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00:01Previously on Will Tread
00:03Got to the point where I'd look in the mirror and I didn't even know who the hell I was
00:06looking at
00:06And then Gina, she found a meeting that I could go to
00:08Talking helps
00:09The best part of this drink is
00:11It comes with a fun umbrella
00:15Antonio!
00:16I'll check the back
00:16Antonio!
00:18He's gone
00:18James Ulster's been dead for nearly two months
00:20That's what you think
00:22I got a letter
00:23That's how he talked to me
00:24That's how he talked to all of us
00:26If I had nothing to do with sending those letters
00:28Then there's someone else who knows
00:29About Antonio, my mother, everything
00:31Where's my uncle?
00:32Guess you'll never know
00:35What happened?
00:36Spiders
00:38Poisoned
00:38Hey, hey
00:39Will, stay with me
00:40Help is on the way
00:41Will, stay with me
00:58And
01:01Hey
01:01You're awake
01:04How do you feel?
01:07Weird
01:09Dizzy
01:10Yeah, they give you antivenom for the spider bites and sedative because you were in a state
01:18Oh
01:21Yeah, you were trying to pull out your IV and go after Antonio
01:27What do you know?
01:28What we know is that Adelaide was spotted in Brazil
01:33We don't know if he's with her
01:35The FBI has like a whole team on it and they're doing their FBI thing
01:40I need to know
01:41I gotta, I gotta go do something to help
01:44Hey
01:44Can you get me out of here?
01:45Will, you just woke up five seconds ago
01:47Can you please take some time to recover from almost dying before you beat yourself up again?
01:55He's my family
01:56I know
01:57Ange
01:58I know
01:59And they will tell me as soon as they learn anything
02:02They're gonna find him
02:08Do you sleep here?
02:10Of course
02:12They're my family
02:19I am
02:19Let me get somebody to handle those straps
02:21You must be starving
02:23I'll have Seth make someone bring you the good meatloaf
02:27Is there such a thing?
02:29Well, trust me, you don't want the bad one
02:34So you're the one who found them?
02:36Yeah, this morning I noticed the door was wide open
02:39Found them inside, now I gotta do a deep clean
02:42Yeah, that sounds like a hassle
02:44You got a name?
02:46No, he paid cash
02:47Did you get his ID?
02:50This look like the kind of place that checks IDs
02:53Can't find the guy's wallet anywhere
02:55Door's wide open
02:56Anyone could've lifted it after the fact
02:59He definitely had money
03:00Guy's sweater's worth more than my mortgage
03:05Okay, so headphones, keyboard
03:09This notebook's full of music stuff
03:13Music stuff?
03:14Yeah, Franklin, music stuff
03:16Sheet music, musical notations, composing
03:20Why would a rich guy work from this dump?
03:23Drugs?
03:24Got some white powder here, looks like cocaine
03:26Yeah
03:26The one we have here, Adderall
03:29Is there a name on the bottle?
03:31Our label's torn, hearts make it out
03:32Hey, let's get this logged and bag
03:34So, doing a little coke
03:37Tickling the ivories
03:38Sounds like a fun night till they got shot
03:49Did Cooper teach you that?
03:51Cooper has nowhere near my skills
03:54Hey, this keyboard case says property of Atlanta City Orchestra
03:59Oh, no
04:01I know this is
04:03Who?
04:04It's Renaldo Benetti, the conductor of the Atlanta City Orchestra
04:07Why oh no?
04:10Because a man is dead and every life lost is a tragedy
04:13Yeah, but really, why oh no?
04:17I'm a patron of the arts
04:19Since when?
04:20Oh, you know
04:22I go to the symphony
04:23Why are you acting so weird right now?
04:26Since when do you go to the symphony?
04:27During my personal private life, which you know nothing about
04:32Do we have to go to the symphony hall now?
04:35Seems like we do
04:37Yeah
04:39We've got two eggs, half a bell pepper, and some wilted spinach
04:46I could make you an omelette
04:49I'm not hungry
04:51I'll just add meatloaf
04:53Okay, how about some tea?
04:56Yeah, sure
05:18I hate this floor
05:21Yeah, me too
05:23Okay, let's get rid of the floor
05:30Is there a plan, or are we just deconstructing?
05:34You know, it's a good question now
05:38How about you go to the hardware store, huh?
05:42And grab some linole samples
05:45Okay
05:47Come on, Betty
05:49Let's go shopping
06:11There, there
06:15I'm so over you
06:18As horrible as this floor is
06:21I think our efforts would be better spent elsewhere
06:23You really think it's wise to leave the search for Adelaide to the FBI?
06:30There is no hour
06:33It is all your fault
06:36I can't believe you were allowed to procreate
06:40Look on the bright side, who's better qualified than you
06:43To track down a deranged James Ulster obsessive
06:47Come on, Will
06:48Where should we start?
06:51A mother
06:57I'm doing better
06:59For your flashbacks
07:01But it's hard
07:04I still don't feel like myself
07:06I'm used to being in control
07:10I'm the one who protects the people I love
07:17You know, lately I've been thinking about buildings
07:21You know how the ones build with some give
07:25They're the ones that survive earthquakes
07:27But the ones that are rigid
07:32They're the ones that just crumble
07:34I have to believe that
07:37Finding a way to move with the ground shifting under me
07:44It's the only way to survive
07:50Oh, hey
07:51That was really beautiful, what you said
07:55Oh, thank you, Casey
07:59Have you seen your ex's truck this week?
08:01A couple of times
08:02Still parked down at the end of the block
08:04Hundred yards to the inch
08:08Well, if he comes any closer, you call me
08:10I'll get his ass on violating that restraining order
08:12Wow
08:14You weren't kidding when you said you were protective
08:18I like it
08:20I like seeing you alive
08:23Uh, do you want to have dinner?
08:26Tonight?
08:26In my place?
08:31I'll bring the wine
08:40Hey guys, GBI just got tagged in
08:44Apparently, Rinaldo Benetti is kind of a big deal
08:46Oh, yeah, Franklin's a big fan
08:48There's something weird going on and he won't tell me
08:50But he did do a whitening strip on the way over
08:52What happened to part of the code, man?
08:54You got anything new for us?
08:55Yeah, I talked to Pete on the way out
08:57Cause of death is a gunshot
08:59But get this, victim had post-mortem bruising
09:02So whoever did this shot him and then beat him up?
09:05Well, they really hated this guy
09:14We should interview all these people
09:16Yep
09:17I'll take the trumpet player
09:21Sorry, is there no one else who can do this interview?
09:23It's stressful enough that Rinaldo was apparently murdered and now you show him
09:26Oh, it's just business, Leon
09:28Do you take prescription medication?
09:30You know that I do, why is that relevant?
09:32Oh, cause we found a bottle of Adderall at the crime scene
09:35And the letters on the label seem to match your name
09:40Okay, look, Rinaldo, he was under a ton of pressure
09:44He was having trouble getting work done
09:45So he asked if I could share some of my meds with him
09:48So I gave him a few pills
09:49What kind of pressure?
09:50We have a big performance coming up
09:53We're doing Rinaldo's original composition
09:56So he was a composer too?
09:58Uh, he talked about it a lot
10:01This was the first one he actually finished
10:03But it took forever for Rinaldo to show it to us
10:05He was acting more and more erratic
10:08Everyone was starting to freak out, especially Claudia
10:11Who's Claudia?
10:13The executive director of the symphony
10:15Claudia was afraid that we would have nothing to play
10:17That we'd have to call the whole thing off
10:19But then finally, after disappearing for like 24 hours
10:23Rinaldo showed up yesterday, said he was finished
10:27And it's annoyingly brilliant
10:28How long is this gonna take?
10:31Lila, honey, um, let's let the detectives do their job
10:34Tom, you're always trying to manage me
10:35Just, I need a cigarette
10:38That's fine
10:39Thank you
10:39Pippa, are we still performing or what?
10:42I don't know
10:44Is your solo ready?
10:45Yes, of course it is
10:46Brass on the other hand, mess
10:47She hums Rinaldo's soaring melody as she, uh, goes beside me at night
10:51Who's going to conduct it, Tom?
10:55I'm very sorry, huh
10:57We're both very upset
10:58He coming?
10:58Yeah
11:03Where were you last night, Leon?
11:06You have to answer my question, you're a suspect
11:07I'm a suspect
11:08You're not not a suspect
11:10You gave a dead man drugs
11:11Adderall
11:12It's a controlled substance
11:13Seriously, frankly, come on, you know me
11:15Oh, you know, I thought I did
11:17Be honest, are you punishing me?
11:19Just give me an alibi
11:20I was at my boyfriend's all night
11:23Boyfriend?
11:24There's a camera in the lobby
11:25That you can check
11:29Now just ask me what you really want to know
11:31Oh?
11:32I mean, I am curious
11:34Four months of happy dating
11:36I had a drawer at your place
11:38You had a toothbrush at mine
11:40Why did you ghost me?
11:46Not funny
11:48He said that?
11:48I mean, I know I made him laugh before
11:50I just can't think of any specific moment right now
11:52But I know I did
11:53Pippa?
11:55Pippa?
11:57Where is Pippa?
11:58Claudia?
11:59Hi
12:00Did you hear? How are you?
12:02Yes, it's horrible
12:03I have grief counselors on their way
12:05Anyone who needs to avail themselves can
12:07But please don't leave the building
12:09We have to rehearse
12:12We're not cancelling the show?
12:14Absolutely not
12:15I'm sorry
12:17Why not?
12:17It's not what Ronaldo would want
12:20We owe it to him
12:21To let his magnum opus be heard
12:24Pippa
12:25We need a conductor
12:28Can you do it?
12:30Yes
12:33Good
12:35Go tell everyone
12:38Hi, sorry about that
12:40Claudia Sabinski, executive director
12:42How can I help?
12:43Well, we need to see Ronaldo's office
12:47Right this way
12:47Thank you
12:48Sounds like Ronaldo was acting erratic recently
12:50I've known Ronaldo for 25 years
12:53Since our music school days
12:55I'd never seen him like this
12:56It was this composition
12:58I told him he was already a great conductor
13:02He didn't need to compose
13:02But he wouldn't listen
13:05He just put so much pressure on himself
13:08How was it that it came down to the last second like this?
13:10He insisted I schedule his debut as the highlight of our season
13:13Even hinged his entire contract re-negotiation on it
13:16And then, once everything was signed
13:18It turned out
13:19He hadn't even written it yet
13:21That's why he didn't want Pippa to see it
13:23I've been close to a heart attack waiting
13:25But yesterday, Ronaldo showed up with a completed chamber piece
13:29And it was everything he'd promised
13:33It was stunning
13:35Did Ronaldo have issues with anyone here?
13:37He was a giant pain in the ass, but
13:40He was our maestro
13:44Everyone worshipped him
13:47Yeah, I can relate
13:48I play a little myself
13:51Really man? Every time?
13:53You know what? Don't do that
13:54Please don't do that
13:59That's weird
14:07I guess someone here didn't worship Ronaldo
14:09At all
14:12I already told the FBI
14:15I don't know where Adelaide is
14:18Of course
14:20But, um, if you could think of anything else, anything at all that might help us find her
14:26We'd appreciate it
14:27Uh, there was
14:29Always
14:31Something
14:32Off
14:33With that girl
14:34Chip off the old block
14:36Maybe I was wrong to reject her
14:37Speaking of
14:38All those letters Adelaide sent me
14:41I sent them back
14:43Unopened
14:44Maybe they're around here
14:46Somewhere
14:47I tried
14:48To set Adelaide
14:50On the right
14:51Path
14:53But no matter
14:55How
14:56Long
14:57I kept her
14:58In the wardrobe
15:01Nothing happened
15:02The wardrobe?
15:06It's our little nickname
15:09For time out
15:10I had to send her there
15:12When she misbehaved
15:14Uh-oh
15:15Bad
15:16Mommy
15:18I don't know why I had sex with this woman
15:23Um
15:26Mr. Evans, could I
15:27Not trouble you for a glass of water?
15:31Thank you
15:58Oh
15:58Oh
16:01Now this is twisted
16:03Even for me
16:06She was just a kid
16:09I should arrest this lady for child abuse
16:12Now keep your eye on the ball
16:13You haven't even looked in there yet
16:20Uh-huh
16:22You're welcome
16:23Oh, shut up
16:24Give me
16:25Stop taking credit
16:31This is you
16:32Entering Rinaldo's office three days ago
16:36We know you destroyed his piano
16:38We saw the damage
16:39Now that is real hatred
16:41You've been assistant conductor for what?
16:43Six years now?
16:45It's a long time to play second fiddle
16:47It's not easy to stand on the sidelines
16:49Watch somebody else live your dreams
16:50I mean it makes sense to resent him
16:52Sometimes that's easier than admitting
16:54Maybe you don't have what it takes
16:55I do have what it takes
16:58The passion
16:58The focus
17:00The commitment
17:00That bastard tried to break me
17:02But I'm still here
17:03Yeah?
17:04Yeah you are
17:05Front and center on the symphony's biggest night
17:07What?
17:09No
17:10It's finally working out for you
17:12Okay fine
17:13I destroyed the piano
17:14But I didn't kill him
17:16Yeah well you certainly killed that piano
17:19What exactly did Rinaldo do
17:21To make you so angry?
17:23He belittled my conducting
17:24The way I dressed
17:26My music knowledge
17:27For years he told me I'd never make it as a conductor
17:30And refused to give me a recommendation
17:34He knew about the piano by the way
17:37When he saw what I'd done he was impressed
17:40Said it was about time I showed some teeth
17:44I swear I didn't kill him
17:47I didn't want to get the job this way
17:49I wanted to earn it
17:51Is there anything
17:53You can tell us about Rinaldo's disappearance
17:55The day before he delivered the composition?
17:57Um
17:58All I know is
17:59When I asked how he managed to finish the piece
18:01He told me he'd found his muse
18:05Any idea who he was referring to?
18:07No
18:07I just figured that man he'd gotten laid
18:10Guy was hornier than a jackrabbit
18:12Hmm
18:14Hey, they found Rinaldo's car abandoned
18:16It's being towed to the impound lot
18:18Let's go
18:34Hey
18:36Yeah, thought you might be working
18:38Brought Szechuan
18:40Oh, where's Chef?
18:41He is drinking a non-alcoholic beer
18:44And watching a documentary on Dunkirk
18:45Hi, baby
18:46Oh, I missed you
18:47Come here
18:48Oh, help me take this food to the dining table, will you?
18:53Yeah?
18:54So what do you got?
18:56Adelaide's letters to Ulster in prison
18:58Oh
19:00You wanna read me over egg rolls?
19:03Perfect night
19:05What's up with your kitchen?
19:07Oh, it's nothing that...
19:09Don't worry about it
19:13She is stupid and never listens to me
19:15I hate her, I hate her
19:17I wish you'd never met her
19:19Please show me how to kill her
19:22I'll do anything
19:23Your daughter Adelaide
19:25You say you had a flirtation with this woman?
19:27We were in the jungle
19:29It was very hot and, um, my guard was down
19:32Look, I've been very vulnerable lately
19:39Well, our lady never stood a chance
19:41Abusive mother, no friends
19:42She could've been us
19:44She could've
19:47But...
19:48We had each other
19:54You changed your hair
19:55Yeah
19:57Controlling what I can
20:00I like it
20:04It makes sense
20:05That Adelaide would
20:06Start a network
20:08Other people who fell through the cracks
20:10Like her
20:10That network
20:11Is the best way to get to Antonio
20:13Has to be
20:16I gotta take a run at Jeb Oswald
20:20Any advice?
20:21You're not gonna scare him
20:23You're not gonna get through to him with logic
20:26The only person he wants to talk to is James Ulster
20:32I can work with that
20:35I don't understand
20:37Wait
20:37Get your hands off my dishes?
20:39Gosh, you don't know how to relax, do you?
20:41Let me take care of you for once
20:42Go away
20:45Okay, okay
20:47Bossy
20:47Mm, it takes one to know one
20:49You might be right about that
20:53I took that when I was 18
20:56I had nothing better to do than follow a dirt road
20:59See where it took me
21:00I really thought I was a photographer with that one
21:03Who you tell her?
21:05I took a pottery class once and could have sworn I was a professional
21:09I always said I'd go back
21:12But...
21:13I knew I'd go to Dallas and...
21:16I slayed plans
21:23Look...
21:24With everything you've been going through
21:26All right, I just...
21:27Stop worrying about me
21:29Start thinking about what you want
21:42Do you want this?
21:57How about this?
22:00How about this?
22:06I know
22:11Woooo!
22:13All your time is gone
22:20Hmm
22:22Now, is this the...
22:25Beer bottle or coffee pot?
22:31Coffee pot.
22:37You're incredibly brave, Casey.
22:49So are you.
23:04Don't bother Amanda. He always gets away with it.
23:12Better have a damn good reason for hauling me in here.
23:16Why don't you take a seat?
23:17Why don't you tell me why I'm here?
23:21You threw a rock through your estranged wife's window last night.
23:24That's vandalism, harassment, and a violation of your restraining order.
23:27I wasn't anywhere near that bitch's house last night.
23:29I know you've been parking on Casey Street, trying to intimidate her.
23:33I can park wherever I want.
23:34I know everything you put Casey through.
23:36I know every bruise and every scar.
23:39But that's over now.
23:42You need to leave her alone.
23:44You have no proof, do you?
23:47Looks like you're the one who's trying to intimidate me.
23:51And I won't be intimidated.
23:54I think this interview is over.
24:00I've met a million guys like you.
24:02Men who think they're untouchable.
24:05You think you can lay your hands on anybody you want and get away with it.
24:10Not this time.
24:22Geez, Faith. This car's almost as messy as yours is.
24:25What's with you creative types?
24:27Yeah, it's organized chaos.
24:29You know the thing is, and look, I don't want to come across as defensive, but I am infinitely funnier
24:34than Leon ever was.
24:35Yeah, you're funny. It's like your thing.
24:37What do you mean my thing?
24:38You know, it's how you like to be perceived.
24:41You don't think I'm funny?
24:42Faith, am I funny?
24:44You're not not funny.
24:45You're amusing.
24:46You're fun to have around.
24:47That is not the same thing.
24:49You don't think I'm funny?
24:50You think Faith is funnier than me?
24:51Leon is lying to you because he is afraid of telling you the truth.
24:55Faith, that makes sense.
24:56It's not that I'm not funny.
24:58It is that Leon is a coward.
25:01Did you find anything?
25:03Yep.
25:05We found this fast food receipt from three days ago during the time that Rinaldo supposedly disappeared.
25:10He was in Cleveland, Ohio.
25:12And anyone recognize this lipstick?
25:17We found your cigarettes in Rinaldo's car.
25:20I think that you two were having an affair.
25:22Lila, were you his muse?
25:25Sorry, that's what this is about.
25:28I have a solo to rehearse.
25:30What happened?
25:30You break up with him?
25:32He threatened to tell your husband so you killed him?
25:33Don't be ridiculous.
25:35Stop, please.
25:35Of course we were intimate.
25:38Profoundly.
25:40Passionately.
25:41Feverishly.
25:43But it wasn't an affair.
25:45Because Tom and I have an arrangement where we can sleep with whoever we want as long as no one
25:49falls in love.
25:49And believe me, I never fall in love.
25:51But not with Rinaldo!
25:53We agreed.
25:55He was on the no-fly list.
25:56I never agreed to a no-fly list.
25:58That was just something that you said and then I did not respond to you.
26:02What does it matter?
26:03The man is dead.
26:06Tom!
26:07Hey, hey, buddy.
26:08Just take it easy, okay?
26:10Don't be hysterical.
26:11It's pedestrian.
26:12Excuse me.
26:13What is going on?
26:14Tom, careful of those hands.
26:16You have to perform tonight.
26:18Do you know anything about why Rinaldo might have been in Ohio?
26:21We have a receipt putting him there the day before he was killed.
26:25No, I have no idea.
26:26Our relationship wasn't really based on talking.
26:31Not really your day, ma'am.
26:33Oh, I think I broke it.
26:35That's okay.
26:35Yeah, because you don't play bass with your feet.
26:37Here.
26:38Do you want me to come?
26:40I think you've done enough of that.
26:43Lila, is there anything else you'd like to share?
26:45I'll just say this.
26:46Whatever he was doing in Ohio, thank God he went.
26:49Why do you say that?
26:50Before he disappeared, he played me what he was working on.
26:52It was atrocious.
26:54We were all going to be publicly humiliated.
26:56Well, what was he doing for those two days?
26:58I don't know.
26:59He never told me.
27:00All I know is I now have an exquisite violin solo.
27:04It's gonna be...
27:05It's gonna be career-making, really.
27:07And you should all come if you can get tickets.
27:10I've given my comps away.
27:12But look, if you'd excuse me, I would really like to rehearse.
27:15So...
27:20I don't know about you, Faith, but...
27:23I think it's time for Franklin to go on a date.
27:26Oh, absolutely not.
27:31This was Ronaldo's composition?
27:33Up until two days ago, yes.
27:35Lila was right.
27:36It is very...
27:38amateurish.
27:39I mean, I do not understand how this became the composition
27:41that Ronaldo turned in.
27:43Do they resemble each other at all?
27:44No, not even close.
27:45That is like it was written by an entirely different person.
27:50Maybe he stole it.
27:51That's why he ended up dead.
27:53Oh, never underestimate the audacity of a straight male
27:56with an inflated ego and a full head of hair.
27:59Oh, no, no, no.
28:01I know you're not laughing now.
28:02Oh.
28:03So now the man thinks I'm funny, huh?
28:05Mm-hmm.
28:07Tell me the truth.
28:11I don't want kids.
28:13I know that.
28:14I like my life. I like my freedom.
28:15I do not need kids.
28:16I specifically said I'm okay without having kids.
28:18But you were lying.
28:20Either to me or to yourself, okay?
28:22And it just felt like you thought that you could wear me down
28:24if you stayed with me long enough, but I wasn't gonna change my mind.
28:27Again, I specifically said...
28:27Benjamin!
28:29You know what? I never should have trusted you with my first name.
28:32Be honest, Benjamin Franklin.
28:35Here we go.
28:36You want them. You do.
28:37It's okay.
28:38But God help us, if there was a child anywhere near
28:41where we were having brunch, they were the only ones getting eye contact.
28:45I did that maybe once.
28:51Fine.
28:53I shouldn't have ghosted you.
28:55I actually can't believe that I did that.
28:57It was very...
29:00immature.
29:05Let me make it up to you.
29:08Come to the performance tonight.
29:09I got you a comp ticket.
29:11Really?
29:12That's right. Best seat in the house.
29:13Wow.
29:15I'd really love to have you there.
29:18Maybe we can be friends?
29:22Okay.
29:23Okay.
29:37Oh, it's you.
29:38Will Trent.
29:41The man who caught James Ulster.
29:43This is your work.
29:45Is it not?
29:46Yep.
29:47You claim to be a student of James Ulster.
29:50I'm more than a student.
29:51I'm an acolyte.
29:52And you think your work celebrates James Ulster?
29:57You know what I see when I look at this, huh?
30:01It's a cheap knockoff.
30:03This work is meant to be relished.
30:08All I see here is fear, hesitation, a lack of discipline.
30:15What is this?
30:17It's an assessment.
30:19It's a grade.
30:21Really.
30:23Oh, let's see.
30:25Oh, C-minus.
30:29And that's being generous.
30:31It's soulless.
30:34Yeah.
30:36Did you even enjoy it?
30:39Huh?
30:40Did you get a rush?
30:42An erection, even?
30:45No, no, no, no, no.
30:46I don't think you did.
30:47No, no.
30:48I think you were scared.
30:52I was afraid I'd get caught.
30:53Oh, I could tell.
30:58When you're doing work in my name, it has to be worthy.
31:06I speak through Will Trent now.
31:10Is it the closest thing I have to a son?
31:13But she said...
31:14Oh, my daughter.
31:16She's nobody.
31:19You...
31:20You were scammed.
31:23I hope you didn't give her your social security number.
31:26I don't understand.
31:27Well, that's as clear as a bell, you unwashed simpleton.
31:33Sit up straight when you talk to me.
31:37My name, my legacy, is being polluted by this bitch,
31:41and you and I are gonna stop her blasphemy.
31:44Or...
31:45I could just...
31:46sit here...
31:49and remove your fingernails...
31:50one by one until you come to your senses.
31:54No one, no one will stop me.
31:56I mean, they love me here.
31:57They can't get enough of Will Trent.
32:01Are you starting to see...
32:05why I chose this guy as my vessel?
32:11How can I help you, Mr. Holster?
32:16Tell me...
32:19what is Adelaide...
32:22doing?
32:25I don't know.
32:28She don't talk to me, uh...
32:29No?
32:31I get my instructions from somebody else.
32:35His name's the Commander.
32:38Ah.
32:39And...
32:39how do I talk to the Commander, huh?
32:45They'll only listen if they hear it directly from me.
32:48Oh.
32:50Wow.
32:52A range of meaning.
32:55Huh.
32:56Ah.
32:58Yeah.
33:05Damn!
33:07That is...
33:09very hot.
33:11Now your turn.
33:13Okay.
33:15Okay.
33:18Now if you raise your gun, you have to be ready to use it.
33:21Always aim for center mass.
33:23Okay.
33:23Okay.
33:24Feet.
33:25Feet.
33:26Shoulders.
33:27Shoulders.
33:28Okay.
33:30Breathe.
33:33Visualize.
33:34And shoot.
33:39Oh, my God.
33:40That a girl.
33:41You did...
33:42I'm gonna look into getting one for myself.
33:44Well, let's do it now.
33:48Listen, Casey.
33:49I got a bad feeling about Dallas.
33:52You need protection.
33:53You're right.
33:53I just want to do a little research first.
33:55But I promise I will.
33:56Well, just take mine.
33:58I can't.
33:58You need it for work.
33:59No, no, no, no.
34:00This is my personal gun.
34:01I mean, you've already shown that you're comfortable with it.
34:05Listen, hang on to it till you get your own.
34:07Put it somewhere safe.
34:12Thank you, Amanda.
34:14Oh, look.
34:15You're in my office.
34:17You're low blood sugar.
34:18But I have to say, I like it in here.
34:20It's quiet.
34:21Great snacks.
34:22Yeah.
34:22Okay.
34:23Don't get too comfortable.
34:24Who's on the phone?
34:25I'm on hold with the Archive Library at Rinaldo's Music School.
34:29Turns out that this fast food restaurant you visited was only 20 miles from there.
34:33Traffic cameras put him at the campus.
34:35Nice.
34:35Oh.
34:36Oh, hi.
34:36Yeah.
34:39Oh, wow.
34:42Rinaldo checked out a master's thesis from 25 years ago.
34:47The day will need to work as a future같은 location.
34:55It's extremely challenging.
34:55The front of church values are quite distintos in talking schools with huge hands.
35:02It's absolutely not at each date.
35:03It certainly seems like there seems to be any serious lady.
35:03Oh, can I do anything?
35:18I am at the symphony, what?
35:20Ronaldo stole the composition from Claudia.
35:23What?
35:23We're thinking after she heard the first rehearsal, she realized what he'd done, confronted him, and when he didn't come
35:27clean, she followed him to the motel and killed him.
35:30Jeez, her seat's right next to mine.
35:32Good, keep an eye on her. We're on our way to the symphony hall now with backup.
35:35You got it.
35:53Gloria!
36:18Gloria, I'm out.
36:23Lie right above us.
36:47Claudia, I see you.
37:16Gloria Spitsky, you're under arrest for the murder of Rinaldo Bonetti.
37:21Quiet.
37:22This is the best part.
37:32Twenty-five years ago, I showed this piece to Rinaldo, and he convinced me it wasn't any good.
37:41I was so young, and insecure.
37:46I believed him.
37:51But I hear it now.
37:56I was good.
38:04Yes.
38:05You were.
38:15Please, just let me listen until the end.
38:22Then I promise I'll go peacefully.
38:40You were.
38:48What?
38:56What?
39:38Leon was right.
39:41I do want that.
39:42The husband, the kid, all of it.
39:46Yeah, it's pretty great.
39:49Yeah.
40:08I'm sorry, can I help you?
40:11Jeb says Ulster speaks through you.
40:14Right.
40:16You are the commander.
40:20Adelaide must really trust you.
40:21We understand each other.
40:24She helped me see what real freedom is.
40:26Killing.
40:28Hurting innocent people.
40:30No one is innocent.
40:35I know what it's like to be angry.
40:39There are days more than I'd like to admit.
40:44When I think my anger might consume me.
40:48But killing doesn't make you feel free or powerful, no matter who it is or why.
40:59It eats away at your soul.
41:06What's your name?
41:09Hey.
41:10If you know where Antonio Morales is, you need to tell me now.
41:15Don't let Adelaide get you into any more trouble.
41:18Yeah, she said you'd try to save me.
41:23Worcesters, we'll be in touch.
41:27If you follow me, I will tell her.
41:32And if that happens, I'm not sure what she'll do to Antonio.
41:38Talk soon.
41:41Talk soon.
41:56Kasey.
41:57Amanda!
41:58He's here!
41:59Who?
42:00Dallas?
42:00He's in the house!
42:01Go get the gun.
42:02Remember what I told you.
42:03Come back here, you bitch!
42:04I'm gonna kill you!
42:07Listen, I'm sending the cops.
42:08You know, just hold tight.
42:09No!
42:10No!
42:10No!
42:12Casey?
42:14No!
42:38Casey?
42:40No!
42:40No!
42:43No!
42:44No!
42:45No!
42:48No!
42:49No!
42:49No!
42:49No!
42:50No!
42:51No!
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