00:04But you guys were mentored by your Papa when it comes to rap?
00:11Not directly. We just really appreciate the music that he's doing.
00:16To the point that we would really listen to it during our spare time.
00:21But not really to the point that, Arkin, you need to do this. This is how you rap.
00:26More on what he listens to, that's what we're listening to.
00:31If he listens to Afrika Bambaata, Beastie Boys.
00:37He's not the type of stage dad.
00:40That's interesting.
00:43Personally, because of the respect that I have for him,
00:47I really wanted to see why he's listening to this artist.
00:52What made him curious to follow this era of music?
00:59In terms of style.
01:01What is your style and what is your style?
01:03Our styles? I think we have different styles.
01:06Let me explain it to you. And then your dad also has a different style.
01:12Make us understand.
01:13Okay, you want us to give a sample?
01:15Yeah, please.
01:18Okay.
01:21Here we go.
01:23Here we go, the music.
01:24If you really try to get high,
01:26You know I don't have to do this.
01:30You know I'm going to hit you right back.
01:32And that's what you need to do right back.
01:34If you're just going to be lambing.
01:36Goodbye, you're going to be like a bitch.
01:38You don't have to be a bitch or get a bitch.
01:40You don't need to be able to do this,
01:40Or pull up to your head.
01:42You know you really know how to win hard.
01:44I make it storm. I can make a band like she made out of rubber. Hottest in the game ain't
01:49talking
01:49about numbers. Shout out Baby Blue, I'm a real young stunner. Don't believe me, just check these
01:53comments. Wow. Amazing. Yeah. Me, my style, I did something unreleased. It goes something like
02:08woke up in the city that never sleeps. Got a McChicken from Mickey D's. Went to the Bronx to
02:13get a view of the scene of hip-hop to really know what it means. I bring a piece of
02:17it
02:17to Philippines where my heart and soul begins. Take you there with me. Come through the motionless
02:22flow in the ocean and ride the wave with me. When you come to our islands, you think everything
02:26is fancy. But there's more than meets the eye and I ain't talking about Optimus Prime. We're
02:31living in a world where the ones in the seats are committing the crime. History just repeats
02:35itself. This ain't the first time. More than half the nation suffers corruption. Philippines,
02:39I'm tired of sitting around, doing nothing. CTA, we must do something. You feel me? Eyes
02:44on the prize. No more sleep and it's time to rise. Bangon, Pilipinas.
02:48Wow. Yeah.
02:51Ganda. So we, I think we both have styles that are unique then compared to our dad.
02:57Right. But most of the, I guess the foundation and like the technique, we still got it from his style.
03:06My, my, my basic rules ang, ang rap or is that free? I mean, maraming salama. I mean, you can
03:12do it
03:13Yeah. It's basically just really on the beat. Yeah. On the beat. Yeah. If it sounds good
03:20like it's like, you can, you can get away with saying anything. But is there a
03:26required beat? May, may, may be lang ba ito? There is. Like every four, every, every one,
03:31two, three, four, or every eight. It's like dancing lang din. Yeah, it's like, okay.
03:34Every four, I'm sorry. Every four, what happens? Every four beats. Parang ganoon. Parang sasabay ka lang.
03:39One, two, three, four. One, two, three, four. Salamat sa inyo alam. Yeah.
03:46Ang gagwapo niyong dalawa bukas makikita-kita tale. Sana may dala kayong tinapay kasi ako nagugudob.
03:56I mean, it's interesting. First time I heard that you have to go by the one, two, three, four. One,
04:04two three that means a four you you say like your first punchline and then on
04:09the next four you like follow it up with another punch
04:57and then on the next one
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