:56I didn't know.
00:34:58I didn't know.
00:35:00I didn't know.
00:35:01I didn't know.
00:35:02I didn't know.
00:35:03I didn't know.
00:35:12so far so good did you catch scott throwing up yeah i got on my shoe
00:35:19there's no wi-fi in my room get out
00:35:23get out that means you too okay
00:35:46so
00:36:03I was there, I just, you must have signed on late because my internet dropped out like
00:36:08halfway through the panel. Yep, I can, okay. Yep. Yeah. Uh-huh. Uh-huh. I will send that email.
00:36:49Oh, shit. I couldn't be everywhere all at once, so Micah and I planted secret microphones
00:36:56all over the property in order to not miss anything. Sometimes the mics picked up things
00:37:04they probably shouldn't have heard. Maggie, put, no, push your, push your leg up. No, it's
00:37:09too far. But other times what they recorded was essential.
00:37:15So, I saw your little interview. Oh, did that air? Stop playing so innocent. Everyone can
00:37:20see through your lying. I think it would be best if we just put all of this behind us.
00:37:24Great. So whenever you're ready to admit to everyone that you ripped off my book, we can
00:37:28do that. But is that really what happened? You weren't even smart about it. You're so
00:37:32cocky, you wouldn't get caught. What do you want me to say? I want you to say the truth.
00:37:37Your book wouldn't exist if you didn't let nearly all of it from mine. And so what if I did?
00:37:42What's done is done. Then I'm coming for you. What? I'm coming for you, Maggie. I'm going to
00:37:48fuck up your bullshit.
00:38:15Today we are going to seriously break down that script.
00:38:19It's barely a script.
00:38:20Oh, it is a script. It is a new script. It is a real script. Look, I get it. Yesterday
00:38:24was tough. And we bit off way more than we can chew safely. So today we are going to
00:38:28take, let's say, some antacid in the form of prep and rehearsal for tomorrow's scene.
00:38:35Welcome to Pogopolis.
00:38:38It's scene 54.
00:38:40Okay.
00:38:42This is the scene where Micah, Maggie, and Oracle Alice arrive at Pogo camp.
00:38:48No, Pogopolis.
00:38:52Paint me a picture.
00:38:53They arrive.
00:38:54Right, right.
00:38:54And there's Pogo trials going on.
00:38:56Everywhere.
00:38:56And there's bonfires.
00:38:57And the Pogo man is there.
00:38:59Yeah, yeah.
00:38:59And then the Pogo star cycle begins.
00:39:02Yes.
00:39:03Until the moon squad shows up and kidnaps everyone.
00:39:06Yes. They're looter lords. But, yeah, that's the whole scene. See? That's not that hard to
00:39:10follow.
00:39:11Pogopolis is the land of triangles. And every single extra out here is going to be bringing
00:39:16their own homemade flag with them. Just like this. Well, not quite like this. Everyone's
00:39:20going to make their own. But we'll get to that.
00:39:33Let's say we get 100 extras tomorrow. I'm fine with that. I can make that look like 10,000
00:39:38people. It's easy, as long as we get the lighting right. Right? You know what I'm talking about,
00:39:42right, Gabe?
00:39:42Tommy.
00:39:43Yeah. Well, I got enough of these to cover everything.
00:39:48Ready? Here we go.
00:39:51I got it.
00:39:52Yes, sir.
00:39:53Oh, my God. I don't have it yet.
00:39:54This is where the lunar lords meet the Pogo army for the climactic battle scene right here.
00:39:58And are you going to hire a visual effect test to add all that action in in post?
00:40:01Well, I can see us enhancing what we shoot with CGI, but I don't want to have to fix anything
00:40:05in post. You know what I'm talking about. You know how I storyboard. You know how I frame
00:40:09shots.
00:40:09Frame what, though? There's nothing out here.
00:40:27Maggie, you're on flag duty. Micah, you and I are on portal duty.
00:40:30Okay.
00:40:37You're over here.
00:40:39Lower, lower, lower. Ready?
00:40:41Stick your butt out. Come on.
00:40:44No, no, no, no, no, no, no.
00:40:46Straighten out.
00:40:47Straighten out.
00:40:48Take a breath.
00:40:51As long as you don't touch the metal, it burns like fire.
00:40:54The thing is that we don't want people just roaming through the portal by accident.
00:41:00Good.
00:41:02Good, good.
00:41:10Come on.
00:41:14All right. Does everyone have their power object?
00:41:17Does everyone have their power object?
00:41:19Yes, sir.
00:41:20Great. Okay.
00:41:21One, two, three, forward. One step. One. Left. Towards me. Right. One. Two. Four. One. Two. Four.
00:41:31One. Two. Four. This is twelve o'clock. This is four o'clock. Ready? Up. Four o'clock.
00:41:37Can you count us in?
00:41:39Yeah, yeah, yeah. One, two, three, and up. And oh. One, two, three, and up. And oh. Five more times.
00:41:47Five more times. One, two, three, and up. Everyone. And oh.
00:41:51Oh.
00:41:54My head hurts. Well, you're slapping yourself.
00:42:01Let's set something up with Micah. Micah, let's get set up. Let's plan the shot.
00:42:06I got it. I got it. I got it. I got it. I got it. I got it. Look out.
00:42:10Oh, God. Push the leg.
00:42:11Push the leg. Oh, Micah, are you okay? Whoa, whoa, whoa, whoa, whoa. Tommy's good.
00:42:17Look at this thing. This is going to be tough. Yeah, because you never take the easy way.
00:42:22Well, so tell me straight. Do you think we're actually going to be able to use this out here?
00:42:26I mean, I don't know. This is kind of ridiculous. Like, I mean, I'm trying to get into it,
00:42:32you know, I'm trying to go with the flow. I think we all are trying to make the best of
00:42:35it, but
00:42:37it doesn't really make much sense, Scott. So is that why you were making your own storyboards?
00:42:42See, I thought you were busy at night making really, really, like, important work phone calls and stuff.
00:42:49Yeah, work's not very happy with me right now.
00:42:54I can help if you want to actually make something that's watchable at the time and resources that we have.
00:42:58I know you can help. I just don't want your help with that.
00:43:02Well, you need it.
00:43:05So where were you on flashbang, hmm? So why'd you leave me alone on that shoot?
00:43:10Do you have any idea how much that hurt me?
00:43:14Because this is what you do. You don't pay attention to what's going on with me.
00:43:18What are you talking about? I listen to you.
00:43:19Scott, Janie was in the ICU at the time.
00:43:22What are you talking about?
00:43:23My sister was fatally ill.
00:43:25You didn't say anything about that.
00:43:26Of course I did.
00:43:29So that's why you cut me off.
00:43:30No. You left for New York without me.
00:43:35You're the one who bailed.
00:43:40I'm listening now.
00:43:41And is it too late for that?
00:43:43I don't know.
00:43:46What is the one thing that you think that we can do with our limited resources here on this shoot
00:43:53that would make this a win?
00:43:59Don't try to direct, shoot, and pogo.
00:44:02Let's find someone who actually knows what they're doing with this thing.
00:44:16Someday I'm going to have a son.
00:44:18And he's going to love this stuffy.
00:44:20I wish I didn't have to steal it and all, but...
00:44:23Tense is tough in my life.
00:44:27Oh, man. I've been caught.
00:44:29Are you robbing me?
00:44:30What does it look like?
00:44:31My mother's struggling and I have to provide for her and my family.
00:44:34I'll call the cops.
00:44:35Don't make me use this.
00:44:36I've used this before.
00:44:38Beat a man's skull in.
00:44:39He was skull-less.
00:44:40Remember the day like it was yesterday.
00:44:42There was dew in the air all day long.
00:44:43It was all day dew and not the morning stuff.
00:44:46And I beat him.
00:44:46I beat him and I beat him.
00:44:49And I can't stress enough.
00:44:51There was dew like at 3 p.m.
00:44:53And I'll do it again.
00:44:56So I beg you not to call the cops.
00:44:59Because I have used this bat and I will use it again.
00:45:03This man is a poet and he doesn't even realize it.
00:45:05Just like pogo, man.
00:45:07This is our guy.
00:45:08Him.
00:45:09You know who this is, right?
00:45:10No.
00:45:11It's Nikki Freed.
00:45:12Nikki Freed?
00:45:14No.
00:45:15Tommy, you know who Nikki Freed is, right?
00:45:17No.
00:45:18Oh, come on.
00:45:19Nikki Freed.
00:45:19He guest starred as a kid on Dharma and Greg, Ally McBeal, Party of Five.
00:45:24He hasn't been in anything in like 10 years.
00:45:26Even better.
00:45:27We'll put him back on the map.
00:45:28He does have a lot of passion.
00:45:30That man is crazy.
00:45:30Whatever he's doing in that scene, that's what he's like in real life.
00:45:33Look, the movie's evolving.
00:45:35It's getting bigger.
00:45:36And we need a charismatic pogo man or there is no movie.
00:45:39Alice said so.
00:45:40She told me to find a new p.m.
00:45:42And I found him.
00:45:43You're going to send that guy down a mountain on a pogo stick?
00:45:46He's going to nail it.
00:45:47He'll probably be fine.
00:45:48No.
00:45:49He's going to die.
00:45:50And we're going to be murderers.
00:45:52And Tommy's going to have it all on camera.
00:45:54There's going to be motive.
00:45:56I do not need this on top of everything else in my life.
00:46:01What do you mean by that?
00:46:02She is so negative.
00:46:04You know what?
00:46:05I'm just going to message him.
00:46:09He's not going to respond anyway.
00:46:11He just responded.
00:46:14I can do anything so I can pogo.
00:46:16Just make sure there's a chicken parm with my name on it.
00:46:20Nicky Fried?
00:46:21Where can we get a really, really good chicken parm around here?
00:46:25Anybody know where we can get a good chicken parm?
00:46:28Anybody know where we can get a real good chicken parm out here?
00:46:31I think anywhere, Scott.
00:47:00It's so good to see you.
00:47:02Where are things going?
00:47:02Is everyone excited to see me?
00:47:04Well, I didn't tell anyone you were coming.
00:47:09Time for Carla to shake shit up then.
00:47:12All right.
00:47:13Oh, yeah.
00:47:14Oh, come on.
00:47:17Come on.
00:47:18Come on.
00:47:19Passion, Maggie.
00:47:20Passion.
00:47:20Come on.
00:47:20You know what passion is.
00:47:21Think back.
00:47:22When you and Michael used to make love.
00:47:23Come on.
00:47:24Both of you, stop using that.
00:47:25Oh, my God.
00:47:27That was incredible.
00:47:29I'm all right.
00:47:30Just missed a step.
00:47:30You didn't tell us Carlo was coming.
00:47:32Who the hell is Carlo?
00:47:37Micah claimed to be a heavy smoker.
00:47:40But this was the only time I ever saw him smoke a cigarette.
00:47:43He's going to catch on to us.
00:47:45And he'll tell Alice right away that the movie is fake.
00:47:48Do you want to come clean to everyone?
00:47:49Now?
00:47:50Are you kidding me?
00:47:51We just need to keep an eye on him.
00:47:54He just arrives unannounced.
00:47:55He's not a good guest.
00:47:56And I've been a great host.
00:47:58I think Alice is plotting something.
00:48:00It's weird.
00:48:00It's all weird, man.
00:48:15Did you hear all that?
00:48:16I did.
00:48:17Look, it sounds worse than it is.
00:48:20It sounds like you two are up to something, and the movie's not real.
00:48:23We're making a documentary about the making of the movie.
00:48:27Why?
00:48:27That sounds boring.
00:48:29Boring?
00:48:29You just don't get it because you don't do film.
00:48:32It's going to be great.
00:48:33But you can't tell Alice.
00:48:34Why would I not tell her?
00:48:36Because then that's the end of it.
00:48:38She's happy being with us again.
00:48:40I know you're looking after her, but you're new on the scene.
00:48:43And I know her better than you do.
00:49:01I just heard something I need to tell you.
00:49:03Can it wait trying to salvage this Pogopolis scene here?
00:49:05I think this works.
00:49:06It's about Micah.
00:49:08Don't worry about him.
00:49:08He's an asshole.
00:49:09I know.
00:49:10That's what I'm trying to tell you.
00:49:11I'm really glad you're here, but I need to work.
00:49:14Why didn't you tell anybody that I was coming?
00:49:16I don't know.
00:49:17Maybe I was thinking about a potential getaway.
00:49:19Well, your boss called.
00:49:21He said you're missing deadlines, and he's worried.
00:49:22Carlo, I can't do this right now, okay?
00:49:25I just, I need to work.
00:49:27My leg is fine, by the way.
00:49:39Dinner's up.
00:49:40Ow!
00:49:41All good.
00:49:48So you drove out from Minnesota?
00:49:50You betcha.
00:49:52How long are you staying?
00:49:55Open-ended.
00:49:57What were you and Tommy talking about?
00:49:59So, Alice, how's prep for tomorrow going?
00:50:00Looking forward to the day.
00:50:02Thank you, Alice.
00:50:03This production may be more challenging than I anticipated.
00:50:06It's a reunion.
00:50:07Ah, a reunion.
00:50:08And a reunion is all about bonding.
00:50:10And you know how you bond?
00:50:12You bond by being in the trenches together.
00:50:16We need to get in the trenches even deeper.
00:50:18That's how we fix everything.
00:50:21Do you have a point?
00:50:23I do have a point.
00:50:24I propose that we get up bright and early tomorrow morning,
00:50:27head out, and do a series of group warm-up improvs together.
00:50:30Right before a full day of production?
00:50:32That sounds brutal.
00:50:34I think it would be really good for us.
00:50:36I'm in if Maggie's in.
00:50:38Shut up.
00:50:38But yeah, I'm in too.
00:50:43Okay, I'm in.
00:50:46I need some Scott time.
00:50:49Good night.
00:50:55I swear, he's not sleeping in there.
00:50:57I keep finding blankets on the patio.
00:51:00Anyone need some Carlo time?
00:51:22I don't know how to do that.
00:51:26Oh, that's a little boring.
00:51:30Wow.
00:51:53Why do you pee right here?
00:51:55Go anywhere. Piss on a palm tree, it's no big deal.
00:52:12I want to be with you again.
00:52:15You're relentless.
00:52:16We're the best versions of ourselves when we're together.
00:52:19You're only saying that because you're high.
00:52:20No, I'm seeing it clearly because I'm high.
00:52:28Wait, was this movie just a ploy to get us back together?
00:52:32No, of course not.
00:52:34You promise not to get mad?
00:52:36No.
00:52:37Do you promise not to get annoyed?
00:52:40No.
00:52:42This whole movie was never the real plan.
00:52:45The behind the scenes that Tommy's shooting?
00:52:48That's the real movie.
00:52:49I asked Scott to direct it because I knew he was incapable of making it small and doable.
00:52:54So I've encouraged all of his ideas.
00:52:57But now I have this fear that it's all going to end with him dead, falling off a mountain.
00:53:03But if he pulls it off, it might have the ability to heal us as a group.
00:53:08So that's what we're doing here, healing?
00:53:10I mean, it did bring us back together.
00:53:14Because yours goes all over the place.
00:53:16Mine goes on the stairs.
00:53:17What if I told them?
00:53:18Right now.
00:53:20Carlo figured it out in like two minutes.
00:53:22But don't tell Alice.
00:53:24She'll blow up everything.
00:53:25Let's just finish this.
00:53:27For once, let's finish something.
00:53:29You know I can't do that.
00:53:30I'm a terrible liar.
00:53:33You mean like how you plagiarized your first book and now you got nothing?
00:53:37You tipped your hand earlier when we talked about Nikki Fried.
00:53:41Tommy's filming everything.
00:53:43There are mics hidden everywhere.
00:53:44So I went back and listened.
00:53:46And I heard your phone call.
00:53:48Are you blackmailing me?
00:53:50No.
00:53:51It's a secret for a secret.
00:53:54It's really complicated.
00:53:56I'm sure it is.
00:53:59You're a piece of shit, Micah.
00:54:02I know.
00:54:03Ice cream.
00:54:04Ice cream.
00:54:06Ice cream.
00:54:07I want to go.
00:54:08Ice cream.
00:54:09Ice cream.
00:54:10Ice cream.
00:54:20I want to go.
00:54:20Every day, I do not say,
00:54:23the Pogo may
00:54:24come this way.
00:54:26Pogo may what comes this way?
00:54:29Hip hip hooray!
00:54:31And that is why I say...
00:54:41Whoa.
00:54:46And they say
00:54:48Don't buddy, babe. Hey, don't buddy, babe, and then we say
00:54:56Every day every day
00:55:00Wombley, right?
00:55:03That's what it is
00:55:06Be young a boogley, babe a pogo man is what I say
00:55:11Hey, hey, hey
00:55:15Wombley, babe a pogo man is what I say
00:55:34Told you
00:56:01All right, everybody take a card, everybody take a card, come on Alice, here you go
00:56:05Why am I baker?
00:56:06No, you're not supposed to say your profession out loud
00:56:09Here, take another card
00:56:11Butcher, are we all food professionals?
00:56:12I'm a juggler. See, Carlo's a juggler
00:56:14You're not all food professionals, but now you both need new cards for my own sanity
00:56:19Please do not read your cards out loud imagine
00:56:24The four of you are being held hostage in a bank
00:56:28And you have to use the information on your cards to work together to escape and go
00:56:35Maybe it'll help if you all get down on the ground because you're all tied up. Where's the rope?
00:56:39No, the rope is in your mind. I think we'd be able to get in the scene better if we
00:56:42had some rope
00:56:42No, come on. Somebody else throw out an idea if I had a ball I could throw it like really
00:56:48far
00:56:48Mike is a quarterback. Yeah, no, no
00:56:52The point is not to guess each other's professions
00:56:54I need another one here. Does anybody have a knife? I do
00:56:59No, no real props. Please put that away. Okay, geez
00:57:03I'm trying to no knives. I'm trying to team build you don't want a team build
00:57:08We're burning time. We should be making the movie now
00:57:11It's only you knew Alice. What's that mean? She's just angry because she's in love with me again. Oh, shut
00:57:16up Micah
00:57:17Fine, I will and then we'll all just die in this bank robbers come and get me
00:57:22Bang bang, okay, I'm dead scene over. Let's go make a movie
00:57:27Where's Scott
00:57:41You know call time was 15 minutes ago. Where is everybody? No one reads flyers anymore, man
00:57:47You know, I at least thought this part of the day was gonna be an easy win. I
00:57:54All we need is just figure out how to frame out all the empty space, right? You know how to
00:57:58frame out negative space, right?
00:57:59I'm staying out of this
00:58:01Look, all we just need one person somebody anybody here, then we can just kind of cheat this out
00:58:07Make all this stuff feel bigger
00:58:28I
00:58:29Give the chicken an eight sauces a six, but cheese is a seven overall. I'm satisfied
00:58:36Where's my director?
00:58:44Love his energy. He's just reimagining the scene. We were expecting more extras by now. See that's your first mistake
00:58:51Never rely on anyone. They'll kill you less than me
00:58:56Blondie knows what I'm talking about. Oh god, let's get you ready one last delicious bite
00:59:10All right, everyone's settled all right, we're in it and it to win it
00:59:16Okay, this is the moment in the film that you're gonna be coming down the mountain towards Pogopolis
00:59:20Look I line hundreds of thousands of people and I want you to get set up in your first position
00:59:25So I want you to kind of step forward a little bit like this and I want you to stand
00:59:28up on that rock and look past me over here
00:59:29So to confirm I am a god right in the context of this scene. Yes, you're a god. Yes
00:59:35Solid casting you are a god to the desert tribes
00:59:39Not the lunar lords. Okay, we discussed that though cuz I don't think the desert tribes would be praising me
00:59:44after I turn my back on them
00:59:45But no, that's not no no Nikki kind of like you wrote the script, but you didn't actually write the
00:59:49script you're wrong
00:59:50I'm secretly a lunar lord
00:59:53You were exiled by the cactus Senate. They are the ones that betrayed the desert tribes not you know listen
01:00:00the lunar lords
01:00:02They don't even invade Pogopolis until the mid-point. So how could you be a lunar?
01:00:05This is the part that you don't get is that I'm a lunar lord and an assassin
01:00:09That's not how this works. That's not how this works
01:00:11The Pogoman isn't even real. I don't want to write the script for you, but I will because you're in
01:00:15over your head amigo
01:00:16You think you know my script better than I know I'm a lunar you think you know my
01:00:19I'm a lunar lord end of discussion
01:00:21You think you know my script
01:00:23I'm a lunar lord. I'm a lunar lord. Did you hear what you just said?
01:00:25How could you think knows my script better than I do?
01:00:28You okay?
01:00:28God!
01:00:29I'm a lunar lord. I need one shot in the can
01:00:31Just let me get one shot in the can and everything is gonna be fine
01:00:35It's gonna be smooth sailing into that. I just need one shot in the can
01:00:38Let me direct this scene.
01:00:39No, no, I can fix this. I can fix this. Let me direct it where I'm leaving
01:00:43Don't do this to me, alice. Please don't do this to me. All right. What is this? What are you
01:00:48doing?
01:00:49Seriously?
01:00:51Hello?
01:00:53And no
01:00:56That is not what's going on here
01:00:59I'm a failure
01:01:03Lunar lord
01:01:05Lunar
01:01:08I mean, yeah, the whole thing's gonna fall apart without me
01:01:14Well, I'm sorry you feel that way
01:01:19Shit
01:01:30I think I just got fired
01:01:33Holy shit
01:01:34It was a blessing in disguise
01:01:36No more distractions now. I'm in this. Let's get a shot in the can
01:01:39I can't do this, alice
01:01:41I said let's get a shot in the can
01:01:42Okay
01:01:43All right
01:01:43Okay, all right
01:01:44You got a good frame?
01:01:45Okay, I'm working on it
01:01:47We're still shooting scene 67
01:01:49All right
01:01:49Are we rolling guys?
01:01:50No
01:01:50Oh, Nikki, wait for my cue
01:01:52Just like
01:01:52I'm actually feeling it now
01:01:54Sound speed camera roll
01:01:55Focus, Nikki
01:01:56No, no
01:01:57Everyone settle
01:01:58No
01:01:59Come on
01:02:00And action
01:02:01We're not rolling
01:02:04Come on, dude
01:02:05Anyone can ride a pogo stick
01:02:06Only a god can make a pogo stick ride him
01:02:09Take note, sweet lips
01:02:12Oh, shit
01:02:14Yeah, she likes me
01:02:16All right, who wants to be my new pogo stick?
01:02:23Yeah, Nikki
01:02:24You're wrapped
01:02:25Just go
01:02:25We said 30 grand, yeah?
01:02:28Get off our set
01:02:29I'm out
01:02:32Lunar Lord
01:02:34We have an extra
01:02:36Hi
01:02:43Lunar Lord
01:02:52I think the movie's dead
01:02:54I just don't care anymore
01:02:56We'll figure this out
01:02:57We're not done yet
01:02:58What's going on there, Maggie?
01:03:00I'm a fake
01:03:01I feel the same way
01:03:03Maggie
01:03:05You've been lying to us all these years?
01:03:08What is this?
01:03:08This is like a Micah move
01:03:10Not a Maggie move
01:03:12It's not my book
01:03:14It's Olivia's characters
01:03:15It's her plot
01:03:17She called me the other day
01:03:18And recorded the entire conversation
01:03:20And now it's up on the internet
01:03:23And I'm pretty sure I'm finished
01:03:26Any other secret conversations floating around?
01:03:29What do you mean?
01:03:30What?
01:03:31Micah's been lying to us this whole time
01:03:34Why do you think Tommy's filming this?
01:03:36Behind the scenes?
01:03:37Yeah, he played us all for fools
01:03:39This movie's about us
01:03:41The for real us
01:03:43And he hired Tommy to shoot it
01:03:46Tell him, Micah
01:03:47It's all true
01:03:49What?
01:03:50It was so easy
01:03:51Carlo figured it out
01:03:53You knew about this?
01:03:54Yeah, I tried telling you
01:03:56You didn't try hard enough
01:03:57What are you doing taking his side over mine?
01:04:00Whatever, man
01:04:01I'm out of here
01:04:01You're leaving?
01:04:02Bye
01:04:03Take your stupid swirly clown sweater with you
01:04:06That was his brother's sweater
01:04:08Who gives a shit?
01:04:09He died serving in Iraq
01:04:11Oh, God
01:04:13Yeah, I can't catch a break
01:04:15You can't catch a break
01:04:17Micah, you never believed that I could direct this movie?
01:04:20You can't be serious
01:04:22Of course I didn't believe you could direct this movie
01:04:24It's been a disaster from day one
01:04:26Have you washed any of this crap?
01:04:28It doesn't make any sense
01:04:30You made everything way too big
01:04:32As always
01:04:32And Alice, you're a control freak
01:04:34Maggie
01:04:36You slept with me again
01:04:37I did
01:04:38Keep it in your pants, Maggie
01:04:39I think we can all get past this
01:04:42With a little forgiveness
01:04:44Hey, fuck you, Micah
01:04:46I cannot believe I let you horrible people back in my life
01:04:52So, is that a wrap?
01:05:07Time to destination
01:05:08One hour
01:05:11One more hour
01:05:12And we're all free from each other
01:05:14The pogo man has spoken
01:05:15You know, what's it like being unemployed, Alice?
01:05:18What's it like being a failure, Scott?
01:05:25Stop it!
01:05:31I always knew we would end up at a place like this
01:05:34It was inevitable
01:05:36Still, this didn't feel right
01:05:38The movie I was cutting together told a different story
01:05:44Why did you let me do this?
01:05:46I just fully destroyed my three most important relationships
01:05:49Well, you hired me to do this, but
01:05:52There's no but in that situation
01:05:53Here, watch this
01:06:15No more distractions now
01:06:16I'm in this
01:06:17Let's get a shot in the can
01:06:18I can't do this, Alice
01:06:19I said, let's get a shot in the can
01:06:21Okay
01:06:22All right
01:06:22Okay, all right
01:06:24All right, everyone
01:06:24We're gonna get a shot in the can
01:06:26Lunar Lord
01:06:27You mean the world to me, Alice
01:06:36I'm really worried about him
01:06:38I know how he is when he gets like this
01:06:40It's not your job to look after Scott
01:06:43Especially not after what he did to you
01:06:45I don't think he's grown at all
01:06:46He's the same person he was when he moved to New York
01:06:48Yeah, like someone else we know
01:06:50I do really miss when you two were together
01:06:53But you can't do that again
01:06:55He's only gonna hurt you
01:07:07Every part of my being is telling me not to trust you
01:07:09Maggie
01:07:11You can trust me
01:07:15Are you ready?
01:07:16I'm ready
01:07:17Now
01:07:21Hey
01:07:33I love that shot
01:07:34I love that shot
01:07:35Oh yeah
01:07:37It's so wet
01:07:38I know
01:07:42How about it sounds like
01:07:45Okay
01:07:56Oh my god
01:07:57Oh my god
01:07:57Your head
01:08:02I'm so lost
01:08:03You know I've missed you
01:08:07The only way this is gonna work
01:08:09Is if we always have the camera going
01:08:11To catch people
01:08:14When they're unaware
01:08:16And they'll let their guard down
01:08:17It'll happen
01:08:20What I'm saying is
01:08:23Never stop filming
01:08:27Never
01:08:35Micah this is honest stuff
01:08:37You need to keep your reunion going so we can finish this movie
01:08:41There's no way they're gonna want to finish it
01:08:43You should just delete all of it
01:08:46No way
01:08:46You just have to be okay with being honest with yourself
01:08:50You're the villain
01:08:51You're always going to be the villain
01:08:54No one's going to trust you after this
01:08:55But you'd be an idiot to walk away from it now
01:08:59You really think so
01:09:04Let me pitch it to them
01:09:16You really think so
01:09:34It's so wet
01:09:36I thought this TV was broken the whole time we were here.
01:09:39There was a Mike hidden behind it?
01:09:40Of course there was.
01:09:41That was really good.
01:09:43Alice, no.
01:09:45It was really painful to watch ourselves, but Alice is right.
01:09:48I felt it.
01:09:49I can delete all the footage, and we can go our separate ways and just be done with it.
01:09:54Look, your reunion doesn't have to end this way.
01:09:57Don't give up on it just because Mike is an asshole.
01:10:00Imagine if we had just stuck with the original plan and just made a short.
01:10:04It's actually not the worst idea.
01:10:09Alice, where's the big script?
01:10:12It's right here.
01:10:12Here, here, here, here.
01:10:14Look, we take everything out of the script that we don't need, right?
01:10:17And we focus on the hike and the big reveal,
01:10:20which is what Micah's original script was about in the first place.
01:10:24Exactly.
01:10:24How the hike changed our friendships forever.
01:10:26See, that is deep.
01:10:27So you're really going to cut down your celestial pogo odyssey into a short?
01:10:32Yeah.
01:10:32Look, I will rewrite this tonight if you help me direct this tomorrow.
01:10:37Really?
01:10:38I was a jerk, and I was selfish, and I really need to learn how to listen.
01:10:41And I can start by taking some of your direction.
01:10:45Okay, let's direct this together.
01:10:46All right.
01:10:47I miss filmmaking, and I hated my job.
01:10:50I knew it.
01:10:50Busted.
01:10:51Hey, you are fully a plagiarist and a liar, but I still support you, and I believe in you.
01:10:57Thanks, Scott.
01:10:58And I believe in her, too.
01:10:59What you did was worse, but it did bring us back together.
01:11:03So then you all accept my apology?
01:11:05You never apologized!
01:11:06I'll get the shutters.
01:11:14I'm sorry.
01:11:15I'm really sorry.
01:11:18Uh-huh.
01:11:19Nope.
01:11:20Not quite.
01:11:20Again?
01:11:21I'm sorry.
01:11:22I'm sorry.
01:11:24I'm sorry.
01:11:25I was an asshole.
01:11:26I was a liar.
01:11:28I was being hurtful.
01:11:36I was being a dick.
01:11:38I was only thinking about myself.
01:11:40I hurt everyone I care about.
01:11:42Nothing?
01:11:43Nothing.
01:11:44Uh-uh.
01:11:44I was being deceitful.
01:11:46I was being dishonest.
01:11:48I was being opportunistic.
01:11:51I just feel like no matter what I do, nothing's ever going to be good enough.
01:11:56But this felt like something different, something real.
01:12:00I'm just sorry it had to come at such a steep cost.
01:12:03I've always been the villain.
01:12:07And I'm ready to accept that now.
01:12:09What does that even mean?
01:12:11Tommy said it.
01:12:12Oh, it's stupid.
01:12:15But let's do the short.
01:12:17And what about us?
01:12:19No.
01:12:20Okay.
01:12:21Keeping this going.
01:12:23It's time to let everything out.
01:12:33Alice.
01:12:34Oh, my God.
01:12:36I have always loved you.
01:12:40Will you marry me?
01:12:47I'm sorry, Scott.
01:12:48But I don't feel that way about you.
01:12:56All good.
01:12:57All good.
01:12:58Everything in its time.
01:12:59We're finishing this.
01:13:01I need to prep.
01:13:07Did that actually just happen?
01:13:09I think it did, yeah.
01:13:12Hey, Alice.
01:13:13Wouldn't it be funny if I also proposed to you?
01:13:15No!
01:13:15Fine.
01:13:17I wasn't going to anyway.
01:13:20Tommy, this is your movie now.
01:13:22Do whatever you want with it.
01:13:25Long story short,
01:13:28Scott revised his entire script in one night,
01:13:31and we worked together as a team to make the Pogo movie.
01:13:34Somehow, the four of them had managed to have that wild filmmaking reunion
01:13:37that Micah had pitched in the first place,
01:13:40even if he didn't mean it at the time.
01:13:42Oh, all right.
01:13:44Hey, look who's going to get that.
01:13:46Tommy!
01:13:49Victor!
01:13:51Scott!
01:13:52Scott!
01:13:53Scott!
01:13:54Scott!
01:13:56Who's ready for one of these?
01:13:57Let's do it.
01:13:58You going to finally try this?
01:13:59Yeah.
01:14:00All right.
01:14:00You going to do it?
01:14:02All right.
01:14:02Cheers.
01:14:02All right, all right, all right.
01:14:03Cheers.
01:14:03Ready?
01:14:04I'm losing it.
01:14:04One, two, three.
01:14:05Cheers.
01:14:06Cheers.
01:14:07Yay!
01:14:08Great work, Tommy.
01:14:09Great work.
01:14:12You know what time it is?
01:14:15Everyone?
01:14:15Yeah, okay.
01:14:16Other side of the room!
01:14:18All right, all right.
01:14:19Let's do it, let's do it, let's do it, let's do it.
01:14:21All right.
01:14:21Wait, so where's the other side?
01:14:28Let's just play until we're ready to go home.
01:14:36Let's go.
01:14:37Let's go.
01:14:37Let's go.
01:14:50Hey!
01:14:52This is it.
01:14:54Inspired by his brief role as the Pogo Man, Scott took a hard left turn career-wise and
01:14:59got into the acting game back in New York.
01:15:01I've actually caught him in his own commercial or two.
01:15:03Do not take Livetrope door if you are pregnant or overweight.
01:15:06Side effects may include drowsiness, dizziness, shortness of breath.
01:15:09Oh, my God!
01:15:11You really got to put it down.
01:15:12I don't like you.
01:15:14Maggie went back to Chicago.
01:15:16She admitted her wrongdoing, was dropped by her publisher, and settled with Olivia Breck
01:15:20out of court for an undisclosed sum.
01:15:22My career was going nowhere, and when I met Olivia, I could tell she had something I
01:15:27didn't.
01:15:28I never assumed that the book would blow up the way that it did, but by that point, I
01:15:32was in too deep.
01:15:33Uh, what now?
01:15:34Well, my new book is about a female plagiarist coming to terms with her own plagiarism.
01:15:40So it's a comedy?
01:15:41Not really.
01:15:43Go!
01:15:43Go!
01:15:44Who can a Pogo through?
01:15:46Alice moved back to Minnesota and reconciled with Carlo.
01:15:49She left the corporate world behind and started her own production company.
01:15:54Alice ended up right where she needed to be, as her own boss, and her only employee.
01:16:06Looking sharp.
01:16:08As for Micah, he listened to my advice and embraced being the villain, which is why he's
01:16:14now a successful Hollywood producer.
01:16:17He's cool.
01:16:25The next morning, they each left the house one by one until only Micah remained.
01:16:31The movie had managed to heal them as a group.
01:16:35It was the last time the four of them would ever be all together again.
01:16:41Maybe Scott was right.
01:16:43Maybe Micah's email would be worth something one day.
01:16:47But was the Pogo movie true art?
01:16:51The jury may still be out on that one.
01:16:54You decide.
01:16:55Oh my god.
01:17:12Oh my god.
01:17:15Oh my goodness.
01:17:17Oh my god.
01:17:19Oh my god.
01:17:19Oh my god.
01:17:52I sense the end of one journey approaching.
01:17:55And another beginning.
01:17:57No more riddles. I'm tired of this.
01:17:59Blasphemy.
01:18:00Let her speak.
01:18:04Hammer.
01:18:11Murder.
01:18:13Uh.
01:18:14Uh.
01:18:16Hambra.
01:18:20Braggra.
01:18:21Braggra.
01:18:28Braggra.
01:18:33Braggra.
01:18:34Braggra.
01:18:35Braggra.
01:18:36Braggra.
01:18:37Braggra.
01:18:37Braggra.
01:18:38Hope and love.
01:18:40Hope and love.
01:18:42Thank you, Oracle.
01:18:44Don't thank me.
01:18:49In the eyes of my eye, I see my tongue fly.
01:18:53For my eyes to my eye, and I know I will cry.
01:18:55In the eyes of my eye, I see my tongue fly.
01:18:58For my eyes to my eye, and I know I will cry.
01:19:02Till I die, and I know I will cry.
01:19:06I will die, and I know I may cry.
01:19:06Time out.
01:19:20Time out.
01:19:30Imagine, as far as you can think of, I've journeyed twice that distance to return.
01:19:36Hope and love is right, my dear companions.
01:19:40Our days of isolation are over.
01:19:43We will go to Bugopolis together and rebuild what has been taken away.
01:19:50You are saving me, just as I save you.
01:19:55But how will we keep pace?
01:19:58I'll pogo just as slow as I can go.
01:20:01Mind the wet felt scraps, dear pogo man.
01:20:25This is all my fault.
01:20:26It's as much your fault as it is mine, not at all.
01:20:30He wasn't what I expected.
01:20:32I feel relief.
01:20:35How so, Oracle?
01:20:43Our lives are no longer tethered to the hope of the pogo man's return.
01:20:47It's liberating.
01:20:48It's devastating.
01:20:50It's the end of one journey and the beginning of another.
01:20:57Bugopolis can't be too far away.
01:21:00What's the point?
01:21:01It's a journey elsewhere.
01:21:03I guess this is what it's like to be on the opposite side of the same coin.
01:21:23I guess this is what it's like to be on the opposite side of the other side of the other
01:21:24side of the other side of the other side of the other side of the other side of the other
01:21:24side of the other side of the other side of the other side of the side of the side of
01:21:26the side of the side of the side of the side of the side of the side of the side
01:21:26of the side of the side of the side of the side of the side of the side of the
01:21:26side of the side of the side of the side of the side of the side of the side of
01:21:26the side of the side of the side of the side of the side of the side of the side
01:21:26of the side of the side of the side of the side of the side of the side of the
01:21:28side of the side of the side of the side of the side of the side of the side of
01:21:29the side of the side of the side of the side of the side of the side of the side
01:21:30of the side of the side of the side of the side of the side of the side of the
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